#but its better to read it and find out

[ryssbelle]

i must ask: do they save falin??? The fanart says yes the mild googling says no :(

Are you okay with spoilers for the manga? If yes I can dm you the answer, if no then I'll keep it secret, I also have a link to the manga if you'd like to read ahead and get the answer that way, it's all up to you!

Here's a link to the manga for anyone else who'd like to find out the answer!

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[coolnonsenseworld]

A little promo with my little obsession on the side...........

Reminder all items are shipped from Poland - for details on shipping times check out FAQ or send me a private message!

 mmezzy.bigcartel.com

[genericpuff]

vent post

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[happyk44]

The thing was Percy didn't like being a bad kid. Every time he got kicked out of a school or wound up in the counselor's office over some incident he wasn't completely blameless for, his mom's brows would pinch. The line on her lip dipped. He knew what she was thinking each time: lost wages, job risk, who was going to watch him if he got suspended, where would she send him if he got kicked out, and so on.

He hated that he did that to her. Being a bad kid meant being a bad son. He refused to be a bad son - not on purpose anyway.

Well, he used to. She wasn't here anymore. Her brows weren't going to furrow. Her lips wouldn't thin. Her shoulders wouldn't draw up and tense before the principal even opened their mouth. It was over.

He didn't have anyone anymore. Nobody at cabin eleven would look at him. Other cabins steered around him like he was carrying the plague. Grover was off doing whatever satyrs did - probably getting ready to infiltrate some new school, befriend some new kid, save their lives. He didn't need Percy. It’d only been a few days but they'd barely interacted. Older satyrs would yank him along into the wood before Percy could get close or even open his mouth. Even Annabeth just eyed Percy with scrutinizing eyes - like she was assessing him for something. But every time he tried to approach her outside of their lessons, she brushed him off.

No one wanted Percy around.

What was the point of being a good kid anymore? There wasn't anything or anyone forcing him to keep his head above water. He was tired of the murmurs. He was tired of the avoidance. Tired of the glares from the Ares cabin. Tired of trying to keep the quake in his stomach tamped down.

He was just tired.

He thumbed along the flat edge of his sword. His new best friend was the pervasive feeling of loneliness. With a miserable sigh, he tucked the sword into the holster on his hip. People barely wanted to spar with him now so he was stuck to sweating it out on the dummies by himself. At least only when Luke wasn't pushing him as hard as possible.

But even with Luke there seemed to be pause. The first time Percy felt his gut yank after being claimed had been in training with Luke, and as soon as the feeling caught him, Luke begged off. Like he'd seen something in Percy that unnerved him. Sometimes when Percy looked in the mirror, he saw something in his eyes that unnerved him. A foreign thing - like a contact lens put in the wrong way.

No amount of poking or prodding at his eyes was going to get it out though. It was inside him - in his blood. He was sure of it.

He was starting to worry that it was the very thing he'd been keeping back, the very thing his mom was trying to keep him safe from.

The clang of metal against metal was loud as he walked past other trainees. There were a couple people leaning against the wall near the water fountain. As expected, they shifted away as he neared. Mistrust was bright in their eyes.

He did his best to ignore it. Not the first time people had stared at him like they thought he was dangerous. Or beneath them.

The water sprayed for a moment before he lowered his head. It was clarifying. He'd noticed it before, a burst of energy with every sip whenever he was tired, but ever since being claimed, he'd noticed the alertness more and more.

As he let go of the button, he caught the tail end of the muttering nearby. His stomach dropped.

“... should've ditched him sooner,” one boy grumbled. His friend snorted. “Maybe then she wouldn't have died.”

“What did you say?” The two startled. Percy understood why. He barely recognized his own voice, the eerie coldness to it frosty on his own tongue. Still, he repeated as he twisted on his heels to face them. “What. Did you just say?”

Panic besot them. For a second, the barest of a second, he could feel it kick in - be a good boy for me, Percy, be a good kid for Mom.

But she wasn't here.

She wasn't here.

So what was the point?

He took a step forward. “What,” he snarled, saliva coating his tongue like froth, “did you say?”

The others shifted away but he just crept forward. “Nothing, man,” one of them finally bit out, but they were lying. He could see it in their eyes, hear in their voice, feel it in their veins.

“You're lying,” he said. A bitten off laugh echoed from his lips. “You were talking about my mom.” Another choked laugh. “You think it's my fault?”

One of them raised his hands - a mock surrender. “Hey, dude-”

“You think I wanted her to die?” A sharp sensation coiled through Percy's chest. It thrummed hot and heavy, piling, piling, piling on his lungs. “You think I asked for ANY OF THIS?”

Someone's hand came to rest on his shoulder and it was like the crashing of the waves against his bare feet. Cold, clarifying, clear.

Freeing.

His fist drove straight into the jaw of whoever was behind him. He could barely tell who he was seeing - it might've been Luke, or any other tall blonde guy. But as soon as whoever it was stumbled back, he whirled around and punched whichever kid was closest in the stomach. They went down and he clambered on top to wail. Fist and fist upon whatever body part he could reach. He wasn't the most elegant hand-to-hand fighter but there was something to be said for the voracious and vicious energy boiling through him.

Distantly he was aware of yelling around him, aware of people pulling at him, aware of the person beneath him crying, arms over their face, arms Percy was tired of hitting. He needed to get their face, get their tongue, rip his mom from their mouth. How dare they speak about her.

How dare anyone talk about her.

A dozen hands finally yanked him back. He screamed. Bodies toppled. He grabbed the closest one by their hair, driving his knee upwards over and over again until hands ripped him away again. Swung blindly and caught someone. The two of them fell. His stomach pulled back. They choked. They weakened. He swung himself over until he was on top.

I want you all to drown, he thought, grabbing at their jaw. Don't ever speak of her again.

Saliva smeared across his fingers. His stomach pulled back even more. What was that - blood, water? On his hands, on his knees, on their skin, on their faces, in their veins.

His free hand drew out. He wanted it. It was his. Didn't they get that? She was his, and she was gone, so he would take and take all else that belonged to him until the hole in his chest was gone. Until the water they had coursing inside them filled him up.

“Percy,” someone whispered.

Their voice was familiar, breath hot against Percy's ear. He twitched. The feeling of nearby water, nearby fluid, was clenched tight in his fist. He just had to pull back. Yank it. Make it his.

The voice turned pleading. “Percy.”

He froze as two hot hands came to clasp his cheeks, dark brown eyes and curly hair blurring into view. Grover's face.

“Grover,” he breathed. For the first time since he'd ended up at camp, he relaxed.

Grover's thumbs stroked his skin. “Yeah, it's me.” He leaned in closer. “Percy, you need to stop.”

“Stop?”

“You're hurting people," he said. “You have to stop.”

Why? Percy thought. He didn't care. He didn't care if they hurt, didn't care if they drowned where they laid choking, didn't care if they suffered. It didn't mean anything to him. They didn't mean anything to him.

But this was Grover.

And with his mom gone, Grover meant the world.

“You want me to stop?”

“Yes,” Grover said. His breath was warm, his skin hot, his body close. Distantly Percy remembered nights at school like this - Grover tucked up next to him, trying his best to help Percy study when most people would've bailed. “I want you to stop.”

His lips were wobbling. His eyes were thick with wetness. His voice was unsteady - trying to be calm and rapidly failing. Even his hands shook.

Percy grabbed at his wrists. “Okay,” he whispered as he clung. His stomach relaxed slowly, the crash turning into a tickle. “I'm good, I'm good.”

Shakily, Grover exhaled, pressed his forehead to Percy's, and murmured, “I know, I know.”

His hands pulled away from Percy's face, but not away from him, arms wrapping around his neck and pulling him in for a tight hug. Percy's breathing wobbled as he tucked his face into the crook of Grover's neck. He clung tight and desperate. Pleading.

No, he couldn't be a good son anymore. He didn't have to bother keeping in check to avoid the thin line of his mom's lips. But he could be a good friend. To keep the tears out of Grover's eyes, the tremble from his skin.

“I can be good,” he promised quietly, for Grover's ears only. “I promise I can be good.”

“I know,” Grover said. His cheek pressed against Percy's. “I believe you.”

-

The fountain nearby trickled quietly. The steady flow soothed the unease between Percy's shoulders. Still, he squeezed the pillow in his grip tighter to his chest as he watched Grover flit around the bunk closest to him. He snapped the final end of the sheet around the mattress. Hooves clopped quietly against the tile as he stepped back. His gaze flickered between Percy's bed and his own.

Then he grunted and began pushing it closer.

Percy hopped up. The discarded pillow slipped from his fingers and onto the floor. He nearly tripped over it trying to get to Grover's side. They pushed the other bunk over until it was pressed into Percy's.

While Grover unfurled his blanket, Percy stepped back. Awkwardness choked him. He didn't know what to do, what to say. So he picked the pillow off from the floor and pressed it into his chest. Grover didn't spare him many glances as he worked to make up the bed. Leaning across his bunk, he yanked Percy's blanket from between the seam where the two bed frames connected and began tying the edges of both blankets together. It was shoddy work, no way it wasn't coming apart just from them lying on the sheets, much less sleeping.

But Grover did it anyway.

As he shifted back, hooves scraping the floor, Percy held out the pillow. Grover dusted off the top then laid it against the headboard. With both hands on his hips, he admired his work. Percy stared at it too. It was nice. Joined bed. Grover within direct reach.

His palms itched.

“Are you scared of me?”

Grover twisted around. His brows furrowed, but the edges of his lips were quirked upwards. It was reminiscent of school - Percy stumbling over something he read and Grover, lost but amused, over why Percy thought it was a man-of-war that Theseus fought.

He was partially grateful Grover cut him off before he could finish what he actually thought the sentence was trying to say. It certainly wasn't fight.

“I mean,” Grover started and Percy's stomach drew back. Behind him the trickle of the fountain silenced. Like the water was holding its breath too. “I'm scared for other people, but I'm not scared of you.” He punched Percy's arm with a quiet smile. “I know you're not going to hurt me, Percy. That's why I stopped you.”

The fountain began to trickle again. “And that-” He faltered. The ghost Grover's touched goosed up his bicep and across his shoulder. “-that doesn't worry you?”

That you might have to stop me again went unspoken but Grover was always good at understanding Percy's unspoken words, at knowing his unspoken feelings - even the ones Percy wasn't even aware he felt.

He sighed. “It worries me. But not because it's you.” He shook his head. “And definitely not because I'm scared of you hurting me.”

His eyes scanted away, brows furrowing deeper. Then he relaxed into the bed. After teetering on his heels for a couple seconds, Percy joined him. He gripped the edge of his shorts so tight his palms burned. Grover reached over to stroke along the back of his hand.

He exhaled slowly and let go.

“You remember Pan?” Grover asked.

Percy paused. “The satyr god, right?”

“Yeah.” Grover pulled away to tug at his fingers. “He's been missing for a while. Ever since the industrial age took off. And no one knows where he is. It's the dream of every satyr to find him, so that nature can return to the way it was.”

“That your dream?”

He nodded solemnly. “You have to be a Protector first, before you can get your Searcher’s license. But I'm not like the others.” His gaze fell down. His hands sat in his lap, cupped around nothing but air. “I don't want him just so we can bring nature back to its peak.” He sighed. “We were a lot different when Pan was still around. More free. More wild. I want satyrs and nymphs - all of us to be us again!”

Percy leaned into him. “What's stopping you?”

Grover snorted. “People forgot. We were more than just Pan's disciples. We fought to protect the wild from mankind. We didn't just sit around waiting for him to tell us what to do. But nobody wants to do anything.” He scowled. “They think when Pan returns he'll fix it all and I-” He bit his lip, then shook his head. “The world has changed. And gods don't get involved like that. Not to the extent they want him to. It's not in their nature. But if he comes back then maybe…”

He faced Percy. His eyes were watery, darkening the already dark brown of his eyes into shots of black. The welled tears glistened ever so slightly. Like the night sky, free of pollution.

His lips wobbled into a gentle smile. “But that's why I'm not afraid. You’re like nature at its purest form - chaotic, wild, unburdened.”

Normally those words wouldn't hit Percy as compliments. Insults, degradation - things that would deflate him and make his mom frown. But Grover sounded so earnest, his heart swelled.

“You can't tell, but I can feel it.” He swung his arm over Percy's shoulders and tugged him in close. “Your demigod essence, this sense of the wild that I've been searching for my whole life.” He gestured loosely. “Even the Demeter kids don't have that. Their mom is all agriculture and farming and that's great and all, but it's not pure nature, it's not the wild.” He squeezed Percy's shoulder as best he could with one hand. “You remind me of home, Percy.”

The frog Percy hadn't noticed in his throat jumped out with a burst sob-laugh. He tried to tile away, but Grover just tugged him close, bringing around his other arm to keep Percy pinned. Nonetheless his hold was fairly loose, like Percy was a stray cat he didn't want scratching him if he felt like running.

Or like he knew that Percy was the ocean through and through, unwilling to be contained, wanting to flow wherever he saw fit.

Percy practically crawled into his lap, sniffling into Grover's shoulder. Warm hands stroked up and down his back. He laughed quietly - a half-distressed noise marrying the sound, but managed a breathy wheeze of, “You remind me of home too.”

Grover kissed the top of his head. For the first time since arriving, he shattered. All his twisted up emotions committed out in a tidal wave of tears and broken gasps. All the while Grover held him. As tight as Percy clung to him, he didn't complain. Just held on even tighter. Wetness from Grover's own tears smeared across Percy's skin.

Ever the empathetic. Like his mom.

Percy squeezed his eyes shut. “Please don't leave without saying goodbye,” he begged in a hollow, hoarse whisper.

“I won't,” Grover promised.

They held onto each other even as tears and cries faded away. Grover kept stroking his back with both hands. Percy continued to cling.

Shoulders shaking, Percy wound the fabric of Grover's shirt over his fingers. After a few minutes of toiling silence, he whispered. “I think I'm changing.” He pressed his forehead to Grover's collarbone. “I'm scared.” He pulled back and stared into Grover's eyes. “What do I do?”

“Be my best friend,” Grover said, like it was the simplest answer in the world. And as soon as the words fell off his tongue, it did. How silly was Percy not to think of it before? “My best friend is a good person, the best kind of wild.”

“I can do that,” Percy promised. “I swear, I can do that.”

“I know,” Grover said, squeezing Percy's cheek. His thumb swiped away at a still wet tear under Percy's eye. The stroke was soft, gentle. Kind. “I believe you.”

[svnflowermoon]

y'all go from being feminists to tearing these women down within seconds oh my god it's 2024 can we please stop viciously tearing one woman down to bring another up i don't care what side you take but saying vile shit about either woman and their music is disgusting, please grow up

[faislittlewhiteraven]

Been having some ISaT tech level and timeline (as in 'when backstory things happened') thoughts and want to ramble a bit:

Tech

ISaT's setting is based on your classic sword and sorcery fantasy JRPG so its easy to assume that tech wise everything is 'fantasy medieval' and call it a day but consider:

Body Craft is at bare minimum is magic sex changing surgery (earliest known equivent in our world dating to 1930) that any old person can learn to do safely on themselves in only a few months, and more likely has many many broader applications like regular old surgery, the 'combat healing' Mira and Sif use, etc.

Cameras and photos are rare enough that Odile comments on it (namely she's happy the group get a photo in the House due to them being 'so rare') yet are also common enough that everyone in the party knows about them and doesn't question the existence of a camera beyond being surprised that the mirror was one. (In our world cameras date back to the 19th century, with the earliest manufacturing of them being in 1839). 

Printing presses and ways to make plenty of paper to feed those presses given absolutely everyone in this game can read, expects everyone else to know how to, and both mass produced book series and newspapers are a thing. (Note: Printing presses have existed since waaaay back but it's the mass paper manufacturing that makes newspapers and The Cursing of Chateu Castle possible that really has my eyebrows raised here, especially since neither Siffrin or Odile find either odd in any way, indicating such things are common everywhere, and while newspapers have been around since 1604 in our world, mass produced fantasy books didn't really take off until the start of the 20th century).

Food production and storage: despite being in the middle of a national disaster that almost certainly cut off trade networks and access to most suppliers for literal months now, Bonnie, a small child, is able to easily get their hands on fresh Pineapple, curry ingredients (for samosa), potatoes, plantains etc with no issues or anyone commenting on this being unusual or lucky. Oh and the only character who even brings up the concept of potential starvation is the Fishing One, and only in a sort of 'we're not at risk now but sooner or later...' kinda way due to noticing that the fish they fish up for fun are disappearing and likely being frozen. So yeah, that heavily implies Vaugarde has very good food storage tech/Craft (possibly better than ours), and likely also good food production and harvesting tech/skills also.

The Island's incredible knowledge of the stars: while the oldest known orrery in our world is dated from around 205 to 87 BC (ancient Greek, earth centric model), the fact Sif -who would've learnt this as a child/teen- is so very certain that stars are big balls of fire made up of gas is interesting as that's something our world couldn't prove the theory of until around the 1900s (note: it'd been theorized a LONG time but Sif talks like its complete facts to them . Additionally the earliest existing record of a telescope in our world dates to a 1608 patent and we see one of those in game.

Post posting EDIT: A wonderful user qds-place pointed out that Mirabelle has anti-anxiety medication in her room. This is in both ISaT and SAaP and though we're not sure what form the medication takes (pills? Valium? Megitech esc Craft boosters???) the fact they specifically have 'anti anxiety' medication at all (as opposed to idk dragging Mira off and drugging her through the gills) is kind of impressive and if it IS modern anti anxiety pills those could be as recent in creation as the 1950s! So um. Some high levels of tech implied in chemistry there <3

So... yeah. All this, plus the fact that the highest tech implied area, The Island, literally specialised in the study/Craft of turning wishes into reality (for a long enough time period that Wish Craft is culturally so ingrained in the King and Sif that they do it without thinking and it seems intertwined with their nation's religion) has been completely erased from memory to the point anything heavily associated with them has been forgotten, and also we only ever see Dormont aka a little village well away from the cities, it's not hard to conclude that you can basically justify giving the ISaT world any level of tech you want, so long as you lock any of the truly 'setting breaking' stuff like planes and rockets behind The Island's forgetting curse (I would've said trains too but thinking about it trains were invented in 1802 so it's honestly easy to imagine that they totally exist in the ISaT setting/Vaugarde but aren't ever on screen because rail is way too dangerous to consider using while the Curse is active and potentially time freezing things on the tracks).

Side note: We know absolutely nothing about Vaugarde's transport system but as a fan of fantasy RPGs it is honestly a travesty I have yet to see a fic that has flying dragons/wyverns or other fantasy mounts in setting. Like, ok yes, the party would probably have wanted to use those but maybe they don't like the Curse and fled? Maybe the King's Curse targeted them first? Maybe all their handlers dropped the heroes off in Dormont and said 'Well Saviors it's been fun, but well me and Scales here are off to Poteria until things wrap up so best of luck to you' before buggering off?

This isn't really a serious complaint just. Me reminding myself/potentially other fanwork writers out there that there's a lot about the setting we just don't know about and limiting all travel to walking, horse drawn carriage and boat is not actually required. (Also please mix up travelling to the Island. Boats are a wonderful classic and have great thematic vibes for Sif's original leaving of the Island but like. Imagine the sheer in-universe wtf of the memories of The Island suddenly coming back and people on the north coast suddenly realising there's a massive bridge, subway or underwater tunnel leading there that everyone just forgot about - potentially filled with all kinds of Sadnesses that need taking down. Or Warp Panels in a House of Change, idk XD).

Timeline

Canon notes first:

Bonnie is a preteen (8 to 12), Mira and Isa are in their early to mid 20s (with Isa slightly older), Sif is late 20s to 30, and Odile is 40+ Nille is stated to be around 18 to 20.

Siffrin ran away from home when they were a teenager (13 to 17? 18?) and this is heavily implied to be when the Island was Forgotten.

Bonnie (in ISaT specifically*) says that Nille told them that when it happened all the adults were talking about it, hence why they think The Island is close to their village. *In Start Again a Prologue, Bonnie says that they themself remember the adults talking about the Island disappearing, which er. Is a bit impossible given they likely weren't even born yet when that happened but that can be explained away by AU differences, InsertDisc5 still finalising details between SAaP and ISaT, and/or OG Siffrin having been in the loops so long they weren't actually listening when Bonnie was talking and just 'scripted' in their head something 'close enough' to what Bonnie was saying to get the idea (note: mentioned that idea before in my post here on the differences between the House and King in Start Again vs In Stars and Time for anyone curious so er please feel free to give that a read if you haven't already).

Odile mentions remembering 'when it happened' as well and has been 'travelling for years'.

The King 'appeared out of nowhere' sometime in his adulthood, and lived in the city of Corbeaux for a few years before he became the King.

The King became the King as was freezing people in time long enough before his attack on the House of Dormont that everyone inside knew he was coming, there were a wall's worth of newspaper articles about him, and everyone was expecting Euphrasie to defeat him.

Mirabelle's quest began 'almost a year ago' and Sif lost their eye 'recently'.

Thoughts on the above:

Calculating when The Island was forgotten:

Sif being mid 20s to 30 and having run away from home as a teen means that The Island has to have been forgotten somewhere between 9 to 17 years ago with nine only possible if he ran away at age 17 and is only age 26 now, and seventeen being the far opposite if he ran at age 13 and is currently 30.

To narrow down the timeline: Given Sif ran away from home because he 'didn't want to eat his veggies' and 'just wanted to scare [his] parents a little bit' it's probably safe to assume Siffrin was likely on the younger end of the teen spectrum (teens run off all the time sure but with loving parents and over veggies? That screams 'kid who has not yet learned that freaking out the parents will get their ass grounded and/or yelled at a LOT and is therefore best saved for doing fun forbidden stuff that ideally the parents will never find out about' XD) Additionally given Siffrin can't remember his age/birthday etc but Isabeau outright says near the beginning of the game "But you're older than most of the people here?" meaning Sif must be visibly older than Isa or Mira, so he's probably closer to 30 than not.

Those alone would imply the Island likely disappeared closer to the '17 years ago' side of things BUT Nille (tops 20 years old) told Bonnie that "[the Island's disappearance] was all the adults would talk about for ages" and kids usually can't remember anything prior to 4 years of age so with that in mind...

I'd say The Island most likely disappeared between 13 to 16 years ago.

Nille stuff:

This is more a general mention but. Nille is tops 20 years old. Bonnie is between 8 and 12 and doesn't remember their parents at all.

This means Nille ran away with Bonnie and gained emancipation and custody of Bonnie (if Vaugarde has formalised that kind of legal stuff) while she was at most 12 years old herself and could have in theory been as young as 6..!

Regardless, it's very likely the original home situation was that bad, Nille deserves a ton of credit for raising Bonnie as well as she has and I'd say it's very VERY likely she had a lot of help from villagers in Bambosche and/or the local House of Change in doing so. ...But also Bonnie is very adamantly 'my sister and village' and not 'my sister and [specific names who live with us]' so there's clearly by the time Bonnie was 4 or so they were living in their own place so... Yeah. Lotta drive for independence there too it seems (so the party might have more trouble adopting Nille into their group post ISaT than Bonnie might expect).

King stuff:

Already an adult 13 to 16 years ago so at bare minimum 33. Given his vibe probably much older though.

Newspapers get printed pretty quick though for there to be so much speculation and research done into his background so quick, either Vaugarde has some form of fast messaging system (something like a Chappe telegraph on top of the Houses of Change? Odile I think does mention that they'll have a message sent to let Nille know they'll be returning Bonnie...) or the King was freezing stuff for IDK around a month or two before reaching Dormont? Alas can't find out how long it takes to walk across all of France out very easily (I'm sure the numbers are out there but my brain is pudding rn) but if we had those numbers we could probably make some guesstimates based off the rough sketched map of Vaugarde InsertDisk5 did... Which I would link but apparently the tumblr post I had it linked on has been deleted???? 'wails at this very unhappy development'

Mira's journey and Sif's eye:

We really don't know a lot but almost a year ago gives us somewhere around 9 to 11 months to spread the journey out along and after eye removal surgery the patient can out and about as soon as 2 to 6 weeks after, maybe sooner with magic healing (though full recovery/growing used to the changed spacial awareness -which Sif clearly does not have- probably can't be sped up and takes around 3 to 6 months) so um. I'd guestimate Sif's eye injury is really recent; like two months ago tops recent. ...Which sorta explains a lot of why Bonnie is not dealing with it right now and also why the others might be trying to avoid bringing it up (since Sif clearly loves avoiding the issue but they haven't yet realised that maybe they really should bring it up even if it annoys them anyway?)

Odile with some Ka Bue speculation:

When it comes to The Island, how did Odile, presumably living in Ka Bue at the time, remember 'when it happened'? Was the Island well known enough even on the other side of the world that it's disappearance made waves? Or was Odile herself or someone she's close to paying attention to the region? (Like maybe her dad or a friend is/was into politics or trade, keeping up with overseas news and got concerned it could happen to Ka Bue? I'd say 'I remember when it happened' line implies it was more immediate knowledge than being informed by a messenger much later though...)

As for Odile's 'years of travel' I have to wonder, what's left behind for her in Ka Bue? She brings up going back there quite a bit, might just miss home and possibly her father if he's still alive, but given it took her years to get here for something so personal rather than idk 'materially rewarding' I think Odile might have some kinda family estate or something back in Ka Bue... Something she wasn't worried about potentially losing while far away, but solid enough to want to return to, beyond her father who she'd definitely want to see again if he's still around. (...But given how open she is to chilling about Vaugarde a few more months with the others, I really don't think he is alive, since well, given their respective ages and travel between Vaugarde and Ka Bue apparently taking years, there'd definitely an uncomfortably high chance of him passing away while she's gone and that seems like the thing that'd stress Odile out so... Yeah. Probably got an estate in Ka Bue she'd like to take the Family to visit/possibly sell off if she decides she'd like to live with them in Vaugarde so... Just my off the cuff headcanoning here and hoping that gives others ideas or something).

---

Anyway that's all the ramble I've got in me so... yeah! Hope this was interesting and useful for those needing a bit of a 'possible tech'/timeline calcs breakdown for the Island + a few more vague things and um. Probably will post a long winding ramble about my attempt at a ISaT Selkie AU fic I've been working on next <3 (Not to be confused with looped-140-and-counting's already existing and quite wonderful Selkie Siffrin AU which already has a completed oneshot fic, a snippet of sequel, two snippets of prequel/Sif flashbacking and I believe a comic too, all of which I highly recommend <3)

[likeabxrdinflight]

tired of early 20-somethings acting like harry potter was never good or had no value in its day like shut the fuck up half of you weren't even there when it peaked

[burning-basil]

the sleepiest hatchlings on timber hearth ‼️

i wrote a. thing. it got a little away from me but i did want to draw hal and the hatchling…. find out more by READING IT YEAHHH (< the worst advertiser in the world)

you can find it via this link V or on ao3 under burningbasil / starsburningout! its a pre canon fic thats mostly fluff and features hal and the hatchling, obviously, marl, and The Tree Incident. because i love marl dearly ok bye!

[rearranging-deck-chairs]

the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here

[opens-up-4-nobody]

Thr thing abt me is that I want to know exactly how psychiatric medications work. I don't want the simplified version. Dont give me the "I'm talking to the public" answers. I want the specific mechanisms and how exactly it causes its side effects.

[clowningaroundmars]

e-42 prowlerbyte angst (kinda) cuz i thought it'd be funny but in like a sad way

margo actually hating the prowler and thinking anyone with masks and weapons are terrible ppl just bc of how bad things are on earth-42

every time miles and his uncle show up on tv news channels she talks shit abt them not knowing she's talkin about her bf and his uncle

miles is oddly defensive every time, just sayin stuff like "margo you literally have never seen these two hurt civilians or anyone else but cops for that matter"

margo argues back "they obviously steal stuff and use bombs that could hurt someone tho. and nobody who's up to any good is swingin around wearing stuff like THAT"

miles rolls his eyes and pouts a lil bit about it but is genuinely distressed that his own gf can't see the good that the prowler does on a near daily basis so that pushes him to actually help more civvies whenever possible.

it kinda annoys aaron but he understands. eventually aaron lets him go off and do his own thing occasionally, stopping bank robbers from shooting unarmed bystanders and whatnot

the word spreads relatively quickly and soon prowler gains a "vigilante" label on the streets. a couple of his saves end up on the news, too

cue miles smirking at margo one day as they're sat in miles' living room with the tv on.

"...so. looks like prowler's moving different lately, just like i said he would. not lookin too bad there, is he?"

margo scoffs and shakes her head. "i mean... it's cool that he's saving ppl now i guess. doesnt mean hes a good guy exactly but we'll take what we can get!"

this definitely doesnt help miles' paranoia at all tho. he's even more adamant with his uncle that margo cannot know abt their prowler business now more than ever.

[skitskatdacat63]

Ik two days gone isn't a huge deal to other people but it is to me, since I feel like I woke up in a completely different world. It felt wrong to come back and blog and act like nothing happened, re: current events. I still feel pretty numb and empty about it all, along with many other emotions. I couldn't bring myself to look at any social media bcs it was like rubbing salt in the wound, and it still feels like its take a bit before I'm gonna be able to truly enjoy all the things I enjoy again. I was gonna write some long post about my feelings about it all but, I feel like atp I'd rather just try to indulge in what makes me happy I guess. Thankfully the fomo of not getting to commentate on all the F1 things that have happened have brought me out of the anxious slump I was in(new driver?? GPDA??? Zhou out??? Send me posts???)

On a completely unrelated note. Anyone interested in adoption?

[iratusmus]

fiona fox is the love + light of my life . also no i am not taking any criticism on her questionable tshirt collection i can and will defend all of my choices.

also bonus artist commentary in the alt text

[metanarrates]

watched a majora's mask analysis earlier today with my fiancee. my verdict is that I actually really enjoyed the op's interpretations, but that I wished that they talked more about mm's literal level and what one can get from it, rather than talking about those events as if they are strictly metaphor. yes, of course the metaphorical layer of the game is rich to dig into, but it's also such an open-ended and surreal game that it's difficult to nail down every single distinct metaphor that can be derived from its events. which is why I consider it necessary to discuss the way the literal layer presents itself and what sort of motifs and ideas exist there as a baseline before you begin looking at it as metaphor