#but maybe i can do this scene

[rearranging-deck-chairs]

theres this moment in potd when theyre in the tardis and yaz is keeping a gun on the master and the tardis lights up with the message from that traitor dalek, right? and the master is like on the plane when the doctor realised there was no pilot being all "messages from daleks?? oh no what could that mean?? the doctor getting coordinates from daleks?? oh no yaz thats so worrying" but like he obviously knows whats going on right hes just trying to get under yazs skin

and theres this moment where he says that and yaz looks at him, and looks at the gun in her hands still aimed at him, and then back at him, and like shes not stupid right she knows hes up to Something it's just not entirely clear yet exactly How hes up to something and what this dalek thing has to do with it but she trusts the doctor right so shes like "im sure theres a good reason" even though shes Clearly Having Doubts and the master says "lets hope so"

i dont really have a point i just hadnt really idk Registered this moment where she looks at that gun like

is this what he wants? am i doing what he wants? how could this possibly be what he wants?

like idk, the doubt is fun. the way the last line before this moment is "im in your head dear" and like the master didnt GET anywhere with this, right? like he wasnt gonna make yaz shake at all she was never gonna like,,,,,defect or anything. he doesnt get anywhere with this, but it does make yaz force the doctor to tell her What The Fuck Shes Doing in the next scene

it might have been interesting to see in the next scene what it might have taken for yaz to stop the doctor from going to see that dalek. like clearly shes loyal enough, or trusts the doctor's judgement more than her own so much, that if the doctor says "it's a risk i have to take" that thats enough to make yaz follow

but what if yaz had been like no i think something is actually wrong here in a way we dont understand yet and if we act now we're gonna make mistakes bc we're Missing Stuff. bc like yaz at this point is pretty fucking familiar with trying to do stuff while Missing Necessary Information, right? what if she'd been like we have a time machine, we can afford to take 5 minutes to figure out what is actually going on here before just walking into something we both know is a fucking trap

[aerequets]

the mortifying ordeal of being known

--

I think with Yor being so perceptive, she picks up on little things often (like we saw in ch 103). i believe this would impact loid more so than the usual person, because he is a spy and fakes every part of himself, so to be seen is simultaneously desirable and horrifying. like, it makes him torn between wanting to accept and reciprocate the love, or distancing himself so that it doesn't happen again.

thats mostly what the last panel is about, that dichotomy between 'omg this person noticed this about me, is this love' and 'oh shit this person noticed this about me, is this Doom'

just some thoughts i had🤪

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[isjasz]

🌕Total Eclipse🌑

Writer: @zipzapzooooooom Editor: @onawhimsicot

Assistance: @gingermaple @kunehokki @corvidaearts @/mybrotherjoso7

and THE AMAZING COVER by googly88fancy!!

===

NO WAY HERE IT IS part 1 of MY TEAM'S COMIC!! FOR @hotguycomiczine !!!!! :D

I pour my blood sweat and tears into this one fr. HGCZ is the most insane project i've been in and I am so so proud of it <3 Big giant shoutout to everyone that ended up in my team, without any of you I couldn't have done it and ty for putting up with my shit HASHDSAEHEGLP. <333

If you haven't yet checked out the entire monster of this amazing zine, def do so here! 🏹

Part 2 will be posted tmr but if u dont want to left on a cliffhanger. pspsppspssps🪤

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[ START | PREVIOUS | NEXT ]

[ MERCH ] [ MISC ]

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[rika-mortis]

Headcanon: Deep down they both want to be their fairy godparent/godkid again after losing them, but don't believe they deserve each other and feel like they aren't worthy to be their companion anymore

They both need counseling and therapy as a whole package

[choccy-milky]

herbology class 🌹🌿 (from chap 2 of my fic!)

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

[First] Prev <–-> Next

[albaharu]

gale holding a sword its just so funny to me

[royalarchivist]

Tubbo: What was wrong with the timing?!

Pac: You did it in the worst possible timing! Everything was–

Bagi: I think we ruined the kiss.

Everyone:

Pac: It– it wasn't the kiss, more– you know? It was– *mumbles*

Tubbo: IT WAS MORE?! IT WAS MORE?! ON THE FIRST DATE?!

Bagi: WE DON'T NEED THE DETAILS!

Fit: That's not what he meant!

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[bee-rosmyth-art]

Wishing you the best, in the worst way ❤️

[mayasaura]

one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.

the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)

the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.

Oh boy my friend, have you come to the right place!!

So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.

Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.

So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.

[ri-afan]

Soulmate au - first words on skin

“Woah, hey, you probably shouldn’t be doing that.”

“…Are you my conscience?”

Person 1 is a vigilante helping someone with a probable concussion after an attack of some kind.

Person 2 is a person who’s had many a philosophical debate on whether or not the words on their skin made them reckless or if they were reckless all on their own.

[xxplastic-cubexx]

if i said i picked up this issue for anything but drunk erik i fear i'd be lying

(Wolverine (2020) #3)