#but let’s pretend i don’t

[sleeping-at-sea]

Hi captain! -🥀 [Poli anon!!]

POLITES

SMILES

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Hello, Polites

[astronicht]

I pulled up the sketchy online Old English version of Beowulf and yeah it has 3,182 lines. If you took 5 seconds per line you’d need four and a half hours to recite it (or specifically to recite the one version that got both written down and preserved for a thousand years) (only a little charred). But I mean 5 seconds per line is for chumps who don’t want to unlock the Beowulf speedrun.

Also ok for SCIENCE I timed myself and quickly reciting the first 5 lines took 16 seconds, let’s call that fifteen because I mispronounced meodosetla. At that pace (if you could keep it up consistently and I mean never cough never take a drink) you’d be looking at 2.65 hours, or 2 hours and 39 minutes (or 159 minutes). This is actually 20 minutes shorter than the theatrical run-time of Peter Jackson’s Two Towers (179 minutes).

Now, the original post was about reciting Beowulf in an hour, so 2 hours and 39 minutes is not gonna cut it, and is so far over time that even doubling your pace can’t save you. You’re gonna lose this speedrun and Æthelflæd’s new scop poet is going to laugh at you. However, there’s a cheat to exploit here. In the period when Old English (language of Beowulf) was spoken, people often just said there were 12 hours in a day and 12 hours in a night, no longer how long or short daylight actually was. This made the concept of a daylight hour stretch in summer, when daylight lasts way longer than 12 hours. There’s a good article on this I’ll find it if anyone wants it. I don’t actually expect anyone to have read this far.

ANYWAY, the longest day in Jarrow (furthest north Old English speaking town I could think of) in 2024 (sorry this data is not calibrated for the 10th century) was of course midsummer: June 20th, at 17 modern hours 22 modern minutes and 1 modern second. This means each early medieval hour that day actually lasted 1 hour and 26 minutes. Still not nearly enough lads, but this is when it becomes a skill game. Because I wasn’t going ALL that fast. We need to squeeze 159 minutes of Beowulf (aka basically Two Towers) into 86 minutes. If you could half my pace-per-five-lines from 15 seconds to 7.5 seconds, you’d be able to do it, one day of the year, in Jarrow. Iceland is cheating. Good luck.

[roe-oo]

my piece for @trafficzine ❤️

[casually-eat-my-soul]

You’d know what be really fucking funny, okay so stick with me but you all know that general idea that stiles has a spark and his spark works on his belief / willpower yes? Yes? Good

Now imagine the saying of “kissing it better” + plus stiles spark.

It’s starts with his mother — whom stiles claimed was magic, but everyone truly believes that their mother is magic. Stiles doesn’t really take it super seriously until after Scott gets bitten and deaton calls stiles a spark — but that’s besides the point.

Anytime stiles got hurt via bump, bruises and cuts, as any rambunctious child would - his mother would help him dry his tears and clean the wound before “kissing it better”.

So stiles just grows up assuming that kissing a wound will make it heal faster. And for all intents and purposes it does, unbeknownst to him because of his and his mother’s magic. But he doesn’t really think to much about it because he’s 1. Not around a lot of injuries and 2. not going around kissing people to help heal them.

Well until Derek fucking hale drops half dead in front of his jeep from a gunshot.

Derek doesn’t know enough about humans to argue with stiles, but he’s still not a hundred percent sure. Especially after he got kissed by him and it healed a gunshot??? That was poisoned with wolfsbane??? He gets ever more confused after he overhears a mother in the grocery store consoling her child by telling them that mom will “kiss it better”.

Peter calls Derek an idiot but never actually confirms or denies anything. Scott isn’t any help because he grew up around stiles and just acclimated to it over time. Sheriff Stilinski just sips his coffee in silence.

[ash-and-starlight]

netflix u Have to be joking

[ilostyou]

last kiss // the black dog

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

[lady-whistledowns]

"While it may have appeared that Daemon was preparing to make his own grab at the Iron Throne throughout the season, his final Harrenhal vision brings about the culmination of all the transformations his character has been moving through when he bends the knee to [Rhaenyra] publicly." - Collider

House of the Dragon Season 2 Appreciation Week: ↳Day 4: Favorite Moment or Plotline

[flixleoz]

stuff

[ewwww-what]

It probably won’t (it will)

[romidoes]

baby you light up my world li-

[stillwaterinc]

i have nowhere to put my batman thoughts so they’re going here

jason comes back as the red hood, planning to take out his little replacement or at least hurt him bad enough that he drops the suit and lets robin die but suddenly, a month before his plan is to start, robin disappears. and so does the joker.

what? jason looks, he scours security cameras and internet forums, even weasels his was into the gcpd’s files and…

nothing. there’s nothing.

no bodies reported, joker’s not in arkham or black gate or any other prison, he hasn’t finally been given the death penalty he just. disappeared.

he can’t find anything on robin either, or tim drake, for months until he stumbles upon a nearly perfect patient file in some hospital records.

nearly. it’d be perfect to anyone else but jason, even years later, can recognize bruce and barbara’s finger prints all over it. it’s a cover. a cover for what though? he reads through the file, tim drake’s file, presumably and finds… well.

someone clearly tortured the kid, and with the meds he was being prescribed it got to him. it would’ve gotten to anyone.

jason shudders reading the initial injury report. electric burns, lots of them, are what catches his eye the most but there’s all kinds of stuff. what catches his eye the most though is the lacerations that had to be stitched either side of the kid’s mouth. shit.

he doesn’t get the full picture, not yet, but pieces are starting to come together. the joker has been missing for a while, just a little longer than jason’s replacement has been in the hospital for some violent injuries.

the joker is missing.

tim drake is in the hospital.

something happened, clearly. the joker did something to tim, something awful, something bad enough that the joker disappeared and the kid’s been in the hospital for weeks.

bruce didn’t make it in time, only this time robin wasn’t dead, he’d been broken.

someone had gotten to robin, to tim drake, before jason could, had gotten to him so badly that even after he was released he wasn’t robin anymore.

not because he didn’t want to be, a few bugs here and there in the manor let him know that much, but because bruce wouldn’t let him.

it comes out, in one of these arguments, that time killed the joker. shot him dead. and jason almost wants to congratulate the kid for it, or wants to strangle bruce and ask him how the hell he let robin, who’s just a kid, tim, who’s just a fucking kid, get anywhere near a position where he had the means and desire to fatally shoot the joker.

because that’s it, isn’t it? the reason jason’s like this, doing this, is because of the joker. jason knows how to use guns because of the joker. he’ll never go to college like a normal kid because of the joker. and now tim.

tim wants to be robin, asks for it, begs bruce to let him back out in the suit and jason nearly finds himself agreeing with bruce. the joker’s gone sure but what if someone else tries the same thing? what if someone tries worse? being in the suit’s already gotten tim this much pain, why risk more?

it hits jason, one night, that he stopped being angry at tim a while ago. a long while. he can’t be angry at bruce either, because the joker is dead. there’s no one to enact vengeance for his death on anymore.

anyways most of my posts are about incest please don’t follow me for batman content

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[sableeira]

“Allow me to introduce you to the original you.”

[un-pearable]

the peak of ninjago media is the story mode of the ninjago world in lego dimensions - bc the ninja are only on screen for literally 2 seconds before they go right back to watching batman & friends torment the other competitors in the tournament of elements.

giant portal and mysterious guests with a penchant for making chen a little TOO excited? normal day in ninjago! nothing to see here. nothing to worry about.

[lesbians4armand]

i really do love the daniel x fake rashid dynamic just for how delicious the power dynamics are. the assumed age gap and servitude putting daniel in a position of power that he is not really in at all in dubai in a house of a vampire. but that same assumed dynamic giving “rashid” knowledge that daniel does not have as the personal assistant to a vampire, who is fed on by him, and as daniel assumes, he also sleeps with. Daniel is jealous of this proximity to louis but jealous of “rashid” himself as well, wondering how he tastes.

then of course, the fact this is all a premise. Daniel is in no position of power at all, hes being played with, toyed with, all his private comments and desires are transparently observed by not one but two vampires that have the power of life and death over him.

but they ALLOW this, they allow daniel’s perceived power, his desire, putting themselves in a false submission to him as both an interviewee and a servant, letting him feel this power as a taste, but every time he gets comfortable in it, reminding him that its a game. wonderful truly