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p5x-theories · 18 hours ago

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(9/8/25)

Part 3! This will cover what was added in Version 4.2.1.

From this summary update onward, I'll switch to using Nagisa Kamishiro as Wonder's real name, though he'll still be referred to as Wonder when they're in the Metaverse.

A few days later, the Phantom Thieves (now including Shouki) sit at Big Boom Burger. Lufel announces that there's only one reason they've gathered after rehearsal, and Riko asks if he's referring to the issue of Aran. Lufel confirms, and quickly summarizes that she's known their identities as the Phantom Thieves for a while. Motoha chimes in that she was really surprised; she didn't think anyone had seen them sending the calling card- but then realizes that means Aran knew who they were from the moment they first met her.

Shun adds that he thought her behavior back then (insisting on them acting in the play) was strange, and Shouki agrees that if she wasn't so stubborn about the co-production at that time, the whole thing would have been canceled. Motoha wonders if she just went that far because she wanted to get close to the Phantom Thieves, and Riko points out that Aran did say she wants to help them because of her interest in them.

Nagisa replies that he either "can't believe her", or "wants to believe her, but...", and Riko agrees- it's hard to take her completely at her word, especially when she has the MetaNav on her phone. She may even have been the one to activate the MetaNav and pull them into Mementos the other day. Lufel asks Shouki one more time whether they can rule out the possibility that Shouki was the one to activate the app, and Shouki replies that he's been worried, so he's been thinking hard about that moment, but he really doesn't think he did. He only had time to notice the strange app with an eye on it before he was suddenly in the Metaverse.

Shun declares that they can call this decided, then- none of them were the one to activate the MetaNav. Motoha recalls that Lufel has told the rest of them a bunch of times not to activate it anywhere but Shibuya Station, so they wouldn't have, anyway. With this, Nagisa can say either "So it really was Aran, right?", or "Maybe it was someone else..."; if the former is picked, Lufel agrees that's likely, while if the latter is picked, he finds that possible, but Aran is more likely.

Motoha asks why Aran would do that, though, and Shun suggests maybe it was to set them up for the Shedim to attack them. Lufel replies that if was the motive, then Aran is either the mastermind herself, or working for the mastermind. Motoha, looking troubled, shouts that she still can't believe that! Aran's a good person, even if she's a little stubborn and weird sometimes. Riko advises her to calm down- they still haven't confirmed anything yet, they're just discussing the possibility. Motoha, still distraught, says she gets that, but-!

Back on topic, Shouki says that if they assume Aran really is the mastermind, why would she tell them that she knows their identities? That would only make them more suspicious of her. Riko agrees- it would have made more sense, in that case, to gain their trust and pretend to be on their side, then strike when they weren't expecting it. If she was just going to throw them into the Metaverse to be eliminated, there was no need to tell them she knows their identities. Sounding relieved, Motoha exclaims that that means Aran can't be the mastermind, then, right?

Lufel, however, brings up how suspicious it was that Aran was right there when they left the Metaverse last time. It gives the impression that she already knew the location and timing of their return to the real world. Shun admits he has a good point, while Motoha whines that she's totally confused now. Nagisa can pick either "Still very suspicious...", "Aran's not a suspect", or "I don't get this at all..."; if the former is picked, Lufel agrees that they need to stay wary of Aran, and remain vigilant.

On that note, Riko mentions she looked up Aran- or, rather, the manga artist ANRI- online. She rarely talks about her personal life, so though you can find a lot of information about her manga, there's very little about her personality. Motoha adds that ANRI doesn't really use social media either, and Riko replies that what she's most curious about is the long hiatus her manga apparently went on in the past. Motoha exclaims that she remembers that- it was just after she'd gotten into the fandom. She checked the fan site for info, but it was all rumors ("ANRI died", "ANRI is in the hospital", etc.), which just made Motoha more worried.

Riko asks if Motoha knows anything else about it, and Motoha thinks for a moment, then remembers that Phantom Thief Family's protagonist is apparently based on ANRI's real-life older sister. Motoha admits she hasn't read this herself, but supposedly it's in the author's note from when the manga first began. Shun's surprised to hear Aran has a sibling, while Nagisa asks if the older brother or mother was based on anyone. In either case, Motoha replies that she doesn't really remember reading anything about that.

Lufel asks what the official reason for the manga's hiatus was, but Riko replies it was only that she "felt unwell", while the hiatus itself lasted for half a year. Motoha confirms that there's all kinds of speculation online, but no one really knows anything else. Shun comments that if she was "feeling unwell" for half a year, she must have been hospitalized, right? Shouki realizes if it was something like that, her classmates from the time might remember, and offers to ask around about it. Lufel says they'll leave it to him, then.

Shun mulls things over for a moment, then mutters that Aran doesn't seem like a scary enough person to be the mastermind. Motoha nods- she just doesn't seem like the type. Lufel admits it really is unclear whether she's the mastermind, or actually just wants to help them. But they do know she knows their identities, and has the MetaNav, so they can't let their guards down, and should avoid visiting the Palace for a bit.

Shun protests this immediately- Shimotsuna threatened to target Shouki's parents, they can't just let that happen! Shouki mentions that there still hasn't been anything "exposed" about his parents since they last saw Shimotsuna, however, so Shimotsuna doesn't seem to be doing anything yet. Lufel speculates this is because they destroyed Shadow Shimotsuna's recording wand, which may have had an effect on the real Shimotsuna as well. So, while they don't know how long that'll stall her, for now they seem to have time to deal with "the wolf entering through the back gate". (Referencing the Japanese idiom 前門の虎、後門の狼 A tiger at the front gate, a wolf at the back gate- similar to "between a rock and a hard place" or "between the devil and the deep blue sea" in English).

Motoha asks what he means by "a wolf at their back gate", and Shun guesses maybe it's like the teachers who check their belongings at the back gate of the school. Nagisa, Riko, and Shouki, however, are unimpressed, and Lufel is astonished that Motoha and Shun don't know the meaning of "a tiger at the front gate, a wolf at the back gate". He rephrases his earlier statement: first, they need to figure out if Aran if an ally or an enemy. Motoha laughs, and says he should've just clearly said what he meant from the beginning.

Shouki admits it can be a slightly confusing idiom, then that he's been meaning to ask why Lufel is so familiar with complicated words and phrases. Lufel, caught off-guard, replies that it's because... (he goes silent for a bit, thinking)... why? Shun and Shouki, who had both taken sips of their drinks while Lufel was thinking, sputter and choke on them (Shun seems to do a spit take), and Shun asks, astonished, "You don't know, either?!". Shouki follows up that Lufel was so serious about it, he thought he knew! Motoha stands up, looking angry, and says that Shun sprayed juice all over her.

As Shun and Motoha seem to argue animatedly, Riko awkwardly decides they've figured out their plan, so they should stop here for today.

Outside the restaurant with Nagisa, Lufel says he didn't get to ask earlier because of the distraction, but he's curious whether Nagisa thinks Aran is their enemy or not. Nagisa's options are "She may be an enemy", "I don't think she's an enemy", or "No idea..."; if the middle is chosen, Lufel admits that he'd never have expected the mastermind might be a high school girl, while if the latter is chosen, Lufel agrees he can't make up his mind, either. However, they can't drop their guard- after all, Aran did manage to figure out their identities.

That night, we see Ousaka bring Shimotsuna some coffee, while she seems focused on something on her computer. Ousaka bows, and starts to leave, but then notices on her screen, she's watching a video of- Shimotsuna smiles, and says it's Shouki's debut stage play. Ousaka recalls this; he acted in his father Seiya Ikenami's play as a child, right? Shimotsuna seems pleased he knows so much, and confirms- it was back when Shouki was seven years old.

The first flashback image here pops up, and Shimotsuna continues on about how he had the radiance of a raw gemstone back then; but of course, handsome men give birth to more handsome men. She mentions she's been following Shouki since then, but still hasn't been able to get anywhere. If he'd just listened to her and let her raise him, he'd be an even better actor than his father.

Back in the present, Ousaka makes a troubled noise, but says nothing. There's a knock on the door, and a very nervous-sounding employee says that he needs to ask Shimotsuna about something, if she could spare a bit of her time. Shimotsuna, sounding disinterested, complains about what he could want at this hour, but permits him to come in. The employee (just a generic NPC model) enters, bows, and apologizes for bothering her, then starts to explain-

But Shimotsuna interrupts, exclaiming that he smells terrible. The employee awkwardly replies "Uh, yes...?", and Shimotsuna continues, outraged, that she said he smells terrible, unbelievably so, and demands to know what's wrong with him. The employee bows and apologizes profusely, but he's been here working overtime all night, and-

Shimotsuna cuts him off again; she can't believe he came to her while so unclean. She doesn't want to hear anything he has to say until he goes and gets rid of the smell, then he can come back. The employee anxiously replies that they need her input on this immediately, but Shimotsuna stands up, and demands he not come near her; go to a nearby bathhouse and clean up first! And if this happens again, well... he knows what will happen to him, right? The employee nods, agrees, and hurries out of the room.

Shimotsuna sits back down, and shakes her head, commenting that that employee's not all there, and his supervisor's salary should be deducted as well. She then turns to Ousaka, and asks if he's gathered all the information they need for her article. Ousaka's supposed to be in charge of compiling the information the editors gathered, yes? Ousaka bows and apologizes, but because they need to go to Italy to gather information, it'll take some time. Shimotsuna, displeased, complains about how much trouble it could really be just to take some pictures of a third-rate actress. Ousaka apologizes again.

Her tone changing a bit more pleasant, she wonders if Shouki's calmed down now that he's had some time to clear his head, and decides she should check on him. She dismisses Ousaka with a flick of her wrist, and Ousaka politely leaves.

The next day, the president and vice president of Kiga High's drama club greet the cast of the play, to Motoha's surprise. The president explains that Shouki insisted they come, and told him they're short-staffed. Nagisa can confirm this is true or ask if they're here to help; if the former is picked, the president replies noncommittally, then Shun asks if they're here to help, while if the latter is picked, he jumps right into the next dialogue, replying that he guesses so, but he doesn't really care about their play. However, Shouki kept insisting it's a "really wonderful play" and they "have to come see it at least once".

Nagisa exclaims "Really...?!" or "Shouki...!", and Shouki sheepishly laughs, and says their skills have improved a lot, so he really wanted Kiga's club to see their efforts and passion. And, maybe if they saw their play and approved of it, they'd be willing to help out...?

The club president adds that Shouki usually keeps his distance, but this time he just kept begging them to come see it, so their expectations are pretty high. Motoha makes a noise, and replies that that's a lot of pressure. Aran leans in to the Phantom Thieves, and whispers that it seems like Shouki and the drama club have been getting along better recently. Riko, surprised, asks if that's true.

Aran explains that the other day, she went home early, and then a famous producer came to the school, right? Shun recalls- that flashy guy who was with Shimotsuna. Aran continues, at the time, Shouki said he'd prioritize club activities rather than agreeing to be in that web series, right? Someone from Kokatsu apparently filmed this and posted it online, and it's been a gossip topic at Kiga since. Shun grins, and says he gets it, that's how Shouki was able to make up with the drama club!

The club president, evidently having overheard this, says it wasn't just because of that. Shouki also came to them and begged them to let him be in their play, because he wanted to participate in it no matter what. The Kokatsu students and Aran all react with surprise, while Shouki just looks sheepish again. The president shakes his head, continuing that Shouki got so loud, asking over and over again; he's never even heard him get that loud on stage! Shouki admits he wasn't really able to face them before, so when they told him he couldn't be in their play, he just accepted that, and completely gave up. But he doesn't want to do that anymore. Whether on the stage, or just talking to his fellow actors, he wants to give it his all, and be honest with everyone. So, he's going to fight for the stage, and the roles that he wants to play.

Nagisa can reply either, "You've become more honest" or "Your desires have strengthened", and Shouki enthusiastically replies that's correct, there's no point in hiding himself. The club president replies that they'll see how long that determination lasts. But for now, they have to see this stage play that Shouki praised so much. Shouki says that after they see it, they'll definitely want to help out. Riko, smiling, replies that that's a lot to put on their shoulders, so they can't let him and his glowing recommendation down. Motoha makes another noise, and exclaims she's getting nervous. Shun enthusiastically says he'll show them his performance as the mother, and Nagisa either matches Shun's energy with enthusiasm for his own role as the brother, tells him to calm down, or admits he's nervous, too. Shouki, however, advises them not to try too hard, and just play their roles like usual. Now, it's time for them to dazzle them with their palcoscenico ("stage" in Italian, though the game translates it as "performance" in Chinese)!

With this, we see a few scenes from the play:

Kiyoshi announces he is Fighter Black, sent by the organization, and Shun replies that anyone who wants to get to the children will have to go through their mother first!

Shouki laughs, and says that was wonderful, Phantom Thief family! Motoha fires back that his organization is finished, so he should give up, but then Riko points, exclaiming there's a bomb over there. Shouki says that's correct, and asks what they're going to do- do they plan to continue chasing after him, and abandon everyone in this building? He then laughs evilly. Nagisa replies that they can save everyone and catch him!

Afterward, Aran and the club members clap. The club president, sounding amazed, says that was incredible; he really didn't expect it to feel so polished already. This is many of their first time acting, right? Shouki does a fist pump, thanking him and asking if he was surprised, while Aran starts sketching. Shouki then turns around, pats Nagisa on the shoulder, and excitedly congratulates everyone else, they were the best!

The club president apologizes for underestimating them, but also... it feels like Shouki's acting has changed. Shouki reacts, but says nothing, and the club president continues that while his acting has always been good, it just felt like he was putting on an act. But, today, it really felt like he touched his heart with it. It was impressive. He then bows, and says he's the one who should be asking Shouki- please join their play. Shouki is surprised, but then enthusiastically agrees.

The actors step off stage, and Shouki sets a hand on the club president's shoulder, thanking him and saying they'll definitely win the grand prize. The club president, sounding a bit thrown-off but not actually mad, says to let go of him, and brushes his hand off. Nagisa congratulates Shouki, or asks him to still continue helping with their play as well. At least if the former is picked, Shouki thanks him, and everyone, saying it's because of them he was able to change. Aran, smiling, says it's true- Shouki's really changed, he's like a completely different person from when they were rehearsing before. She admits she couldn't stop sketching.

Shouki thanks her (calling her "Aran" with no honorifics), saying it's a relief to hear her that, and Aran reacts with surprise at him referring to her so informally. Shouki backtracks, apologizing- he was so happy, he just called her that without thinking. Aran assures him it's alright, especially since the others all call her that already, but... it just really seems like he's become a lot more lively? She asks if he'll tell her what happened. Shouki brings a hand to his chin. What happened, huh? Well... it's hard to really explain, but... recently something made him reflect a bit on himself up to this point, and it made him determined to stop lying to himself.

Aran nods, saying she understands. She repeats, "Stop lying to..." but then a sharp red glitchy effect cuts over the screen, and she abruptly falls to her knees, putting a hand on her forehead and making a pained noise.

The two drama club members catch her, as Motoha calls out her name in alarm. Aran, still sounding like she's in pain, mutters "Suddenly... my head..." and then "Lying to... yourself...?". The club president anxiously tells her to hold on.

The scene then jumps ahead a bit. Shouki asks how Aran is doing, and Riko replies that she took her to the nurse's office; she seemed to have a headache, but was doing better after lying down for a bit. Aran said she was up late last night working, so it may have been due to a lack of sleep. Shun grumbles that he was super worried, but it was just that she hadn't slept enough... Motoha adds that Aran's going to rest a bit longer and then head home, and she said they don't need to escort her.

Nagisa can either say it sounds like she'll be fine, then, or admit he's still worried, and Motoha mentions she's planning to check on Aran in the nurse's office again before leaving today. Shouki thanks her. The club president says they (he and the vice president) are going to head out now, too, but while they can't come by every day, they'll do their best to help out, to the others' surprise. After all, their performance was as impressive as Shouki promised it would be. Nagisa thanks him, says that'll be helpful, or says they'll create a wonderful performance together, and the club president replies that they'll look forward to it.

Kiyoshi chuckles, and says, one by one, the fated ones are all gathering together... their performance of destiny will surely go down in the school's history! While the others react awkwardly, the club president seems into it, and says "Fighter Black" (Kiyoshi's role)'s acting is very unique, and he's impressed. Kiyoshi, sounding equally surprised and excited, replies, "R-really?! Please tell me more!" The club president, slightly thrown-off by this response, sort of agrees, but asks if they can talk while they walk. Kiyoshi nods, and says goodbye to everyone, then the two of them, plus the club vice president, leave.

Once they're gone, Motoha admits that Kiyoshi's personality is unexpectedly good for acting. Riko chuckles a bit, and says she may be right. Now that it's just them left here, though, they should talk about their "work". The others nod.

Back over by the stage, now joined by Lufel, Shouki mentions he asked around at Kiga about Aran. Unfortunately, she doesn't seem to have many friends... but everyone did say she's often absent, and when she is present, she usually just draws. He thinks, then adds that some people mentioned seeing her at the arcade occasionally, but they never tried talking to her. And that's all he got.

Motoha guesses Aran must be absent a lot because of her work, and Shouki replies she may be right, as she's often late as well. He then recalls he also heard she's renting a studio, and lives there alone. Motoha and Shun react with surprise, and Motoha asks if that means she isn't living with her family. Shun adds that living alone means she has to worry about doing chores on top of her work- that's tough. Motoha agrees... that makes her a little worried, now, given Aran's headache earlier. Will she really be okay? Shun wonders if she's eating properly.

Shouki adds another thing- apparently she had a long period of absence in middle school. Motoha speculates that was when Phantom Thief Family stopped updating, and Shouki explains that while he doesn't know the exact dates, it was about a year ago. Motoha doubles down that that's about the right timing; she was super frustrated about the lack of updates back then! Shun wonders if it's because Aran wasn't used to living alone, and her health suffered, and Riko asks if Shouki knows. Shouki doesn't exactly, but one thing he did hear was that the absence was for family reasons. Nagisa clarifies, and Shouki confirms- from what he heard, it wasn't health-related.

Riko asks if he knows anything else about it, but Shouki admits he didn't look too deeply into it, though he tried asking her classmates from the time. Apparently their homeroom teacher just said that "due to family reasons, she'll be absent for a while", and no one felt like prying into that, so they didn't ask the teacher or Aran for more information. Shun admits it's not really the thing you'd ask someone about. Nagisa wonders either "Was the manga's hiatus also for family reasons?" or "Were the family reasons causing her health issues?", and at least if the first is chosen, Riko agrees it's possible that the family reason may not have been something Aran wanted to disclose, so she claimed it was a health issue instead.

Regardless, though, clearly something came up back then that prevented her from attending school or working on her manga. Motoha admits she really wants to know, but acknowledges they can't ask her classmates about it... but that means it's something Aran didn't even want to talk about at school. Lufel summarizes that it sounds like Aran may have some secrets, but if they don't know what they are, it's hard to judge the situation. He's not sure what their next step should be.

Shun says that while he's worried about Aran, he doesn't think they should leave the Palace alone, either, since Shimotsuna might do something while they're waiting around. Lufel reminds him that Aran has the MetaNav as well, however, so they can't exactly ignore her without knowing her motives. Nagisa suggests they try talking to Aran herself, and Riko agrees- it seems like they won't be able to solve this with indirect investigation, so talking to her might get them answers more quickly. Aran was the one who originally said she's interested in the Phantom Thieves, so they might be able to use this topic as bait, and try to figure out what she's really thinking.

Shouki says they could frame it as trying to help her with inspiration for her manga, and Shun figures it's worth a shot, since she already knows their identities anyway. Motoha suggests they could all invite her to the diner tomorrow after school, but Riko thinks it'd be easier to get her to drop her guard if it's a one-on-one conversation. Motoha considers this, and Nagisa either volunteers, or suggests Riko should do it. If the latter is chosen, Riko says she believes Nagisa's more suited for the job, because he's the one who went to Shuubunsha with her, so they've spent the longest time together.

If the former is chosen, or after Riko says that, then Motoha exclaims she agrees- this is the kind of thing their leader should handle! (If the former was chosen, Riko then thanks Nagisa for always being first to volunteer for these things). With that, Lufel declares they'll leave the questioning of Aran to Nagisa. Nagisa nods. Shouki says they should call it here for today, and Nagisa heads home.

At home, Lufel asks Nagisa what he's planning to do for tomorrow, given they shouldn't delay in this situation. Nagisa's options are "Send her a text to make a plan", "Ask her tomorrow after school", or "What should I do?"; at least if the former is chosen, Lufel agrees that making plans in advance makes the most sense, as Aran's also busy with her work. Nagisa nods, and pulls out his phone, while Lufel flies over to land on his shoulder so he can see the conversation as well.

Nagisa can start the conversation with either "Good evening" or "Are you asleep?"; Aran replies asking what's wrong, if he's messaging her at this hour, and Nagisa can explain either "I think you might need some inspiration" or "I want to chat with you". Aran reacts with surprise, then asks if he's saying he's willing to talk to her about the Phantom Thieves.

Nagisa can either confirm this directly- "Of course this is about the Phantom Thieves"- or indirectly- "I want to provide you with some inspiration"- and Aran seems to respond excitedly, a little confused but saying that would be very welcome, though they should meet in person instead of doing it through text, so can they meet after school tomorrow? Nagisa agrees, and Aran thanks him with multiple exclamation marks, and adds that she's suddenly so motivated she thinks she can break through the part of her draft she's been stuck on, then bids Nagisa goodnight.

With that, Nagisa pockets his phone, and Lufel leaves his shoulder and moves to a spot next to him on his bed. Sounding a bit surprised, he says their bait worked remarkably well. Her reaction certainly suggested she really just wants inspiration, but... Nagisa can reply either "I hope she's our ally" or "I'll stay alert". At least if the first is chosen, Lufel agrees that he doesn't want to suspect her either, but they can't lower their guard. He advises Nagisa to avoid revealing information as much as possible tomorrow, and focus on learning more about Aran. Nagisa nods, and Lufel suggests they go to bed early to prepare for tomorrow.

After falling asleep, Nagisa wakes up in the Velvet Room, where Merope apologizes for disturbing his sleep. Igor says it seems the honing of his desires is going smoothly, and he's changed the hearts of four sinners so far: Lust, Vanity, Wrath, and Gluttony. His outstanding performance so far is commendable. Merope claps.

Igor continues that it seems he's already set his sights on another sinner, and Nagisa asks "A sinner?", "Is it Shimotsuna?", or "Could you mean Aran?". Seemingly regardless of what's chosen, Igor chuckles, and says that if he thinks he knows, then maybe that is who it is. However, Nagisa himself still seems to harbor some kind of indecisive emotion... Nagisa asks what he means, and Merope replies that her master is referring to Nagisa's current target, and those whose hearts he's changed in the past.

Igor says he can hear the voice deep inside Nagisa- it's wondering if Nagisa's target this time is truly evil. Nagisa reacts with surprise, then thinks to himself, "Kiuchi, Miyazawa, Katayama-sensei, Akashi, and this time, Shimotsuna... thinking about it, something does feel off...", recalling the visions he's had of Kiuchi, Miyazawa, and Akashi all being responsible for someone else's death, and the vision of Katayama herself dying, but no such vision for Shimotsuna. He then wonders why he sees these visions at all, and if there's an even greater threat behind the people whose hearts he's already changed. He then leans forward and grabs his head, shaking it and looking frustrated.

Igor laughs, and says it seems Nagisa may already have some clues. He then proposes a question: The malice that these sinners may have originally possessed might turn them into something even more repulsive... but if that repulsive form was the starting point, and their malice gradually decreased, how might that change them? Nagisa can suggest either "Will the form weaken?", "Will the form disappear?", or "Will they become human again?", and Igor laughs, replying that's a good way to think about it. If the original malice is lost, that repulsive form would weaken, naturally. However, if they retain their malice, perhaps that would lead to many victims.

Nagisa asks, "Many victims...?", "Do you mean my friends?", or "What's the starting point for becoming like that?", but then, alarmed, gets flashes of a vision of his friends disappearing (notably, a vision we've only fully seen in the form of Lufel's nightmare at the start of Chapter 1 of the P5R collab). When the flashes of the vision end, Nagisa leans forward and clutches his head again, thinking to himself "What just happened was...!"

The water rushing noise that often signals Nagisa's Velvet Room visit is ending is heard, but Merope turns to Igor and warns him that "If Nagisa-sama's burden continues to increase...". Igor, however, replies, "How curious. As my attendant, you dare to interrupt me...", and Merope makes a noise of (maybe slightly surprised?) acknowledgement. Igor continues that, at the same time, as she is Nagisa's concierge, he can't ignore her point, either. As he says this, Nagisa finally stops clutching his head. Igor concludes that he looks forward to their next meeting, but for now, he'll let Nagisa have good dreams. With that, the water rushes again, and Nagisa's time in the Velvet Room tonight ends.

The next morning, Nagisa jolts awake, and clutches his head a bit, noting that he feels kind of dizzy, like he just had a bad headache. He then sits up a bit, shaking his head and thinking he needs to focus, since he has that meeting with Aran today.

Time skips ahead to Aran, Nagisa, and Lufel sitting at the diner, where Aran excitedly says Nagisa said he'd tell her about the Phantom Thieves today. Aran giggles to herself, and admits she's been so excited for this she could barely sleep last night. Nagisa awkwardly replies either "Please show some mercy...", "Are you feeling alright?", or "Just start asking"; if the middle option is chosen, Aran assures him she's feeling fine, or even better than that because of how excited she's been to get some inspiration, so there's no need to worry.

She thinks about what she wants to ask first, flipping through her notebook a bit, before settling on asking what the Phantom Thieves actually do to change people's hearts. Nagisa thinks, then responds either "Trade secret", "Guess", or "Superpowers". If the latter is chosen, Aran looks slightly annoyed, and says this isn't a manga; please answer more seriously! Nagisa waves his hands back and forth in a placating manner, seeming a bit apologetic.

Aran frowns, and admits maybe she started with too big of a question to ask all at once. Changing the question, she asks how they choose their targets instead. Nagisa seems a bit nervous, and answers either "Trade secret", "Drawing lots", or "By gut feeling". If the latter is picked, Aran repeats "By gut feeling...?" and comments that she didn't really get the impression it was just that. She sighs and relents, though, switching to another question.

Time skips ahead to Aran looking frustrated and angry, and shouting that he's the one who invited her in the first place, but he hasn't been giving real answers to any of her questions! She wonders what she has to ask to get an actual answer, and flips through her notebook again. Nagisa takes this chance to ask her why she likes the Phantom Thieves, catching Aran off-guard, who thinks about this, then responds that, well, it's a group of real people doing the kind of thing you only read about in manga. As a manga author, of course that caught her attention.

She admits she was about to ask Nagisa why he became a phantom thief. It's probably not just to make money, right? So what does he get out of changing the hearts of bad people? Nagisa can reply either "I want to save those who are suffering", "I can't forgive the Menaces", or "I want to change the world"; at least if the first option is picked (but possibly all three?), Aran rephrases- so it's for the sake of justice? Nagisa nods, and Aran asks if that's really true. So far, their targets have been former baseball player Takeyuki Kiuchi, former food critic Hiromu Miyazawa, and former Kokatsu Academy teacher Kei Akashi. Akashi is the only one he might have had a personal connection to. From that perspective, while it might not exactly be a lie to say his motive is justice...

Nagisa explains that they've had a connection to all their targets, to Aran's surprise, who says she'll have to ask more about that later. But, so that is to say, all the changes of heart they've caused have been due to personal grudges, then? Nagisa replies that it's not like that; others were suffering, too. Aran asks if he's saying it really was for justice, then, and Nagisa nods, causing her to "Hmm" and scribble something down in her notebook.

As she does so, Nagisa asks if that's so unbelievable, or promises he wasn't lying, and Aran admits she does find it hard to believe it was purely for justice. She's researched a lot of heroes and Robin Hood-type figures for her work, and they've all had some selfish side, often to the point that their heroic acts were ultimately for their own benefit. Acting purely for the sake of justice is impossible in reality; that kind of manga character couldn't exist in the real world.

Nagisa repeats "Manga character?" or directly asks "Like the Phantom Thief Family?", and Aran points out that even the Phantom Thief Family characters were originally only fighting for the sake of their own family's happiness, though that gradually shifted to fighting to protect the whole world later on. And even while they grew into people who would sacrifice their own happiness for the sake of others, they're ultimately still manga characters. There aren't people like that in the real world.

Nagisa asks if her older sister was like that, and Aran is confused, repeating "Older sister?", and asking who he's talking about. Nagisa explains that he heard the protagonist of the manga was based on Aran's older sister, but Aran, still looking lost, asks who told him that. She doesn't have an older sister. Lufel and Nagisa react with surprise, and Nagisa thinks to himself that that contradicts what Motoha and Riko said, but Aran doesn't look like she's lying, either... so what's going on?

Continuing the original conversation, Aran says that if the Phantom Thieves really are acting purely for justice, that makes her even more interested in them. Nagisa asks why she's so interested at all, and Aran, slightly confused again, repeats that she just wanted some inspiration for her manga. Nagisa asks if it's really just that, and Aran asks what he's getting at. Giving an example, Nagisa suggests she could want them to change someone's heart, but Aran says that's not true, she never even thought about that.

However, a moment later that glitchy red effect occurs again, and Aran clutches her head with a pained noise just like before. She says her head hurts, and Lufel and Nagisa react with alarm, Nagisa even standing up. Aran waves it off, however, while still holding her head with one hand, and says it's nothing, just a bit of a headache again. Maybe it's because she was up so late thinking of questions to ask last night. Nagisa suggests they call it for today, or promises to answer her questions another time, but Aran tries to protest that this was her chance... but then is quiet for a moment, and admits she doesn't think she could properly take in inspiration right now, anyway.

Sitting up finally, she apologizes, and asks if she could have some more of his time another day. Nagisa nods.

The scene cuts ahead to them arriving at Shibuya station, where Aran turns and tells Nagisa she'll be fine from here; her head is basically fine again. She says they'll talk more next time, then bids him farewell. But before she actually leaves, she clarifies that she really does just want to help the Phantom Thieves. She doesn't want to get in their way or reveal their identities to anyone- please believe her. Nagisa nods, and Aran smiles, saying goodbye for real this time, and walking off toward the station.

Once she's gone, Lufel pops out of Nagisa's bag, and asks what he thinks now that they've talked. Nagisa's options are "I don't think she lied", or "I don't believe she's our enemy", and Lufel agrees that she didn't seem to be lying. Still, they couldn't completely clear all suspicion... Nagisa says they can deal with Shimotsuna first/it's not enough to stop them from focusing on the Palace, and Lufel agrees. They can't put off the situation with Shimotsuna indefinitely. He suggests Nagisa message everyone, and they pick up their Palace exploration again starting tomorrow. Nagisa nods.

The next day, after rehearsal, the members of the play head for Kokatsu's front gate. Kiyoshi stops, and comments that today's rehearsal was really heating up, and asks if they want to go to the "Twilight Field" to discuss their acting experiences. Motoha asks, "Twilight... what?", and Shun guesses he probably means the park at sunset. Riko says she just wonders why Kiyoshi has to change his words like that whenever he speaks. Shouki laughs, and says talking about their experiences does sound fun, though... but then notices something past the gate.

Shimotsuna (with Ousaka) walks up, stopping a few feet away from the gate, to Shouki and Shun's alarm, and Shun mutters her name, which catches Nagisa, Motoha, and Riko's attention as well. The club president asks Shouki's what's wrong, and Shouki replies that it seems he has a guest. He apologizes, but they'll have to hang out another time, so the rest of them might as well head home now.

The club president is a little confused by the word "guest", but then guesses it's work-related, and Shouki confirms this, but promises he doesn't plan on taking any more jobs, so they don't need to worry. The club president gets it, and says goodbye, then he and the vice president leave. Kiyoshi watches them leave, looks around a bit, then slightly awkwardly says that if the rest of them aren't leaving, then he won't yet either... but Nagisa replies that it's not the moment of fate yet, with a bit of a flourish, and Kiyoshi gasps that he's right, and more confidently announces that it's not his time to shine yet, but if they ever need his help, as a fellow Chosen One, he will always come to their aid. He'll leave for now, but he wishes them luck.

Once Kiyoshi is gone, Motoha comments that Nagisa gets a little weird when he talks to Kiyoshi, and Nagisa seems a bit embarrassed. Riko suggests Aran head home as well, but Aran takes out her sketchbook and very seriously says that Shimotsuna's also her subject (for sketches), so they should just ignore her. Shouki seems to take a deep breath, then says he's going.

Shouki approaches Shimotsuna, and politely asks what she's here for today (calling her "Shimotsuna-san" again, at least to her face). Shimotsuna says he doesn't need to be so formal, and softly says that the other day, she asked him so suddenly to be in a web series, it must have startled him, and he got mad... she's sorry about that. Shouki doesn't seem quite sure how to respond to that.

Shimotsuna continues pleasantly that she brought good news today, but Shouki firmly says he's decided to focus solely on the drama club this year. Shimotsuna laughs this off a bit, and says that that just proves she can't leave him be, if he keeps saying such childish things! Anyway, he needs to change his agency. Shouki, surprised, asks why she's saying that all of a sudden, and Shimotsuna explains that she has a very good relationship with another agency, called "Beautiful High". Taking out her recording device, she continues that if he signs with them, they can prioritize getting him work, and protect him. She can personally turn him into a real star.

Shouki, however, shakes his head, and replies that he's happy with his current agency, so there's no need for him to switch. But Shimotsuna, voice low, insists there is a reason: he doesn't want to become her enemy, does he? Shouki asks if that was a threat, and Shimotsuna brightens again, replying that "threat" is such a terrible word! She's just saying that, if he swaps agencies, she can protect him better. She holds out her recording device to him, and tells him to say, "I want to join Beautiful High". That's all he has to say, and then his future will be bright.

She shoves her recording device into his chest, and Shouki clenches his fist, then announces that's enough, and knocks her hand away, sending the recording device flying out of Shimotsuna's hand, and, to her alarm, onto the ground a few feet away. Sounding genuinely distressed, she asks what he's doing, then runs over to pick up the recording device and looks it over, even tapping on the screen. But it seems to be broken, as she says, dismayed, "It's no good... the switch won't even..."

Turning back to Shouki and stomping her foot furiously, she shouts that that's property damage, Shouki! Shouki seems worried, but Nagisa replies that it's Shimotsuna's fault for shoving the device at him/that her behavior was also atrocious. Shouki, a bit nervous, tells Nagisa that it's fine; she's right that he did go too far there. He offers to pay for it, but Shimotsuna fires back that she can't just buy a copy of this recording device- it's very important! It's full of memories of herself and that person-!

Ousaka calls out to her and walks over, and Shimotsuna flatly holds the device out to him and says "Fix it!". When he's confused, she stresses: "Go and get this fixed right now!". Ousaka asks if it makes sense to get it fixed; it's so old, shouldn't she just upgrade to a newer model...? And smartphones have voice recording functions as well... Shimotsuna furiously tells him to shut up, is he seriously ordering her around?! Stop talking and go get this fixed!! Ousaka, still sounding a little confused, agrees, takes the device from her, and runs off.

Shouki starts to say, "Um, Shimotsuna-san...", but Shimotsuna responds with a frustrated growl, and then, looking and sounding a bit more calm, says she'll leave things there for today, since clearly Shouki needs more time to think. Shouki starts to reply that he really doesn't, but Shimotsuna decides he'll have until Kokatsu's school festival to decide. This will be his last stage play in high school, so she'll let him enjoy it. Shouki, alarmed, only says, "Huh?!", and Shimotsuna explains that once he switches agencies, she won't be letting him participate in any more school plays. But if he refuses her, his entire acting career will also be...

Shouki makes a frustrated noise, and Shimotsuna cheerily tells him not to make that face- she's doing this for his own good! So he better not disappoint her. She waves, and walks off, ignoring Shouki as he calls out for her to wait, and insists he's not going to change agencies. When that doesn't work, Shouki grumbles that she never listens to anyone.

In the background, Aran pockets her notebook, while Shun walks up to Shouki and says he doesn't need to talk to her every time she comes by. Motoha brings up that she said he has until the school festival to decide, so Shimotsuna probably won't do anything before then, right? Riko agrees- she must be aware that if she were to attack Shouki's parents before then, it would only push him further away. That means they have until the school festival to change Shimotsuna's heart. Lufel states they don't have a lot of time, and it won't be easy, but that should be their goal for now.

Riko then points out that that voice recorder seems very important to Shimotsuna. Motoha thinks her reaction makes sense, if it's a magic wand in the cognitive world. Aran, confused, repeats, "Cognitive world...?", and Motoha flounders, trying to say she misspoke, that's not what she meant to say. Aran asks if it's part of their phantom thief work that they won't tell her about, then if that means Shouki's also joined the Phantom Thieves now.

The others are surprised, and Shouki asks how she figured that out. Aran replies that she just kind of got that feeling... plus, he didn't bat an eye at the phrase "cognitive world" a second ago. Shouki scratches the back of his head, and admits there's no reason to try to hide it, anyway, since she knows about everyone else. He confirms she's right, and adds that he heard she wants to help them.

Aran says that's true, then admits she's a little surprised- did Shimotsuna become their next target because she's been targeting Shouki, then? Nagisa gives her a noncommittal answer, and Aran looks a bit annoyed, saying he's really doing that again? But, if it's a secret, she won't ask. Riko thanks her for understanding that there are things they can't tell her about.

Changing the topic, Motoha admits she's been wondering if the "Buibui Hihi" place that Shimotsuna was talking about is really that great. Riko awkwardly corrects her that it's called Beautiful High, and Motoha exclaims that she didn't even get one word of it right. Addressing her initial question, Shouki mentions he's heard the name Beautiful High before; he thinks it's a small agency that's recruited a lot of male actors and idols, but nothing really stands out as to why he should be joining it.

Shun points out that it's even weirder that a magazine editor-in-chief was trying to set him up with a specific agency. Riko asks if this happens often, and Shouki says he's only been introduced to specific agencies on occasion, for work or networking reasons, but Shimotsuna was talking like it was her own agency. He's never heard of it having any connection to Shuubunsha, though.

As everyone else goes quiet, Aran looks around, then volunteers to investigate it for them, to everyone's surprise. Motoha asks if that's really okay, and Aran explains that she and her editor still need to follow up with Shuubunsha to proofread the interview content, so while the person they talk to might not really know anything, she could at least ask. Nagisa can reply "Then we'll leave it to you!" or "But..."; at least if the former is chosen, Aran smiles, and says she understands, just leave it to her.

Shun starts to protest, and Aran, looking a little annoyed, asks if he's really still doubting her. Like she keeps saying, she just wants to help the Phantom Thieves. And, if you think about it, even if she did try to reveal their identities to someone at Shuubunsha, and warned them that the Phantom Thieves were targeting Shimotsuna, why would they believe her? Riko agrees- they should just make the call, and let Aran handle this. Shun, a little sheepish, decides that if both their leader and their senpai are saying it, he'll trust Aran, too.

Aran thanks him, then says she'll head home from here. Motoha asks if she isn't going to walk to the station with them, but Aran replies that, if they're going to be planning, there are probably some things they don't want to talk about in front of her, right? Nagisa either agrees she has a point, thanks her for being thoughtful, or tells her not to eavesdrop; if the latter is chosen, she looks a bit sad, and points out that she wouldn't have said all that and made them suspicious if she was planning to eavesdrop.

After that (or immediately in response, if the middle option is chosen), she tells them she looks forward to their performance and the inspiration it'll give her. She then smiles, says goodbye, and walks off.

Motoha says Aran really is good, after all, sounding relieved, and Riko agrees that if she can help them change Shimotsuna's heart faster, then they really couldn't ask for a better helper. Lufel adds that he believes they can temporarily lower their guard around her, based on their conversation yesterday. So, as they said when they texted everyone last night, from today onward they're returning to their infiltration of Shimotsuna's Palace. Shun, sounding motivated, says they should head for Shibuya, then! The others nod.

As they walk down the street, however, they're stopped by Ousaka, who addresses Shouki. Shouki is surprised to see him, while Motoha recalls that this is the guy from earlier, who ran off to fix Shimotsuna's recording device. Ousaka takes the device out of his pocket, and says he's headed for Akihabara to get it fixed, but first... this gave him an excuse to get away for a moment and talk to Shouki. Shouki admits he wanted to talk to Ousaka, too. Why is he working for someone like Shimotsuna?

Ousaka shakes his head, and says it's a long story. Shun then interrupts (and apologizes for doing so) to ask if Shouki knows this guy. Shouki quickly explains that this is Daichi Ousaka; Shouki acted alongside him in a TV drama when he was a kid. Ousaka's not only a talented actor, but a singer and dancer as well, and used to be an idol. Motoha exclaims that she thought he felt like someone who works in entertainment. Shun asks why someone like that would work for Shimotsuna, and Shouki turns back to Ousaka, but he only makes a sort of reluctant/troubled noise.

Shouki asks Ousaka to answer him- he never sees him on TV anymore, and has been wondering what happened. Why does he follow Shimotsuna's orders? Has he really stopped singing? Ousaka replies that this isn't about him- it's about Shouki. He shouldn't try to go against Shimotsuna. For his own sake, it's better to just switch agencies. Shouki, confused, asks what Ousaka's talking about- he won't give in to someone like that, and he won't lie to himself anymore. He'll never wear a fake smile and put up with work he doesn't want to do again.

Ousaka, actually looking angry, says that's a naive way to see the entertainment world. He's doing his best to delay the publication of the articles against Shouki's parents, but he's almost at his limit. Once you're targeted by "that woman", your only options are obedience or destruction. Shouki starts to reply "Even then-", but Ousaka finishes for him, "-'you won't', right? But that's the reality." She's ruined countless people.

Shouki, looking concerned, asks if Ousaka is one of them. Ousaka shakes his head, and insists they're not talking about him right now. Shimotsuna is very persistent, but as long as Shouki doesn't provoke her, he could be her "favorite" (notably, this could also translate as "pet", though usually in the context of a "teacher's pet"). Shouki, getting worked up again, tells Ousaka not to joke about him becoming her favorite; he has no intention of letting her ruin him, either. Ousaka shakes his head, and says he absolutely will; Shouki's parents were nearly ruined by her, too.

Shouki winces, and Nagisa fires back that Ousaka should be careful what he says/be more considerate of how Shouki feels. Ousaka, a bit quieter, admits he was a bit too harsh there, but it's the truth. Even if Shouki doesn't like it, as long as he obeys Shimotsuna, he can stay in the entertainment industry and continue acting. He wants to continue being an actor, right? So he should be careful which path he chooses here. Shouki sounds more worried than anything when he responds, "Daichi-san...", but Ousaka just says Shouki's been warned, and walks off, ignoring Shouki as he calls out for Ousaka to wait. Shouki tries running after him, and asking if he really went along willingly, and gave up on his dream of being an idol, but there's still no response.

Shouki returns to the others, and Shun comments that, although he can't agree with anything Ousaka said, he did seem sincere. Motoha points out that it also sounded like he's the reason the articles about Shouki's parents haven't been published yet. Riko agrees, but... why would someone as stubborn as Ousaka seems have submitted to Shimotsuna in the first place? Nagisa replies that it seems like he has a secret, or agrees that he really didn't seem like a bad person. If the former is chosen, Shun says it didn't really seem like Ousaka was talking about Shouki when he said all that stuff. Lufel suggests that he may have ended up this way due to having his desires continuously stolen by Shimotsuna. Shouki says they'll just have to steal back Ousaka's desires, too- time to go to the Palace! Nagisa nods.

At Shibuya station, we see Lufel do a quick search of the area. He then lands next to the Phantom Thieves, and confirms that he doesn't see Aran around, so they should be alright. Shouki says it's time to go, then, and everyone nods.

Back in the Palace, the Thieves stop to stare at the tower again. Soy complains that it's still as disgustingly flashy and over-the-top as ever, while Wind theorizes that the Palace took the shape of a tower because Shimotsuna feels she's above everyone else. Luce says she really is arrogant, ruining people's lives over that... Closer agrees that's why they need to change her heart, so they better get going!

Cattle suggests they return to where they encountered Shadow Shimotsuna for now, and try to find a way to get to the upper level from there. The others nod.

When they enter through the front doors again, Cattle suggests they could use the elevator across the room to reach the upper levels, while Luce wonders where all the ant shadows that used to be lined up in this area went. Cattle thinks this may be because Luce broke Shimotsuna's recording device in reality, and Wind rephrases that her distress from that may have affected the shadows and Palace itself. Soy says they might as well take advantage, then, and give the elevator a shot.

When the Thieves step out of the elevator, they find themselves in a very different-looking area, which Closer describes as feeling like a stylish office. Wind notes that the shadows are all working at desks, and speculates this may be Shimotsuna's cognition of Shuubunsha. Cattle adds that the workers don't seem to have any interest in them. He focuses and listens, then says that, as expected, he still senses the Treasure at the top of the tower, so they should explore this floor and look for a route to get further up.

From here, they explore the Palace, learning more about the mechanics and puzzles here. When they eventually find a map of this floor, they discover that, in addition to printing rooms they'd expect, there's also... a concert area...? Luce says he's not sure why there would be one, but he has a bad feeling about it.

Eventually, they find a room full of files. Wind notes there's no one here (other than the shadow they had to defeat to get in), and Closer wonders if this is what a magazine editor's office is like. Wind suggests there may be something useful here, like clues about this Palace, and Cattle suggests they investigate a bit.

After they split up to look around, Soy notes that all the files are labeled with men's names. Closer agrees- none of them seem to have women's names at all. She then realizes she recognizes one of the names- he played the protagonist in a tokusatsu movie. Luce says he recognizes many as well, and lists off: model, idol, actor... they're all young, handsome guys. He takes a file off the shelf and opens it, finding a name, picture, and profile, the latter of which even gets into the guy's family, personal history, interests, favorite foods... every little detail.

Soy, alarmed, notices it even has the guy's daily schedule. Wind notes that this seems like it includes confidential information they shouldn't have, and Luce nods- it's more on the level of a detective or a stalker. He glances around at all the other files, and mutters that if all the other files have this level of information, that's just... Wonder suggests that it's either "A directory of hot guys" or "All the people Shimotsuna has ruined".

If the former is picked, Closer exclaims that's creepy, while Wind thinks it's more likely all the people Shimotsuna has ruined. However, Luce points out that there are too many men for this to be a collection of people Shimotsuna has ruined, as she's targeted many women as well. He agrees it's more like a directory of hot guys.

If the latter is picked, Wind agrees, as these meticulous investigations would be more than enough information to work with (for Shimotsuna's articles). However, Luce points out that there are too many men for this to be a collection of people Shimotsuna has ruined, as she's targeted many women as well, reminding them his own mother was one of her targets. But there are only male names here. Closer asks if that means this is more like Shimotsuna's catalog of her favorite hot guys, then makes a noise and mutters that she feels gross just saying that. Luce agrees, and reminds them that the guards at the front of the Palace were only letting "handsome guys" through, as well.

From there, regardless of the option picked, Cattle points out that since they don't know any of these people well enough, it's hard to gauge Shimotsuna's true intentions. Soy, however, looks around, and spots something on one of the shelves, pulling down a file labeled "Daichi Ousaka". Luce asks to see it, and opens it, revealing a file with the first image in the final row of this post. Closer notes that the heart-shaped stamp over Ousaka's image says "Strategy Completed".

Luce turns the page, finding the second image in this post. Closer recognizes it's a picture of Ousaka, and comments that it's a nice photo. So, he really was a singer? Luce says he mentioned that before, didn't he? Ousaka used to be the leader of an idol group. He's also a great dancer, and his group's music- mainly rock- was an inspiration for the younger generation. Luce himself really looked up to him. Hearing this, Closer recalls that she's actually heard of his group before, and saw a special about them on TV once. She's surprised the leader of that group was actually Ousaka.

However, Luce explains, about two years ago, Ousaka suddenly quit the group, apparently claiming he wanted to change agencies and go solo. The others are surprised to hear this. Luce continues that the other members of the group all made statements about how surprised they were, and how sudden this was, and their fans made a huge fuss about it too, wondering if there was a falling out or if Ousaka was betraying his group. Since then, and since changing his agency, Ousaka has barely made any public appearances. The rest of the group's popularity also plummeted after that, and now they can't even get TV appearances, mostly doing underground stuff. They're working hard, but they've said that if this continues, they'll probably have to break up eventually.

Cattle comments that that's a difficult situation, and Wind agrees that it's hard to overturn a bad reputation like that. Closer adds that she feels bad for their fans, too- no one won in this situation. Luce nods, and wonders why Ousaka wanted to change agencies back then... then turns the page in the file, and finds some kind of magazine article titled "IDL Factory President Commits Violence Against Popular Idol Yukihito Horaguchi!", to his surprise. Closer notes this one has another stamp- "exposure postponed"?

Luce explains that IDL Factory was Ousaka's original agency, before he switched, but he's never heard anything about a violent incident with that agency's president. Closer recalls Yukihito Horaguchi is another famous singer, though Luce says he's known around the industry for being a womanizer with a generally bad reputation. Closer seems a bit thrown-off by this information, while Luce continues that the file he was just looking at also mentioned Horaguchi, and after skimming it, it sounds like the guy's reputation is justified. Closer makes a creeped-out noise.

But if Horaguchi really was physically abused by the president of another agency, that would be a big deal... except Luce's never heard anything about that, not even a rumor. Wonder can suggest either "Is it made up?" or "Did Shimotsuna cover it up?"; if the former is chosen, Soy agrees, given they know Shimotsuna's history of making things up for her articles. It was probably ignored because it was too obviously fake. Wind, however, reminds them of the "exposure postponed" stamp, and suggests it seems more likely that this really did happen, but Shimotsuna deliberately kept this article from going public. If the latter is chosen, Soy asks what Wonder means, and Wind rephrases that that would mean this was a real incident that hasn't made it to the news yet. The "exposure postponed" stamp suggests that Shimotsuna specifically didn't let this information go public.

In either case, Wind concludes her theory: Shimotsuna kept this secret in order to use it as blackmail. The others are alarmed, and Closer, making a nervous noise, asks if that means Shimotsuna's been blackmailing the IDL Factory agency president. Luce, however, wonders if it's actually... He turns another page in the Ousaka file, and sees the second image in the final row of this post.

Seeing this, Closer makes more noises, asking what this creepy as hell page is. Luce says "This is...", and Wonder replies either "Ousaka was the one being threatened", or "The president was the one being threatened"; at least if the former is chosen, Wind agrees- she kept silent about the agency president's misconduct in exchange for Ousaka's obedience. Luce angrily says he understands what happened now, and sets (slams?) the file down on the table next to him.

He explains to the others that when he and Ousaka performed together, Ousaka was very loyal, and always took care of others, like a reliable older brother. He always got along with the other members of his group, and the agency's president. Luce always thought it was strange that he'd betray the company and his group like that.

Wind suddenly realizes something, and asks if the agency Ousaka switched to was... She checks the file, and sure enough- he transferred to Beautiful High. Closer recalls that's the agency Shimotsuna was trying to get Luce to switch to. Wind confirms; she believes Shimotsuna has been targeting and blackmailing male talent she likes to force them to join this agency. She doesn't fully understand the purpose of doing this yet, but it must benefit Shimotsuna somehow.

Closer wonders if that means all the files here have blackmail articles like this, but Luce thinks that would be too many- Beautiful High isn't that big. Cattle reminds them that the first file they opened didn't have a stamp on it, so some of these may be her future targets. Soy mutters that's so creepy he's getting goosebumps, while Wonder says this will lead to a lot more victims/these people are all having their desires stolen by her. Soy agrees; they have to change her heart before she claims another victim.

To that end, Wind suggests they keep moving, but Luce apologizes, and says he actually wants to return to the real world first, to the others' confusion. Soy asks why, and Luce explains that since he recognizes many of the names on the other files, he wants to try to warn those guys that Shimotsuna plans to targets them. Cattle points out that they might not believe him, and Luce admits he knows that, but now that he's aware of her plans, he can't just do nothing. Ignoring the theft of desires would be a disgrace to the name of the Phantom Thieves, wouldn't it?

The others realize he's right, with Closer saying so first, then Soy pointing out that it's also possible those who have their desires stolen might do something drastic, so they really can't ignore them. Wind adds that while she'd like to change Shimotsuna's heart as soon as possible, it does seem like this Palace infiltration will take a while longer yet. Cattle says that everyone's shared their thoughts, but the final decision is up to their leader. Wonder can either agree as well, or say "I want to explore a little more..."; if the first option is chosen, Cattle replies that they'll return to the real world for today, then. Luce apologizes again to everyone, saying he'll try to do this as quickly as possible, and they exit the Metaverse.

Back outside Shibuya station, Shouki is quiet, so Nagisa either asks if he's okay, or asks if he's thinking about Ousaka. Shouki, pulled out of his thoughts, admits he is thinking about Ousaka, and the rest of the people in those files. Especially Ousaka- Shouki had no idea he was being blackmailed, and said some pretty terrible stuff to him earlier. For both his mom and Daichi, he'll never forgive Shimotsuna.

Motoha, looking determined, agrees- it seems like Shimotsuna's set her sights on other people, too, so they have to change her heart as soon as possible! With that, Lufel asks about how long Shouki thinks it'll take to warn everyone he recognized, and Shouki replies that he plans to start as soon as he gets home, so he should be done by tomorrow. If they don't believe him, that can't be helped- but he has to try to do something. Lufel says he understands, but warns Shouki not to mention the Metaverse; that would just make it more unbelievable, anyway. Shouki nods. He just plans to warn them, and not say much more.

Nagisa's phone chimes with a message, and he opens it to find Aran said she got some information about Beautiful High, and asked if he's free to talk about it tomorrow. Motoha asks if Nagisa just got a text, and he explains that it was news from Aran. Riko's impressed she found something out so quickly, and Lufel thinks it's perfect that she wants to discuss it tomorrow.

Shun agrees- tonight, Shouki will take care of his business, and tomorrow, they can hear what Aran found out. And after that, they can get back to the Palace, Motoha adds. Riko says she'll contact the others to ask about canceling rehearsal tomorrow, and Lufel declares that they'll part ways for today, advising everyone to get some rest. Everyone nods.

The next day, Aran shares what she found out: the Beautiful High agency seems to be completely under Shimotsuna's control. Shouki asks what that means, and Aran admits there's no concrete evidence, just speculation, but Shimotsuna seems to be holding something over the agency's president so they can't go against her. So, functionally, Shimotsuna is in charge of the agency, and gets all her favorite talent to transfer there, then manipulates them to her will. That's what Aran heard is the rumor circulating within Shuubunsha, anyway.

Riko asks what this weakness that Shimotsuna holds over the agency president is, but Aran admits she doesn't know- the fact that it's a secret is what makes it work, right? Shouki says she's right.

Aran then moves on to the definite facts based on what Shuubunsha employees themselves have seen: Shimotsuna likes to have Beautiful High's talent around at Shuubunsha, acting as her personal secretaries. Riko asks if she means like Ousaka, and Aran confirms- Daichi Ousaka isn't an employee at Shuubunsha. He's treated like part-time staff, and has an entry pass, but only to take care of Shimotsuna's personal matters. Riko wonders if Shuubunsha really allows that, and Aran adds that she heard it originally wasn't allowed, but that's just more proof of how powerful Shimotsuna is within the company.

She also heard that Shimotsuna makes Beautiful High's talent hold private concerts for her, and Motoha makes another creeped-out noise. Aran continues that this rumor seems to be confirmed, because some Shuubunsha employees were forced to help prepare these concerts. Though- looking even more serious- Aran points out that it's possible the "private concert" term was just a cover, and it's actually something worse. She heard that after the concerts, the face of Shimotsuna's "secretary" is often injured.

Shouki, alarmed, repeats, "His face is injured...?!", and Shun angrily says she thinks she can just get away with whatever she wants. Aran admits that that part isn't firsthand information, so she's not positive it's true... but it seems most likely that it is. Regardless, she advises Shouki not to switch to Shimotsuna's agency. Shouki replies that there's no need to worry about that; he has no plans to do so.

However, it's a huge help that she found all this out for them- he didn't expect it would be this bad. He didn't warn the others for nothing. Aran repeats "Warn...?", but Shouki brushes it off; he was just talking to himself. Riko wonders if all the rest of the talent at that agency is being blackmailed like Ousaka, and Shouki says it's probably not absolutely everyone, but that is possible. There may also be some that signed on without knowing what they were getting into, and now regret it.

Shun grumbles: blackmail, being forced to hold private concerts, and even physical abuse... he can't believe this! Those people all had dreams of becoming artists, or idols! Aran adds that it seems especially bad for the ones she takes on as her "secretaries", then uses as personal punching bags. She heard around the company that she insults and kicks them, in some cases beating them to the point of causing fractures. Shun can only mutter that's terrible, and Motoha agrees it did seem like she treats Ousaka, and even her previous secretary, pretty badly. Riko figures that because she has blackmail over them all, they don't dare go to the police.

Nagisa reiterates that they need to change her heart, and Shouki agrees- this isn't just a personal issue, Shimotsuna has gone far beyond that and they can't ignore her. Aran admits she's still surprised someone like them (the Phantom Thieves), who think like that, could really exist outside of manga... but she'll be cheering for them, and she hopes they can change Shimotsuna's heart soon!

Nagisa thanks her/promises to return this favor, but Aran brushes this off; as long as it can help them change Shimotsuna's heart, and they tell her stories about everyone showing off their skills, she'll be satisfied. She wishes them luck, and everyone does a fist pump/otherwise reacts with determination.

Outside Shibuya station, Motoha says she still wants to think Aran's their ally, and Riko admits she thinks she's a good person, as well. However, since there are still some mysteries around her, she can't quite trust Aran unconditionally yet. Nagisa decides they can worry about that after they deal with Shimotsuna's Palace, and Shouki agrees, adding that he's already contacted everyone he recognized, so he's good to head back in as well. He apologizes again for making them all wait, but he's ready to go now, leader!

They return to the Palace, and explore further, learning yet more about its mechanics and puzzles, including learning about the printing rooms they saw on the map before.

Eventually, they reach a shadow guarding a door who mentions they'll need "concert tickets" in order to move forward. When Soy asks what that means, it realizes they really are invaders, and attacks, though after they defeat it, they find it didn't have a ticket on it. They decide to keep an eye out for how to get a ticket as they continue exploring.

Further in, they find a sad worker ant muttering about tickets, but when Closer asks, it gets mad at her, as one of the guard ants stole its ticket. Luce awkwardly sympathizes with it, then asks where the guard ant went, and the worker ant reveals the guard ant actually left its ticket unattended in a nearby room. Soy asks why the worker ant doesn't just steal the ticket back, and the worker ant sadly replies that even if he did take it back, the guard ant would know it was him, and attack him. Cattle says it's a shame for the worker ant, but it's an opportunity for them, so they should go look for that ticket.

Once they find the ticket, they're able to enter a big door at the end of the hallway, which they can see on the map leads to the concert area.

You can watch the rest of this update roughly fan-translated to English here, or continue reading below.

Within, Closer exclaims that this area feels completely different, and Wind asks if the huge structure in front of them is some kind of prison. As they get closer, Wonder seems to notice something off screen and stops, and Luce only barely asks what's wrong before he sees it, too- something that looks like Daichi Ousaka is sitting on a couch within the cage. He sees them, as well, and approaches, though he doesn't go so far as to exit the cage.

Luce asks what Ousaka's doing here, and the text box- labeling this Daichi Ousaka as a cognition- asks who they are, then... isn't that Shouki? Past here is Shimotsuna's private area, and not even Shouki is allowed to intrude there. Soy crosses his arms, and wonders if "Shimotsuna's private area" means her room. Closer excitedly replies that she's not sure, but that could be where the Treasure is! Wonder tells Cognitive Ousaka either "Let us pass" or "We have business with Shimotsuna", but Cognitive Ousaka responds that that's no good; he's in charge of security here. He's her primary secretary now, and getting to take on that important role is such an honor. Luce asks why he sounds so happy, and Cognitive Ousaka responds that serving Shimotsuna is the only reason for his existence. Before Luce can really react, Cattle advises him to calm down- this isn't the real Ousaka, just Shimotsuna's cognition of him. Luce, seeming troubled in a different way now, says he gets it. They might not be able to get anything out of a fake, but... he faces Cognitive Ousaka, and asks him whether Shimotsuna is holding something over him. Cognitive Ousaka asks what he means, and Luce explains that he's referring to the incident where the IDL Factory president assaulted someone. He transferred to Shimotsuna's agency to protect the president, right? Cognitive Ousaka, not sounding like he cares much, replies he understands now, he's talking about that. According to the cognition, Shimotsuna did tell him she was debating whether or not to publish the article about the president; after all, he did give Horaguchi a good beating. Luce asks why that happened, and Cognitive Ousaka explains that Horaguchi gave IDL Factory's new idol sleeping pills, then laid his hands on her. Despite not being the real Ousaka, even the cognition looks and sounds angry as he explains that the new idol had barely debuted, and she was just an innocent girl who moved from the countryside to the big city to pursue her dreams. Horaguchi came in with a big smile on his face to apologize, so the agency president beat him up. Closer exclaims that using violence is wrong, but it was completely Horaguchi's fault here, and Wind asks why the story of that female idol being assaulted wasn't exposed instead, but Cognitive Ousaka replies that it was all covered up. Horaguchi's agency is powerful, and even if he's terrible, he's still their star idol. So, of course they'll do everything in their power to cover him, even at the cost of others.

Soy grumbles that just hearing about this is pissing him off, while Cognitive Daichi continues that of course, to this end, Horaguchi's agency joined forces with the entertainment industry's invincible Shimotsuna. She recorded Horaguchi lying about what happened, crying and claiming that IDL Factory's president just kept hitting him, and it was terrifying. It was all a complete lie... but then Shimotsuna disregarded past issues, and extended a helping hand to Ousaka. She told him if that article got out, IDL Factory's president would have to leave the industry, the agency itself would go bankrupt, and Ousaka's group would be forced to disband... but as long as he switched to her agency, and did as he was told, she wouldn't release the article. Luce shakes his head, muttering "Daichi-san...", while Cattle says he understands; Ousaka gave in for the sake of the agency president, the agency itself, and his idol group. Soy shouts that that's not a "helping hand" at all, that's just Shimotsuna threatening him! Wind reminds him this is just Shimotsuna's cognition of Ousaka, so he's only going to say good things about her. As if to prove her point, Cognitive Ousaka says he's lost his friends, and his fans all see him as a traitor, but- he extends his arms outward to either side, reverently looking up- Shimotsuna is different! She's the only one who extended a helping hand to him! She loved him when no one else did, and gave him a place to belong! Nagisa shouts that's not true/he's just being used, and Luce agrees- this was just Shimotsuna's plan from the beginning- but Cognitive Ousaka responds that Shouki understands, doesn't he? The entertainment industry is cruel, and it's hard to survive on your own. He walks back over to the couch he was sitting on, sits down, and continues- as long as they stay by Shimotsuna's side, they'll be fine. She'll protect them. Even if she gets physical sometimes, the physical and verbal abuse are signs of affection. They're more like rewards. Closer exclaims that Shimotsuna's perception of Ousaka's mental state is way too messed up, but Cognitive Ousaka just tells Shouki to join him. Don't be stubborn, just listen to Shimotsuna. Luce shouts back at him not to say such pitiful things; he'll never forgive Shimotsuna, and he'll definitely save the real Ousaka! Cognitive Ousaka replies that he doesn't like the sound of that... he's not planning on rebelling against Shimotsuna, is he? Luce declares that he's going to defeat Shimotsuna's Shadow, steal her Treasure, and force her heart to change. He- no, all the Phantom Thieves- will definitely put an end to her atrocities!

Cognitive Ousaka says that if that's true, then there's no way around it. He doesn't want to fight, but if Shouki wants to hurt Shimotsuna... Cognitive Ousaka stands up again, and a burst of black and red energy briefly swirls around him. The Phantom Thieves ready their weapons and take battle stances. Cognitive Ousaka calls for security, and two ant guard shadows appear as he approaches the edge of the cage again. The black and red energy seems to consume him, and Cognitive Daichi transforms (like a shadow would) into an ant monster.

Closer asks what happened to Cognitive Ousaka's appearance, and Cattle speculates this is also the influence of Shimotsuna's cognition- a twisted thought like "My primary secretary will protect me with his life" must have given him this power. Soy grumbles that he can't believe Shimotsuna... but it looks like there's no other choice but to fight. Luce calls out to "Daichi-san", and Cognitive Ousaka says in a low voice that he'll defeat Shouki and force him to submit to Shimotsuna. Wonder replies either "We won't let you succeed" or "Take it all back, Luce!", and Luce thanks him, then announces, "Segui il tuo cuore!" (Follow your heart!), and asks everyone to lend him their strength. The fight begins, with Cognitive Daichi insisting Shouki shouldn't resist- he knows he wants to be Shimotsuna's dog, too! The fight then revolves around a mechanic where Cognitive Daichi flips between two modes- an aggressive, attack-focused one, and a regretful, defenseless one (though he can heal himself if left in this state for too long). Once Cognitive Daichi is defeated, he says, "Is this the end...? Forgive me, Shimotsuna-sama...", then warns Luce that he'll regret this. He could have been Shimotsuna's favorite. He reverts back to human form, and the Phantom Thieves approach. Luce tells him that he'll never side with Shimotsuna, and the cognition replies that if he doesn't, he might not get to continue acting. Luce insists that even then, he won't. The cognition asks why he'd go that far- he could have an easy life if he just accepted Shimotsuna's love. Wind says that's because it's not really love, is it? Luce agrees- it's just using threats to manipulate people. Trying to accept this won't bring him peace- he knows that, right? Hearing this, Cognitive Ousaka seems to lose the last of the fight in him.

Luce continues that what he's about to say isn't really directed at Cognitive Ousaka, it's directed at his creator. Addressing Shimotsuna, he says that they, the Phantom Thieves, will steal those distorted desires of hers that make her think she can manipulate others as she pleases! Cognitive Ousaka shakes his head, and mutters that even if he regrets it, it's none of his business, then disappears (notably, with a white lighting effect more like that of a personal Shadow returning to its real self, rather than the more black/red, dissolving-like animation associated with regular shadows being defeated). Luce assures him he will not regret it. The far wall of the cage then falls back, like a castle's drawbridge lowering, and catches on a ledge protruding from the room's wall. The Phantom Thieves head up, and find another door, only to discover it's locked. Wind says there's no keyhole, and she's unsure how to unlock it. Cattle frowns, and theorizes there may be some special condition required to unlock it, since it leads to Shimotsuna's private area. On that note, though, it's better they call it a day here, anyway, as they just went through a tough battle. Closer agrees; plus, Luce's body and mind must be tired now, right? Wind adds that security is likely to be even tighter in Shimotsuna's private area, so that's yet another reason they should return here when they're in top form. Wonder agrees (reluctantly or otherwise), and Luce admits that while he's anxious to keep going, he recognizes that rushing ahead and running into trouble could be dangerous. He agrees with their leader's call. Cattle declares they'll return to the real world for today, then. We then see the Thieves outside the entrance to Shimotsuna's Palace, in Mementos. Luce mutters, "Daichi-san...", and Soy asks if he's okay. Luce admits that, even knowing he was fake, it was still hard to see someone that looked like Ousaka saying those things. To protect his agency and his friends, he was willing to be branded a traitor, and submit to Shimotsuna... Wind points out that it's likely the agency and its president still don't know the reason Ousaka left, either, and Luce thinks she's right; though the cognition didn't say it quite like this, it certainly sounds like Ousaka wanted to sacrifice himself for the sake of everyone else. And even back when they first met, Luce could tell Ousaka cherished the agency president, as well as his juniors.

Soy shakes his head- he's a tough guy, and putting up with Shimotsuna's torment for two years is pretty amazing. Luce, determined, says that's exactly why he wants to save him; it's unfair that good people don't get rewarded in this world. Wonder replies that they'll change Shimotsuna's heart/expose Shimotsuna's crimes, and Luce agrees that once they're done with Shimotsuna, Ousaka should be able to start over. Closer adds that it's gotta be painful for all the other idols that were forced to give up their dreams, so they'll have to steal back all those dreams, too! Cattle says that, in order to do that, they all have to be in top physical condition, so they should head home and get to sleep early. He switches into car form, and Closer thanks him, then admits that seeing Cattle do that always gives her that "it's finally time to go home!" feeling. She starts feeling sleepy as soon as they get in (she yawns as she says this). Cattle snaps at her not to foolishly let her guard down while they're still in Mementos- until they're actually back in the real world, they're still actively exploring! "Yes, Mr. Cattle!" is Closer's response, and Soy grumbles, "What is this, a field trip?" Luce then cheerily calls out that he has a question: does Mahgherita pizza count as a snack? Soy, incredulous, tells him not to join her, too! Besides, pizza definitely isn't a snack! Wind shakes her head, looking exasperated. As they get into the Cattle car, though, Wonder stops, and thinks to himself that it feels like someone is watching them. But as he looks around, he doesn't see anyone, so he brushes it off as maybe just his imagination. Soy calls for Wonder to hurry up and get in the car, or they'll leave him here, and Wonder sheepishly walks over to join him.

However, as they leave, a figure that looks like Aran silently watches them drive away.

P5X Fourth Arc Summary

(last updated 5/9/25!)

Only the beginning of this arc has been added to the game as of the making of this post, and only about half of that fit into this post itself. I'll reblog to add the latter half, and continue to reblog and add onto this as more content is added in later updates.

Usual disclaimer: Please keep in mind this game still has no official English translation, so this summary uses a mix of what happens visually, what I understand of the Japanese dialogue, and Google translate for the Chinese text, in order to get the broader picture here. This will be focused on summing up everything that happens overall, without getting into a line-by-line translation.

Contrary to this blog’s name, this post is going to have as little speculation as possible, and stick to confirmed facts.

This post (and its reblogs) will cover the Shimotsuna Arc.

Picking up the next day after where Chapter 3 left off, Wonder arrives at school and sees his classmates gossiping, but continues on to his seat. However, Motoha jumps up from her own seat and stops him, greeting him and immediately asking if he's seen the morning news. When Wonder replies that he hasn't, she hands him her phone, and fills him in that Kei Akashi was murdered. The suspect was immediately arrested, but investigation into his relationship with Akashi is still ongoing.

Just then, Motoha and Wonder's phones both ping with a message, and Motoha takes her phone back as Wonder checks his own. It's the Phantom Thieves group chat- Riko asking if they've seen the news about Akashi. Motoha says she was just telling Wonder about it, while Shun reports that his entire classroom is talking about it. Riko's class is the same, although due to Akashi targeting her, they've been pestering her about it, too. Shun cuts to the point- should they meet on the roof during lunch? The others agree, and Chapter 4 officially begins.

At lunch, Shun brings up that people online are saying the murderer was also a phantom, called the Shibuya Scissor Man. He'd wander around the station, muttering to himself, waving a pair of scissors around, and making strange noises. Riko adds that there are two opinions on the internet right now: 1) That the phantom had no connection to Akashi, and was just killing indiscriminately, or 2) That the phantom was someone who had a grudge against Akashi.

Ruferu wonders if this is a popular topic because someone died, muttering that although it's just human nature, it's a bit more complicated for them, since they just changed his heart. Everyone's quiet for a moment, and then Motoha brings up that Akashi was stabbed in front of a police station, wondering if he was going to turn himself in, especially after he talked about atonement in his Magatsushin video. Starting to tear up, she says he suddenly died at a time like that.

Riko considers this, then asks if they think that's too much of a coincidence. The murderer just so happened to be near the police station, and Akashi just so happened to pass by him at the right time to get murdered. Ruferu asks what she's getting at, and Riko suggests perhaps he was silenced before he could turn himself in. The others react with shock, and Wonder asks if she means the mastermind could have done this, which Riko confirms as her theory- the same "that person" that both Miyazawa and Akashi mentioned, and the very person that told Akashi to infiltrate Kokatsu to learn the identities of the Phantom Thieves in the first place. Considering what Shadow Akashi said about "that person" before going berserk, they may have given up on him after seeing his Magatsushin video, which showed his heart had been changed.

Ruferu finds this plausible, while Motoha is horrified. Shun asks if that means the phantom that killed Akashi was also working for the mastermind... but even then, what kind of murderer for hire would kill someone right outside a police station? Riko admits that's a good point, but it could reflect just how powerful the mastermind's influence is. Motoha, alarmed, asks if this means that, if the mastermind finds out their identities, then they'll also be...? Ruferu merely replies that the mastermind is truly a formidable enemy- they'll have to be even more careful in the future.

Shun points out that, with such dangerous people out there, though, that means there's even more need for the Phantom Thieves to take action. So they should just keep taking out Palaces, and force the mastermind out of hiding! Motoha agrees- it shouldn't be the Phantom Thieves living in fear of the bad guys, it should be the other way around! Ruferu says they shouldn't stop what they're doing, they just need to be extra cautious about it. With that, they've already stolen four of the Treasures, so they should locate the next Palace as quickly as possible.

Riko, however, makes an awkward noise at this, drawing the others' attention. She really apologizes, but she may not be able to join them after school for the next few days, as the school festival is coming up soon, and it's pretty busy this year. Shun asks if it's that bad for the Disciplinary Committee, and Riko confirms that both in preparation, and on the day of the festival, there's a lot more to do than usual. But Riko, herself, has more to worry about than just that...

She flashes back to a panicking Executive Committee member running up to her, and explaining that Kokatsu is apparently supposed to be performing a play with another school, called Kiga High, for the festival. Riko exclaims that they don't even have a drama club at Kokatsu, but the student replies that she found out Yamanashi and Akashi set this up on their own accord, due to Kiga supposedly having students like a professional stage actor and a professional manga author, in the hopes of drawing more attention to Kokatsu's festival. Riko's not sure whether to call that superficial, or short-sighted... and she only found out now that Yamanashi and Akashi are gone? The student confirms, anxious about what to do, as Kiga's drama club seems really interested in this.

Returning to the present, Motoha worries that Riko replied with something like "I'll see what I can do". Riko slumps forward, her head in her hands, and says that's exactly what she said- she felt bad for the girl, and knows the Executive Committee members are busier than anyone right now. Plus, once she heard Akashi and Yamanashi were the reason for this, she couldn't ignore it. Wonder can worry that Riko's pushing herself again, but Riko replies that she's fine, especially since Akashi's changes here at Kokatsu have been reverted, and Katayama's back, so she can help Riko, and get the other teachers to help out, too.

Motoha grumbles that it sounds like Riko can handle it, but Yamanashi really left a mess behind when he left... Ruferu clarifies that Yamanashi surrendered himself to the police, and has been suspended from work, which Riko confirms, adding that it's unclear when he'll return to work, but it seems more likely he'll just be fired outright.

She checked his original plan for the play, and apparently he was going to make the Disciplinary Committee be the main actors on Kokatsu's part, along with students from other committees as well. Shun isn't impressed that he was going to force people to be actors, and Motoha points out that he was obviously just going to dump everything on Riko. Shun then asks if Riko's going to have her fellow Disciplinary Committee members act, like the original plan, but Riko says that's not possible, with how busy everyone already is for the festival. Motoha asks what she's going to do instead then, and Wonder can suggest an idea (apologizing and canceling, recruiting other people, or "You aren't making us act, are you...?").

Presumably regardless, Riko says she's planning to try recruiting other students instead. She admits she considered apologizing and canceling the co-production, but even though Yamanashi and Akashi organized this without anyone else's input, Kiga High might take it badly. Motoha agrees, they'd probably be mad that Kokatsu pushed for this and then cancelled. So, Riko wants to give it a try rather than giving up outright. Ruferu is impressed by her desires, and believes other students will find them infectious. Riko thanks him, but is worried she won't actually manage to recruit anyone.

Motoha jumps in, offering to ask her classmates about it, and suggesting Riko make some flyers. Shun matches her energy, though rather than ideas, he offers help if she needs it with anything, and admits he doesn't know anything about acting. Wonder expresses a similar sentiment. Riko is appreciative, but as lunch is about to end, they'll have to head back to class for now.

The next day, Motoha energetically approaches Wonder with a stack of flyers, explaining she's helping Riko's recruitment efforts. Ruferu is surprised she already has them ready, and Motoha replies that she can't just ignore a friend in trouble, then incorrectly quotes a saying as "good things come late", which Ruferu flatly corrects as "good things come to those who wait." Motoha brushes this off, and asks Wonder to come hand out flyers with her.

The day after that, however, Riko, sounding defeated, announces she absolutely could not recruit anyone. Motoha, also down, says no one would even stop to listen to her when she and Wonder handed out flyers after school. Shun adds that he tried asking everyone in his class, but they all said either they're too busy with club activities, or don't want to bother with the festival at all. Motoha is surprised that some people don't even want to go, and Shun explains that they were saying they just want to go home and sleep, if they don't have to go to class. This further shocks Motoha, who says she's already looking forward to all the delicious food she'll eat at the festival.

Ruferu summarizes this as all these students having lost their desires, to the others' surprise. Riko admits that the school festival does seem less popular this year, so maybe that's why they can't recruit anyone. Motoha adds that some people said they're too embarrassed to go on stage, though they said they'd at least watch the performance if "Shouki Ikenami" is in it. Wonder asks who that is, and Motoha explains he's a professional actor who's also a third-year at Kiga High.

Shun hasn't heard of him either, but Riko looks him up, noting that he hasn't been on TV much, mostly just stage plays, and is popular among middle and high school students. As Riko shows Shun her phone, Motoha says he's really popular in her class, and his rehearsal videos and other behind-the-scenes stuff especially so. Shun asks why his fans don't just sign up and perform with him, but Motoha explains that they think it's fine just to watch, and they shouldn't stand on the same stage as him. This is unbelievable to Shun, who says he'd be happy to cook ramen in the same kitchen as Toraiken's owner, but Motoha just mutters that ramen and acting are different, and it turns out Shun considers himself a fan of Yamagoshi's.

Riko shakes her head, and sighs that the day that Kiga High's coming to meet them is quickly approaching. She turns to Motoha, and hesitantly asks her if she'd be willing to act in the play, if they aren't able to find anyone else. Motoha is surprised Riko would want her to act, and Wonder can express support (or not), while Ruferu agrees that Motoha's acting was even good enough to fool Akashi.

Motoha nervously replies that stage acting is different, but Riko claps her hands together, and pretty desperately pleads with her, so Motoha can't bring herself to say no. She agrees, but only if they absolutely cannot recruit anyone else. Riko, relieved, thanks her, and Motoha reacts sheepishly, but then claps her own hands together and prays they'll manage to find someone to recruit.

The next day, Wonder overhears two girls excitedly gossiping about how Ikenami-kun's apparently at their school, before running off to try to go find him. Wonder reacts with confusion, but is immediately distracted by Motoha walking up and saying they have to head to the meeting room now. This confuses Wonder as well, so Motoha reminds him they're meeting Kiga High's drama club today. Riko asked them to come back her up, even though they're not directly involved.

Motoha and Wonder then leave the classroom, and meet up with Riko and Shun outside the meeting room. Riko thanks them for coming, and Motoha asks how recruiting turned out. Unfortunately, Riko still wasn't able to find anyone, so it seems she and Motoha will have to act in the play. Motoha makes a nervous noise, while Shun asks if that means it's only going to be Riko and Motoha contributing to the play on Kokatsu's end of things. Riko confirms, and admits Kiga's probably going to get a bad impression of them either way because of this, so all she can do now is explain, apologize, and give it her best effort if they still want to go through with the co-production.

After the four of them enter the room, Riko then invites the four Kiga students in, notably including the pink-haired girl that we've seen eavesdropping on the Phantom Thieves before. She reacts with surprise upon seeing them, evidently recognizing them. Once they've all sat down, Riko introduces herself as the one in charge of this co-production. The two NPC Kiga students in the middle are introduced as the president and vice president of Kiga's drama club. The boy to the far left introduces himself as Shouki Ikenami, and the pink-haired girl finally (hesitantly) introduces herself as Aran Hirano.

The club president then adds that, while they probably already know Shouki, Hirano is also known as the manga author ANRI. Motoha takes a second to think about this, then reacts with shock- ANRI, as in the author of Phantom Thief Family?! As Motoha is a bit starstruck, Aran seems a bit embarrassed, or just flattered. The club president is unimpressed by this, however- shouldn't they have already known?Isn't Kokatsu Academy the one who insisted Shouki and ANRI be part of the co-production? Aren't they specifically interested in this because they want to attract high school actors and manga authors to the festival? Riko takes this chance to explain the situation.

After hearing her explanation, the club presidents stands up from his chair, angrily asking if they really don't have a drama club, and only have two actors. Riko apologizes profusely. Motoha adds that they only just found out about this, since the dean who organized this was suspended. This doesn't calm the president at all, who asks if they think he's stupid. Riko apologizes again. He says they wasted time on this that they could have spent preparing for the Tokyo qualifiers, and they wouldn't even have agreed if the dean hadn't pestered them so much. Riko can only apologize again.

Shouki crosses his arms, and says it's fine. That means things just end here, right? Kokatsu doesn't actually want to put on a show, and Kiga's drama club doesn't want to perform on their stage, anyway. Neither of them want this co-production, so they can just end this discussion. The president admits that's true. Shouki adds that he wouldn't want to perform with people who aren't motivated, either.

Riko apologizes again, and the president backhandedly compliments Shouki's "professional awareness"; of course he wouldn't want to perform in a school festival. Shouki, caught off-guard, asks what he's getting at, and the president continues that they also don't want to work with people who just join a club to kill time after school, they should all be working together to win. Shouki stands up, and protests that he's always been serious about drama club activities, though the president sounds doubtful of this.

To the side, Wonder asks what they're talking about, and Riko explains there's a national competition for high school drama clubs called the "National High School Drama Competition" coming up. The president overhears this and reacts awkwardly, admitting he shouldn't have brought this up in front of a bunch of outsiders. He does agree with Shouki that he doesn't want to share a stage with them, so they should just pretend this never happened, and call it a waste of a trip here. Riko, Motoha, Wonder, and Shun react sheepishly, and Riko apologizes again.

Aran, however, calls out for them to wait. She stands up, and takes a second to formulate what she wants to say (saying this is difficult for her), then points to the Kokatsu four and declares that she wants to see them play the Phantom Thief Family, to literally everyone else's shock. The president asks why she's saying this all of a sudden, but Aran insists it isn't sudden, as soon as she walked into the room... when she first saw them, she... (she hesitates, like she's perhaps coming up with this on the spot)... she was inspired! The four of them perfectly match the image of the Phantom Thief Family! Motoha makes a surprised noise.

Aran walks around the table, and takes Riko's hands, saying she's the protagonist- no, the protagonist's younger sister! She then takes one of Motoha's hands- she's... perfectly like the protagonist! Motoha exclaims in disbelief. Aran then walks over to Wonder, puts her hands on her hips, and says he's perfect for the protagonist's brother. Wonder is confused, but she doubles down- the protagonist's brother. She then turns to Shun, and her expression becomes panicked, as she started to say "and you..." then drifts off... he'll be... the protagonist's... mother! Shun is shocked.

Aran then turns to the other Kiga kids and says she hopes they'll work with these four. The club president is unsurprisingly baffled and against it, but Aran insists they don't seem to have much acting experience, so the Kiga drama club will need to guide them. And if they refuse to do it, then she'll revoke their permission to use her work. The president is in disbelief. She adds that they were originally planning to use a short story she wrote for their entry into the Tokyo preliminaries, right? They're not allowed to anymore.

The president stutters out a protest, asking why she's doing this. Aran hesitates, then insists it's because she was hit by inspiration. The president grumbles that he can't stand geniuses and their sudden whims, then thinks this over and says, alright, Ikenami, you're in charge of them. They were originally just after him and Hirano, right? They don't care about the rest of the club. Riko starts to protest that's not true, but the president cuts her off, addressing Aran- she'll be satisfied as long as Shouki stays to teach them how to act, right? Aran agrees, as long as she can be with them- work with them, she's happy.

The president says it's decided, then, and that way the rest of them can focus on the competition. Shouki starts to argue that he wants to participate in the competition, too, but the president fires back that Shouki's role wasn't in the original script anyway, because they were worried he'd flake on them, to Shouki's surprise. The club president and vice president then take their leave, leaving Shouki and Aran behind.

Shouki sighs and shakes his head, and Riko apologizes, saying he doesn't have to stay if he doesn't want to, but Aran points out that if he leaves, then the co-production won't be possible. She wants to see their performance. Riko doesn't seem to know how to respond to this, but Shouki says he gets it; if Aran makes a fuss and revokes their right to use her work, it'll cause trouble for the whole drama club. However, if he's going to work with them, he expects them to take this seriously. Riko says of course, this is their school festival, after all. Hearing this, Shouki says that's "bene" (good), then, and starting from tomorrow he'll come to Kokatsu every day after school. Aran adds that she'll do the same, as long as she doesn't have work.

Once Shouki and Aran leave, Ruferu flies out of Wonder's bag (which was sitting on the table behind him), and Shun asks Riko if he really has to act, and in the role of the mom?! Riko replies that it seems like he's apparently perfect as the mom, though she doesn't understand why... Shun asks how that could be possible. Motoha mutters that the mom in Phantom Thief Family is a very gentle, beautiful, family-oriented character... but then it's revealed that she's actually very powerful. Wonder can ask if she has something to do with ramen, or suggest that maybe Aran saw through to Shun's kindness- if the latter is chosen, Shun seems kind of embarrassed, but pleased to hear Wonder say that, then remembers the context, and asks how she could possibly have figured that out when they've never said a word to each other before.

Riko says she hasn't read Phantom Thief Family yet, and asks Motoha if the four of them are really that similar to the protagonist and her family. Motoha thinks this over, looking troubled, and explains that the plot is about three siblings becoming phantom thieves to uncover the truth of their situation. The protagonist is a lively high school girl, her brother is smart, and her sister is cowardly, but strong. Motoha doesn't think the cowardly sister fits Riko at all, and Ruferu wonders if maybe that's just Aran's unique perspective as the author.

Riko brushes this aside, pointing out that the plan is set now, so they'll just have to work hard and try not to embarrass Shouki. She says she looks forward to working with Shun and Wonder, too, and they both react sheepishly.

The next day, Shun and Wonder find a group of girls gathered outside the gym, fawning over how they got to see Shouki today. Shun asks if they're here to help with the play, and one of the girls asks if they're going to be acting alongside Shouki. Wonder replies with an awkward confirmation, and another one of the girls thanks him emphatically for giving them the chance to see Shouki in person.

Shun says they shouldn't just watch, they should come join them, since they still need more actors, and Wonder agrees, but one of the girls forcefully replies that they have to watch from a distance, they absolutely couldn't join. Shun asks why, and she says they have to be cheering for and supporting Shouki. Another one of the girls then realizes she has to get to her own club's meeting, and they bid Shun and Wonder farewell, promising to bring Shouki gifts next time, before running off. Once they're gone, Shun mutters that having more actors would be more helpful than some gifts.

From around the side of the gym, Kiyoshi Kurotani watches (his name is already filled in on his text box, despite his previous appearance all the way back in Chapter 1 not including an introduction). He says he understands, it looks like someone might need help from the Chosen One. However, he'll just observe in secret for now. He then walks away.

Wonder and Shun meet up with the others in the gym, and after everyone greets each other, Shun mentions the girls that were gathered outside. Shouki thanks them for their support, and Shun is impressed that he can say something so formally and still look cool. Shouki adds that it seems his fans recently only know him from those videos that got popular, but he hopes they'll actually come see him on "the battlefield" sometime. Wonder asks, and he clarifies that the stage is his battlefield, even if he's just doing small theater performances. Not long ago, a magazine interviewed him and posted a video of his rehearsal online, and somehow that went viral, and now he's popular. He hoped they'd focus more on his acting performances, but of course that was too much to expect.

Aran returns (she seems to have left when the camera angle changed, as Wonder asked about "the battlefield"?) with a stack of papers- she's finished writing the play's script. After she hands a script out to each of them, Motoha exclaims in starstruck awe about how amazing it is that ANRI-sensei started writing the script yesterday, but already finished it. Aran shyly admits that she's been thinking about them so much that she finished the whole script in one night without realizing it. However, the five of them alone won't be enough actors to cover all the roles in this play. Riko agrees- besides the protagonists, there's also the antagonists.

Shouki reads through a bit of the script, then decides that he can probably play multiple roles, but they'll still need at least one or two more people. And they'll need some backstage staff to handle sound and lighting, as well. Riko suggests that she can try asking some of the Disciplinary Committee members about that, and Shouki requests that she please do. For now, though, he suggests they just start rehearsing with the actors they have.

On stage, Shouki tells them they'll just read through their lines in the script for now, and Motoha begins. The play starts with an explosion as the protagonist looks for her parents, and her mother pleading her beloved children to run away. The protagonist says it took everything from them. The younger sister says she'll fight alongside them to steal back their family's happiness. The brother says they'll have to become phantom thieves, and the protagonist calls them the Phantom Thief Family.

Shouki comments that their acting is still a bit stiff, but that's normal when starting out. Wonder asks Shouki what he does, and Shouki isn't quite sure how to answer- he just reads and focuses on the key points. He decides it would be easier to show them, and asks Riko to change the lighting to add a bit of atmosphere. Riko's caught a bit off-guard by the request, but says she thinks she can change a few of them.

Shouki then puts on a little one-man performance of the opening lines of the play that they just ran through, acting as all of the characters. Afterward, Motoha is extremely impressed, even clapping, and says it's like he split into three different people. Riko is also impressed, saying she was completely overwhelmed by his presence. Wonder reacts similarly, and initially Shun worries they won't ever be able to learn to act that well, but then recalls how he learned to make ramen, and amends that they won't know if they can do it until they try.

Shouki joins them off stage, and agrees that's correct- they just need more practice, and more familiarity with their lines. Only by deepening their understanding of their characters can they truly portray them well. It doesn't matter if they're not that great at the start, they just need to continue running through the lines. The others nod, and time skips ahead to the evening as they practice.

Seeing the sun is setting, Shouki calls it a day, and Motoha comments on how fun it was to try something new. The others nod, and Shouki smiles, saying the most important thing about performing is your own enjoyment. He asks if they want to meet again at the same time tomorrow, and Riko, surprised, asks if he's really free tomorrow. Shouki assures her he is, and that he's not going to slack off now that he's agreed to do this. He adds that, since they're all high school students, they don't need to use honorifics for himself and Aran. With that, he says goodbye to everyone, and leaves.

Riko then thanks Aran for sticking with them through their entire rehearsal, despite how busy she must be with work, but Aran explains that, since her manga is serialized monthly and posted online, she actually has plenty of time before her next deadline, and plans to work with them as much as possible in the meantime. Riko is a bit hesitant as to whether that's really okay, but admits she does feel a little more at ease with Aran present. Aran assures her that it's fine, and spending time with them helps give her more inspiration for her manga anyway.

Similar to what Shouki said earlier, she then adds that, since she's only a first-year student, they don't need to use honorifics with her, to Motoha's delight. She's a little startled to have Motoha call her "Aran" immediately afterward, but doubles down that that's fine for all of them.

Riko glances at the clock, and points out that they should get going, too. She asks Aran if she's heading to Shimokitazawa station as well, which she confirms. Motoha excitedly suggests they walk together, saying she wants to ask Aran a lot of questions about her manga work. Aran agrees with a smile.

As they head for the front gate, Shun spots Shouki being held up at by some of his fans, who Shun recognizes as some of the same ones that were waiting outside the gym earlier. One of the girls reverently thanks him for his autograph, while the other begs him for a picture. Shouki apologizes, but he's not allowed to take pictures with fans outside of working hours, as his agency's policy. The two girls keep pestering him, however.

Motoha notices it seems like he's in trouble, and decides to go say hi, but as she starts to call out, she's interrupted by another female voice calling out to "Shouki~!"

Shouki recognizes the woman as "Shimotsuna-san", and, clearly surprised, asks what she's doing here. She cutely replies that she knows a lot about him, and said she'd keep an eye on him. She then walks the rest of the way over to him, and in a much less friendly tone, points at the two girls and asks if they're fans of Shouki's, saying they should have some self-respect. Shouki's at a critical stage in his career, and can't just let them leak photos of his private life.

One of the girls mutters asking who "this lady" thinks she is, and the other suggests she might be from Shouki's agency. Shouki, looking a bit troubled, says she's not from his agency, and Shimotsuna finishes that, as the producer who brought him into stardom, she practically might as well be, right? One of the girls says she doesn't get what this lady's saying at all, and Shimotsuna turns cold again, calling her language coarse and her mind slow- the most annoying kind of fan. She whips out a pink, rhinestone-studded handheld recorder, points it at the girls, and asks them for their homeroom and names, warning them they're being recorded. The girl mutters about why she's recording this, calling it kind of scary.

Shouki reacts to this, and pushes past the two girls to stand between them and Shimotsuna, then turns to face them and apologizes, saying he really can't take a picture with them, and asking them to just go home. The girls are clearly confused, but one says if he's the one asking, they don't want to cause him any trouble, and the other wishes him luck with the play. They finally walk away, as Shouki waves.

Turning back to Shimotsuna, Shouki shakes his head, then tells her that recording random female students would cause trouble for him. He then asks more directly why she's here, and she explains that she's just here to cheer him up, after his hard work rehearsing with Kokatsu. She adds that her car is nearby, and invites him to have a meal with her- what does he want? Sushi? Yakiniku? French? Shouki somewhat awkwardly replies that he was going home, and going with her would be inconvenient.

Shimotsuna insists that he doesn't need to be polite, he needs to eat meat to replenish his energy after working so hard. She then turns to her assistant, and tells him to make a reservation for two at her usual wagyu restaurant in Ginza. The assistant leaves to do so, but Shouki stands his ground, looking annoyed and reiterating that he really needs to get home. Besides, this play is just a club activity, it's not work, so he has nothing to tell her if she wants an interview. Shimotsuna replies that's not true, he's a popular actor now. Acting in a stage play at another school is also a serious job, and they can't miss this opportunity to show off his charm.

Shouki tries to protest further, but Shimotsuna takes out her recording device again, crosses her arms, and leans in close to his face, saying he just needs to leave everything to her. He's working hard to help another school's performance, so she's going to write a recommendation article for him! She punctuates this with a laugh that sounds cute, but overall gives a slightly malicious impression.

Wonder and the others still watch from just inside the school grounds, and Aran has her sketchbook out. Motoha comments that "this person" seems even more troublesome than the fans before, and Riko adds that although it seems work-related, Shouki doesn't seem to like her very much. Wonder suggests they help him out, and Shun agrees, running over. He calls out to Shouki, and says he's "so glad" Shouki hasn't left yet. Can they talk to him for a second?

Shouki asks what they need, and while Wonder joins and can help with an excuse (or ask for an autograph), Shun claims that it's about the play- the teachers wanted to ask him something, and seemed kind of anxious about it. Shouki, looking a bit worried, agrees to come with them, then bows politely to Shimotsuna, and bids her farewell. Shun apologizes for borrowing Shouki, and then the three run off back into the school, ignoring Shimotsuna calling after Shouki.

Shimotsuna stomps her foot, and her assistant asks if he should cancel the reservation. Angrily, she asks him what his brain's for if he's not using it, and he backpedals, saying he'll cancel it immediately. She crosses her arms and fires back that he shouldn't need to ask about every single thing, he should be able to figure it out, unless he wants to be fired. He tries to apologize again, but she approaches him, and he immediately crouches down, clutching his head as if to protect it. Shimotsuna sighs frustratedly, and mutters that she's tired of looking at his face, and it's time for a new assistant.

Back inside the school, Shouki asks where the teachers are, and Shun explains that was a lie, since it seemed like Shouki was in trouble. Shouki's in disbelief for a moment, then finally catches up, letting out a surprised laugh and a "bravo", and saying Shun has a talent for acting. He slaps Shun on the shoulder, apparently hard enough that it pushes Shun forward a bit and he makes a bit of a pained noise. Motoha comments that it's like Shouki is suddenly a different person, and Shouki seems to remember where he is and reacts awkwardly, apologizing and saying he relaxed and wasn't thinking about it.

Riko comments that is seems they were right to rescue him, though initially they weren't sure whether they should, since it seemed work-related. Shouki thanks them for doing so, explaining the woman is a magazine editor who's taken an interest in him for some reason. He appreciates her writing articles promoting him, but inviting him to dinner is just... Motoha says she gets it (although in a way where it's hard to tell whether she really does, or is just saying that), while Shun adds that it seems like managing relationships in the entertainment industry is pretty difficult. Shouki agrees- plus, her magazine is extremely influential, so he really can't offend her.

He shakes his head, then reminds them of how he got popular because some videos of his rehearsal went viral, right? Shimotsuna is the one who posted those videos, then immediately featured him in her magazine. Shouki admits he doesn't want to be famous in the way he is right now, so he has mixed feelings about it, but he's gotten opportunities to work at TV stations since then, so that's good, at least. Motoha exclaims that's awesome, but Shouki looks troubled, saying he had originally planned not to take any acting jobs this year, as it's his last year of high school, and he wanted to focus on the drama club's competition entry. Since he can't refuse a job from Shimotsuna, however, he's ended up causing a lot of trouble for the drama club instead.

Motoha asks if that's what the club president was talking about, and Shouki confirms that they're all working really hard, so to them, this has just made Shouki look like a flake. He should probably just give up on the club, rather than causing them trouble, and focus on work... Motoha seems worried for him, and he apologizes for talking too much about a depressing topic. He thanks them again for saving him, and Shun says he can count on them if he ever needs help again.

Shun then asks what Aran's been drawing this whole time, and Aran explains she was just sketching, since she found everything that just happened very interesting. She shows everyone her sketches of Shouki and Shimotsuna. Motoha exclaims in amazement at how good ANRI's work is, and Aran shows another sketch of everyone rehearsing (the second image linked above), then puts her sketchbook away. Shun is also impressed, but asks what the point of sketches like that are. Aran replies that there isn't a particular reason- she just wanted to draw. Whenever she sees them all, she gets so inspired, she just has to draw.

Wonder can ask if it's helping her with ideas for her manga (or ask if she's going to put them in the manga), and Aran agrees, saying it'll probably help with her rough drafts later. Motoha blushes, very happy to help inspire ANRI. Riko then points out that the woman left, so they can all leave the school now.

The next day, they meet up for rehearsal again, but Shouki asks about making sets and props for the play. Motoha asks if they have to make those themselves, then Shun (looking worried? Or alarmed?) asks if they need to make costumes too, and Riko points out that they also need to prepare the sound system. Wonder can bring up the lighting system (or suggest they need "courage" too), and Motoha grumbles about how much there is to do. Shun asks if they can really get all this setup stuff done in time, but Shouki says they should start by taking stock of everything they need, asking Aran if she has any ideas for the sets.

Aran flips open her sketchbook, saying she thought about this a bit while writing the script, and lists out the scenes they'll need new sets for (there isn't actually dialogue specifying the scenes). Shouki nods, thinking that will help keep costs down, then adds that if it's a play for the school festival, the school should provide a curtain, which they can use to help with the sets. Riko confirms that each group can apply for up to 5 curtains, but if they need more, they'll have to settle that with the Executive Committee- but they can leave that to her. Shouki is impressed by her reliability, then thinks through what else they'll need.

With that figured out, he says he has a plan, which they can fine-tune as they're working. He suggests they go to Shibuya today to start buying what they'll need, and Shun laughs, commenting that it seems like Shouki's in a good mood today. Shouki's caught a bit off guard by this, but Shun says that's a good thing, since it means he's enjoying this. The group then heads to Shibuya.

As they walk down Central Street, however, Shimotsuna calls out to Shouki, cooing about what a coincidence it is to run into him here. They all react with surprise as she walks over, and asks who the students with him wearing Kokatsu uniforms are. Shouki explains they're working with him on the play, and they're here buying props. Shimotsuna says that's good- pictures of him doing such normal, youthful activities will definitely go viral! She pulls out her phone, but Shouki raises a hand up to block the camera, saying she can't take pictures of the rest of them, they're just regular students. Shimotsuna laughs that it's fine, she'll censor their faces, but Riko requests that she does not take pictures of Kokatsu's students, nor Shouki, who's currently in the middle of club activity for Kokatsu.

Shimotsuna's tone turns cold again, calling her self-righteous and asking who'd even want pictures of the rest of them. They're eyesores, just standing there, not looking photogenic or even good in general, they're nothing at all. This angers Motoha, but Shimotsuna just continues, warning them not to get close to Shouki. If Shouki was photographed standing next to some female nobodies, it could impact his future. They have a responsibility here. This confuses Riko, and Shimotsuna smugly pulls out her recording device, and explains that means they're not allowed to get close to Shouki. These days, ordinary people can be harassed online; they don't want to get targeted, do they? Motoha asks if she just pulled out a voice recorder, and guesses that means if they don't listen to her, they'll get harassed.

Shun says that's enough, and he and Wonder move to the front of the group, standing between Shimotsuna and the others. Shimotsuna reacts with surprise, then looks Shun up and down, and strokes his cheek/jawline as if appraising it, to his alarm. She mutters that he's a bit rough, but has a good figure and muscles- with some work, wouldn't he be something? Shun, freaked out, stumbles several steps back, asking what she's talking about. Without reacting to him, she turns her attention towards Wonder, and leans closer, commenting that he has a cute face, and asking if he knows anything about the entertainment industry. Wonder's responses are "Don't touch me", "Uh, not interested", or "I'm kind of interested..."

Regardless of the player's choice, Shouki starts to tell her to stop, but things are interrupted by the arrival of another character, who walks over to Shimotsuna and warns her (calling her "Shimotsuna-sama") that they're regular high schoolers, and there are too many people here, so this situation is- she cuts him off flatly, surprised but then unimpressed, and asks if he was seriously just telling her what to do right now. He hesitates, saying no, he wasn't, but these are minors, and-

Shimotsuna cuts him off again, saying she finally promoted him to replace that other idiot, but does he even understand his place? She discovered him, and now he's what? Her dog, yes? He reacts to this, and she continues that she hates dogs that bite their owners. Does he understand? Looking pained, he apologizes, and she smiles; as long as he understands.

Motoha calls her out as going too far, but the man puts an arm out in front of Shimotsuna, and insists it's fine. He turns back to Shimotsuna, and apologizes very seriously for doing something he shouldn't have, as her dog. He bows to her, but then Shouki seems to recognize him with surprise. The man only looks away. Shimotsuna, sounding friendly again, asks Shouki if he's free later; there's an excellent tea house nearby, they could have tea together! Shouki starts to turn her down, then rethinks, and says he'll go with her, to Wonder, Shun, Riko, and Motoha's surprise.

Shouki walks forward, and Shun calls out to him, but Shouki just apologizes, and says they'll have to go shopping together next time. Shun tries to protest, and Wonder says Shouki doesn't have to go with her, but Shouki only apologizes again, saying it's fine. Shun reluctantly agrees, and Shimotsuna, delighted, leads him and the other man away.

Motoha wonders why Shouki suddenly changed his mind, while Shun furiously wonders how Shimotsuna can be so full of herself. Riko points out that it seemed like Shouki agreed to go with her after seeing that other man, and Ruferu pops out of Wonder's bag, saying that that man's desires have been stolen, to Wonder, Shun, Motoha, and Riko's alarm. Ruferu then corrects that it would be more accurate to say their desires are being stolen- it wasn't obvious until he started talking to Shimotsuna, but Shouki's desires are being stolen as well, most likely by Shimotsuna herself.

Motoha reacts with disbelief, but Aran standing next to them is just confused- what happened? Why are they all staring at the owl? The others panic (evidently having forgotten Aran was there), and Motoha starts to say the owl was talking because, uh- and then Shun cuts her off, hissing that Aran can't even hear his voice in the first place. Motoha exclaims awkwardly, oh, that's right, um, uh... This does nothing to help Aran's confusion.

Wonder then gets the option to tell her either the owl is hungry, or it needs to pee, and Aran is impressed that Wonder can understand its needs just through the sounds it makes, wanting to note that down for later. Riko quickly explains that Wonder needs to take care of his owl, so they should part ways for today. Shun agrees that without Shouki, they don't know what to buy, anyway. Aran says that makes sense, and she'll head to an art supply store before going home. She bows and walks away.

Once she's gone, Motoha exclaims that was close, and Wonder really saved the day there. Shun mutters that if they told her the owl can talk, she'd think they're crazy. He then starts to ask Ruferu about what he was saying about stolen desires, but Riko stops him, warning that there are too many people here, and they have to think of the mastermind. Shun realizes she's right. Riko suggests they discuss more at lunch tomorrow, on the roof, and Ruferu agrees.

The game jumps ahead to lunch the next day, where Motoha immediately asks Ruferu about what he said yesterday- are Shouki's desires really being stolen by that Shimotsuna person? Ruferu confirms; he was a bit concerned when they saw her talking to Shouki in front of the school the other day, but now he's certain. That other man's desires are also being stolen.

At Ruferu bringing this up, Riko recalls that he wasn't the same assistant they saw with Shimotsuna the other day in front of the school. Shun wonders if she changes assistants every day, and Wonder brings up her treatment of the man, leading Riko to suggest maybe they're more like "servants" instead. Motoha thinks this is horrible, and can't imagine why he doesn't just quit, but Riko recalls that she said something about "discovering" him. Maybe she caught him with something...

Shun seems frustrated, then asks if they know for sure that Shimotsuna's the next Palace ruler. Ruferu says it's extremely likely, but they'll need to go to Mementos to confirm, once they have her full name. Riko points out that Shouki said she's a magazine editor, so they should be able to find it online- sure enough, she's Takami Shimotsuna, editor-in-chief of "Weekly Bakuro". Motoha adds that it looks like Bakuro frequently exposes celebrity scandals, and Riko further adds that it's published by "Shuubunsha" with that purpose in mind. She's found pictures, so there's no mistaking that this is the correct Shimotsuna, as apparently she's pretty famous herself. She's considered a shrewd editor who's full of gossip, and her articles are very popular.

(Translation note: Shuubunsha's name seems likely to be a pun on "scandal" (醜聞 shuubun) with "company" (社 sha). That writing of "sha" is commonly used in the names of real-world publishers, among other things. However, the name in-game is actually written as 秀聞社, the meaning of which is more like "Excellent Information Company".)

However, there are also a lot of people condemning her, and the subjects of the scandals she's exposed have often sued her. Ruferu asks if the lawsuits were about false reporting, but Riko sighs and says she can't find any mentions of her ever losing one of those cases. Shuubunsha is a huge publisher, so Riko's sure they have excellent lawyers, and thus it'd be hard to win even if the articles are false.

Motoha asks if Shimotsuna's ever been submitted as a phantom, but Riko replies that while it seems she was on Magatsushin's navigation page, she was never officially confirmed, and the submission was deleted. Shun wonders if Shuubunsha got it deleted to cover it up, and Riko chuckles and says that's more or less what everyone in the comments thinks, too, though some instead are theorizing that Magatsukami would never give in to the media, so the submitter must've deleted it themselves out of fear. Ruferu mutters that regardless, it seems Shimotsuna is a controversial figure.

Motoha then calls out to the others, saying she found an article written by Shimotsuna about Akashi, and shows them a page titled "The Truth Behind the Confirmed Phantom A's Death!" on her phone, with a screenshot from Akashi's Magatsushin video but a censor bar over his eyes. They all take a moment to read it, then Riko comments that it's an uncomfortable read, as while it starts out as a summary of true events... Motoha finishes, it devolves into stuff like "After being abandoned by his fiancée, A went crazy and lost himself" and "A's top ten scam methods". Motoha sounds troubled as she points out that the article was deliberately written to catch attention, but Akashi was also a murder victim.

Riko adds that Shimotsuna also conducted a follow-up investigation on some of Akashi's past victims, but titled the articles as things like "The Tragic Ending of the Sexually-Harassing Minister", which is also very disrespectful. She then makes a surprised noise, and asks everyone to look at something on her phone. Shun reads aloud, "The Fate of the Former Tyrannical Teacher of K Academy", which he and Wonder both recognize refers to Katayama, Shun looking furious.

They evidently immediately go find Katayama and show her the article, but she just laughs at seeing an article like this. Shun insists this is no laughing matter, but she reads aloud, "K used to be a delinquent, a former biker gang leader, and now she's a violent teacher that no one in the school dares mess with. Although A's confession saved K from punishment, her students still live in fear." Shun says that's nonsense, and they need to report this, but Katayama shakes her head, pointing out that it's not all nonsense (she was a delinquent, she was suspended, and she wasn't allowed to have contact with her students), and there may still be students that fear her.

Motoha tries to protest, but Katayama reminds her that the article mixes true facts with subjective claims that are difficult to disprove. That makes it difficult to overturn the report. Motoha says the article also claims K beat up a student, and the student became depressed, but that's a total lie. Katayama once again points out that there was the incident where she confiscated a lighter, however, which some people could consider violence. So it's difficult to prove that claim is entirely made up.

Shun says the way the article is written will make everyone misunderstand, though, and Wonder adds that they're on Katayama's side, but Katayama smiles and says they're very kind, but she's fine, since knows she has students like them that understand. She adds that she was also a phantom, and there are some aspects of that that aren't mentioned in the article at all. But no matter how much mudslinging she's subjected to, she can bear it. To her, that's part of atoning. However, the articles about Akashi and his other victims are definitely excessive and exploitative. They don't reveal the truth, they just do a disservice to everyone involved.

The four return to the roof, where Shun declares that even if Katayama doesn't mind it, Shun won't forgive Shimotsuna for this. Calling her a biker gang leader that controls students with fear is way too much! Motoha, downcast, points out that Katayama did have a point that some students might still be scared of her, though. Shun says he's only scared of her when he's late, or sleeping in class. Wonder asks about that, and Shun hastily explains that he only did that in his first year of high school, he doesn't dare to do it now. Motoha laughs and says he really is scared of her.

Riko considers, and comments that while they do contain some true facts, the truth only makes up about 30% of these articles, at most. So if the other articles that Shimotsuna's written, about other scandals, are the same, then they're likely just as exaggerated. Motoha asks what those people who were "exposed" are supposed to do with the rest of their lives, then, and Shun points out that's why they sued her, but then remembers that Shimotsuna's never lost a case.

He thinks about it, then asks how such a shady magazine managed to avoid getting closed down right from the start. Riko reminds him what Katayama said- the articles contain both true facts, and subjective "evidence" that's hard to disprove. Therefore, it can't be completely dismissed as libel, even in court. Ruferu points out that pursuing a case in court also costs people time and money, and can be a huge burden. If they're not sure they can win, it can be difficult to keep fighting. Riko adds that, after a lengthy legal process, the public also forgets about the incident, so unless it's a particularly major case, losing wouldn't really damage the magazine's reputation. Ruferu further adds that if the article increases magazine sales, the company could still ultimately make a profit, anyway.

Motoha finds this despicable, and Shun grumbles that as long as it makes a profit, they don't care if they ruin people's lives. Riko says the average magazine won't go to this length, but the public does like reading things like this. That's why Bakuro is so popular, and with Shimotsuna as its editor-in-chief, that proves her approach is "successful" from a business angle. Everyone is troubled by this train of thought.

Ruferu points out that if all this is true, then Shimotsuna could easily take advantage of it to ruin someone's life intentionally. Riko rephrases- rather than writing an article strictly for profit and as her job, she could deliberately write an article targeting someone innocent because she knows it'll work. Ruferu continues, she could turn the smallest mistake into something that destroys anyone she doesn't like, or that gets in her way. The others react with shock. Riko understands, though; the targeted person would only be able to watch, unable to do anything about it, and it would send a message to everyone else not to cross her.

Wonder says they need to make her have a change of heart right away, and Shun adds that this must be how she stole the desires of both Shouki and the man working as her assistant. Ruferu agrees. He'd hoped they could take a break until the school festival is over, but they can't ignore this. They resolve to head to Mementos after school.

Outside Shibuya station, Riko messages a group chat with Shouki and Aran, asking if they can cancel today's rehearsal. Motoha backs her up, claiming there's a test tomorrow and she's doomed if she doesn't study. Shouki gets it, wishing them good luck studying, and Aran says they can rehearse tomorrow. With that, they head in.

Reaching the door at the end of the current deepest path in Mementos, Cattle approaches it and touches it, and the door immediately opens. From there, they head into the new area.

Cattle then immediately listens for the voices of the heart, focusing on Takami Shimotsuna. As he does so, Wind comments that she sees how he locates Palaces now, and Closer remembers this is Wind's first time seeing this. Soy explains that, as long as Cattle has the person's real name, he can find their Palace. Wind becomes thoughtful, and when Wonder asks her why, she says that a lot of people use pseudonyms and internet usernames nowadays... could that potentially prevent them from ever finding a person's Palace...? Closer realizes that's a good point, like how Aran uses "ANRI" as her pen name.

Cattle abruptly declares he's located Shimotsuna's Palace, which is indeed in this area of Mementos, and adds that it doesn't have that sense of disharmony that Katayama and Akashi's Composite Palace did, either. Closer cheers that it was easy to find this time, but Soy points out that this means a lot of people have had their desires stolen like Shouki. Wonder says they'll steal them back, and Wind agrees.

Their first impression of the Palace is a dark forest, which Closer comments is kind of scary, like where you'd find witches. Soy is unimpressed- the great witch Shimotsuna? Don't make him laugh. Cattle says the Treasure is still far away, so for now they'll have to go through this forest.

When they reach a clearing, Wind points out a strange structure in the distance, commenting that maybe calling it a witch's forest wasn't too far off. Closer exclaims about what that could be, and Wonder and Wind suggest it might be some kind of tower, with how tall it is. Cattle still isn't quite sure what that might mean for her Palace's theme, but he senses the Treasure is in there, towards the top. Wind warns them that that likely means Shimotsuna's Shadow will be there, too, so they should be careful.

Up close, they can see the intricate, crystalline decor of the tower, which Closer comments is really something. Soy grumbles that it's way over-the-top, and practically blinding him. Wind notes that it's definitely not a publishing house, but its appearance does fit her impression of Shimotsuna.

They approach the entrance, but find it guarded by shadows. Wind suggests they hide and eavesdrop, as it seems like they're talking to some cognitions, and they might be able to get some information.

One of the cognitions in front pleads with the guards that he needs to get this article approved today or he'll be stuck here, while another begs to be allowed to see Shimotsuna-sama. The guard, unaffected, tells them Shimotsuna-sama is very busy, and doesn't have time for the likes of them. The other adds that if they want to meet Shimotsuna-sama, they should come back once they're an ikemen (attractive guy, essentially). A cognition apologizes for not being attractive, but insists that his work can't be completed without Shimotsuna-sama. One of the female ones wonders how she can possibly become an employee that attracts Shimotsuna-sama's attention.

From their hiding spot, Soy wonders what's going on, and while Wind isn't entirely certain, she has noted that those ant-like shadows have blocked every entrance. Closer suggests they just fight their way through them, but Wind warns her that a commotion could attract Shadow Shimotsuna's attention. Cattle agrees that phantom thieves shouldn't be too conspicuous, and Wind adds that it's also good to keep a low profile until they have a better idea of how this Palace works.

Closer spots another path leading away from the tower, and Wonder decides they should investigate that for now.

The path is partially overrun by brambles, but eventually leads back around to the base of the tower, where they discover a hole in the side. Wind senses movement inside, but she's not sure if it's from shadows or cognitions. They decide to head in and take a look.

Inside, they find an underground area, supported by plant roots and occasionally crystals, full of ant person cognitions sitting around at tree stump-like tables or pacing the room. Closer says she didn't expect it to be so dim in here after how bright the entrance was, and Soy thinks this feels more like a cave. Wind notes the ant people don't seem to care about them, and Closer thinks they're working.

The camera cuts over to some of the ants, who talk about desperately finishing their work for Shimotsuna-sama, and wanting to become her favorite. Wind determines that they're probably Shimotsuna's "worker ants", based on her colleagues and subordinates at Shuubunsha. Closer doesn't think that sounds great, but Soy reminds her Shimotsuna also calls her assistant her "dog" in the real world. Cattle speculates that this would mean Shadow Shimotsuna is the "queen ant" here. As the Treasure is still far away, he suggests they take a look around here for now.

The Phantom Thieves proceed to begin their exploration, traveling through underground tunnels and learning about the puzzle mechanics of the Palace, including portraits of Shimotsuna that turn diligent workers (ie, anyone who shows subservience to her portraits) into ants, and rebels (ie, anyone who insults the portraits) back into people.

They eventually reach a dead end with several ant guard shadows, and decide to try talking to them. One laments that Shimotsuna-sama didn't even look his way after he worked so hard, while the other shakes its head and wonders if it's because they're not attractive. Wonder tries to join the conversation, but the shadows become agitated, worrying that Wonder and the others are new workers who are way more handsome than the ant guards, and Shimotsuna-sama might like them better.

Soy wonders what's going on, and Wind sheepishly explains that they might only attack Wonder and Soy, for being handsome. Closer cheerfully wishes the ikemen duo luck in fighting the shadows, and Soy asks if she's joking. Cattle takes a moment to process the word "ikemen", then whirls around and demands to know why Closer didn't include him in the handsome group. Closer awkwardly tells him that people can't even easily tell his gender. Cattle brushes this off, and prepares for a fight as the two ant guard shadows come at them.

After the fight, they search the area, but find it truly is a dead end. Soy asks if that means the front entrance really is the only way in, and Closer suggests they go back and see if the guards have left. Unfortunately, they find the shadows haven't moved an inch. Soy says they should just fight the shadows, then, but Wind thinks they should return to the real world and try to learn more about Shimotsuna first. Otherwise, even if they force their way in, they might have trouble getting any further. Cattle admits it's true that they only really know she's a crooked journalist at the moment. Wind points out that even that only came from looking her up online. Closer wonders what else they can do, and Wonder suggests they return to the real world and think it over. Cattle agrees that they've made great progress just by locating the Palace at all today.

Back in the real world, standing outside Shibuya station, Motoha wonders what else they can do to investigate Shimotsuna. She works for somewhere called Shuubunsha, right? But they don't know anyone else there. Ruferu says their only real point of connection to her is Shouki, but Shun doesn't think Shouki'd want to talk more about her. Ruferu thinks it'd be okay to ask a bit about his past, and Wonder suggests they "wait for the right time" or "invite him to the diner". If the latter is picked, Riko worries it'd be a bit weird to invite him somewhere out of the blue, and might make him wary. She thinks they should ask him sometime more casually, and Motoha suggests they try during a break in rehearsal.

Shun mutters that he doesn't want to rehearse tomorrow, he wants to focus on the Palace now, but Riko insists they keep up with the play. They don't know what the mastermind might be paying attention to, and sudden absences might look suspicious. Motoha recalls that Akashi originally came to Kokatsu specifically to look for them. Riko assures them they can still work on the Palace, too, but they have to act like normal students preparing for the school festival. Ruferu adds that things like this add to their desire for life, too. Motoha grumbles that asking her to study would probably reduce that desire for her, and Shun seconds that.

The next day, after everyone gathers, Shouki suggests they go over Act 2, which apparently starts with the protagonists' mother (played by Shun). Shun enthusiastically says he'll get to show off the results of his late-night practice yesterday, then straightens up his posture, and says in a high-pitched voice that dinner's ready (presumably the first line of Act 2).

Time skips ahead, and Motoha cheers that she didn't mess up a single line today. Shun sighs that that's expected for her, but he got stuck on some words again. Shouki assures them they're all making rapid progress, then adds with an amused noise, especially Shun and his acting as the mother. Shun is thrilled, which prompts Motoha to mutter that he actually took that seriously.

Aran scribbles in her sketchbook, then says that everyone has a distinct personality and their performances are wonderful, so she can't help but sketch a lot. Wonder shows interest, and she says it'll help a lot with her rough drafts. Aran then lets everyone know that she'll have to miss tomorrow's rehearsal, as she has an interview with a manga information magazine called "Comic Notes", which is going to have a special article about Phantom Thief Family.

Shouki mentions he heard Phantom Thief Family has reached over 5 million copies in sales, and Aran bashfully confirms, to Motoha and Shun's shock. Motoha tries to figure out how much money that is- if one copy is about 600 yen... but Aran says she doesn't usually pay much attention to the profits, she asked her parents to help handle that. She just wants to make manga. And she plans to tell Comic Notes the same thing.

Riko then asks if Comic Notes is published by Shuubunsha, and Aran confirms, a bit surprised that she knows such a niche magazine. Riko says she was investigating, to Aran's confusion, and Riko brushes it off a little too quickly. Shouki repeats "Shuubunsha...?" to himself, and Shun loudly exclaims in realization that Shuubunsha is where Shimotsuna works. Shouki reacts with a !, while Aran asks, "Shimotsuna?", and Motoha elbows Shun, calling him an idiot. Shun, panicking, extremely awkwardly tries to twist "Shimotsuna" into "tsuna sandwich" (as in, tuna)- he wants a tuna sandwich, actually. Wonder attempts to back him up with three different options that also contribute to the sandwich idea.

Aran, however, asks them not to change the subject, and Shouki, not looking pleased, asks if they've been investigating Shimotsuna. Aran is momentarily confused, then flips through her sketchbook, and recalls that Shimotsuna is the woman who was pestering Shouki. Motoha mutters that everything's out in the open now. Aran asks why they're investigating her, but Riko replies that it's not really an investigation, she's just famous on the internet, so Riko felt like she'd seen her somewhere before, and casually looked her up. Shouki admits that she is a celebrity, and Shun hastily adds that since it seems like she was annoying him, they were just a little curious about her background.

Shouki is quiet for a moment, then tells them that if they're investigating her because they're worried about him, they should forget it- it's best not to get involved with her. Motoha makes a questioning noise, and Shouki amends that she has a strong personality, so if they approach her casually, they'll regret it. He's used to it because of his work. Wonder doesn't seem convinced that he's fine, but Shouki insists. He then diverts the topic back to their rehearsal, and suggests they run through a scene with himself and Motoha.

As the two of them do so, Riko approaches Wonder where he's standing off stage, and reminds him that Aran said she's going to talk to someone at Shuubunsha tomorrow. This could be their chance to get more information, so they should try asking her if they can come along. As Shun walks over, Ruferu agrees this might be their only chance to visit Shuubunsha, but he isn't sure how they should go about asking. Shun thinks straightforward is best- just say they want to visit, would they be allowed to join? Or maybe they could say they're interested in publishers, or seeing what a manga interview is like...?

Aran approaches, and asks if they're interested in seeing her interview, to everyone (especially Shun's) alarm. She apologizes, explaining they were looking at her while whispering over here, and she got worried. Riko apologizes for distracting her from her sketching, and Aran brushes this off, asking more directly if they want to come with her to her interview tomorrow. Wonder confirms, and Aran almost over-explains that she understands how they must just want to see behind-the-scenes out of curiosity.

Riko hesitantly asks if that's okay, and wouldn't disturb her work; Aran assures her it wouldn't be any trouble. Riko still isn't convinced, worried that non-staff members joining might be an issue, but Aran promises she'll take care of that, and she just has to call the editor to get permission. Shun, impressed, says they're counting on her, and Wonder expresses a similar sentiment. Aran, a bit awkwardly, mutters that they really want to visit that badly... then says she'll call right now to ask.

Time skips ahead again, and they seem to finish one last scene, then Shouki claps his hands and says they'll stop here for today, and he'll see them tomorrow. Shun apologizes, saying something suddenly came up, and asks if they can skip rehearsal tomorrow. Shouki guesses there must be another test, and says that's fine, though he suggests Shun practice more on his own so he stops getting stuck on some words. He then says goodbye, and leaves.

Once he's gone, Aran turns to the others, and says the editor agreed... but she can only bring one person. If five unrelated people came along, it could get in the way of things. Wonder replies that's fine, to Aran's surprise, who thought they all wanted to go together. Riko covers up that of course they would all like to go, but they recognize it's asking a bit much, so it's fine if only one of them can go. Motoha wonders how they should decide who should go, and Shun points out that if it's like picking a representative for their group... they turn to look at Wonder. Wonder is sheepish, and can reply positively or negatively, but presumably either way he's roped into doing so. The others thank him, with Motoha calling him "leader" and Shun telling him to fill them in after.

Aran is fine with this, but requests that he wear casual clothes (as opposed to his school uniform) tomorrow, though she only explains this as "you'll know why when the time comes". Wonder is understandably curious, but Aran continues that she'll send him the meeting information later, then bids him farewell.

(To be continued in the next reblog!)

#game content #open beta #version 4.2.1

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