#but let me get work done too

[pokomumee]

Just realizing now how writing a fanfic is just about typing up what the characters are talking at you. Basically, at this point I'm just a transcriber for Pat and Pran. Go on, use me all you want, I don't need sleep or do anything remotely necessary to be a functioning adult citizen of the world. I'm just here to serve you.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[astradyke]

warning this might be a nothing post i'm just a little emotional & rambling but like... i think a lot about hometown showdown and gay and not proud a lot. and i understand this was in the peak of YouTube's fuckery with Dan and disrupting his plans for DINOK so i understand there's like a tension behind a lot of what was ongoing. i also realize that YouTube-- more obviously with hometown showdown-- but generally had strong business rationale for wanting Phil to feature in these videos, with Dan & Phil being the duo of HS and Phil being there in gay and not proud (sorry the acronym for this looks ugly).

but man... i think a lot about how hometown showdown was just kind of a lot of dates. i've not seen the other ones but i hear a lot that they were way more competitive versus Dan and Phil were just casually exploring their hometowns together, showing pieces of themselves to the other. i think about all the dialogue that was cut (that I think was alluded to in WDAPTEO 2?)

and i think about like. the seismic Importance of Phil being in gay and not proud as like... Dan's safe space. the same way he's remote crisis manager, the same way he was part of WAD's pre & post show, the same way he filmed that haircut video basically to promo YWGTTN and Dan is leaving me to talk about WAD. the same way that Dan got a taxi to his place after his nightmare experience at the laundromat to do laundry because "for the first time since I was a tiny child, I actually felt safe."

and after the latest mukbang it's like... it's really insane to me how their personal relationship has continued despite the pressures they've faced as being a comedic influencer duo. the fact that they work as business partners but still have this relationship. the fact that even in these YouTube originals that Dan was resentful of at the time anyway you can still glowingly see how much they love each other. like Phil being in gay and not proud wasn't a cameo, it was a fucking love confession.

i dunno. this is something that's been talked about a Lot but i do think about it frequently. i don't tend to rewatch these specials a lot because Jesus Christ the editing really gets me, but like... idk. "you're next to me in my life," or whatever. 15 years have passed and Phil's still cheerleading for Dan, from his first YouTube video to his first solo tour. i dunno.

[canon-gabriel-quotes]

Transcript:

I'd like to congratulate you on getting your CPR certification.

Now remember, when you’re going in for compressions, it should sound like somebody is standing behind you with the worlds largest Dorito and cracking it open!

Go in firm and hard and snap as many ribs as you can on the way down, that means you’re doing it right.

You save that life. Good luck.

Or... Or... Or kill them, I don’t fucking care.

Audio source

[11syrups]

“You believe me like a god, I betray you like a man”

[crow-with-a-pencil]

Hi @naffeclipse I'm very normal about your fic. Have some frantic midnight sketches as extra kudos along with some tag rambling :)

[evilkitten3]

i have a theory about shinji, gin, and aizen, but i'm not really sure how to word it.

we never really see shinji and gin interact all that much, which makes sense bc both of them have significantly more important relationships with aizen, but at the same time it's a little odd how much there isn't.

like. gin cut hiyori in half. shinji is understandably pissed about that, but he aims that anger at aizen - and this seems to be one of the very few things in the bleach world that honestly isn't on him bc he never told gin to do that, he never even implied it. hiyori was never a threat to him. hell, we don't even know if she was charging in the right direction; if anything, attacking her implies that she was which is a really stupid thing to do when you're surrounded by a bunch of people who super want you dead and would kill you if they could be sure you weren't tricking them into stabbing each other (ofc it could also be a fakeout but still)

but i don't remember shinji's beef ever really being with gin, even tho he didn't seem to anticipate that gin was working with aizen the whole time during tbtp. so like does he feel responsibility there? cuz gin went straight from academy to 3rd seat and shinji could plausibly feel like that sent him right to aizen bc he doesn't know that gin was always aiming for that. did he blame himself? does he feel like he should've seen it coming? does he still see him as some weird genius kid? does he just view gin as an extension of aizen, which is both dehumanizing to an extent but also entirely fair bc gin did that to himself?

the thing is, since we never really see them interact much, it's kind of only interesting on shinji's side of things, bc gin doesn't really care about much outside of whatever the fuck he thought he was doing and the version of rangiku that he has in his head who needs back something that the real one doesn't ever seem to have realized she lost to begin with. gin's so disconnected with basically everybody that most of the time you can usually assume his thoughts are just "lol. lmao" and there's no reason to think that doesn't extend to shinji as well (gin has deep thoughts on: aizen, ichigo, and matsumoto (massive asterisk on that one ofc) and i think everyone else is kinda set dressing to him lmao the guy is Fucked Up)

anyway i think it's interesting to toy around with that relationship as it was in reality as well as how it might've been perceived, but also in the sense of both of them being sort of opposite ends of the manchild spectrum - shinji leans into his childish side but still has a fairly adult worldview, and gin is able to pull off maturity to an extent but was never able to escape a deeply childish mindset

[jemmo]

i don’t want to jump the gun, but i think hwang daseul might have just done it again. two episodes in to let free the curse of taekwondo and i am obsessed. more than obsessed. transfixed. this show feels special in a way hwang daseul’s touch only can give, and just using these two episodes to compare to her previous works, i love that i can already spot the continuity in the kinds of stories she tells, the messages she portrays and how she portrays them. she just knows how to let her characters exist in harmful and difficult places and show how their experiences affect them while also just showing them as normal human beings. it is so so easy to overdramatise these kinds of stories that have these difficult topics and have it be so surface level, but she has never done that. instead, she shows how those experiences shape a person and how they go about living in spite of them. all the way from where your eyes linger to now, she gives us characters that are wholly themselves and not just the traumas they have gone through and i just adore that. i can’t remember what i was talking about specifically, but i remember talking about this sentiment and how it actually helps to build empathy in an audience as opposed to just showing a difficult topic at the most surface level bc you think that makes it accessible and easier to understand and hence empathise with. i don’t think that ever works. it’s only when you do what hwang daseul does, when you give us characters we can get to know and fall in love with and care for that you help us to empathise with their experiences. it’s hard to understand the weight and the hardship of experiencing something traumatic, but when something bad happens to someone close to you, a family member or a friend, you understand and feel that pain astronomically more. that’s what hwang daseul manages to do. and more so, she makes you feel that while also seeing these people as people. you get to see them away from the hurt, you see them smile in moments of happiness and you see that too with people you’re close to, and you feel even more how special and important those moments of happiness are.

and that’s why, whenever hwang daseul is at the helm of something, i will be seated from start to end with endless boxes of tissues ready. i can’t wait to see what else this show has in store.

[rubikor]

Would you ever post a process video? :O I love your style and I'm so curious as to how you put together compositions! Especially the lil story doodles on Instagram! How long do the doodles take you compared to full pieces? THEY ALWAYS LOOK SO GOOD BUT YOU MAKE IT SEEMS LIKE YOU DO THEM SO FAST :OO I LOVE YOUR WORK AHHHHHHH

haha this is a total of 15 hours of drawing (2 days) in a minute. i was free so i had all the time in the world to draw this so don’t worry too much

for the doddles i always go with the most simple compositions where i quickly sketch out the pose and then fill it with colour. that way it’s much faster then any work i would put time into to hash out the details. i only had to google the reference for lumine&aether and for the cats, since it makes work much less stressful

amd THANK YOU

[greedybeans]

I've seen a lot of posts lately about bucktommy relationships being poorly written in s8 and while i mostly agree i have to say this (as an adult working crazy hours):

They're both firefighters, working 24/48 shifts and probably on different schedules. It inevitably impacts how often they see each other and the quality of their time together. Even texting or calling is limited because, well, work.

And while six months sounds like a significant amount of time, consider that they probably only saw each other twice a week, if that. That’s really not much. Out of those 40 or so dates, how many were cut short by exhaustion, emergencies, or just life in general? how many of them were a movie and sex dates?

It’s easy for a relationship to plateau when the effort required to nurture it constantly competes with the sheer exhaustion of a high-stress job (and tbh a high stress life)

In the show, all of the partners of main characters have more or less (do cops in Cali work 12h shifts?) regular hours, that's exactly why. Navigating this kind of relationship is always a pain in the ass for writers.

Of course it’s frustrating to watch, because six months should mean more intimacy and understanding. And it fucking sucks that the writers didn't even try to make it work. But in real life it happens so much and it happens exactly like this and it happened to me

[danielnelsen]

i think what’s frustrating is that you’re kinda required to have a strong opinion about solas to potentially get the most out of your choices for dav. having one of only three worldstate options be how you want to handle him is so strange for something that, to me, just felt like a pretty random inconsequential dialogue choice during trespasser. it felt like an immediate reaction to the situation, not an action plan

because honestly my inquisitor wouldn’t really care. he’s done saving the world and has just had a pretty major traumatic post-saving-the-world adventure while dealing with what is basically a very painful terminal illness… he wants nothing to do with any of it anymore! solas can be someone else’s problem! he would NOT spend the next decade trying to figure out what solas is up to, he would get as far away from all that bullshit as possible and try to live a peaceful life now that he’s suddenly no longer dying.

like idk i’ll probably choose that he wants to stop solas. but it doesn’t feel like so significant a choice to make it one of the only lasting impacts of the previous games. he already hasn’t seen solas in a few years by trespasser and wasn’t that close with him before and would like to take a nap

[carnation-damnation]

Shadow the Hedgehog is a canonically suicidal teenager full of self-hate and survivor's guilt and I'm not supposed to love and cherish him like my son? alright

[deoidesign]

I can't wait for this to come back!!! >>> when is this coming back?

[keeps-ache]

✦ devotion

[bacchuschucklefuck]

you get riz gukgak so well 👍👍

thank u!! he really kinda is all of my favourite character things rolled into one package (negotiation of principles/investigator-truth seeker-negotiator with reality and the narrative/obnoxious character whose narrative reward for participating in the story is getting to be even more authentically obnoxious/deeply and hauntingly aroace