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ollieofthebeholder · 4 years ago

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leaves too high to touch (roots too strong to fall): a TMA fanfic

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Chapter 43: Jon

There aren’t words to describe what being home feels like.

It’s not just the four walls of the house they’ve bought together, or the warmth and beauty of a March sunset, or the sounds of a London evening. It’s Charlie flying down the sidewalk to attack Jon with a hug and a bright smile and a flurry of words about how much they’ve all missed him and then coming back two hours later, pleased as Punch and bearing a “welcome home” cake he baked himself. It’s Sasha calling, not texting, to tell Tim she’s home safe and then asking to talk to Jon so they can reassure each other that they’re both okay. It’s Martin gently tending to the marks on his wrists and ankles, still raw from his desperate attempts to pull free before his strength started to desert him, and singing the song he remembers from when he was a little boy and his father came back from a voyage. It’s Tim cooking Jon’s favorite dinner, but serving him in small helpings so that he doesn’t overstretch his stomach after two weeks while still making sure he eats his fill. It’s the cool, clean sheets and the thick, warm quilt and the weight and security of Tim and Martin on either side of him as he falls asleep, and it’s Tim and Martin soothing and reassuring him, as much with their presence as with any actual words, when he wakes up screaming in the middle of the night.

Going back to the Institute is harder than he would have thought. Only the fact that he knows he can’t be away from it for long gets him to go back—that and the fact that he can’t, won’t, leave his team alone to deal with Elias. Once there, though, he slips back into the routine easily enough. Despite Elias’s snide insinuations, the Archives ran fine without him, but he knows they’re glad to have him back.

They take Tuesday morning to regroup and plan. It’s all very well for both Elias and Jon Prime to tell them to find Gertrude’s notes, but Gertrude was, in Tim’s words, a paranoid old bitch, and it’s not likely that they’ll find a conspicuous notebook with detailed plans on how to stop the Unknowing. More likely that whatever they find will end up being more memory aids than anything, cryptic jottings that only mean something to Gertrude, and sussing it out won’t be easy. But it’s a place to start nevertheless, once they figure out where those notes are.

In the end, Tim and Martin take to looking through the shelves of statements—Tim looking for anything to do with the Stranger, Martin looking for a few of the tantalizing little threads they’ve noticed weaving through the tapestry of their database. Sasha attacks the filing cabinets, with the logic that Gertrude may have pretended to file something important. And Jon takes his counterpart’s advice and goes through his office.

It’s not like he doesn’t know what’s in all the drawers of his desk, but he does his due diligence, pulling everything out of each drawer, tapping for false backs or false bottoms. He does find, stuck in the back of the drawer where he keeps the spare statement forms, a creased and faded concert program printed on green stock from 2003; it doesn’t seem to have any immediate significance, though, so he sets it aside with the intention of looking into it later. Perhaps it’s simply a concert Gertrude attended that she enjoyed, but it might also be a clue to the Unknowing. He’ll have to research.

It isn’t until Wednesday morning that he finds the laptop, hidden along with a key under a floorboard that’s been creaky as long as he’s been working in the Archives. There are scratches on some of the floorboards that Jon’s always hoped aren’t fingernail marks, but several of them are loose and one of them levers up fairly easily, revealing Gertrude’s hidden stash. He digs around a bit but finds nothing else, only the laptop and the key. He sets both on his desk next to the concert program and goes to tell the others.

The laptop is dead, of course. Jon vaguely remembers seeing a charger for it when he was in Gertrude’s apartment, but he didn’t grab it then and it’s far too late to go back now. Luckily, Sasha’s laptop is almost the exact same model, so she simply swaps over the cable and lets it charge while they go over what they’ve found so far. Tim has three statements he thinks might be Stranger ones, but hasn’t looked at yet to be sure; Martin found a third statement involving the Daedalus, which Tim seems positive is a Dark statement, and another statement involving Salesa. Sasha hasn’t found anything in the filing cabinets—yet—but she does have Elias’ schedule, so they’re able to plan their briefings when they know they won’t be observed.

She also kindly hacks into Gertrude’s laptop for him, once it’s charged, and he spends most of Thursday painstakingly going through the files, emails, and Internet history. The latter is by far the most voluminous. It almost makes him laugh to discover the account name “grbookworm1818”—how had he not figured out that was Gertrude, attempting to buy Leitners? She seems to have obtained three, one of them being the copy of The Key of Solomon he found fragments of in the tunnels and the other two being ones he’s never seen or heard of. There are also purchase reports for Archival supplies, airline tickets and travel bookings, and sporadic but suspiciously large orders for petrol, lighter fluid, pesticides, and high-powered torches.

When he comes out of his office at the end of the day, eyes bleary and with no clear plan, he finds a number of dusty boxes scattered about and his assistants attempting to find space for them, but they refuse to tell him where they came from or what they’re for. The next morning, however, Martin and Tim usher him into one of the storage rooms they’ve never really got around to sorting out the second they arrive in the Archives. It’s completely empty, save a table, four chairs, a low set of shelves, a whiteboard, and a corkboard, to which Sasha is tacking a large map of the world. The shelves hold fourteen boxes of the kind designed to hold photographs, a large box of pushpins, three different-colored balls of string, and a laptop cord, ready and waiting.

“We thought we needed a war room,” Tim explains, obviously trying to fight back a grin. “You know, somewhere we can keep everything together and not…get mixed up with the rest of the work we’re doing.”

“Allegedly doing,” Sasha says over her shoulder. “I’m still not sure how much of this job is what was presented to us when we took it and how much is the sort of thing we’re doing right now…can one of you give me a hand here?” she adds as the upper corner of the map flops over onto her head, just above her outstretched hand. Tim comes over to assist.

Jon looks around, surprised and pleased, and opens his bag to pull out Gertrude’s laptop. “Why did you pick this room, out of curiosity?”

Martin pulls the door shut behind him. “The molding.”

“What?” Jon frowns at him.

Tim gives the map a firm stroke to smooth out any air bubbles and presses the pushpin deep into the cork, then turns to give Martin a warm, approving smile. “You know how Elias always seems to know what’s going on in the Archives whenever it’s least convenient for us? Martin realized why the other day.”

“It was an accident,” Martin insists, face turning slightly pink.

“It was brilliant.” Tim claps him on the shoulder. “Those fancy decorations at all the joins in the molding? You know, those elaborate carvings at the top of the fake columns and the corners of all the doorframes and whatnot?”

“Not…I’ve never paid much attention to them.” Jon’s only five foot seven, and since he’s never had to worry too much about clearance or anything like that he’s never really looked too much at anything over his head.

“It’s at the corners of all the shelves, too,” Martin offers. “At least the ones where the statements are stored, the ones that are pretty obviously original to the Institute. You know, with what looks like a medallion in the middle?”

Those Jon has seen. “It’s the Institute seal, isn’t it? Or the Magnus family crest?”

“That’s what I always thought, too, but Martin got a good look at one the other day while he was getting down a statement for me.” Sasha’s eyes sparkle behind her glasses, which instantly puts Jon on edge; these days, anything that excites Sasha is likely to have bad ramifications for them. “It’s an eye.”

“And if he can ‘see through any eye, real or image’…” Tim spreads his hands out invitingly.

Jon sets the laptop down harder than he probably should, eyes wide. “He’s been watching us through the moldings!”

“Yep. It’s anybody’s guess whether or not Gertrude knew about it. I ran it down right after I told them and got a lot of stammering and profanity. Although not from who you might expect,” Martin adds with just the tiniest bit of a smirk. Sasha practically cackles. “Anyway, this room doesn’t have anything like that, we double-checked. So we just…cleaned out all the stuff that was in here and set this up. Give us a bit of breathing room, anyway.”

“At least until Elias comes down to the Archives to figure out why he can’t see us easily,” Tim adds. “But, you know, it’s a head start.”

Jon is six inches shorter than Tim and a full nine inches shorter than Martin, so there’s no way to make it look less than deliberate if he attempts to give either one of them even the most casual kiss on the cheek, but good Lord, he wants to. Instead, he just beams at them both. “God, you’re brilliant. Right, let me get a cup of tea and we can get started.”

“I’m on it.” Martin slips out of the little room.

Sasha smirks at Jon behind Tim’s back, but he does his best to ignore her and focuses on the boxes. “What are these?”

“Tapes. We made copies of all the recordings we’ve done so far of the real statements and sorted them by which fear they belong to.” Sasha taps the lid of one of the boxes and indicates the label on the front. It’s a bright yellow set of concentric circles—no, Jon realizes, it’s a spiral. “Tim did the labels.”

Jon glances up at Tim, both impressed and worried. “You didn’t—”

“Nope.” Tim pulls out a box and shows him the label, simply the word US in a rich, vibrant green. “I don’t know how detailed the ‘image’ has to be, but I’m not risking it. Everything else I tried to do the symbols they described, or…something that made sense. Like antlers for the Hunt.”

“And the ink colors? Is that corresponding to—it’s not the labels we use.”

“No. Those are the colors I’m pretty sure the fears are.”

Martin comes back in with four mugs of tea. Jon takes his with a grateful smile. “Actually, let’s start there. We’ve never really talked about the colors, beyond…”

“What I told Elias,” Tim completes.

“And the little bit you described when you took a look at all of us.”

Tim takes his own mug from Martin, and for some reason Martin’s ears turn slightly pink. Jon’s distracted for a moment until Tim muses, “It’s…weird. Some of them are obvious. Like I said, it’s super obvious the Eye is green and the Stranger is indigo, because I saw that one at the Trophy Room with no other colors interfering. And the Corruption being yellow-green is obvious because of—”

“Me,” Martin finishes.

Tim nods. “And the Spiral being yellow—Christ, that door. The others I…sort of had to guess. Even with…you know…it was hard for me to suss out. The Eye is everywhere. Looking at him is like looking at the shelves in the Archives. The scars are pretty obvious, but not completely.” He frowns. “Like the Hunt and the Slaughter. They’re really close in color. I think the Slaughter’s got a bit more orange in it, the Hunt’s a true red, but especially under the cover of the Beholding, it’s hard to tell the difference. And, actually, sometimes it’s hard to tell the Stranger from the Web at a glance. I mean, until you really start looking at them. The Web is purple, so if it’s not by itself…I mean, it’s a subtle distinction.”

Jon glances uneasily at the carefully-inked purple spiderweb, then turns away. It still bothers him.

They manage to get nearly two hours into their discussion, moving from the colors to the Stranger threads they’ve picked up to what Jon’s gleaned from Gertrude’s laptop. Tim is just jabbing a pin into Nairobi on the map when Sasha stiffens and glances over her shoulder. “Incoming.”

Jon’s about to ask what she’s talking about when the door opens and Elias pokes his head in with a patently false smile. “Knock, knock.”

Tim and Martin make nearly identical noises of frustration. Jon clasps his hands behind his back and gives Elias his best I’m-annoyed-at-being-interrupted-but-you’re-my-superior-so-I’ll-be-polite look, which is only partly put-on. “Can we help you, Elias?”

“I simply wanted to see how you were progressing with finding out about the Unknowing.” Elias looks around the room with interest, and Jon has to work hard to use the tricks Jon Prime has been teaching him to keep his excitement from being obvious. Martin and Tim are right; Elias can’t see into this room. “What have you uncovered so far?”

Jon is immensely proud of his team. They manage to weave an incredibly tight explanation of how much they’ve learned, within limits, that doesn’t let on how much information they were given ahead of time, listing steps without revealing that anything other than chance led them to it. Elias completely acts the part of the mildly interested academic and bureaucrat, but he’s also obviously fishing for information. Martin does a masterful job of acting like he’s falling directly into Elias’ traps while neatly sidestepping them, Tim cracks jokes at the appropriate times to distract him while putting just enough bite into them that Elias will assume they’re simply angry and sarcastic jabs, and Sasha throws a flurry of technical terms into the discussion that are certainly relevant to the topic at hand but serve to make Elias change the tack of his questioning. Like Jon, she knows the value of a well-placed info dump.

There is no redirecting him from the map, however. While he must have known about Gertrude’s travels, at least in a general sense, it’s clear he knew little about her actual movements. Jon masks his reluctance with annoyance and gives Elias a clipped version of his findings.

“Is there any significance to the colors of pins you have used?” he asks, gesturing to the map, where they’ve been marking out Gertrude’s travels. “Or is it random? Or for the…aesthetic?”

“We were trying to do it by what year she took the trip, but we only have so many colors,” Jon answers. “We’ve just switched over. Red are trips that were very definitely expensed back to the Institute, white are ones that were not, and yellow are the ones where we aren’t quite sure.”

“Mm…Gertrude did request a rather high travel budget, comparatively. Of course, if the Archivist job was as simple as it is in other institutions, she would have required no travel whatsoever, but in her capacity to stop the rituals…” Elias seems particularly fascinated by the pin on Beijing. “Why is this one in blue?”

“We just haven’t swapped the pin over yet. That’s one of the last trips we have a record of in Gertrude’s laptop.” Tim tilts his head at Jon. “From, what, six months before she died?”

“Closer to nine. Actually, Martin, can you change that one out, please?” Jon gestures at the box. “It’s a yellow one, I think.”

Martin mumbles an excuse me and switches out the pin. Elias purses his lips thoughtfully. “I don’t recall there being a ritual anywhere near Beijing at the time. What could have sent her there?”

“No idea. What’s bothering me is that we don’t know where she went from there.”

That draws Elias’ attention away from the map and back to Jon. “Surely she came back to London.”

“No.” Jon folds his arms over his chest. “Or at least, not that we can find. As I said, we’re largely tracing these trips from booking confirmations sent to Gertrude’s email address, and she largely purchased one-way tickets. Her last flight purchased out of London was to Paris, and then she booked a flight from Paris to Beijing. From there…I don’t know. I suppose she was buying tickets as she went along. It’s not like her credit card statements list where the flights went, only what airlines she flew and when she purchased the tickets. No hotel accommodations, though. Doubtless she paid cash, or else Gerard paid for those.”

“Gerard?” Elias says with interest. “Gerard Keay? Who told you he was traveling with Gertrude?”

Panic strikes Jon. Most likely it’s something he gleaned from Jon Prime—but on the other hand, did the Primes actually mention that? Flustered, he stammers, “I—someone must have—”

“No, no one told you. You Knew.” Elias sounds delighted.

“I probably just—gleaned it from the statements.” Jon glances at the shelves.

“No, Jon, this is a good thing. You’re getting stronger! It’s one thing to be able to—” Elias gestures vaguely and almost dismissively at Tim and Martin “—glean something from somebody in the room, but just Knowing something like that, that’s a big step.”

He sounds like a proud father, and it makes Jon feel incredibly uncomfortable. He balls his hands into fists, gathering up the cuffs of the sweater he definitely didn’t steal from either Tim or Martin, to stop himself from reaching out to one of them for protection. It’s stupid. Elias won’t hurt him, not here, not now; he needs him too much. He knows he’s safe. It just feels…dangerous, and he wants them to make him feel safer. Rather than risk Elias knowing how much he depends on them and doing something about it, he grips the sweater.

Elias practically beams at him. “It seems to me your next step should be obvious.”

“It should?”

“You should start retracing her steps. Are her notes from this trip on there?”

“Ah—no.”

“Then you’ll need to go where she was. Find out where she stayed, what she did.” Elias clasps his hands behind his back. “Where she went from there. How soon do you think you can leave?”

Jon blinks. This is going a bit faster than he expected. He turns to Tim and Martin. “Do you two have a passport?”

Martin looks a bit stunned. “N-no, I’ve never—never needed one?”

“Mine’s still in good standing,” Tim answers. “But if Martin needs one, that’d be—what, four weeks, at a minimum?”

“Jon, I asked when you would be able to leave,” Elias says, mildly enough but with a bit of steel behind it. “Your assistants need to stay here. We do need to get all of this straightened out still, and there’s research that needs to be done from here. You can relay whatever information you find back to the Archives, and I’m sure they can assist you if needed, but really, the Institute can’t spare the funds to reimburse more than one of you for an extended trip.”

Jon is pretty sure that’s a lie, but he knows Elias won’t reimburse them, and he also knows that neither Tim nor Martin can actually afford to pay their own way to come along, not with the house payments and Martin’s mother’s medical bills. He sighs heavily and fights to maintain eye contact with Elias. “I can get a flight out Sunday night or Monday morning.”

“Monday will be fine,” Elias says without batting an eyelash. Jon knows Sunday, statistically speaking, is the most expensive day to fly, so anything to save the Institute a few pence, he supposes. “Well, it seems you’ve all done marvelously well. I think you all deserve to take a half-day today. With pay. Finish up what you need to do here, and you can leave at twelve. Jon, do keep me appraised of your flight information.” He flashes them an absolutely terrifying smile, turns on his heel, and leaves the room.

The second the door shuts behind him, Jon sags, bracing himself against the table. “God.”

Sasha collapses into a chair, looking absolutely wiped out. “Tell me about it.”

“Hold on.” Martin picks up Jon’s mug, then Sasha’s, and slips out of the room.

Tim tentatively reaches out and touches Jon’s arm. “Sit down before you fall down. You look almost as bad as she does.”

“I’m all right.” Jon sits down anyway, grateful for Tim’s concern.

A phone buzzes from somewhere; Jon instinctively reaches for his pocket before remembering that he hasn’t replaced it yet. He spent longer than he should have trying to resurrect his shattered phone after Martin silently handed him its remains, but finally had to give up. “Is that yours, Tim?”

“No, I think it’s Martin’s.”

With that rare sort of timing that almost never happens, Martin comes back in, bearing two brimming mugs of tea; he hands one to Sasha, then one to Jon. He has to bend over to do it, and Jon brushes a quick kiss against his cheek as it comes past before he loses his nerve, then tries to play it off like he didn’t notice he did it. “Your phone went off.”

Martin’s ears are pink, and he goes to pick up his phone rather quickly. He actually snorts with laughter and shakes his head, a slightly amused smile on his face as he taps out a reply.

“Everything okay?” Tim asks with a raised eyebrow.

“Yeah, it’s from Melanie. Just says ‘Jet lag sucks balls.’ I’m guessing she’s back in town.” Martin slips his phone into his pocket and sighs. “What do we do now?”

“Unfortunately,” Jon mutters, “I think we do what Elias said. Finish up what we’re doing here, and leave early.” He looks over at Sasha. “Are you okay?”

“I’m fine.” Sasha manages a smile that even Jon can tell is fake, then drops it immediately and sighs. “I was trying to keep on top of how much he knew, or thought we knew. It’s a weird sort of balancing act…thing. Like keeping just the right tension on a rope.”

“Sasha.” Martin sounds upset. “You were reading his mind?”

“Just—skimming the surface,” Sasha protests.

Jon sighs and pinches the bridge of his nose. “You have to stop doing that. I know it’s tempting. God knows I know that. But you can’t just—and you knew he was coming. Was that intentional?”

“Sort of. It’s not like I’m constantly trying to read his mind or whatever, but…I don’t know. I just got a sense of…something.”

“All right, Gwen Stacey,” Tim says with a smirk. “Jon’s right, though, you’ve got to quit feeding it or it’s going to start feeding on you.”

Sasha sighs heavily. “I’m…trying to try.”

“Well, it’s a start.” Jon takes a sip of tea.

They get the room straightened up, then head back into the Archives. Martin keeps periodically replying to text messages on his phone, but the others don’t ask. It’s not until Jon, having brought his laptop out to join the others, is finalizing his booking that he frowns at his screen and looks up at the others. “Melanie wants to know if the rest of you’d like to join us for lunch, seeing as we’ve got the afternoon off and everything.”

Jon hesitates. On the one hand, he’d like to decline; he and Melanie tend to prick at each other whenever they interact, despite his best intentions. On the other hand, he admittedly wants to spend as much time with Tim and Martin as he can before he leaves on this trip. Heaven knows how long he’ll be gone and he’ll miss them, he knows that.

“If I’m included in that,” he says at last, “I’d be honored.”

They lock up at twelve and head to the pub Jon has begun to think of as “theirs”, even though they don’t go often. It’s cool and overcast, and there are definite signs it rained earlier, most notably the worms on the sidewalk. Jon notices Martin carefully avoiding treading on them and reaches over to take his hand comfortingly just as Tim throws his arm around his shoulders from the other side. It makes Sasha laugh, which makes them laugh, too, and at least gets Martin to stop watching his feet.

Pat waves when they come in and gestures to one of the tables, and Martin steps forward with a warm smile as Melanie King rises from a chair and meets him with a hug that would probably make Jon jealous if he didn’t know Martin was gay, and also if he had any right to be jealous. “God, it is…surprisingly good to see you.”

Martin huffs a laugh. “I’m not sure how to take that.”

Melanie actually laughs and gives Martin a friendly punch on the arm. Martin laughs in earnest as he reels back in an exaggerated manner, rubbing at his arm. “Ow! Hey, I need that!”

“Sure.” Melanie turns and offers Sasha a smile and her hand. “Sasha, good to see you.”

“Good to see you, too.” Sasha shakes her hand, then turns slightly. “Sorry, don’t think we’ve met.”

Jon turns, too, and his brain pulls up short. She’s changed up her hairstyle and shed her glasses, there’s a tattoo peeking out from under the collar of her t-shirt, and he’s pretty sure there are a couple additional holes in her ears, but the smile is unmistakable to someone who’s spent six years running from it.

“Georgie,” he stammers.

Georgie Barker’s smile gets a bit more uncertain, but there’s at least no hostility in her eyes. “Jon, hello. I didn’t expect to see you.”

“I, ah—” Jon gestures vaguely, either at Martin or at Melanie, he’s not sure which.

Melanie shrugs. “I did say the invitation was open to everyone. Kind of didn’t expect you to accept, to be honest, but—”

“Frankly, it’s been a shit month and we’re an all-or-nothing deal right now,” Martin says. He looks slightly quizzical and slightly worried as he eyes Georgie. “I—did I talk to you on the phone once?”

“Right, introductions. Georgie Barker, Martin Blackwood, Sasha James, and—” Melanie waves at Tim. “I actually haven’t got a clue who you are.”

“There are some who call me….Tim?” Tim quips with an arch of the eyebrows.

It’s the right thing to say to diffuse the tension, especially as Melanie and Martin both let out exaggerated groans as Georgie, who consumed every bit of media even vaguely associated with Arthurian legend during a time when she was obsessed enough to qualify as a minor expert on the subject, bursts into laughter. The six of them arrange themselves around the table as Pat brings over a tray of pints, then takes their food orders and heads off to get them together.

Martin takes a sip of his pint and evidently starts to speak three times before saying in a carefully neutral voice, “I hope you had a…successful trip.”

Melanie lifts an eyebrow at him. “You were a lot less cagey before. Is it them?”

“No, I’m a bit tired,” Martin says. “Like I said, it’s been…a lot.” He hesitates, glancing at Georgie for a brief second, then evidently gives up. “Remember how I said we all had…weird stuff we could do? My thing is that I can make people answer questions when I ask them. And if I’m tired or not really paying attention, sometimes I do it without meaning to, and that’s not fair to you.”

“I don’t believe you.” Melanie folds her arms over her chest. “Prove it.”

Martin hesitates. “Okay, um…what made you so upset when I asked if you wanted to come to lunch with me when we met?”

“If you weren’t a bloke, you’d be exactly my type and I had just a second where I wondered if I was actually a lesbian,” Melanie answers automatically, then blinks. “Fuck.”

Martin’s face catches fire. Tim grins and winks. “That just proves you’ve got taste.”

“Yeah, well, still.” Melanie presses her lips tightly together. “S’pose I can’t get too mad. I did tell you to prove it. Not your fault I didn’t actually expect it to work.” She snorts. “Successful? Yeah, I guess. I found out what I went to find out. And I didn’t die, so…promise kept?” She shrugs. “I owe you the whole story, but maybe not here.”

“Come by the Institute on Monday,” Sasha offers. “We can get your statement—oh, right.” She looks at Jon. “That okay with you?”

“No, that’s fine. Ah, take your pick on who you want to tell it to,” Jon says to Melanie, indicating the other three. “I promise you don’t have to deal with me.”

“I don’t mind all that much,” Melanie says with a sideways glance at Georgie. “You’re not…actually that bad to talk to. At least you’re trying not to be a prick.”

Georgie turns a laugh into a cough. Jon studiously avoids looking at her. “Thank you, I think, but I didn’t mean that in a ‘you can choose to talk to someone else’ way. I meant that as in ‘I’m leaving on a business trip Monday morning, so I won’t even be there.’”

“A business trip—for an Archivist? What, are you going to the Library of Alexandria or something?”

“No, the last one blew that up,” Tim says under his breath.

Jon kicks Tim under the table. “Beijing. My…predecessor traveled there some time before her death, but she didn’t leave any notes behind on what she may have learned there. So, lucky me, I get to follow behind her and try to pick up a three-year-old trail.”

“You can’t tell me the idea of piecing together something like that doesn’t appeal to you,” Georgie says, sounding amused. “What’s your—hang on, what was it called—your PFX count these days?”

“I haven’t—yes, all right, I suppose the idea of the hunt’s not altogether unwelcome,” Jon admits. “I just…would really rather not be doing it right now. For God’s sake, I only just got back from my last—unexpected absence.”

Martin’s hand tightens on his glass. Tim takes a huge swallow of his. Georgie looks back and forth between the two of them, then frowns at Jon. “So why are you leaving so quickly? If it’s been three years, it’s not like the clues are going anywhere.”

“Yes, but the situation is…somewhat time-sensitive.”

“Critical,” Martin supplies.

“Life-or-death, you might say,” Tim offers.

Georgie’s frown deepens. “You’re an Archivist. Which I’m still wrapping my brain around, by the way. You were a researcher, Jon. I know you don’t just have a degree in library science lying around.”

“No,” Jon says with a sigh. “The Archives at the Magnus Institute are…interesting, let’s put it that way. Library training in the actual Archivist is surprisingly less important than you might think. Besides, we have Martin, and what he doesn’t know about organizing and categorizing isn’t worth knowing.”

“Christ.” Martin buries his face one hand. Both Sasha and Melanie snicker at him. If the two of them are going to be friends, Jon thinks, God help them all.

Only Georgie can manage to frown while simultaneously arching an eyebrow in a knowing fashion. Jon tries very hard to pretend he doesn’t understand what she thinks she knows. “So you have a degree in library science.”

“No,” Martin says, voice still muffled by his palm. “I don’t have a degree. But I worked in the library at the Institute for ten years before I got assigned to the Archives, so I kind of know what I’m doing.”

“Right. Still. What do you have to do, as an Archivist, in China, that is life or death?”

Protect my team, Jon wants to say but doesn’t. The ritual, according to the Primes, can’t succeed; Orsinov’s Unknowing will collapse on itself. They’re probably going to try to stop it anyway, because he doesn’t doubt that Orsinov will survive the ritual’s failure and try again, and they can’t let anyone else fall prey to that. This world tour, retracing Gertrude’s steps, won’t give them any information to help them with that. But Elias doesn’t know they know that, and Jon can’t risk what he might do to the people he loves if he doesn’t obey orders.

“It’s…a long story,” he tries.

Georgie shrugs. “I’ve done my recordings for the week and I’ve got plenty of time for editing. And I thought you got off early today.”

Pat turns up then with everyone’s lunch. Jon waits until he heads back behind the bar to say, “I don’t…know where to begin, honestly. Trust me when I say it’s all pretty unbelievable.”

“You’re an archivist. We left believable behind a while ago.”

“Ha, ha.” Jon gives Georgie his best glare. As usual, she sticks her tongue out at him and rolls her hand for him to continue. “I—really, I don’t know where to—”

“Jon.” Martin sets down his glass, reaches over, and covers Jon’s hand with his own. Jon meets his eyes instinctively. “In thirty words or less, what is the story behind this trip?”

“There are monsters in the world, tied to different fears,” Jon answers immediately. “They’re trying to reshape the world in their own image and basically kickstart the Apocalypse. We’re trying to stop them.”

Martin sits back, looking miserable, and it’s only then Jon registers the wash of static receding from his mind. “Sorry, Jon. I really should have asked first.”

Jon grabs Martin’s hand before he can pull it away and squeezes. “I’d have sat here dithering to the end of time if you hadn’t. Thank you, Martin.”

Martin manages a tentative smile. Georgie’s frown has eased back a little. “Huh. How many of these things are there?”

“Monsters? Or rituals?” Jon blinks at Georgie. “You believe me?”

“Well, yeah.” Georgie waves a hand as if to say duh. “It’s not like I didn’t know there are monsters in the world.”

Sasha’s hand tightens on her fork, and she pushes back from the table abruptly. “Be right back. I—I need a minute.” She strides purposefully for the front door.

“Sasha, don’t—” Jon begins to call after her, but too late; she’s out the door.

“Did I say something wrong?” Georgie looks concerned.

Martin sighs heavily. “I’m going to go out on a limb and assume you’ve seen…monsters before.”

“Yeah? What’s that got to do with anything?” Georgie asks with a deepening frown.

“Oh…damn.” Jon looks at Georgie, and now he can feel it, too—the static building behind his eyes, an almost imperceptible itch beneath his skin. This shouldn’t be happening, he’s taken two statements already this week, first Michael’s and then Tim and Martin’s, and even if Sasha siphoned off most of that one…he can’t possibly need one this badly, not now. But it’s not need, it’s want, it’s a desire at this point, so he can fight it…

“The Institute serves one of those fear things we’re talking about,” Tim tells her, his voice subdued. “In our case, it’s about knowledge and secrets and…hidden information and stuff like that. We usually just call it the Eye, it’s quicker than most of the other names. But one of the ways it sort of feeds itself is with other people’s stories of their spooky encounters. Usually with something touched by one of the other beings.”

“You’ve got a story to tell,” Martin explains. “The Eye wants it. And Sasha and Jon can both…” He hesitates, looking at Jon. “Sense it?”

“Better than saying ‘smell it,’ I suppose,” Jon says softly. He takes a deep breath and closes his eyes, forcing the static back.

Georgie blinks. “I mean…I’ll tell you about it. If you want.”

“That…would probably not be a good idea. I can’t—we can’t take but so many statements in any given period of time.” Jon opens his eyes, feeling a bit calmer. “Not without wearing ourselves out, or hurting ourselves. And I’ve had two already this week.”

“And we’ve had one each,” Tim adds, gesturing to himself and Martin. “Right? You just read—”

“Statement of Manuela Dominguez, regarding her unconventional religious beliefs and their intersection with her project aboard the space station Daedalus,” Martin recites. “And you read yours yesterday, it was—”

“Not, as it turns out, a Stranger statement. The Web. Statement of Darren Harlow, regarding a failed psychology experiment at the University of Surrey.” Tim rubs his forehead and sighs. “Actually, I need to talk to you two about that one. We may have a problem.”

Melanie looks back and forth between the two of them, blinking. Jon sighs, too. “Anyway, yes, it’s…there’s a lot. The ritual we’re trying to stop right now is the Stranger’s. It’s—kind of the opposite of the Eye? The ritual’s called the Unknowing. We’re still piecing together what it’s all about, but anyway, that’s what I’m about to go haring off around the world about. Which I would really rather not do, but I don’t have much of a choice. Our boss made that perfectly clear.” He can’t keep the bitterness out of his voice.

Sasha comes back in, looking much calmer, and slips back into her seat with an apology. Melanie looks at Tim. “So what about you, then? If he can ask questions and make people answer, and they can tell when someone’s got a story—”

“It’s not quite that. It’s more—” Sasha spreads out her hands. “Less stories and more secrets. Things people haven’t told. At least, that’s how it is for me. The ones who come to make statements and will talk to anyone, they’re not as interesting to me. It’s the ones who just…don’t want to talk about it, I guess. Or choose not to. Sometimes I know things without meaning to, but I’m trying to throttle that back. Jon is more…all of it.”

Jon nods. “I have the—the question thing, too. And the knowing, although it’s not just hidden things, it’s facts or important information. It’s not as bad as it could be, but it’s getting worse. On top of that, there’s the compulsion to read out the statements, and…it’s just a lot.”

“None of which actually answers my question,” Melanie says. “What did you get out of all this?”

“Oh. I can…look at people, or things, and see if they’ve had anything to do with one of the fear…things,” Tim says. “They glow different colors.”

“You can see auras,” Georgie supplies.

“Not—exactly. I mean, I can’t say ‘oh, you have a calm personality’ or ‘you’re a very troubled person’ or anything like that. But if you’ve bumped into one of the powers, if I concentrate, I can see where it marked you and…usually figure out from there.”

Georgie folds her hands on the table and meets his eye. “What color is mine, then? Or am I making it up?”

Tim hesitates, then takes a deep breath. His eyes go slightly unfocused, and Jon feels the faint crackle of static—not quite the same as when Martin asks questions or Sasha blurts out a secret, but close, like the dial on a disused radio station turned a single click in a different direction. After a moment, Tim’s shoulders relax and he blinks. “White. Bright white. The one you’ve met is Terminus. The End.” He hesitates. “Death. Am I right?”

There’s a short pause before Georgie looks at Jon and says, “You’ve got a good bunch here.”

Jon looks at both Tim and Martin and says, softly, “I know.”

#ollie writes fanfic #leaves too high to touch (roots too strong to fall)#tma #the magnus archives #jonmartim #emotional manipulation tw #implied blackmail tw #slight misuse of beholding powers

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soveryanon · 5 years ago

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Reviewing time for MAG158 TT_____TT

- Saying the most obvious and unspecific first: this was a very packed, very dense episode which managed to cram so much in just 20 minutes? I’ve relistened to it many times, and I still feel like I’m coming out of it breathless and reeling every time. So many things happening, about the past, about the present, about possible future implications? So many things finally exploding in our faces after having been introduced and/or kept as hanging threats since the beginning of the season, or earlier (Leitner had warned Jon that he had only trapped the Not!Them, not killed it), or later: Peter’s plans, Martin’s perception of the events, Elias’s agenda, what the tunnels had been hiding all along, Julia&Trevor attacking after their previous retreat, Daisy and the call of The Hunt, Jon’s worry for Martin…

The climax of each season had also been the occasion to take a look at who had been lost and how they had impacted characters: in season 1, Jon was explaining that he still wanted to know what had happened to Gertrude (MAG039: “And to top it all, I still don’t know what happened to Gertrude. Officially she’s still missing, but Elias is no help and the police were pretty clear that the wait to call her dead is just a formality. If I die, wormfood or… something else, whatever, I’m going to make damn sure the same doesn’t happen to me.”). In season 2, Jon was realising that Sasha had been dead all along, and given a probable culprit for Gertrude’s murder through Leitner’s mouth (MAG080: “And Sasha… The real one?” “Was that her name? I’m afraid she’s gone. Whatever it does to those it takes, they don’t come back. She’s dead. … Do you need a moment?” / “I believe it was Elias.” “What? Why?” “I assume he discovered we were planning to destroy the Archives.”). In season 3, Gertrude and Leitner(‘s bodies) came back to literally haunt Jon, puppetted by Stranger creatures during The Unknowing, after Nikola had toyed with Jon about Sasha:

(MAG119) NIKOLA: Oh, you caught me~ I’m… Sasha! ARCHIVIST: Shut up! NIKOLA: No~! Really, it’s me! Sasha– whatever her name was! Back from the dead, just like you wanted~! ARCHIVIST: Get away from me, or, or I swear I’ll… I’ll… […] GERTRUDE: This is your fault. ARCHIVIST: It is not! It’s not, I didn’t know, it’s not my fault you died! LEITNER: No, I suppose not. Me, on the other hand…

MAG158 opened hostilities right away: Peter mentioned Tim (and got immediately shut down by Martin), was using a Leitner book covered in the man’s blood, and then proceeded to free the Not!Them, who was still using its voice from the Not!Sasha time (so maybe a bit of that physical appearance, too?), while Jon, Basira and Daisy got to listen to what appeared to be a recording of Elias and Gertrude’s last interaction and the latter’s murder:

(MAG158) PETER: [INHALE] I’m sure– … what was his name? … Tim! Tim would– MARTIN: I’d really– … rather not talk about it, Peter. […] PETER: Not to mention, if they do change, well – I happen to have something that will change them back. MARTIN: … That’s a Leitner. PETER: It is! MARTIN: And the, em… the blood on it? PETER: That’s Leitner too! MARTIN: … Riiight…

[…] MARTIN: Pe–Peter? Peter, there’s a– … Peter, I think there’s something in there… PETER: Mm-mm. I’d stay quiet if I were you. [SOUND OF STONE AND BRICK SHIFTING, LOUDER] NOT!SASHA: [MUFFLED, HEAVILY DISTORTED] Jooo–ooon~! [SOUND OF STONE AND BRICK SHIFTING, LOUDER, THEN GRADUALLY STOPPING] NOT!SASHA: [HEAVILY DISTORTED] [PANTS] So you finally decided to let me out, Jon! Joooo–oooon~! … Who’s there? MARTIN: [PANICKED BREATHING]

[…] ARCHIVIST: Do you remember what happened to Sasha? BASIRA: That’s the thing that took her? ARCHIVIST: It was trapped in the tunnels, it– Martin. Something’s happening down there.

[…] GERTRUDE: I’m not really in the mood for nostalgia, Elias. You might have noticed I’m rather busy, so either shoot me or– [ONE GUNSHOT] GERTRUDE: [GASP] [BODY COLLAPSING] GERTRUDE: … Well… there it is… I thought it would hurt more… [GUN BEING PUT AWAY] ELIAS: [SIGH] Pity.

From the start, the episode was a concentration of the people who have been lost, while on the verge of losing more (Daisy losing herself to The Hunt; Martin being wooshed into The Lonely; Jon on the verge of “drowning” while pursuing Martin). This time, it was even more destabilising that we covered events from before the beginning of the series, even though they had been open questions and recurring subjects: Elias/Jonah’s relation to the Institute, the fact that the Archival staff was bound to him/it, Gertrude’s death.

And it happened when everything was going to hell at the same time: there was such a wonderful contrast between Martin and Peter (and Elias’s)’s scenes, which were slow, gave place to words (words and steps echoing over the constant wind-like constant whispers (?) of the Panopticon), and the utter chaos reigning in the Archives, the gunshots and the screams and the mess provoked in Julia, Trevor, the Not!Them and then Daisy’s wakes…

(If I have to pinpoint moments I’m holding a bit dearer than the others, outside of Elias’s laughter (I mean, yeah, that sure happened? I might have relistened to the isolated track a few dozens of time and I still can’t believe it happened), it would be Daisy’s “Promise me.” and Martin’s “Funny. Looks like I was right the first time – it’s probably still a good way to get killed.” because both broke my heart for various reasons. I’ve always been ridiculously weak to the deep background sound that we heard during Martin’s tirade (I mostly associate it to MAG081) – it always gives an atmosphere of solemnity, of gravity, and it just matched perfectly the way Martin was explaining himself, telling his own story. … Almost giving his own statement, or testament.)

OKAY, NOW, THE MEAT OF THINGS. I know, the length of this post doesn’t give it away, but… I’ll go quicker and less rambly than usual, there was simply too much and I only got a week (minus one day bc delay) *cries* (this episode was excellent, okay).

- Gertrude’s murder! Fucking finally:

(MAG043) ARCHIVIST: Part of me worries about what I might find on these tapes, but a… bigger part of me worries that I will find nothing. This uncertainty is wearing on me. And I don’t know how much more I can take.

(MAG052) ARCHIVIST: […] No luck with any of my other leads yet. At least I have another of Gertrude’s tapes. It’s always going to be a shot in the dark with them, but… hopefully an informative one. I know the secret to her death is on one of them, it must be. I just… I hope I don’t have to hear it first-hand.

(MAG066) ARCHIVIST: Gertrude’s laptop has been rather… interesting. Unfortunately, nothing along the lines of “my_murderer.avi”, and she didn’t keep any sort of diary from what I can see.

Well, “my_murderer.wav” heard first-hand counts, right?

* In the same episode, Jon had noticed previous orders made on her computer; Leitner had told Jon that she was planning to destroy the Archives and Elias had mentioned “arson”, so yep! She had indeed tried to get rid of the problem that way:

(MAG066) ARCHIVIST: There’s also the matter of the products she was ordering. There were several online orders of petrol, lighter fluid, pesticides, and high-powered torches. They are sporadic, but notable in that she did not drive, smoke or work in pest control.

(MAG080) ELIAS: What did you want from him? LEITNER: The files. The ones you took from Gertrude. ELIAS: Planning a little light arson, are we Jurgen? LEITNER: It’s not just the Institute and you know it. They had everything she had found on the Stranger.

(MAG158) [GURGLING LIQUID] [DOOR OPENS] ELIAS: Gertrude. GERTRUDE: [SIGH] … Damn… ELIAS: Did you really think I wouldn’t notice? GERTRUDE: I’d rather hoped you’d still be hampered with all The Dark’s business. […] Shame, really; I used to be able to torch a building in half the time. [SIGH] Age catches us all. […] ELIAS: What exactly were you hoping to achieve here? Why not come at me directly instead of burning everything first? GERTRUDE: I was rather hoping the fire would occupy you while I did just that.

It sounded obvious, especially given how Elias had behaved when Martin had begun to burn statements, but it hadn’t been definitely confirmed until now. Once again, was Gertrude’s fondness for fire and explosions (the old Archives in Alexandria, The Last Feast, the plan for The Unknowing) influenced by her being bound to Agnes from The Desolation…? She seemed to favour these options a lot.

* HHHHHHHHHHHH So, the trick Gertrude had pulled was: Elias was supposed to be distracted because keeping an eye on a ritual attempt (to make sure The Dark ritual derailed okay), then grabbing his attention by setting fire to the Archives, while her real plan lay elsewhere (going down in the tunnels to reach his body and kill it).

(MAG158) GERTRUDE: I’d rather hoped you’d still be hampered with all The Dark’s business. [DOOR CLOSES] It’s their… “Grand Eclipse” at the moment, isn’t it? ELIAS: [SIGH] But I think we’ve both come to the same conclusion about that. That’s why you’re here. […] So you burn the place down, use it as cover to reach my body, and then we die together.

That’s… that was the exact same plan Martin carried out: knowing that Elias would be keeping an Eye on The Unknowing, grabbing his attention by burning statements in the Archives, while the real plan was elsewhere (Melanie stealing evidence to convict him). I’m not sure if, back then, Elias had felt like déjà-vu and planned accordingly, only pretending to get fooled (we now have confirmation that he could have left prison anytime anyway), or if he fell for it twice… well. He hadn’t fallen for it with Gertrude, but knew that The Dark wouldn’t be a real threat (while The Unknowing still was… presumably).

(… But it’s also what Elias had been doing all through season 4 with Martin, The Extinction and Jon: partially keeping Martin occupied with The Extinction, distracting him with the fact that Peter & Elias had something on the line… while the actual plan was most likely to get something out of Jon through Martin.)

* I’m so so so fond of the way Gertrude was putting emphasis on the name “Elias” as soon as he entered – she wasn’t hiding that she knew about him from the start:

(MAG158) GERTRUDE: [SIGH] Age catches us all. … Well. Almost all of us, Elias. ELIAS: You were the one so… insistent on staying human.

(And it took Jonah!Elias a while to catch on to that, when she mentioned his body. Did he know that she knew, and the only reveal was that she had understood that his old body was a weak spot?)

* Goooods, sound-wise the episode was a treat, but the nonverbal “answers” through sounds (which were directly putting pictures in mind), when Gertrude flicked her lighter and we could hear Elias cocking a gun in return?

(MAG158) ELIAS: … Quite. It… was a good plan, actually. If you hadn’t been so complacent about me keeping an eye out down here, probably would have worked. [HUFF] “Gertrude’s grand retirement”…! GERTRUDE: It still might. Just needs a little [OPENING A ZIPPO] spark, and… [COCKED GUN] GERTRUDE: I see. So you’re finally getting your hands dirty. I must really have caught you off-guard.

I love that no description was needed, just sounds perfectly carrying across what was happening, a gesture leading to another, each holding their own weapon through the verbal duel.

* WHY AM I GETTING FUEL (ha) TO SHIP GERTRUDE/ELIAS A BIT MORE, I mean, there is definite Aesthetic in the way… they had been around each other for a long while (almost a fourth of Jonah’s “life”/lives?):

(MAG158) ELIAS: So you burn the place down, use it as cover to reach my body, and then we die together. [CHUCKLE] How… poetic. Doesn’t seem like your style at all. […] I suppose we both got a little complacent. Fifty years is a long time! [CHUCKLE] “End of an era”. GERTRUDE: I’m not really in the mood for nostalgia, Elias. You might have noticed I’m rather busy, so either shoot me or– [ONE GUNSHOT] GERTRUDE: [GASP] [BODY COLLAPSING] GERTRUDE: … Well… there it is… I thought it would hurt more… [GUN BEING PUT AWAY] ELIAS: [SIGH] Pity.

So familiar and intimate in a way? And, uh, Elias was still regretting her death. So somehow, she would still have been a viable option for The Watcher’s Crown, or still usable as an Eye agent, if she hadn’t tried to burn the place down? Aouch. What does it take to not be a viable option…?

* The thing about Gertrude’s age echoed Eric’s comment about it:

(MAG154) GERTRUDE: Well, it’s… good to see you, I suppose. ERIC: You too. … You got old. GERTRUDE: Better than being dead. ERIC: [HUFF] Fair enough. To be honest, I’m impressed, more than anything. Hard to get old in this business; you either die or you, er… “stay young”.

(MAG158) GERTRUDE: [SIGH] Age catches us all. … Well. Almost all of us, Elias. ELIAS: You were the one so… insistent on staying human. GERTRUDE: And no doubt that makes my death a lot less complicated.

And if Jonah had indeed been body-hopping from Head of the Institute to Head of the Institute, he was stopping at middle-age: Jon had mentioned that James Wright had been director from 1973 to 1996, so around 23 years. And we have, in parallel, Jonah’s actual body… which keeps getting older apparently:

(MAG158) MARTIN: Curren–… [QUICK FOOTSTEPS] [SHARP BREATHING] … Who is that? PETER: Jonah Magnus! His… body, at least. Sitting here; watching; binding it all together; growing ever older.

(Also, confirmation that Jon’s comment in MAG001 about Gertrude having been Head Archivist for fifty years wasn’t an exaggeration, since Jonah!Elias said the same. … Meanwhile, Jon has been Archivist for only three years and… is already reaching that level of disaster. Either Elias was really lucky circumstances-wise or regarding Jon’s personality, either he reaaaally played his cards well, holy heck.)

* That friggin’ scene:

(MAG158) GERTRUDE: I’m not really in the mood for nostalgia, Elias. You might have noticed I’m rather busy, so either shoot me or– [ONE GUNSHOT] GERTRUDE: [GASP]

To quote Melanie in MAG147: “… Famous last words.”

But also: brfehdjngfd I’m so upset about TIM, because this? This???

(MAG104) TIM: Okay – well, let me tell you what. If you want me to ignore everything that’s going on, forget my brother, and everything that’s happened over the last two years… how about you kill me? ELIAS: … I don’t want it to come to that. TIM: Well, me either. But here we are! So my proposal for you is this: either kill me, or fuck off. ELIAS: … I’ll come back– TIM: [EXPLOSIVE SIGH] ELIAS: –when you’re feeling more… reasonable.

Tim dodged a LITERAL BULLET, and what might have been Elias’s thoughts in MAG104? When the scene happened in the Archives (not sure whether it was in the same office but I’m pretty sure it was the same sound effect for the door), when Tim used the same reasoning, and when Elias just left, this time? (Did he spare Tim because Tim wasn’t an actual threat back then, more bark than bite, or because he still had use for him, or both…? I’ve always wondered if Elias hadn’t been a bit fond of Tim, in a cat-playing-with-a-mouse way, because of the way he technically gave him advice on how to handle The Eye’s binding in MAG090 and acknowledged that the Institute could be a lot for the people working there… It was definitely keeping Tim in check, sure, but Tim was just sulking in his corner and back from his fleeing attempt, it wasn’t necessary to make him feel less bad…?)

* fdsjcxnerfds I’m half mad half??? Hysterical??? That every season is still ending on a big “what truly happened to Gertrude” note because THE TAPE WE HEARD RAISED MORE QUESTIONS THAN IT ANSWERED:

-> There is the question of Gertrude’s fears. In MAG157, Adelard raised a good question about whether Gertrude was as stone-cold as we thought or was just very good at dissimulating… and she still didn’t sound that scared when Elias shot her? But Oliver had described her as looking absolutely terrorised:

(MAG011, “Antonio Blake”) “I could see none of the figure’s body beneath the flesh that enclosed them, but as I moved around I saw the face was uncovered. It was your face and the expression upon it was far more fearful than any I had seen in eight years of wandering this twilight city. That was when I awoke.”

(MAG158) [ONE GUNSHOT] GERTRUDE: [GASP] [BODY COLLAPSING] GERTRUDE: … Well… there it is… I thought it would hurt more…

She could have been dissimulating how truly afraid she was, but. Mmmm. She didn’t sound like she was afraid of Elias – just a bit annoyed at having been interrupted.

-> Their dialogue set that scene in March 2015, when The Dark was carrying out its ritual attempt.

(MAG158) GERTRUDE: I’d rather hoped you’d still be hampered with all The Dark’s business. [DOOR CLOSES] It’s their… “Grand Eclipse” at the moment, isn’t it?

Elias had told Jon that blood had been found in Gertrude’s office on March 15th, 2015, and that the police had established that it was Gertrude’s blood, and that such a blood loss led them to conclude that she was dead (MAG040). But March 15th was one day after Oliver’s statement (MAG011), whose dreams put Gertrude’s Planned End around March 22nd; it doesn’t match the peak of The Dark’s ritual (with the eclipse over Ny-Ålesund having happened on March 20th) either. ………………… and it still doesn’t explain why we have a tape of Gertrude reading a statement on April 4th, 2015 (when she should be dead-dead). The other problem with MAG087 is that Jon, in his post-statement, also behaved as if Gertrude had died in March 2016; he said it was a recording from one year prior to her death, when she said the date was 2015 and was reading a statement from October 2014 (can’t read a statement from October 2014 if the actual recording date was in April 2014 and she had accidentally pronounced the recording date wrong, right?), and when Jon himself pointed out that according to the recording, Jude Perry, mentioned by Gertrude, was still living in London two years earlier (Jon was recording in March-April 2017: if Gertrude’s tape was from 2014, that would have been three years earlier). So, I would be more willing to think that Jon didn’t catch on to the fact that Gertrude was still kicking a few weeks after her official date of death rather than accept that there were three consecutive timeline mistakes in that episode. Gertrude had also mentioned in her post-statement (officially on April 4th) that:

(MAG087) GERTRUDE: […] I had assumed Orsinov and her ilk would have spent more time searching for their precious skin, maybe even acting against me directly, before they started alternate preparations. I had hoped I’d have a chance to recover. I can still barely stand.

… she had recently been injured. Could be about the taxidermy shop, when she took the gorilla skin, but we still don’t know for sure. Even if she had been protected from a fatal injury (plain old bulletproof vest covered with blood sacks? Supernatural protection?), that would still have been enough to be severely injured, especially at her age.

-> Elias and Gertrude didn’t say it outright but implied it clearly enough:

(MAG158) ELIAS: So you burn the place down, use it as cover to reach my body, and then we die together. [CHUCKLE] How… poetic. Doesn’t seem like your style at all. GERTRUDE: I wasn’t actually planning on dying. ELIAS: And how exactly were you planning on achieving that while you’re still bound to the… ha. Oh, I see. Very clever. [CHUCKLE] I thought Eric was the only one to figure that little morsel out.

The plan for Gertrude was to reach the Panopticon, gouge her eyes out, kill Jonah’s body for real to neutralise him, and escape the fallout. Which would have meant becoming blind and cutting her connection to The Eye before moving on to neutralising The Unknowing. In October 2014, so shortly before Gerry’s death, she was still speculating that she would need someone tied to The Eye to stop The Stranger (and she had told Gerry that she had a secret storage unit; so she already had the explosives in mind, it was requiring both):

(MAG137) GERTRUDE: Doesn’t help with The Unknowing, though. [HEAVY SIGH] We still have Dekker’s back-up plan, of course, but… it’s very risky. To be sure, I–I think the detonation would need to happen from within The Unknowing, while it was going on. Gerard may have a connection to The Eye, but I’m not convinced it will be enough.

… if she had cut her own connection to The Eye, she wouldn’t have been a viable sacrifice either. So why try to neutralise Elias before The Unknowing, while sacrificing her chances at stopping the latter?

-> Biggest problem:

(MAG040) ARCHIVIST: Martin… How did Gertrude Robinson die? MARTIN: … I don’t know. Not for sure; it was so dark, and I only saw the body for a few seconds. The police were quite clear that the cause of death could be absolutely any– ARCHIVIST: Martin, how did she die? MARTIN: She was shot! Three times, that I could see. … Three shots to the chest.

(MAG158) [ONE GUNSHOT] GERTRUDE: [GASP] [BODY COLLAPSING]

Three holes vs. one gunshot. I mean, sure, I can picture Elias placing her down in the tunnels and putting two more bullets in her body “just in case” (or noticing she wasn’t dead already and correcting that. Or a few spiders making a nest in her body. Or Michael stabbing her a few times). But as long as Elias doesn’t confirm, I…………. think it might be very likely that she didn’t die in the tape we heard, but that she bluffed and went off the grid at this point, and that something else caught her later?

It’s absolutely possible that no, actually, she did die there, and some things will click in place (and/or that I’m reading things wrong) but. What would have been enough to make her so afraid, as Oliver had described…? (………… something related to The Extinction, that she had downplayed so much? Something related to Adelard, who had officially died some time before?) (And there are still some dates problems aaaaarg.)

(- We heard Gertrude’s (as of now) official demise from the past, with a tape recorder apparently clicking on on its own… So I wonder: would it be possible to hear even more sneaky tapes from the past? Jon’s hiring around 2012, or his appointment as Head Archivist? Martin’s hiring (in 2009 or earlier), or how he came to work for The Archives (we still don’t know whether Elias put him there, whether Martin volunteered, or if somehow, Martin had asked to come down with Jon)? Gertrude has also mentioned the chat she had with Elias right after he body-hopped into this body (so 1996 or before)…)

- There is still a Story behind The Dark’s ritual attempt, too!

(MAG143) MANUELA: And then… it stopped. It just… stopped. All at once, that loving embrace was stripped from us, and it began to retreat, to recede back into the place that it had come from. We were so close…! … We were so close… I heard Maxwell cry out, scrambling desperately into the Dark Sun, stopping just short of touching it. But it was too late. Whatever it was that you and your Archivist did, it clearly worked.

Elias and Gertrude had understood why it wouldn’t work, and I wonder if it has to do with Manuela’s statement from July 2014 (MAG135), since it was a direct challenge to the both of them? I still don’t have a clue about why it failed, but I’m assuming that it’s been right under our nose all along…

(The only thing I’ve managed to notice is that it was right around the time that Evan Lukas died; could be absolutely unrelated, but… but. It doesn’t feel like we know the full story about Evan either?)

(Also, confirmation that Elias was UTTERLY FULL OF SHIT ABOUT IT!! BASTARD KNEW!!!

(MAG135) ELIAS: I have been observing a recent increase in people and supplies being moved to the small town of Ny-Ålesund, in Svalbard. An increase which I believe may be linked to a rather desperate attempt, by the People’s Church of the Divine Host, to perform a crude ritual of their own. To bring their… “Mr. Pitch”… into the world. […] If Gertrude had a plan for this one, I haven’t found it, which is why Jon needs to be closer to The Eye. If anyone can stop what’s happening, he can. See through the darkness, etcetera.

To his credit: it doesn’t seem like Gertrude actively stopped that one, but rather that it failed on his own… so he indeed didn’t know about her potential plans (since they weren’t necessary in the end). And he did point out to Basira that the Aurora Borealis were ~lovely~ in the current season, so. The increase of people/supplies. Might. Have. Just Been. Because of the touristic season. Fucker.)

- It Is Always A Good Time to remember that Elias had once called Jon “dramatic”:

(MAG067) ELIAS: Oh, good lord, don’t be so dramatic, Jon! You know how hard it would be to replace you! ARCHIVIST: I–I don’t, actually. But… thank you. I suppose.

Mister “Making Sure My Entrance Is The Most Dramatic Entrance That Ever Entrance’d” and “Planning My Lines Ahead So I GO BACK TO TRYING TO SAY THEM, DON’T INTERRUPT ME, JON”…

(MAG158) MARTIN: [SHAKY INHALE] … Where are his eyes? ELIAS: Exactly– MARTIN: [GASP] ELIAS: –where they’ve always been, Martin. Watching over my Institute.

[…] ARCHIVIST: What is this place? ELIAS: Hm! A complicated question, and time is– ARCHIVIST: [STATIC] That’s the Panopticon… […] “But”? ELIAS: “But” for Martin? Time is very much of the essence.

… had called Jon dramatic.

Asshole had the line “time is (very much) of the essence” and desperately wanted to place it, uh.

- I’m a bit sad over the Jonah Reveal, because the idea that our “Elias” was actually truly an old lazy student and pothead turned absolute fanatical zealot (and/or the idea that other avatars kept assuming he was actually Jonah Magnus when he wasn’t) cracked me up so much! Would sure have been a different story than Your Antagonist Is Actually An Old Victorian Asshole Who Didn’t Want To Die, but it makes a lot of sense and we’ve had so, so many little things pointing out in that direction:

(MAG049) ARCHIVIST: Supplemental. Elias Bouchard is a difficult man to pin down, certainly since he became head of the Institute in 1996, taking over from James Wright, who ran the place from ‘73 until he passed away. It was a remarkably fast climb to the top, as from what I can find, it looks like he only joined the Institute five years before, in 1991, working in the Artefact Storage. Perhaps he was simply that impressive. Certainly, the Elias I know now is almost unmatched in terms of paranormal knowledge. Well. Theoretical knowledge, at least. And yet, everything I found out about his life before the Institute seems… an ill fit with the austere man I know. He apparently graduated with a Third from Christ Church’s College in PPE, and I found an old gossip column in the student newspaper that – sure well – that mentioned him. If I’m not reading too much into it, the implication seems to be that he was… something of a… pothead [CHUCKLES]. Was he… like that when he first came to work here…?

(MAG092) ELIAS: Jonah Magnus did leave him in that place, Jon. He got the letter, oh yes, and was on good terms with Mordechai Lukas. He could have interceded, perhaps even saved him, but he did not. And it was not out of malice, or because he lacked affection for Barnabas Bennett: he retrieved those bones sadly enough when the time came. Bones that you can still find in my office, if you know where to look. No, it was because he was curious. Because he had to know, to watch and see it all. That’s what this place is, Jon, never forget it. You may believe yourself to have friends, to have confidantes, but in the end, all they are, is something for you to watch, to know, and ultimately to discard. This, at least, Gertrude understood.

(MAG096) DAISY: El–Elias didn’t say. ARCHIVIST: No, he doesn’t, uh… He’s not big on micromanagement. SARAH: It’s Elias now, then? ARCHIVIST: [WHISPERING] What? DAISY: Get on with it.

(MAG101) NIKOLA: Is it… your Elias who listens? Helloooooo! […] So, Elias, can I call you Elias?, let me set the scene, as I know you can’t actually see this. […] You know Elias, can I call you Elias?, you have not raised this one very well! […] Oh, no, I’m afraid he can’t See, can you Elias?, can I call you Elias? – what’s the point of having a secret place of power if you can’t hide it from a big stupid eye?

(MAG135, Manuela Dominguez) “When you read this, I would consider it a great favour if you could share my words with the Head of your Institute. Tell him that Maxwell Rayner sends his regards and offers… sanctuary. A time of holy Darkness is at hand, when The Eye will close forever, and in the spirit of the friendship they once shared, he offers an opportunity – to surrender.”

(MAG138, Robert Smirke) “I beg you, do not pursue this goal; if only a single lesson may be gleaned from my life of long study, and longer hardship, it is that the fear of Death is natural, and to flee from it will only bring greater misery. Repent of your sins, Jonah. Seek forgiveness. I am certain the Dread Powers cannot take a soul that keeps faith in the Resurrection.”

(MAG148) ARCHIVIST: [SIGH] Did he mention it at all? My, uh… BASIRA: Oh, your new diet? Nothing useful. Didn’t seem too fazed by it. ARCHIVIST: [LONG SIGH] Right. BASIRA: What? ARCHIVIST: … I–I don’t know, I mean… We still don’t really know… what Elias actually is…? I thought… Maybe if he was more like me than we realised…

So at this point: it was a popular suspicion/theory amongst viewers, but amongst characters, too – at least, Basira wasn’t fazed and seemed to take it as confirmation of a suspicion more than anything:

(MAG158) ARCHIVIST: Uh– yes. And I’d wager that Elias’s body, uh… BASIRA: Gotta be Jonah Magnus, right? ARCHIVIST: I’d say so. BASIRA: [SIGH] And he’s been body-hopping like whatever was in Rayner.

And Martin was surprised by Elias suddenly being there (who wouldn’t be?) but didn’t seem too surprised about the reveal in itself either. Same with Jon, who quickly accepted it – not as casually as Basira, and he seemed to have been shaken/startled by something, but still very smoothly.

I’m satisfied by the way it was done in this episode – Jonah’s body being discovered as Elias revealed himself and as the (last?) conversation between him and Gertrude played. And YES, his entrance and reveal was EXTREMELY DRAMATIC, but it was also so damn good and chilling. Plus, there was the surprise factor of the fact that he’s apparently body-hopping by plugging his ~eyes~ into his hosts? Which fits and is a very neat contrast to the way to escape the Institute’s binding, as Eric and Melanie demonstrated (making sure to destroy their own eyes).

- Still gonna call him “Elias” as long as we don’t know much about who Real OG Pothead Elias was, I’m not in denial over the fact it’s Jonah Magnus, right? But he was called Elias for so long that it stuck.

And I’m laughing a bit that in-series, it seems to be the same thing for Jon? He still called him “Elias”, and Gertrude and Peter did the same; only Martin corrected himself and went with “Jonah” like a good boy:

(MAG158) ARCHIVIST: But Elias put him in charge, that doesn’t make any–! […] ELIAS: Peter. PETER: Elias. […] MARTIN: Elias– … Jonah had nothing to do with it.

But nop, for Jon, still “Elias”. (Is it because part of him is in denial, or out of habit, or an attempt to still cling to some stability, or because calling him “Jonah” sounds too close to his own name?)

- I’m delighted because there are soooo many implications now:

* So, how much of a blast did Jonah have letting the letters addressed to him stay around in the Archives and be read by Jon (MAG023, MAG050, MAG127) and Martin (MAG098, MAG138)?

* When Elias finally entered the room in MAG118…

(MAG118) MARTIN: Oh sorry! Sorry, I’m not keeping you from the show, am I? Well, well you head back, I’ll keep myself busy here. Albrecht von Closen is next, I think. It’s quite an old one! Should go up very quickly. ELIAS: [EXASPERATED BREATHING] … Did Jon put you up to this?

Martin was on the verge of burning Albrecht’s letter!! Given that Jonah wasn’t unrelated to what happened to Albrecht in the end, according to MAG127…

* It was before the Institute, but the Archives contained John Flamsteed’s letter (1715), revealing that Rayner was a body-hopper; and the Archives also contained Doctor Algernon Moss’s letter from 1864 about Rayner’s powers. That was three years before Smirke’s letter to Jonah, accusing and warning him about the danger of serving The Eye. Manuela had also pointed out that ~the Head of the Institute~ and Maxwell Rayner used to be friends (unless it was taunting from the start: “the friendship they once shared”) so… Jonah probably took a page from Rayner’s personal book, though giving it an Eye touch.

(… He also borrowed from Rayner’s book re: using someone’s love and desire to save someone they care for in order to make them do atrocious thing, as what happened with Robert Montauk and his wife, but more on that later.)

* It’s extra-funny that Nikola was all “Can I call you Elias?” since Grimaldi, who was proto-Nikola… was alive during Jonah’s actual lifetime. Jonah probably saw him onstage.

* Jonah was also alive when Ruskin’s book came out – the Fear version might have popped up before or after but still, it was from Jonah’s era, and worked in the tunnels, and was even used in this episode during Peter&Martin’s progression:

(MAG080) LEITNER: An unexpurgated copy of Ruskin’s The Seven Lamps of Architecture, published in 1845. Of course, Ruskin didn’t even begin writing the book until 1846, and the text of this one varies markedly from the version that was distributed. It gives an acute sense of the walls pressing in around you, and if consumed recklessly will physically entomb the reader. Over the years I have found that it interacts with Smirke’s architecture, and those tunnels specifically, in a more predictable way. By carefully reading specific passages in certain locations I am able to exercise… a degree of control over the substance of the tunnels.

* Avatars/monsters were all so cool and fair-play about it?? Manuela didn’t call him “Jonah” (she didn’t name him), Peter always called him “Elias”, Simon didn’t mention Elias or the Head of the Institute at all… How many of them knew, and were probably thinking it was the worst secret ever kept, but still had their fun using his new host’s name? They’ve been so sportsmanlike and nice to him.

* That line in the season 3 Q&A about how ~Elias was older than he sounded~ =D

* … MAG138, Robert Smirke’s letter, was probably a hint to Martin not only about the tunnels (as he was thinking) but about Jonah still being There. Smirke had specifically mentioned Jonah’s fear of dying as he was giving himself to The Eye. Peter was actually preparing Martin to the concept that Jonah hadn’t really died (and that Martin was supposed to kill him)…………………

* The fact that Elias hadn’t been preoccupied by The Extinction’s emergence, while acknowledging that it might be happening… might be because he was around when The Flesh emerged? Gerry had pointed out that its “ascendance” happened during the Smirke era (MAG111: “I think it’s quite new. Only just beginning its, uh, ascendance when Smirke labelled it.”), and it indeed didn’t change the game much. Might be why Elias wasn’t that preoccupied by it, outside of the fact that he was aiming for his own ritual anyway?

* Now, think back to a lot of things that happened in the course of the series. When Mary Keay roasted Elias by describing him as “not big on action” (MAG062)? It was actually about Jonah Magnus.

This excellent dialogue?

(MAG079) TIM: […] There is something in this place, and it’s messing up our heads. It watches us all the time, it stops me quitting, I’m pretty sure it would stop Elias firing Jon even if he decided to actually try running this place for once. […] Er… Elias is probably still in his office. MARTIN: I thought you said he was a waste of a suit. TIM: Yeah, well he’s better than nothing!

… was actually about Jonah Magnus (mARTIN caLlED hIM A “wAStE oF A sUIt”…)

Jon (Master Of Redundancy) said that Jonah Magnus was a “cocky prick” in MAG096, and of “zero practical use” in MAG102.

Tim told Jonah Magnus to “fuck off” in MAG104.

Xiaoling implied that Jonah Magnus was too lazy to handle an Archivist whose mother-tongue wouldn’t be English, back in MAG105.

Peter said this

(MAG108) PETER: Oh. That doesn’t sound like the Elias I know. He killed people himself? […] Elias Bouchard, getting his hands dirty. Well-well. Must be the End Times.

about Jonah frigging Magnus.

A police officer punched Jonah Magnus in MAG120, and Basira beat him up during an extended sequence in MAG148.

I mean. It was already hilarious when about “Elias”, but replace everything with “Jonah Magnus” and or “an old Victorian body-hopper”, and suddenly, all of this becomes even more satisfying. (Especially Basira’s episode.)

- There are also a few more recent power-related things which also take on a new dimension with the Reveal:

* Martin had picked up on the fact that Elias had known about Prentiss in the tunnels for a while, which Elias didn’t deny… so it didn’t seem like the tunnels were an Absolute Blind Spot for him.

(MAG118) MARTIN: Not even close. Because… [HEAVY BREATHING] I… I’ve been thinking. It’s not like you’ve got this all-seeing thing recently. You’ve had it the whole time. I remember the way you looked at Sasha after the attack. You knew it wasn’t her. And I reckon you knew Prentiss was lurking under the Institute, too, and you did nothing. Why? [SILENCE] WHY?! [SLAMS TABLE] ELIAS: … Let’s just get this over with, shall we?

Or at least, he knew them well enough to be able to tell that Prentiss was there. (Not sure who drew Peter’s map for him: could be Helen, since he was mentioning her to Martin right before and Helen Richardson used to be good with maps; could have been Elias, since he was waiting in the Panopticon, so the tunnels weren’t as off-limit had Jon had previously assumed, and he perfectly knew the way – well, he had been alive when everything had been designed and built, so Makes sense.

What is still odd is: how come Martin was able to find Gertrude’s body down there, back in season 1…?)

* I hate him:

(MAG120) MARTIN: You didn’t just see it in me? ELIAS: Honestly, I didn’t look. For all my power, I will admit I am not immune to making the occasional lazy assumption. I presumed that I knew you thoroughly, but by the time you demonstrated otherwise… well. There was simply too much to keep watching over. I only have two eyes, after all.

“I only have two eyes after all” fuuuuuckkkkk oooooooooooooffff, oh my goooooods!!!

* erfysudhbjzreds THAT BIT!!! THAT BIT!!!

(MAG134) PETER: What does puzzle me, though, and I mean that genuinely, is… why you were piling tape recorders onto the coffin, while Jon was in there. [PAUSE] It’s a question, Martin, it’s– it’s not an accusation. MARTIN: I don’t know. And I just… felt like it might help. He’s always recording, I thought… it–it might help him… find his way out. PETER: Interesting. Were you compelled? MARTIN: [SULLEN] … I don’t know. … M–maybe? I–I, I definitely wanted to do it… PETER: But? MARTIN: I’m… I’m not sure where the idea came from. PETER: You should watch out for that. Could be something dangerous.

Peter was actually suspecting that Elias was trying to interfere, back then?! Since he was suspecting Elias of trying to do just that in MAG158:

(MAG158) MARTIN: … If I… if I do kill you… will the others survive? PETER: Elias? [FOOTSTEPS] ELIAS: Come now, Peter. It’s a valid question. […] PETER: I see. … This is your doing, is it? ELIAS: [AUDIBLE GRIN] Hardly…! […] PETER: … No. No! This isn’t fair, do you have any idea what you’ve done? You knew, he must have– MARTIN: Elias– … Jonah had nothing to do with it.

* ……………… Okay, so:

(MAG158) ELIAS: Ah, Jon. I was almost worried…! You found your way all right. ARCHIVIST: [PANTING] Yes. … Ye–yes, I did… How? ELIAS: Suffice it to say I called you.

Is something that Elias can apparently do. And there is one particular time that Jon had mentioned feeling “called” towards something.

(MAG127) BASIRA: And what was that you were doing yesterday? ARCHIVIST: … When…? BASIRA: You were sat on the floor for like four hours. ARCHIVIST: … Oh! Er, n–n–no, I was, er, I was… listening. Y’know, it’s, trying to see if any of the statements… called to me. BASIRA: And? ARCHIVIST: [FLAPPING PAPER] BASIRA: Brilliant.

… Was it actually Elias drawing him towards Jonathan Fanshawe’s statement? Towards the letter of someone who had decided to cut ties with Jonah after what he had done to Albrecht, about what The Eye could do to someone, about something that contributed to the Institute’s early days (the books stolen from the crypt)?

* Jon had wondered why he had been “chosen” back in MAG138… and if it’s really because Jonah fucking Magnus went “oh, he’s called Jonathan and he sounds a bit like Jonathan Fanshawe? Hahaha, wouldn’t it be fun”, I’m going to scream.

* ………… I have been wondering this entire season what was the thing pulling Jon towards this and that statement, and it’s something that Annabelle pointed out in MAG147, when she mentioned that there were various influences… but now, I’m getting even more worried over MAG150, a statement in which someone manages to get out from The Lonely because he was reached by someone he still loved. It sounded like such a weirdly optimistic story, compared to our usual statement? The statement-giver learned and managed to get his life more or less back together, and is working, and things are hard but he’s alright? … What if it really was a red herring, to give Jon the impression that it’s possible to pull the same trick and get out with Martin, when the circumstances are different…?

- What are the things making Elias so frighteningly efficient as an antagonist? I think we got an absolute demonstration in this episode, and it’s quite significant that this is the episode where he revealed himself as Jonah Magnus. Because, what did we know about Jonah? In respectively 1816, 1841 and 1864:

(MAG023, Albrecht von Closen) […] “I recall that during your visit last spring you mentioned your… fascination with the macabre and strange, and pressed upon me as to whether there were any such lore or legends that I myself were familiar with. Wolfgang writes me that you are acquiring quite the collection, and I feel that I now have something that belongs with it, far more than any of the fairy stories or old maids’ tales that I told you before. […] Still, I look forward to showing you the book I have acquired, and the revelations you will no doubt glean from it.”

(MAG050, Sampson Kempthorne) “Dear Jonah; it is my fondest wish that this message should find you in good health, as I have heard more than one mutual acquaintance remark on your current state of overwork. While I earnestly hope it is merely idle gossip, my knowledge of your character leads me to entreat that you allow yourself some respite, or at the very least take some further secretarial staff into your employ. Certain uncharitable quarters would have it that your life consists of little but rattling around in Edinburgh Townhouse, surrounded by piles of ghostly accounts and lunatic documentation. Piles, I am afraid to say, to which I am about to make an addition.”

(MAG098, Doctor Algernon Moss) “I come to you not to wallow in my condition, or pour out my soul like a papist in the confessional, but to request your assistance. I believe that Maxwell Rayner has at his disposal some unholy power that he has used to curse me and cause my blindness. Or, more precisely, to cause me to blind myself, for I shall not deny I did so willingly. For obvious reasons my accusations have had me laughed out of most polite society. Not quite so polite when you’re accusing someone of witchcraft, it would seem. I now ask the assistance of your Institute in the hopes that you may be able to furnish some evidence or legal precedent that may assist me in taking action against my assailant, though I will admit my expectations for the latter are limited. Maxwell Rayner is an oddity. […] So, there is my story. I’m sure you’ll agree that Maxwell Rayner is the clear architect of my misfortune. Now, how do you suppose I revenge myself upon him?”

We got glimpses of his life through Jon and Martin reading the letters addressed to him, sent by friends and intimates who indulged his passion for tales of supernatural stories. Dr. Algernon Moss was requiring his “assistance”, and at that point, by the 1860s, the Institute seemed to already be operating as in the present day (it has a reputation, people come to share their stories, they sometimes require help, and will never get it), but there was fondness in Albrecht von Closen and Sampson Kempthorne’s letters – Adelard Dekkard pointed out that The Eye’s influence was present in his last message to Gertrude (MAG156), but it didn’t sound odd to Albrecht or Sampson to write their stories (statements) willingly, as gifts to a friend.

But we also know that Jonah Magnus actively or passively caused suffering to his own friends and acquaintances, and, in the case of Barnabas, Elias himself acknowledged that it wasn’t even due to a lack of sympathy (1824, 1831, 1867):

(MAG092, Barnabas Bennett) “You must help me. If anyone is still here, it is you. I know your work brings you into contact with all sorts of fantastical terrors, so perhaps you might have it within your power to save me from this place. […] And you must help me, Jonah. If anyone knows of what might break me from this dreadful place, it is you. I know that what is done by those I cannot see might be felt here – I have found glasses broken and pages torn that were not so the night before. It is my hope that if I leave a letter here, in your institute, you might find it, you might be able to save me. I have no other hope. Please, Jonah, if you have any compassion within your heart, you will not leave me in this place. Your loyal servant; Barnabas.” ELIAS: Jonah Magnus did leave him in that place, Jon. He got the letter, oh yes, and was on good terms with Mordechai Lukas. He could have interceded, perhaps even saved him, but he did not. And it was not out of malice, or because he lacked affection for Barnabas Bennett: he retrieved those bones sadly enough when the time came.

(MAG127, Doctor Jonathan Fanshawe) “Jonah; I must first and foremost decline your generous offer of a medical position servicing Millbank Penitentiary. While the terms you’ve laid out are no doubt more than adequate, I have, over these last months, come to the unfortunate conclusion that our intimacy and friendship must cease immediately. I do not know what interest you have in the poor condemned souls within those walls, nor do I care to guess. In the light of what I have so recently witnessed, I can no longer in good conscience associate with any of your endeavours. Nor will I continue to collect or provide all those accounts of the esoteric and otherworldly, that you and your… Institute so eagerly require. Consider this the severing of our acquaintance. This cannot come as a shock to you. Surely, you must have understood what you were asking when you employed me to visit with Albrecht, and apply my… meagre skills to the illness that beset him. You must have known the nature of that illness, even if only in the most general terms. And no doubt you had some intuition as to its cause. […] Because whatever it was that did this to him, I know in my heart that it is your fault. I’ve had the body burned. Please, do not write to me again.”

(MAG138, Robert Smirke) “My dear Jonah; You will forgive me, I hope, for being so forward, but I feel I must break the silence that has characterised our acquaintance for these past decades. […] I am choosing to assume that these manifestations are unintentional, Jonah, and you have not… simply decided to implore a Dark Patron to end the life of an old man. I further find myself supposing that they may emanate from your own intrigues and preparations to culminate those plans which we agreed to abandon so many decades ago! […] The Eye has marked me for something, of this I have no doubt. My… humble hope is that it may be a swift death, an accidental effect of your own researches, which I once again implore you to abandon. It is likely too late for me, but I will not…”

I’m still not sure that Jon got the right handle of it when he took Jonathan Fanshawe’s statement as an indicator that Jonah Magnus had been evil-from-the-start, because it could also be mirroring his own downfall: falling unknowingly into The Eye’s embrace, then trying to shake out of it or to resist it, only to fall entirely later – wasn’t it what happened with Daisy and The Hunt? With Jon himself, though he’s not at the last point (yet…?), when he fed from the suffering of innocents before refraining himself, first because he was forced to (starting MAG148) and then because he was actively trying to not do what The Eye wanted him to (MAG154)? Robert Smirke mentioned that he and Jonah used to share plans before agreeing to abandon them, and that they weren’t answering to the calls of Beholding; either Jonah fooled him, either Jonah indeed fought off The Eye’s influence (after Albrecht’s death?) up until Robert Smirke’s last letter.

But, mostly, these letters told us that Jonah Magnus was far from being unappreciated. People valued him, cared for him, trusted him. And, given how Jonah made them suffer, we would want for that kind of feelings to be Jonah’s weak spot, something he wasn’t able to understand… but Elias knows about them, takes them into account as a potential motivator. At least with the current Archives team, he has constantly weaponised affection as a means of control – ensnaring both Daisy and Basira because of their feelings for each other, getting Jon to join in The Unknowing expedition because of his worry for Tim, partially banking on Martin’s feelings for Jon as a safeguard that Martin wouldn’t entirely fall into Peter’s grasp, luring Jon into the coffin (to experience The Buried and push his powers further) because Jon wanted to rescue Daisy, getting Martin cast into The Lonely because he knew that Jon would do everything to save Martin, even at the cost of himself:

(MAG092) ELIAS: Ah, of course. Er, sometimes I forget how new you all are to this. Basira is now tied to the Institute. All of you are. Like fingers on a hand. And I am the beating heart of it. Should I, or the Institute, be destroyed, you will all, unfortunately, follow suit. MELANIE: Wait, what? TIM: Yup, that sounds about right. ELIAS: And it would not be a pleasant death. DAISY: Bullshit! ELIAS: Then shoot me. Just squeeze the trigger, and watch the only person you care about die screaming. Your last connection to humanity. Do it. BASIRA: Daisy…

(MAG117) ARCHIVIST: Tim isn’t going to sit home and wait, and Elias seems pretty insistent I go along.

(MAG135) ELIAS: His performance during The Unknowing was… disappointing. I needed a way to force him to harness his ability more acutely than he had before. The coffin was a useful tool; Daisy an adequate bait.

(MAG138) MARTIN: Yeah. Well. I’m still not sure I really believe it. [EXHALE] A–and, I don’t… I–… I’m, h… ELIAS: Worried he might charge off into another coffin. [SILENCE] … Quite.

(MAG158) MARTIN: Maybe I just thought joining up with you would be a good way to get killed. And then… [SHAKILY] Jon came back, and… and suddenly, I had a reason: I had to keep your attention on me. Make you feel in control, so you didn’t take it out on him. And if that meant drifting further away… so what? I’d already grieved for him, and if it meant now saving him, it was worth it! […] ELIAS: Peter Lukas has him. Cast him into The Lonely, and with every passing moment, he gets further away from you. ARCHIVIST: How do I bring him back? ELIAS: From out here? … Impossible. ARCHIVIST: … You want me to follow him. ELIAS: No, Jon. You want you to follow him. I simply want you to know that if you do so, you are almost certainly not coming back. To go into The Lonely willingly is as good as death. ARCHIVIST: … How do I do it?

* So, Elias finally revealed that he wasn’t as trapped in prison as he had been pretending to be up until now:

(MAG158) ARCHIVIST: Gone how? DAISY: Just walked out, as far as we can tell. BASIRA: Couple of guards on duty vanished too. ARCHIVIST: “Vanished”? How? BASIRA: Just left. ARCHIVIST: [EXASPERATED SIGH] BASIRA: Best we can tell, he had some dirt on them. DAISY: Old friend at the prison let us know. ARCHIVIST: What, and no one thought of that? BASIRA: Asshole could have left at any time, but he just sat there laughing at us. ARCHIVIST: No, no, this, this can’t be a coincidence…

And indeed, why did he choose to leave now? Was it only because Peter himself had decided that Martin was ready? Is it because another threat is coming? Or had Peter and Elias agreed on a deadline from the start? Jon, back in MAG127, was suspecting that something could be coming with the Institute’s 200th anniversary, though he didn’t know the day the Institute had been founded. Was it actually September 25th or 26th…?

- Soooo, about the Panopticon’s purpose / what it might be capable of doing…

(MAG138, Robert Smirke) “I could not go easy to my grave without offering you one last plea for your restraint. What we built at Millbank should be left well enough alone, resigned to the nightmares of the reprobates and brigands contained within its walls. […] And if, as I came to believe, the Dread Powers were themselves places of a sort, then surely with the right space, the right architecture, they could be contained. Channelled. Harnessed. […] I am not a fool; I know well enough what this dream is likely to mean, and I warn you again that if you have any remaining ambitions to use our work, to try and wear The Watcher’s Crown, you must abandon them! Not simply for the sake of your own soul, but for that of the world! I have always had the utmost respect for you as a man of dignity, and learning. Do not allow yourself to fall to this madness.”

(MAG158) MARTIN: What is this place? PETER: The Panopticon of Millbank prison. Not quite as Smirke originally conceived it, of course. Jonah Magnus made certain… adjustments. MARTIN: And it’s been down here the whole time? PETER: Why do you think this was chosen as the Institute’s location, when the prison closed? It’s a significant site of power for The Beholding. From the tower in the centre of this room, you can see everything. MARTIN: But there’s nothing in the cells…! PETER: [CHUCKLING] I don’t mean the cells, Martin – I mean everything.

* Smirke gave up, Jonah didn’t and/or went back on it. So. Oops. Given how The Eye has indeed been able to feed through the other Fears’ actions (through statements or an Archivist), bad. Badbadbad.

* Did it get fuelled by prisoners’ fears…? From something concrete and tangible, to something immaterial because their feelings powered/scarred the place so much?

* It was very faint, and I LOVED the sound effect present in the tower: something between the wind whistling and very low whispers? It made the place immediately threatening and gave the impression that yeah, there were many ghosts/dead bodies/sufferings caused around it…?

- I’m still rfedubrehjd over the fact that Peter and Elias’s first live interaction was firmly anticipated (Peter had mentioned he was there to see Elias in MAG100! It was the case again in MAG108! We knew, at least from Peter, that they weren’t strangers, although Elias didn’t acknowledge Peter’s existence in return until MAG138; but it has been so long between the moment we learned that they knew each other and their first ‘onscreen’ interaction!) AND YET… managed to be Even Better than I could have dreamed of. Elias was SUCH A SHIT:

(MAG158) ELIAS: I warned you, Peter~ […] PETER: … No. No! This isn’t fair, do you have any idea what you’ve done? You knew, he must have– MARTIN: Elias– … Jonah had nothing to do with it. PETER: No! That’s not– You can’t– ELIAS: You’ve lost, Peter. Admit it. [CHUCKLE] He played you like a… like a cheap whistle. PETER: No! Shut up! ELIAS: Peter. [PAUSE] It’s time. [SILENCE] PETER: … Fine. MARTIN: Great. [VERY SHARP SQUEALS OF DISTORTION INCREASING] Now, perhaps if one of you, then, can tell me what– [SHARP SQUEALS OF DISTORTION REACHING A PEAK, BEFORE DECREASING] ELIAS: It won’t be that bad, Peter~ [CHUCKLE] You’ll see. Now: he’ll be here soon, so you can leave, or… PETER: Oh no. No. I’m not gonna make it easy on him. You haven’t won yet. ELIAS: Your choice. Just make sure to leave the door open.

Compensating much for all of Peter’s little digs, uh. They’re so… divorced…………….

Peter had told Martin right away that Elias had chosen him as interim Director, Jon had been suspecting very early that Peter&Elias were scheming together, Basira’s plural in MAG151 was implying that she was thinking the same…

(MAG120) PETER: Oh! Right, of course! Well, you’ve successfully managed to remove Elias as the Head of the Magnus Institute. So… MARTIN: Oh. Oh, god, what does that do? PETER: Oh! No, no no no! No. Not in any, hum, metaphysical sense, no, he’s still very much the… how did he insist on phrasing it… Ah yes, the “beating heart of the Institute”. But, practically speaking, he can hardly fulfil his more mundane managerial duties from a jail cell. MARTIN: … so he knew this was going to happen? PETER: Not exactly. He… anticipated that you would likely find some way to remove him. So he made alternative arrangements. MARTIN: Which would be you. PETER: Exactly! To be honest with you, Martin, I didn’t expect to be taking over the place so soon, or in such a state of disarray. But, I’ll do my best to keep the place afloat.

(MAG122) BASIRA: No, nothing. Elias isn’t the problem. ARCHIVIST: Sor– what? BASIRA: Elias is locked up. ARCHIVIST: … Wait, Martin’s plan worked? BASIRA: Yeah. A bunch of Section’d officers took him in. He made some sort of deal, I think. But… he’s not getting out anytime soon. ARCHIVIST: … Oh. Wow. O… kay, er… Great, s–so… what’s the problem? BASIRA: He appointed an “interim” director. Guy named Peter Lukas. ARCHIVIST: … Oh.

(MAG125) ARCHIVIST: But honestly, it’s the internal threats I’m worried about. Peter Lukas is just… sitting up there, doing whatever the hell it is he [STATIC] and Elias have planned, and Melanie still has that bullet pumping violence into her, waiting to turn this place into another Lanncraig.

(MAG151) BASIRA: [SIGH] … Okay. You want to do whatever “grand sacrifice” you think is going to save everyone, go ahead. But you’d best be sure you’re not just playing their game. MARTIN: I know what I’m doing. BASIRA: We’ll see. [PAUSE] Don’t make me regret this.

(MAG154) MARTIN: I just… Look, I need to see this thing through with Peter to the end. If–if what he’s saying is even half true, I need to be there. ARCHIVIST: But what if you don’t? I mean…! We could just leave. I mean, whatever… their plan is for me, I am damn sure that doing that isn’t it. I could derail everything– MARTIN: [NERVOUS CHUCKLING] ARCHIVIST: –We could derail everything, and then just… leave…! MARTIN: [DRY AND HOLLOW LAUGHTER] ARCHIVIST: [BREATHY] … What…?

… and turned out that it was a bet. Well. A gamble, for both? We had learned about that aspect of Peter in MAG066 (well, in an explicit form; what happened on the Tundra in MAG033 might have been of that nature too, without the statement-giver being aware of it because… she had won), and it had been mentioned as one of Peter’s ways to navigate (ha) social interactions:

(MAG134) MARTIN: So… so what, you’re afraid of the competition? PETER: Not at all. Honestly, that’s the sort of thing I normally relish; I’ve always been a little bit of a gambler, and the higher the stakes, the better. MARTIN: So… so this is, wh–what?

(MAG151) SIMON: He is what he is, Martin. For a creature of The Lonely, the urge is always to isolate; never to communicate or connect. I suspect that’s why he’s so keen on wagers: it allows him a framework for cooperation that doesn’t risk any sort of intimacy. […] I think… [INHALE] I think Peter is taking a rather large, but calculated gamble. Not just on you, but on a lot of things. If it works, he’ll be in a very strong position. And if he fails… it won’t be all that bad. MARTIN: You don’t think it will be the end of the world? SIMON: Oh! It very well might be, but… MARTIN: [EXPLOSIVE EXHALE] SIMON: Life has continued through dozens of apocalypses already. Ice ages; pandemics; calamities; extinctions… The only reason this one feels special is because, well… it’s happening to you. And that’s the sort of solipsism that tends to come with loneliness – in my experience.

BUT I’M STILL SO MAD THAT

(MAG138) MARTIN: … What? [HUFF] That’s it? No, no monologue, no mindgames? You love manipulating people! ELIAS: That makes two of us. MARTIN: [HUFF] ELIAS: But no. This is too important for me to jeopardise with cheap “mindgames”. I simply have to trust that when the time comes, you’ll make the right choice.

(MAG158) MARTIN: Oh, I’m getting there, but if this is the final test or something? Then bad luck. The answer’s still “no”. [FOOTSTEPS] PETER: … No. No! This isn’t fair, do you have any idea what you’ve done? You knew, he must have– MARTIN: Elias– … Jonah had nothing to do with it. PETER: No! That’s not– You can’t– ELIAS: You’ve lost, Peter. Admit it.

FUCK OOOOOFF ELIAS OH MY GODS the thing about the “right choice” was really just about whether Martin would refuse to kill Jonah Magnus’s body, thus ensuring Elias’s winning the bet… and THAT was the thing “too important for me to jeopardise”, it had never been about The Extinction for Elias uh……………………

- I’m so proud of Martin for understanding that it was all mostly a “power play” between Elias and Peter, and TECHNICALLY? TECHNICALLY PETER HAD BEEN AN ABSOLUTE DUMBASS WHO HAD HIGHLIGHTED THAT THEY TENDED TO BE ~LIKE THAT~:

(MAG108) PETER: Ah, I see. I’m sorry to have disturbed you. It’s one of Elias’s little jokes. MARTIN: I don– What? PETER: Did he suggest you record a statement today? One that mentioned me? MARTIN: … yeah? Sssort of? I mean… not you specifically, but… PETER: I have a meeting with him today. He suggested… I’m sure he’s watching from his office, grinning from ear to ear. MARTIN: I… don’t… PETER: I almost thought he genuinely wanted me to meet the team! Oh well.

Peter And Elias Had Their Little Games, and Martin knew that from experience from the very first time he had met Peter.

… at the same time, Martin being “Martin out” might have been a genuine missed opportunity since… I’m glad that he didn’t go for murder even if he wanted to? And the fact that Elias was ready to risk Jonah’s original body probably meant that there was a huuuuge trick/something that could have backfired if Martin had knifed him? But Daisy had also pointed out that maybe they should have accepted to kill him at the risk of dying when they have had a chance:

(MAG142) MARTIN: I thought you believed him…! You were doing all of his dirty work. DAISY: Well, wasn’t willing to call his bluff. Not the same thing as “believing”. Just too big a risk. MARTIN: … Not for Melanie. DAISY: Well, maybe she was the only one with any sense. Even if he was telling the truth [EXHALE], if we all… died… There are worse things.

And I still really don’t want the bottom line to be that yes, they should have gone for murder? But at the same time, right now, indeed: we’re in “worse things” and heading towards ever worse things than death…

(- I’m still stuck a bit on “why Martin, when alone-wise, Tim was just there?”. Was it because amongst the assistants, Martin was the most willing to read statements before MAG108? Was it really because Martin was easily expendable, prone to fear a lot, and had a special flavour of Loneliness due to both his crush on Jon and his one-sided relationship with his mother?

…………… but given how Elias just knew that Jon would run after Martin, how getting Jon to rush into The Lonely seemed to have been his main goal, and with the recent mention that:

(MAG149) GEORGIE: You must be Martin. MARTIN: Y–yeah. Has… Melanie been talking about me? GEORGIE: Oh, hum… Jon used to go on about you a lot.

… Jon had been talking about Martin off-tape, and given how he had been flustered about “office gossip” in MAG117 and his very persistent longing in season 4… was it that Martin was chosen not exactly for himself, but because Elias had identified Martin as someone Jon would always try to save, as early as in mid-season 3…? When Jon was at Georgie’s and/or when Jon went to ~talk with Martin~ right after being back from his kidnapping in MAG102…?)

- I’m not exactly sure I understood the terms of Peter and Elias’s bet. I’m assuming that Simon was mostly right in his train of thoughts – that Peter succeeding/winning would be getting an occasion to strengthen The Lonely (killing Jonah / setting up Martin as a dual avatar instead of him, thus both ruining The Eye’s chance for its ritual during this round + getting his revenge on Gertrude for ruining Forsaken’s ritual, all the while consolidating The Lonely by stealing a place of power and mayyybe shortening the time span until their next chance at a ritual attempt)…? Or was Peter genuinely preoccupied by The Extinction, or both? At least, Martin refusing to kill Jonah’s body meant Peter “losing”, meant that he had to cast Martin into The Lonely (and surrender his attempt on the Panopticon?); Peter didn’t even have to stay around, he’s just… probably making things hard on himself. Because hum: we saw what happened last time Jon tried to use his power (peering through the door?) to see through The Lonely at the end of MAG139; it left him a mess:

(MAG139) ARCHIVIST: … If I… Knew… what his plan was; if I knew what Peter was doing; if I just– [WHISPERING] … Can I…? [LOW RUMBLING SOUND, STATIC RISES] [CRIES OF PAIN] [VERY SHARP SQUEAL OF DISTORTION STEADILY RISING] [NOISE OF SOMETHING-OR-JON FALLING] [SQUEAL OF DISTORTION DECREASES] [MUMBLING] End… E–end recording…!

(MAG140) ARCHIVIST: [SIGH] Yesterday, I tried something I… [INHALE] I–I deliberately tried to… Know something, like I did in the coffin, but… there was a lot. Too much [SIGH], and I… BASIRA: What did you find out? ARCHIVIST: [SNORT] Nothing. There was “too much”. BASIRA: You don’t remember any of it? ARCHIVIST: [SIGH] You drink the whole contents of a bar in three seconds, you don’t remember what the merlot tasted like. [SIGH] It just… hurt.

… and a predatory monster: it was around that time that he absolutely traumatised Jess Tyrell, and then cornered Floyd for his statement less than two weeks later (although there had “only” been three victims in the previous three months). Whatever state Jon will be in in/after The Lonely, it won’t be pretty… and it will fall either on Peter, either on Martin, either on whoever is in Jon’s way after he comes out of it. (……………. And there is all the Institute staff up there, who just got preyed upon by two Hunters, full of fears. Does The Eye’s “protection” extend to non-Archival staff…? Because I’m also really, really worried about the survivors, given current circumstances…)

Given how Elias laughed triumphantly right after Martin was sent into The Lonely, that was the main goal/hurdle to reach – but technically, Peter had done that For Free with Brian in MAG100, and Mordechai Lukas had also very spontaneously punished Barnabas that way. Was Elias’s laugh caused by his win against Peter, then, because he’s That Petty? Why such an elaborated scheme to get Peter to do that…? Is it because Elias tends to have way more fun than strictly necessary, or was Peter personally reluctant to send Martin in there…? Or was it necessary to make it happen in the middle of the Panopticon…?

- We don’t know (yet) whether or not Peter has been around for very long at this point (though he’s expecting to live long according to MAG134: “Martin… it’s going to be decades, if not centuries, before I get another chance to bring Forsaken into this world. Your last Archivist saw to that. […] The point is that, yes, obviously, if I last that long, I’m going to try again.”), but assuming that he’s had a human-like lifespan so far, how could you Do That to a baby, Jonah. I’m still screaming over Elias’s delight:

(MAG158) PETER: No! That’s not– You can’t– ELIAS: You’ve lost, Peter. Admit it. [CHUCKLE] He played you like a… like a cheap whistle. PETER: No! Shut up!

Because it was??? Such an awful jab: * Making fun of the boatswain’s call from the Tundra.

* Shakespeare ref I think???

GUILDENSTERN: But these cannot I command to any utterance of harmony. I have not the skill. HAMLET: Why, look you now, how unworthy a thing you make of me! You would play upon me. You would seem to know my stops. You would pluck out the heart of my mystery. You would sound me from my lowest note to the top of my compass. And there is much music, excellent voice, in this little organ, yet cannot you make it speak? 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me.

(Pipe’s back.)

* nsfw call-out; rude thing to say about your (ex?)husband’s performance in bed, Elias; also that’s tmi.

- I’m gonna miss Peter if he gets obliterated like Breekon, but AOUCH, he began the episode SO HARSHLY:

(MAG158) MARTIN: … Mm. PETER: Is everything alright, Martin? MARTIN: Nah, it’s fine. … Don’t particularly like it down here. PETER: Ah, yes. Of course. Hard to trust the doors, I imagine. MARTIN: [BREATHLESS CHUCKLE] Yeah, well, everyone else seems to these days, so…! PETER: But she’s still the same corridors, I suppose. [INHALE] I’m sure– … what was his name? … Tim! Tim would– MARTIN: I’d really– … rather not talk about it, Peter. […] NOT!SASHA: Who let me out? [SILENCE] Don’t be shy. I just want to say thank you. [SILENCE] All right, have it your way. Now, if you’ll excuse me: I have some unfinished business. [MENACING SATISFIED LAUGHTER] [WEIRD SCUTTLING MOVEMENT] MARTIN: [RAGGED BREATHING] Th–th–tha–, that was, hum… PETER: Yes! MARTIN: [GULP] And it’s– it’s going to… PETER: Make sure everyone is too busy to follow us. They’ll be fine. … Probably.

Triple combo, right in Martin’s trauma. The one time he was trapped with Tim in Michael’s corridors at the end of season 2; gratuitous Tim mention that Martin didn’t want to hear; freeing the Not!Them, who had terrorised Tim&Martin even before they had learned that it had actually killed Sasha… aouch. Was Peter being shitty on purpose, to destabilise Martin, or was it really just little things that he said and did without thinking about how it could make Martin feel…? He had been very interested in Martin’s feelings recently:

(MAG156) MARTIN: Will I be coming back? PETER: You’re not going to die, if that’s what you’re asking, but… no. If all goes well, you won’t be. MARTIN: [LONG INHALE, EXHALE] PETER: How does that make you feel? MARTIN: … Nothing. [SNORT] Nothing at all…! PETER: Excellent. I’m so proud of you, Martin.

So it could have been to test his apathy…? But aouch anyway.

- I loved his voice SO DAMN MUCH at that moment:

(MAG158) MARTIN: And you need me for this? PETER: Correct! Without a connection to The Eye, any attempt to use it would likely end… very messily indeed! But thankfully, it just so happens that you hold such a connection. MARTIN: So that’s it… Both “lonely” and “watching”. PETER: You must admit you’re the perfect candidate.

Because. Yeah, it was summing him up well. Saying atrocious things with a cold cheerfulness, absolutely unconcerned.

(- I think it’s safer to assume that Peter was a sore loser there:

(MAG158) PETER: Then do it, Martin. [UNFOLDING POCKET KNIFE?] We’re the same, you and I; we don’t need anyone else. Watching from a distance, that’s always who you’ve been. Haven’t you enjoyed it, these last few months? Drifting through the Archives, unseen, unjudged? You’ll like it in there. I promise. MARTIN: … Yeah. Yeah, I think I would. […] PETER: But you do serve The Lonely. MARTIN: Oh, I’m getting there, but if this is the final test or something? Then bad luck. The answer’s still “no”. [FOOTSTEPS] PETER: … No. No! This isn’t fair, do you have any idea what you’ve done? You knew, he must have–

But I also kind of want to think that he had grown a bit fond of Martin and was genuine about wanting to share his patron / giving Martin a life that Martin would find some comfort in? >> Not good for Martin but. Somehow, it’s even sadder for Martin if Peter’s words really were just that empty, to ensure he would win a bet?)

- Hhhhh, we knew that the Not!Them was still… there, since Leitner had explained it to Jon:

(MAG080) ARCHIVIST: That thing… Is it dead? LEITNER: Unlikely. Whether something like that can actually be destroyed… It is trapped. I, I hope for a very long time.

But I really wasn’t expecting to see it again!! Somehow, Elias had told the Team that Leitner had killed it (MAG092: “It finally tried to kill John. Then Leitner killed it. Then I killed Leitner. And I believe that brings us up to date. More or less.”), so was it a conscious lie, a slip of the tongue, or was it that Elias didn’t know that it was actually still kicking back then…?

* Leitner was suspecting that the Not!Them was actually trying to find him when it was wandering in the tunnels:

(MAG080) LEITNER: The “Not!Sasha” had come down several times. I suspect it was almost as curious about me as you were. Perhaps it thought you might have better luck flushing me out.

… but UHOH. Was it actually trying to find the Panopticon, already?

* I still miss Sasha, and I’m SAD, and Martin’s shattered breath and Jon stuttering to explain what it was broke me:

(MAG158) DAISY: What the hell is that thing? […] ARCHIVIST: Do you remember what happened to Sasha? BASIRA: That’s the thing that took her? ARCHIVIST: It was trapped in the tunnels, it– Martin. Something’s happening down there.

Because… Sasha… And of course, for both Daisy and Basira, it’s just a dangerous monster, it’s not a creature who also killed a friend; they weren’t around back then, they never knew Sasha. But for Jon&Martin, it’s… a reminder of what they’ve lost…

* Vindication: the Not!Them had mocked Jon about how he wouldn’t survive to witness The Unknowing, and AHAHA.

(MAG079) NOT!SASHA: You’ll miss The Unknowing, of course, but you wouldn’t understand it anyway.

Guess who missed The Unknowing in the end. (Gertrude had mentioned that avatars tended to fade or go erratic after a ritual attempt, but given that the Not!Them hadn’t participated, will it be affected…? As we’ve seen, Jared was fine.)

* I don’t think that the Not!Them will be trapped again, unless it’s thrown into the coffin, and I don’t think that the Hunters would be enough to kill it… so either it’ll flee, taking a new victim, either Jon will destroy it like he did with the Dark Sun, maybe…?

- I’m… heartbroken about Julia:

(MAG158) ARCHIVIST: What… Daisy, are you–? BASIRA: Shh! [GUNSHOTS, MUFFLED BY THE DISTANCE] [FEMALE SCREAMS] ARCHIVIST: Oh no… BASIRA: Stay here, both of you. I’ll check it out. [MORE DISTANT GUNSHOTS] […] BASIRA: Looks like two people. An old guy– DAISY: And a woman with a scar. ARCHIVIST: Oh, God, now? Why now?! BASIRA: It’s probably not a coincidence. From what I saw, they’ve been toying with the rest of the Institute, but it won’t be long until they’re all dead or escaped. […] TREVOR: [IN THE DISTANCE] Jooooooonny boy! [CACKLES] JULIA: [IN THE DISTANCE] [CACKLES] We want to make a statement! […] JULIA: [IN THE DISTANCE] Ha! You see that, old man? TREVOR: [IN THE DISTANCE] Told ya. They’re all monsters in here.

Because she sounded absolutely gone. Trevor had pointed out that ~the lines got blurrier every day~, but Julia was younger, had been a Hunter for a shorter amount of time and… there were her life circumstances, the fact that her father had done horrible things to try to get her mother back, and had tried to protect her from all of The Dark stuff…? It’s really sadder in Julia’s case, because it gives the feeling that that cycle of violence was absolutely inescapable – that Julia’s only options were either to die as prey, killed by Darvish, or to become the mindless predator. Julia&Trevor attacked the Institute (… well: basically launched a terrorist attack against it; they had mentioned it was “full of monsters”, it was a cleansing and/or toying with innocents) and, even if “best case” scenario and there aren’t any casualties, that’s still tons of people traumatised for life. How could Julia even come back to normal after this, when she’s this far gone…?

- TT___TT Archival Team sharing information and (snappily) discussing about what to do…

(MAG158) BASIRA: So Elias left it? ARCHIVIST: Or Martin. O–or Peter, or… Annabelle! BASIRA: Fine. Whatever. Could be a distraction. ARCHIVIST: Only one way to find out. BASIRA: We don’t have time for this. DAISY: We don’t know that. We’ve no idea what sort of timeframe we’re on. I say play it. ARCHIVIST: Thank you.

… and of course, it’s when everything is going to hell and these three people probably won’t be in the same room ever again (or at least not as themselves).

(- I’M GONNA MISS THESE LITTLE thINGS SO MUCH…

(MAG158) BASIRA: Set up by the door. Try and take them when they break through it. DAISY: Right. ARCHIVIST: Do, uh… do I get a gun? BASIRA: You ever fired one? ARCHIVIST: You never taught me! BASIRA: You never asked. Besides, we’ve got problems enough without– [CRASHING SOUND]

That mix of snappiness and awkwardness and closeness in the Worst Moments…)

- We knew it was coming, but still…

(MAG158) BASIRA: This might be it. DAISY: Basira… BASIRA: Didn’t think it would end like this. [CHUCKLING] You know what, actually I think I did! [GUNSHOTS IN THE DISTANCE] NOT!SASHA: [CACKLING, IN THE DISTANCE] DAISY: [PANTING] Basira… promise me something. BASIRA: What? … No, Daisy, no. DAISY: [PANTING] Mm, Basira… When this is over, you need to find me… and kill me. Promise me. BASIRA: No. No, Daisy, we’ll figure something out! NOT!SASHA: [IN THE DISTANCE] You can’t hide forever, Jon. DAISY: [PANTING] These last months, I… it was always borrowed time. Can’t outrun it forever. BASIRA: Daisy… DAISY: [PANTING] Promise me. BASIRA: … I promise. DAISY: Thanks. [BREATHLESS] Now, run…! BASIRA: Daisy…! DAISY: [GROWLING] Run! [RUNNING FOOTSTEPS] DAISY: [GROANS] [COCKED GUN] JULIA: [LAUGH] There you are! TREVOR: All alone! [COCKED GUN] Like a pup. DAISY: [BARKS] JULIA: … Shit! [ONE GUNSHOT] [CLICK.]

I’m so heartbroken about Daisy TT___TT It… didn’t really sound like she was agreeing to sacrifice herself to save Basira, but more like The Hunt managed to catch up with her because of the violence, and she only managed to say her last will before getting completely drowned, reverting to the state she had turned into during The Unknowing (when she ripped Hope apart with her bare hands). I don’t think there will be another coffin trip; I guess there could be something because of her ties to the Institute, but I doubt it… Damnit, I was kinda hoping that The Eye would protect her a bit longer despite the threat of hearing her Blood, but no, the big eyeball was absolutely useless ;;

And gdi ;; At least, Tim got to pull the trigger and get his revenge, and Adelard had neutralised a Corruption avatar and freed people from their torment, while Daisy only got caught up (preyed) on by The Hunt without being able to strike back before that. What she was in season 4 wasn’t a waste, never (we got to meet the real Daisy, and she was fantastic!), but it feels so, so sad that The Hunt got her back when it mattered so much to her to never go back to it…

(Obligatory “archive dog!!” joke, though.)

(- Also sad because she was hoping she would be the one to kill Elias, in MAG082, and fucker REALLY has it coming at this point. Violence Is Bad, but still, please, someone, stab him.)

(- And it reaaaally doesn’t bode well for Jon, uh… Daisy had been involved in violence and supernatural stories for 16 years, though, so that’s longer. But the fact that resisting was only a momentary reprieve before being taken in again is nnnnot exactly a good sign for Jon, given how heavily Daisy and Jon had been paralleled as going into withdrawal in season 4, and how Jon was finally pushed to use his powers again in this episode…)

- Also still crying over Daisy and Basira’s goodbyes:

(MAG158) DAISY: [PANTING] Basira… promise me something. BASIRA: What? … No, Daisy, no. DAISY: [PANTING] Mm, Basira… When this is over, you need to find me… and kill me. Promise me. BASIRA: No. No, Daisy, we’ll figure something out! NOT!SASHA: [IN THE DISTANCE] You can’t hide forever, Jon. DAISY: [PANTING] These last months, I… it was always borrowed time. Can’t outrun it forever. BASIRA: Daisy… DAISY: [PANTING] Promise me. BASIRA: … I promise. DAISY: Thanks. [BREATHLESS] Now, run…!

And what it means for Basira orz Either she does it at the end of this season, either part of season 5 will be about finding and killing (the creature that took over) Daisy, uh…? I want to hope for them (since hum, we’re like, back to the end of season 3: the duo shattered, Daisy lost and dangerous) but it already happened once; the biggest difference is that Daisy had managed to get her voice back during season 4, instead of being fuelled by mindless violence like she had been in season 3.

It was also… Daisy going back to the person Basira used to admire, as a fixed point:

(MAG117) BASIRA: But at least Daisy’s coming along. I mean… I know she’s… difficult. Everything they say about her, it’s true, it’s fair. But… she’s solid. She’s a fixed point. And if she’s there, I know exactly where I stand, exactly what I’m doing relative to her. She has no doubts. […] Despite everything she’s done, she’s… she’s still the best partner I ever had.

Daisy, firm about what is happening and what has to be done – even though it’s about killing her.

(I’m also a bit sad that ;; Daisy and Basira had been around for so long, and I really wanted to think they were meant to be interpreted as a couple and/or mutually crushing? But although there are lots of indicators, it has never been made explicit, and now it would only be retroactive…)

- One Good Thing:

(MAG158) ELIAS: I guarantee it won’t be pleasant for them, but I honestly don’t know if their ties to the Institute are quite as strong as I may have implied. You, at least, should be insulated from the fall-out by your new allegiance. Jon… might be powerful enough to weather it. Melanie’s well out of it, so that just leaves Basira and Daisy. And the rest of the Institute, of course, and you can’t tell me you care about them.

MELANIE IS OFFICIALLY FINE!! She really fled the boat before it sank, uh.

- I love that mentioning the use of Ruskin’s The Seven Lamps of Architecture tends to lead to roasting:

(MAG080) LEITNER: By carefully reading specific passages in certain locations I am able to exercise… a degree of control over the substance of the tunnels. ARCHIVIST: I didn’t hear you say anything down there. LEITNER: I said reading. It doesn’t need to be spoken aloud.

(MAG158) PETER: Do you want to see how it works? MARTIN: Uh, n–no; no, I’d really rather you didn’t mess it up– PETER: No, I insist! Watch. [SILENCE] MARTIN: Very impressive. PETER: I’m reading. Shush.

(Had Peter actual trouble with the reading, though?)

- What was Peter trying to say re:Tim?

(MAG158) PETER: But she’s still the same corridors, I suppose. [INHALE] I’m sure– … what was his name? … Tim! Tim would– MARTIN: I’d really– … rather not talk about it, Peter.

It was thematically fitting because Tim had been down in the tunnels a lot during season 3, Smirke’s architecture was his speciality, and he had been trapped in the corridors together with Martin but…? I have no idea what Peter intended to say about him?

- fesdcujheznfds every end of the season has to star Martin with a corpse (or almost), uh. He found Gertrude’s between MAG039/MAG040; found Leitner’s together with Tim in MAG080; ~there was Jon’s~ at the end of season 3 (at least, Martin visited him before season 4, according to the trailer); and now, he got to find Jonah Magnus’s, although not really dead. Martin, you life sucks.

- ;___; Daisy had pointed out that Jon was self-destructive, and… Martin actually wasn’t really good in that regard, uh…

(MAG142) DAISY: Used to see it all the time back in the force, especially with the Section’d. Not like there’s… “normal” trauma, you know? But it’s pretty common. The most important thing becomes control, engaging on your own terms. Even when it’s stupid or dangerous. Anything to not feel helpless. MARTIN: Oh, god… DAISY: And of course, for Jon, there’s survivor’s guilt in there, too. He thinks he’s not human. Makes him very… self-destructive. MARTIN: Yeah, well. We’ve all had trauma.

(MAG158) MARTIN: It’s not him! It’s not anybody, it’s just me. Always has been! I… When I first came to you, I thought I had lost everything. Jon was dead, my mother was dead, the job I had put everything into had trapped me into spreading evil, and I… I really didn’t care what happened to me. I told myself I was trying to protect the others, but honestly? We didn’t even like each other. Maybe I just thought joining up with you would be a good way to get killed. And then… [SHAKILY] Jon came back, and… and suddenly, I had a reason: I had to keep your attention on me. Make you feel in control, so you didn’t take it out on him. And if that meant drifting further away… so what? I’d already grieved for him, and if it meant now saving him, it was worth it! […] So I… played along, waited to see what your endgame was. And here we are. … [SNORT] Funny. Looks like I was right the first time – it’s probably still a good way to get killed.

(Extra-sad re: “we didn’t even like each other” because he still had gone drinking with Basira and Melanie, and he was concerned about Melanie post-MAG106. I mean, yeah, it didn’t fundamentally mean “liking” them but… it was still something.)

* I love that Martin is SO unapologetic about his feelings for Jon, technically, even more than in season 3:

(MAG118) ELIAS: [EXASPERATED BREATHING] … Did Jon put you up to this? MARTIN: You think I’m doing this for him? ELIAS: No. It’s just the sort of half-baked scheme he’d come up with. And I’m well aware that you’ll do just about anything for him– MARTIN: I– ELIAS: –and I don’t need to read your mind for that one. MARTIN: … Do you rea– … Is it so hard to believe that I hate you as well? ELIAS: No. It’s just hard to imagine that you would act on it.

From protesting that he wasn’t doing this for Jon, to saying that Jon was his reason.

* So. Peter was wrong when he had told Martin that

(MAG126) PETER: [CHUCKLING] I had hoped that all this time apart would have given you the space you needed, but… MARTIN: … You said he’d probably never wake up. PETER: And he beat the odds. Which is good. But it does make things more complicated. It doesn’t… actually change… anything.

Jon coming back did change something. And it’s sure not healthy on Martin’s side, but it’s also… still something indeed…? Still better than the nothing he used to (not) have…? But so sad that the way Martin describes it, the way he talked with Jon, it’s really never associated with the idea of constructing something, or a future. Those are very… Lonely feelings indeed? That he’s keeping from afar? (And gdi, I would really want Jon and Martin to finally manage to talk and share, to communicate and reach a peaceful ground? To hear and see each other? But given the circumstances… it probably won’t be now…)

I’m not even sure Jon&Martin will talk before the end of the season, actually? Or maybe not directly to each other – through tape, through written messages could be other options. But on the other hand: Jon’s worry and feelings for Martin have been a major element this season, so… there is probably a payoff coming, rather than immediate and absolutely shattering heartbreak?

- Martin once again confirmed that he has gone dual Eye/Lonely ;;

(MAG158) PETER: But you do serve The Lonely. MARTIN: Oh, I’m getting there, but if this is the final test or something? Then bad luck. The answer’s still “no”.

But I mostly want for him to get back to a state of mind where he would go back to writing poetry?! ;_; Unlikely, I know, but. (And to not harm people to feed… Has he been feeding on himself and his own loneliness, or are we in for an awful reveal about the researchers who disappeared…)

- In the list of people Martin had lost:

(MAG158) MARTIN: I… When I first came to you, I thought I had lost everything. Jon was dead, my mother was dead, the job I had put everything into had trapped me into spreading evil, and I… I really didn’t care what happened to me.

… I’m surprised that Tim wasn’t mentioned at all…? Tim had told Jon that he didn’t feel as close to Martin as he was with Sasha, but I had gotten the impression that Martin did care a lot more about him…? And it’s still a Do Not Talk About Him subject:

(MAG120) ELIAS: Hello, inspector. Martin. I’m… sorry to hear about Tim. MARTIN: Don’t. ELIAS: And Daisy, I suppose. MARTIN: Don’t. you. dare.

(MAG138) MARTIN: I don’t know what he’s talking about when he mentions Millbank. The old prison, I guess? Tim said the tunnels under the Institute were all that was left of it, but… Jon said he’d checked them pretty thoroughly. [SILENCE] [SIGH] I’m not the one who knows all about this stuff…! I wish– … No. No, it’s fine, I’m… fine, I… [EXHALE] I can do this.

(MAG158) PETER: But she’s still the same corridors, I suppose. [INHALE] I’m sure– … what was his name? … Tim! Tim would– MARTIN: I’d really– … rather not talk about it, Peter.

(Plus, when he mentioned “the job I had put everything into had trapped me into spreading evil”, it felt like what Tim had told him back in season 3:

(MAG098) TIM: Look, it’s not that. I… [SIGH] This place is evil, Martin. And I think doing what It wants? Probably makes us evil. And It wants those things to be read. I mean, I’m not gonna stop you, but, at the same time– MARTIN: I– I get it.

So Martin did remember about that conversation, uh…)

(- We knew that the death of Martin’s mother had affected him deeply, Basira had told Jon. And he explicitly said it. But after what Elias told him (and forced him to see) in MAG118, I still would like to hear him describe his relationship to her – how he felt it, what MAG118 changed, if it changed anything…)

(Laughing and crying that Martin “my dad left my family when I was 8” suddenly got two trashdads, who are the worst, and whom he doesn’t want.)

(- Shut your mouuuuth Eliiiiaaaas

(MAG158) ELIAS: You, at least, should be insulated from the fall-out by your new allegiance. Jon… might be powerful enough to weather it. Melanie’s well out of it, so that just leaves Basira and Daisy. And the rest of the Institute, of course, and you can’t tell me you care about them. MARTIN: But of course I do! ELIAS: Do you, though? Do you really care, about any of them? Or is that worrying just simply an old reflex? [SILENCE] … Goodness. Peter has done his work well, hasn’t he? [CHUCKLE]

Who caaaares if it’s a “reflex” and done without conviction!! Doing the right thing just because you think it would be the right thing to do, even though you don’t feel much about it, is still better than doing nothing or doing something awful?? You can still define the kind of person you want to be through you deliberate actions?? Even if Martin was neutral about it, the fact that he still did his best to prevent Peter from hurting Daisy or random staff members in MAG144 matters, shut your mouuuuuth damniiiit!!)

- It’s both hilarious and heartbreaking that Martin’s reasons for getting wary of Peter were:

(MAG158) MARTIN: When you started talking about The Extinction, though… You… had me, actually, for a while. But then… [CHUCKLES] then you tried to make me the hero, tried to sell me on the idea that I was the “only one who could stop it”. And that? That never sat right with me. I mean–I mean, lo–look at me! [SNORTING] I’m, I’m not exactly a, a “Chosen One”. But, by then, I was in too deep. So I… played along, waited to see what your endgame was.

… Because 1°) Peter, as a self-centred Lonely avatar, thought that insisting about how Martin was a Hero and Necessary would do the trick, 2°) Martin was too self-deprecative for this. It also echoed Jon’s interrogations at the end of MAG139, about why they had all been “chosen” – Jon just accepted that it had been the case, or some bad luck, while Martin… immediately questioned the idea. (And gdi, Martin!! But Jon chose you at the end of the very same episode… ;;)

- Peter!! Peter, you knew that a knife wasn’t fitting Martin:

(MAG039) MARTIN: I used to carry around a knife, but I started thinking that, well, cutting into someone laterally wasn’t really the most efficient way to get them out, and besides which, they seem to be quite slow burrowing in a straight line so, given their size, th–the corkscrew just seemed to be the better option. … Look, you guys got to go home every day, okay. I didn’t!

(MAG108) PETER: Martin, isn’t it? MARTIN: Y–you, don’t move! Em, don’t you come any closer, okay! I’ve got a, I’ve got a knife! PETER: Do you? That… that would seem widely out of character, from what I’ve been told. MARTIN: Okay, but okay, step back.

(MAG158) MARTIN: … I’ll need to kill him. PETER: Yes. Don’t worry, though. I brought a knife. […] Then do it, Martin. [UNFOLDING POCKET KNIFE?] We’re the same, you and I; we don’t need anyone else. […] PETER: Martin. What are you doing? MARTIN: I’m… saying no. I refuse! Game over. [KNIFE CLATTERING ON THE GROUND]

If you had brought him a corkscrew, maybe he would have said “yes”.

- I’m still LOVING that deception is one of Martin’s core features…

(MAG056) ARCHIVIST: It was in the old document room, just next to where you used to sleep. Your handwriting, “If the others find out I’ve been lying”. Lying about what, Martin?! MARTIN: L– look, just forget about it, okay? Please. ARCHIVIST: I CAN’T forget it! Everyone in this place has so many goddamn secrets, and I can’t trust a word you say! Not about this, and not about Trevor! MARTIN: Jon, just– ARCHIVIST: MARTIN! MARTIN: Okay! Okay. Okay. Just… just… promise you won’t… fire me. ARCHIVIST: … fire you…? Fine! MARTIN: I… … I lied on my CV. ARCHIVIST: … What? MARTIN: I don’t have a Master’s in parapsychology, I don’t even have a degree. When I was 17, my mom, she… had… she had some problems, and I ended up dropping out of school, t– trying to support us. I tried everything, but no one was hiring. So I… I just kinda started to lie on my applications, sending them out to just about anywhere. For some reason, my lie about parapsychology got me an interview with Elias and, and then a job here. M– most of my employment details are made up, I’m only 29! ARCHIVIST: Right, I… uh… I believe you!

(MAG120) ELIAS: I must admit I’m impressed, Martin. I knew you were all planning something, of course, but I didn’t believe you specifically would have the… er, capacity for boldness that you displayed. It took me quite by surprise. MARTIN: You didn’t just see it in me? ELIAS: Honestly, I didn’t look. For all my power, I will admit I am not immune to making the occasional lazy assumption. I presumed that I knew you thoroughly, but by the time you demonstrated otherwise… well. There was simply too much to keep watching over. I only have two eyes, after all.

(MAG138) MARTIN: … What? [HUFF] That’s it? No, no monologue, no mindgames? You love manipulating people! ELIAS: That makes two of us.

(MAG158) PETER: The Extinction is coming. MARTIN: Oh, I’m sure it is! But that’s not what this is about, is it? This isn’t about “saving the world” – it’s all just some power play against him! I might not know exactly what’s going on, but I don’t think I want any part of this. However much I want to kill him… I’m out. PETER: But you said– MARTIN: Honestly… I mostly just said what I thought you wanted to hear. PETER: I see. … This is your doing, is it? ELIAS: [AUDIBLE GRIN] Hardly…!

Not sure that it’s enough / the gist of it for Web stuff but. Still.

(And I’m REELING that Elias sounded almost proud of Martin with that one.)

(And that their “powerplay” sounds so much like foreplay.)

- Martin was so good when spitting at those annoying disgusting old men and their weird games?? And then:

(MAG158) ELIAS: Peter. [PAUSE] It’s time. [SILENCE] PETER: … Fine. MARTIN: Great. [VERY SHARP SQUEALS OF DISTORTION INCREASING] Now, perhaps if one of you, then, can tell me what– [SHARP SQUEALS OF DISTORTION REACHING A PEAK, BEFORE DECREASING] ELIAS: It won’t be that bad, Peter~ [CHUCKLE] You’ll see. Now: he’ll be here soon, so you can leave, or… PETER: Oh no. No. I’m not gonna make it easy on him. You haven’t won yet. ELIAS: Your choice. Just make sure to leave the door open.

… that mood whiplash of Martin beginning to ask for answers and being heartlessly wooshed as if he had barely spoken since the start.

- Meanwhile: Jon has been so, soooo vulgar this season!!

(MAG131) ARCHIVIST: … Shit.

(MAG154) ARCHIVIST: [SIGH] [SOFTLY BUT WITH FEELING] … Fuck.

(MAG158) ARCHIVIST: You gotta be fucking kidding m–

Next corpse coming back to life is your grandmother, putting soap in your mouth. (I do love how that last one managed to… somehow make the scene a bit lighter because Jon was losing it, it was too much.)

(On a sidenote: Daisy, of all people, has never said “fuck”, only “shit”, I think? So she can’t die or lose herself there!!!)

- Why did Jon blank out after hearing Gertrude’s tape?

(MAG158) [CLICK–] BASIRA: Right, so what does that tell us? [SILENCE] Jon? … Jon! ARCHIVIST: Uh, y–yes, sorry. Right, just, uh… uh, the Panopticon. It’s the, uh…

Was it because of the shock of hearing her murder live? Was it because he noticed something off? Was it already Elias’s ~call~? (There was no static, though.) It felt to me like he was piecing something together…

- Peter & Martin had climbed the Panopticon’s central tower fine; meanwhile, Jon…

(MAG158) ARCHIVIST: [LABOURED BREATHING] ELIAS: Ah, Jon. I was almost worried…! You found your way all right. ARCHIVIST: [PANTING] Yes. … Ye–yes, I did… How?

… was out of it. Someone has been smoking too much lately, hm? (Do you still have your lighter on you, young old man…?)

- I’m ;; worried over Jon ~appreciating~ the beauty of things made to hurt:

(MAG143) [CREAKING, SPARKLER-LIKE STATIC SATURATING THE RECORDING.] ARCHIVIST: It’s… beautiful…

(MAG158) ARCHIVIST: [STATIC] That’s the Panopticon… ELIAS: My, you have grown. Yes. A masterpiece, isn’t it? ARCHIVIST: [EXHALE] … Y–yeah. It is.

(And it feels extremely Hannigram, uh.)

(Oufttt over the fact that Jon’s powers provided him with the answer he sought right in front of Elias… Elias had told him that he had to find/get his answers himself, back in MAG092, and it’s… happening… Elias had been so glad/proud when Jon had let it slip that he Knew Gertrude and Gerry had worked together, back in MAG102, and Jon had so many moments of Knowing in season 4…)

- Still not over the fact that Jon still asked Elias questions assuming he would get answers? ;;

(MAG158) ARCHIVIST: [SEETHING] Where is he? ELIAS: Peter Lukas has him. Cast him into The Lonely, and with every passing moment, he gets further away from you. ARCHIVIST: How do I bring him back? ELIAS: From out here? … Impossible. ARCHIVIST: … You want me to follow him. […] … How do I do it?

Jon sounded absolutely unsurprised when he reached the Panopticon, so… he had probably guessed that yeah, anyway, Elias had planned things, that he was doing exactly what Elias wanted, and that it was a price worth paying as long as it was aligning with his own interests (saving Martin)… Even at the cost of opening this damn inner door:

(MAG127) ARCHIVIST: [SIGH] It’s… hard. It’s like there’s a–a–a door, in my mind. And behind it, is… i–is the entire ocean. Before, I didn’t notice it, but now, I know it’s there, and I can’t forget it, and I can feel the pressure of the water on it. I, I, I can keep it closed… but sometimes, when I’m around p–people, or–or places, or… ideas, a drop or two will push through the cracks, at the edges of the door. And I’ll… know something. BASIRA: … What happens, if you open the door? [SILENCE] ARCHIVIST: I drown.

(MAG158) ELIAS: [INHALE] Wasn’t too long ago. And I’m sure traces of their passage still remain. ARCHIVIST: [INHALE] ELIAS: Just open your mind. ARCHIVIST: [EXHALE] ELIAS: Drink it all in. Know their route, [VERY SHARP SQUEALS OF DISTORTION, INCREASING] and simply… follow it. ARCHIVIST: [LOUDER BREATHING] ELIAS: Very good.

It had to come, “Jon opening it to save someone/Martin in particular” had been my first thought when Jon had described it to Basira but gdi!!! Still painful that it’s happening ;; It has been such an awful and painful string of hoping he could save people and/or refusing to allow people to die, only to have to deal with their losses…

(MAG047) MICHAEL: [DISTORTED LAUGH] Yes… Ah… Did you notice which door she left through? ARCHIVIST: Yes… It w– MICHAEL: [CHUCKLES] ARCHIVIST: … wait! No, there was– MICHAEL: There has never been a door there, Archivist, your mind plays tricks on you. ARCHIVIST: Let her go. MICHAEL: [DISTORTED LAUGH] “No”? ARCHIVIST: Get her back here! MICHAEL: Are you going to attack me?

(MAG098) MARTIN: Yeah, we talked. Not long, he– Y’know, I think he thinks that the distance keeps us safe, you know? Like, like, if he just makes sure that we’re not involved, we’re somehow fine. TIM: He’s an idiot. Look, we didn’t know what that door was, and it still trapped us. Ignorance isn’t going to save anyone. MARTIN: No, I mean, you’re right, I guess. He was… Y’know, we know about Sasha now, and… he said he doesn’t want to lose anyone else. Like, y’know, it’s his fault.

(MAG118) TIM: You knew I might not be coming back! ARCHIVIST: I knew none of us might be coming back, and I’m not gonna let anyone get killed for nothing! TIM: Oh, except for those people in there! ARCHIVIST: They’re already dead! TIM: Not all of them! ARCHIVIST: I am not losing you as well!!

(MAG158) BASIRA: … Goddamnit. Jon, go; we’ll keep them busy. ARCHIVIST: What…? No! I– BASIRA: Don’t argue, just go. NOT!SASHA: [IN THE DISTANCE] Jooo–oooon~? ARCHIVIST: … Fine. Just don’t die. DAISY: Go.

And I hatehatehatehate that Elias absolutely played on the fact it was so personal for Jon, how his feelings could be a tool to get him where he wanted…

(MAG158) ELIAS: Peter Lukas has him. Cast him into The Lonely, and with every passing moment, he gets further away from you. ARCHIVIST: How do I bring him back? ELIAS: From out here? … Impossible. ARCHIVIST: … You want me to follow him. ELIAS: No, Jon. You want you to follow him.

That emphasis on “you”…

(I still want to be a bit cautious before labelling Jon’s feelings as romantic, as long as it’s not confirmed-confirmed? But hhhhh yeah, no, Jon is desperate and longing and crushing awfully hard, uh…)

- There is still Helen around, and Annabelle hasn’t revealed herself either so… at this point, what is she waiting for or expecting…? Is she planning to go against Elias, is she planning to use him, or are they in this together…? If Elias indeed needed Jon to experience the Fears first-hand, The Web pushed in that direction with the coffin (leaving MAG130’s tape and leading Jon towards The Flesh, too); it was also The Web who made Oliver give Jon his statement to push him to wake up – and Jon ~made his choice~, and Jon waking up gave Martin a ~reason~ to not follow Peter entirely… It seemed like The Web and Elias’s interests got suspiciously aligned this season…? What Elias said about The Web was non-committal:

(MAG148) BASIRA: Or that we were being stalked by some freaky spider woman. Don’t tell me you didn’t know about that! ELIAS: Ah, uh, y–yes… W–well… To be honest, I’d… advise you to leave that one – well alone. BASIRA: Oh yeah? ELIAS: Uh! Look, look, look. I’ve… been doing this a long time now and, if there’s one thing I’ve learned about The Web, it’s that it plays its own game. All you can really do is… hope it doesn’t get in the way of whatever your plan is. Because the Spider usually wins…! Assuming you have a plan.

(“I’ve been doing this a long time now” fuuuuck oooooooffffff!!)

And he can’t have been unaware of Jon’s personal history with The Web, nor of all the spiders in the Institute, so…? Are they in it together, is he dual Web/Beholding, is he being made to ignore The Web, or has he taken precautions to not suffer from any interference…?

(- Other potential players: The Extinction and… the tape recorders (if they’re not Web :w). A tape turned on during Gertrude’s murder scene, and that was the first time we’ve seen it happen in Gertrude’s era. The recorders also behaved quite strangely with the Panopticon, because… there was one with Martin&Peter / we switched to Jon&co / we went back to Martin&Peter&Elias but, when Martin then Peter left, one stayed with Elias – unless Martin planted the same one that had been following him in the first part of the episode, this means one showed up in the Panopticon, on its own. We’re back to Jon’s argument to Tim in season 3:

(MAG114) ARCHIVIST: [SOFTLY] Interesting. What do you think is listening? TIM: What? […] And you know what I think. It’s that… the thing that runs the Institute, “The Watcher” or “The Eye” or whatever. ARCHIVIST: I dis… I disagree. This whole place is a temple to The Eye, Tim, I don’t think the tape recorders make any difference. TIM: [VICIOUSLY] Elias, then. ARCHIVIST: In that case, we’ll stick to talking about things he already knows.

If The Eye was behind them, why record what it’s witnessing anyway?)

(And although Jon has listed Peter, Elias and Annabelle as potential suspects behind the last tapes that were sent to him… we still don’t have any indication of who it is.)

- On the one hand, Peter wanted Martin to be apathetic; on the other, Elias was REALLY glad about Jon being fearful:

(MAG156) PETER: How does that make you feel? MARTIN: … Nothing. [SNORT] Nothing at all…! PETER: Excellent. I’m so proud of you, Martin. MARTIN: I really don’t care. PETER: Perfect.

(MAG158) ARCHIVIST: [LOUDER BREATHING] ELIAS: Very good. Are you scared, Jon? ARCHIVIST: Yes… ELIAS: Perfect.

… It’s especially interesting re:Jon given how Gertrude had a very particular personal relation to fear, Adelard wondering if she was dissimulating or steel-like when it comes to this. Jon appears as a contrast: he fears a lot…

(MAG125) BASIRA: You ready? ARCHIVIST: [DRY HOLLOW LAUGHTER] No…? [SHAKY VOICE] You’re sure you don’t have… restraints, or… BASIRA: You think she’s gonna sleep through being tied down? I’ll try and grab her if she wakes, but… ARCHIVIST: … Okay…! Here we go…! [BREATHES DEEPLY]

(MAG132) ARCHIVIST: I have her voice. I think that should be enough to find her, and I’m leaving my– … I’ll leave it with the tape. I should be able to find my way back to it… I think. Wish me luck…! … Although I suppose if you’re hearing this, then I… I didn’t have any. I don’t know. I’m… I’m scared. [SHORT CHUCKLE] When does the fear go away…?

(MAG136) ARCHIVIST: My– [PAUSE] [INHALE] [SIGH] My memories of the coma are not clear. But I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I… I don’t know if I made the right decision; I–I’m stronger now, tougher, I can… … If I do die, now, or get sealed away somewhere forever… I don’t know if that’s a bad thing. And I don’t want to lose anyone else so, if I can maybe stop that happening, and [DRY CHUCKLE] the only danger is to me, I– I’ll do it in a heartbeat; worst case scenario… the universe loses another monster. DAISY: That’s messed up. ARCHIVIST: [LOW SELF-DEPRECATIVE DRY LAUGHTER] … Yeah. I suppose it is. DAISY: Did you know the coffin wouldn’t kill you? ARCHIVIST: I– guess I thought imprisonment wouldn’t… wouldn’t be as bad as it was. DAISY: [SHAKY SIGH] ARCHIVIST: And it’s a lot easier to make that choice than it is to actually… endure the result. You might have noticed when I was in there with you, I… I had regrets.

(MAG139) ARCHIVIST: Why were we chosen? Agnes was created – crafted with a specific purpose so finely tuned that even a grain of uncertainty threatened the entirety of her being. [CHORTLING] But I’m so full of doubt it feels like there’s no room for anything else, and… I’m sure Martin is the same…! Is there “destiny” here? B–bloodlines and… prophecies, or did we just… stumble into this? Maybe we’re the opposite of Agnes; maybe our doubts are exactly what we need. I–if that’s the case, I’m a… an amazing chosen one. … [LONG EXHALE] Don’t know how that would work, though.

(MAG143) HELEN: … How was it? ARCHIVIST: Mm? HELEN: Looking upon The Dark. ARCHIVIST: I thought I was going to die. HELEN: You seem to think that a lot. I remember when you thought you were going to die at my threshold. ARCHIVIST: … Yeah.

(MAG150) ARCHIVIST: [SIGH] It’s just… The Web can be subtle, you understand? MELANIE: And? For all you know, its plan is to paralyse you with indecision…! ARCHIVIST: [SIGH] MELANIE: Leaving you… sitting here, terrified that… everything you do is somehow all part of its Grand Plan… And who do you think that fear is gonna feed? ARCHIVIST: Yes, well. [INHALE] You are… not the first, to make that point.

(MAG152) ARCHIVIST: [SIGH] … When does it stop? HELEN: What? ARCHIVIST: The guilt… The misery… All the others I’ve met, they’ve been… cold. Cruel. They’ve enjoyed what they do. When does The Eye… make me monstrous?

… and that seems to be good for Elias’s plans/Jon’s self-realisation as an Archivist…? Season 4 feels like it’s been a slow game of completing Jon’s set by giving him incentive and by fostering his worry: removing the Slaughter’s bullet from Melanie, making him contact a Flesh avatar in his search for an anchor, making him go down in the Buried coffin in the hope of saving Daisy, making him see a Dark artefact after making him think he would be stopping a ritual). Elias has never been about reassurance; quite the contrary, he always pushed Jon to fear the worst from things, and it was once again the case when he pointed out how dangerous going into The Lonely would be. There is still the question about whether it was about the physical or intellectual experiences, or both. Jon got an insight of the way the Fears worked, from the inside, and Elias had pointed out in the past that that is apparently his function:

(MAG092) ELIAS: [SIGH] What are you? ARCHIVIST: I… The Archivist. ELIAS: Precisely. It is your job to chronicle these things, to experience them, whether first-hand or through the eyes of others. To simply be told, well…

Jon has now been in contact with all the Fears except The Lonely, getting an internal view of them and how they operated:

* Corruption through Jane Prentiss’s attack (and her written statement).

* Spiral through Michael’s and then Helen’s corridors (and Michael’s live-statement).

* Desolation through Jude Perry burning his hand (and her live-statement).

* Vast through Mike dropping him (and his-statement).

* Hunt through Daisy, then Julia&Trevor, chasing him (and their live-statements).

* Stranger through the Not!Them’s deception, the experience of The Unknowing (and Breekon’s “extracted” statement).

* End through his own almost-death and unwillingness to die, becoming something else instead (and Oliver’s live-statement).

* Slaughter through Melanie’s violent urges (plus the statement she gave of her injuries?).

* Flesh through Jared taking two ribs (and Jared’s live-statement).

* Buried through his rescue attempt in the coffin (no direct avatar here, but a few written statements).

(MAG132) ARCHIVIST: I know… DAISY: Th–the way out? ARCHIVIST: No… I know where we are! There isn’t no out, not here. This is… this is forever deep below creation. Where the weight of existence bears down… This is The Buried, and we are alive… There isn’t even an up. … Oh god… What have I done! What have I done…

* Dark through directly staring into the Dark Sun (and Manuela’s live-statement).

* Web through the Leitner as a kid, and Annabelle making him doubts about influences and control (and Annabelle writing her statement for him).

(MAG147, Annabelle Caine) “Unless, of course, none of it was intentional. None of it was planned. The Mother is the fear of manipulation and lost control made manifest. So perhaps it is our fear that projects Her influence on everything that happens. Like the mind, retrospectively assigning reason to our actions, so we fit whatever occurs into the neatest pattern we can, and declare Her web both intricate… and complete. Perhaps She is no more active than Terminus – simply sitting and revelling in the inevitable cascade of paranoia, as those who hold Her in special terror cocoon themselves in red string and theory. Or perhaps I am simply telling you what you need to hear, in order to behave exactly as the Mother wishes you to.”

Still missing The Lonely both as a live-statement and/or statement from an avatar, as a live experience, and as a scar, but now… he’s getting there. (And missing The Extinction, too, which could factor in, but Jonah is probably still following Smirke’s List of Fourteen? Smirke’s architecture was based around the concept.)

But I’m especially curious about the scars in the context of Jonah body-hopping: Robert Smirke had mentioned he feared death, a lot of people had pointed out that Elias tends to avoid getting directly involved, and… that could plainly be a way to avoid the risk of dying himself? And what if what he needed was a body who had physically experienced the Fears…? I’m mostly thinking about it because:

* James Wright was Head of the Institute for 23 years (1973 to 1996); assuming that Jonah had body-hopped right when “Elias Bouchard” became the next Head, that would be 22 years in that body as of now. So might be time to get another one.

* If Jon is meant to be the next host, you Know that Jonny would have a blast voicing Jonah-in-Jon: it would a big challenge voice-acting wise (making a character we used to hear through another VA absolutely identifiable), and also probably a great deal of fun (especially making everyone upset).

* Cursed thought of Unlikely Team during season 5, consisting of Martin (who still thinks that Jon is somewhere there and can be saved), Basira (who is both tracking Daisy and uuuh trying to prevent the apocalypse) and pothead!Elias being back in control of his body (and also uuuh convicted of murders and technically escaped from prison) going after Jonah!Jon. It sounds like if The Eye is attempting its ritual, it’s coming now, but. Lovely thoughts.

(I do subscribe to the idea that the Actual Elias Bouchard might still be somewhere: being stuck and condemned to watch the atrocities committed by Jonah (… he knew about poisoned drinks) sounds like the Most Beholding Thing ever, and there is still the question of how Jonah had been feeding. What if his Fear battery was always within him?)

- Still two episodes, and everything already sounds like The Worst Possible? Martin has been whooshed into The Lonely, while being susceptible to it; Jon opened his inner door and might be drowning; Daisy fell back into The Hunt; Elias is winning and The Eye’s ritual might be on the verge of happening; the Institute has been attacked and there are 4 avatars/monsters fighting inside of it. It might be the worst for Martin to have to deal with the fact that, if Jon is getting lost, it would have been to save him (was it a nice bonus for Elias, as a punishment for Martin’s schemes at the end of season 3…? I’m wondering, because I also feel like Basira is being “punished” through Daisy in a way, and Elias could be petty enough to join utilitarianism and personal grudges: getting Trevor&Julia in at the right time to cause chaos and make Jon panic, and also to force Daisy to snap and make Basira lose her….)

- ;; Elias sounded absolutely in control, so… yeah, we might be losing Jon as we just lost Daisy – but at the same time, if it’s already happening with her, things could go differently for him…? Jon had already gotten out of The Buried, and we still don’t… really know how – we know about elements who contributed, but not how it worked exactly. Was his anchor truly his rib? Was it the statements, through the recordings? Did the fact that Martin had been the one to put them there help? Did the Web lighter help…?

- OKAY, so the knife has been explicitly mentioned, heard… and clearly dropped on the Panopticon floor:

(MAG158) MARTIN: I’m… saying no. I refuse! Game over. [KNIFE CLATTERING ON THE GROUND]

… So there is a good chance that it’s gonna be put to use: either by Elias on someone (Jon or Martin), eeeeeeeeeeither someone using it on him.

……………… and as much as Violence Is Bad, I really want to hope for Basira, there. It’s around the anniversary of her involvement with the Institute (she went for the worms in the Summer, then gave her first statement to Jon on September 19th, 2016), Elias played with her all through season 4, sending her after dead-end leads to get Jon into the coffin, then pushing her to go with Jon to ~stop The Dark~. She got Daisy back only to lose her again. Sure, she got to punch Elias (and it was a m a z i n g), but… she didn’t manage to achieve anything, to get a “victory” in any way, this season? Stabbing wouldn’t be a good answer, but Basira mostly cared about Daisy, and Daisy is now lost to The Hunt – if killing Elias and/or Jonah’s body means insta-death for all the assistants solely tied to The Eye, that… might be a price she would be ready to pay right now. Although there is still the matter of Daisy (given that she went full Hunt, would she still be killed too?).

(… Also, given how Elias has been very casually sexist/classist recently?

(MAG148) ELIAS: Ah… [HUM] I’ve… always thought that a man’s eating habits were… his own private business.

(MAG158) ELIAS: Oh, you needn’t worry. Two against one? Hm! I couldn’t stop you if I wanted to. I just wanted to be here at the end. Can a man not watch his own death?

I really really want him to get backstabbed by a female character that he would have failed to factor in as an actual threat.)

(Other option is that Elias could try to bribe her through the hope of getting Daisy back again and ;; That might be a weakness for Basira, uh…)

- Bonus for Basira: she pointed out that Jonah’s body-hopping could be like Rayner’s. And she directly witnessed Rayner’s death and the weak spot in the action – Rayner was vulnerable when he tried to get into a new body. If Jonah is precisely trying to do that… it could be the right moment to strike (for Basira, Annabelle, Helen…). Grabbing an opportunity on the moment was also her Thing, according to Daisy:

(MAG142) DAISY: When Basira and I were partners, I’d see this happen sometimes. She can read a… situation like no one I know, always seems to know the right move, but for all her research, she never wants to put a plan together. I think she just hates all the unknowns, the… variables. [SIGH] Contingencies. If she spots an advantage, she’ll… grab it, and trust herself to figure out the details as she goes.

- The summaries are usually non-canon but this one, uuuuuh, this one felt Very Specific…

“Case #0182509-A Original recording of events leading to the disappearances of Jonathan Sims, Martin Blackwood, Alice Tonner and Peter Lukas.”

* So: still in 2018 (the Institute is still in its 200th year anniversary), but in September. We broke the curse of an assistant dying every Summer, at least? Since it’s Autumn already.

* Side “A”, so next episode could be the B-side…? Or will we get it much, muuuch later…

* Alrrrrrrrrrrrrright so, Jon, Martin and Peter in the Lonely + Daisy is probably not recognisable anymore. That leaves Basira and Elias, but the summary makes it sound like it was written a bit in the future so… Are they not listed because they’re still accessible at this point in time? … Or because their corpses have been found?

Anyway. Another timeskip coming between season 4 and season 5, uh…? ;;

I Don’t Like This Title, but then, every Monday/Tuesday/first part of Wednesday is a variation around that. Could be about The Extinction, could be about Jon completing his “set” with the Lonely (scar and scare-wise); could be about Martin when having the original team in mind; could be about Basira given how we left her at the end of MAG158; could be about The Watcher’s Crown; could be about surprise!Annabelle or surprise!Helen; could be about Jonah getting another body; could be about The Lonely’s ritual; could be about Jon-and-Martin… in any case, sob. I mentioned a few but I don’t even have any conviction/feeling, Fear-wise?

#aND DONE #that's. that's a long one and?? i technically rushed??? and gave up on a few things/*tried* to go quicker??#that episode was Like That.#long post/#tma liveblog #mag158 #tma season 4 #the magnus archives

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soveryanon · 5 years ago

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Reviewing time for MAG146 /X_X/*

- Replacing things chronologically, what Jon was doing vs. what he was saying and telling the others throughout the season? (Not suuuure about the first having happened before MAG124, though, since. Yeah. We had squinted at that comment, back in MAG125. And it could take on A Very Special Meaning if that actually came just after Jon’s first victim.)

(MAG146) ARCHIVIST: … The first was a supermarket cleaner. Em, ended up lost for a week in an endless warehouse. I didn’t even…! I–I just went in for some shopping, and he was there, and I–I just… asked.

(MAG124) ARCHIVIST: It’s been a week and… Melanie’s attitude towards me hasn’t softened. And Basira, though she is very willing to talk, still doesn’t seem to trust me enough to let me in on whatever plans she might have.

(MAG125) ARCHIVIST: Regardless, I’ve hit another research dead end with this. It’s… frustrating, to be honest. I finally feel myself, I feel… focused, and ready – and I find myself basically alone.

(MAG146) ARCHIVIST: The second was, uh, it was after I got… stabbed by Melanie. MELANIE: You are not putting this on me! ARCHIVIST: No, that’s not what I meant! [SIGH] I was walking the streets, I–I thought I was trying to clear my head– DAISY: [DELIBERATE] But you were hunting. ARCHIVIST: … Apparently. I found a woman who… every year on her birthday, wakes up in a fresh grave. Just for her.

(MAG127) ARCHIVIST: I’m sorry Basira, I–I will try to keep anything I learn about you to myself. My priorities haven’t changed; I hope you can believe that. [SIGH] I’m still on your side. You can trust me.

(MAG128) ARCHIVIST: You can trust me, Basira– BASIRA: Stop saying that.

(MAG146) DAISY: And the third was after the coffin. ARCHIVIST: A man rejected by all who knew him, searching ever-darker places for love. When he told me his story, he started… weeping maggots.

(MAG133) ARCHIVIST: Look, I’ve… been where you are. BASIRA: Have you? ARCHIVIST: Yes, I have. Like you’re the only one responsible for everyone, the weight of all their lives on your shoulders: it leads to bad decisions. […] Fine. I don’t care if you trust me, but I think I’ve proven at the very least that I’m useful. So use me. Because if you go it alone, you are going to die. Even Gertrude worked with people. We make bad decisions when we don’t communicate…

(MAG146) ARCHIVIST: [SIGH] Jess Tyrell, the woman on the tape… [SIGH] She was the fourth. I–I just tried to… I was weak, r–ravenous, I–I didn’t feel…

What Jon did would have warranted the others’ anger anyway; but I think what made it even worse is… that he spent the season taking the higher and stable ground, assuring them that he could be trusted, that they had to communicate and work together, and actively complained and presented himself as… a victim who was tragically cut out by the others? And in the end, Basira was right from the start, without knowing it: he was actually untrustworthy, and unreliable to us listeners.

And it’s not even a New Jon thing! He hid himself to the tapes back in season 1, covered up his true feelings and played pretend because he was afraid that acknowledging the supernatural and the feeling of being watched would only make it more real.

- So, personally? I felt so relieved by the girls’ reaction: yes, it’s irrational; yes, it’s confrontational; yes, it’s not constructive; yes, they’re probably making a series of mistake again. But after MAG142 (and the fact that Martin was partially refusing to believe it was Jon-Jon behind it, then presenting Jon as someone who needed to be protected rather than protected from, and Daisy who was also prompt to highlight how Jon had suffered himself), I… think I really needed characters to be horrified and disgusted by what he had done; to express something raw, leaking betrayal, hurt, disappointment and disgust.

The setting of The Intervention 2.0 is especially interesting since… it’s once again something that Martin, though reluctant, slowly planned or at least contributed to put into motion:

(MAG058) MARTIN: Look, look, you just got to let me work through this. Alright? I suggested therapy, but he just says no, so– TIM: Well, we need to do something! MARTIN: Yeah, maybe.

(MAG059) ARCHIVIST: Supplemental. Everyone is avoiding me. They’ve taken to working farther away from me than normal, and when I call them for any reason, they’re always keen to leave as soon as possible. They share furtive glances when they think I’m not looking. I don’t like it. I feel like they’re planning something.

(MAG060) ARCHIVIST: You don’t mind if I record this, I trust? ELIAS: Well, to be honest– TIM: –That’s kind of one of the things we wanted to talk about. MARTIN: This is an intervention. ARCHIVIST: Excuse me. [CHAIR] ELIAS: If you’d rather it was an official disciplinary hearing, Jon, we can arrange it. ARCHIVIST: … Fine. Say your piece. NOT!SASHA: We care about you, Jon. And you’ve been rather erratic since the Prentiss’s incident. MARTIN: And we’d really like– ELIAS: To not have to fire you. MARTIN: –to make sure that you’re doing okay.

(MAG142) MARTIN: [SIGH] Th–the worst part is I don’t even want to talk to him about it. I’m just… [SIGH] I suppose I’m just getting comfortable with the distance. […] I should probably try to get him this tape, let him know what happened, that someone came in to… But then, ahah, would that just come across as an accusation? Like, because I don’t wanna… And then, then I guess he’d… hear this bit as well, so… I… I… [LONG EXHALE] What do I do…?

(MAG145) BASIRA: Martin left a tape for us. [SHUFFLING NOISE] ARCHIVIST: And what exactly is on this t– … Oh… MELANIE: Yes.

(Martin had tried to partially lead the “intervention” back in MAG060: the way he had corrected Elias was especially impressive, given how Elias was “just” his boss at the time.)

But now, it’s an entirely different team confronting Jon about his actions than in MAG060 – from Martin, Tim, Not!Sasha and Elias, to Melanie, Basira and Daisy: back then, it was half composed of people who… were not being honest to the others about who they were (Elias was scolding Jon for his behaviour and paranoia induced by Gertrude’s murder, when he was the one responsible for it in the first place, and knew about Not!Sasha; Not!Sasha was gleefully pouring salt over the wounds while she had killed Sasha a few months ago, while the others didn’t know yet). Now, unless twist, the three new assistants have made mistakes of their own but are not “toying” with Jon, and are genuine about their feelings; and, more importantly, the three of them have been victims of Jon’s statement-induced nightmares. Daisy had deemed them bad enough to knowingly sign an employment contract, to get immunity from them even though it meant trapping herself in work for Beholding. They all know, from experience, how difficult to bear the dreams were, for victims.

(Not even counting the additional symptoms described by Jess in MAG142. And I can’t help but think that there is something a bit… stronger, for women, to hear about a woman who was terrorised by a man, who happened to be someone close to them. MAG142’s whole setting had made me viscerally uncomfortable more than horrified (“story about a woman being preyed upon while on a date, cornered once alone, pressured to do something painful, then receiving the thanks of her tormentor” was… Heavy) so, although it’s a sheer emotional&personal response, hearing characters-who-are-women unambiguously denouncing what happened without searching for excuses for the perpetrator, meeting him with nothing but coldness and anger… was reassuring. Yes, narratively and strategically, it’s probably not going to help the characters. But emotionally, if felt, to me, like a necessary reaction.)

(And it was even more significant, in the story, that amongst these three characters, Melanie has always been leaning a bit towards denouncing oppressive social structures (her rant about Elias in MAG117 was… yeah.), and the two others… used to be police officers. Basira, especially, led the intervention as an interrogation against Jon; being firm, pushing him to confess, not allowing him to dissimulate or minimise the hurt – though she also made herself partially a judge, in this case, by claiming what Jon was, and I think that was her emotions pouring out.)

- I’ll try to cover the statement first: it was a very interesting case, time-wise, because it intertwined multiple lives and events. The doors had haunted Marcus McKenzie for most of his life, but his father ended up pursued by one and was the first to leave his statement, on August 24th 2003 (MAG027). Marcus left his statement a week later, on September 1st 2003 (MAG146), in reaction to his father’s. Jon stumbled upon Paul’s first, but already learned at the time, through the follow-up work, that Marcus had also given one:

(MAG027) ARCHIVIST: Martin made contact with the son, Marcus McKenzie, but he declined to talk to us, saying that he’d “already made his statement.” This leads me to believe that Marcus McKenzie may also have a statement lurking somewhere here in the archives, lost among the mess and misfiling.

(MAG146) ARCHIVIST: [SIGH] … So it seems we did have Marcus McKenzie’s statement after all. I spent so long looking for it, back when I found his father’s, and… no luck.

And Paul had died “of a stroke” two months after leaving his statement (MAG027), which was confirmed by Helen (MAG146: “And technically, I didn’t eat the old man. He passed away from terror!, before I even had the chance to open properly.”)… while Marcus had been fine for almost fifteen years, given how Jon’s team had been able to contact him, back in (April or earlier) 2016, but this wasn’t the case anymore as of now (June-July 2018):

(MAG146) ARCHIVIST: And his son Marcus, he… he was fine, when I found his father’s statement two years ago – but now, suddenly, I can’t get through to him! HELEN: No… I imagine not~! I decided it was time to finish that game a few months ago.

So things kept going, Spooks kept on terrorising innocents, and this time it was one who is… closer to Jon. The first statement Jon had read at the Institute post-coma had already been about someone who got snatched while he was already in charge:

(MAG123) ARCHIVIST: […] I did do some light searching myself on Gregory Cox. … Vanished, unsurprisingly. Sometime in late July 2016, which is… [CHUCKLE] two years ago. … That doesn’t seem right. It doesn’t feel like… … There’s just this… great… gap of time, where I wasn’t. No notes or follow-up here that I can see, just… [SIGH] It looks like the statement came in just after Gertrude disappeared. Another gap. And whoever took it didn’t do any follow-up, just… filed it away. I may be the first person to actually read it, so… sorry Angie, I suppose.

Most of the events involving innocents have been taking place during Gertrude’s era: there were sometimes pleas of people knowing that they were losing someone, or on the verge of being eaten themselves (which was the case for Paul McKenzie in MAG027: “I guess that’s why I’m here. This is what you people do. You investigate these things. You know what to look for and can identify the signs of things that… aren’t right. You know, not of this world. I’m not saying it’s a ghost or anything like that, it’s just… that well, if it was a ghost, you’d be the ones to talk to, right? I just need it to stop. And I don’t want to be put in a home.”), and we were getting glimpses of their gruesome fates from a later point in time – Jon and his team digging through a distant or recent history, but overall covering events that were absolutely unrelated to them. They didn’t know anything while it was happening, and they couldn’t have done anything. But in the case of Gregory Cox, there had already been the fact that the statement had come in when Jon was (on the verge of, or just) beginning his work as the new Head Archivist, and that Gregory disappeared while he was already well-installed; now, with Marcus McKenzie, it’s someone who he had been in contact with, through Martin. It’s the slow dissolution of one of Jon’s own eras, too: because back in MAG027, the Archival Assistants were Sasha and Martin (who had worked on this peculiar case) and Tim, and now, only Martin is left alive, and Jon’s current Archival Assistants are three completely different people.

And indeed, it’s not Team Archives’s responsibility to save everyone; but it’s still someone they had interacted with, and who got consumed since then. It’s closer. It feels more personal, hence, probably… Jon’s franticness: because in the same episode, he acknowledged the fact that he has attacked five people himself, and is confronted to the fact that he hasn’t saved any statement-giver, either.

(- And… remember what Jon had said about Elias in MAG017? “I know he’ll just give me the old ‘record and study, not interfere or contain’ speech again”. The Archives have never been about helping or saving people, nor has the Institute in general, it’s been proven again and again – but it’s something else to be confronted with so directly. In this case, since it was someone Jon’s team had been able to contact, and who got snatched by Helen, who is present in the Institute and has helped Jon occasionally, telling him that she has decided to help him… and there was, obviously, a gigantic echo about deception/relying on (or trusting) someone close, who had repeatedly stated that they were on your side and ready to help you, before you learned about their crimes, with Jon learning what Helen had done, and the Assistants learning what Jon himself had done.)

(- This bit is more gratuitous and solely due to the wording, but I couldn’t help but think about Martin, too, because of the “I’m sorry he’s so lonely, truly I am; I try to see him as much as I can, but I have my own life, and I can’t be there all the time. And I don’t like being manipulated. I don’t like being lied to.” bit (Martin had told Peter word-for-word, in MAG126, “I don’t like being manipulated.”) + the boat painting. Peter Lukas has ruined me for those forever. The familial situation and dynamic was fairly different this time around (… MAG144 was much closer to Martin’s own), but hearing Jon read a statement about someone saying that x was “lonely” because the statement-giver was not around enough also reminded me, a bit, of the whole Jon-Martin deal.

+ obviously, the ~not liking to be manipulated~ is relevant to Jon as well given his hatred of spiders and his overall Web-related trauma.)

- It’s also amusing because, as much as I relistened to old episodes, I never labelled MAG027 a Spiral episode (and more specifically, a Distortion one) in my mind. Relistening to it, yeah, obviously, it was a Spiral episode, with the statement-giver being aware that others thought he was delusional or getting too old, but back then… there was the door, indeed, but I kind of remembered it as a Dark statement for some reason? The feeling of empty houses, the reflexion about noises and how you become aware of all the strange little things when you’re alone in it, and the fact that… something could come for you from within? I think it comes to the fact that, back then, Michael was not so strongly associated with “doors”, and also because MAG026 had already been about him – it’s rare to get two episodes in a row involving the same person/monster/manifestation unless Jon is actively researching the subject.

- … Jon’s… nostalgia of a simpler time? felt accidentally funny to me, though, because I did remember that I had found Jon especially savage with Paul McKenzie, back in MAG027:

(MAG146) ARCHIVIST: … I never thought I’d miss those days, when I could throw out some half-baked speculation about drug abuse or mental illness, and whoosh, away all the statements went. There is… nothing in the world more reassuring than ignorance which we can mistake for certainty. But no. Almost every one of those statements, those… people… that poor old man… [HUFF] Like I can talk…! Like I’m in any position to mourn the suffering of the innocent.

(MAG027) ARCHIVIST: I want to believe Mr. McKenzie, I really do. I am not entirely made of stone, and am apt to be moved by the plea of a scared old man as much as anybody. I mean, dementia is, of course, the most likely explanation, and he admits himself that he has no proof of any of it. Yet part of me still wants to believe him. Perhaps this job is making me sentimental.

And I knooow, Jon was lying and hiding because afraid, but. Still. It had been one of my biggest “OOOH, SHUT UP?!” moment in season 1. How low can you be, to be melancholic about a time when Jon Was Like That.

At the same time, it’s interesting how… Jon’s fake detachment, back in season 1, although absolutely biased and deliberately anti-supernatural, made him sound more… like how you could picture a neutral-uncaring-Archivist. Even in season 2, he was mostly obsessed with the threads going on, the mysteries of the Archives, of the monsters, of Gertrude’s murder. Compared to season 4 in which… with the exception of some recent statements, and although it was just revealed that he had been harming people all along, he was also shown to be softer, more philosophical, more emotional over the victims, sparing a thought for them – and acknowledging their status. More human, in a way, than he had been when he wasn’t this deep in…? (Although still self-centred, in a different way, but more on that later.)

- On the subject of echoes and the situation feeling closer: there was also the fact that… Marcus McKenzie had done absolutely nothing to earn what had happened to him, that his targeting was absolutely unwarranted and began when he was just a little kid (“… The first door I remember seeing that shouldn’t have been there must have been when I was five or six. […] So one night – it was in the Christmas holidays, so I must have been six… I wake up. There’s a noise in my room, like something being… dragged along the floor.”) – just… like Jon, who was only eight when he stumbled upon A Guest For Mr. Spider. And we had the proof that Marcus was pursued and toyed with (before eventually getting eaten) throughout his entire life; so what does it say about Jon’s own situation…?

(- And in the list of things just plainly sad: Marcus’s “and I watched my most treasured possession disappear forever, as the door closed behind it, and I ran back to bed.”, accompanying the end of his innocence – since the door kept popping up, more and more sneakily and/or threatening, starting with this incident.

In the list of “aouch” and conveying a lot in just a few words: “all that remained of my worldly possessions were packed up for yet another return to childhood.”)

- Smaller echoes: the way Marcus was, at first, trying to hide that he had seen another door fairly recently (“But they were just… specific, weird little hallucinations that have long since stopped! Haven’t had one in… Well, it’s not important.”) before finally telling about a last encounter that had taken place recently, after fifteen years of nothing – just like Jon had been hiding his current streak of victims (and even gave the lower number before admitting the actual one, when cornered).

- Slow build-up with Jon introducing the statement with a beautiful circumlocution… and finally calling a spade a spade:

(MAG146) ARCHIVIST: Statement of Marcus McKenzie, regarding a series of… unexplored entryways. […] But there is one thing I know an awful lot better now, than I did when I read his father’s statement: I know an awful lot more about doors…! [CLICK.]

And… more concerning:

(MAG146, Marcus McKenzie) “And as I passed that empty space of grass, there it was – a pale yellow door, stood all alone, like the entrance to a house that I just couldn’t see. It had no frame around it, but I was sure that if I grasped its handle and twisted… it would still swing open, silent, and inviting. […] The street was silent, but I could feel it screaming at me to open it. I just about managed to not do. I was… just about able to walk away. […] Sometimes, you just have to leave. Even if what’s on the other side scares you.”

And ooooh, do Jon does have his own “doors” – Mr. Spider’s, which he almost knocked on; Michael/Helen’s (and the fact that Elias had described how, in his dreams, Jon “knows the dream it used to lead to; he knows it well. But that’s not where it leads anymore. He does not know what is behind it anymore, and he is deathly afraid of finding out. The Archivist turns away.”); his own inner door of knowledge, with the danger of drowning…

- And Marcus’s case was big enough for Jon to… finally knock (bang.) on a door, which, I think, was the first time we ever heard him do? He was especially adamant about not knocking on this particular door?

(MAG131) ARCHIVIST: Oh. This, this door… It shouldn’t be here. MELANIE: Yes. ARCHIVIST: I, uh… I don’t want to open it. I’m not going to. [MELANIE SIGHS, KNOCKS ON THE DOOR]

(MAG139) ARCHIVIST: Haven’t seen Helen much. The door is… sometimes there, sometimes not. … I haven’t knocked. I’m never going to trust it. Trust… her. … Trust it. [DRY EXHALE] And I shouldn��t. Whatever its relationship to the person who was or is Helen… assuming that I can ever know its motivations is a mistake.

(MAG146) ARCHIVIST: [BREATHING HEAVILY, FRANTICALLY BANGING ON A DOOR] [A DOOR CREAKS OPEN] [DISTORTION SOUNDS, BRINGING CONSTANT STATIC] HELEN: You rang~?

I didn’t keep tabs in season 4 but I think it was still a Thing that nobody ever knocks on Jon’s door when they expect him to be inside (… Georgie did in MAG145, but she was pretending to not know), although the assistants did, between them. And of course, knocking on a door might have a special connotation for Jon! It’s what almost got him killed when he was a kid, and ~compelled~ to knock by a Web book!

(And I just realized with this episode that, doors-wise, Martin and Jon actually make the worst combination possible. Jon would have been snatched by Mr. Spider if he had knocked on its door; and on the other hand… Martin stayed holed up inside of his flat while harassed by Jane Prentiss’s constant regular knocking. Jon having a trauma related to being forced to knock to go inside; Martin having a trauma related to something knocking and threatening to come inside.)

- One of the themes mentioned by Arthur in the previous episode also poured into this one: the perception that we have of a person, and how “many” of that same person there is.

(MAG145) GERTRUDE: What was Agnes like? […] ARTHUR: I… [PAUSE] I don’t know. Not really. You got as many answers to that as… folks who met her. Never really knew what she felt ‘bout any of it! Not really. Not in her own words. […] At the end of it, you’re always just the… point of someone else’s story. Everyone clamouring to say what you were, what you meant, and… your thoughts on it… all don’t mean nothing.

We could see a glimpse of that idea throughout Marcus’s statement: in Marcus’s point of view, his father was obsessed with the idea of protecting him, and had made up the story about his own door to try and manipulate him into going back to living with him. That point of view… didn’t age well: Helen confirmed that The Distortion had gone after both father and son, so Paul’s words were likely genuine (and there was nothing about an obsession with his son in his statement). And the theme was, once again, present within both Jon and Helen deceiving people: Helen, who had been fairly benevolent towards the Archives (trapping Jared and neutralising him, allowing Jon to go inside and offer him freedom against what he needed, announcing that she would help the Archives, fetching Jon and Basira back from Ny-Ålesund, swallowing Manuela) was also revealed to have embraced the “feed what feeds you” lifestyle and to be killing innocents without any remorse. In the same way, Jon, whose “monsterhood” had mostly been existential and manifesting through his abilities in the first half of this season, was revealed to have attacked and condemned five innocent people to his nightmares since he woke up – and hid that from both the Assistants and the tapes.

- (“Jack… I was wrong… I was so wrong…………”) => I really wanted to believe in Helen, damniiiiiiiiiiiiit ;; I'd been hoping that Jon was wrong to not trust her, but he was right…

I had hope that Something Had Indeed Gone Wrong with Helen becoming the Distortion, since she had mentioned that Helen hadn’t been “ready” when she had supplanted Michael, and that eating a man had made her feel “wrong”… It looks like she’s not getting second-thoughts anymore about these kind of things. Was it deception, back then? Was it an unavoidable process? Or did it happen partially because Jon pushed her away that time? As far as monsterhood goes, does it have to do with the nature of the Distortion itself? The Distortion sounds like a very particular case, since Helen uses “I” to refer to itself/herself, but also identifies with Michael Shelley and Helen Richardson, while also being able to detach itself/herself from them and refer to them in third person. It… fits The Spiral, obviously, and the whole identity-is-hard, and there is the question of how much what happened to Helen Richardson (being eaten/fusing with/being consumed by The Distortion) can be relevant to Jon’s own experience of… ~becoming~ The Archivist. Back in season 3, Jon had already regarded The Distortion as a “mantle” and was fearing that the same might apply to him – but Jon… did keep his personality, when Helen indeed doesn’t sound much like Helen Richardson anymore/is becoming more and more like Michael and an overall function…?

Though what remained (… officially, unless misleading/lying) is that Helen wanted to help and talk with Jon because Helen Richardson liked him. So, is Helen genuinely trying to “help” Jon by encouraging him to embrace his need to feed, because it’s indeed making him feel bad right now?

(MAG146) ARCHIVIST: You… Why…? HELEN: Not sure. I suppose Helen didn’t have quite the same attachment to him as a project. I’m not quite as much for decades-long campaigns of subtle terror, these days. ARCHIVIST: [QUIET] … That’s horrible… HELEN: Is it? We do what we need to do when it comes to feeding, don’t we? … Don’t we, Archivist? ARCHIVIST: … Yes… HELEN: It would be better if you embraced it. ARCHIVIST: … It’s not… […] Were you controlled? HELEN: What a delightful thought! … I don’t believe so, no. But the Spider’s strings are subtle, so I suppose it’s not impossible. Why? ARCHIVIST: I–I want to know; can The Web control another avatar, one that serves a different power? HELEN: [HELEN LAUGHS AND LAUGHS, ECHOING] ARCHIVIST: Make them do things they don’t want to, make them… [BREATHING FASTER] find victims, feed? HELEN: [SLOWLY STOPS LAUGHING] Perhaps! Perhaps not. Would that make life easier for you? ARCHIVIST: [SHAKY EXHALE] HELEN: Are you so sure you didn’t want to? ARCHIVIST: [FRANTIC BREATHING] HELEN: [HELEN LAUGHS AND LAUGHS, ECHOING] [THE DOOR CREAKS CLOSED]

Or is Helen getting her kicks from tormenting him, because he’s confused, unsure of what is happening and of his own actions (=> food for Spiral)?

- Alright so: yeah, no, I don’t think it’s The Web, Jon. At most, She made him leave the Institute when he needed to feed and/or led him towards people with stories (possibly because She knew thanks to the Chelicerae?), through the lighter or something else. But then, Jon talking to them and getting their “stories”? Not, it’s The Eye, it’s The Archivist, it’s Jon, it’s his new status, it’s what his “choice” meant, and he’ll probably have to acknowledge it and come to terms with it (that he’s not only an “existential” monster with powers, but something who feeds from others’ pain). And it’s an influence, but Daisy had showed us that it’s not absolutely unavoidable… as long as you acknowledge the parts of you which are responsible for it.

- It’s not The Web, but we already had proof that She can manipulate avatars:

(MAG121) OLIVER: Honestly, I’m… still not exactly sure why I’m here. But… you know better than anyone how the spiders can get into your head. Easier to just do what She asks!

But not for Jon’s particular case, most likely. (And it’s… really the ideal culprit, for Jon, who hates spiders, who has been traumatised by them when he was just a little boy. But… probably not The Web here, and most likely having to do with himself. I don’t even think that Jon is actually fearing that he is controlled: as Helen highlighted, it would be more of a relief. Would that fear feed The Web although The Web did nothing? And what is the fear of learning that it was you all along, not something else making you do atrocious things?)

- Elias had told Jon he knew that Jon “had problems with moderation” (MAG092), there was the talk about Jon relentlessly seeking knowledge (MAG092, “In a hundred ways, at a hundred thresholds, you pressed on. You sought knowledge relentlessly, and you always chose to see.”), even Georgie reminded Jon that he tended to be the one asking dangerous questions (MAG093, “You were always the one who pushed too far, and asked smart-arse, awkward questions.”)… so yes, he was a recipe for disaster re:spooky influence and addiction dealing a god of knowledge.

But the biggest question is HOW did Jon manage to stop smoking, around the time he joined the Institute? (MAG080 “I’m going to have a cigarette. […] Sorry, I’ve been quit for five years now”.) He began smoking again at an unknown time (Elias’s “He’s not smoking again, is he?” in MAG039, Jon had cigarettes on him in MAG080, MAG091 and MAG111…) but. He had stopped, once upon a time. Disaster who affirms that he Cannot Stop at every turn had managed to stop, a few years ago. How.

(Or was it “Ahaha, I’ve quit!” while he was still smoking five cigarettes a day, and in denial about that too.)

- Jon’s way of “defending” himself also tied in with bits that we had already seen previously, and which are In True Jon Fashion: rejecting responsibility when confronted, minimising, etc. It’s… a bit like what he did with Tim in MAG065? He tends to be fiercely defensive when called out about things that he did directly (while more easily accepting blame when things happened due to his inaction, or peripherical to him)…?

(He. Tends to really react like a kid, sometime, and. It’s really Jon. It’s the same Jon, reacting in Jon’s fashion.)

- Fun Thing: we began the season with “zombies” and here we are.

(MAG122) ARCHIVIST: [EXHALE, INHALE] Statement of… er… Lorell St John, regarding… zombies. […] Right… Well, I guess we should probably… let one of the nurses know I’m awake. I’m sure they have all sorts of… tests to do. Make sure I’m not a… zombie, or…

(MAG146) BASIRA: I’ll tell you all what I find. Don’t let him eat anyone’s brain while I’m gone. ARCHIVIST: That’s not what I do.

(And, well. Basira had seen what he had done to Breekon, live.)

- I… am not 100% convinced yet that Martin indeed sent the tape to the Assistants, himself and deliberately. Because true, he was hesitating about finding a way for the tape to reach Jon:

(MAG142) MARTIN: I should probably try to get him this tape, let him know what happened, that someone came in to… But then, ahah, would that just come across as an accusation? Like, because I don’t wanna… And then, then I guess he’d… hear this bit as well, so… I… I… [LONG EXHALE] What do I do…?

(MAG146) ARCHIVIST: Been a while since you’ve all come to see me together. I assume it’s… not good news. DAISY: No. MELANIE: What the hell have you been doing, Jon? BASIRA: Martin left a tape for us. [SHUFFLING NOISE] ARCHIVIST: And what exactly is on this t– … Oh… MELANIE: Yes.

… but on the other hand… we know that Martin can begin letters without sending them (MAG042 and Jon finding “an unfinished letter, addressed to his mother in Devon”), so… the most likely is that Martin indeed chose to send it, but I’m not shutting off other options: even if there was a message with it or something, it doesn’t mean that he had indeed sent it, and either Peter either The Web could have arranged for it to reach the Assistants’ hands given the… consequences of hearing the tape.

In any case, it’s probably Not What Martin Wanted, given how he had ranted about Jon jumping into danger at every opportunity, back in MAG142. (I’m curious about how he will react to this one.)

(- I’m glad that “Jess Tyrell” has a name! I was super-uncomfy with the “Bystander” back in MAG142 – and it’s… quite significant that Jon was able to tell her name, while Helen hadn’t been able to identify her victims with theirs. Though: how did Jon understand what the tape was about, in this episode…? Was there a label? Was it accompanied with the complaint? Martin himself didn’t know her name, so he wouldn’t have been able to write it on the paper, but then, Jon could immediately tell what it was about. How…?)

- Basira’s dryness, coldness and harshness towards Jon make… a lot of sense. Jon repeated time and time again that she could trust him, although she was extremely wary of him when he woke up. Her reactions in MAG143 (telling Jon that he didn’t have to face the Dark Sun) hinted that she had either warmed up to him since then, or had been forcing herself to be cautious all this time – at the very least, she wasn’t ready to see him sacrifice himself, she wasn’t ready to “use” him. And now, it turns out that… she had been partially right, when she was berating Jon for being a monster or not being what he seemed.

She snapped at him for taking Floyd’s statement in MAG141 but still allowed it to happen; The Dark’s ritual turned out to have been a bust, encouraged by Elias; and previously, Elias had sent her around on wild goose chases, explicitly acknowledging that he just wanted her to leave Jon alone to allow him to go inside of the coffin (… and Jon coming out of it was followed by a third victim). She’s been played by Elias; she accepted Jon’s actions; and turns out she didn’t manage to accomplish anything since Jon woke up. I’m not that surprised that she decided to rush it to Hill Top Road – Daisy had told Martin that she was prone to improvising, and in this case, it’s probably reinforced by her own personal frustrations? I don’t think that she believes that The Web is behind Jon’s actions – maybe she’s hoping, maybe she’s not; or it could be sheer anger at Jon and the desire to put him face-to-face with the fact that he did it all, that there was no Hidden Spider Forcing Him To Do Things. Or maybe a mix of everything. I don’t know.

- Now that Jon’s activities are known, I wonder how long it will be before the others learn that Basira’s intel had been Elias… I’m not sure that Jon hasn’t picked up on that (since we now have confirmation that he had been hiding things from the tapes for months). Daisy didn’t know about Floyd (which means that Basira had hidden this one from her, already), but making it known that she had been in contact with and listening to Elias all along… won’t go down easily with either Daisy (who had been coerced into working for him, with Basira as blackmail, after her own blackmail when Elias told her “statement never given”) or Melanie (the fact that Elias trapped her, and MAG106… ;;). They… still haven’t picked up on the fact that trying to keep Big Secrets in Beholding’s temple, while Elias is able to spy on them, is an ESPECIALLY bad idea, uh.

(;; And now, I’m afraid that Melanie and Daisy also have their list of Dirty Secrets accomplished during this season…)

(- I HATE HOW THIS SEASON BASICALLY FEELS LIKE ELIAS WINNING AT EVERYTHING, AAAAAARGGGG.

Because Bastard most likely knew and witnessed Jon feeding from people and extorting their statements?! And he mostly used Basira to cultivate Jon into using his powers: isolating him and extending the status quo until Jon would go inside of the coffin, playing on Jon’s uncertainty about The Dark’s activities to get him to meet the remnant of the cult.)

- About Hidden Activities: I’m really not sure that Melanie knows that Helen has been eating innocent people? She disliked Jon, but I doubt she would have been so casual with Helen in MAG131 if she had known?

- Meanwhile, yes, Basira is utterly biased about Daisy, but… she kinda… had a point…

(MAG146) MELANIE: [EXHALE] So. What do we do, now? ARCHIVIST: I don’t know. BASIRA: You’re a danger, Jon. A monster. You’re hurting innocent people. ARCHIVIST: So did Daisy…! BASIRA: Shut up! It’s not the same thing at all. DAISY: Basira… [EXHALE] He has a point. BASIRA: You didn’t know what you were doing! DAISY: [SIGH] BASIRA: And since you did, you’ve spent every waking hour resisting. He knows exactly what he’s doing. ARCHIVIST: I don’t–! Uh, it’s not that simple, it–it feels… [BREATHING QUICKENING] … I don’t know if I can control it, I don’t know if it’s even me doing it…!

Because unlike Daisy, Jon had the knowledge about monsters: Elias excluded, he was the person in the Institute who knew the most about them and what they did. And he kept telling the others to trust him, while hiding the harm he was causing from them. Since she came back, Daisy took responsibility, insisting that it was her, although she wasn’t proud of it and was regretting it; Jon… is currently trying to shift the blame on something else. Daisy made sacrifices since she came back (not going with them to fight The Dark, avoiding thinking too much about Elias…); Jon… didn’t even try at all…? And I really think that it wouldn’t hurt the others as much if Jon hadn’t shown some understanding of their situations, encouraging them to get better, while he (Jon “One thing I’ve learned, Daisy, is that we all get a choice. Even if it doesn’t feel like one.” Sims) himself apparently didn’t try. Even for unspooky things: while Melanie went to therapy, Jon only passive-aggressively confirmed that Georgie wouldn’t accompany him, when she brought it up. Even Jess… had recalled how she had fought to heal and get better:

(MAG142) JESS: So. It… It took a long time to get over that. I mean… That’s not weird, right? I mean, it was a bad time. You know? It–it stays with you. I was signed off for, what, probably about six months, with the injuries? I had pretty bad, uh, nightmares, claustrophobia, I mean… Obviously, right? But, uh, but–but I did my physio, and, you know, talked wi–with the counsellor they gave me? Look, I did everything I was supposed to, and–and yeah, I… I guess I was fine. You know, once the bruises were gone, I… Well, it’s easy to blame memory, right? You know, ha–hallucination, coincidence, all the… classic shite you tell yourself. Look, life went back to… normal, I… I was fine. Until… [CHOKING] about two weeks ago. MARTIN: And that was when you met J– … Er, one of our employees. JESS: … That’s when he showed up.

And both Daisy and Melanie, who had been under influence, acknowledged their feelings and actions as their own:

(MAG131) MELANIE: And then, one day, I suddenly have this thing that takes all that rage, and it holds it. Tells me it’s right. That it’s me. It didn’t stay in my leg because of some Ghostly Masterplan; it stayed… because I wanted it.

(MAG142) MARTIN: Oh, that can’t– that can’t… I mean, it’s not him, is it? Not, not really? It’s, what, addiction, instinct, maybe mind control, something like that? I… can’t believe he’d choose to do something like that. … No, no, I, I can’t think like that, though, I, I can’t let myself, ‘cause I mean, if, if he’s already gone, then all of this is just…

(MAG142) MARTIN: It’s alright. Wasn’t you. [INHALE] Not really. DAISY: No, it was. I hate… a lot of what I did back then; doesn’t mean I’m not… responsible for it, doesn’t mean it… wasn’t me.

Of course, Jon has his issues. Daisy was right about him having PTSD, being self-destructive, being plagued by survivor’s guilt. He’s probably depressed, hence the aimlessness and his whole sinking (the fact that Martin cut all ties was stated multiple times to make him brood). And he’s still acknowledging that what is happening to innocent people is wrong (and it is genuine, and not only a reaction to match the Assistants’ outrage: he was upset, before, both on his own and in front of Helen).

But Jon is not “only” a victim anymore, like he was in season 3: now, he actively causes harm, he hurts people. The way Jess described her life in MAG142, it got utterly ruined and there is likely no fixing (she was in obvious distress, she couldn’t work anymore, couldn’t function; even if she’s supposed to live like this for the rest of her life, we just got Helen mentioning that one of her victims had died of “natural” causes due to his terror – with the amount of stress Jess is put under, she probably won’t live long, and if it’s manifesting like this for the four others… neither will they?).

- That said, I DON’T WANT TIM TO HAVE BEEN RIGHT ABOUT IT, GDI…

(MAG114) TIM: So, why don’t you “Archivist” me, then? Just pull it straight out. ARCHIVIST: Because I don’t want to! I am not your enemy, Tim. TIM: [DISMISSIVELY] Like that matters! These things aren’t human. It’s… instinct. You can’t not. ARCHIVIST: [SOFTLY] I’m still me, Tim. [TIM HUFFS] I’m still… me.

And getting confirmation that no, it’s nooot The Web making him feed, could act as a wake-up call? Or… actually listening to Jess’s tape could, maybe. Because the portrayal she made of Jon was especially upsetting:

(MAG142) JESS: But he just starts talking. Slowly. But real intense. He says he works here, at the–the Magnus Institution and I say what even is that, and he says he wants my story. He says he needs to hear what happened to me. And I… I wanted to tell him to–to–to to go away, I–I wanted to–to to kick him, and run. But… I… [SHAKY DUMBFOUNDED EXHALE] I sit down. […] It felt like… like I was throwing up all those feelings again, and I wanted to, to scream, but instead I just… sat, and calmly told him my life story, and he just watched me. His eyes, like… his eyes, like, we–were… drinking in every fragment of my misery. I can’t… It… [PAUSE] And then it was over. And he looked… he looked at me like he’d just eaten… like, a perfectly cooked steak. You know what he said? He said: “Thank you.” “Thank you,” just like that. Like… like reliving the worst parts of my whole life were just a bit of a… a favour, that I’d done him. And then he left, and, and I… I just sat there, and cried for a while.

(MAG146) ARCHIVIST: [SIGH] Jess Tyrell, the woman on the tape… [SIGH] She was the fourth. I–I just tried to… I was weak, r–ravenous, I–I didn’t feel… […] I don’t–! Uh, it’s not that simple, it–it feels… [BREATHING QUICKENING] … I don’t know if I can control it, I don’t know if it’s even me doing it…!

And the Whole Thing came up now, not at the end of the season. Which raises the question: why should Jon be kept alive…? The fact that the assistants directly confronted him is a proof that they didn’t totally antagonise him (they would have plotted and thought about a way to get rid of him if they genuinely thought he was… over and done with. There is still the coffin in Artefact Storage.) but… if Jon isn’t even trying to be kept in check, if he’s fated to target innocent people, if he’s not trying to find a way to control it (nor tried to warn the others about it, to be contained or monitored)… there is absolutely nothing differentiating him from the monsters we previously saw? And there is the added looming threat of The Watcher’s Crown? I don’t think the overall conclusion will be that yes, he would have been better off dying, and that Tim actively trying to die was The Only Respectable Way Out. I think there is probably still ways to do something meaningful in their current situation? But there is the fact that, right now, Jon isn’t paying the price of his powers anymore (his victims are) and that, as far as they know, there is nothing else than The Eye’s ritual in front of them.

- It feels like what’s currently happening also had to do with Jon’s overall passivity regarding his powers. He had told Georgie, in season 3, that he couldn’t stop his research. He had realised, in America, that he was indeed dependant of statements, and had decided, at that moment, to just accept it since he didn’t have the time to interrogate it (since there was The Unknowing coming closer – but after he woke up, Jon didn’t have… much to do, and it would have been the moment to ponder about it). It was highlighted with Jon’s passivity around the tape recorders, contrasting with how Basira had chosen to… woosh them away:

(MAG123) ARCHIVIST: And we’ve got an audience. Perfect. I thought you said you decided to throw them all out. BASIRA: Yup. And I did. And here’s another one. ARCHIVIST: Maybe it’s hungry. BASIRA: Seriously? ARCHIVIST: I mean, I did have a statement I was planning to record. BASIRA: Great. Perfect. You can get on with that, and I’ll just leave, then.

(MAG126) ARCHIVIST: [DRY EXALE] There was a tape recorder waiting for me when I sat down. They’re not even hiding it anymore. There weren’t any tapes from when I was… away – I checked. Whatever they are, they are here for me. I suppose I should be worried, but I have so much to keep watch over. So I’ve decided to let the tapes run. They’ve… proved useful before, so… [TINY CHUCKLE]

(MAG146) MELANIE: [EXHALE] Why didn’t you record them? BASIRA: Why do you think? Because he was ashamed. ARCHIVIST: No! I don’t– … I–I mean, I don’t record anything anymore, not… not really, I just… sort of assume they’ll… turn on, if it’s important. BASIRA: Well, they didn’t. ARCHIVIST: … No, I suppose not.

(Also: eff you, tape recorders, for not thinking that these people’s stories were Important :<)

And it was also shown in the way Jon… kept saying that he couldn’t control his Knowing:

(MAG127) ARCHIVIST: [STATIC] Look, I don’t know, Basira. I hope I’m still human, but it… but it’s seeming more and more unlikely. BASIRA: … I didn’t ask. ARCHIVIST: No, I suppose you didn’t. BASIRA: Don’t snoop in my head. ARCHIVIST: I’m not “snooping”, I’m not looking. That’s not… how this works.

(MAG128) BASIRA: You heard me. Don’t ask about them, and don’t know about them either. ARCHIVIST: I can’t exactly control that! BASIRA: Learn.

(MAG133) DAISY: [BREATHING HEAVILY] Basira said you could just… “know” all this now anyway. ARCHIVIST: Yeah, it’s… I–I can’t really… control it.

(And unless he lied to us about it too, he kinda managed to keep in check for Martin’s and Basira’s activities, in the end, when they pressed him to stop? So… maybe, sadly, being firm and cutting Jon on his bullshit is the only way to get him to actively try to hold on.)

- Daisy seemed to have picked up on a pattern regarding Jon’s feeding, though, which is that they happened after he used his powers in new ways and/or experienced another Fear and/or got hurt by spooks:

(MAG146) ARCHIVIST: [SIGH] Jess Tyrell, the woman on the tape… [SIGH] She was the fourth. I–I just tried to… I was weak, r–ravenous, I–I didn’t feel… … The first was a supermarket cleaner. Em, ended up lost for a week in an endless warehouse. I didn’t even…! I–I just went in for some shopping, and he was there, and I–I just… asked. The second was, uh, it was after I got… stabbed by Melanie. MELANIE: You are not putting this on me! ARCHIVIST: No, that’s not what I meant! [SIGH] I was walking the streets, I–I thought I was trying to clear my head– DAISY: [DELIBERATE] But you were hunting. ARCHIVIST: … Apparently. I found a woman who… every year on her birthday, wakes up in a fresh grave. Just for her. DAISY: And the third was after the coffin. ARCHIVIST: A man rejected by all who knew him, searching ever-darker places for love. When he told me his story, he started… weeping maggots.

So: first one after waking up from the “coma”, second after using his powers to see and remove Melanie’s bullet (and getting stabbed), third after coming out of the coffin, Jess Tyrell… after trying to peer through the Lonely (at the end of MAG139). There is still Floyd: why was he recorded? Is it because he had been involved with someone we already knew (Salesa)? And how come there was nothing after The Dark – is it because Floyd worked as a power up/healing by anticipation?

- I’m sad for Daisy!! ;; Daisy, who had spent time around Jon, who had shared things (The Archers!!) with Jon, and who was giving the impression that she was pulling him off… She sounded like she could understand the mechanism, but at the same time, Jon… didn’t tell her. Too ashamed? Not trusting her enough? So deep in denial…?

- DAISY CALLED MELANIE “MEL”!!! FRIENDS!!!

(MAG112) DAISY: Couldn’t find Tim, but he’s gone with Martin and… the other one. BASIRA: Melanie. DAISY: Sure.

(MAG146) ARCHIVIST: … So we’re going with her. DAISY: [SIGH] Come on, Mel. I’ll see if I’ve got a stab vest in your size. MELANIE: … Yeah. Sure.

Daisy came so far, with her ;w;

- On the one hand, it’s hilarious, indeed, that Melanie acts like a voice of reason.

(MAG146) MELANIE: Uh, okay, seriously. [CHAIR SQUEAKING] I–I’m going to have to be the one to point out that this is a terrible idea? BASIRA: Daisy? DAISY: … Be better if we could prepare. MELANIE: I–I just think that… we shouldn’t be exposing ourselves like this until we have a little bit more than a hunch…!

… On the other hand, we still don’t know if her therapist is a Regular Therapist or a potentially Web-y spook, so the fact that she was inciting the others to not go to Hill Top Road… could be due to an influence. … Or not, and it’s just regular therapy putting some common sense into her.

- The Annabelle mentions were interesting because:

(MAG146) BASIRA: … So you say you’re being controlled. ARCHIVIST: I–I don’t know. Maybe? Th–The Web, it– BASIRA: What, what was the name you said before? Annabelle Cane? ARCHIVIST: … Yes, uh, she’s… she’s been watching us, I–I’m pretty sure of it… DAISY: Jon… I’m not sure there’s actually the– BASIRA: No. No, if he is being controlled, we need to know. And we need to know now. Do you know where she is? ARCHIVIST: H… Not… not properly, I, I think she has some connection to Hill Top Road.

1°) … we have no connection between Annabelle and Hill Top Road as of now, except that both are Web-business. (Not all Spiders, Jon.)

2°) When Jon discussed about Annabelle Cane in MAG136, it was actually with Daisy! So either Jon has been sharing some thoughts about her with Basira, either Daisy told Basira (which would match with Daisy communicating overall!).

- On the one hand, Jon hypothesising that The Web could be behind the fact that he has been attacking people sounds like something he might have thought about because he just heard Gertrude (another Archivist) mentioning how she had been manipulated into doing what She wanted, in her own youth:

(MAG145) ARTHUR: Alright. Agnes: how’d you do it? Never did understand it, not really. GERTRUDE: Ah. That’s a fair enough question. [PAUSE] It was… The Web. I didn’t know it at the time, of course, and I would call it an accident – but it never is, with them. It’s only after the fact that you can see all the subtle manipulations. I was very new to it all, of course. I mean, I was, what? Can’t have been older than… twenty-five. […] Like I said, mm, I was young. Naïve. I somehow found just the right books, made just the right connections, and even got what I thought was a piece of blind good luck, when I found a tin box in the ashes of Hilltop Road, containing some perfectly preserved cuttings of her hair. Of course, what I thought was a “banishment ritual” turned out… not to be. The circle I constructed was more of a… an invitation. It let the Mother of Puppets bind me to Agnes, interweave our existences at some… metaphysical level, as it had with Fielding and the house. … It was the most painful experience of my life.

On the other hand, Jon… researched quite a bit about the notion of “control” this season, and thinking all along that he might be puppeteered could have been the reason behind that?

(MAG123) ARCHIVIST: The Web does seem to have a preference for those who prefer not to assert themselves. […] Perhaps a coincidence, just… people… shopping their traumatic event around… but I have to wonder… how much their actions were their own.

(MAG125) ARCHIVIST: In many ways, The Slaughter fascinates me. There seems to be, in all cases, a question at its heart about… control. Is it a mindless dance, dragging participants along by the beat of a drum or… is there a kernel of will in there, a lucidity and deliberateness to the random fury and violence? I suppose that’s the question with so much of “violence”, “war”: how much are you really in command of yourself or of others? I’m not sure what scares me more: the idea that deep down, everyone is in complete control of their actions, that everything is, on some level, intentional; or that ultimately, we don’t have any control of ourselves at all, and the rest is just… rationalisation.

(MAG129) ARCHIVIST: I don’t like this. I don’t like… not being sure what’s going to be in my mind. What thoughts are mine and what are from… elsewhere.

(MAG136) DAISY: You think I’m weak, just… [SIGH] ‘cause I’m not already chasing the next kill? You think I’m less me? ARCHIVIST: I… [SIGH] I don’t feel like I’m exactly in the best place to judge the… intersection [CHUCKLE] between free will and humanity. Still trying to figure that out myself. [SILENCE] DAISY: Jon… when you went into the coffin. Was it you choosing to do that? Did you actually think you could save me, or was… that something telling you to do it? [SILENCE] ARCHIVIST: It was me. I was… drawn to it, I’ll admit, but it was my decision.

Though it was, once again, a consideration which was also relevant to his Beholding powers (the fact that he knew things unprompted).

- Since Peter mentioned his belief that The Extinction could have been born from The End, although taking an active form, I still wonder if that could have been the case originally between The Eye and The Web, or if they aren’t currently merging due to the information&control-related fears being especially overlapping with our era’s development of the means of communication…

There have been so many moments, this season, in which I wondered “is it the Web, or Beholding?”, and especially in the way Jon got dragged towards x or y statement. Trying to get an overview of season 4 regarding the nature of statements and how Jon stumbled upon them (when he was the one reading or listening), there are… recurring threads? (ha.)

* MAG121: Oliver’s statement, about choices; Web interested in Jon.

* MAG122: (Statement brought by Basira; feeling like the only person left in the world)

* MAG123: Web & Annabelle, link with the Institute

* MAG124: (Simon Fairchild casually feeding)

* MAG125: Slaughter statement, notion of “control”, led to Melanie’s surgery

* MAG126: Pre-Spiral ritual

(MAG126) ARCHIVIST: … I remembered Gertrude’s notebook […]. I’ve been staring at it for hours, in the hope something from it would just… come to me. And it worked well enough to point me towards this statement, which is… useful background, and perhaps gives some insight into how Gertrude formulated her counter-rituals, but… not much more.

* MAG127: Jonah Magnus & Beholding (Albrecht)

* MAG128: Breekon’s visit, Jon “extracting” his statement; going towards Daisy’s rescue

* MAG129: Buried statement, notion of “anchor”, going towards Daisy’s rescue

(MAG129) ARCHIVIST: I don’t like this. I don’t like… not being sure what’s going to be in my mind. What thoughts are mine and what are from… elsewhere. Why I just know some statements are what I should be reading. I assume this one is related to the coffin. To Daisy.

* MAG130: Flesh ritual (Lucia Wright surviving it), nudging towards Flesh-as-anchor or Jared (kept in Helen’s corridors), towards Daisy’s rescue. Tape explicitly sent by The Web.

(MAG130) ARCHIVIST: I found this tape tucked in the corner of my desk drawer. [AGGRAVATED SIGH] Covered in cobwebs. I suppose subtlety is gone out the window a bit. And the question is now simply … how much I trust the Spider to have my… best interests at heart. … Hm. I suspect my assuming it has a heart might be a clue I’m looking at this the wrong way. […] what is it trying to tell me with this? Is it about… rituals? About getting Daisy back? About… about an anchor. What was it she said, “the siren call of Flesh”… Hm. It’s possible, I suppose.

* MAG131: Jared’s story (bit of Flesh ritual), notion of “anchor” through Jon’s ribs, going towards Daisy’s rescue

* MAG132: Coffin trip, Daisy’s rescue

* MAG133: Hunt ritual (Percy Fawcett surviving it)

(* MAG134: Martin reading Adelard Dekker’s letter about The Extinction)

* MAG135: Pre-Dark ritual

* MAG136: Web & Annabelle, link with the Institute

* MAG137: Slaughter ritual (Wallis Turner surviving it)

(MAG137) ARCHIVIST: There’s a box of tapes and statements in the corner. Obviously those Elias either didn’t feel he could trust me with yet, or maybe just the ones he was checking himself. […] So I just took the first one that called to me, and it’s… [DRY NASAL EXHALE] It’s good. I suppose.

(* MAG138: Martin reading Robert Smirke’s letter to Jonah Magnus, warning him about The Watcher’s Crown/Beholding)

* MAG139: Desolation, Agnes, Hill Top Road

* MAG140: (Statement brought by Basira; about The Dark’s ritual attempts)

* MAG141: Jon feeding on Floyd, statement regarding Salesa’s activities and (presumed) death. The tape recorder activated on its own.

(* MAG142: Martin taking Jess Tyrell’s complaint, about how Jon had attacked her two weeks ago.)

* MAG143: (Jon making Manuela give her statement about the failure of The Dark’s ritual)

(* MAG144: Martin reading an Extinction statement)

* MAG145: Desolation, Agnes, Hill Top Road, “anchor”, The Web manipulating an Archivist and tying them to another avatar in order to neutralise Agnes (/Gertrude too?).

(MAG145) ARCHIVIST: And here? I reached out, I took another tape, eh!, hoping for a bit of guidance, but… [HUFF] To be honest, this hasn’t helped.

* MAG146: Spiral-statement, Hill Top Road.

(MAG146) ARCHIVIST: So it seems we did have Marcus McKenzie’s statement after all. I spent so long looking for it, back when I found his father’s, and… no luck. But now, I decide to start looking properly into Hill Top Road, and all of a sudden… I’m drawn to rearrange a filing cabinet – and what do I find behind it?

When Jon “knows” something, it’s clearly Beholding, no problem. But when he feels the “call” of a statement, is it Beholding/the Archives, or is it The Web making him take one, and Jon rationalising that he had felt something? Most statements, this season, have involved Web and/or getting the means to save his assistants (/getting involved with other Fears), and/or learning about rituals – and now, about Hill Top Road. A lot of them seem possibly… pointed?

- Same old questions: we can guess that The Web has plans for Jon, hence the lighter, hence sending Handsome mlm Death Prophet Oliver to convince him to choose avatardom, hence the cobwebs following him around (Jon mentioned them in MAG123), hence revealing itself when sending him MAG130’s tape (and encouraging him to go inside of the coffin, and possibly helping him come out of it, if it was indeed The Web which made Martin set up the tape recorders around it?). But ~what does the Spider want~? Is Jon supposed to fix the “scar in reality” left by Agnes&Fielding’s fight, somehow, since he managed to do things that had never been accomplished before (getting out of the coffin) and has proven that he could “kill” powerful phenomenon (seeing the Dark Sun)? And what is Her stance on The Watcher’s Crown, amongst other things…? Is She just there to enjoy the show, is She worried about something (The Extinction?) or has She decided to jump on The Watcher’s Crown’s bandwagon, or does She want to make sure it doesn’t happen?

Georgie had been the one to recommend that Jon find “anchors”, back in season 3, but season 4 expanded the meaning of the word: “anchors” as a way to escape the clutch of a Fear, an “anchor” as a way to neutralise a Chosen One – and Jon likened his own situation to Agnes (MAG139), before learning that she had been bound to an Archivist to put the Desolation’s activities on hold (MAG145), by The Web itself. If The Web was indeed behind a majority of Jon’s readings and researches lately (after all, Gertrude highlighted how The Web had manipulated her through her researches, by orientating her towards specific books and materials!), everything could sound like it’s supposed to slowly introduce Jon to the concept of being, himself, bound to something/someone…?

(- We’ve been putting so much excitement on the prospect of seeing Annabelle, of thinking that Annabelle is currently pulling all the strings, though… that I can’t help but wonder. What if she is actually… dead. Because that would strike quite the blow on a lot of things re: who is currently in control.)

- Practical questions regarding the Hill Top Road trip, from London to Oxford

* Are they going by train? Or by car, and if by car, who’s driving (Basira and Daisy both can drive, it has been mentioned), and does that mean Melanie will get stuck with Jon in the back seats?

* Will they actually reach Hill Top Road, or will something happen before. (Web preventing them from doing so, or even… lonely endless road, courtesy of Peter, if Martin hears about the Expedition and threatens to stop doing his spreadsheets?)

* Will the tree still be there…? Anya had seen it in April 2009 (MAG114) although Ivo Lensik had uprooted it in November 2006, the night of Agnes’s death (MAG008)… (And there was the tree burning in MAG127, that Albrecht/~the master~ had wanted “dead”…)

* What or who will they find, if they manage to reach Hill Top Road? They certainly won’t take The Web by surprise, so if they meet some of Her agents, it will be because She consented to it. Annabelle herself? Another Web avatar? Melanie’s therapist, if she isn’t Annabelle herself? Oliver, once again as a messenger? Adelard Dekker? Weird ghosts from the past haunting the place (Agnes or Raymond)? A Giant Big Spider? Or nobody, and only an item? A message? A Guest For Mr. Spider, for Jon to have a breakdown? Elias and Peter’s 9th marriage certificate from the last four years? A tape or a statement giving them a clue?

Alriiiiiiiiiiight alright alright, unless we’re being dramatically misled, title for MAG147 promises ~Web stuff~. Part of me is a bit sad, because the… exact title had been used for a while by the fandom to refer to something/someone Very Specifically, and it probably means that past that episode, it will be entirely jossed and we won’t be able to use it the same way – but eh, that’s the deal with Speculation overall. Other part of me is “YIIIIIIIIIIIIH” because. Yep. That’s it. Something Is Coming.

Forms of the title have been roughly used by Martin in MAG117 and Elias in MAG106 (and other times, but those two uses stuck with me), but it’s probably going to be about… Annabelle? Although it doesn’t match her official title of ~the Story Spinner~ used in MAG123. It could be something else Web-related, though – we… don’t know much about Raymond Fielding except for how he was getting Babies in the house, technically? Or something else entirely?

As for Events… Martin meeting Peter’s friend (who is a “he”) is still pending, so it could be that, just to make us even more impatient about the Hill Top Road trip. Or it could also be Annabelle or another spider visiting him while the others are off. Or it could be the group at Hill Top Road, so soon. Any of these cases would mean: DREAD. /o/

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