#but now I want it as a different format

[rainy-s-other-corner]

I want to talk about my Epi-verse projects (still planning to change the name). And I want to just talk more about my three main girls for this project.

This project was created when I was in college in the app Episode Interactive (hence the name Epi-verse). I only created two stories for this universe but I had planned on more stories. But for now, let's talk about the first two.

The first story was called Nine Lives to Spare. It was all over the place but it's pretty much about a girl, Melissa Crescent, getting a crescent moon necklace that gives her magical powers. Some of you may say that this sounds somewhat similar to Miraculous Ladybug...it does but except for one thing. The necklace is cursed with the power to give the wearer nine lives and to be haunted by a ghost named Ava. She goes on a quest to find someone to help her figure out her powers...while someone is hunting her down because of her necklace. I never finished the story but it was decided that this would connect to the next story of the project. Also, if you're wondering where Dove is...she was not in the original story and it wasn't until I started rewriting the story that she was introduced as Melissa's sister.

The second story...was pretty a Jem and the Holograms inspired story with magic. The story, called Passionate Fire, follows Ayden, her brothers, Henry and Scott, as they transform to their alter egos, Moon, Midnight, and Nightmare, to perform as The Night Crew. And they did this by using Ayden magical sun necklace, it's special ability being some sort of shape shifting or glamour magic. It didn't go very far.

Note: I made this universe when I was 19. I even thought up of our stories to go into this world.

I would love to work on these projects again. But I have no idea if I want to make them as a comic or a gacha video (I did try with Passionate Fire but it was only one episode) or a novel. This middle child project is a frustrating one.

And here's some photos of them in Episode Interactive's best art style!

They came a long way from this to their gacha club designs.

[sysig]

How far did you get? (Patreon)

[mrkgrl]

Can I still tag it with TW movie--- or uh... TW movie The Aftermath, maybe. I have so many more of these doodles/comics.

[poorlydrawnandroids]

Happy Activation Day to these two silly boys!!

We’re just 14 years away from their creation, aww <3

[mcybree]

I prepared this ask in the Notes app only for Tumblr to not let me copy and paste the text so here’s a screenshot bc I’m not typing all that again lol

there’s this funny trend i see in trafficblr art, in that, when there’s a lineup of every past winner, most players will be surrounded by symbols that were relevant to their POV, and perhaps drawn with the last emotion they’d felt just before death (or maybe just whatever emotion the artist most associates with the character). The winners might be doing something, or in a pose that reflects how they won—there are a million ways to make a life series winners’ piece. What’s funny about it is that no one ever seems to know what to do with Scott. He’s most often just standing there looking mildly disgruntled. And for the symbols he’s most depicted with, it’s typically poppies, which are only relevant to the first season; last life scott does not place any importance on poppies, poppies dont ever come up beyond a brief interaction in episode 1, and jimmy as a whole is less relevant to scott’s pov in last life than he is in every other season.

not that this is an issue with the art; the pieces are beautifully done, it’s just representative of how little fandom discussion there is about scott’s win thematically. Most discussion I see are about the watchers and how they hate scott for defying him or whatever, but watcher lore is not discussion of the series itself as much as it is a fan creation that is retroactively applied to create meaning.

Scott’s Last Life win, to me, was achieved through accomplishing what Third Life Scott could not.

Scott spent 3L waiting for his day one ally to die. He kept Jimmy at a distance, often fully gearing himself up first before backtracking to help Jimmy along. There’s a funny disparity in episode 5, where Jimmy spends the entire episode trying to get good enchants on his iron armor, while Scott sets up a villager and gets good enchants for the full diamond set that he’d already had in storage, in about half the time Jimmy took trying to accomplish his own goal, iirc. This disparity is also something scott acknowledges with the “I’ll always be more powerful than you” line, but it’s been a while since ive written a post like this so i unfortunately do not have the episode number memorized on that one anymore. But Scott goes on to explain that he’ll always have better armor and weapons, which is why Jimmy could never kill him. This is all to say that Jimmy and Scott do not stand on equal grounds in their alliance, and, more importantly, Scott does not depend on Jimmy. The progress Scott makes in Third Life is entirely his own, with Jimmy as more of an afterthought than a teammate.

This is what landed Scott his all time lowest placement. After Jimmy dies first, Scott loses sight of his priorities and dedicates his remaining time alive to avenging Jimmy, rather than focusing on his own longevity (like he’d go on to do in future seasons). And, in that way, Scott’s attitude towards Jimmy (disposable, going to die, unreliable) was an indirect contributor to Scott’s low placement.

In contrast: Scott could not have won Last Life without Pearl. Scott has to rely on Pearl from day 1, having only two lives to start with himself. Pearl gives Scott two lives total. Pearl and Scott are almost always together. They made it to the final four by each other’s side. And that forced day 1 reliance on pearl breaks down the role scott typically assumes (*he’s* supposed to be the person people rely on, he’s supposed to be the one bringing everything to the table) which curbs his tendency to see himself as above others, which then allows for the most genuine happiness i have ever seen him have in an alliance.

The comparison between the way Scott talks to Pearl and the way Scott talks to Jimmy is like night and day. Scott doesn’t compliment or otherwise say anything supportive towards Jimmy (save for the “I believe in you! MCC has trained you for this moment!” during Jimmy’s dare to flare attempt) until after Jimmy has already died. With Pearl, however, Scott is much more open about his care towards her, saying that she’s his best friend and that he loves her as early as episode 2. There’s more examples but between last life and third life, Scott’s attitude towards his primary ally is completely different, and i think it’s symptomatic of Scott allowing himself to love and be vulnerable rather than keeping himself at a distance. And i think that it’s so special that scott won the season where he was so close with his day one alliance, directly because of his day one alliance.

because, to me, one of scott’s defining characteristics is his self reliance. He will have allies, yes, but he often assumes a supportive role and acts as a supplier. He doesnt like taking things from other people. Last Life is different because Scott relies on Pearl, too. It’s also not a coincidence that last life is the only season where scott is normal about jimmy but that’s a different post

tldr yes scott won last life with the power of love but not in the way people say he did (ignoring the boogeyman curse was strategy ☝️)

I SHOULD NOTE, though, that the boogeyman curse was still a fail. Although purposeful, Scott receives the penalty and apologizes to his team. He says he just couldn’t bring himself to do it. I do think that his words here aren’t fully honest— he’d admitted earlier that this choice was fully for strategy. But I also think his apologetic attitude here is genuine. Scott is a perfectionist, he needs to succeed; failing, though purposeful, still hurts. He feels the need to apologize. It means so much to me that his win in last life directly follows the choice to fail on purpose. I’m insane though idk

third life scott embodies scotts flaws while last life scott is him overcoming them 👍 is what im trying to say 👍 last life scott is everything that third life scott could not bring himself to be, in allowing himself to love and depend on other people and overall just be a person.

[creaturefeaster]

shocking: dood "creaturefeaster" lestab has a twinkle of motivation. will they finally work on something? nobody can say for sure

[raindrvq]

me after dallas gives me his jacket at the park

[methoughtsphantom]

plot bunnies about an idea i don’t have enough motivation juice to write. red hood identity reveal variety

smol jason

So, Red Hood reclutantly working alongside the Bat to take down a child trafficking ring when he is hit with a de-aging spell. It even isn’t the first time Batman encountered the end of this particular spell so he already knows the victim would have no recollection of their memories, so he protects the now child (he guessing 11 estimate age) and guides him through the panic of not being able to take off the Red Hood helmet. the one that canonically has a bomb in it (cause older Jason is a dramatic bitchTM) so like, Batman catches the child’s prying fingers and takes them away from the latches because Hood has implied the existence of a bomb and that’s enough for dread to set in his gut. Bruce gently coaxes the child to let him confirm this with a device he takes out of his belt and raises it eye level to the kid’s head. It beeps. And B feels the ground sweep out under him. Because indeed this child has a bomb to his head. (and he’s suddenly hearing another bomb go off in the distance and a warehouse and —)

anyways, B ends up taking (read kidnapping) this twelve year old to the Batcave so they can pry off the helmet and I can only picture the ANGST because this is Jason and Bruce each unaware of who the other is. Jason still lives in the streets in his mind according to him and well, according to B, he’s dead. So they start bonding, kinda awkwardly at first cuz of the helmet’s voice modulator, but Jay at that age (at any rlly) was a spitfire and like he genuinely makes B forget this is a crime lord for a second (kinda difficult to that when the kid is stuck in the helmet) but whatever. I can only see Jason being his cautious self but kinda being at ends here because he kinda does need Batman’s help to get this thing off him, so he can only, just like narrow his eyes when the Bat approaches him for a blood sample. (“Need to check for magic residue, lad.”)

(Jason’s only allows this because he has a knife he found in the clothes he’d was drowning in earlier)

As u can guess, Bruce was obviously lying and wanted to run the blood sample to see if it matched any from his database (as the Red Hood has also implied that they have met before)

Anyways Bruce just gets the alert that the blood reading was finished almost at the same time they can pry the helmet off, and because he got a little attached, he just wants to see the face of this lively if wary teenager that has the same name as his (dead) son. (he managed to pry it from him earlier, how, i dunno) It’s literally Bruce’s martyr and huge guilt-complex that goes like ‘ah yes let me see the face of a child that was failed so throughly by the people who should’ve taken care of him’. So they pry off the helmet and then Bruce feels like he’s been doused by cold water. it’s like he’s staring at the ghost of his dead son again, the image completed with ruffled hair, slightly upturned lips and blue guarded eyes that look up to him with recognition but not recognition.

Bruce immediately hardens, shuts down any hope he can feel rushing in and desperately tries to close the dam and let his confusion and rage turn into anguish. “Who are you?”

The boy—the imposter quickly tracks the 180 demeanor change and immediately goes defensive. A painfully familiar scowl appears in his face.

“I’m Jason, I already told you that, what, your old age catching up to you?”

Batman stalks closer and then the boy’s taking two steps back for every one the Bat takes. He tracks the loose outline of a hand closing in tightly around the hilt of a knife in the boy wearing his son’s face and he can only think how dare he.

“Lies! You’re not my son! Who are you?”

Heart in throat, Jason struggles to keep distance between him and the towering black shadow that’s so angry he can sense it in his very bones. He doesn’t understand.

He doesn’t.

“I-I my name’s Jason. Jason Todd. My father is Willis Todd, not—not, Batman.”

And there’s that for the little snippet. Sorry this is so disjointed😭. After that’s just the mental image of Dick cutting in with Zatanna trailing closely behind him and being all “Hey I got your message about a de-aging spell and—“ and just stopping at the scene.

Because that’s Batman towering over a clearly scared kid. Said kid using the distraction to try and stab Batman. The action clearly enraging Batman—that doesn’t make any sense?! B would never— Dick immediately sprints into action and steps in between the two.

like Dick just giving his back to the kid and not seeing. Batman clearly shaking his head in denial and snarling, treating the kid like his crime lord self and Dick not understanding. Having to receive help from Zatanna to get the kid the hell out of here (but like where would they even take him? The manor??)

Zatanna just takes them to the other side of the cave and takes note of the teenager. How he has a dead grip on a red helmet and his gaze is stuck upon it.

Meanwhile Dick has to physically restrain Batman from going after the kid and he raises his voice just enough to demand what the hell is happening?? Why is there a kid in the Batcave? …Batman??? Report. As he is demanding answers Dick had slowly loosen his grip on his dad only to now found him staring at his gauntlet’s data hologram.

The information displayed? 99.98% Match confirmed to Jason Peter Todd.

So as this is clearly pure angst, I want Jason to lash out, sticking only to Zatanna only to realize she’s the magic user that’ll quote on quote will return him back to normal.

Jason is just like on really uneven ground here, even though he doesn’t think he’s ready to retur. But then Batman is just like “Jaylad” … “Jay…” and taking off his cowl and reaching up to him and looking at him like he knows him, like he’s something fragile and precious. Which is sooo fucking jarring you can understand. Jason internally is all what the fuck

Jason just wants them to back off. Jason is an overwhelmed bean. He looks up to Nightwing for help but the man is also mirroring the Bat, domino off and eyes suspiciously bright.

Zatanna is literally the only person in the room not emotionally compromised. She’s with Jay in the ??? train.

Suddenly she looks down and there’s the little boy whose eyes are pleading in helpless confusion. Eyes practically conveying the question you can return me back to normal right?? he pointedly doesn’t rip his eyes from hers as Zatanna puts a hand on his shoulder, pretending she doesn’t notice how he trembles and wordlessly asks if he’s sure.

cut scene

Bruce interrupts because information overload and he can’t compartmentalize this is too important and he and Dick stop Zatanna to which she too is ?? because that was literally what she was called for here. Dick is no help.

Dick is torn.

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕

[da-birb-writes-sometimes]

Hello! how you doing?? may i request for your event , epel with a fluffy platonic ''long distance relationship" ?

and as my backup i thought of riddle with ''farmer's market'' , like a funny romantic outing

and i think you said 2 backups ... if you then stargazing with azul , romantic hurt/comfort

i'm not used to requesting so if i did anything wrong sorry oopsie i didn't mean too 😅

Long-Distance Relationship; Epel Felmier

Content; Fluff, gender-neutral reader, platonic

Word Count; 650+

AN; Everything looks great, no need to worry! I hope you enjoy this, and the friendship with Epel! As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist

This summer had been quiet, with Professor Trein basically threatening Crowley to let you stay with him. But it was nice. You had a nice room with overstuffed pillows and old quilts. And an actually nice bed that didn’t have any springs poking out of it. After the chaos that had been the school-year, it was nice having a stable home environment. Also Trein gave you the freedom you needed, and didn’t hover, but was there when you needed him.

“Another letter arrived for you,��� the older man said while waiting for his morning cup of tea to cool down. “From Felmier.”

Epel couldn’t come to visit as often as the others, as he was busy at the farm and doing promotional work to help bring Felmier Farms into the public’s eye. But he sent a letter every week, each with an apple stamp.

You opened the letter, curbing your excitement. There was rarely anything super exciting in them, but it was still nice to read what Epel got into.

Meemaw says I should be able to visit next week! So be prepared for a lot of stuff; could ‘have sworn you’re her grandkid an’ not me. Hope you like kitschy apple-themed clothes.

Epel is coming. Epel is coming! You hadn’t seen him in over a month, and the last time you did he was working the family stand at the farmer’s market. You couldn’t really catch up then, but now, now you could. You could finally catch up with your best friend. “Is it okay if Epel comes over?”

Trein looked up from the book he was reading and gave you a curt nod before going back to his book and morning cup of tea

Places to go with Epel; 

You had started to make a list, but nothing was really coming to you. You didn’t know many other places save for Night Raven College, and the small village where Trein, and now you, resided. Sighing, you spun in your chair, thinking. Epel was arriving tomorrow and you had jack-all planned. And sure, just catching up and hanging inside the home or out in the yard was nice and all, but you wanted to do something. “Come on brain, be smart,” you sighed, plopping down on the bed and groaning. Maybe some sleep would hel- “Epel?”

And standing outside your window was none other than Epel Felmier, carrying a backpack and an amusingly large box. He was moving his mouth, but you couldn’t make out what he was saying. Getting up, you moved towards the window and pushed it up.

“-et me in, these damn skeeters are eatin’ me alive,” is what you heard upon opening the window. And there were indeed a few mosquitoes trying their hardest to make a midnight snack out of your friend. “Long time no see, huh?”

You moved aside so he could let himself in. he was early, in the letter he said he’d be arriving tomorrow right after lunch. But Epel was here, in the middle of the night, hauling a large wooden crate into your room. “Yeah, but what are you doing here Epel?”

He let out a grunt as the wood crate finally got through the threshold of the window. “Visiting, like I said… Pa dropped me off early but I had some runnin’ around to do.” He reached into his pocket and handed you a small bee keychain. “Gotcha this in town, since you’re a busy bee.”

You lightly punched his shoulder, as you knew Trein would give the both of you a questioning look, but you were happy to see Epel. “So, what horrors did Marja send?” You peaked into the wooden crate.

Epel grabbed out a cardigan made of granny squares with apples and apple blossoms instead of daisies. “Matching sweaters,” he said with mock fear in his voice.

The two of you laughed though, as it was a sweet action, and once it started to cool off, the both of you would wear them together; like the cheesy matching outfits parents put siblings in.

[butterfliesornauseous]

500 special part one: hiding an upset stomach in a early relationship

Lately I’ve been thinking of a couple that’s still pretty new in their relationship and one of them is still nervous about doing anything embarrassing in front of their partner soo

Warning for small mention of eating and embarrassment

- Imagining that they were on a date at a restaurant and even before they left, B’s stomach was already starting to hurt. It’s only a mild upset, so it’s pretty easy to hide. But B is nervous. Stuck worrying during the drive home if their tummy will calm down or if it will develop into a more intense embarrassing pain.

- A has already suggested they should cuddle up on the couch and watch a movie, B’s stomach at this point is starting to feel like it’s growling without making noise, so know they have to think about which position will help keep their tummy from gurgling during the movie.

- Nervous smiles when ever their tummy gives them a little too much trouble so they put their hand on their stomach for just a second to calm it and A notices it and raises an eyebrow, but A quickly says they are fine.

- B’s belly has been making low those burbles all night, they aren’t really loud enough to be heard yet B still feels the need to shift or make a small noise to cover the sounds. Every little shift makes them glance over to A, worried that their movement is always a giveaway.

- Finally, one of the noises is loud enough to be heard, which leads A to tease/say with shock “you’re still hungry?

- That makes B flush. They mutter something about just being the type to digest loudly. B has always found acknowledging they have a stomach embarrassing, so this makes a nervous flutter join the ache already building inside.

- A smiles, satisfied with the answer but still says “tell me if anything is wrong, okay?” It warms B’s heart that their partner cares, but they aren’t ready to admit to their stomach troubles yet.

- B just nods and turns back to the TV screen they haven’t actually been paying attention to. Their stomach had already started to feel tight against their clothing a little while ago, but now they really can feel the pressure building from under their ribs to their throat. B can’t help but sit in regret over what they picked for dinner. Maybe they shouldn’t have had so much soda, their tummy would be quieter and the urge to burp wouldn’t be tightening in their chest.

- “Are you even watching?” A asks when a funny scene plays and B didn’t laugh. There’s no suspicion in A’s voice so B thinks they are off the hook and make sure to laugh at the next scene, but it’s a pained awkward sound from the movement triggering their poor belly more.

- A moves closer to B. They rest their hand on B’s side and one of their finger’s strokes up and down. B tenses a little. They are definitely overthinking now if A has figured out the truth, but then they realise being tense is also a giveaway. B un tenses. At least they can still enjoy that subtle amount of comfort.

- Their belly needs some kind of relief, it’s feeling angrier at the fact B is denying it, and soon B can’t help but let out a small burp. B is so embarrassed and caught guard at the betrayal of their stomach that a hand instinctively covers their mouth before they feel another burp coming up.

- B feels A’s hand move closer to their actual stomach, they give it a small rub then say “Your tummy is upset isn’t it?” B pauses, even if they are caught it’s too embarrassing to even give a head nod.

- And then B is pulled into A’s lap, “Tell me where it hurts… please?

[planet4546b]

i wish wolf was a salvageable oc. i have mostly rehomed june though i often miss her original form but poor wolf is so entrenched in her own worldbuilding it’s difficult to seperate that out. like for her arc to be compelling she NEEDS that ten year lead up and i can’t give her that and i miss her so badly. WOLFFFFF

[wish-i-were-heather]

ok i made an image with a bunch of things that go together in my head and i cant explain why

[headfullof-ideas]

Soft follow-up to my Monumential post. We don’t know much about Lemuria and the Monumentials themselves, aside from the fact that Lemuria sank six thousand years prior to the show, and the Monumentials have been around for at least a little longer than that. Long enough that Lemuria already had more than one device to control them, and effectively enough that it seemed to be a somewhat militant thing. At least that’s what the intention was when the Benthos line tried to usurp Doreus.

But that’s all we know. There’s not much information about how long the Monumentials had been around, or what Lemuria was like in regard to the rest of the world. Which means it’s a whole entire sandbox for us six fans to play with. I’ve already talked about how I also like to imply that the Monumentials aren’t from this world, but I also like to play with Lemuria’s origins, the Nekton and Benthos’s families connection to one another, and all sorts of other stuff. Each AU I have tends to have slightly different origins or functions when it comes to Lemuria and the Monumentials lore, but I’ve built an entire background for the Monumentials and how they’re linked to Lemuria’s history.

I’m writing this because I’ve been revising and editing my Subnautica/The Deep story, and all the above is pretty important to the story itself, aside from a few tweaks to make it fit with the games lore

[toytulini]

me, stupidly and weirdly resistant to listening to audio books vs reading a physical book for no real reason: man i wish there was a way to like, read a book while i crochet like i do with tv shows and movies and podcasts

[sundial-bee-scribbles]

anyone else ever have this random fear of being accused of copying other people unintentionally? like

>be me >see another artist post something cool >"ooh funky i had a really similar idea once!" >get inspired to possibly draw something >"wait but what if their fans or they themselves notice and think i copied their idea and start drama (;;;*_*)" >end up not doing anything