Damn, I really do love how realistic the family dynamics in blue lock are and it’s been such an unexpected surprise. Like there’s so much range
a rich kid who was spoiled by his parents but also was expected to do the most and so now has crazy perfectionist tendencies
a kid that was taken care of materially but was absolutely neglected by his parents, and now as a teen has to learn how to socialize and be close to others in a way that he probably craves but doesn’t know how
a kid with totally normal parents that support his hobbies and want the best for him without expecting the moon, probably in a very average way (get a good job, marry a nice person, etc.)
a kid of divorced parents that used their child as a way to project and navigate their relationship failures, leaving him feeling isolated and with the burden to bring peace to his family through his success
a kid with curious and destructive tendencies, who’s parents tried their best to raise him but fell in the trap of trying to adjust him to their sense of normalcy rather than to understand his instincts. also had an older brother he placed on a pedestal that tried to protect him from the burdens that were placed on them, which inevitably backfired as they were just a child too.
a kid with a single mom who raised him with so much care and acceptance, encouraging him to embrace his feelings
a kid who was raised kinda by a single dad, but grew up in a very abusive home that told he was worthless and instilled so much self hatred
But now they all just… play soccer together.
…and try to navigate that time when you’re a teen and you realize how fucked up your childhood was, while also forming your own identity outside of the world your parents built for you (kinda like what all my friends and I did when we ended up in the same college together lol)
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with the gravity falls renaissance i feel like something people don’t really discuss about its success is the fact that alex hirsch had a final say on the story. the reason gravity falls flows so well and had such a well-executed and satisfying ending is because its creator had control of when and where it ended. the reason so many modern day cartoons (and to an extent, shows in general) feel rushed or poorly executed or what have you is because their creators can’t do that. they’re canceled too soon and made to scramble to finish their stories in the remaining limited time they’re given, if they’re even given that opportunity at all. gravity falls isn’t necessarily timeless or one of a kind because of some creative magic, it is those things largely because it cannot be physically recreated due to the modern industry’s disrespect of creators and the medium as a whole
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team fortress 2 finally getting rid of the bots after 5 years
work on the team fortress 2 comic continuing after 7+ years
half life 3 development looking more likely than ever with legitimate code, file, and voicework leaks referencing a new non-VR single-player game from valve featuring a HEV suit wearing protagonist and Xen creatures and concepts
shoutout to the valve fan that found the genie lamp. you a real one
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Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽`)ノ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!
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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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a what-if i've been thinking about for forever... trucy knowing the truth before anyone could tell her
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
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Consider this: ghosts are actually exactly what the Fentons think they are.
They're snapshots of a longing so strong, unfinished business so deep it reaches out beyond life. Lingers just a bit longer. And if it happens to meet a dense cloud of ectoplasm (invisible to the naked eye, but omnipresent even in the mortal realm), it coalesces. The ectoplasm fits into the shape of it. Which, when the desire is strong enough, it's got a rough idea of its self-image. This tends to mean a more humanoid figure, though it's more often warped in some way–a self-reflection, skewed by said desire. The warping varies on the dead soul’s perception of themselves, the intensity of their desire, how much time passed after death, and how much ectoplasm was present.
In short… no matter how “normal" a ghost looks or acts, it really, truly isn't human. It's animated ectoplasm with a single goal: an obsession. Nothing else. They're more akin to plants than animals, following a single drive with no emotion. They react to stimuli, recognize threats (including other ghosts), and can even imitate human speech and mannerisms to obtain fulfillment of their obsession.
Not “evil" by any stretch, but they're entirely driven by instinct. A tree doesn't pause to consider the rocks it breaks with its roots. A cordyceps doesn't torture its host for fun, or kill with malice. It just does. It follows code in its DNA to survive and multiply–And ghosts just follow the code in its ectoplasm to fulfill its obsession. The more powerful a ghost, the better it's able to overcome obstacles preventing this–whether through brute force, or manipulation. This power is always directly proportional to the amount of ectoplasm present at the time of formation, and how much time passed since death.
What then, does this mean for Danny? Danny, who's previously come to the conclusion that he's only half-ghost, which surely explains how he retained his mind? His independent thoughts and emotions?
What does this mean for Phantom, who experienced an entire world’s worth of ectoplasm condensed as a singularity, at the exact time of his death? Whose strength only grows and begins to exceed every limit they previously thought possible?
If a ghost was as strong as him… could it mimic a human perfectly? Down to a molecular level?
Could it, in its desire to fill an obsession… trick its own fake mind into thinking it was still human? Or half-ghost?
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women be like "i can't believe women of the past were so restricted by men like that, i'd never accept it" and then wear heels
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Gaslight, Gatekeep, Girl found dead in a hidden room.
[First] Prev <–-> Next
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“Not much farther now.”
Wanted to try my hand at a mock screenshot study of Shivana! This is of the night before she reached the Temple of Sacred Ashes, before a much longer journey begins (she did not dress for the weather)
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I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
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i locked in too hard and fought tooth and nail with ibis paint to make this but by god i did it 🛌 THE FILE GOT CORRUPTED LIKE 5 TIMES. i think turbo is real and he is out to get me.
these are a collection of experiments i did to figure out how i want to draw The Freak! i certainly learned a lot. i love drawing characters in 50 different ways with no consistency its so fun moohahaha. expect more turbo art in the future (but probably less artistically chaotic as this turned out 👶 oopsays)
There's alternate versions under the cut + have a bonus doodle :-]<
good grief
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