#but like. the idea of him figuring out more about his gender identity is there

[perenlop]

i'm kinda pleasantly surprised about how people are so open about future!isabeau designs where he changed again to use she/her pronouns too. i've seen a couple of them and there's been no real backlash that i've noticed

i feel like in any other case that'd be cause for alarm and cause a lot of discourse but i think most isat fans are thankfully kinda normal about trans people (right now, anyways) and we all know we're not erasing the transmasc rep, it doesn't even mean he's not transmasc in these interpretations. the thing is, people do end up realizing they're not the gender they thought they were, and change that, and people see that in isabeau. it's a nice exploration of the character ^^

[parkeryangs]

hey. hey y'all. aromantic matt wbg

[warpedpuppeteer]

It would be great if they talk about how Buck thought his relationship woes would be "fixed" because he finally figured himself out as bi and that was the answer he was always looking for but that was only just one part of the journey.

Buck's problem with relationships is that he's always taking cues from his partners and course correcting by making unhinged proposals (like moving in) whenever he gets something wrong or thinks he can "prove" his love (or prove he can fall in love with them in the future).

He's never fully himself in any of his relationships. He's always playing the part of what his partners need (service top buck truthers this one's for you). Being an emotional pillar for Abby or a protector for Ali for example.

Even in his first relationship with a man, instead of exploring and having fun, Buck was operating in the assumption that he needed to be a long-time partner material and that it's just like any other relationships he's been in. Hence, the invite to move in with him.

And to be fair to Buck, gender really doesn't matter to him because it's like...okay it's a little bit different but it's still the same in that it's a relationship and it's someone he's interested in. So really, for him, his sexuality isn't where his issues lie.

In all his previous relationships, it's been more about him changing than being himself. He stepped in with Abby, he compromised with Taylor, he was philosophical/spiritual with Natalia, he was discovering a new aspect of his identity with Tommy etc.

And Buck is fantastic in that he's always willing to learn things about himself. He was always capable of being all of this for someone but he just needed time and experience to bring these sides out of him.

Now this would be great except...all his previous partners reacted adversely to these changes. He got too emotionally attached to Abby when she really only wanted the part of Buck that was fun and flirty. Ali liked Buck being strong & protective until she realized that he would risk his own life in being a protector even for strangers.

Taylor liked that Buck was thrilling and exciting until she realized that he had morals he won't compromise on. Natalia was so very interested in Buck's experience with death until Buck was more focused on living. Tommy liked that Buck was newly bi and curious but stepped back once he realized that Buck was taking this very seriously.

Instead of embracing all the changes Buck was going through, his partners almost wanted the Buck they fell for originally. Kind of like...they fell in love with the IDEA of Buck rather than Buck himself.

So Buck actually needs someone who knows him as Buck in his entirety. Someone who likes Buck as he is but also likes him even as he changes and grows. Someone who Buck shows his true self to instead of adapting to his partner's needs.

Take me as I am, flaws and all. Take me as I am, and as I will be.

Not only does he need to realize that he doesn't have to shove his own needs/wants into the background but also that he needs a partner who will not expect anything more from him than he can give. When he does realize this, that's when Buck is truly free of the hamster wheel.

Of course, i can go on about who exactly is the perfect partner for Buck but instead, here are a few quotes that's very important in showing who it is :)

"you're the guy who likes to fix things"

"just do what you always do, talk to him"

"you think you're expendable but you're wrong"

"now am i allowed to ask how you are?"

"once he knows that you're an idiot, he'd love you, like we all do!"

"there's nobody in this world i trust with my son more than you"

"i forgive you...just don't do it again"

And the most damning of them all:

"you don't have to be anything for anybody"

[sgt-tombstone]

When Soap caught a glimpse of the red and white app on Ghost’s phone, he wasn’t sure he saw it correctly. It was the quickest flash, out of the corner of his eye, in a dark and crowded pub the night after one of the longest ops they’d been on in a long time. Surely, it wasn’t…

But then he saw it again, a few days later, when Ghost pulled out his phone to message Price about something inane, Soap sitting next to him like always. And there it was: Clue Period & Cycle Tracker.

He knew he’d recognized it the first time; it was the same app that his sister used when she and her husband had been trying for their second child, and he’d know the app logo anywhere with how often she’d shoved her phone in his face, complaining about fertility windows and PMS. But, contrary to popular belief, John MacTavish knew when to keep his mouth shut, so he didn’t mention it, despite the questions crawling up his throat like ants.

That didn’t mean he didn’t acknowledge it at all, though. It was a little hard to come to terms with, his hulking lieutenant being trans, but it didn’t change how he felt about him, the smoldering lust (and love) that he felt just by being in the same room as him. He needed to show Simon that it didn’t bother him, that he’d be supportive of him no matter what. That he would love him no matter what.

So, in typical MacTavish fashion, he started talking. Small stuff, at first, comments about how fucking stupid anti-trans laws were or how he’d always prioritized the people he loved over whatever was in their pants. It was awkward at times, and maybe a little heavy-handed, but he was trying his best. All it gained him, though, were confused looks from everyone around him, Ghost included. At one point, Gaz even pulled him aside and pointedly asked if there was anything he wanted to tell him, but Soap didn’t dare out his lieutenant, so he stammered through a denial and beat a hasty retreat.

Maybe he needed to be more explicit. The on-store base sold the bare minimum of period supplies, and he didn’t know anything about Ghost’s cycles, so he grabbed what he vaguely remembered his sister mentioning, along with some chocolate, pain killers, and a heating pad. It wasn’t much, woefully inadequate and almost comically small in the only box he had in his room, but… he was trying his best.

He knocked on Ghost’s door that night, box under his arm and heart in his throat. When Ghost opened the door, he practically shoved the box into his chest, his face burning with embarrassment, and Ghost leveled him with a questioning look as he waved him inside. The last thing Soap wanted to do was have this conversation, but he stepped in anyway, heart hammering as Ghost closed the door behind him.

“What is this, Sergeant?”

For once, Soap didn’t know what to say. Maybe this was a bad idea. How did one tell their superior officer that they were aware of and fully supported their gender identity, despite said superior officer never having actually told them about it? They didn’t, that’s how. Except that’s exactly what Soap had to do, somehow.

“I, uh,” he stammered. Great start. “I just wanted tae-“

“Why are you giving me pads, Soap?”

Soap wanted the floor to swallow him whole and leave nothing but a soot stain on the floor to indicate his swift descent into hell. Ghost had opened the box and was looking over it at him, one eyebrow raised in bafflement.

“I just,” Soap said, rubbing the back of his neck awkwardly. Was it hot in here? He felt sweat drip down the valley of his spine as Ghost continued to fix him with that same expectant stare. “I just thought ye might-“

“Do you think I have a period, Soap?”

It wasn’t said with an air of disgust, or even derision, just earnest curiosity, but it prickled something defensive in Soap anyway, and he rushed to explain himself.

“Ah saw ye had an app on yer phone and it’s the same one my sister uses so I figured ye were trans and just hidin’ it well so I just…”

He drifted off, words petering out when he registered Ghost’s chuckles. In fact, he was full on laughing, curled slightly over the box still in his arms, one hand raised to his face, pulling off his mask to wipe at his eyes. Hot rage swept through Soap at the sound.

“You bastart,” he cried. “Ah was just trying tae be supportive and yer laughin’ at me-“

“I’m sorry, Soap,” Simon said, schooling his expression slightly, but Soap could still see mirth dancing in his eyes. It was a good look on him, and it was hard to hold onto his anger in the face of it. “I’m feeling very supported, thank you.”

Hard, but not impossible. Soap glared at him through narrowed eyes, crossing his arms over his chest.

“If yer gonna mock me, I’ll take the box back, ye bampot,” he muttered, but Simon pulled the box closer to his chest, protective of its contents.

“It was a gift, Sergeant,” he said, shaking his head. “No take-backs.”

“What are ye, five?”

“Thirty-five,” Simon corrected, a glimmer of mischief in his smile. “And not trans, either. Though I’m sure every trans person is very appreciative of your wholehearted support.”

“Fuck ye,” Soap said without heat. The tension drained out of his shoulders and he slumped slightly where he stood in the middle of Simon’s room. “What’s the app for, then?”

“It’s to keep track of the side effects of my medications,” Simon shrugged, putting the box on his desk and stepping back over to his bed, but not before Soap noticed him pocketing the chocolate. “My psychiatrist recommended it. Works well, even if it gets confused that I never actually have a period. Good for keeping track of trends, though.”

And that… Made sense, all things considered. He knew that Simon took a small handful of pills everyday when they were on base, medications to help with his anxiety and other PTSD-related symptoms, but he’d never thought about the side effects that they might have. His confusion must have shown because—in a jarring moment of deja vu—he abruptly had a phone being shoved, albeit more gently than his sister had, in his face. He immediately recognized the app’s calendar, tracking various symptoms in colored tabs on each day. Most of them were orange, having to do with mood or sleep or energy levels, but some were blue or green, and he wasn’t sure what those were for. None of them, notably, were red.

“Oh,” he said dumbly, a little shocked at how forthcoming Simon was being about all of this. “Ah guess… Ah can take the stuff back then.”

“Don’t you dare,” Simon said quickly, a little teasingly. He put his phone back in his pocket and stepped unsubtly between Soap and his desk. “When your sergeant shows up at your door with chocolate and pain killers, he’s not allowed to leave with them, too.”

“Surely ye don’t need the pads, though, LT,” he said, cheeks heating with embarrassment again.

“I’m sure they’ll come in handy the next time you get shot in the field,” Simon smirked, dodging Soap’s badly-aimed smack with a chuckle.

“Ahm sorry,” Soap said quietly, not letting himself get swept up in Simon’s good mood. “Ah didnae mean tae assume-“

“Johnny,” Simon said quietly, suddenly in his space, his bare hand rising to tilt Soap’s chin up, forcing him to meet Simon’s eyes. They were soft and genuine where they bore into Soap’s, and the sight made his breath catch in his throat. “Thank you. You were wrong, but I appreciate the thought.”

“Yeah?” Soap said, embarrassingly breathless. When Simon nodded, he risked placing his hands on Simon’s hips, heat searing through the black fabric of his shirt.

“You noticed what no one else did and tried to be supportive the only way you knew how,” Simon continued, gaze still pining Soap in place, and Soap really needed him to step back or else he’d be very aware of exactly what effect his voice had on Soap.

“I always will, sir,” Soap breathed, and then abruptly stopped breathing at the darkened look in Simon’s eyes.

“You always take care of me, Johnny,” he rumbled, and the dam broke. Within a heartbeat, their lips met, a slick slide of teeth and tongues and pent-up desire, their hands sweeping across each other’s bodies, touching everything in reach. Soap felt one hand tangle at the base of his mohawk, the other splayed across his lower back, a radiating heat diffusing across his skin. His own hands were clenched in the back of Simon’s shirt, holding him as close as possible as he pushed himself up and forward, as far into Simon as he could get with layers of clothes and skin and muscle between them.

After an indeterminate amount of time—Soap couldn’t have guessed minutes or hours for all the money in the world—Simon gently broke them apart with a palm on his cheek, his hand so big that it covered the entire side of Soap’s face, and the thought made him whine even as he let himself be pushed away. They didn’t go far; Simon pressed his forehead against Soap’s, both of them gasping each other’s air as they caught their breath.

“Fuck, sir,” Soap panted, eyes pressed shut as he struggled to process what had just happened.

“Want to find out what exactly you were wrong about, Johnny?” Simon asked. Soap looked up at him, eyes flying open in confusion, then glanced down when Simon tilted his head with a smug smile. In the scant space between them, he could see the clear tent in Simon’s pants, and he couldn’t have stopped the moan that ripped out of his throat if he’d tried.

“Fuck, sir,” he repeated, looking up again, his eyes dancing with excited lust.

“I was hoping to,” Simon replied, and his laughter echoed around the room as Soap shoved him down onto the bed, his grip on his sergeant pulling them flush.

Later, as Soap laid on Simon’s bed, sprawled and strung out, the scent of sex heavy in the air, his limbs even heavier, he couldn’t help but to be glad, for the first time in his life, that he’d been wrong.

Read it on ao3 here!

[gaddaboutgriffon]

Superwoman AU So, I have been seeing a lot of Justice League Gender Bent art lately and couldn’t help but think that for characters like Wonder Woman and Batman it doesn’t really work for. But the more I thought about it the more I realized that the change is REALLY interesting for one core member in particular. Superman.

Given the kryptonian power set the change doesn’t affect the fighting much, but it does change workplace relationships and social aspects of the civilian ID a lot.

For example, Clara Kent would most likely have a rivalry with Lois that borders on antagonistic. Not at all helped by Clara getting scoops that should be damn near impossible. Sure, when Clara is still new at the paper she likely would act as a mentor figure. But that would change really quick if Clara starts beating Lois to scoops and stories.

Clark Kent's sweet and dorky behavior on a male reporter is cute and charming but on a female journalist that is just neon sign to take advantage of her.

Jimmy may be her only good friend but given her physique that is hindered by Jimmy probably developing a crush on her. Which seen him more like a younger brother type friend is not reciprocated.

Then there is villain gallery. Again, the ones where is find there hidden whatever and then a physical fight to win. That is pretty much the same.

No, the villains things are different with are the ones that like to outsmart and play mind games.

Aka Lex Luthor.

And in Lex’s case the major difference again is in the interactions with Clara the civilian ID.

My thinking here is that while Lex Hates Superman because he can’t see anyone being that altruistic with so much power and it must an act. He actually really likes Clark Kent the mild-mannered reporter who in Lex’s eyes overcame humble beginnings and became a self-made successful reporter.

In this AU with Clara that gets amplified. See in a few different versions Lex attempted date and, in some cases, actual got so far as nearly marrying Lois. The attraction was largely based on the fact that she was a driven woman who was climbing in a difficult industry. It is part of Lex psychology is his value of Humans overcoming things with intelligence and will. and the difference with this AU is Clara has the farm girls start as opposed to Lois typical city or military daughter origin depending on the version. In Lex's eyes, Clara is starting out from a disadvantage to Lois and rising up to be just as successful a writer. In short, a better example of something Lex values.

It is just too good not to explore. So, if we go ahead and have Lex take interest in Clara, it would only take a good conversation for her to know there is something is wrong. But what if during her crime fighting, she ran across something that the talk with Lex makes her think he may behind it. So instead of the immediate rejection she wanted, she agrees to go out with him for opportunity to investigate.

Lex is a narcissistic egotist, and in most versions his parents were not a good example of love. and in most versions his Idea of love is a bit more like conquest. (Yeah, warning now, this is not going to go down in a good way.) He is also smart and knows how to cover his tracks. I don't think it would take him long to realize that Clara is looking for something. Here comes the dark idea I had. What if he arranges things so that if Clara tried to expose his crime empire it would look like it tied back to her instead. This also gets used to keep her from leaving. and if this is far enough in the timeline where Lex already is keeping kryptonite in a lead box in his pocket, Clara has to keep her secret identity tightly held. which means she has to go along with this until she can figure out how to bring him to justice.

Unfortunately, Lex did too good a job and Clara needs help. She turns to Jimmy and Lois. at this point Lois has been an antagonistic rival, for sniping stories from her and seemingly to have gotten the most eligible bachelor in metropolis. But once Clara explains what actually has been going on, Lois' attitude changes and is all on board for taking down the rich creep. thus, this AU's beginning of their friendship.

(well this is where I am ending this initial post. I'll add on or do a part two later. @emacrow thanks for listening to the initial idea. this post is the continuation.)

[jamiepaige]

Constant Companions Closeup #9: OBJECT OF AFFECTION

(also on spotify!)

O, wayward soul, I beg of thee an ear; Companionship, a Constant of desire, is all too fleeting. Would thee quell this fire? My love, do you know what you want to hear?

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was some gay shit (Liaison) and today is some more gay shit (Object of Affection)

---

I'm usually pretty good about letting go of the things I make and letting them live imperfectly, but there is exactly one released song of mine that I've ever been actively unhappy with the final product of, that I haven't been able to let go of my displeasure with.

Honor Majesty, off of Autumn Every Day.

It's not that it's a bad song, or that it didn't have good ideas! In fact, I genuinely think it shares more with the music I make now than a lot of my older work does. Rather, it was incredibly rushed and full of uninspired choices I made for the sake of completing the song rather than making it the best version of itself, and it ultimately ended up falling incredibly flat relative to what I wanted it to be!

I really like the intersection of synthpop/electropop and fantasy. One of my favorite musicians ever is Baths, whose album Romaplasm is chock full of this exact thematic and sonic intersection, and it's so deeply inspiring to me that it still gets put on whenever I want to dream things up. I've always wanted to make things like that! Bubbly and fantastical, brimming with a sense of magic so pervasive it makes even the mundane seem mystic.

...Also I'm just a fantasy dork okay. I like wizards and shit. Sue me

I've been wanting to make a grandiose and fantastical story song for years, and my single attempt to do so felt like it missed the mark entirely. I did touch on fantasy a couple times on Bittersweet, but ultimately, when I started working on this album, I knew exactly what I wanted to take a second crack at.

---

The intended story in question here is fairly vague, but to sum it up as literally as possible:

A rebellious, disobedient, gender-questioning prince has mildly inconvenienced "his" royal lineage one too many times. Their solution is to invoke magicks widely regarded as heretical - what's a fantasy monarchy without some hypocrisy - to seal their "son's" soul within an automaton body, rendering "him" a perfect, subservient doll.

This doll is promptly spirited away under cover of darkness by a mage, and is granted free will once again. She experiences the crushing weight of newfound self-awareness and nearly spirals out of control, before realizing the mage who saved her is the same - a doll. It turns out being a magical-mechanical construct has its perks if you are TRANSGENDER. then they overthrow the monarchy and fuck nasty or whatever idk this is where the story gives way to things like "metaphor"

this is a song about artifice and being transgender

Seriously, though, I know that being an electronic-music-producing transgender lesbian with a thing about dolls or robots or whatever is a major endless-store-shelves-of-identical-buzz-lightyear-action-figures moment on my part, but dammit, I own a copy of Logic Pro and a genuine leather wizard hat, I inject estrogen into my stomach fat every Wednesday, and I think ball joints are cute. I'm posting this on Tumblr, for gods sake, I am unconcerned as an active choice

---

With the exception of Liaison, the entirety of Constant Companions utilizes only three unique vocal synth characters - ANRI, Gumi, and Teto. This trifecta was born organically from simply being the vocal synths I enjoy using the most, and in this song, I wanted to use all three of them almost like one single singer, freely shifting intonation based on the context. I messed with this idea before on Ballroom, my voice meshing and melting into Gumi V3's voice, but it felt especially appropriate for this context; Plus, I feel like there aren't a lot of examples of vocal synths being used/recontextualized in this way, and that's a shame in my opinion!!

I really want to do more story-driven songwriting like this in the future as well. Now that I'm a bonafide VocaloP I've been floating the idea of doing a song series with this trio... I'm mostly just worried I'll want to get too ambitious with it.

Off the top of my head, Object of Affection references at least eight other songs of mine - Honor Majesty is an obvious one, but it also directly samples parts of Autumn Every Day, and lyrically references genuinely just a bunch of things. I'm probably forgetting some, even!

I know I'm the Leitmotif Lover, but it's a lot even by my standards. However, this song's entire existence already served to satisfy a fairly self-indulgent desire, and these days, I don't deal in half measures. I think the final product serves as a lovely little look back at where I've come from, though, and perhaps even a little glimpse into the future!

That all being said, Object of Affection in some sense is also a love letter to a beloved part of my creative process - the voice memo. A lot of the audio I've provided with these posts have been recordings off my phone for good reason! Not only are the chops at the beginning of the song entirely comprised of edited recordings I got on my phone, but the sample at the very end happens to be from a particularly legendary recording, never before heard by the public...

Until now. I present to you an excerpt from "the worst beat on planet earth", featuring none other than unit.0.

That's about it for today!! If you have any questions, I'll gladly answer them below, but otherwise, I'll be back here tomorrow to talk about this album's title track laid askew - My Darling, My Companion!

[suzukiblu]

excerpt from the one where Clark is trans and Kon isn't, but no one actually knows this:

Cadmus didn't know Superman was a trans man before they stole his dead body, but considering how many total assholes were on staff at the time they were surprisingly respectful of his gender identity. Not so much his bodily autonomy or his DNA or his potential feelings about being cloned against his will, but like, they used his preferred pronouns and whatever. 

So like . . . diversity win, Kon guesses? Or . . . whatever that'd be? 

So when they made . . . him . . . 

Kon got educated and socialized as male, when they made him. They called him "he" and "him", at least when they weren't calling him "it". They couldn't figure out how to synthesize effective hormone treatments for half-Kryptonian genes, but they had plans for surgeries they were gonna do when he was physically mature enough. Like–before the yellow sunlight could really kick in, effects-wise. Apparently they tried just tweaking the sex on a few earlier models, but by the time they got to Experiment Thirteen, they'd figured out that they couldn't work out what an actual AMAB Kryptonian's genes should look like and had just planned for the surgeries. 

Kon's not really sure how to take that. Like . . . is it good that they wanted him to be comfortable in his body? That they cared about what the fuck he'd want to look like? 

Or is it bad that they didn't ask him if he'd even want any of that? 

Kon wears a binder and a packer and acts like he thinks boys are supposed to act, tries to take charge and be tough and be confident and hit on pretty girls and not look at pretty guys, and Kal tells him he doesn't have to try so hard. Tells him to just act natural. Kon doesn't know how to do that, though. 

Acting "natural" would be . . . 

Acting natural would be a problem. 

Cissie has really long hair. Sometimes Kon watches how it moves and pretends to be checking her out when she catches him. Like the same way he pretends that he's perving on her ass when he's actually looking at the swish of her skirt, or that he's making eyes at her tits when he's really just wondering what his own would look like without the binder that he wears . . . more than he's supposed to, to be honest. 

Serling gets on his ass about it when he forgets to take it off every eight hours. She's working on synthesizing actual hybrid hormones for him, she says, but it's technically a backburner project right now because everything is always on fire and the world keeps trying to end in increasingly ludicrous ways. 

Which, well–he appreciates it, really, but that'd all be more helpful if he was actually "forgetting" to take the binder off, and if he wasn't terrified that she's actually gonna manage those hormones someday. Serling's, like, a crazy genius, after all. She might be able to pull that off. 

But Kon doesn't want the hormones. Doesn't want the surgeries he's been told Cadmus will give him as soon as he's physically mature enough. Doesn't want . . . 

Kon doesn't actually hate his body, is the thing. He doesn't feel bad or weird in it. He kind of just . . . he likes it the way it is. He doesn't even want to wear the binder or the packer, honestly. 

Literally every single fucking person who knows he’s trans has been respectful about it and has given him everything he could ever need to present as male and never, ever said anything to belittle or question his gender or his right to consider himself a man or even slipped up with his pronouns or anything. Even fucking Westfield never said anything shitty to him about it, for fuck's sake. Fucking Westfield, of all people! 

Which would all be great and good and very fucking validating, if Kon weren't fucking cis. 

There is something extremely, extremely bullshit about the fact that Kon is getting all the acceptance and support and medical care that every actual trans person deserves without even asking for or needing it. But she has no idea how to tell anyone that she's not what they think she is. Or who. Or . . .

Seriously, who else's life has ever been weird enough that they'd need to come out as cisgender? Like, who else ever?

Young Justice thinks Kon's a cis guy. The public thinks she's a cis guy. The superhero and supervillain communities both think she's a cis guy, except for the handful of people that know about Kal not being one, and even most of Cadmus does, depending on clearance levels and whatever. Tana and Roxy and fucking Knockout all thought she was a cis guy, even. Robin might "know" she's actually a trans one, being a Bat and all, but he's never said anything that's made her think he might.

Hell, the fucking Agenda doesn't even "misgender" her.

So everyone who knows has been absolutely fucking great and respectful about it and otherwise Kon passes fucking perfectly, and no one's ever once looked at her as anything but a guy. Anything but Superboy.

Except all Kon wants is for someone to look at her and see a girl. To see Supergirl.

So she doesn't really like to talk to Kara when she doesn't have to.

Or . . . ever, really.

Unfortunately, right now they kinda do have to talk.

"Well, your evil twin remains evil, no surprise," Kara says with a sigh, eyeing the walls of the containment cell that the Agenda has stuffed them into and is for some inexplicable bullshit reason slowly filling with water, who even fucking knows why. There's gotta be faster ways to kill them, especially considering Kon isn't even sure how much Kara needs to breathe at all. Like, she definitely does? But as for Kara, who knows. "Match is the worst possible version of a Superboy, I swear to Rao."

Kon has the weird urge to snap about how maybe Match isn't a boy and has anyone even asked?

No one ever asked her, for fucking sure. She didn't even know she wasn't a boy for way too long. Everybody'd always told her that she was, after all, and she'd just thought it'd felt weird to get called a boy because she wasn't a fucking little kid, she was Superman, or because she was trans and like, felt fake about her gender because she'd somehow accidentally internalized some stupid bullshit, or because of any number of other reasons that would've all made perfect sense and had all turned out to be perfectly wrong.

So yeah. Kon does kinda identify with the trans experience, ironically enough.

"Yeah, Match is usually a pain in the ass," she says instead of telling Kara how much she fucking hates her for getting to be what she can't, then starts looking for a way out of the stupid containment cell. It's not Kara's fault Kon hates her, for one thing, and also she doesn't wanna die here. Like, she definitely doesn't.

She wonders if Match might have reacted to her differently, if when they'd first met she'd known enough to ask if they were sisters.

Probably not, whether they're sisters or not. Match still seems pretty married to "I don't have free will" as a coping mechanism for all the psychological damage that being cloned and force-grown and told your only value and entire reason for existence lies in replacing someone who doesn't actually need to be replaced, it seems like.

Not that Kon would know anything about that, obviously.

Like, why would she?

She feels along the walls with her TTK and finds a frustrating lack of structural vulnerabilities to exploit. Kara punches them a few times, though they've already tried that. Kon doesn't blame her, at this point. The water keeps steadily pouring in and makes its way up to their thighs.

It is not reassuring. Like, at all.

Kon is gonna be so annoyed if she dies and gets buried as Superboy.

Though she was always going to do that, wasn't she. Best case scenario might've gotten her to Superman, maybe, but . . . yeah.

What else was she ever gonna do?

Cadmus made her to be Superman. Kal told her she could be Superboy, and named her after a boy, and named her like a Kryptonian boy would've been.

Although she guesses to have a femme-style Kryptonian name, she'd have needed to have a father.

She wonders if Kal would've named her at all, if he would've had to give her a name with a father's name attached to it. Maybe he would've just gone with Jor-El's, since technically Jor-El is the paternal donor of her Kryptonian DNA.

Or maybe he would've gone with . . .

Kon stops thinking about stupid shit she knows better than to be thinking about and feels out with her TTK again.

[pillowbugs]

so uh. that poto au i did just over a week ago.

was playing around with some ships to figure out who would fit the roles of the other characters, and landed on airplaneshipping for christine and raoul. preferably ignore all the plot that would have to happen to lead to this point. (the scene where the phantom shoots fireballs, except in the pokémon universe it's a full on battle against the phantom and his chandelure. for an added bonus, look up the name of the 'song' sung during this part of the musical.)

unmasked ver. (additional design notes under cut)

elesa:

christine's dress in this scene is light blue, which is a colour that is indeed present in elesa's design (her bw2 outfit moreso). elesa not wearing any yellow felt wrong though, which is why the layers underneath are yellow-tinted.

went with her bw1 hair colour because christine was blonde in the original book.

her cloak is mostly based off her bw2 jacket in shape; it's black with a red clasp, which makes it not only similar to the cloak donned by christine in the musical but also retains the same idea of the cloak being a visual representation of the phantom's (who wears mostly black) hold over them. (+ the other colour ingo is most associated with is red.)

however, because of the lighting, said cloak appears yellow on the side closer to skyla - more similar to her canon design, and being close to skyla in a way rids her of the darkness.

she gets to change her hairstyle as a treat.

skyla:

it wasn't common for women to wear waistcoats at the time (1900s), but sapphics in history quite famously fucked with a lot of gender norms.

actually both of these lovebirds are blue now. sets up a colour contrast between the lighter, friendlier blues of the couple and the darkness and reds of the phantom. (blue = friend and red = foe like it's fire emblem)

the way swanna is placed is intentional, to set up a more angelic imagery mirroring the phantom's darker version (more on that in a bit).

both women wear matching white roses in their hair. something something flower symbolism. but skyla does also have feathers in her hair, for obvious reasons.

swoobat because hearts :D

ingo:

was debating on whether to make him actually more deformed in this au, but didn't really feel in the mood to sit down and design it in detail for this piece.

there isn't much i can say about his outfit design given it's literally just mashing his usual uniform together with his butler alt from masters. though upon actually looking up the phantom's outfit, the end result is actually surprisingly close. not surprising given both wear victorian suits and primarily wear black.

my original concept for the au was that he still works with the subway, he just does it from the shadows instead of being a public figure - hence he still wears a train conductor's hat. though since the battle subway isn't a thing (or at least not in the form we know it) he doesn't have its logo.

his cloak is intentionally flared up in this scene, for a few reasons: 1) it looks cool, 2) it resembles gliscor (albeit it isn't present here) and 3) mirrors skyla with a darker angelic imagery - the original musical had the whole "angel of music / death" thing.

i actually went through quite a few variations of his mask before settling on this one, and even then i'm not entirely satisfied with it.

version 1: exactly the same as the one used in most advertising for the musical - decently terrifying, but considering ingo's main 'issue' is his mouth, which this (and the one actually used within the musical) doesn't cover, this would be completely useless aside from probably hiding his identity and especially his resemblance to emmet.

version 2: leaned more into the angle of trying to alter his expression, particularly to be smiling instead - to be more similar to his brother. also suitably unsettling, but this specific style wouldn't work if you looked at him from any angle besides this one though. also, from this angle, because his actual mouth is obscured, i was worried he would actually be mistaken for emmet instead (given generally fandom tends to make emmet the unhinged one - let ingo have some fun too, guys).

version 3, the one i went with: has patterns at the cheeks simulating the edges of a smile (and also has the black-on-white contrast); his actual mouth is hidden but visible through the cloth.

why is there a litwick on the gravestone? good question!

in all honesty, this was part me drawing blorbos into an au and part me conceptualising what the pokémon universe version of POTO would look like.

[millytherat]

Reading through @badaziraphaletakes inspired me to make a post about reasons:

Why people tend to choose Crowley of Aziraphale, and, consequently, think Aziraphale is bad

This might be a long post, i'll cover some topics and i might get all over the place at some point! But please be patient! Can i get into it?

Inversion of values

When first watching Good Omens, you might expect a strong inversion of values, that Heaven is bad and Hell is good, angels are the oppresors and demons the victims

It is mostly religiously (religious trauma) motivated, aka "christianity is a fucking bullshit" motivated, to expect seeing the ones who calls themselfs good (Heaven, who we interpret as Christian religious figures) be actually bad (wich, in real life, they tend to be) and, the ones they cast out as evil and sinful (Hell, wich we interpret in this case as anyone the church calls sinful, like the queer comunity) to be good and innocent and just different, it makes us feel emphatic for them, even seeing that they are, indeed, bad

I believe some people just dont want to accept it, they want to believe the angels are inherently bad and the demons just questioned their bad ways

But they arent, if anything ALL angels and demons are naturally good and innocent, "oh but Gabriel!" He was naturally good, we saw it, the same with Michael and Uriel too, they're all just tainted by the strong grip Heaven demands for them to have; in episode 1 season 2, we see both Crowley (as starmaker) and Aziraphale being totally innocent and adorable, they're good by nature, no one in the story is actually evil

When this inversion of values we wish for isnt fulfilled, it might cause an annoyance, i know a lot of people who dont accept it, and just make it up because... well is expected!

Queerness

This was originally taken from a post of "Bad Aziraphale Takes"

Crowley is "more queer" than Aziraphale, at least thats how people see it as, in fics too, how many times Crowley gender is explored, with pronouns and labels and identities? While the more i saw for Aziraphale was a vulva or they/them pronouns, and never in a human au! Aziraphale is depicted and seem as a cisgender male

I have seem even people saying Aziraphale have internalized homophobia! I- how??

Found them! @theelastword made an ask on the "bad Aziraphale takes" blog that inspired this bit <3 thank you love

Need for a villain and favorites

As we saw, people that hate Aziraphale choose to see Heaven as evil, as the villain, and that is also followed by many people who dont hate Aziraphale! Well, might i say that... we dont have a real villain in Good Omens? The angels arent evil for wishing to follow what they believe to be God's plan, nor for deminishing humanity- but i'm getting ahead of myself here!

The need to see Heaven as inhetently bad, the big bad villain, makes people see Aziraphale, going back there "freely", hurting Crowley's feelings, saying Hell/demons are the bad guys (wich they ARE?? There is not an inversion of values!) As him being evil, as him going to the side of the villain instesd of choosing Crowley, going back to CROWLEY'S abusers, not his, not theirs, Crowley

I do believe humans have a natural need to have favorites, when you're a kid is always "wich caracther of this cartoon am i?" and later is always "wich do i relate to more? Wich do i like more?", and people choose Crowley for all those reasons above and probally some personal ones too

So! As a small conclusion:

People choose to prefer Crowley, they choose to see Crowley as better because he's a "good demon", he's the victim that fell from Heaven and hates Hell, he's the queer caracther, he's kind and genuine and helps Aziraphale and have a car he loves

Because of the idea that Aziraphale is: A) opposite to Crowley; B) an Angel! (The abusers! The bad guys! The evil!); C) a BAD angel for that matter, he's selfish and mundane and comes across as rude to Crowley (because he acts so fucking autistic too!); people tend to DISLIKE Aziraphale, small simple minded people, but people nonetheless

I know the whole post is a bit over the place, it might sound confusing here and there, but i really wanted to put all this together to try and understand why people hate Aziraphale

I though maybe this can give a small input on why people think like that, it sures helps me to understand how they think that and what they mean by their terrible takes! I guess is mostly them being naive

Oh! You know how in the 2000's the media was demonizing femininity by having blond, pink, feminine villains in their high school romances? How we, to this day, tend to see feminine girls as fake, vulgar, naive, etc? How most teen girls go through a "not like other girls phase" because of that?

Same principle! Is the same reason for why they see Heaven and Aziraphale as evil

I hope someone can appreciate this lil silly thoughs put together <3

[aruanimess]

For the ask, what about reverse warrior/paradisian Aruani, where Armin is from Marley and Annie is from Paradis? How do you think this would change the story?👀

Fanfic Author Never Have I Ever

Hey, Stella!

Well, I have shared some ideas about a similar premise here, but I've definitely never written it.

If I were to write something like this, I'd probably have Armin being a lot more lenient with the Paradisians. The plot would revolve around Armin finally deciding to give up on Marley and join the Paradisians. I know a lot of people want to see him commit war crimes (and don't get me wrong, he would), but I think a character with Armin's moral compass would snap when faced with the blatant injustice of Eldian discrimination.

As for Annie, I'd keep her backstory similar: her father wants her to join the Military Police to benefit himself. Still, I think she'd be more open to developing friendships in this scenario as she is not actively betraying anybody. She and Armin would become friends and slowly through time she'd figure out something was off about him and his mysterious friends (as I believe Armin would spend more time with RB than Annie does in canon) and she'd go into sleuth mode.

After Trost, and the revelation of Eren, she'd put two and two together and confront him. Armin would fight her off and try to silence her, revealing that he's a lot more martially inclined than he let on (as he's been trained for years in this AU and also has the benefit of healing quickly). Ultimately though, he wouldn't be able to go through with Marco-ing her as he has a) developed feelings for her and b) has become unconvinced of the supposed evilness of the Paradisians. Then, they'd devise a plan together to uncover the monarchy's secrets and make the public aware of the truth.

P.S. Sooo, there's also the problem of which Titan Armin would get, as Bertolt has the Colossus and is Armin's ally in this. My friend @midnightlighthowlite has a little project where the third member of the titan trio is Pieck instead, and, as much as I loooooove this possibility, to propose something different I say: I'd give Armin the Female. Knowing me, I'd probably turn it into a whole theme about gender identity, toxic masculinity and trans issues too, by having Armin endure bullying back home bc he was chosen for the "girl" titan. I'd have him experience gender dysphoria (either when transformed or when in his regular body depending on where I took the story) and struggle with his presentation in general. Obviously, this would be resolved by Armin embracing his feminine side, either by deciding he's some flavour of trans or by accepting that body parts are gender neutral.

[schpeenor]

i’ve got some headcanons for shigaraki, and i tried to do a little study… i’ve just been trying to figure out how exactly to draw shigaraki so he’s not too inconsistent so i gave him some unique features.

≫ He’s transmasc. Top surgery and bottom surgery procedures were done when he was 18 and 19, he was very insistent on it to AFO because of his prior gender identity issues, he’s always felt off in his old body, and reaffirming surgery was the only thing he felt would make him feel better, aside from the hormone therapy he’s been on, his binder and the new name he already took up.

≫ Really he threw a tantrum like a man child on his 18th birthday about the surgery and wanting it as a birthday present, and the only thing AFO could do was concur and get both procedures booked and out of the way by next year.

≫ Top surgery was done not too far after his birthday, bottom surgery spanned until the next year.

I’ve got something that elaborates on all of this below.

TW: gender dysphoria, thoughts of self harm

≫ This man had absolute dysphoria about one thing in particular, he hated his AFAB genitals, that’s where his incomplete feelings came from and that’s why he was so insistent on getting the procedure. He really did deal with penis envy in the literal sense, not Freud’s whole psychoanalytical mess. His chest was any easy fix because under a binder, there was no trace. On the other hand, most of the time a man’s ego surrounds the simple idea of having a penis. Having a penis meant having more control, that’s how Shigaraki thought about it, and he couldn’t get it out of his head. In order for him to feel like an actual man, he needed a penis, and he told AFO he’d kill himself if he didn’t go through with booking the surgeries as his birthday present. He wouldn’t actually kill himself but he was teetering on the side of similar extremities, he was at such a low he even considered genital mutilation. AFO knew Shigaraki wasn’t going to actually kill himself but he believed there was no point in denying him of it.

[honeydewdelight]

LGBTQ+ HEADCANONS

Main six and more let's gooooo

Twilight Sparkle

Asexual

Although homophobia and transphobia is rare in Equestria, asexuality it also not often talked about

Twilight struggles with romance in her late teen and early adult years.

She felt like there was something wrong with her, but couldn't pinpoint what it was. The idea of relationships was so strange to her, but romance seemed to appealing. She didn't get it.

One day she went to talk to Shining Armour about it

Shining is a beegg!! Ally!! But knew this was outside of his area of expertise, so asked Cadence about it

Cadence went to Twilight and they talked about it for hours. She explained it all to Twi and made her feel so loved, normal, and beautiful.

After that, the pressure of relationships went away, and she wouldn't focus on it for another few years. Putting her studdies first, and later putting her friendships first.

Rainbow Dash

A big gay is what she is

Lesbian

Uses She/He/They

Gender? I hardly know her

Gender? Take her out to dinner first

Okay I'll stop

Applejack

Another big gay

Experimented with gender but just prefers she/her

Not really confortable with labels

Pinkie Pie

Pan

She's literally pan colours what else did you expect

Uses she/they

Fluttershy

Trans

Wears tail extensions (canon)

When she was a filly, she couldn't figure out why she felt so bad about herself all the time

Rainbow Dash helped her big time, gently pushing her to explore her gender

Transitioning in Equestria is pretty easy, blablabla something with magic n stuff

Rarity

Your honour, she is bi

CANON and you can't tell me otherwise, she WILL flirt with anyone

Bit of a disaster bi

Demisexual and very confident about it

Hopeless romantic

Loves to dable in romance but ultimately loves being independent above anything else

Never really stays in long term relationships

Often the one to break up

But she does it with such grace and elegance?? Most of her ex-partners stay friends with her. People dont know how she does it

Bonbon and Lyra

Your honour, they are married

Lyra is lesbian

Bonbon is bi

Discord

Gender? I hardly kn-

Uses he/him because that's what people use and he rolls with hit but his species literally doesn't have a concept of gender

Fluttershysexual and Fluttershysexual ONLY

Cadence

Big pansexual

Anytime any media has any sort of princes of god/goddess of love I just can't see anything other than pansexual

You're telling me a PRINCESS of LOVE would only feel that love for 1 gender?

She is very confident in her identity, even though she never necessary got to experiment and explore with it since shining armour was her first big crush, and they have been together ever since

Is extremely educated about LGBTQ+ Identities and matters

Maybe I'll talk about some more later on^^

[thelostgirl21]

A celebration of Joey Batey offering TV show writers a pure masterclass on how to write a queer character with a queer audience in mind.

Can I just say how much respect and appreciation I have for Joey, that he went above and beyond in term of queer representation, by bringing some much needed attention towards people on the aromantic spectrum, and making gender a complete romantic/sexual (and even queerplatonic) non-issue?

I mean, imagine that you are part of a show with a young and powerful canonically bisexual lead, Ciri, who is at an age where people might start exploring their own sexuality, slowly figuring out who and what they like, etc.

And suddenly, you're offered to also be playing another queer lead character, with a male love interest - while knowing it will be the very first time that the audience will be officially introduced to the idea of Jaskier being queer...

And, instead of going with the more familiar, and often expected:

"A man that's always been with women before, now finds himself romantically and sexually attracted to a man, and starts questioning his own sexual identity..." coming out story...

You find yourself with a unique opportunity to go a bit further, to explore more specific and lesser known LGBTQ+ themes, and to delightfully surprise your queer audience!

You can take a full dive into the wonderful world of Queerdom, by exploring a different - yet just as equally important and significant - coming out story!

i.e.

"A usually aromantic person, that has always experienced squishes, smushes, and possibly meshes before, finds himself experiencing a (sapio)romantic crush for the very first time, and starts questioning his romantic identity..."

Of course, a lot of people in the audience will probably miss this.

The monosexuals that have been conditioned to believe that gender must always play a role in how one experiences romantic and sexual human attraction - will likely be paying more attention to how Jaskier is showing an interest in a man.

People that are used to equating "falling in love" with "romantic attraction", might miss the significance and importance of Vespula specifically using the word crush to refer to Jaskier's current attraction towards Radovid.

People that typically see non-gender-related orientations as "mere preferences", or have simply never heard of them, might miss how Jaskier goes on and on about how "emotionally intelligent and insightful Radovid is" , with a look of vulnerability and wonder, putting emphasis on how different he feels about him.

People that were taught to see emotional relationships according to the "platonic vs romantic" binary - with a strict idea of what each means and implies - may not be familiar with what queerplatonic relationships are, and will interpret Jaskier saying that he loves Geralt "platonically" as meaning that he's not as deeply and strongly in love with him as one might usually expect a romantic partner to be.

They'll be unaware that there are committed life partners out there - that would go to the end of the world for each other and perhaps even share sexual intimacy together - that don't have any romantic feelings for each other whatsoever.

Romance does not mean "being in love", romance means "being in love in a romantic way".

And it is not the only way.

To aromantics and greyromantics - and even to romantic people that also have the capacity to fall in love in non-romantic ways, such as yours truly - queerplatonic and alterous relationships aren't "lesser than" romantic ones, they are different.

And Radovid... is different.

Radovid is no better, nor worse, than a hammer...

But he's a spoon.

He's a romantic connection that is completely new, exciting and intriguing to explore for Jaskier!

According to Joey Batey, as a sapioromantic panromantic pansexual, Jaskier finds himself developing a strong sapioromantic and sapiosexual connection with Radovid.

Jaskier is representing people that aren't romantically or sexually affected by a partner's gender in the way that they experience sexual atttraction, and people that experience a lot of tertiary attraction when falling in love, while very seldom ever being able to love others in a romantic way (sapioromantics / greyromantics... ).

Jaskier is a queer character that was truly created with a queer audience in mind!

He was created so that all of us that don't see or experience love according to the platonic vs romantic binary.

All of us that are hyperaware of those other forms of attraction (tertiary, aesthetic, sensual, etc.) that one can experience for another human being.

All of us that don't see or experience romance or sexuality as something that ties into their partner's gender.

Could finally see themselves in a character on screen.

Of course, you still need characters that experience their sexuality while feeling like the gender of their romantic and sexual partners matters - including those that love all genders... Desperately so!

First, because all members of the queer community matter and are equally as important and valuable. Rejoicing over Batey diving into lesser known and familiar representation doesn't mean that familiar and better known representation should not be encouraged and celebrated as well!

This is not a "there should be less gay character on TV to make room for more aromantics and asexuals instead" post.

This is a "we need queer identities people are less familiar with in addition to proper gay, lesbian and bisexual representation" post.

And second, because you still need characters that don't stray too much from the platonic v.s. romantic binary, too - and the usual social conventions tied to romance and sexuality - so that non-queer audiences can more easily connect, and empathize with, the queer community.

Because, when the existence of bisexuality already is something that monosexual people often have a hard time understanding, acknowledging, or even believing in...

Well, going:"By the way, I'll have you know that you can totally want to have sex with, live, and raise children with someone you've got platonic feelings for, too!"

You might accidentally lose them.

And if you try to explain that some people are unable to romantically connect with anyone, unless they get specifically attracted to their intellect (often combined with their aesthetic looks)!

That's likely going to be even worse!

And this is where Batey's pure genius comes to light.

Because he's just shown that you can find a beautiful and organic way to explore queerness more in depth - totally stepping away from the usual relationship conventions and specifically addressing your queer audience - simply by using a vocabulary that said queer audience will understand and connect with.

You can make it clear that the character is on the greyromantic spectrum, by having Vespula state that she's never ever seen him with a crush before!

You can put the emphasis on him being more specifically sapioromantic, by having him dreamily go on about how Jaskier perceives Radovid's intellect.

And, if Batey is to be believed - and he's been exploring the idea of Jaskier being queer since the very beginning of the show (without any clear response from the writers or producers regarding Jaskier's sexuality) - then, by making it clear that he loves Geralt platonically in Season 3, he's also allowing us to revisit all the scenes between Jaskier and Geralt from Season 1, while enjoying them through an aromantic lense.

Someone on the aromantic spectrum watching that scene might thus find themselves deeply connecting with the strong platonic squish (although it could also be a mesh) that Jaskier immediately experienced the very first time he saw Geralt...

You can see Jaskier as specifically believing himself to be Geralt's best friend in the whole wide world, and instinctively reading into Geralt allowing him to physically/sensually touch him (rubbing chamomile onto his lovely bottom) as him possibly desiring a queerplatonic connection with him also.

And, the scene where he's suggesting to Geralt that they could get away for a while, head to the coast together...

Where he mentions that life is too short not to do what pleases you, and admits that he's trying to work on what pleases him...

Look, the fact is that there's always been aromantic and greyromantic people experiencing tertiary forms of love and attractions for other people long before we had any words to put on those emotions, desires and needs.

So, it's rather easy to see Jaskier as someone that is experiencing a powerful alterous attraction for his best friend, and realizing that what pleases him the most, is the idea of them sharing a queerplatonic or alterous relationship together...

It makes sense to interpret what Jaskier is saying as him trying to express and articulate the love he feels for Geralt the best he can - implying that Geralt is what pleases him - while trying to ask Geralt if he also feels the same way...

Sadly, Geralt doesn't quite get it; likely because he's also romantically and sexually attracted to Yennefer and, when he loses her, instinctively throws all his own hurt and heartbreak at Jaskier - blaming him for everything that (he believes) lead to that loss!

And just because the break up Jaskier experienced wasn't a romantic one doesn't make it any less devastating.

Poor loving bard was making plans for them to continue to travel and enjoy their time together as the platonic boyfriends he believed them to be, and Geralt told him that all Jaskier had to offer him was a giant pile of shit that he kept shoveling his way!

There's been a lot of alterous and/or queeplatonic subtext since Season 1 (that could also read as romantic, but should never be used as evidence or proof of romance if we were talking about a real life partnership).

And, while I do acknowledge that queerbaiting has been messing with our ability to perceive and appreciate those relationships as such, I do think that, canonically establishing Jaskier as a sapioromantic, at the very least, clearly addresses the reasons why Jaskier was behaving in such an amorous way with Geralt without being romantically in love with him.

For once, instead of mocking the queer audience for "having mistakenly read two same-gender close friends as being romantically attracted to each other" (while doing as much as they can to suggest romance to keep them hooked!), they are canonically establishing Jaskier as a sapioromantic, with him experiencing his first romantic crush with Radovid.

The show's dialogue is telling people on the aromantic spectrum that "Yes, Jaskier is one of you. He gets squishes, meshes, lushes, and can desire a queerplatonic relationship with a best friend he's got strong platonic feelings for also."

You can speak to your queer audience, without fully risking alienating your non-queer audience, by simply using clues, and a language that your queer audience understands.

And I will forever be grateful to Joey Batey for having understood it, and having so skillfully managed it.

As someone who is ambiamorous, panalterous, panromantic, demisexual, and pansexual, all the nuances and details he brought to Jaskier's queerness was a pure delight, and spoke to me in a way that no TV show character has ever spoken to me before (except, perhaps, in "Sense8", but the whole show itself was about what it meant to love and be human, with main characters sharing a supernatural psychic bond making them more likely to open themselves to all the queer forms of love... whereas shows like "The Witcher" is of a more mainstream fantasy show).

I wish I had a way to contact him to tell him thank you, from the bottom of my heart, for breaking gender boundaries, and "platonic vs romantic" boundaries with Jaskier, and offering us a character that is one of the purest, most beautiful, and most perfectly balanced love song to queerness that one could have written and sung about!

Jaskier is a queer representation groundbreaking masterpiece on a show such as this.

That representation is as intelligent, insightful, and sharp as Prince Radovid himself.

And Extraordinarily Things said more about Jaskier's feelings, issues, and vulnerabilities than any piece of dialogue ever could have, and had me weeping my eyes out by the time Jaskier sang about how he finally felt like he was enough...

Well done Joey, you absolutely brilliant and deeply empathetic real-life bard and poet, well done...

[myapothecarydiary]

Thoughts from reading The Apothecary Diaries Manga Ch. 1

Okay, I just first have to say I adore these little Maomao illustrations at the beginning of each volume. The art style is so cute!

And we get straight to it: the comparison of the pleasure district to the rear/inner palace. The similarities go to show how Maomao is in a position to successfully navigate and understand the rear palace due to her upbringing in the pleasure district. Her background gives her a unique, and in this case, advantageous perspective.

This introduction discussing eunuchs and the emperor's family is very hello! regarding Jinshi's real identity. I think it also introduces Apothecary's conversation on gender, specifically Maomao's perspective regarding it. She considers eunuchs to no longer be true men and to exist beyond the gender binary. She values frogs as a defining characteristic, if you will.

This here introduces Maomao's relationship with her own appearance and beauty. We later learn she draws her freckles on and so is trying to subdue her natural beauty, but she is also pragmatic about her appearance. She accepts what she looks like and utilizes her unassuming qualities, even accentuating them, but though she adds she's "not interested or anything" in becoming a concubine, I think there is some supressed disappointment in her looks. She can't fathom that someone like the Emperor would find her attractive. She is not just pragmatic but resigned.

There's a greater conversation to be had about how Maomao values beauty and recognizes how beauty gives someone value (within the environments of the rear palace and the pleasure district as well as within her own mind?). I'm going to put a pin in it for now, but I have thoughts on how Maomao views Jinshi's beauty (a waste on a man, disastrously powerful on a woman, extra wasteful on a man sans frog?) + the benefit of certain assets (big boobs XD)

Hello, future plot line and Jinshi's desire to increase literacy and education!

I find this important to note as it is how Maomao is characterized for the audience. "Forward-thinking" with "an insatiable thirst for knowledge and overwhelming curiosity" and "a budding sense of justice." It is interesting how her sense of justice goes against her insistence on the idea of "it is what it is" and that most matters are above her.

Feels like ominous foreshadowing for a later reveal + an indication of how the previous Emperor's shadow hangs over everything to some extent. (Side thought: there's no actual curse on the imperial family causing the current Emperor's heirs to die, but perhaps Jinshi would feel like there is one)

Introduction of Maomao's favorite concept/word–conjecture! She emphasizes how her dad drilled into her that she shouldn't go off of conjecture alone, yet she often engages in speculation to the point of it kind of being her "thing."

A fateful meeting. Jinshi notices Maomao but she doesn't see him (and is too busy thinking/working out a problem in her head–very on the nose for their relationship going forward).

I also like how this was drawn with the white outline around the both of them! I think it is more apparent around Jinshi, but it does envelop them both and put them together, which is interesting.

Maomao sees Jinshi for the first time. And going back to my prior pin on beauty! – Maomao's perception of Jinshi is tied to her thinking about the concept of him as a woman. There's almost a disappointment in how his beauty is not possessed by a woman.

This is very indicative of Maomao's actions. A large part of her character involves not only figuring things out and possessing/acquiring information, but obscuring things/holding things back (in regards to both what she figures out and how she presents herself). This also speaks to how Maomao even suppresses certain feelings and realizations in her own mind.

I feel like there is an instinct to write Maomao off as a cold loner type, and while part of this moment involves Maomao's relief at seeing the princess alive and healthy, I think (especially with how it is depicted) it shows a warmth for life and children. Maomao cares! You see this sweeter/softer (and protective) side of her in her interactions with Xiaolan as well.

Maomao is all about that social hierarchy and knowing her place. Beauty and status are perhaps lenses through which she sees the world (interesting that a certain character will land at the highest level of both of those XD)

My confession is that before I watched the anime and was just seeing people post about Jinshi as a sort of "silly little guy", I made assumptions about his intelligence and depth. I was very pleasantly surprised by the scene where he deduces Maomao left the note because she is the only one who can read. It even catches Maomao by surprise! Then again here, his ability to solve the sorts of little mysteries that will essentially become Maomao's main purpose goes to show their compatibility as a pair (that will work well together).

This moment and quote just hits me hard every time. Beauty and life, how they interact, and the value of both will continue to be explored. It also directly shows how Maomao's experience of the pleasure district informs her ability to understand and navigate the rear palace.

And that's all for chapter 1! Onto the next.

[picturejasper20]

A lot of people in the phandom talk about how Season 3 was when Danny Phantom went downfall, and while i agree with the idea, i believe that the series was starting to show some of these cracks in Season 2 that later collapsed on Season 3.

For starters, we have the Season 2 first episode ¨Memory Blank¨, whose main purpose was to give Danny a logo in his suit so they had to make the portal explode on him again. It is an episode that doesn't much sense in the timeline and it is very confusing. It doesn't change much aside from Danny having a logo.

Later we have episodes like ¨Reign Storm¨ and ¨The Ultimate Enemy¨, considered to be the peak episodes from the series by many for a reason. The issue with these episodes is that they were setting up for pretty interesting things- but they never had a proper paid off. I have talked before about how the Ring of Rage and Crown of Fire never appear again after Reign Storm in spite of how important they were. There isn't any mention of them in the episodes that followed. The same goes to The Ultimate Enemy, a mutual of mine, @pedanticat, pointed out how the special was setting up for Clockwork to be a mentor figure for Danny, which didn't get much followed except for a later episode.

While "The Fright Before Christmas" has some good moments, it is frustrating how Danny has to put up with Jack and Maddie's childish argument that ruins for him and Jazz what should be a special time of the year. It is quite gross that a 14 year old teenager has to deal with something like this and the adults are never called out for it.

I do enjoy "Secret Weapons" a lot but one main issue it has is that it semi rewrites Jazz's character, making her be incompetent at ghost hunting when in previous episodes (My Brother's Keeper and Maternal Instincs) and later ones she isn't seen having this same kind of issue with using fenton gadgets. I believe it was written like this so the status quo wouldn't change much in the show.

From here is where things start to get more messy, with "Beauty Marked" having very cool things but giving a mixed message regarding gender (potraying all girls who like fashion and buy clothes as brainless and Sam being the only girl who is clever). Not terrible since it still fun to watch but questionable in message.

"Masters of All Time": Another dumb alternative plotline episode that doesn't add much to the series and was a whole wasted of opportunity of showing how Jack and Maddie's relationship with Vlad used to be before the proto-portal accident. Pretty insulting to previous characterization established for Vlad as antagonist among of a lot other weird messages and implications. Not much else to add that hasn't been said before in my blog or by some of my DP mutuals.

"Double Cross My Heart": I don't remember a lot of this one but i do know i didn't like the whole idea of Danny stalking Sam + ¨If someone else that isn't Danny likes Sam, it means that they are faking it¨. I do know that as whole this appears to be one of the most disliked episodes from the series.

"Reality Trip": Looking back this episode has a lot of really cool things, specially some exploration of Freakshow's characterization and Jack and Maddie as parents. The GIW being main antagonists is great too. The whole problem that brings this whole special down is that the events that take place don't have any real impact and most of the characters, including Jack and Maddie, lost their memories of learning about Danny's identity as Phantom. This has to be one of the most insulting moves the series did, all because for the sake of keeping the main status quo. It makes me wonder why Kindred Spirits couldn't have been the double part episode instead, since it is related to one of main plotlines (Why Vlad gave Valerie all that gear) and is about one of the main antagonists (Vlad Masters), something that was a lot more important that Freakshow.

As you can see, Season 2 was already starting to show problems that later defined the writing of Season 3. You have things like inconsistent characterization (From Secret Weapons to Masters of All Time), lack of proper continuity ( What i already said of Reign Storm ending and also Valerie not having a major role after Flirting With Disaster) and episodes with weird timeline plotlines that go nowhere and don't have a real impact. (Memory Blank, Masters of All Time and Reality Trip) It is a season that, aside from the first episode, it stays pretty well until the first half, then in the second half it kinda falls apart, with having some episodes that are pretty solid and others that are a mess for different reasons.

[lovevxle]

Can you do lucifer x trans female reader that lives in the hotel and has become Charlie’s mother figure while Lilith has been away, The reader when lucifer first comes to the hotel is like, “HOLY SHIT HES ADORABLE”. Then lucifer sees the reader and gets flustered himself.

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Nervous.

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Lucifer x trans!fem

Cw🚩: none :)

a/n: this was a cute idea! I haven't meant to put it off for other fics, it was just a bit difficult to write😭🙏 Anyway, hope you enjoy reading and just know I trieddd!!

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You were a sinner at the Hazbin Hotel. You had been staying there a few months, but over that span of time, you and Charlie became inseparable. She would often ask you for afterlife advice, how to run the hotel better, or just for a chat. Since Lilith had left, she had no one to call a mother until she found you. She had no problem telling you how much you meant to her and vise versa.

It had been a while since you really felt alright talking to people about your gender identity, but with the people at the hotel...it felt like home. They would support you, comfort you, and help you become the person you wanted to be. To them, you were family, cisgendered or not.

It was a regular day in the hotel and you were helping Charlie clean up after a redemption activity. After cleaning, Charlie gathers up the residents of the Hotel. She looks at you nervously and you give her a smile to help her let out the words. "My father will be coming later tonight..it's just to talk about heaven stuff and meet you guys! Nothing much..he wont even be here for that long and he'll-" Charlie goes on.

Everyone ia mostly fine with this and also sorta exited to be meeting the King of Hell himself. A few hours pass and there's a knock at the hotel door. Charlie nervously opens. "Hey d-" "CHARLIE!!" Lucifer yells as he hugs his daughter tightly.

He looled exactly as described. Pale white skin, rosy cheeks, and slick back blonde hair. He was quite attractive not to lie...and short. Very short. He was introduced to all the residents, Angel, Husk, Niffty, Vaggie, Sir Pentious, Alastor (pure chaos), and then you. It went pretty well with most of them (except Al of course), but when he saw you...poof. You tried shaking his sweaty hand as you two blushed and smiled.

Yes, this was infact very akward.

Some time passed and he found himself trying to get to know you more. Charlie did have to pry him away from you a few times to go talk to the others. "So why ya' down here anyway, heh?" "What era were you from?" on, and on, and on. He was so invested in getting to know you and...you were just happy talking to him.

The night was starting to settle down and Lucifer was getting ready to leave. Everyone had sayd their goodbye's and right qhen you said it aswell and so did he. "Um...b-before I leave...could I possibly maybe slightly get your numberrrr?" you were stunned.

I mean, sure he was being extra nice to you, not really talking to anyone else, and trying to g- oh. He really liked you. "I- uh- sure!" You replied. Charlie's eyes shot open. Right as you two were exchanging phones, you stopped for a second.

"Wait."

He looked up slightly worried "Um..yes?" he asked. "You do know I'm not like..how do I say this...cis?" Lucifer chuckled. "Oh, darling, I don't care about that!" your face relaxes. He accepted you. "O-oh! Great then!" you said, obviously happy. He eventually did leave and you were in a great mood the rest of the night.

As the caring ainner you were, did go check if this was okay with Charlie after he did leave though. "It's fine! As long as you're happy, I'm happy. I was just a little suprised is all." she said, smiling. "You promise it's alright?" you ask anxiously.

"Promise."

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