#but like as the story progressed I just found myself…

[frannyzooey]

It has been a long time since I've been as invested in a story as I was in "Nights Like This One".

It's had me by the throat for days: the kind of obsession that has your phone falling into your face because you keep nodding off while trying to read just one paragraph more, the kind of "read with every spare minute of your day" in between zoom calls and at red stop lights, the kind of story that has you thinking about it when you're supposed to be focusing on everything else.

The pre and post outbreak plot of this story is ingenious -- it scratched an itch I never knew I had. I was so lulled into a sense of safety and calm during the first part - it was so romantic, so tender, so intimate and warm. Their relationship progression was beautiful and realistic, her self esteem progression found through his love had me wanting to weep, and there were so many parts I found myself rereading because they were so impactful: when Sarah asks if she can call her "mom", the mention of "daddy" for the first time (jfc I wanted to die with arousal), the complex feelings she had about her family and how he soothed every insecurity away with his attention and care. The descriptions of her mother's house particularly were so gorgeous and weighted with emotion.

The dates on the top of the chapters....when I saw Outbreak Day, my heart plummeted to my stomach. And when the phone call cut out on him saying "I love you", I genuinely cried.

The fact that you spent so much time and care building up the first half of this story and the slow, easy way you walked us through their love made the transition to the second half of this nothing short of masterful -- a legit fucking masterclass in writing, I'm not even joking.

The way you described Joel's self hatred was phenomenal, especially for not showing us exactly what happened during those 15 years. When he kept pushing her away, my heart was breaking -- and when he said "a summer fling", I legit cried. My pillow was w e t with tears as my own heart broke...but then you mended it better with the most amazingly beautiful paragraphs like this:

"He looked at her, and he loved her, loved her so much it burned, like something eternal, something that no amount of time, nor distance, nor the end of the world as they had known it, could kill off. He'd loved her, perhaps, since that first moment he saw her, looking hollow and bereft on the threshold of her mother's house. He loved her in every death, every birth, every reiteration of himself."

It would take me days to compile a list of every passage I loved, and even longer to tell you just how much I loved them and why. My heart is bursting at the thought of their love, so much it hurts.

I am going to be thinking about this for a very long time, and I am genuinely, truly, gobsmacked at how brilliant your writing is.

You are so fucking talented it's insane.

I could never even begin to thank you enough for sharing this with us, and consider myself the luckiest to have read it.

Thank you ❤️

(my masterlist got deleted somehow idk?)

hi, hello - my name is sara and i write depraved things about pedro pascal characters. i'm not super into writing one-shots (love reading them tho) so all my stories are in series format. my DMs are always open, i love talking fics, pedro, tlou, narcos, and anything at all regarding men old enough to be my father.

happy reading, i appreciate you all tremendously <3

To the Light [ joel miller ]

"He was such a greedy fuck, when had that happened? What was it about her that had turned him into this… desperate, frenzied, fucking insatiable man that had stooped to the point of planning his entire day around getting a glimpse of her. It wasn’t just one thing, he knew that, rather it was an amalgamation of everything about her, everything he could see, everything he knew, and the large cavern of things he didn’t know, but wanted to so badly it ate away at him, like a virus, like fucking cordyceps, surging through his body and altering his brain chemistry, his ambitions and intent, so that it was just her, his sole focus was just her."

summary: Joel finds a young woman being held hostage by a group of men while he's out on patrol one day. He brings her back to Jackson, where she's given the opportunity to have something resembling a real life, for the first time. The two of them orbit around each other, destined to crash, if both of their reservations don't get in the way.

pairing: joel miller x ofc rating: 18+ mdni word count: 96.8k (completed)

see tags and warnings on ao3

____________

Joel finds the love of his life lost in the woods.

Read on AO3

Fic playlist on Spotify

Read insatiable (a To the Light one-shot) here.

Read hearth (a To the Light one-shot) here.

Dawn [ javier peña ]

"It had been wrong, back then, his feelings for her. He'd known that and that's why he'd never let anything happen between the two of them. But he'd always been weak. That first time he'd seen her after Richie had gone off to fight a war just as brutal and useless and the one he'd been fighting out in Colombia, that first time he'd really seen her— just a glimpse as she left the market, bag hoisted up on her hip, long, wavy hair bouncing behind her, shapely legs visible in that little yellow sundress that hugged her waist just right— he'd been a fucking goner."

summary: Javier Peña returns to his hometown after leaving the DEA. He doesn't want the undeserving praise everyone is trying to push on him, he doesn't really want anything at all, beyond a quiet life on his father's ranch, such a stark contrast to the atrocities he'd witnessed over the ten years away. But there's one familiar face that he can't seem to shake no matter how hard he tries.

pairing: javier peña x ofc rating: 18+ mdni word count: 80.8k (completed) a.n. first chapter of my new Javi fic is up! each chapter will be named after a Lana Del Rey song with a corresponding lyric (idk Javi is Lana coded to me). I hope you enjoy <3

see tags and warnings on ao3

____________

Javier Peña falls for his best friend's little sister.

Read on AO3

Nights Like This One [ joel miller ]

"Joel couldn't resist the tug any longer, finally succumbing to the dull ache at the base of his spine as he turned around and locked eyes with her— bright fucking blue, twinkling animatedly when they met his. Most of the time her eyes looked hollow, devastatingly so, but he'd noticed that when they got into these bickering matches her eyes lightened, and so then how was he ever expected to stop?"

summary: Joel Miller is hired by an elderly woman to fix up her home. However, in the middle of the renovations, she dies and her daughter, Lily, moves from California to Austin to live in her mother's home. Joel continues to work on the house despite the two of them constantly butting heads. Tensions rise and the two are destined to crash whether they like it or not.

(Initially takes place pre-outbreak, story spans through outbreak day, all the way to 2023).

pairing: joel miller x ofc rating: 18+ mdni word count: 142.6k (completed) a.n. hi my friends! a few things: i did change sarah's age because i wanted to, i have creative liberty this is MY FUCKIN STORY!! lol. also i know nothing about construction, so i apologize, watch me make shit up with only google as my guide. please don't hate or be mean to my OC, she's going through some shit and the roles will be reversed later on after outbreak day, so let her be the emotionally unavailable, cold one for now. chapter length will be much shorter than most of my other fics solely because this has so many chapters. i'm writing it more in novel format than fic format, so forgive me. blame my useless, $120k creative writing degree. i hope you enjoy this. i'm having a lot of fun writing it.

see tags and warnings on ao3

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Joel Miller finds the love of his life right before the world ends.

Read on AO3

Fic playlist on Spotify

The Human Condition [ therapist!joel miller au ]

"Joel passed his palm over his mouth, his eyes drifting over to the clock on his office wall for perhaps the fifth time in the last thirty minutes. He dreaded his one o'clock appointment, but not for the reasons that he should. He dreaded it because he looked forward to it far more than was appropriate, for reasons that would surely get him fired."

summary: Violet Wood is lost, thinks perhaps she's been lost since the day she was born.

Joel Miller is a psychiatrist who has experienced a tremendous loss of his own.

Neither of them are expecting each other.

pairing: joel miller x ofc rating: 18+ mdni word count: 26.4+ (ongoing series - 5/10 chapters up) warnings: extreme trigger warnings for suicidal behavior/attempts, mental health discussion, EDs, self-harm, depression, anxiety a.n. i have been thinking about this forever, and i'm really excited to start sharing, albeit slowly. hope you all enjoy <3

see more tags and warnings on ao3

____________

The Joel Miller Therapist AU

Read on AO3

Spotify Playlist Here

Sanctuary [ javier peña ]

"She glanced over at him, her lips hinting at a smile as his pretty brown eyes locked on hers. She wanted him to tell her something now, not that she had taken him here as a greedy means of give and take, even though that’s all their relationship was. Give and take. Just sex. If she couldn’t know his last name or why he had scars all over his chest, then she wanted to know what he thought was beautiful, what he thought was ugly, what existed in both spaces for him."

summary: Takes place after the third season-- Javier moves to San Francisco to escape what he'd witnessed in Colombia over the past several years. The DEA is desperate to get him down to Mexico to help take down the Guadalajara Cartel, but Javier isn't so sure he wants to continue down that path. His decision only becomes increasingly more difficult when he meets a bartender named Emma, whose commitment issues seem to mirror his own.

pairing: javier peña x ofc rating: 18+ mdni word count: 93k (complete)

see tags and warnings on ao3

____________

Javier Peña meets his match in the form of a little bartender in San Francisco.

Read on AO3

[seokwoosmole]

Never has my opinion about a non-antagonist character changed so drastically than it has about Shigure ok there might have been some before but right now I can’t think of any.

I went from “Oh he’s just a silly lil guy” to “*sobs* silly *sobs again* DAD” to “ohhhh….silly….pervy😳lil guy” to “ohhhh….silly mysterious guy???” to “oh- oh….😬”

[deviousdiesel]

.

[allisonreader]

I have a feeling that I’m going to need the sprints to actually finish my story/neaten it up, because I certainly don’t feel like just going and working on it by myself.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on

[knife-eared-jan]

Ok, as much as I have been hyping and playing 12 hours a day since it got out (still in Act 1 though, bc I'm a slowass player and completionist), I feel like I have to say something that is getting hard to ignore at this point... and I wanna preface this by saying that I am loving a lot of aspects of the game and I adore the writing when it comes to the companions, who I am obsessed with.

And maybe this will get better yet, as I generally heard the writing picks up once the story progresses beyond picking up all companions..

But I'm starting to get quite upset at the way the writing just does NOT care about the established lore and the politics of Thedas like at all, when to me - and many others - that richness, nuance and depth of the world is what makes the games so special.

(Spoilers below)

I looked past the way the elves in Arlathan just seemed to know that their gods are evil and Solas is "kind of a dick" but was right about that. When, you know, that made him basically the Satan of their pantheon up to now.. It was after all the tutorial stage of the game and I understand that you wanna ease newcomers into the lore. I could also handwave it in-universe with Morrigan being there - she could have filled the Veiljumpers in on the discoveries of the Inquisition or even what the Well told her.

It felt a bit weird that our contacts in every other faction just accepted this huge revelation without a blink, but again it was the early stages and I also get that having a discussion about it 6 times with different faction leaders would have been incredibly tedious. So I ignored that. And yeah, at least the First Warden found it hard to swallow.

The fact that they brushed aside the gods finding elven subjects - many of whom after all still worship them - with one sentence from Solas was disappointing though. Instead they chose to ally them with the Venatori and the Antaam who are the pure evil factions with no nuance or motive to side with them besides a comic book level of hunger for power. They didn't even throw in a sentence about the gods maybe speaking to the Venatori through the Archdemons to get them on their side or how it's very ironic that the Venatori, who want to make Tevinter great again, stoop to working with the pantheon of the people they oppress because they see them as lesser and other. No political exploration of the massive lore implications at all.

It really hit me when I picked up Davrin and he commented how Elgar'nan and Ghilan'nain blighting the world would really endear us (elves) to the rest of Thedas - this was the first time anyone actually mentioned the political impact of the elven gods being real, freed, evil and blighted on modern day elves at all, when this should be HUGE. It should be ugly. It should be complex. It should be explored in as many examples as bloodmagic and the oppression of mages was in DA2. It should be a central point of Act 1. (This btw made me love Davrin so much in that moment because this was the first time in the game for me when I actually felt like talking to a Dragon Age elf and even just that one line felt like home.)

And now I just did Taash's first companion quest and it seems Qunari lore is also being ignored (except for the gender aspect of it, which I look forward to). Taash's mum was a scholar and had a baby and the only problem about that was that it could breathe fire and was special but otherwise all would have been dandy? Like she would have just been allowed to keep Taash long enough to find that out about her baby if she was living under the Qun? That directly contradicts everything we know about how the Qunari's culture around reproduction and childcare works.

Sorry to be negative and talking myself into a rage - I know it's not something people want to see rn. But like, I realise you have to brush over some lore intricacies for brevity and to make it digestible for new players. But this is a world initially inspired by Wheel of Time and ASOIAF, both of which are interesting because of the depth of ficitional cultures, lore and politics, and hence it's also what gives Dragon Age its appeal. And now they take us to the most politcally interesting areas on the world map and just get rid of all of political depth?

That's really disappointing. Imagine if Winds of Winter dropped all political themes just because there's several previous books and it's been some a lot of years.

Also, I managed to play DA2 before I ever played Origins and they could introduce me to a vast established background of lore just fine back then.

Sorry. Rant over. But I had to get that out of my system.

[classicjdog]

13 sentinels is absolutely positively batshit fucking insane

just finished the game last night and WOW is it fucking good

[chanafehs]

My Veilguard review:

Note - I will be honest in saying this is very long and very negative. If you enjoy this game please don't let me be the one to ruin that for you and skip on this post. I will be discussing spoilers. This is just my opinion so please don't crucify me for it.

I think my thoughts about this game were shaky to begin with as I had been exposed to different spoilers and information before the launch. I wasn’t actually expecting this game to be amazing but as someone whose favorite Dragon Age game is Dragon Age 2, which is arguably the weakest in the series (until now), I still went in with the impression I would have a good time regardless. I did not have that at all, in fact towards the end of Act 2 and the beginning of Act 3 all I wanted was for the game to be over. 

The problems for me really started right in the beginning with the Inquisitor character choices and their characterization. No choices for your Warden, no choices for your Hawke, and only three choices for your Inquisitor out of the dozens you made in Inquisition. The romance option just felt like a very polite way of asking if you romanced Solas or not, especially after completing the game where your non-solas romance will only get one letter for you to read, outside of that, the Inquisitor will not even mention them. Disbanding the Inquisition meant basically nothing and vowing to stop Solas felt like it had little bearing on what my Inquisitor said when she showed up. 

The time frame to make Dragon Age 2 was just over a year and somehow included more choices from Origins than Veilguard did with over ten years of production. That is the information that's been banging around in my head throughout this entire game. In Dragon Age 2, we get the consequences of our decisions with Alistair’s fate and we get extra dialogue concerning Isabela/Zevran/Leliana/Anders/Nathaniel + some sidequests. Veilguard couldn’t even give us so much of a mention of our Inquisitor’s friendships and the consequences of those friendships outside of Solas. The Inquisitors themselves are locked into one personality type as well, and regardless if you choose to stop Solas or not, they are very amicable toward him. 

During the second cut scene you get with the Inquisitor in Dock Town, they will go on to ask you about your progress and then go on about Solas. Mind you, my Inquisitor is extremely unsympathetic to Solas and I chose the option to stop him no matter what, so why is it that every time I speak to her, she keeps trying to ask me if Solas is being genuine and that he was her friend? That doesn’t sound like someone who has vowed to stop him. They will also try to draw parallels between you, Rook, and Solas. Even at the end of the game, they will still try to appeal to you to see reason with him. That is essentially all the Inquisitor is there for. Incredibly frustrating. 

Throughout the game you will get missives from the Inquisitor detailing the devastation that is being brought to southern Thedas and every letter feels like more and more of an insult. To keep it short: Southern Thedas as we know it has been essentially wiped out. I think that deserves more than a footnote in some missive most players aren’t even going to see.

So the setting we spent all three games in, that we saved countless times, had our companions and protagonists die for, gets demolished in the background where we cannot see it. Skyhold had to be taken back from demons and whoops, that's not actually something you can do anything about. Nothing the Warden, Hawke, or the Inquisitor ever did mattered at all and it renders everything from the previous games absolutely irrelevant. 

With that aside, the companions are also another issue for me. I found myself having trouble getting attached to any of them and every single time I recruited one I had the internal question “Why are you even here?” None of their companion quests really tie into the story at large, save maybe Harding and Davrin, and they are incredibly boring save for a few cool moments.

The main appeal of Dragon Age for me is the companions, it’s why Dragon Age 2 is my favorite of the series. Despite the overused environments and the rushed production I still had a great time with it because of the companions. I was actually eager to do the companion quests and learn more about them and how they all fit into the main narrative. Even characters I didn’t like, I still understood why they were important to the story. Like I can’t stand Anders but I know why he is there, he has a purpose.

Every companion is painfully amicable towards you even if you decide to be “stern” towards them. I found myself not caring what dialogue option I chose about them because it made absolutely no difference. There is nice, funny nice, and gentle parenting. That is really all you have to work with in terms of the dialogue wheel. It was more difficult to get disapproval than approval and I can probably count on my fingers every time in this game I actually got companion disapproval. There is only one companion in my playthrough that became hardened, Lucanis, and it had virtually no impact on his character other than the fact he leaves for a couple of saves and comes back to kissing your ass. 

Something I actually really liked about BG3 and the previous Dragon Age games was working for your companion approval - this meant actually learning about your companion and what made them tick. If you don't understand them well enough you get disapproval, when you actually listen to their ideas and thoughts you get approval - there is an active effort to get these things. In Veilguard this does not exist and you are essentially promised approval no matter what, meaning there is no encouragement to know who these people are if they're just going to support you regardless.

I have to agree with the Skillup review they made about this game saying that every dialogue option feels like it was made with HR in the room and I one hundred percent agree. This is not how real people talk to each other. This is how teachers talk to toddlers when they want to explain the virtues of sharing toys with their classmates.

It felt honestly insulting at times to be treated like I don’t understand the concept of bigotry, I still have no idea what they were trying to go for with this, like were they trying to appeal to a market of high school boys who hadn’t discovered what empathy was yet? There is zero trust in the player and every dialogue and decision you make in these moments feels handhold-y and preachy. Like Pixar levels of life lessons you learn.

In the moments where I had to settle arguments over coffee and companions not respecting each other's interests, I could not honestly believe this is the same universe with Loghain Mac Tir, Meredith Stannard, fuck even Corypheus. Humor has always existed in Dragon Age and I love the comedic banter between the characters but it was always humor that served as an escape from the oppressive and dark situation around you, here the dark and oppressive situations feel like an escape from the unrelenting friendliness and tone deafness of your companions. 

The companion I probably had the most issue with was Taash and the way they were handled. I’m not going to get too deep into the Bharv scene because even thinking about it makes me cringe but If someone messed up my pronouns and then immediately dropped to do pushups I am most definitely killing us both. Isabela’s explanation is extremely preachy and she proceeds to do the exact thing she says she hates about people messing up pronouns. Anyways. Moving on. 

Taash I think is a good example of how to not write a multiethnic character. I don’t expect a white person like Trick Weekes to understand the first thing that comes with being multiethnic or having strict parents that intersects with that identity but it is most definitely not whatever the hell this is. 

The only thing I can offer here is that as a multiethnic person (my father is Palestinian and my mother is mainly Irish and Seminole) is that there has never been a point in my life where I felt like I had to choose what culture I am let alone give that choice to someone else in my life I just met.

That’s not what being multiethnic is. I do not have to choose between anything - I am whole and I don't need to cut myself into halves and quarters to be accepted.

It also feels subconsciously like you are supposed to choose Rivain as the Qunari are depicted as bigoted and oppressive as they always have been in this game. Knowing all of this really tainted my experiences with them as a character and I understand a lot of other non-binary individuals love the representation they brought on that level but personally, I’m just tired of “queer representation” always coming with racist undertones. Again, this game feels like it always had white queer people in mind, not lgbt poc. 

These kinds of comments are really only made worse knowing what the Qunari take inspiration from - primarily Black and Brown SWANA Muslims. Why should Trick Weekes have any authority over a questline like that is beyond me. 

Also, this sucked. Especially because they said it to Neve too. I don’t really want my non-binary representation sprinkled with Misogyny as well, especially since we can’t really call Taash out on this comment unless you’re playing a woman (as far as I know).

Aside from Taash, I thought the writing around Harding was strange. Don’t me wrong, I love Harding, but I do not remember her being this friendly and people-pleasing in the Inquisition. If you play as a Dalish elf the first thing she says is she’s surprised that you would care about anyone else - there is absolutely no inclination of this kind of perspective in Veilguard. Additionally, despite knowing everything Solas has done and the consequences that had on her ancestors, she still tries to push you to reason with him?

All of her quests about learning about the Titans, experiencing and embracing their anger, and you still want to appeal to Solas? That was another thing I found so weird about this game, throughout the entire story you are being told again and again that Solas cannot be trusted, he is to blame for everything, and will stab you in the back and yet it seems like every companion tries to push back on you if you agree with this viewpoint? 

Also, something I didn't know at this point of the game but I do now is that Solas had killed Varric and she does know this so why is she acting like this knowing Solas had killed her friend who she spent years with?

Genuinely this whole game felt like: Devs: Solas is a villain

Rook: okay understood

Devs: actually nvm you don't understand him if you think he's a villain

The only companion quests I was actually genuinely interested in were Emmrich and his thoughts around death and becoming a lich. Lucanis' quests had the best boss fights for sure. Outside of that, it felt like “Go here with Bellara” or “Go here with Taash” and it got so grating I couldn’t wait for these quests to be over so I could progress with the main story. It felt like an annoying back-and-forth game to finish a main quest just to finish all the companion quests and then go back to the main quest. Like a list of chores to get through before you can have any fun. 

The inclusion of characters like Morrigan and Isabela in this universe was extremely hollow and they do not feel like the Morrigan and Isabela we know at all. With Morrigan there is a bit of an explanation to this with the essence of Mythal however she reiterates that it is still herself and it is only the memories of Mythal that remain inside of her.

In my canon playthroughs of Dragon Age, I romanced both Morrigan and Isabela, so I was curious to see how the developers would address their pasts with our Warden and Hawke. Unfortunately, the answer is that they don’t address it at all. Morrigan hardly mentions her past, leaving us to wonder if Kieran even exists. The game implies that the relationship between Morrigan and the Warden is insignificant; a codex entry oddly suggests, in a very slut-shamey way, that Morrigan had more lovers than there are trees in the forest. Isabela doesn't reference Hawke either, as she fondly remembers Kirkwall for found family and friendship. It seems that if you romanced Isabela or Morrigan, congratulations—your canon doesn’t exist.

I will echo the statement others have made about all the cameos feeling like mascots because that is really what they are. There is no substance to any of them, Isabela only feels like she is there to be a supportive voice for Taash, Morrigan will only really talk about Solas and Mythal-Dorian is the only one who actually gets a substantial quest related to him. I thought he was fine minus the "illegal slavery" bit because what is illegal slavery Dorian. Next up we will discuss legal murder.

Another thing that genuinely broke the immersion for me in this game is how awful the armor is. It is a Dragon Age game so I wasn't expecting Haute Couture but the design is all over the place and nothing looks right. Not to mention the extremely weird orientalist undertones that follow the Lords of Fortune everywhere. The outfit Isabela is wearing is even worse in person and I tried to give this game the benefit of the doubt by thinking we would be getting some underwater mission with her and that would be the explanation behind her bikini outfit - this did not happen.

The belly dancer-esque outfits with the coin-bedazzled turbans were pretty egregious and made me want to limit my time in Rivain as much as possible. For a game released in 2024, I am disappointed we are still dealing with the same Orientalist fantasy tropes. Even the Qunari are more naked in this game than I had ever seen previously. At least DA2 and DAI gave them pants. But hey the Antaam are all blighted and evil so who cares right.

Speaking of the Antaam, a lot of the antagonist motivations for this game genuinely did not make sense to me. The Antaam are suddenly giving up their fear of magic to pair up with...the Venatori? To fight for the elven gods? It honestly felt like they had no idea who to make fight for the Evanuris so they just pulled two of the baddies from the Inquisition and went "We can just use them and call it done". When you press for information on why this is the answer is always a mustache-twirling dialogue about power. Nothing much deeper from that than any of the villains besides Solas. All of the villains, especially Elgar'nan and Ghilan'nain, are extremely one-dimensional and have no motivations other than being evil and striving for power. At least Corypheus had cool lines.

I'm not going to get too deep into lore changes since I know a lot of things happened in the comics, books, and TV show (all of which I did not read or watch) but I honestly do think it's a bad idea to have a "soft reboot" while needing to read several books to understand everything. That's not being welcoming to new players that's homework. If you wanted a soft reboot probably don't start off with half your plot and characters coming from various comics and novels people need to catch up on.

The portrayal of the Dalish in this game is inconsistent. When we inform them that their gods are evil and planning to overthrow the world, they respond, "Okay, heard you." How can they accept this explanation so readily? In previous interactions, Solas shared that the Dalish did not listen to him and even threatened him when he revealed this truth. Yet, when we present the same information, they believe us almost immediately. Is there no pushback or skepticism? The Dalish accept everything about the evil elven gods meanwhile Andraste’s followers remain completely unaffected by these revelations.

I think what frustrated me even more was watching our elven companions express grief and regret over the actions of the elven gods like they had something to do with it, painting the Dalish as adjacent to oppressors when they themselves are oppressed in every way. The only thing that remains consistent is the sad boy Solas act about it.

At the end of the game, two of my companions - Harding and Emmrich- were killed. Emmrich's death was unfortunately overshadowed by a zoom-in on a rock and I had no idea he had died until I got the popup. Still, all I can think about is just going "Rock moment" when he died. I don't really have anything negative to say about Harding's death other than the way she went out was fitting for her narrative. Bellara got blighted and there were no consequences for this and she walked away from it - forgive me but I am still under the DAO impression that if you get blighted that's game over but all the rules about the Blight have been changed in this.

I decided to trick Solas, and honestly, I don’t have anything negative to say about it, except that Solas should have noticed me holding the fake dagger since it was clearly in his line of sight. I liked the idea of outsmarting the god of trickery. While it wasn’t extremely satisfying, but I’m okay with how it turned out.

Even as the credits began rolling I still have trouble believing rook's role in any of this. Just the persistent nagging idea that they really just have no place in this story at all. In the beginning I wanted to see how Rook is looped into all of this and how they become central to the fight against Solas but just like with most of the companions, I have no idea why they are here. This should've been the Inquisitor's story to finish.

I'm not going to pretend that everything about this game was irredeemable and terrible. There were genuinely parts I enjoyed and had a good time with. The romance ending scene with Neve was fantastic, even though it took a long time to get there. Davrin was an unexpected aspect of the game that I actually liked, as I never cared much for Grey Wardens before, but he changed my perspective. Harding's mention of the Inquisition was also very sweet. Although I wasn't particularly invested in Emmrich, I loved the conclusion to his quest when he became a lich lord.

While I'm not the biggest Solas fan, I actually really enjoyed the cutscenes between him and Rook because one of my aims with this game was the ability to be mean to Solas and kick him while he was down. They definitely delivered there even though everyone else kept disagreeing with me.

The worlds are beautiful and the CC is definitely the best we've gotten in any Dragon Age game, I spent probably a solid hour in there. The hairstyles are great and the four unibrow choices? Bioware you shouldn't have <3.

Overall I definitely didn't have the best time with this game and towards the end of act 2 I was incredibly bored and the combat became repetitive and stagnant enough that I turned down the difficulty to get through it faster. I can't see myself replaying this any time soon and I am unsure what my stance on Dragon Age is now, do I Ignore this game ever existed or do I carve out everything I liked and pretend this is the Dragon Age I love? I have no idea, I am disappointed at how this game leaves us off and I really wanted to sit here and say It's good but I can't.

I think this game will reach out to and resonate with a different group of Dragon Age fans than me, I just wish I could enjoy it as much as I see other people doing. I was originally going to give this game a 3/10 but knowing you can pet the cats I will give it a very generous 3.5/10.

[clovers-housetree]

Activities for Regressors Without Caregivers! (or just fun regression activties!)

(Although you're always welcome here if you'd like any form of comfort anyway! ^w^)

This one's kind of a long one, after the few tips I list, I've mentioned an app I use called Finch, which will be talked about below the cut.

Since that's the case, I'll put my little ending message here instead:

Knowing how to take care of yourself can take a lot of work and practice, but I believe it's worth the effort, because then you'll be a happier and healthier you! Especially if you can find ways to make it fun!

I'm more than happy to be here for you and offer my support in any way I can, anyhow! I'm proud of you for doing what you can, I know it can be very hard.

I myself don't have a caregiver for when I regress, so most of the time I end up taking care of myself! Here are some fun activities and things I do when I regress to keep myself calm and happy! ^w^

Paci mentions/pics not long after the first section for those of you who'd rather not see 'em.

♥ Arts and crafts! I absolutely LOVE coloring and making bracelets with beads, something not too complicated for little hands, but also something fun!

With coloring, you can buy coloring books, or draw something of your own to color in- even printing out a page you find online, coloring digitally, or tracing over something to color in could work! I prefer coloring more than drawing personally because I don't draw all the time, but I bet I could learn a little thing or two from the artists around here!

For bracelets (and other jewelry), strings can be hard to knot with little hands (at least they aren't those small, slippery clasps!!), but the beads shouldn't be too hard to handle if you're careful! Even just planning out patterns is fun!

Here are some My Little Pony bracelets I made, and the decorations I did for my pacis!

♥ Making playlists! Dancing is fun, and a good way to get the zoomies out, but you can just make playlists for any occasion! I have playlists that help me pet-regress, songs with sounds I like, adventure playlists... (Well- a lot of these are still in progress, but- you get the point!)

I also love those playlist videos on YouTube! Animal Crossing, Super Mario Galaxy, Minecraft and music box music are typically my go-to to help me settle or just make for comfy background music! Here's one of my favorites, shadowatnoon has lovely Nintendo music mixes!

♥ Playing with your plushies! You can take them on adventures, or make your own!

Like Toby, climbing The Great Pillow Mountain!

(This is Toby by the way, he's one of my best friends and a VERY good hugger!)

You can play games with them, too! Toby's REALLY good at hide and seek... Maybe you can find him for me? :0

♥ Finding shows to watch! I really like Paw Patrol and Rise of the Teenage Mutant Ninja Turtles at the moment. Plus, you can look at agere content and fics from shows you like! People make really cool stimboards and moodboards, for example, and I like reading through all the fun stories people write!

Here's a silly picture of Rocky I found! :3

Finch

Finch is a self-care app where you take care of your very own little bird friend by taking care of yourself!

You can set daily goals, or for each day (or more specific ones as well I think.). By completing these goals, you give your bird energy to go on adventures! They usually come back with a funny little story or silly questions, because they're learning, too!

Through completing these goals (or daily, at least), you can get Rainbow Stones, which you can use to buy clothes for your bird, make them different colors, or give them furniture for their house!

They're also LGBTQ+ and disability-friendly!! :3

This is my little bird, Honeydew! You're welcome to friend me as well if you'd like, my code is: Z3E2T7VRK6

It's helped me learn a lot about taking care of myself and keeping track of my goals, and I get little rewards for it! I've used the app for several months now, and it's helped me out a lot!

"Fluttershy protects this blog! SFW interaction only, please and thank you! ^w^"

"Wouldn't show a kid? Doesn't belong here!"

[frances-baby-houseman]

I would have bled out in the parking lot

Amber Nicole Thurman's death is on Trump's hands

Bess Kalb

Sep 17

In 2019, about six weeks after my first child was born, I found myself on the bathroom floor in a small, but nonetheless unsettling puddle of blood.

“Oh no,” I remember thinking. “I just did the laundry.”

I called out my husband’s name, but the sound caught in my throat. The pain I felt inhaling to get enough air out of my lungs to yell the two syllables in “Char-lie” jabbed my guts like a bicycle spoke to the abdomen.

So I was quiet, trying to keep breathing in a way that didn’t move anything inside me, and the pain pulsed a bit, then steadied, then dulled, then evaporated into whatever hell ether it came from.

Because there is no G-d (unless there is, in which case I abbreviated His name so as not to desecrate it, and also thank you, King of the Universe, for subscribing to this newsletter) this was the one time in my life I hadn’t brought my phone with me to the bathroom.

I decided to sort of slither-lumber to the door like a lame harbor seal, because I didn’t want to stand and loosen the spoke that had just stabbed me. I reached for the knob and let the door creak open.

The cat was there, looking at me right at eye level, keenly aware what was happening, and completely unmoved by it.

“You are dying,” he blinked, “Pity. Have a nice time.” He sashayed away.

Fortunately, our house in Los Angeles was small enough that from the bathroom door one could see everything. My husband was sitting on the couch with our infant, and I knocked on the open door to summon him. Within one one thousandth of a second, he set the baby on the (since-recalled) donut pillow and was holding my head.

I sat up. I breathed. No pain. I took a picture of the bloody mess on my husband’s phone, texted it to myself, he found my phone, then I texted the picture to my OBGYN.

Apologies for being graphic, but within the puddle there was something roughly the size and shape and color of a fig.

“Is this ok?” I said to my doctor, the bicycle spoke scraping lightly at my insides again from all the lumbering.

“Come in,” she replied.

Within two hours, I was in the waiting room of her office, accompanied by my terrified but SMILING mother, who was still, as is the Jewish custom, in town for “a few days or so” after the birth.

An ultrasound which felt like the finger of Satan himself revealed there was retained placenta in my uterus. If I hadn’t come in, there would have been more hemorrhaging, then sepsis, then whatever the cat foretold.

The next day, I was in surgery getting a Dilation and Curettage.

I went home, pumped the anesthesia milk, then fell asleep perfectly fine, my sweet newborn cooing merrily in the bassinet next to his alive mother.

Amber Nicole Thurman’s story was the same as mine, but it happened to her in Georgia in 2024, not California in 2019. She was a Black woman in a healthcare system that disproportionately kills Black women, especially postpartum. In 2021, the Black maternal mortality rate was nearly three times the rate it is for white women. Post-Roe, the toll is and will continue to be staggering.

Because post-Roe, the procedure that saved my life, the D&C, is something doctors cannot perform in states where matters of life and death have been left up to non-medical Christian-supremacist superstitions.

I know the pain Amber Thurman felt when that placenta dislodged and carved its tiny, treacherous hole in her uterine wall. I know the terror she felt when she saw the blood, and the rush of dread when she thought of what her child would do without her.

And when I vote in November for Kamala Harris and every progressive down-ballot candidate, I will do it because she can’t. And I will do it so that women in Georgia and Idaho and Texas and North Dakota and South Dakota and Utah, Arizona, Nebraska Iowa, Missouri, Arkansas, Louisiana, Mississippi, Alabama, Tennessee, Kentucky, Indiana, Florida, South Carolina, and West Virginia won’t have to meet the same completely preventable doom.

This election isn’t just about Amber Thurman. Every day of my lucky, breathing life is about Amber Thurman. Because the only thing that separates us, is one of us bled out under the right Supreme Court.

Let’s raise absolute federal hell about it.

-- From Bess Kalb's newsletter The Grudge Report. I pay for this substack -- though it's free-- and think this is a message worth sharing far beyond her newsletter.

[hajimeseyo]

“Tell me something about yourself that not many people know.”

“What's this?” he asks, voice laced with amusement.

“Just answer me, ‘tsuya.” you grumble, head lolling over the side of the bed you're currently spread out on, peering at his upside down figure. “I'm bored.”

Mitsuya hums thoughtfully, pen tapping against the table absentmindedly. Both your homeworks lay abandoned on his table, you having already given up a long time ago and pestering him to do the same, despite his best efforts to stay focused and finish them.

“I have a dragon tattoo on the side of my head.” he says casually.

“WHAT?????” you leap up from your spread-eagle position to gape at him properly. His lips curl into an impish grin at your reaction, the sight sending butterflies flying through your stomach. You swat them away in favour of focusing on the more pressing matter at hand. 

“Yeah.” His hand comes up to tap at the right side of his head. “Right here.”

You scramble off the bed, nearly tripping over yourself as you rush to his side. “Whaaat the fuck. You're the last person I'd expect to ever have a tattoo.” you say as you pull up your chair next to him, plopping down on it.

He huffs in amusement. “I am in a gang, y'know.” 

“I know, but you're like, more well behaved compared to them.” You pause, peering at his face suspiciously. “...right?”

A mischievous smile is all you get in response.

Rolling your eyes, you turn your attention back to the side of his head, peering closely at the short lilac hair, trying to catch a glimpse of the tattoo. You can't see anything, though, due to all the hair fully covering it.

“Can I…?” you raise your hand hesitantly. He nods, grabbing your wrist and bringing it to where the tattoo supposedly lies, the warm touch sending sparks flying through your skin.

Carefully, your fingers gently part his hair to reveal the scalp below. The slight shiver as your fingers make contact with his head doesn't go unnoticed by you, although none of you say a word.

And there, under the lilac strands, you catch glimpses of furling strands of black ink, coiling and curling into something resembling—

“A dragon?” you murmur.

Mitsuya hums. “Mhm. I designed it myself. Cool, huh?” You can hear the pride in his voice.

You snort, not wanting to give him the satisfaction. “I suppose.” Following the strands of ink, you trace down the side of his scalp, mesmerized by the intricate design. Despite your seemingly unimpressed response, you found the tattoo really beautiful, the art style unique and artistic, the way it curves along the side of Mitsuya's head so naturally you wouldn't be surprised if he said he was born with it. Lost in your concentration, you don't notice Mitsuya's slowly reddening cheeks, closing his eyes as his head subconsciously leans into your gentle touch.

The two of you stay like that for a while, in comfortable silence, him enjoying your ministrations, you too absorbed in admiring every detail of the tattoo to notice. 

Until you trace the final curl of the dragon's tail, the trail ending making you snap out of whatever trance you were in, face immediately flushing a deep red as you realized you probably spent way more time touching him than you should've. Your hand instantly jolts back from his head as if it touched hot iron. At the loss of your touch, Mitsuya's eyes slowly fluttered open, gazing lazily at you, the sight once again sending some weird, hot feeling shooting through you. Damn this man and his stupidly pretty face.

You clear your throat, trying to act natural. “Why have a tattoo when you can't even see it under all that hair, though?” 

That question catches him off guard, and he barks out a laugh. “There's a funny story behind it, actually.”

He goes on to tell you the story of how he got the tattoo, from meeting this boy called Draken, to playing games at the brothel, to deciding to become a delinquent and accidentally matching tattoos with Draken. Your jaw dropped more and more as the story progressed, mostly from how unexpected and wild the entire thing was.

“Damn.” you laugh when he finishes. “And here I thought you were this good, well-behaved child who got roped into the gang business by their friends. I mean, abandoning your sisters to graffiti a wall?” you shake your head in mock disapproval. “What a bad child you are.” 

His lips stretch into a sly grin, something dangerous glinting in his eyes. “Oh? Really, [name], you should've known by now.”

He leans forward until his lips are right by your ear, voice coming out in a teasing whisper.

“I can get quite naughty sometimes.” 

...

You're quite certain your face is in flames. 

You sit there, short-circuiting, as Mitsuya leans back into his chair, a self-satisfied smirk on his face. Fumbling, you glance around desperately from something that will save you, and your eyes land on the abandoned exercise books on the table, the whole reason you were at Mitsuya's house in the first place. 

“Oh! Would you look at that! Our homework! That we still have to finish!” You pull your chair back to the other side of the table hurriedly and bury your face in the books, your homework suddenly being the most interesting thing in the world. You hear him chuckle, but he doesn't say anything, picking up his pen and continuing with his work. Your heart finally stops racing, and you think that you're safe until—

“[name]?”

“Hm?”

“I enjoyed that very much. Feel free to do it again if you want~”

“...”

This boy is going to be the death of you.

(part 2 here!)

[neil-gaiman]

Hi Neil,

First off, Good Omens is so wonderful— thank you (and Terry Pratchett and David Tennant and Michael Sheen!) for bringing Crowley and Aziraphale into existence. They bring so much joy to me and to so many people!

Secondly, I have a writing question! I am not a writer, primarily; I’m a scientist. But, I’m a scientist writing a journal article, specifically a journal article that has been hanging over my head for many years now. I’ve reached a point where I feel completely burnt out, almost pathologically unable to make progress on the manuscript. The data and results are strong and important, and I recognize that it’s a “story” that needs to be told, and that I’m the only one who can tell it (not to mention that I have several collaborators counting on me to get this done!).

So, my question is, have you ever had a story that you felt, for one reason or another, that you really should tell or needed to tell, but that was a horrific struggle to actualize on the page? Do you have any advice for how to make myself write when I’m completely demoralized and weary with what I’m writing, but unfortunately am nearly contractually unable to simply throw it in the trash and start on something else?

Thank you so much for any advice you can give (or even just a word of encouragement!!), and for your continued engagement with the writing and fandom communities! 

Sometimes you can do it by getting out of your own way. Sometimes you can do it by remembering or finding out once again what do you like about the project on the story to begin with.

I have frequently found when faced with a story that had died or that I had lost interest in or that I thought was awful, that if I read it aloud to another person they get interested and I start getting interested and often finish wanting to carry on to find out what happens next and to move forward. Dead projects have come back to life like this.

But it's also worth remembering that there are bad days and there are good days and there are projects that even if the days are awful and the whole thing feels terrible, the only way you will get to the good days is by pushing forward. The good days are there and waiting for you -- you just have to keep going to reach them.

[foldingfittedsheets]

In the bloom of my youth I found myself on an evening with my best friend in the park. We were young and it was a beautiful warm summer night to be out. At sixteen in a small rural town our options for entertainment were limited but it had been a good day.

Park is a somewhat generous term for the locale, what it amounted to was a cleared space with some planters and bushes, a tiny podium, and a square of trees round the perimeter. We had been hanging about with our friend who needed to leave, and waiting to be picked up ourselves, carless plebeians that we were.

So there we were, two teen girls in the park alone as the last of the light faded. Neither of us had cellphones, and my nana was collecting us right from the park as we’d agreed earlier. We were in no hurry, knowing she’d arrive when she arrived.

Until my friend said, “What was that?”

I looked up to where she was pointing but I didn’t see anything. “What?” I asked.

“I think it was… someone streaking?”

It was absurd to think. Our little town, tiny and rural as it was, with a streaker. But I loved my friend, so instead of laughing I said, “Let’s go see.”

I’m not sure what I thought it was, but I was confident she’d be less nervous if we investigated and found a plastic bag or a jogger in white. And I’ll admit I was curious at this anomaly. We made our way across the park to where she’d pointed.

That’s when I saw it too. A flash of pale skin under the streetlights, moving too quickly through the shadows and shrubs to see clearly. My friend clung to my arm, shrinking in on herself and I felt the first twitch of fear. Investigating no longer seemed like the thing to do.

I was determined to protect her from whatever was lurking, so I changed course and started cutting away from the movement, heading for the small shopping center not too far outside the park.

Our progress was suddenly arrested as the mysterious figure launched into our path. A man crouched on the pavement before us, fully nude except for a loincloth. His hair was in white people dreads. It was in every way like Tarzan had stepped out of the animated movie into real life.

My friends fingers were digging painfully into my arm and we stood stock still, staring at this bizarre apparition. He was still a good fifteen feet away from us. He stared back, making soft simian “ooh ooh” sounds.

I was struggling to process that a man in a loin cloth was right there when he started to move toward us. It was in his monkey half crouch, a few shambling steps, slow, with his eyes fixed on us.

“Leave us alone!” I declared.

He stopped, tilting his head this way and that. Then shifted like he would take another step.

I was fully afraid now, but I was also furious that he was menacing us and scaring my friend. I dropped her arm, marching forward with wrath in my eyes and said, “Get out of here before we call the cops!”

At my approach he turned and bolted back into the bushes. I whipped around and zipped back toward my friend, grabbing her arm and power walking us out of there. We arrived at the nearest business and darted inside, conveying what had just happened in garbled snippets.

The workers were outraged to hear our story. They let me call my nana to tell her where we were, then asked if we’d like to call the police. I shook my head. I emphatically did not want to deal with the police.

In the safety of the store my fear had started to feel ridiculous. It was probably just some bored prankster.

As we waited for my nana my friend quietly admitted she would rather liked to have called the cops. I apologized for not asking. We lapsed into silence. She said, “I can’t believe you went toward him.”

I couldn’t either. I didn’t remember planning on it, only I wanted to be between him and my friend. “Do you think he was crazy or was it just a prank?”

She shook her head. She didn’t know either. All these years later I still don’t really know what happened that night. If he was on a dare, or cosplaying Tarzan for fun, or if he was unwell. A lot of the details have hazed over with time but the utter dissonance of seeing a man in a loin cloth pop out of the bushes is seared into me.

I also remember back then, in a whisper both scandalized and fascinated, my friend admitting, “I saw his penis.”

[phyrestartr]

Deal With It | Gojo Satoru x M!Reader (TEASER)

CW: Arranged marriage, SELF-HARM (on and off-screen), hurt/comfort, angst, drama, self-loathing, blood and gore, implied depression, suicidal thoughts, suicidal ideation #NSFW, probably top Gojo, probably bottom reader, maybe switch idk, idek if they'll bang it out tbh lol, angst with a happy ending, reader is a sorcerer, time skips, time progression, relationship development, student era into teacher era Note: I got this request to make a story revolving around Gojo and an arranged marriage to the reader (but bro is in love with Getou sob.gif), and I've been RUMINATING on it for forever. I think I finally have a good idea of who the reader is/what their chemistry is like with Gojo, so I'm happy to post a wee bit of a teaser to motivate myself! Let me know your thoughts---I'm finding that I absolutely love writing for Gojo, so I'm down to write more LOL. He's a very fun, complex character.

Deal With It

“So, you really don’t care what he thinks?” Shoko asked as you lit her cigarette. “Even I think he was kinda harsh.”

You pocketed your lighter and leaned back against the cold stone of the college walls. “He’s got a thing for that black-haired guy.”

“Getou.” 

“Sure.” You shrugged and tried to rub the ache out of your neck as you stared up at the bleak, grey skies. The air reeked of petrichor. Thankfully you’d brought an umbrella that day. 

“And you’re not bothered he’s in love with Getou?” Your friend continued, her cute bobbed haircut swaying with the tilt of her head. She always looked so charming like that, when she was being a mischievous brat while pretending to be anything but. 

“Dunno.” And that was the truth. “He’s not even my type. I’d rather hitch up with someone like you or Nanami. Someone less annoying. Less loud-mouthed.” 

“Ooh, that'll hurt his ego.” Shoko smiled. “Well, guess you'll have to learn to deal with it.”

You took a deep breath and rubbed your face as you nodded. “Yeah.”

–

“Forever is a long time,” You mumbled, leaning your forehead against the cool touch of the window. Rain pittered and pattered, exploding off the glass like trillions of kamikaze planes. It almost birthed some sort of hurt in your chest. Best not to dwell on it, you decided.

“Hah? Are you talking to yourself again like a weirdo?” The one and only Gojo Satoru yowled before kicking you in the rear like a petulant child. “Pft! Figures. Knowing my luck, I would have to get married to a creeper.” 

“Even if you married Getou, you'd still be marrying a creep,” you grumbled, dusting the dirt off your behind. “You need something? Or did you harass me just for the fun of it.” 

You heard Gojo, your fiancé, scoff and shuffle behind you. “I just wanted to remind you to humble yourself! Just because I'm forced to marry you doesn't mean you're accomplished or cool or anything, got it?” 

Being in his presence had you craving a cigarette. “Yeah, got it.” 

“And Suguru's better than you,” he added, aloof voice bowing down beneath hardened, steeled words. “Don't forget that either.” 

You bit down on your cheek to ward away the heat building under your skin, the magma sinking deep into your eyesockets and threatening to pour down your esophagus. The taste of iron washed against your tongue, and you released your flesh from between your molars. Sometimes, you wanted to keep boring down on yourself to see how much you could really take, but a fear of the answer too often made you think twice. 

“This is starting to bore me,” you said, tilting your head as you caught a flicker of red in your rain-muddied reflection. You touched your fingers to your tongue and found translucent red coating the tips. 

“Pah. I was gonna say the same!” You watched his reflection turn away. “Good luck trying to impress me.” 

I'm not interested. You watched him walk away, slouching and with his hands in his pockets like he was emulating some kind of yankii character. He might have fit the bill, if he hadn't had such a ridiculous, brat side to him. Just deal with it. You wiped the red on your uniform with a sigh. Tomorrow's a new day.

--

Feel free to comment on this post if you want to be tagged for the full version!

@kamote-kuneho @tr4nnie @silvern1006

[4only1]

Hiiii there!

So I don't know about your rules so if you uncomfortable it's okay!!! 😊

Can you write a story where shingen and reader are married but reader doesn't want to be married and just wants a life of her own. So she runs away not knowing she was pregnant and when she finds out, she decideds to keep the baby and gives birth to twins a boy and a girl. Awhile reader is happy, shingen has gone completely insane looking for her.

Every day some dies do to the fact they couldn't find reader. But shingen learns where reader is hiding and goes himself to get only to find out she has given birth to gun and his twin sister.

They rest can be up to you! 😊

Thank you! 😊

Fear and Loathing

Yamazaki Shingen x Reader Word Count: 912 Warning: Angst (I can't help myself) Masterlist ------------------------

It was all you felt for this lifestyle you had been forced into. Fear and loathing. Fear for the man you married, for the members of the clan who despised you enough to try and get rid of you. Loathing of the man you married, for the lifestyle forced upon you. 

Marriage was a silly thing to you. If it were actually your decision, you never would have married, let alone a man like Shingen Yamazaki. The man he once was had now become lethargic, empty, depressed. You didn’t like your married life before, and you certainly didn’t like it after his defeat. 

Once you were informed of the Yubitsume to take place, you couldn’t stay here any longer. It didn’t matter that you had supposedly sinned, you needed to leave. In the dead of night, you vanished. Nobody knew exactly how you left without so much as a trace, but it didn’t matter. What did, was the fact that Shingen was furious, with the other woman, with everyone who didn’t notice, but especially with you.

The bloodshed that followed was only contained once his brother, Shintaro, claimed they would find you. How he needed to put the clan first, and let them take care of finding you. Soon, one month passed, then two, then three, and as they did, Shingen became more restless. Where did you go, and what were you doing?

It was a taste of freedom unlike any other, one you had never known. You travelled far away, hidden within the depths of a small prefecture, no one knowing of who you truly were. You made a life for yourself, working at a small shop, supporting yourself, no longer constricted by the rules of the Yamazaki clan. Until you found out you were pregnant.

It wasn’t expected but not exactly surprising. You had been expected to give birth to the heir at some point, and it just had to be when you decided to run away. You decided to keep it, more trouble would come if you didn’t, and maybe if you delivered the heir, you could bargain for freedom for yourself. It was selfish, but you never asked for this life, and certainly not this child. 

As your pregnancy progressed, you became depressed at the fact of giving birth to the Yamazaki clan's heir. You couldn’t do this, this child would tie you to the clan forever, regret sank in. It hit even harder when you discovered it was twins.

Meanwhile, the Yamazaki clan was in shambles. Their leader had gone mad trying to find you, often taking his frustrations out on those around him. A trail of blood followed him, and it bleed for you. He was desperate as the months passed. He needed you, you didn’t have a choice, once he found you, you were never leaving his side again.

It was a week after you had given birth, over nine months since you ran away, that he appeared. Like you escaping through the night, his figure was a shadow, watching you, waiting. He was shocked to be greeted not only by you, but two infants as well. Exhaustion was obvious on your face, but it also held another emotion he couldn’t quite place.

“You’ve been hiding all this time, even after you discovered you were carrying my children. This game is over, it is time to return.”

He was blunt with his words, as always. He expected immediate action from you, instead, you remained seated, looking at him, that same indescribable emotion on your face. 

“I don’t think that will happen. I have served my duties as the wife by giving birth to the heir of the clan. You don’t need me anymore, and I don’t need you.”

“You don’t get a choice, you are to return and continue to be my wife”

A long pause followed. He wouldn't take no for an answer. Until...

“I’m so tired”

Your broken voice spoke. Broken things can be fixed, Shingen thought. But something stopped him, you stopped him. The two infants laying in their cots caused him to pause, if he had you, you would break further, maybe even die.

If you love something, you’ll let it go, and he might just have to do that. You were broken, and he couldn’t fix you, even if he lived in ignorance to your condition, forcing you back into the clan, by his side, it would forever plague him. 

The thought of knowing you were alive was better than keeping you by his side, forever spiraling until you faded away. He couldn’t leave without something though. 

“I will take my son with me, the daughter shows no promise for anything special, she will remain with you.”

You offered no argument as he took the child, as he was leaving you offered on final remark.

“His name is Jonggun, but please, give him a proper name. And let us forget we ever met.”

He would never know what happened to you or the daughter, and although he had your son, it was too painful to look at him. He avoided the son, again falling into a deep depression. It wasn’t until he was dying protecting the child he had taken from you, that he finally understood.

It finally clicked what that look on your face was. He hadn’t seen it since you first left, nobody having the nerve to show it in front of him. It was normally mixed with another emotion as well, but this time, it stood alone, by itself.

It was loathing.

------------------------------------------

I can't help myself, I love writing unhappy stories. I like to try and make the prompts possible in the storyline, it's just more enjoyable for me. Careful when you say, the rest is up to you, because I will turn it into an angsty story. TBH I originally was gonna make reader die, but couldn't make it work.

All my Shingen stories have the common theme of reader dying or running away, just how I like it.