#but no the trigger to this post was very much a case of ''why not both'' and all of the comments were saying that too

[biblically-accurate-dca]

KILL!!!!!!!!!

[daz4i]

"i respect your headcanon but [whole essay tearing it down and being very aggressive about it while insisting that it CAN'T be true bc their interpretation is the only right one]" well i don't think you respect it very much. perhaps

[pumpking64]

.

[box-dwelling]

So for the record I know I've been posting a lot of aai 1 stuff because I've been playing through it. I don't know when that's going to continue and if it does when because the 4th case is actually a pretty bad trigger for me. It's Von karma. I know a lot of people relate a lot to the abuse the Von karma siblings suffered but Miles' trauma around that even before the sourt of head canon expansion people do, just like the stuff actually present in the game, is really really similar to my own and seeing Von Karma really fucking feels like seeing my abuser. He didn't kill my parent and frame me for murder but almost everything else was shit he pulled.

I guess it's my blog so I can talk about it without it trauma dumping but the being groomed from a young age after the death of a parent to be a prodigy in a field by being massively overworked as a teenager by someone you admire and are desperate to live up to while being very aware that if you are anything less than perfect they will viciously verbally abuse and belittle you was pretty directly my experience. As was watching people younger than you go through the same thing and wanting to protect them but not knowing how because you still believe that your mentor is fundamentally doing the right thing and helping you because he's the best so he must be and even if everything else in your life is neglected you are thriving in the field their training you in, and the fact you are watching them and yourself suffer is just a show of your weakness. I even had a pretty similar break down to the one has has in JFA where you just run from it and try to find whatever scrap of identity you still have after seriously considering suicide. Edgeworth hits really really close to home and it's kind of why I'm so fond of him. I honestly wonder sometimes if someone writing him actually experienced this because it's really really accurate at least to what I went through l.

Even though MVK isn't too outwardly abusive in the case it's honestly kinda harder seeing the positive side because it reminds me of the manipulation you experience when you are doing well but with the constant threat of if you slip up once it's over. It also brings back doubts of if I did the right thing by leaving even though I know I did. Just very similar tactics and words to those my absuer used.

I will still be posting AA stuff. I'm still actively writing fic even though I've yet to post any because I write non chronologically. I'm probably going to head back to the main series and live post my play through of AJ. I may even start up aai2 and grab a let's play for the last case so I know what happened. Idk. Just that case is going to be rough on me so it might be a sec before I can finish it.

[snekdood]

Ppl gotta understand that just bc you do x thing because you're mentally ill, doesnt mean your actions dont have the same effect if you weren't. Like if you've been manipulative to your friends, you cant get mad at them for not sympathizing entirely with you when you go on about how they dont accept you for your mentally ilness. Regardless of your reason, you were still manipualtive, you fucked with peoples trust. Theyre still gonna have trust issues about you even if its bc of whatever mental illness you have.

[mybrainproblems]

still thinking about that ask by the person who triggered themselves re-reading a fic they already knew would upset them and then blamed the writer and it's like. i think i have experienced the one and only situation where the author IS to blame for triggering and upsetting their readers. bc this was a situation where they didn't tag for both a trigger AND the fact that 95% of the fic was [pairing 1] and the last 5% was endgame [pairing 2].... wherein [p2] was a notp for the vast majority of [p1] shippers. (oh my god the ship wars. the attempts at doxxing. the death threats. the suicide baiting.)

so readers got upset! both the trigger and the notp were completely untagged and when ppl asked the writer why they didn't tag it and to at least to tag it now so future readers weren't blindsided, the writer's response was "well if i tagged the trigger and the (notp) ship then nobody would read my fic"

which like. THAT is the writer's fault and them being a selfish dickhead. not you choosing to blow past tags. not you deciding to re-read something that triggered you already and you know will trigger you again.

wtf y'all.

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[pincushionx]

Blood warning!

.

.

.

I see lots of fanfics that talk about the Grimwalker stories and myths as Grimwalkers being these predators that hunt witches and are these monster that feed off of flesh, but all of these are usually false and like I said just myths.

So what if that wasn’t the case? What if Grimwalkers were the flesh craving beasts everyone thinks they are. Aka me giving Hunter the Tokyo Ghoul treatment (kinda)

This image takes place during Thanks to Them, he’s hunting and consuming animals to sustain himself but they can only do so much. He keeps it a secret because he’s ashamed, scared and full of self loathing. Unfortunately you can only sneak out and wash your clothes so frequently until you get caught.

…

The craving flesh started around the time Hunter started hitting his second stage of puberty, so around 12 to 13 years old. It started off as spouts of aggression, weight loss and odd carvings that he suppressed until he eventually snapped and attacked a scout. Once he consumed flesh, there was no going back.

This happened with a few Grimwalkers, typically one made around pubescent years due to this being a natural development. Grimwalkers who are made as adults don’t get this since get miss that developmental period. A reason why Belos made Grimwalkers strictly adults for hundreds of years before trying out a new experiment.

When Belos made Hunter, he was aware of this and rather than kill Hunter off or just make an adult Grimwalker, he decided he can benefit from a “monster” needing a source of food.

Hence, Hunter picking up a reputation for being “feral.” Belos supplies Hunter with blood and flesh but not enough to satisfy him, just the minimum to keep him alive. This is to keep Hunter at a state where he’s willing to do more work to earn more food but unfortunately this just results in cases of Hunter going “too far” aka mauling different beings (witches, beasts, demons, ect) during missions on the accounts he’s literally starving and being triggered in fights.

He can eat normal food but his sense of taste is bit dull and doesn’t give him the nutrition he needs. He can eat and eat and it will do nothing. He learns to satisfy himself through eating animals he hunts during missions. When he gets to the human realm he eats his food with an overwhelming amount of seasoning just to taste it.

He also has a very strong jaw and sharp teeth, like hyena type stuff.

(Imagine a scenario he pauses a mission mid way to go hunt some voles and eat them raw and the scouts just standing there like-)

After Hollow mind Hunter struggles because now he’s has little source of witch or demon flesh (he raids the healing classes for blood and kitchen for uncooked meat)

So during thanks to them he’s forced to live with three witches, a basilisk, two humans who are somewhat similar to witches and oh boy he struggles. His friends are concerned. Camila notices Hunter eats a lot but still looks like he isn’t gaining weight, Gus notices that he sneaks out, Vee smells something wrong with him, Luz sees how on edge he is, Amity catches on to his burst of aggression (caused by hunger and stress) and Willow notices he avoids them.

They all already knows something is off with him (heightened senses, unusual teeth and jaw strength, glowing eyes, unusually tight and powerful muscles despite how gaunt he is) but only Luz knows he’s a grimwalker but hasn’t quite put the peices that’s he’s a unnatural, natural predator to witches and demons. The witches, Vee and even the humans feel a slight primal fear around Hunter but they can’t quite put the reason why, he puts them on edge even if they love him but something’s off.

Despite the fact that all of them are willing to give him blood, even some flesh if they could, the boy just refuses, since he sees himself as a literal monster that needs to be locked up.

This is me giving Hunter Grimwalker trauma x100. Anywho this is my late Halloween post aka my billionth AU idea. This was inspired by Tokyo Ghoul, Ginger snaps(2000) and the fic [redacted] Hunter by ApaMonkey on ao3! Yall should read it!

I have a weakness for flesh craving characters who aren’t villains but they aren’t so common so of course I had to project that love to my own skrunkly!

[randomreasonstolive]

Hello there all you lovely shining stars.

N here, with some pretty bad news...

(I'll put it behind a cut to avoid triggering anyone)

C is the person who actually runs this blog. He works tirelessly to make sure this blog always, ALWAYS has reasons in the queue in advance, just in case. There's currently over a month prepared, because he loves y'all, loves this blog, and loves to put in the time to help people.

C is a full-time care giver. At work, he care gives for three wonderful elderly ladies. When he gets home, he care gives for me, N, as I am disabled. And then, in his spare time, he care gives for y'all by working hard on this blog.

C is the most wonderful, amazing person I know, and it really baffles me that something like this could happen to someone like him.

Recently, C was diagnosed with stage 4 cancer.

We unfortunately live in America, where getting diagnosed with Cancer means a massive financial burden. Up until this point we've been doing very good financially, which has been a wonderful switch up from years ago, when we had to ask our community for help just to pay rent.

Now, I worry about our ability to afford things like food, basic needs, and rides to and from the hospital (we don't drive). His insurance company is refusing to pay for his treatment (yes, they're refusing to pay for CANCER treatments), and the minimal paid leave he is eligible for has had it's processing delayed.

Basically, we're financially struggling all over again, because C has cancer, and we live in America.

So what does this mean for y'all?

Well, as I mentioned, C always has the blog filled out ahead of time. He will absolutely make sure that the queue doesn't run out, so y'all don't have to worry about that.

I unfortunately do feel the need to reach out and ask for your help. It pains me to be put in this position again after years of not having to ask for help, but the current circumstances have really hit us hard.

So, what can you do to help?

Well,

Here is our Amazon wish list, if you'd like to help that way. We currently have some food and necessities on there;

Amazon Wishlist

Or, our paypal account is teamcibby@gmail.com

Currently, our biggest need is a new mattress, which is where any funds that go to our paypal will be headed.

C's cancer is the worst in his hips and our current mattress is such poor quality that I have to sleep on the floor. His doctors have insisted that good rest is important for him to heal, and he hasn't been getting very good rest on our current mattress. He wakes up every morning in more pain than he would if we had a good mattress, so getting one is our main goal.

I am so, so sorry to tell you all this bad news. C really didn't want to burden any of you with this, which is why I'm the one making this post.

We both love you all so, so much. Thank you to every single one of you for existing, you matter so much to us and to everyone who follows this blog.

~N

[pluckyredhead]

What the heck is going on in Batman/Gotham War?

I know a lot of people in fandom are confused and/or upset about what's been going on in Gotham War - why is Bruce acting like this, what is Selina doing, why are the Batkids taking sides. So I figured I would fill you all in on what's been happening in Batman and Catwoman since Chip Zdarsky took over with Batman #125, because it has been BONKERS and I have been enjoying the hell out of it.

Below, the quickest summary I can manage while still being comprehensive:

[Content warning: mental illness, abuse, suicide (...ish), LOTS of violence.]

The first arc, "Failsafe," starts with Batman and Robin (Tim, in this case) in pursuit of the Penguin, who is on a killing spree. In the very first issue, Tim gets shot in the neck. Bruce has to take him to the hospital, but first he has to strip him out of his costume and put him in civilian clothes to preserve their secret identities, triggering memories of when he had to do the same to Jason's dead body. There is LITERALLY NO PURPOSE TO ANY OF THIS EXCEPT WHUMP (Tim is back in action with a fucking BAND-AID on his neck very quickly), which is how I knew this was going to be good. Beat Tim up! Make Bruce cry about Jason! I want these men to suffer! (There is also SO much to be said about Tim's own Poor Mental Health Decisions throughout the entirety of Zdarsky's run so far, but that's for a separate meta post.)

Anyway. Bruce leaves Tim in the hospital and goes to confront Penguin, who turns out to be dying of mercury poisoning. He kills himself and makes it look like Batman did it, forcing Bruce to flee. (Penguin actually faked his death and is alive elsewhere under an alias, but that's not important right now.)

In the Batcave, a massive robot called Failsafe emerges. Failsafe attacks Bruce, who usually eats killer robots for breakfast, but he can't seem to get the upper hand on this one. Duke, Cass, Steph, and Dick show up to help, but Failsafe beats them all too, while Tim gets an injured Bruce away and to the Batcave.

In the Batcave, Bruce puts on a weird purple and red Batman costume and a new personality takes over: the Batman of Zur-En-Arrh. Now, Zur has a very complicated history going back to 1958, but for the purposes of this story, all you need to know is that when he was younger, Bruce decided it would be good to hang out in a sensory deprivation chamber until his mind created a secondary personality, Zur, who is essentially Batman without Bruce. Zur is pure efficiency who does not care about anything but the mission. He created Failsafe, for one purpose: to kill Bruce if Bruce ever crossed the line and killed someone. And right now, Failsafe believes that Bruce killed Penguin.

Failsafe nearly kills Tim, which Zur is okay with writing off as an expendable soldier's death, but this causes Bruce to take control of the body back because "Tim isn't my soldier...HE'S MY SON!" (Tim Nation, why are you not ALL OVER this story? It's catnip.)

Babs calls in the JLA (SuperBat fans, you will also want to read Bruce's adoring description of Clark when he shows up), but of course Failsafe has kryptonite, which it stabs Clark with. The League dumps Clark and Bruce into the JLA jet and distracts Failsafe while Tim flies Clark and Bruce to the Fortress of Solitude. Bruce tells Tim he's a good boy and jumps out of the jet and into the ocean so that Tim and Clark will be safe from Failsafe. He's rescued by Arthur, who takes him to Atlantis to heal. THIS HAS ALL ONLY BEEN FOUR ISSUES SO FAR.

Two weeks later, Bruce wakes up to discover that Failsafe has taken over Gotham. He teleports up to the JLA Watchtower on the moon to lure Failsafe there, then blows the Watchtower up, hoping to catch a ride on one of the Javelins. But Failsafe has already destroyed them, so Bruce RIDES A BOOSTER ROCKET BACK TO EARTH, OXYGEN MASK CLAPPED OVER HIS FACE. The whole thing has some powerful Scooty-Puff Jr energy.

The only tricky part is reentry, when Bruce starts to burn up - his costume is fireproof, of course, but his chin is exposed. SO HE TAKES OFF HIS LITTLE BAT-PANTIES AND PUTS THEM OVER HIS HEAD. I swear to god this happened in a real comic book and the entire "Bruce falls off the moon and survives" sequence is utterly delectable goofy nonsense and I truly cannot recall a time I've had more fun reading a comic book.

Anyway, Bruce lands directly outside of the Fortress, BECAUSE OF COURSE HE DOES, and runs inside to find Clark and Tim. While Clark keeps Failsafe distracted, Bruce and Tim program nanobots to inject compassion into Failsafe. I SWEAR TO GOD. They zap him with the nanobots, but Failsafe pulls a high tech space gun out of the Fortress and shoots Bruce with it anyway, apparently disintegrating him. Tim falls to his knees in the snow, weeping. TIM NATION, WAKE UP, THIS RUN IS CANDY FOR YOU.

But of course Bruce isn't dead! That wasn't a killing gun, it was a "zap you into another dimension" gun!!! THAT was the compassion!

So Bruce finds himself in a dystopian alternate Gotham, and I'll be honest, I didn't love this arc ("The Bat-Man of Gotham") as much as I loved "Failsafe," but it has its moments. In this Gotham, Bruce Wayne is dead, so Regular Bruce is like "Oh boy, time to Batman this place up." Also he's plagued by hallucinations of a skeleton version of Jim Gordon who is still wearing a trench coat AND A MUSTACHE. Like I said, it has its moments.

This Gotham is controlled by Arkham, and anyone who is diagnosed as "crazy" is locked up. A new villain, Red Mask, is in charge, and Selina and a Venomed-up Harvey Dent work for him. Bruce teams up with an orphan kid (of course) named Jewel and goes after Red Mask, who turns out to be some guy named Darwin Halliday and ALSO...the Joker. Well, he's the Joker who hasn't been Jokerized yet. But one time he breathed in some chemicals that let him see into the main reality of the DCU (???) and glimpsed Regular Joker and now he wants to build an interdimensional machine to mentally connect with Regular Joker across universes which he assumes will make him insane, NATURALLY.

Bruce attacks Red Mask, who sics a Venomed-up Ghost Maker on him. Ghost Maker cuts off Bruce's right hand. Bruce cauterizes it with an electroshock machine and ties some spikes on it (SERIOUSLY) and goes after Red Mask again. Meanwhile Red Mask mentally connects with an alternate dimensional Joker...but instead of it driving Red Mask insane, he's what drives the Joker insane. Desperate to become the Joker somehow, anyhow, he jumps into the interdimensional portal, and Morally Dubious Alternate Universe Selina kicks Bruce in after him.

Meanwhile, Tim is in full "I KNOW I SAW HIM DIE BUT HE'S NOT DEAD" mode, which: bless. So he teams up with Jon Kent, which...gosh, what an astonishingly boring duo. I love Jon, I love Tim, they're perfectly nice and normal around each other, I'm falling asleep. Anyway Tim fights Toyman for a while and then makes a VERY stupid costume where the entire torso is a giant light-up R, because "I want him to see that Robin is coming to save him." GET A THERAPY, TIM.

Bruce finds himself first in the Michael Keaton Batman universe, then the Red Rain universe, BTAS, Batman Beyond (yes I know they're the same universe but I guess he goes there twice), Silver Age, Kingdom Come, Gotham by Gaslight, and more. Adam West gives him a utility belt. The Dark Knight Returns Bruce builds him a robot hand.

Finally Bruce and Red Mask reach the end of the multiverse, which is a Gotham asteroid floating in space, surrounded by giant Jokerized sharks. LUCKILY BRUCE HAS BAT-SHARK REPELLANT IN HIS ADAM WEST UTILITY BELT!!! Honestly this whole arc was worth it for that moment.

Bruce knocks Red Mask out, but now he's stuck. He has a device from Batman Beyond Bruce to get home, but it's only good for one person, and he can't leave Red Mask there to die. Of course, that's when Tim shows up in his stupid giant glowing R costume and they hug it out, thereby fulfilling but also compounding all of Tim's issues since 1989.

Anyway things are fine now, right? Sure, Bruce is hallucinating that his family is on fire, and the Zur personality is not going neatly back into the box where it's been all these years, and he still has a robot hand (Damian, hilariously, immediately announces that he wants one too), but he's FINE. He is a little bit mad at Selina, because she broke out of jail (she was in jail because she killed her fuckbuddy because he was trying to kill Bruce), and also because she didn't tell him Penguin was alive and that would have stopped Failsafe, and also because Other Selina kicked into another universe. Selina, very fairly, is like "Well I'm not responsible for Other Selinas and also maybe don't build robots to kill yourself with and not tell anyone about them???"

THEN we got Knight Terrors, the summer event in which a villain called Nightmare caused everyone to fall asleep and, uh, have nightmares. Bruce, specifically, had a nightmare that he met an eight-year-old version of himself that vomited up a man-sized bat with a gun for a head. I laughed SO HARD. Bruce also had his body borrowed by Deadman for the duration of the event, so while he endured the psychological toll of nightmares like everyone else, he also endured the physical toll of everything Deadman was doing PLUS the mental toll of being aware of what was happening in the waking world even though he couldn't control his body. As soon as the event was over, he lapsed into a coma so that his body could get some damn rest.

Okay. Now we're up to Gotham War.

(I know, I know. But for all of you who are like "How could Bruce do this???" about Gotham War...*points up* THAT'S HOW. HE IS NOT WELL.)

Bruce awakens from his coma and IMMEDIATELY decides to Fight A Crime even though Babs is like "Maybe don't?" But he can't find any crime, which is...weird. His kids confirm that Gotham's been super quiet since he's been out.

Selina hears that Bruce is awake and is like okay, time to pay the piper. She calls all of the Bats to a meeting and explains that she's the reason crime has been down. See, villains like Joker and Two-Face always have goons, right? But what if the goon supply dried up because the goons have better jobs? So Selina has trained All The Goons In Gotham to be...cat burglars. No violence, no stealing from anyone who can't afford it. More importantly, no helping Scarecrow or whoever commit mass murder.

All of the Batkids are like "Hmm...I feel uncertain about this, but it's working...I don't know what to think..." except for Jason, who thinks it's hilarious and is instantly Team Selina, and Damian, who is staunchly Team Bruce. Bruce, meanwhile, is like "No! NO! THIS IS CRIMES, AND CRIMES IS BAD!" and Selina's like "I mean, robbing from the rich is basically a victimless crime" and Bruce screams, I swear to god, "MY PARENTS WERE 'RICH'!" Inexplicable scare quotes and all. I laughed so hard.

Anyway this is the basis for Gotham War and it is endlessly hilarious to me because everyone in the Batfamily is supposed to be a genius and yet not one single character has pointed out that:

There are jobs the goons could be doing that AREN'T illegal. It's not just violent crime vs. nonviolent crime. There are in fact many other jobs! I am POSITIVE Gotham needs construction workers and hospital orderlies. (Yes, I know it's hard for people with records to get jobs. That isn't addressed.)

Being Batman is SUPER ILLEGAL.

They are all so stupid.

Selina's plan doesn't even work, because one of her thieves gets killed by a rich person defending their home, and Bruce is like "See? This is why crime is bad!" and like...pretty much snaps. He's particularly fixated on Jason, even (rhetorically) threatening to kill him, which is when the other kids jump into the fray on Jason's side, all except for Damian, who like I said is firmly Team Bruce. (This makes complete sense to me, Damian has been dealing with severe trauma and isolation pretty much nonstop since 2018 and he and Bruce have finally made a tenuous peace, so I can understand why he wouldn't want to lose that.)

Also, Vandal Savage buys Wayne Manor. It's so random and SO funny.

OKAY BATMAN #138. Bruce has kidnapped Jason and injected him with a variation on fear toxin which will be triggered whenever Jason's adrenaline spikes, the idea being that Jason is no longer capable of killing - but in practice, Jason is no longer capable of even getting up off the floor, he's so terrified. I want to be really, really clear here: Bruce is like 90% Zur here, and the only reason he goes this route and doesn't kill Jason is because the remaining 10% that's still Bruce loves Jason and is trying to help him. He's just incapable of good or humane help because Zur literally can't do feelings.

Dick knows something is up and is sneaking around Bruce's Secret Other House We've Never Heard Of to figure out what it is. Damian attacks him to protect Bruce. Tim attacks Damian so that Dick can do what he needs to do, and handcuffs Damian to a parking meter:

THERE IS SO MUCH TO UNPACK HERE!!! TIM GO TO THERAPY! DAMIAN GO TO THERAPY! EVERYONE GO TO THERAPY!!!!!

Dick figures out what Bruce did to Jason (it's on the computer, for...some reason?) and absolutely loses his shit on Bruce, beating the crap out of him, which tbh is the only thing that felt off to me in this run because frankly I don't think Dick likes Jason that much. BUT WHATEVER.

Tim pulls Dick off of Bruce. Bruce leaves them both tangled in a net and flees as the cops approach. Zur's like "Good, fuck 'em" in Bruce's head, because the cops will expose Dick, Tim, and Damian's secret identities and Bruce will be free of the dead weight of a family, but the little bit of Bruce still in there throws Dick a batarang so he can free them all in time.

Then Bruce leaves. Damian is devastated.

I WILL NEVER RECOVER FROM THIS PAGE. Damian really thought he could have Bruce's love and loyalty if he turned on everyone else! Tim is going to be a therapy dog to a Wayne even if he has to settle for the one he doesn't like! That unresisting, blank hug made me SCREAM when I turned the page. Incredible. (Also the art fucking S L A P S, god bless you Jorge Jimenez.)

ALSO it turns out that Selina's second in command has been Vandal Savage's daughter Scandal Savage the whole time and they are turning Selina's cat burglar army into their own personal army WHOOPS. (This also feels very OOC for Scandal but at this point I trust Zdarsky with my life so let's see where things go.)

SO THAT'S WHAT'S GOING ON IN GOTHAM WAR. TL;DR:

Bruce is unhinged because he nearly died like 19 times in a week and it unlocked the smaller, meaner purple Batman that lives inside him.

Selina is unaware that you can get money legally.

Tim is going to have a nervous breakdown if he can't fix someone, ANYONE.

Damian needs a hug but ideally from someone he actually likes this time.

Jason is so scared.

THE END.

[freakinator]

just gonna put what i said in the comments lol

again, if you find her dream meaningful then irdc, ppl find different meaning in different things and it seems like for you this one particularly does while for me it doesnt

if youre trying to get other ppl to find it meaningful as well then go gush about it and make analysis and various posts about it in your own blog. but i will not be one of them due to, as stated, my personal experience

(also ik theres no way you could have known this but its generally not a good idea to tell me, a schizospec person who is neurologically inclined towards magical thinking and conspiracy theorizing, to just trust in dreams like that just cause it was proven right later on -- especially cause it was proven right later on)

and the reason i kept saying scam flame is simple: i forgor, this shit was ages ago and the scam got interrupted by focus revealing themselves before it got the chance to make any particularly huge impact to the server so any long-lasting impact it could have had essentially fizzled away and along with it my memory on the specific details

knowing how the server works isnt a matter of smartness its a matter of experience, you can make all the assumptions you want about lifesteal as a server but you can never really tell how it would go for you until youre actually on it 😭

[citruslullabies]

Can you do one about Anya, like the Daisuke and Curly posts, please?🙏 They're very good!

Of course sweetheart!!

Anya Mouthwashing headcannons

Trigger warnings!! Miscarriage, Jimmy, obviously if you know the game I'm making subtle hints towards rape, etc etc. read with caution.

Romantic

Pre-crash Anya:

Anya is a very sweet girl honestly

She's not very big on affection - the occasional hug and kiss here and there but she's not very big on touch. Quality time is more her style

All she really needs is to sit next to you quietly, as long as you're there, she feels safe

Especially after what happened with Jimmy. She hates to be alone.

But at the same time she wants to distance herself more

And she hates it

Any time you go in for a hug, she'll flinch

It was any day in space, cold and bland like oatmeal left out on the table. But it felt better almost immediately after you saw her.. the love of your life, Anya. You smile like the sun and walk over, arms wide but.. you watch as she suddenly stops and stares at you. As if you had done something wrong.. her breathing even starts to get faster and she quickly brushes you off and leaves. Leaving you worried and confused.

You can try and try to ask her what's wrong but she isn't sure how you'd react

What if you thought she had cheated on you with her assaulter? She knew many people reacted like that sometimes

She loves you and trusts you, but she needs distance

Much to your dismay, she just suddenly keeps away from everyone one day. Even you.

You long for her little rambles about psychology and medicines

Her quiet humming as you two sit together

It hurts.

Post-crash Anya:

You knew how stressed she was

I mean, how couldn't she be? Everything has gone to shit. Their captain was mutilated on all ends.

And she seemed more afraid than ever.

She started to slowly warm back up to you, but still wouldn't tell you any explanation

No matter how much you begged or pleaded for one

But her time around you seemed different

She was more affectionate than ever before

It was almost like it was a goodbye

She'd always do small things like nudge your hand with hers and give you a weak smile every morning

Almost as if it was a silent goodbye in case she didn't make it through the day

And you finally understood why.

Platonic

Pre-crash Anya:

I imagine you two would be a bit more goofy

If she's not busy, you're just goofing around and making funny faces to make her giggle

You two probably talk about psychology a lot together and your hopes for your futures when you return home

Sometimes she'll let the occasional demented comment slip, but you never paid it much mind

She told you what happened and you were livid

But what could you do about it?? It's not like you could

You had no position of power over Jimmy, the one man who did didn't have enough of a spine to do anything to his friend

All you could do was comfort her

But she slowly but surely drifted further and further away from you, from everybody

And every day you could see her eyes more and more empty

You had noticed her feeling more and more nauseous, cramping more

She was paler

But you assumed it was due to the pregnancy. However you quickly discovered that she took enough painkillers to cause a miscarriage

You supported her and tried to comfort her

But she didn't let you

She wanted to be alone

Post-crash Anya:

After the crash, with responsibilities crashing down on her

She was tired. And you could tell

Her body barely had enough time to recover from her miscarriage before she started to take care of their captain

She was slowly killing herself at this rate

And you couldn't be any more correct.

She just got worse and worse

You swore sometimes you could see her eyes were dead but her body just barely moving

She didn't seem to care anymore

It broke your heart to find her with pills surrounding her.

Atleast your heart wouldn't stay broken for long

Thank you for requesting!!

[banj0possum]

What if i want to bite them (all characters), like. Its love bites <3 like not hard enough to bleed hut enough to leave a mark for a while. Like i love them so much i just cant help it! I would kiss the bite marks after in hopes to make them not hurt as much <3

-🩷

Darling Gives Them Love Bites <333

My OCs x GN! Reader

Heres a short post from an old request as a little snack before the yan gang!!

CW: biting ofc, nsfw jumpscares sprinkled in, tooth decaying fluff

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Adrian is a bit confused and weirded out at first, like why are you biting thats gross youre gross wait why are you stopping you have to bite his other shoulder or else its not symmetrical and itll feel weird come back !!

he needs to get used to it gradually, but once it gets to the point you leave marks on his skin, he's asking for a lil bite every time you two say goodbye so he can have a memento of you

he cums in his pants if you lick the bite oh my god please do it again he begs of you

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Brandon thinks it's a game and bites you back, picking you up and throwing you up in the air. You activated some kind of trigger in him that made him go full excited golden retriever.

He bites you back, kissing the area over and over again as revenge

He probably bites more than you to be honest, he's always wanted to bite but held back in case you were uncomfy with it, but now that he knows you're cool with it he's going ham.

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Valeth is cooing over you, little duckling bites!! so cute!!!

He praises your bite marks, pointing out the parts that hurt saying things like "If you tried, you could definitely break skin! Good job my duckling!"

Thinks your little teeth are cute, especially your canines, he loves comparing it to his tusks.

He allows, no, encourages to let you nibble on his hand or arm

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The horde doesnt let you, kisses are ok, but biting ? no no no

not because they dont like it, they just dont want you putting your mouth on their literally rotten skin

plus they associate biting with eat so thats a bit of a problem

but my oh my they love kisses, give them a bit and maybe just maybe theyd let you nibble a little bit.

dont let them do it back to you especially ribs, they have super sharp teeth that can break bone if they wanted

but like you might be into that so idk man

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Wolfie thinks youre being aggressive before you assure him its how you express love, then he starts to do it back or lick you.

It's more of him casually putting a part of your body in his mouth protectively, he doesnt wanna hurt his mate ;-;

he still prefers licks and cuddles tho, anything that involves cuddles are ok for him!!

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Doriks cummin buckets im sorry

are you marking him as yours ? please do it some more please! maybe on his ear? arm? dick? chest?

hes all yours !!!

he offers to bite you back, itll eventually turn into very intense sex that ends with the both of you covered head to toe in bite marks

he wants round 2

use it as a reward and hes doing whatever you ask with the speed of a sports car

appears right next to you, neck exposed, waiting eagerly for another bite

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kalva is confused but laughs and bites you back, its a little painful because of the beak but he tries his best to be gentle.

he sees it as you trying to preen him and swoons over your 'attempt'

he preens you in order to teach how its really done! its mostly just an excuse to love on you <3

hes very ticklish so expect a flurry of giddly hoots and chirps from him whenever you nibble on him

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jasper is crying sobbing rolling on the floor rn

BITE HIM ON THE BECK PLEASE BITE HIM ON THE N-

he wants to roleplay with you being a vampire and him being your mortal soulmate

lil guy a bit freaky like that <3

moans so loud when you bite him, he has to apologize

euheheh eghghhh hes so crazy for you and your love bites

doesn't wanna bite back because skin on teeth is not a good sensation for him, but he'll cover your face in kisses to return the favor

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The vampires are cooing, swooning, absolutely simping for you

our little mortal is biting us so cute soc ute!!!!

get ready for never ending teasing and kissing

they point out the marks you leave and talk about how much better it would be if you were a vampire like them!

they fake terror over your bites, oh nooo a cute little human is biting me !! so so spooky !!

please let them bite you back

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Baron is short circuiting

ohmy oh oh my oh yomhyo-

thank you.

he has to process what just happened for a bit

tries to forget about it but he cant help but want another one when he gets a glimpse of your teeth when you talk or smile at him

stays up and imagines your mouth all over his skin leaving teeth marks everywhere

stayed up that night pumping his cock when he remembers you biting your lip that one time

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Caspian makes a big deal out of it

hes literally morticia in the addams family movie

last night you were unhinged, you were like some desperate howling demon, you frightened me

do it again

no please were are you going do it again!!!

"misbehaves" so you can bite him again as punishment

oops! i splashed you with water! you might have to bite me again~

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Hallow is yanking his fabric back and scolds you, what if you choked? he'd be worried sick!

gets you a chew fidget instead

doesnt quite understand love bites

please explain to him why eating him means you love him

maybe its because you think hes delicious? awwee thank you! youre delicious too i suppose !

coos over you as he holds you close, thank you for the bite honeypie!!

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Ashvan is squealing over how cute it was!!

blushes whenever you do, like very very flustered, his eyes might be covered by soft fur but you can almost see the redness on his face

his ears flatten as he tries to calm his frantically wagging tail

he gets much shyer whenever you smile at him or when you bite into your food during meals

he has to timidly ask for another bite with his index fingers touching together

please give him more biteys!!

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Axel tells you to bite harder

try it! hes tough! lets see how strong that jaw of yours is!

*frantically hiding his growing erection*

calls you little kitten or..rat

teases you by poking at your mouth with his finger to get you to bite

he loves it, he thinks its the cutest thing whenever you do it, especially when youre just subconsciously nibbling on him as if he was a chew toy

he makes sure his hands are always washed for you, no more touching dirty stuff carelessly, he gotta take care of himself for you!!

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King Alistair is pushing you away and coldly telling you no, but once you two are alone in your shared chambers, away from prying eyes, he softly tells you to continue

of course he loves you, he wants you to be free to express yourself, but please dont do it when people are watching

he has a reputation to uphold! not because he's shy and insecure about showing pda in public or anything...

bites back, definitely bites back!! out of all the ocs i think he bites the most next to Brandon

loves playing predator and prey whenever you two are fooling around together, if he ever leaves marks, hes kissing them softly to let you know he means no harm, he just got a bit carried away because youre just so sweet~!

if you leave marks, hes covering it up in his clothes, but occasionally he heads to he mirror, pulls away the fabric covering your lovebite, and smiles

argaragrgagrggrgargagrg

[bones4thecats]

Hi hi! I saw a post of yours saying requests were open so I hope it's alright for me to request something with platonic Twisted Wonderland x Reader (^w^)

Could I request Epel, Ace, and Deuce (separately) with a gender neutral reader who's a few years older than them and perceives them as a younger sibling? (Like, they have his back when he needs it, may tease him if he does something silly, and helps with homework etc.)

I hope this wasn't too long/an odd request lol. I hope you have a lovely day! Remember to stay hydrated and avoid shrimp posture when you spend time at a table/desk! (⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧

Having An Older Sibling Figure! Reader

Characters: Epel Felmier, Ace Trappola and Deuce Spade Requester: 👪Anon A/N: I’ll name you 👪Anon and I hope you enjoy this. And I think it’s a little late on the shrimp posture thing, pretty sure it’s my body’s default position now lmao🤣 P.S: Each version of the Reader is based on a different Disney character; Epel - The Raven, Ace - Mad Hatter, and Deuce - The Caterpillar ⚠️ Trigger Warning for: Mentions of substance abuse ⚠️

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»»———————————-　 Epel Felmier 　———————————-««

🍎 As a high-ranking member in Pomefiore, you were seen as perfect. From your hair to your voice and the way you walk, many believed you to be the embodiment of what the Fairest one of All was

🍎 The only person you knew who didn’t believe that was a first-year, Epel Felmier

🍎 You were used to taking care of others because of your younger siblings, but Epel was a whole other case. Not that his stubbornness could deter your devoted spirit

🍎 Whenever he would need a break, not want but need, you would tell your housewarden that you would handle him while your large-black wings would flutter and flap to motivate the vice-houswarden to keep his hands to himself. Feathers are sensitive after all

🍎 He began to accept you when you kept getting him out of some situations with Vil, and since your record was squeaky clean with your fellow third-year, it was very easy to loosen Epel’s metaphorical leash

🍎 While he does not appreciate the teasing words you give him whenever he gets caught messing around by Vil, he would be lying if he said it wasn’t nice to know that despite his personality obviously not matching with the Pomefiore-stereotype, you were always by his side

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»»———————————-　 Ace Trappola 　———————————-««

🪅 As the most chaotic member inside of the Heartslabyul dorm, you were always seen making your current housewarden's upset. Ever since you first joined the school two years prior, you annoyed Riddle to no end

🪅 Though, when your older friend's classmate's younger brother decided to attend and got sorted into your dorm, you had to admit you wondered how much chaos you could cause with the younger Trappola boy

🪅 When you first met him, you tipped your hat off and laughed without an sense of sanity, which made Ace both nervous and interested in you

🪅 He has never seen someone as care-free as you before, especially in a dorm that was always fearful of their leader

🪅 You adore teasing him with your classic: "Why is a raven like a writing desk?" question. And whenever he answers and you admit your personal cluelessness, he gets upset, which makes you laugh

🪅 He may never admit to it, but he sees you like another older sibling. Though, he bonds with you in more chaotic ways than he could his actual biological brother, since he was far more mature than a duo of teenage college students

🪅 You had definitely saved him from Riddle's rage by pointing out an affect of your unique magic which has 'accidentally' made the housewarden's crown go running for it's money

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»»———————————-　 Deuce Spade　———————————-««

♠️ As his childhood was full of mishaps and trouble being caused by his oblivious-self, Deuce believed himself to be unworthy of devotion of a sibling, or anyone fairly close to him that wasn't his mother or grandmother

♠️ So, when you, a high-placing member of the Heartslabyul dorm came into his life by being found hanging around a larger-than-life mushroom, which was surrounded by many tall pieces of grass and whatnot, he was surprised at how sibling-like you treated him

♠️ When you explained why you seemed to look out for him, it made him realize he wasn't the only person with regrets...

"If I may ask, Mr/Miss. L/N. Why is it that you seem to not give up on me like others? I'm struggling to understand it myself." Deuce asked you as you laid with your back against the mushroom's cap.

"Young man, I do not tell my truth often. But, when I was a young newborn, my family ran a business that, let us say, was quite different. I began to abuse some types of material that I shouldn't have. And when I met my dear friend, Cater Diamond, I understood just how much harm it was causing me. From that day forward I pledged myself to leave my faults behind me. Now, when I see a soul as damaged as yours aiming for a good future, I cannot help but see a younger me in you. Do you understand?"

♠️ Deuce looked up at you in shock, he understood that unique magic could be hard to unlock, but hearing that you had to smoke and do all kinds of things just to gain it was horrendous to hear! But, when you compared yourself to him, his heart pounded in even more shock!

♠️ You, who is one of the strongest magic-users in the Heartslabyul dorm, and by-far one of the strongest members of the Spelldrive team, seeing yourself in him made him appreciate you being around even more. If that was even possible

♠️ Whenever you notice he needs a break, you would spell out a short quiz of riddles to wind his mind down. For someone who many describe as a smokeaholic, you really were a smart and kind person when needing to be

♠️ By the way, whenever you get angry, he most likely does. You are far less expressive with emotions than the first-year, but when someone sees you and Deuce angry, they get scared

[nica-my-beloved]

Tropes In Ikemen Series Games That I Dislike

These are my opinion so no hate!

MC BEING SHY AND BLUSHING AT THE SLIGHTEST TEASING

Some times I find it cute, but other times I wish she would just tease the male leads back.

A lighthearted flirtatious teasing would be funny to watch.

TOO MUCH SEXUAL INTERACTIONS

I understand, it spices up the story but when the most random interaction suddenly turn into a hot making out session just turns me off.

Some times in some scenes, when the moment is right, the whole steamy scene does feel nice. But not all cases.

SUBMISSIVE MCs

I mean, it's fine. I just wish the MCs were more diverse. The Ikemen MCs are way too submissive for my good. They don't even TRY to resist the advances of male lead.

They are so much in love with the guy they met for 2 weeks that they are ready to let them sleep with her, which is awkward as hell.

VERY PURE HEARTED MCs

I don't mind again, but they are not relatable at all. And I've already mentioned in one of my posts that MCs are not meant to be relatable. They are just tools that the writers use for spoon-feeding the stories to the players (because they think we're too dumb to understand the character's personality or intentions). But that doesn't mean I don't want variety.

There are so many different personalities, yet why are the MCs always so kind, so hardworking, so pure, so timid. Some times I dream about an MC who is lazy, foodie, loves shopping, doesn't like studying, doesn't care about what people say about her, doesn't like talking to people, doesn't even try to get along with people who treats her like shit, likes anime and has wallpapers of shirtless Sylus on her laptop, never follows rules......am I describing myself? Yep!

MCs don't have to hold a gun or kill someone or be the Queen of the Underworld. She can still be cool wearing pajamas and sunglasses, dancing on top of her bed at Shinee's Ring Ding Dong (I still love that song!)

THE USUAL CLICHES

Including random people coming inside the room (without knocking ofc), sees MC and a male lead in bed (fully clothed, or not doesn't matter) and still thinking that they slept together. Also MC wasting time and energy to clear up their 'misunderstanding'.

MC's promising that she will never fall in love but breaks her promise. She had one job!

MCs......*holding back puke* teaching male leads turru love *cringe 101*

Similar personality male leads. For example: Kurama, Silvio, Jude. Arthur, Sueharu, Nokto, Nica. I need more variety.

One month time period bullshit! It doesn't matter when at the end MCs are leaving their world to join the male lead (who they know only for a month). Maybe give like a 6 months or an year. Then I'll believe you.

I don't like the killing trope, where the male leads openly saying 'I'll kill you someday'. It triggers me and I don't really find it romantic in any sense.

Always MCs falling in love first and not the male lead. I understand that we play from the MC's perspective, but I really want to know how it feels when the male lead fall in love with MC first. It could be interesting.

Male leads leaving/breaking-up with MCs for her own happiness is also bullshit. I'm tired of seeing this over and over again and it annoys me. The male leads would always be like 'MC, you're not suppose to be in this world. You deserve happiness blah blah blah...' I don't like this because at the end, they eventually change their minds and decides to accept her. If they wanted her then why let go of her? So annoying. I just want a male lead, who is like 'I don't care if my world is shitty, I love MC and I want to be with her! I'll always make her happy and protect her!'

[thewriteadviceforwriters]

Hey! I was reading on your character arcs and was wondering how you would write character regression over the course of the story :)

Hey there, fellow writer! Thanks so much for your message. Sorry, this response took so long. But, I'm thrilled that you found my posts on character arcs helpful, and I'm excited to dive into the topic of character regression with you. It's a fascinating and complex aspect of storytelling that can add so much depth to our narratives when done well.

What is Character Regression?

Before we dive into the nitty-gritty, let's define what we mean by character regression. In essence, character regression is the opposite of character growth or development. It's when a character moves backwards in terms of their personal growth, beliefs, or behavior. They might lose skills they once had, revert to old, harmful patterns, or abandon positive traits they've developed.

This doesn't mean your character simply becomes "worse" or "evil." Regression is a nuanced process that can happen for various reasons and manifest in different ways. It's about your character losing ground on their personal journey, facing setbacks, or struggling with challenges that push them back towards old habits or mindsets.

Why Use Character Regression?

Now, you might be wondering, "Why would I want my character to regress? Isn't that the opposite of what we usually aim for in storytelling?" Great question! While it's true that we often focus on character growth, regression can be an incredibly powerful tool in your storytelling toolkit. Here's why:

Realism: Let's face it, real life isn't a straight line of constant improvement. We all face setbacks, make mistakes, and sometimes fall back into old patterns. Including regression in your character's journey can make them feel more authentic and relatable.

Conflict and Tension: Regression can create internal conflict for your character and tension in your story. It gives your character something to struggle against, adding depth to their arc.

Emotional Impact: Watching a character we care about struggle or backslide can be incredibly emotional for readers, creating a strong connection to the story.

Set-up for Greater Growth: Sometimes, a character needs to hit rock bottom before they can truly grow. Regression can set the stage for even more significant character development later in the story.

Exploring Complex Themes: Character regression allows you to delve into themes like addiction, trauma, fear of change, or the difficulty of personal growth.

How to Write Character Regression

Alright, now that we've covered the what and why, let's get into the how. Writing character regression requires a delicate touch and careful planning. Here are some steps and tips to help you navigate this tricky terrain:

(Beware Very Long Post!)

Establish a Baseline

Before you can show regression, you need to establish where your character starts. What skills do they have? What are their core beliefs and values? What positive traits define them? This baseline will be crucial for showing how the character changes over time.

For example, let's say we have a character named Alex who starts the story as a confident, outgoing person with a strong sense of right and wrong. This is our baseline. (I will be using "Alex" as an example character for the remainder of the post)

Identify the Catalyst

Regression doesn't happen in a vacuum. There's usually a triggering event or series of events that start the process. This could be a traumatic experience, a significant loss, a series of failures, or even a gradual wearing down of the character's resolve.

In Alex's case, maybe they witness a horrific crime that shakes their faith in humanity and the justice system.

Show Gradual Changes

Regression, like growth, usually happens gradually. Start with small changes in behavior, thought patterns, or reactions to situations. These should be subtle at first, things that the character (and maybe even the reader) might not immediately notice.

Alex might start being a little less friendly to strangers, or hesitate before helping someone in need – small shifts that hint at bigger changes to come.

Internal Conflict

As the character begins to regress, show their internal struggle. They likely won't be happy about these changes and might fight against them. This internal conflict can be a great source of tension and character depth.

Alex might berate themselves for their newfound hesitation, trying to force themselves to be the person they used to be.

External Consequences

The character's regression should have real consequences in their world. How does it affect their relationships? Their job? Their role in the main plot of your story?

Maybe Alex's friends start to notice their withdrawal and become concerned. Or perhaps their hesitation in a crucial moment leads to negative consequences in the main plot.

Escalation

As the story progresses, the regression should become more pronounced. The character might start to rationalize their behavior, or fully embrace their new, regressed self.

Alex might start actively avoiding social situations, or develop a cynical worldview that contrasts sharply with their former optimism.

Rock Bottom

In many stories with character regression, there's a "rock bottom" moment – a point where the regression reaches its peak. This is often a powerful, emotional scene that fully illustrates how far the character has fallen.

For Alex, this might be a moment where they refuse to help someone in danger, fully betraying their former values.

Potential for Redemption

Even if your story ends with the character in a regressed state, it can be powerful to show a glimmer of their former self. This hints at the potential for future growth and can leave the reader with a sense of hope (or tragedy, if that potential is never realized).

Maybe in Alex's darkest moment, they have a flicker of doubt about their new worldview, or a memory of who they used to be.

Tips for Writing Effective Character Regression

Now that we've covered the general process, here are some additional tips to help you write compelling character regression:

Keep it Believable: The reasons for the regression should make sense for the character and the story. Don't have a character completely change overnight without good reason.

Show, Don't Tell: Instead of simply stating that a character has regressed, show it through their actions, thoughts, and dialogue.

Use Supporting Characters: Other characters can serve as mirrors, reflecting the changes in your regressing character and providing commentary on those changes.

Maintain Sympathy: Even as your character regresses, try to maintain reader sympathy. Help the reader understand why the character is making these choices, even if they don't agree with them.

Consider the Pacing: Regression can happen at different speeds. It might be a slow burn throughout the story, or a rapid descent following a major event. Choose the pacing that works best for your narrative.

Don't Forget the Positives: Regression doesn't mean a character loses all their positive traits. They might still show flashes of their old self, adding complexity to their portrayal.

Use Metaphors and Symbolism: Visual cues, recurring motifs, or symbolic elements can help underscore the character's regression in subtle ways.

Explore Different Types of Regression: Regression can be moral, emotional, professional, or related to specific skills or relationships. Mix and match for a nuanced portrayal.

Common Pitfalls to Avoid

As with any writing technique, there are some common pitfalls to watch out for when writing character regression:

Making it Too Sudden: Unless there's a massively traumatic event, regression usually doesn't happen overnight. Be careful not to have your character change too quickly without proper buildup.

Losing Reader Sympathy: If your character's regression makes them completely unlikeable, you risk losing reader investment. Always strive to keep them understandable, even if not always sympathetic.

Inconsistent Motivation: Make sure the reasons for your character's regression remain consistent and logical within the context of your story.

Ignoring the Impact on Plot: Remember that character regression should impact your main story. Don't let it become a subplot that doesn't connect to the main narrative.

Overdoing It: Regression doesn't mean your character has to become a completely different person. Maintain some core aspects of their personality to keep them recognizable.

Examples from Literature and Media

Sometimes, it helps to see how other writers have handled character regression. Here are a few examples you might find inspiring:

Walter White from "Breaking Bad": His transformation from mild-mannered teacher to drug kingpin is a masterclass in character regression.

Daenerys Targaryen from "Game of Thrones": Her descent into ruthlessness in the final season is a controversial but noteworthy example of character regression.

Oscar Wilde's Dorian Gray: His moral decay over the course of the novel is a classic example of character regression in literature.

Michael Corleone in "The Godfather": His transformation from war hero to ruthless mafia boss is a powerful portrayal of moral regression.

Studying these and other examples can give you ideas on how to handle regression in your own writing.

Final Thoughts

Writing character regression can be challenging, but it's also an incredibly rewarding aspect of storytelling. It allows us to explore the complexities of human nature, the fragility of personal growth, and the myriad ways that life can shape and reshape us. When done well, it can create some of the most memorable and impactful characters in literature.

Remember, there's no one "right" way to write character regression. The key is to make it authentic to your character and your story. Let it grow organically from the events of your plot and the unique personality of your character. And most importantly, don't be afraid to dig deep into the messy, complicated aspects of human nature.

As writers, we have the privilege and responsibility of reflecting the full spectrum of human experience in our work. Character regression is a part of that spectrum, and embracing it can lead to richer, more nuanced storytelling.

Balancing Regression and Reader Expectations

One thing to keep in mind as you write character regression is the balance between realistic portrayal and reader expectations. Readers often come to stories expecting character growth, so a character who regresses can be jarring or even frustrating if not handled carefully.

Here are a few strategies to help manage this:

Foreshadowing: Hint at the potential for regression early in the story. This can help prepare readers for what's to come.

Clear Motivation: Make sure the reasons for the regression are clear and understandable, even if not agreeable.

Moments of Hope: Intersperse moments where the character shows glimmers of their former self or potential for growth. This can help maintain reader investment.

Character Self-Awareness: Having the character acknowledge their regression can help readers process it.

Narrative Purpose: Ensure the regression serves a clear purpose in your overall story. If readers can see why it's necessary, they're more likely to accept it.

Character Regression in Different Genres

The way you approach character regression might vary depending on the genre you're writing in. Here's how it might look in different contexts:

In Literary Fiction: Character regression often serves as a deep exploration of human nature and societal influences. It might be subtle and psychological, focusing on internal changes rather than external actions.

In Fantasy or Science Fiction: Regression might be tied to magical or technological elements. Perhaps a character loses special abilities, or technology they relied on fails them, forcing them to regress to a more primitive state.

In Romance: Regression could manifest as a character retreating from emotional vulnerability, perhaps due to heartbreak or fear. The challenge becomes learning to open up again.

In Thrillers or Crime Fiction: A character might regress morally, crossing lines they never thought they would. This can create intense internal conflict and external tension.

In Horror: Regression might take on a more visceral or psychological form, with characters losing their grip on reality or reverting to primal states in the face of terror.

Character Regression and Story Structure

Consider how character regression fits into your overall story structure. It can be a powerful tool at different points in your narrative:

As an Inciting Incident: A character's sudden regression could be the event that kicks off your main plot.

During the Rising Action: Regression can add complications and raise the stakes as your story progresses.

At the Midpoint: A significant regression at the midpoint can dramatically shift the direction of your story.

During the Dark Night of the Soul: This low point in many story structures is a perfect place for a character to experience severe regression.

In the Resolution: Sometimes, a story might end with a character's regression, leaving readers with a sense of tragedy or unresolved tension.

The Role of Regression in Character Ensembles

If you're writing a story with multiple main characters, character regression can play an interesting role in group dynamics. Here are a few ways to use it:

Contrast: Have one character regress while others grow, highlighting the different paths people can take when faced with similar challenges.

Domino Effect: One character's regression might trigger changes in others, either pushing them to grow in response or causing them to regress as well.

Support Systems: Show how a group responds to one member's regression. Do they try to help? Enable the behavior? Distance themselves?

Power Dynamics: Regression can shift the balance of power within a group, creating new conflicts and alliances.

Regression and Theme

Character regression can be a powerful way to explore and reinforce your story's themes. For example:

If your theme is about the corrupting influence of power, showing a character regress morally as they gain more influence can underscore this idea.

For a theme about the importance of human connection, you might show a character regressing into isolation and the negative effects this has.

If you're exploring ideas about identity, having a character regress to an earlier version of themselves can raise interesting questions about who we really are.

A Word of Encouragement

As I wrap up this deep dive into character regression, I want to offer a word of encouragement. Writing regression can be emotionally taxing. It often requires us to delve into dark places, to imagine our characters at their worst, to confront difficult truths about human nature. This can be challenging, even distressing at times.

Remember to take care of yourself as you write. It's okay to step back if things get too intense. Talk to fellow writers about what you're working on. Engage in self-care practices that help you process and separate from the darker elements of your work.

And most importantly, don't lose sight of why you're including regression in your story. Whether it's to create a more realistic character journey, to explore complex themes, or to set up a powerful redemption arc, keep that purpose in mind. Let it guide you through the difficult moments of writing.

Remember, every character's journey is unique. There's no one-size-fits-all approach to writing regression. Trust your instincts, stay true to your character and your story, and don't be afraid to push boundaries and explore uncomfortable truths. That's where the most powerful writing often emerges.

I hope this deep dive into character regression has been helpful! Keep writing, keep exploring, and never stop pushing yourself to grow as a storyteller. Your voices and your stories matter.

Happy writing, - Rin T

Sources:

K.M. Weiland's blog post: "How to Write Character Arcs: The Flat Arc"

K.M. Weiland's "Helping Writers Become Authors" blog: "5 Ways to Write a Negative Character Arc"

TV Tropes: "Fallen Hero"