#but like. I ALSO know very well. that trying to express those things to THEM

[heavysighing-dreamyeyes]

Hi!! Huge fan of your work here!!

Been reading a Gilded Cage and the notepad thing gave me ideas since I thought to myself just how specific can we get with what we ask. And more importantly, what kind of ridiculousness can we as the reader put Jay through trying to get what we put down on here.

Here's a list of what I came up with just to either piss him off or get a good laugh at his expression as to why on earth we'd want something so specific and/or strange:

-The second last most recently used Green Latern Corp ring

- All of batman's left silk socks

- Nightwing's phone records

- *Insert very bizzare and niche painting that not even Batman himself knows what it is or where to even find it

- Poison Ivy's least favourite venus flytrap

- All of Damian's battarangs

-And lastly, a kiss from the Arkham Knight

How do you think he'd react to this list?

Also, I really really really love your work!! You and a few other blogs are part of the reason why I've gotten back into writing but I'm too shy to post anything just yet.

Xoxo

Rosa🧸

Hi, Rosa! Thank you! I'm so happy to hear you've gotten back into writing! Best of luck with your work. 💙

Now, allow me to ramble for a moment; anything you write on that notepad is yours. He has a very dedicated team whose one job is to get you your demands within twenty-four hours. And anything they can't get? He does himself.

Batman's left sock? Fine, he has all the codes to get into Wayne Manor, anyway. Green Lantern ring? Whatever, he never liked Hal, and how hard could it be to use one? If you want a specific ring, he'll get it.

Nightwings phone records? Love, he's been monitoring those for months, how far back do you want? A lost painting? If he can't find it, he'll employ someone who can. There's tons of people out there, magic user or not, who have the skills to find it for the right price. It's not like he doesn't have the cash to burn.

Posion Ivy's plants? Easy. If it takes a deal or just telling her it's going to a good home, it'll be yours within half an hour. Damian doesn't really exist in this timeline yet, but for arguments sake, he does? He'll grab them on the way out of the manor with Batman's socks. Or if he's gotta knock the kid out and steal his utility belt during patrol, he'll do that.

A kiss? Well, personally, I'd tell you to be careful what you asked for, but he's going to deliver if you've written it down. The Arkham Knight doesn't bat an eye to whatever you write, no matter how ridiculous it is.

[p5x-theories]

Have you gathered any other fun i guess quirks that could be considered characterization for Wonder? Like how many outfits he has meaning he may have an eye for fashion for example

Hmm, good question! It's hard for me to remember anything unprompted, heh, but I will say I personally believe all the Persona series protagonists have quite a bit of characterization present in their games (despite being alleged blank slates), so in general I do try to pay attention to this stuff, because I like putting that picture together in my head.

I try to factor this into my story summaries, too, especially if I mention that the player doesn't really have a choice with something, or if I think it's interesting that the player has a choice at all. For instance, when Riko collapses after awakening her Persona, the player doesn't get to choose whether Wonder offers to help her, just what specifically he says when he offers. This one is particularly interesting to me because Cattle's response treats this as Wonder not properly reading the room here (Closer was offering to help because she (and Cattle) thought a girl should help her, not because all three of them were going to lend Riko a shoulder), but the player is essentially "forced" to read the room wrong because evidently there's no way Wonder wouldn't also offer to help her. In general, Wonder seems very open to helping people; the fact that he has all these side quests is proof of that, especially since a lot of them kind of start as "Wonder sees someone having a problem and tries to help with it, or at least find out what's going on".

Oh, the gachapon machines could be taken as another quirk of his! You can collect the toys from them as Joker as well, but Wonder has a deliberate display case/shelving area for setting up each of the full sets, with layouts that make it obvious which ones he's missing (implying, to me, that he likes to have a full set on display). But on the flip side, so far I've never see Wonder get a souvenir while hanging out with someone, so he doesn't display any of those in his room like Joker does.

Not exactly a quirk, but another thing that stood out as really interesting to me (maybe especially because Wonder's team isn't as well-known as the original Phantom Thieves were, even by this point), is that Wonder can kind of imply that the Metaverse/shadows/etc. exist in a couple text conversations with Kiyoshi during his Confidant, when Kiyoshi brings up something supernatural that he wants to "investigate". I know it happens more than once, but not super often. But then later, in Kiyoshi's rank 15 event, when Kiyoshi kind of admits he has an active imagination, but he really does see things others can't sometimes (his implied ability to see Personas, or at least see two/multiple of someone if they have a Persona), while Wonder seems to realize this is Kiyoshi being able to see Personas or something related to the Metaverse, there's never any option to tell him about it, or even imply it exists here. It kind of makes it retroactively seem like Wonder's willing to "joke" about that stuff in a text message, but not actually tell anyone, even a close friend, even when there don't seem to be any consequences because the police don't believe the Phantom Thieves exist? It is also possible Wonder's just not a very good liar, so he's only willing to "joke" about it in texts, where he doesn't have to be a particularly good liar to play it off, heh. But I keep thinking about it.

Merope's another interesting Confidant interaction, because while many of her rank-up events allow Wonder the option to express doubt/distaste/a general unwillingness to go along with Merope's idol obsession, ultimately in her rank 20 event he seems to be along for the ride. Even a bit before that, the player can't make him turn down her Mementos request, and when interacting with the Shadow of Narumi's producer, none of his response options give the impression that Wonder's only doing this for Merope. While it's the player's choice whether Wonder is relatively on-board with Merope's idol obsession from the get-go, by the later ranks of her Confidant he seems to have been won over (at least to some extent) regardless of what the player wants.

Oh, another tidbit that comes to mind- we know Wonder's been living in his house at least since he was little, probably his whole life, meaning it's most likely that he attended Kokatsu last year (as a first year) as well, but he notes that he's never been to Kokatsu's annual beach event before. We don't know how long this desire-stealing stuff has been going on, but considering Riko says attendance for the beach event was much, much higher in previous years, and in general the desire problem seems to be getting worse over time, Wonder probably still had his desires (or at least, more of them) as a first year. If so, it says something about what he was like prior to the start of the game that he "obviously" (his words) still didn't attend the beach event that's apparently so popular with students.

This is more general, rather than specific instances/quirks, but I've gotten the impression that Wonder's generally a little less confident than Joker, but gets attached to people quickly and likes to help them. Not to say that you can't read Joker as being similar, but like I said with the side quests, Joker doesn't even have those. At the start of the game, when he didn't have desires, Wonder doesn't know what he wants for the future, and doesn't seem particularly bothered that Ms. Katayama's worried about him because of it. But in Chapter 3 (sorry I'm still typing this story update!), he's right there with Riko, Shun, and Motoha blaming himself for causing Katayama more stress, and when they can't steal her Treasure because they're not sure what'll happen to Akashi sharing her Palace, he's so clearly bothered by it that Ruferu gives him a pep talk about how he's a good leader and they still saved Katayama's Shadow today.

Wonder's reaction to his visions also feels like a point of characterization to me. While he clearly is alarmed by the bad ones (jolting awake after the nightmare at the start, most obviously), already by Chapter 2 he doesn't seem to doubt that they might be real in some way, because he uses information from them to help (asking Yamagoshi the right question, designing their Phantom Thieves logo, understanding what they need to do while fighting Shadow Katayama), and starts to wonder if he's lost memories like Ruferu did. A lot of people might've brushed them off for longer, or been more suspicious of where they're coming from or what they mean, but Wonder seems to trust them by this point, and in general seems to trust people quickly. He questions where they're coming from and what he's seeing, but I don't get the impression he doubts that they're in some way real.

Heh, sorry, that might've been a longer and (especially towards the end) more generalized answer than you wanted, but like I said, I like thinking about this stuff! I hope it was at least an interesting read, and maybe covered at least some of the stuff you were hoping to hear.

[burning-academia-if]

Heyyyy em! I stole an ask... I'm gonna send it around lol

So Spell gone wrong ROs get transported to some place in time where little bitty MC is the one to find them...

How does that go??? 😏😭🤣

Omg baby MC...back before their Whole World collapsed

Rook: Rook meeting MC at an even younger age than when the two became friends and feeling incredibly odd about being allowed to see you at every stage of your life so far. He's actually pretty good with kids, and I can see him entertaining MC and playing them before sending them on their way (also resisting temptation to say something to MC's dad, which I find very funny considering how MC's dad would not like Rook either)

Beck: I think he'd find MC as a child the cutest thing, and would immediately want to spoil them lol he's the best with kids out of the whole cast, and he'd play with them or tell them stories to distract them before returning them to their parents (with a sugary treat as well, although shh it's a secret from your parents ok?)

Rhea: It takes her a moment to realize who this small child is that has bumped into her. She isn't entirely sure how to interact with kids, but she'd smooth out her usual stern expression and try to make herself gentle, asking where MC's parents are and if they'd like her help to find them. Feels a strange pang in her chest when she hands you off, although she can't tell why

Zoe: Another one of those moments where their Older Sibling mode is activated lol quick to make sure MC is fine before hesitantly asking about their parents. When MC points them out, Zoe feels an instant weight on them. You, small and innocent, and your family rushing to collect you, whole and complete. There's nothing they can do for you, and they can only watch you run back to your family with a heavy heart

Lars: Please, he finds you annoying enough as an adult, let alone as a Small Child LMAO I think his reaction will vary depending on what kind of child you were, but he neither knows how to interact with child or really would want to, even if it is MC. Plus, I think he's too wary of the potential consequences of it so he just acknowledges it's you before moving on

???: Strangely enough, they don't feel they have a right to approach you. Instead, they watch as you interact with your family, anger flaring in their chest at the knowledge of the future. The image is false now, lost to the sands of time. If only the young child they see could have stayed unmarked by the trials to come in the rest of their life

[crazylittlejester]

Hey hey hey you should talk about your blorbos

YOURE SO RIGHT MAJOR THANKS FOR ENABLING ME >:)

I’ve talked a lot about Wars today I think so I’ll yap about Time because he is ALSO my special guy and I like yapping

(All of this is gonna be my headcanons/interpretations/how I write him, also my bad for spelling mistakes or if this is incoherent)

I feel like Time is a very complicated character who isn’t either the perfect stoic leader nor the crazy little gremlin, but something perfectly in between. I don’t think leading comes naturally to him at all, he’s doing an okay job, I mean no one’s died so far /j and his age and life experience makes him more likely to be listened to and respected, but I don’t think he’s perfect leader material. He’s a bit awkward and unsure, and yeah he’s got just as much information as the rest of ‘em do so he’s not really at an advantage. I wouldn’t say he’s COMPLETELY in over his head but I’m sure he’s had more than a few moments where he’s had to pinch the bridge of his nose and ask himself how on earth he wound up in this position. He’s not TRYING to be the group dad, but some of the younger ones kinda view him that way because he really does care about them all and he’s a safe person to go to

I’ve definitely yapped about this before but I hc he definitely gets overstimulated by the others sometimes. Him vs Wind and their polar opposite sensory issues is a fun thing to mess with in writing because I know Wind is the kid who struggles to sit still and everything is going so so fast for him all the time, it’s all very go go go go go and when he’s moving and yapping at light speed past Time who’s going through the mental equivalent of realizing the wheels on your bike are going faster than the pedals and you need to break or you’ll crash, it doesn’t end very well. Time is autistic to me, and while I think he’s higher support needs than say, Warriors, because he was a bit quiet and weird as a kid he just kinda got written off as odd and different and in HIS mind he thinks society overwhelms him so much because he grew up in the woods where any time he got overstimulated he could just walk off and get some space. Nature is comforting to him it helps him calm down so he can regulate himself again so if you stuck him in a city for long periods of time he wouldn’t do too hot. Also with him being autistic I think his facial expressions and voice can be quite flat at times. It takes more EXTREME emotions before you can see/hear them from him

I also hc that since he was a growing kid putting those masks on all the time and changing his body around so much it SERIOUSLY took a toll on him and his body is fairly loosely held together. He has a lot of chronic pain and very easily dislocates his hips and shoulders

ALSO I DUNNO WHAT THE ACTUAL THING WITH HIS EYE IS, BUT I HC HIS WHITE EYE IS GLASS. It’s not just that he can’t see out of it, it ain’t there. And the scar on his face is pretty deep and makes it difficult at times to move that side

THANKS FOR ENABLING MEEEE

[saxandviolins88]

TF: ONE - My thoughts

Spoilers? All of them

First of all, Transformers as a franchise and cinema have a tumultuous relationship. The 86 movie is definitely dear to me, but I can't deny it was made with a clear commercial purpose, and it shows how eager they were to clear the cast and add new toys. It has interesting ideas, sure, but those ideas were only to gain form in the third season of the cartoon (which is good, you guys are just mean.)

Now the Bay movies... It may come as a shock to all of you, but I actually enjoy those movies, not as a Transformers fan but as an enjoyer of non-sensical gory violence and cool robots. Though these movies succeed in being brain fodder, anytime they try to tell a compelling story (if they even try), they fall flat; not only for not understanding the characters people love... but also not understanding their own characters and universe. So when the worst qualities of Bay join together in a confused movie with bad designs and sub-par action... You get franchise killer TF5. (fun fact, but that was the first TF movie I sat down to watch and try to get into the franchise... it took a few years for me to recover...)

After that, TF movies turned into course correction and tried to get TF back into the mainstream. Don't get me wrong, TF IS mainstream... But movies are what the public wants. (easier to consume and don't waste your time.)

I gonna say, the Bumblebee movie is a good movie... With TF things slapped on it. Generally speaking, Bumblebee (2018) is a modern Herbie, the Love Bug, a Travis Knight vanity project. I'm being a little evil here, but it is what it is.

Now... ROTB... It is a movie. It has all the aesthetics of a movie... And there are transforming robots in it. Look, I like ROTB, I saw it on debut day and I was hyped, but it makes so many weird decisions... From Optimus's weird unfocused character arc, Unicron... Mirage... if I can even call him that. It's a bullet-list movie with a few funny moments. Oh and Beast Wars cast, but they're the most nothing-burger characters ever in that movie.

NOW TF: ONE

It is a good movie!

A course correction movie, but a good movie. It's a more or less safe bet by Hasbro. It hits the re-start button, so new audiences won't be intimidated by MCU-ness AND it is animated, easy cash with the kids and their parents who'll have to buy two tickets.

ANIMATION AND VISUALS

They fucking lied when they said it was "spider-verse levels", like bruh.

BUT the animation of TF: ONE is very good. Sure, some places had more care than others, but the final product wasn't affected and it was a smart choice. I'm more impressed by the fight scenes, which are well choreographed and spaced while using the characters' transformations creatively - and in that, I have to commend TF: ONE for doing something I always wanted to see - transformation isn't something these characters just happen to be able to do, it's an essential part of who they are and this also plays into the plot. Another thing I'm very pleased with is the character acting in general, you get the feel these animated robots are real people, and this is done through their facial expressions and body language (though, this is more notable on D-16 and Orion Pax.) The designs are nothing to write home about, serviceable at best, and boring at worst. Still, I'll have to give this one to Megatron, but ONLY because he hasn't had a good tank design since... I wanna say Armada, but part of me says it's G2. Sentinel Prime is boring, but he has the fucking Titans Return toy knees, wth? Great design just on this basis.

Now WRITING AND GENERAL PLOT.

One thing I'll applaud this movie for: It knows what it is.

When I saw the first trailer, I had a nagging feeling in the back of my skull that this would be one of those movies... where it promises you stuff while not doing it and overstuffing it with half-assed characters, thoughtless plot points, and uninspired dialogue. (I'm a DC fan, I see the abysm every year or so... Kal-el no😦!)

Well, I am happy to say that wasn't the case.

If I had to describe TF:ONE in one(lol) word, it would be: focused.

It knows its runtime, it knows its audience(s) and it knows the franchise(the good, the bad, and the controversial.) It's a break-up story between two friends - where one falls from grace and the other ascends.

I found this movie quite enjoyable in the dialogue and character writing aspect too. Each character feels distinct enough and they're so quippy, it's a joy to watch them talk to each other. However, the crux of this story is D-16 and Orion, and they REALLY succeded in selling not only their friendship but also the rift in their relationship. This movie isn't afraid to touch on some dark themes; a political scandal disguising itself as a MacGuffin hunt is very welcomed in the MacGuffin Hunt franchise. (still has a MacGuffin tho, it's logically IMPOSSIBLE to write a Transformers story without a MacGuffin)

Sentinel is a perfectly serviceable villain, uniting all existing versions(minus G1) into the ultimate jackass. D-16 is a good voice of reason that breaks into Megatron, his descent into evilness was believable enough for the runtime. Orion is the hero's journey circle. Elita-1 is a supporting character who sometimes delves too much into Hollywood girl boss, but at least they didn't insert the inevitable romance in this movie but still made her valuable to Optimus. Badassatron is a funny comedic relief that could be removed without changing the plot too much (and he didn't have any reason to be Bumblebee.)

To cut an already long post short. I expect the sequel to focus on the Quintessons, I do NOT care about more thirteen primes content (MAKE IT STOOOOOOP), and I also really want them to keep Megatron complex (make him doubt his cause, make him remember his gay little roommate, DO something with the character you've developed.)

and uh... just so I don't lose my brand

*cough cough*

I want the Constructicons in: "TF: ONE: 2: Electric Boogaloo"

[transwolvie]

some of the really well-meaning posts on here seem to not understand that there's nothing mental illness hates quite like a lecture. you could have the best intentions and couch it so nicely and everything but if someone is in a deep, deep depression, all they're going to hear is "this is all you're fault because you're not doing something." depression makes you literally helpless. depression makes you look at the solution, which IS that you have to deal with your own problems, somehow (if it's this severe probably through therapy), and think "the only person who can help me is me? guess I'm fucked then," and you lie there and feel useless because everyone lecturing you is right, you guess, but that just means that you're a fuck-up failure because you can't just Do The Thing. doesn't matter that the person didn't actually say that. doesn't matter that the statement was "you need to eat healthier, you'll feel better" (true) or "you have to schedule an appointment with a therapist even if it's hard" (true), because when you're in the trenches of absolutely hating yourself, those things are nigh impossible. you might as well be telling someone that all they have to do to feel better is peel all their skin off. like. yeah. thanks for the advice. I'll get right on it. sorry for being apparently too weak and feeble to do what the obvious solution is.

lecturing doesn't fucking work. some of you need to get out of the text post or your friend's DMs and instead of trying to lecture them, regardless of how right you might be, try offering something. try "I can order some food for you" or "I can find a therapist that's open to e-mail communication instead of phone calls."

DO something. something physical. material. something more than telling someone who chemically cannot produce what they need to love and nurture themselves that they need to love and nurture themselves.

[discard-celestia]

lestat de lioncourt - on the deer which runs faster than itself. Hélène Cixous, Stigmata / Anne Rice, The Vampire Lestat / Interview with a Vampire (2022) / Catherine Malabou, Ontology of the Accident / Czeslaw Milosz, New and Collected Poems: 1931-2001 / Louis Moe, Allegory / Ovid, Metamorphoses / Ethel Cain, Ptolomea / The Company of Wolves (1984) / Lingua Ignota, I WHO BEND THE TALL GRASSES / Hugh Parry, Ovid's Metamorphoses: Violence in a Pastoral Landscape.

[crownedwille]

I've come to the conclusion that loving young royals doesn't mean I can't be critical about it, maybe especially bc I love the show so much I have such strong feelings about it, good and bad and I can love parts of canon and agree with it and appreciate it but I don't have to love it all. I have accepted that it's okay if I don't accept the ending and I don't have to force myself to support it. It's okay to not agree with all of canon and it's okay to not side with all of the creators' intentions/views. Loving a show doesn't mean you have to take everything the writers say on face value and that's the only version that is allowed to exist. Canon isn't everything and fandom is about curating your own experience that makes you happy and not miserable. You don't have to dismiss canon in every aspect and ignore it entirely, that's certainly not what I want but there is a fine line between being canon respectful, allowing some parts to exist and sometimes, yes, you just have to say "fuck canon" and move on for your own sanity and wellbeing

[exculis]

i like knitting way more than crocheting and yet i own way more crochet hooks. fascinating.

[dendrochronologies]

.

god willing this will not be the start of me sincerely sharing Opinions on tumblr dot com but the thing about Kindness and Empathy being paraded as easy breezy & effortless by some is that those posts are often written by very young people who have age-limited experience with the diversity of thought & expression that exists. knowing "there are people out there who think radically differently from me" =/= collaborating with those people in total sincerity and with unwavering compassion.

empathy is a skill i always always have to practice not only because i've had to sit in front of people who genuinely, sincerely hate women as a class of people because of specific lived experiences, and i still had to (and had to want to!) give them therapy, and had to work to the best of my knowledge and creativity to help them break isolation and make friends and not kill themselves, because i don't get to decide, actually, whether or not they deserve to live in misery and die alone - and anyway, building relationships can dismantle prejudices for some people -

but also because the more conversations i have (the number only ever increasing, as you get older), the more likely i am to hear a completely batshit take like, "all victims of intimate partner violence have borderline personality disorders, otherwise they wouldn't stay with their abusers," which i heard this evening. and i would humbly posit that any decent person would need to have a really, really deep well of patience to not promptly smack the person saying that with some sort of rolled newspaper, or perhaps a door.

it is easy to say things or set intentions or wtv when you have little to no chance of encountering situations where those intentions will be challenged. don't expect sainthood from yourself or others. all of it's hard. just try your best!

[phantasmicfish]

So I saw Dune Part 2 yesterday and I was initially super crushed because of the deviation from book canon but the more I think about it the more I sorta like it…

So without further ado here’s a list of stuff I liked about Dune Part 2:

- all the scenes initially of Paul growing closer to the Fremen. You can clearly see that they become friends, accept him as a Feydakin, that they’re laughing, joking, hanging out. (And contrast that to the end of the movie, where Paul has no more Fremen friends, only followers. In the book, this is echoed, where Paul recognizes that he has lost his friends to the Muad’Dib religion. Take book Stilgar, who truly embodies this… by the end of the book, Paul says: “I have seen a friend [Stilgar] become a worshipper.”

- giving Chani explicit rejection of Paul’s messiah status was an interesting choice. Chani’s main thought over part 2 is that they don’t need religion to save them, that through Fremen power and desert power, the Fremen can save themselves. She recognizes that this fanatical worship can be a vehicle to control and enslave her people, and I sorta wish we saw Paul lean into that more… that they found a way to stay together and ‘fight’ the prophecy together based on Chani’s ideals…

- also, I love how engrained this rejection of religion and prophecy is in her character. Book Chani takes no issue with her Fremen name, Sihaya (desert spring), but movie Chani hates it “because it’s part of some prophecy.” Later, we see that despite her rejection of prophecy and religion, that the prophecy does indeed come to pass— the tears of desert spring save Him aka, Chani saving Paul after he drinks The Water of Life. (Interesting how Jessica has to force Chani to save Paul using the Voice… another example of Jessica explicitly forcing Paul to become the messiah).

- adding more depth to Fremen culture— the South being the more religious fundamentalist tribes vs the North being more secular. Early on, the movie paints this immediate divide between the tribes of Fremen who accept Paul and Jessica versus those who treat them as offworlders (who murdered Jamis). In the books everyone accepts Paul and Jessica after Paul bests Jamis and Jessica quotes some scripture, but I think it makes more logical sense that there’d be friction over these two random offworlders coming in

- I love love loved Paul speaking at the meeting of the Fremen tribe leaders in the South. He fully accepts his messiah status, exercises his power of the Voice + his prescience as a way to command all the Fremen under his name

- I’m a big fan of omitting the two-year time skip, so with that I’m glad Leto II was skipped over entirely. I always felt that Leto II was an unnecessary character addition to the book, especially when he just dies and everyone sort of goes “oh well” and moves on, so I’m glad it’s omitted.

- another interesting choice was to paint Jessica as a straight up villain in comparison to the way her book counterpart was not. The movie Jessica we see here is seemingly corrupted by the Water of Life: she walks around talking to herself (Alia) and scheming Paul’s ascent to Lisan-Al Gaib. She knows about the Holy War, which is the very thing Paul is trying to prevent, yet she expresses no concern about bringing it to fruition. (Probably because Jessica knows it’s impossible to prevent, but still.) The very last line of the movie, where Alia asks Jessica what’s going on and Jessica says “The Holy War has begun” is just total villain in my mind— explicit acceptance of the Holy War, like it’s just another stepping stone in her plan. Plus, the fact that Paul has visions of Jessica leading him into this period of great starvation totally cements her as a villian.

- going off of that, I like that we see Jessica undergoing actual agony when she takes The Water of Life. When book Jessica and Paul take The Water of Life they accept it calmly and without obvious pain (book Jessica was sitting with her eyes closed, as if sleeping), so this physical reaction that Jessica has to the poison adds to the idea that The Water of Life did change her in a negative way.

- I feel like so far we’ve been introduced to Alia as just a weird talking fetus who’s been consorting with Jessica, so Paul’s vision where Alia says “I love you” really strikes home, that she really does care for Paul which we might not have understood otherwise

[eyivibyemi]

✧ I won’t really write descriptions for these, but see original post tags for explanation/commentary on the song snippet ✧

[clockwayswrites]

So far this file is called 'birdritch'. Those of you who follow my art tumblr might know where this is going. I needed something light to write, been a low day. There has been zero editing or reading through and it is past 2am, sorry and enjoy! (Don't need any typos pointed out, ty.)

---

“You are supposed to be home.”

Danny blinked up from his work to find Lucius Fox standing in the doorway of the lab. The man had the sport of expression one wore around a child who had just done something disappointing.

(Danny was used to the look, even if it had been a long time since he'd been a kid. Or seen his parents, for that mater.)

“Okay, but,” Danny started, “we agreed that I could start at ten and take my eight hours and one for lunch—”

“A mandatory one hour for lunch away from your desk,” Lucius interrupted.

“Yes, yes, I’ve been doing that! I’ve been eating out on the rooftop garden or even leaving the building and eating out or taking lunch to the park. I’ve been behaving, Lucius, I promise.”

Lucius raised a judgmental brow. “It’s after eight, Danny.”

“What? No. I have an alarm on my phone and everything… okay, well, that only works if my phone is charged.” Danny jabbed uselessly at his phone screen. He followed the charger, which was plugged in, all the way to the wall. He resisted the urge to let his head fall against the wall. “I guess Leslie fried the outlet again or something. I’m sorry, Lucius.”

“It’s fine, Danny,” Lucius said, “but only because, one, I know you have been trying, and two, I am going to buy you the most embarrassing alarm clock I can find and mount it to something in this lab. Now it is late and I am going home and so are you, Mr. Fenton.”

“Yes sir, Mr. Fox,” Danny said and made an exaggerate show of packing up his backpack, dead phone and all.

Lucius gave a little snort at the antics, but left with a ‘get home safe, Danny’. After his boss was gone, Danny took the time to actually make sure everything was in his bag and secure. He still didn’t get why he couldn’t just work late, but apparently WE had something of an insistence of work life balance. According to Lucius, Danny crossed the line too often and so was being kept in line. (Danny didn’t think mention he didn’t have much of a life, literally and otherwise, would help his case.)

Still, Danny mused as he stepped inside the empty elevator, the rules did keep him from becoming his parents. And that was a very, very good thing! Being a mad scientist in Gotham usually ended up landing someone in Arkham. It was just that after the chaos that Danny grew up with, going back to his empty apartment was depressing. It wasn’t as if Danny never got out and did things, it was just that all those things were mostly on the weekend. Most days he just didn’t have a reason to go back to his place.

There was no getting out of it tonight, the great and powerful Fox had spoken and Danny knew better than to try and sneak back up. He lifted his hands over his head, stretching as the elevator descended the last few floors. Oh well, at least it was before ten. He could still grab something on the way home and have a full, warm meal to take his pain meds on. By the pull along his forearm he would need them.

“Night, Bill,” Danny said as he passed the security guard who was on the evening shift. He got another ‘get home safe’ in response and gave a little wave in reply over his shoulder.

Even after the few years in Gotham, it still amused Danny how much everyone wished everyone else some sort of safe travels here. As much as Gotham was a city of hardened realists, there still was so much hope about it. Hope people got home safely, that the Bats would get where they were need in time, that the city would rebuild again and again and again. The undercurrent of hope was so strong that Danny could practically feel it moving through the city like a river.

It had been one of the reasons Danny had taken the job.

He could use hope.

He also had been very careful not to look too closely into it all. While Danny’s early life may have been dominated by the occult, he tried to stay away from it these days outside of the necessary visits to the Realm for his health. As much as the Far Frozen was full of ghost yetis, Frostbite was still a being of science and being there felt more like a cold vacation to his weird relatives than anything else those days.

Danny was actually worried that he was getting close to needing another visit. He shouldn’t, not yet. He wasn’t actually due back for another three months, but the thought of visiting Frostbite had been pulling at the back of Danny’s mind. The most annoying part of it all, is that there wasn’t any concrete reason that Danny felt he needed to go, just a lot of little things: the ache was deeper in his bones, he’d been missing noticing little things, his near constant vertigo was worse, and, oddest of all, he had been feeling chilled.

Maybe he should just take a long weekend and go for a quick visit.

Lucius would undoubtedly approve of the break.

Tomorrow, Danny would ask tomorrow.

(As long as he remembered.)

[riaki]

ur highschool bully gojo was chefs kiss 💋 what do u think about them going to the same college and taking the same classes?? and the reader sitting next/talking to some other guy and satoru gets jealous?? arwahhhshdhshshs so many possibilities, i hope u continue writing it!!

hi nonnie !! thank you so much :) this is ur official part 2 ! i was struggling to think up some possibilities but this helped a lot :oo | read part 1 here ! -> cw: swearing, jealousy, i let it get fic length oops

(former) highschoolbully!gojo on the brain again… like. when you end up seeing him again however many months later, and you can tell that he’s changed. it’s not like its immediately obvious to anyone who doesn’t really know him like you (used to); but he’s a little softer-spoken and his smiles seem nine times more genuine. it’s not a hundred percent; the kind that really lights up his face instead of just barely falling short of his stark blue eyes, but it's something.

of course, you have nothing to base it off of, because when you do inevitably see him again it's the very definition of meet ugly.

college is a new frontier, but its also a clean slate. its your first time going into something so new without your old bestfriend at your side, but some faint flickering thought reminds you that it might be better that way. but the universe is against you from the very first day, when youre gettin yourself some coffee from the same chain you did the morning of that fateful presentation so many moons ago. you're too busy thinking to yourself what kind of strange parting ritual it is to relive your trauma to notice the lanky, white-haired boy who hits his head on the chiming bell over the doorway. people are giggling around you n sighing dreamily but youre too deep in the music pumping through your headphones to notice and your eyes are glued to the class schedule on your phone, trying to ensure you dont get lost on the first day when—

you blink and your ass is flat on the dirty floor of the coffee shop, and the first thing you register is that your stomach is soaked and burning. you'd spilled your coffee. it takes you a moment to realize, but when you do you're pissed. so you quickly get to your feet, trying to reign in what little of your ego you have left to give the offender who bumped into you a piece of your mind as you look up, then..

how unlucky do you have to be?

just like that, satoru's slid himself back into your life, after ramming through its locked gates. you forget that he always forgets the point of keys, both when it comes to his apartment (which you still have the spare key of in case of emergencies), and the door to your heart. to rub salt in the wound, the only thing that's stained with your coffee order are his shoes, which look like they cost three weeks of your old job salary, but it's all over your shirt. of course it is. because why not? make it look like you tripped and fell into a patch of mud on your way to the lecture hall and tack on an unwelcome reunion with your ex-bestfriend.

to you, it's like the cloud of gloom from your highschool youth has resettled over your head like a swarm of gnats on a dreary, hot summer day. the stars always seem to skew and misalign themselves for you. but for satoru, the stars have handed him one of those huge swirly lollipops that you only ever see being paraded about by toddlers. he recovers almost instantly, trading the burn on his feet and the way it sours your expression like he's just squirted pure citric acid into your throat for a pleasant burn of his own on his cheeks. but it's whatever. girls seem to like it when he blushes, for some reason. he won't question it, if it works on the only one he cares about.

he holds his hand out, ready to help you out like the good samaritan he's become— and it's like a real burn to his heart this time when you ignore it and stand up on your own, refusing to look up and meet his pleading gaze. might as well have taken an iron stoker right out of the fire and jabbed him with it. but he's gojo satoru! he won't be defeated by this one mere, maybe very significant reunion. he's got stamina.

so he offers to buy you a new drink, feels his heart sink when you shake your head (can't even spare a little 'no' in his direction), and talks enough for the both of you when you leave the dingy little store make your way down to campus and the lecture building. you clearly don't want to see him, but he ignores that in exchange to notice the way you shiver every so often. the previously searing-hot coffee that stains your shirt turns cold fast, and moisture n wind don't mix well. he wishes he could offer you some of his own warm coffee, no doubt sickeningly sweet, but he has some sensitivity now, apparently. so, in a brash moment, he decides to take his blazer off and drape it over your shoulders instead.

when you cross the threshold between city and campus, you expect him to yank it off your back and be on his merry way. but he keeps walking next to you, so you walk a little faster, and you absolutely loathe the cheeky little grin that curves the corners of his lips up to show a glint of teeth when he effortlessly keeps up. you curse his long legs when you find yourself winded, but at least you can lose him when you get there.

or, that's what you think. once again, your constellations break themselves to rebuild anew for satoru. you're about to call him a stalker when he follows you all the way to your classroom with that smirk that's growing exponentially until— oh, no.

your phone that's been on the schedule up until now desperately scrolls to the roster— and there it is. he's in your class. needless to say, not another word goes between you as you stomp in and take a seat. luckily for you, you've already corresponded with your roommate's brother (who's annoyingly cute, satoru notices) and agreed to sit next to each other. satoru takes the seat right above you and never stops kicking his freakishly long legs against the wood the entire time.

so yeah, it's obvious he's not a saint; he still has that undoable ego and he's cocky as fuck (as you have the misfortune of finding out when he quickly bullies your professor), but there's a certain familiarity in that no matter how ugly it might appear to others. and if you asked (which he really, really hopes you will someday), he doesn't hang around douchebags who use kids' foreheads for ashtrays and treat girls like they're candy from a glittery pez dispenser. and at least he's switched harassment targets. even though he has an overwhelming sense of superiority over others and never has his lips together for more than five seconds, and even though he has this hellish habit of clicking his pen whenever he's not talking (or when someone else is), it seems like he's changed.

and over time, you gradually find yourself warming up to him. the spunkiness that used to get on your nerves ceaselessly becomes an object of endearment, and you don't really mind the way he never seems to stop moving anymore. it's a nice sort of distraction in the lifeless still of the lecture hall, albeit the pen clicking still drives you near insanity. you notice he always does it obnoxiously and quickly when you're talking to your roommate's brother, but you ignore it.

and for satoru? he hates that he can kinda sorta really tell that you're the only one who can read him like he's a damn book, cus you slowly start to soften up in the nostalgia of his presence like cold playdough between warm fingers that tell you he may have finally caught you again after letting you slip the first time. and he notices it. this time, he's determined not to let you be the one that got away again. but youre really giving him a shit time outta it with the way you constantly entertain the guy who always has his breath in your face.

yeah, he's got a cute face that's sunkissed by freckles. yeah, his hair looks like he models for shampoo companies. and fuck, he has a nice voice. but what of it? satoru's the one with the mesmerizing blue irises and the cloudy white hair your professor wishes he had instead of sad little wisps of old age. still, as chilly days turn into frigid weeks, he gets the perfect backseat angle of the growing relationship between the two of you. the boy's kinda dumb so you copy off of satoru’s work when you need to (he has to hide the 1-0 scoreboard between him and the guy on a sticky note from you when you take his notes), but said guy’s always buying you stuff and lending you erasers and laughing when you flick the shavings at the annoying girl who never stops whispering in the front of the room.

satoru tries to act unbothered, and he almost convinces everyone. including himself. but the angry, burning knot in his chest that's entirely different from coffee stains suggests something more. that should be him at your side. him, making balls of paper with rude scribbles and silly doodles to throw at the people he knows you don't like. him, surprising you with little gifts and the cheap trinkets he knows you adore so much instead of all the luxury things he could afford. there's no way this punk could possibly measure up to him, right? but at least you and satoru are well on your way to becoming friends again. not as close as you used to be, but it's something. substantial. and he's learned to be patient in the time you've been gone.

but he'd be lying through his teeth if he said he wasn't tired of it. he’s endlessly plagued with thoughts of increasing intensity— first, it starts out with just you. only you. the way he likes it. the way he likes your face, and your pretty eyes and your gorgeous lips and your soft hair and your figure and the complimenting clothes you wear. but it takes a turn; thoughts turn into dreams that turn into fantasies and he's lying when he says he doesn't enjoy them when he accidentally lets it slip during a group study session— and it’s all fine— but then, that guy appears. the brat who seems to sit a centimeter closer to you with each coming day. not only does he haunt satoru in real life, he’s tormenting his dreams, too. tainting the image of beautiful you.

needless to say, satoru starts to wake up with his hands gripping his damp pillow like he's choking it, acutely aware of the sweat sliding down his neck and over his chest as he stares up at the ceiling, listening to the dorm's air conditioner run and thinking of what it'd be like for dreams (the ones where he replaces the boy) to become reality.

it's a buildup. and soon, he reaches the apex; it's like a rollercoaster, that stomach-twisting moment when you reach the top of the rail that points to the steep descent downward. but this time, he hopes it's a thrill he gets instead of the usual falling fright; the one he got when he realized he’d slipped between your fingers in highschool.

and satoru finally comes to a grinding halt at the top of the ride one breezy fall day when he decides he wants you back in his life after you smile brightly at him and wave goodbye for the day. he’s tired of you having one foot in and one foot out of his heart; he wants, needs more. he always has, he realizes.

so he’s thinking about you and how to approach the feelings he’s realized during those long lectures, and one morning he comes up with some semblance of a plan when he’s high on the sugar from the fruit tea you bought him that morning. and he hopes that, by the end of it, he'll leave your apartment with your hand in his currently empty one, chilled with the remnants of cold condensation from the bottle.

soon enough, satoru finds himself extinguishing his nerves and raising a tense fist to knock on the door with nothing but the clothes on his back and a flimsy plan to ask you out on a midterm study sesh and maybe even a date, but he stops when he realizes it’s slightly ajar. a brief thought of what look might be on your face when he surprises you crosses his mind, so he lets himself in quietly, because he knows every single floorboard that creaks like the back of his palm from his childhood. he’s hit with a wave of warmth and an achingly familiar scent that twists at his heart, and your apartment is cozy and safe and it screams you and he thinks he catches sight of his jacket slung across the back of the couch in your living room, but he’s not sure so he takes a step forward and—

he’s greeted with the sight of that stupid guy with the nice hair and the freckles, and it makes his heart drop. but even worse, he’s kissing you and his arms are winding around your waist but you’re kissing him back with a slight hesitation that’s blinded to satoru by his shock and the fingers he thought would end up in his own tonight card through the boy’s hair and your lips glisten with the strawberry-kiwi flavored gloss he watched the boy give you a few days back and his world is turning red and he feels like his throat is constricting and he can’t breathe—

and he doesn’t even realize you’ve parted lips and you’re calling his name through the newfound tightness of his chest and the painful ringing in his ears thats even louder than any silence of a lecture hall, or the void that should’ve been filled with your voice during the time you were apart. but now satoru realizes he’d take that any fucking chance to have that again because it’s so much better than what he’s stuck with now. having you, but not really having you, because you’re there but you’re someone else’s and you’re not his and he isn’t yours. the best thing he could ever hope for was for you to own an article of his clothing and a piece of his shattered heart, broken into a million fragments. some cruel voice in his buzzing head reminds him to change the scoreboard to 0-100.

and he could buy you cheap hot coffee or earn your smiles from scrunched up paper balls or even hear your laugh with crude jokes, but there’s no point when he realizes he can’t buy you with caffeine or earn you with hitting the back of people’s heads with his bio notes or have you and your laugh all to himself anymore.

it’s almost pathetic, the way satoru’s voice cracks and changes. the look of unadulterated concern on the face of the boy who stole your lips just adds fuel to the fire.

“gojo? what are you doing here— hey, are you okay? you look like you’ve seen a ghost.”

he noticed you’d stopped calling him satoru a few weeks back. he should’ve seen it coming.

“huh? oh, yeah. i’m good. i think you’re the one hallucinating.”

he’d never told a bigger lie in his life.

satoru had left after excusing himself for intruding. how very unlike him to be so polite, you think.

so in the end, he leaves your apartment with something in his hand, after all. but it's not your own— just his blazer that you’d given back to him before he stepped out the door, taunting him with the faint scent of coffee and lingering perfume. his hope was foolish, so it seems. it’s too bad, he thinks. if it were him, he would’ve sandwiched you against your counter while he kissed. but it wasn’t. apparently, it was your turn for your stars to align at the price of his.

and so, gojo satoru, the boy force-turned man with a chipped ego and a completely broken heart, loses you again.

bonus bonus.. part 2….

[mrfoox]

Me: I want to spend more time with people, I miss close contact with others :(

Also me: -only wants to spend time with 4 ppl irl, none of which live close by or have the ability to come by-

[verstappen-cult]

Maybe a lestappen fic were Reader friends are the worst and they comfort her, thank you 💗

You were out with your boyfriends when you saw them across the street, walking out of a shop, talking and laughing without a care. You had texted them yesterday to ask if they were free today to hang out, since you haven’t seen them in a few weeks. The answer? I have to work. I’ll be out of town. I’m sick, just numerous excuses.

Max noticed the change in your demeanor in an instant. “What’s wrong, love?” 

“Oh, I just remember that I need to call mom, or she’ll get mad.” You smile, not wanting to worry him. 

“You can call her once we get home.” He kisses your forehead and holds your hand to keep walking. 

Being around them was enough to make you forget about what you saw and you actually ended up enjoying the day off. 

Until Charles decided that it was time to eat and walked into one of your favorite restaurants in town. A very exclusive but cozy one.

The host just gave your boyfriends a look and it was enough for her to rush to get you three a table. 

“Aren’t those your friends?” Charles asks you, looking behind your shoulders. 

You didn’t want to look but you also didn’t want them to know what happened. So, you simply turned around with a forced smile. 

“Oh, yes! What a coincidence.” 

“You can say hello to them,” Max gives you a little pat on your lower back, encouraging you to go to them. “We will wait for you.” 

You chew on the inside of your cheek before walking towards them. 

You notice the exact moment they see you, because they go from laughing to a complete silence. 

“Hey!” You try not to show how affected you are, how much you want to cry. “I thought you were busy today.” 

One of your friends gives you a once over before leaning closer to one of your other friends and whispering something before laughing.

They don’t even try to pretend. 

“Yeah. This was something last minute.” One girl says, taking a sip of her drink. “We forgot to tell you.” 

“Are you following us?” One of your male friends says, not hiding his smirk at all.

“Oh, no, I’m—” 

“Because that’s sad.” 

One of your friends, one you thought was someone you could trust, bursts out laughing before saying, “Even for you.”

You’re one second away from crying now, so you decide to excuse yourself and walk away, not hungry anymore and just wanting to go home. But Max and Charles are by your side in one second and you’re unable to do so. 

“Max, Charles!” 

Everyone’s expression changes just like it changed when you approached their table. The difference is that this time they’re all smiling, sparkling eyes looking up at them as if you are not even there, standing between them. As if you are invisible.

“Are you waiting for a table?”

“You can sit with us. We can make space for you!” 

It’s laughable, really. 

Charles looks at you, his hand on your waist. “You want to sit here, chéri?”

You avoid looking at your “friends” and Max notices immediately. 

“We just came for take out,” Max explains, a friendly smile on his lips. “she just wanted her favorite dessert and we can’t say no to her.”

Everyone on the table laughs. But it’s forced, anyone would notice. 

“Well, we should plan something, then.” A blonde girl you have never seen before says. She’s twirling her hair and everything, and you would feel disgusted if it weren’t for the situation you’re currently in. 

Max holds your hand, rubbing circles on your palm. “Yeah, that’s not happening.”

Silence. 

A beat. 

And then.

“Some friends you are.”

You are out of the restaurant in ten minutes. Charles carries some take out while Max doesn’t let your hand go, at least not until you’re in front of the car. 

“Are you okay?” Max cups your cheeks, and you finally let the tears fall. 

“We noticed things were weird when you stood in front of their table.” Your Monégasque boyfriend says, his free hand rubbing your back. “We just didn’t realize how bad it was until we heard them.”

“How long has this been happening?”

You sniff, feeling the pad of Max’s fingers wiping the tears off your face. 

“Now that I’m thinking about it,” You laugh, closing your eyes, thinking about how stupid and blind you were. “it has been this way since… forever.”

“Oh, baby.” Charles wraps you in his arms, Max joining the hug without a second thought. 

“You should have told us.” Max whispers in your ear, and you nod because he is right. “We could’ve done something.”

Charles rolls his eyes, giving his boyfriend a little push. “You don't need them, okay?”

“You are an incredible,” Max kisses your cheek, “and amazing person.”

“Most beautiful girl in the world.” Charles kisses your other cheek. 

Your Dutch boyfriend gives you a little peck on the lips before pulling away to look directly into your eyes. “Anyone would be lucky to have you in their lives.”

“Their loss.” You groan against Charles’ shoulder. 

“That’s my girl!” They laugh and you feel like a weight has been lifted from your shoulders.

“Now,” The blonde-haired boy says, opening the car door for you. “Should we go home to eat in bed while we watch some movie?”

“Can we watch Cars?” 

“Charles, she will choose the movie!”

“But she loves Cars too!”