#but love is always pain for him

[brothersgrim]

Help im sad about the undertaker

[redpapercraness]

to lose you

[rapidhighway]

my love for him is stronger than any other force in the universe

[justaz]

lol arthur realizes with the other knights after watching merlin flirt and being hit with a wave of deja vu: holy shit you asked me out

merlin and the rest of the knights around a campfire after leaving a village bc lancelot and leon somehow started a brawl in the tavern: ???

arthur points at merlin: after valiant! you asked me to buy you a drink! you were asking me out!

merlin is busy cooking dinner and confused out of his fucking mind: what???…..valiant….oh the knight with the snakes.

gwaine who was slightly tipsy now stone cold sober and sitting up straight against a tree: wait. explain. what do you mean merlin asked you out??

arthur snaps his fingers as he recalls the memory: i apologized for sacking you and you said that if i bought you a drink we’d be even.

merlin now remembering how he had stumbled into camelot, picked a fight with a pigheaded bully which quickly turned homoerotic and flirtatious, and continued their teasing-flirting for days before merlin shot his shot and asked the prince out only to be rejected: oh yeah, i forgot i did that…..wait, you mean you didnt realize what i was asking?

arthur: no?? we argued everyday, how was i supposed to realize you were asking me out??

merlin now abandoning the dinner and staring across the camp at arthur while the rest of the knights watch their back and forth like a game of tennis: to you we were arguing, to me that was very much flirting. i thought you were flirting back so i decided to ask you. then you rejected me

arthur, mentally beating his past self up for fucking up their chance: i didn’t reject you!!! i just didn’t realize what you were asking me. how was i meant to? we fought every chance we got

leon, nudging elyan, glee and excitement riling through him: its happening!!! its finally happening!!! seven long, grueling years is finally paying off!!!

merlin, realizing the misunderstanding and acknowledging the fact that he wasn’t rejected, his flirtations just weren’t noticed - realizing he still has a chance: oh…oh i see. arthur, my dear, our fights were extremely flirtatious. need i remind you of what you said? “do you know how to walk on your knees? would you like me to teach you?” or “i could take you apart with one blow”

arthur, mental capabilities at an all time low: m…my dear….?????????

merlin grinning devilishly as he realizes that his flirtatious persona he had hidden away after falling head over heels for arthur can make a come back: that is what i called you. should i call you something else? say…mine?

percival gags in elyan’s ear: cheesy

elyan hides a laugh: at least they’re finally getting somewhere. better than the hopeless pining

arthur, flushed from head to toe: ah uh no um im uh

merlin thoroughly enjoying himself: oh come now, your majesty. use your words.

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[avastazyana]

insp

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[wodimewoahtime]

hey till...... don't you have just a little too much tsundere "i'm not gay" yaoi protag power???? why are you attracting these guys like a hamster to the shredder

[lesbians-for-muqing]

The fact that Xie Lian is often unable to hide his pain from Hua Cheng, like when there's a needle stuck in his foot, is to me what shows most how deep their love for each other goes.

Xie Lian feels so safe with Hua Cheng, so understood, respected and loved, that even his body fully knows it and is unable to hide anything from Hua Cheng because it doesn't feel the need to.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[reefs-camp-blog]

sally and percy were always each other’s constants, they became a bit more distant once percy found out he was a demigod, but they were still each others firsts

then estelle was born

percy loves estelle so much, so much it physically hurts

but he sees estelle and how happy she is, how she had a mom that doesnt work the night shift nearly every night and instead is home nearly all the time, and she has a dad that’s present and there and is safe and percy is so so happy that she has what he never did

but at the same time he knows thats the exact reason why it hurts

estelle has what percys wanted his whole life

and now estelle has the only thing percy had his whole life

being his mothers first and top priority

he knows why, he understands why, estelle is a baby and needs to be cared for constantly, and percys nearly 18 and doesnt need his mom all the time anymore

but it hurts because all the food is no longer blue, it hurts because he sees estelle grow up and get help, it hurts because he sees estelle with the life he always wanted, but knows he will never had

and it hurts because hes no longer his mother’s constant.

sally has paul now, she has paul to help her through her issues and she has a child that doesnt get expelled from every school shes been in

and percy has his family. but its not the same. annabeth has always been there, but she doesnt understand, thalia has been through the same childhood as percy but she doesnt know what its like to watch the bad go to good in the same household, grover has always listened but he just doesnt understand

because hes happy estelle has the life he always wanted. hes glad his mother has the life she always wanted. but hes not in that life. because hes moving out soon. and hes no longer his mothers son, at least not in the way he was before

[nelkcats]

Death Loves No One

Cause if he did he'd want to keep them forever

After obtaining the title as Ghost King and losing all his family, Danny started to feel lonely. He had friends, ghosts that would stay for eternity by his side but it wasn't the same. Danny felt that his personal connections were what kept him sane, the evenings with Clockwork calmed him down, but it wasn't the same calm that Jazz used to provide.

So, when he was given the title of Equilibrium it wasn't really a big deal. It was just another title among a thousand others, Clockwork advised him to visit earth to discover his purpose but also warned him that he would not look human.

Danny accepted it but didn't take it seriously, he couldn't help but get scared when people started screaming around him. He wasn't doing anything weird, he was visiting the cemetery, his family's graves, but everyone was running away scared.

He realized that since he lost Jazz (the last one to leave) he no longer looked human. He wondered if it was possible that someone might be interested in talking to him but dismissed it. Some people began to nickname him "Death" because all he did was stay in the cemetery.

That's why it was extremely rare to find a boy calling him every day and making a small talk, he became attached to the boy. The boy would visit different graves but always stayed to talk to him, never yelled, or called him a bad name. Danny couldn't help but love him the same way he loved his family.

He wasn't surprised that the boy died soon after (knowing him brought misfortune didn't it?), but he never stopped visiting the cemetery. So, when the boy rose from his grave completely disoriented, Danny wondered if it was somehow his fault.

[smokbeast]

Papyrus sketches from my book the other day!

I like to think papyrus is serious and can become angry when he wants to be, but he’s such a nice and genuine sweet character he wouldn’t want to show that to the character or others.

[heph]

Call me crazy for reading so much into a show like House MD but I think the main theme of House is that despite doing everything perfectly and being a good person, shit happens.

Sickness and pain will be inflicted on you and your loved ones and there's nothing you can do about it, but to persevere, to fight for your life, to keep living despite it all - to love is a part of the human condition; our capability of love is what makes life worth living, despite all the pain that you will inevitably experience.

This show exemplifies the pain of living and the needs and desires of human beings to keep going despite it all

And idk... There's something beautiful about how a show with so many stupid whimsical dumb scenes can impart something so profound in my stupid little brain

[tending-the-hearth]

one of my favorite and most underrated outsiders moments happens the morning after the brothers reunite in the hospital. darry tells ponyboy “if you smoke more than a pack today, I’ll skin you”, which is very very valid because his baby brother just survived a burning building and while he knows ponyboy is the heaviest smoker in the family he still wants him to watch it.

and ponyboy’s response, instead of being nervous or annoyed, is “if you carry more than a bundle of roofing at a time, soda and I’ll skin you”

prior to this moment, pony would have probably grumbled, ignored darry, or made some type of comment about how darry treats him different, but he snarks back. he teases darry, interacts with him in a way that sodapop would. the following line is “darry grinned, one of his rare grins”, not that he rolled his eyes and huffed, not that he frowned, but that he grinned, obviously happy that ponyboy feels comfortable enough to tease him, that he isn’t scared of him.

because that was always darry’s biggest fear once they saw each other again. the way he makes himself small, and doesn’t move until ponyboy moves to hug him in the hospital. he was scared that ponyboy was afraid of him. That line, of him skinning ponyboy, is his way of testing the waters. of seeing if they’re okay, if they can do that, if they’re allowed to joke about that sort of thing. ponyboy’s response tells darry that it can be joked about, that they’re on even footing and that there isn’t any fear.

and i think a lot of people forget that ponyboy decided to return home after running from the house. after he found johnny. he tells him that he wants to take a walk, and then he’ll probably be cooled off enough to go back home. ponyboy had EVERY intention of going back home that night, but then the socs showed up, and all bets were off. as angry as ponyboy was, he wanted to go back home and at least be with soda, and when the socs show up to jump the two, ponyboy wishes that darry and sodapop would show up searching for him, because they could fight together.

because as unreliable of a narrator as ponyboy is, as angry as he is at darry, he knew that when it came down to it, his big brother would not hesitate to protect him.

[sleeeepy-demon]

ITS PART SIX of bg3 memes i drew i paint.

part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15