#but it's just about setting the scene right now anyway
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rootspiral · 2 days ago
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Agatha All Along deep dive: episode 4 part 1
(Wandavision entries: [1][2][3])
(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5])
It's episode 4 If I Can't Reach You / Let My Song Teach You, time for two of my favorite things: glam rock and homosexuals. which are basically the same thing if you think about it.
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she's like damn, billy, that was ruthless. honestly this is going to make her care about billy even more, not only he's powerful, not only he reminds her of nicky. now he's a murderer too?? perfect son is perfect. I love how she's studying sharon's body with her detective Agnes face, her mind is going a million miles a minute
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her third-wall-break winks destroy me. and that poor hairdo. all gone expect for the giant turd on top.
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alice being truly and genuinely sorry about sharon. lilia and jen being gossiping hags
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agatha honey you're so dainty and feminine, look at you. and that's an interesting and not at all painful tree shape you picked. (I would have never noticed any of this without brightening the scene, it's outrageous. everyone involved in this show is amazing except the lighting department. shame on you lighting department)
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whatever alice does openly and sincerely, agatha does secretly or as a joke. parallels, parallels
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jen is like, can you believe this bitch
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without being asked, alice goes to help digging the grave
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that is the idiot I fell in love with and I'm way past regretting my choices at this point!! I know how rio feels now
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"coven two" is one of those lines that make you laugh on first view and shred your heart in a million tiny pieces at every following rewatch. this show HAS to be watched at least twice, don't ever trust reviews or complaints by ppl who didn't, because they missed at least half of what makes it great.
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a clown running from the tragic truth that her son wrote the Ballad, making sad clown noises all over the Road
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when alice is called to referee as the Resident Ballad Expert and agatha looks at her expectantly hands in pockets, somehow extremely obnoxious, extremely gay and extremely sad at the same time
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alice is SO above bickering. jen is being a baby because she's mad at agatha, lilia is being a baby cause she's grumpy and a contrarian, billy is sixteen, agatha is, well, agatha. alice is the only adult in the building
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just one, huh? that's fine. that's fine. who needs a heart anyway.
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the common gypsophila or baby's breath symbolizes sincerity, purity, innocence. does it symbolizes sharon? or is billy leaving it on her grave a metaphor for his naivety and good intentions gone wrong?
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billy's romantic ideals of what it means to be in a coven have just been shattered. he set out, consciously or not, to teach something to these witches and of course it didn't work. he is the one who needs guidance, he is the one who's making a mess of things. he's just a kid.
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agatha going !! when billy says he wishes he could go home. agatha covertly pointing out that he has a replacement body and she would really like to know how. she's observing him so closely, trying to puzzle out the mystery. exactly like she did with wanda inside the Hex. not revealing her cards just yet, testing and manipulating him. when that strategy blew up in her face so spectacularly the first time! she's so smart and so reckless it makes her practically an idiot
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case in point: she's making up stupid rules trying to manipulate billy into shaping the Road the way she wants. that's right, agatha. let's summon another poor victim you can siphon, wonder who's gonna show up! (and she KNEW sharon was laying dead ten feet away and SOMEONE was bound to be in the neighborhood. dumbass.)
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aww he's so proud of himself for having brought the spellbook. he's being helpful! he's made his four moms happy!
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check, debatable, check
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debatable and debatable
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I'm gonna give that one a BIG check
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yes I know advil spells "vidal", thank you tumblr for letting me know that one. also same, alice.
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'esse viridis non es facile' IT'S NOT EASY BEING GREEN?!?!!?!?!?!?!?!?!?!?! oh I knew my high school latin was bound to come in handy at least once in my life
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(by the way the set + costumes combo is giving me such hocus pocus vibes, but you could never tell because the SCENE IS SO FUCKING DARK) (NO I WON'T SHUT UP ABOUT IT)
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BWAHAHAHAHAHAHAAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHAH
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I mean girls, you chose to follow the head clown, you have to travel in the clown car. that's on you.
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WHY IS THE PRINT SO SMALL???? I LOVE YOU PATTI LUPONE
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admit it we all wished it was sharon for a moment
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oh?? is that mayhaps someone you know, agatha???
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and that's a wrap, see you guys tomorrow!
no, I'm kidding, I'm kidding. I'm doing another one tonight. I need to shove all the rio scenes in my eyeballs NOW
go to episode 4 part 2
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casino-lights · 2 days ago
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so. the thing about Illario and Lucanis.
I don't have the screenshots but somewhere in Lucanis' mind, you hear Illario's voice saying "If I was in charge, you wouldn't have to do this anymore." as far as I can tell, all the other lines in his memories are from the game, but this one is from The Wigmaker Job. the story that took place over a year (probably more) prior to the events of the game. it's referring to a scene where Lucanis comes back from their contract, injured, and Illario, worried about his cousin, says that Lucanis wouldn't have to do Caterina's bidding anymore if Illario was First Talon. so now we know Lucanis still thinks about that conversation, even though it happened so long ago.
two other things about The Wigmaker Job: 1) Illario is a lot different in it and in some ways he seems more competent than the Illario we get in veilguard; and 2) we see Zara Renata at the end, and she already has Lucanis in her sights. depending on how much time passed between that contract and Lucanis' kidnapping, she could've been setting this up for months to years.
in the concept art/storyboard frames that were recently released, Zara is hardcore giving siren in the first image and it almost looks like she's straight up controlling Illario via blood magic in the second (imo)
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now imagine if Zara was looking into Lucanis, started with the people closest to him, found Illario, and said all the right things. imagine she said he should be First Talon, Caterina never loved him, Lucanis doesn't believe in him and is secretly just tolerating him, he can save Antiva from the Antaam (or whoever else), he can lead the Crows to their long-awaited unification and make them even stronger, he's the smartest prettiest most super special boy in the whole wide world, etc. (if you give this man an ounce of praise and he actually believes it, he will crumble, I know it.)
now imagine Zara, having successfully sunk her claws into Illario - Lucanis Dellamorte's cousin, the only person closer to the Demon of Vyrantium than the First Talon herself - manages to convince him to let her kill Lucanis. he doesn't have to do it himself so there's less guilt. there's no way Caterina would make him First Talon if Lucanis was alive. and then Illario would be in a position to protect his beloved Antiva because if there's one thing the Antivan Crows are, it's patriots. I think Zara played Illario like a fucking fiddle and the game was just really bad at showing us that. I think when her spirit says "he fooled us both," she means he fooled her by being less of a coward than she thought and straight up killing her.
and maybe this is the Illario apologist in me, but I also think he realized the whole thing was a doomed plan after he was defeated. I mean, he shows up to the final battle to help, at risk of his own life. maybe he's trying to atone, maybe not, but still - he is there, and he sounds more like the Illario we see in The Wigmaker Job than whatever we got through the rest of the game. with his quippy little "was that suitably self-important?" line, he's closer to himself than he was this whole time, and that makes me wonder if maybe he wasn't fully Illario. maybe that was grief and guilt and a shaky sense of self and Zara's manipulation and the feeling of losing his grip on the power he never quite had to begin with, all bundled up into a new, bitter, resentful man. I think he was used like a pawn in Zara's chess game, and that doesn't take away from his agency in this situation or lessen the blow of his betrayal, but it does make it easier for me to swallow the fact that the Obvious Traitor Illario I was immediately skeptical of in-game is not the Illario I immediately loved after one scene in Tevinter Nights where he shaves a single hair because it was uneven with the rest of his five o clock shadow.
I think ultimately, Illario realized Lucanis would forgive him anyway. I think it's because he realized he would forgive Lucanis too.
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drakorn · 1 day ago
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Rewriting Veilguard Part 1 - The World State
Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.
Expanding Veilguard's World State Editor
Like many of us, I was disappointed with the total amount of choices carrying over from past games being only three, one of which dealt with romance, two with decisions made in the Trespasser DLC, and all of them being from Inquisition. This already set the precedent that we shouldn’t really be expecting the game to be as connected to our unique Thedas as we have come to be used to from previous titles—no more uniquely flavoured codex entries, no more small but sweet cameos here and there that make the world itself feel like a larger place that we had helped shape.
Given The Veilguard’s very troubled production history of multiple delays, staff layoffs, and all-around restarts of the entire project, it is honestly a surprise that we even got three choices, so credit where credit is due. They made with what they had. But what if The Veilguard had this vision from the start? What if there wasn’t any of this meddling? What if Bioware simply had more time and control? What if they could truly let us import the World State this game deserved?
Now, for this hypothetical rewritten playthrough, I’m going off from the fact that the Dragon Age Keep will not be used; I actually found it a neat idea to tick my three choices in the character creator, and it would have probably been better had Inquisition done something similar. Why do I think that? Because it means we are not running into any dangers of servers potentially shutting down, leaving us trapped in the canon we happened to have imported last. Converting the Keep into an offline editor was a good idea, but unfortunately not executed nearly enough as, let’s face it, we all expected. So we’re gonna have some fun for Veilguard.
Disclaimer: I’m going to refer to the game’s title as Veilguard from now on, not “the” Veilguard. I really don’t like the change of having a “the” in a series of otherwise one-word, or one-number, titles.
Of course, we have to be realistic about this. It is virtually impossible to implement every single decision from across all three games, and those that can be implanted can’t alter the main plot too much. Certainly, we like to imagine and picture things, but let’s approach this from an actually doable point of view.
Right, so imagine you just finalised your Rook, and then get a screen titled “Past Adventures”. Not just “The Inquisition”. And it would take up the entire screen instead of being shoved somewhere in the corner of the final CC page, which many people missed. I could have missed it too, had I not known beforehand that it was going to be there!
It would say something akin to “You can customise the protagonists and several events from the games Dragon Age: Origins, Dragon Age II, and Dragon Age: Inquisition. These choices will have both major and minor effects on the plot of Veilguard. If this is your first Dragon Age title, you would be advised to skip this section for now, as you may otherwise risk getting overwhelmed. A default World State has been pre-generated for the game.”
Why did I add this disclaimer? Because it would show us, right from the get-go, that we respect both new and old players. If you’re a new player, feel free to skip this part as it won’t matter to you anyway and, quite frankly, you wouldn’t want to spend an eternity in the character creator doing things you might not even be familiar with. But if you’re a returning player or someone who has read up on recaps and watched countless lore videos, come on right in, we’ve got you covered, don’t worry! We know how much time you spent meticulously crafting your World State for Inquisition, so join us and customise to your heart’s content.
If you choose to not skip ahead (honestly the only time I would click “skip” on that shit is if I was a new player), you will be presented with three tarot cards, one shows the griffon, the Grey Warden symbol, one shows Kirkwall’s heraldry, and one shows the Inquisition’s banner. Here’s your previous three games. And now we get to customise them a little. The little gremlin in me would be quite gleefully rubbing his hands at this prospect.
Past Adventures: The Blight
We open the first slide and are immediately hit with a crimson screen and an ambient reprise of several of Inon Zur’s themes from DAO. I loved this part in the game, when you click to customise your Inquisitor and are immediately hit with “Calling the Inquisition”. Really great stuff for early emotions. Now let’s actually customise things.
The Hero of Ferelden
I do not expect us to actually be able to recreate the Warden in the flesh, but I believe they should be at least brought up in conversation or mentioned in codex entries and letters. Here are the things we get to customise about them specifically:
The Hero: Here, we get to tick the race, gender, class, and background for our Warden. Again, no character creator, just fancy tarot cards. But guess what? That would already be more than enough for what we can do. At least we know the game acknowledges their continued existence.
The Warden’s fate: Did the Hero of Ferelden perform the ultimate sacrifice?
Romance: Who did your Warden romance, if at all?
The Companions
Now that our Warden is set, we jump over to DAO’s companions. Each companion has their own little mini-section. The first few questions will always be “Did you even recruit them? And if so, did they survive? If so, were you on good terms or not?” These questions, depending on the answers, will immediately lock or open the more specific ones. Which are, as follows:
Did the Warden have Morrigan perform the Dark Ritual?
What is Alistair’s ultimate fate?
Was Sten reunited with his sword?
What happened to Loghain?
What happened to Marjorlaine?
The Battle of Ostagar
What happened to the prisoner at Ostagar?
The Arl of Redcliffe
What is Connor’s fate?
Is Isolde alive?
Did you help Bevin and return his sword?
The Urn of Sacred Ashes
What happened to the Urn?
The Nature of the Beast
How was the situation between the Dalish and the werewolves resolved?
A Paragon of Her Kind
What happened to the Anvil of the Void?
Who rules Orzammar?
Did the Warden help Brother Burkel create a Chantry in Orzammar?
Did the Warden prove the Legion of the Dead was connected to a noble house?
Did Orta join the Assembly?
Warden’s Keep
What happened to Sophia and Avernus?
Denerim
Did the Warden complete Slim Couldry’s crime wave?
Who rules Ferelden?
Who killed Urthemiel?
Awakening
What happened to Nathaniel?
What happened to the Architect?
What happened to Vigil’s Keep and Amaranthine?
As you can see, I have not included all the choices, just the ones I think can be carried over in both realistic and interesting manners. Not all of them will heavily feature in the game; in fact, many of them are for flavour and codex entries only, but there is still merit in those. We know there is a whole lot of stuff happening in the South thanks to the letters the Inquisitor regales us with. So let’s put some world-state uniqueness to those letters. But in this rewrite, some of these choices will, in fact, feature in a more substantial manner.
And that’s Dragon Age: Origins done! Moving on to the next one!
Past Adventures: The Tale of the Champion
When we enter this screen, the CC assumes Kirkwall’s orangey-yellow tone and we get a reprisal of the key DA2 themes by Inon Zur, the most prominent one being, of course, Hawke’s family theme. This one is not going to be as big as DAO, but there are a few important factors nevertheless, especially concerning possible deaths and survivals.
The Champion of Kirkwall
Unlike the Hero of Ferelden, Hawke will actually be customisable in this one. Because no matter whether or not they were sent to the Fade or Weisshaupt, there is always the potential for them to still be alive. So, here are the choices regarding Hawke:
The Champion: Here you can customise Hawke’s gender, class, and personality.
Who did Hawke romance, if at all?
The Party
Pretty much every companion’s card, aside from a few, will have the questions “Did you recruit them?”, “Are they still alive?”, and “Were they friend or rival to Hawke?” at the forefront. Most of it is gonna be flavour, but it’s still my flavour, dammit!
What happened to Bethany or Carver?
What happened to Isabela and the Tome of Koslun?
What happened to Fenris and Danarius?
What happened to Merrill, her eluvian, and Clan Sabrae?
What happened to Bartrand?
What happened to Anders when the Chantry exploded?
Did Hawke approve of Ander’s actions?
Did Aveline marry Donnic?
The Tale of the Champion
Did Hawke protect the Bone Pit from all its dangers?
What happened to Feynriel?
Did Hawke let Zevran go?
Did Nathaniel survive?
Did Hawke side with the mages or the templars?
Fewer choices are carrying over here compared to DAO, but many of the events that occurred in DA2 are only relevant to Kirkwall’s immediate fate, which is already resolved by the time of DAI. Many of these will be flavour again, but some of them, I’m not going to say which, will definitely have a bigger impact.
Right, we’re done with DA2, let’s move on to the last one!
Past Adventures: The Inquisition
And here we get to the big one, the game that most directly impacts much of DAV’s story. We click on the last page and get the green shades and DAI’s ambience themes, a beautiful reprisal of Trevor Morris’ great hits. I would like to once again reiterate how emotional the CC music made me feel here when I was playing the game. Let us now customise our choices.
The Inquisitor
While the Hero of Ferelden will be a background figure in letters and codex entries, and Hawke more of a minor character with a significant role, the Inquisitor will have a much larger presence. Just how large, you’ll find out soon. But for now, let’s customise them:
The Inquisitor: Here you can customise your Inquisitor’s race, gender, class, and specialisation. Their personality as well, for while it wasn’t as apparent as with Hawke, the Inquisitor does still have a distinct range of dialogue choices. You can still be diplomatic, lighthearted, or even rough.
Who did the Inquisitor romance, if at all?
The Inner Circle
As with the other companion sections, pretty much all slides here will feature the “Did you actually recruit them?”, “Are they still around?”, and “Are you friends or not?” questions. Alongside a few specific ones that will definitely have more of an impact here.
Did Dorian resolve the issue with his father?
What happened to Blackwall?
Did the Iron Bull remain loyal to the Qun?
Did Cassandra rebuild the Seekers of Truth?
Did Cassandra discover the book of secrets and what did she do with it?
What happened to Harmond?
Which path did Cole choose?
What happened to Solas’ friend?
Did Varric track down the red lyrium source?
Did the Inquisitor give Vivienne the heart of a snow wyvern?
How was Cullen’s lyrium dilemma resolved?
How did the Inquisitor help Josephine resolve her family’s fortunes?
Was Leliana hardened or softened?
The Path of the Inquisitor
Did the Inquisitor embrace or denounce their title of Herald of Andraste?
Did the Inquisition side with the mages or the templars?
What was the general principle upon which the Inquisition was founded?
Who rules Orlais?
Who stayed behind in the Fade?
What happened to the Grey Wardens after Adamant Fortress?
What happened to Samson or Calpernia?
Who drank from the Well of Sorrows?
Did the Inquisitor respect the rituals at the Temple of Mythal?
Who became Divine Victoria?
The Inquisition’s Influence
Did the Inquisitor ally with the Hinterland cultists?
Was the rift in Crestwood closed?
Was Caer Bronach captured?
Did the Inquisitor make a deal with Imshael?
Was Suledin Keep captured?
Was Griffon Wing Keep captured?
Was Sutherland’s company formed?
What tone did the Inquisitor’s judgments take?
Jaws of Hakkon
Did the Inquisitor learn Ameridan’s fate?
Was Hakkon slain?
Did the Inquisitor share the truth about Ameridan?
The Descent
Did the Inquisitor stop the earthquakes from destroying the Deep Roads?
Trespasser
What is the ultimate fate of the Inquisition?
What is the Inquisitor’s final goal regarding Solas?
Again, this looks like a lot, and it is, but bear in mind that a lot of these will only have minor impacts on the story in the form of cameos and codex entries. However, there are several major DAI choices that will have significant impact.
For our hypothetical rewrite, I shall not list every single choice I made for my imaginary playthrough. Instead, I shall reveal them as we go along so as not to clutter the space too much. And it’s a bit more fun this way.
And that’s the World State editor finally done! I believe all of these choices are able to feature in some capacity, be it big or small. But no matter if it’s a big world-changing consequence or simple flavour texts and cameos, it will still be our Thedas, our own unique version of it that we helped shape.
Now that the past is dealt with, let’s look at the present. Next time we’ll talk about Rook, the six factions, and why a DAO-style origin story selection would have not only been beneficial but very doable.
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gwynautismfanblog1 · 4 hours ago
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Not going to lie, I was really enthusiastic about the idea of an antagonist figure Caitlyn. Arcane could've woven a phenomenal narrative about how easily people of privilege, even the ones who try to be empathetic to an oppressed class, can be swayed into genocidal fervor with ease when their comfort is disrupted.
To some extent they did, but I wish Arcane committed to the bit and pursued a villain!Caitlyn. Plus I'm a sucker for lovers to enemies and would love to see Vi having to choose between Caitlyn and Zaun. I think they were headed in the direction of a villain arc for Cait but ultimately chickened out on it.
Also, I feel the familial relationship Ambessa and Caitlyn had was such wasted potential. Ambessa and Caitlyn were perfect for each other in a familial way. Ambessa was a bitter mother who was estranged from her daughter, leaving her essentially daughterless in her eyes. And Caitlyn was just made motherless.
The two could've had such well written toxic synergy. It would've been a Greek tragedy having Caitlyn slowly corrupted by Ambessa's influence to the point that when she reunited with Vi, she was barely recognizable. I can't say I'm fond of Caitlyn betraying Ambessa. Ambessa's character definitely stagnated once Caitlyn was out of the mix.
I think right now in the age of radicalization, Caitlyn could have been a very scary and effective cautionary tale about how easily fascist thought can win. That scene with Ambessa recruiting Caitlyn felt so ominous and foreboding, like the birth of a monster. The first act had such a good set up, but ultimately nothing came out of it in my opinion.
Anyways, this is just my opinion and I would love to know if anyone else shared similar thoughts regarding Caitlyn's character arc. Who else wanted a legit Caitlyn corruption arc?
EDIT: I do like the idea of her falling into fascism, but then changing her mind to support the Zaunite resistance. That could send a valuable message that it is not too late to turn back from evil ideologies to any people who've been radicalized.
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max--phillips · 1 day ago
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Okay here goes
First, the spoiler free stuff:
Ridley Scott knows how to make a fucking film.
If I don’t see fics of Acacius x reader x Lucilla I will begin biting
If you are going in it for Pedro, I will warn you his character is very important but kind of… idk, shallow is too strong of a word, but not very fleshed out. I don’t think that’s an issue in the greater scheme of the movie though, it makes sense in the plot and doesn’t feel out of place or bad in the universe.
If you are going in it for Paul Mescal, you will not be disappointed.
Please watch the first movie first. The story will not make any fucking sense if you don’t.
Just the right amount of flashbacks and footage from the first movie . Chefs kiss
Ridley Scott really said “all emperors and tyrants are nasty little freaks with terrible vibes”
Oh also if you’re squeamish about gore and stuff like. It’s a movie about gladiators so set your expectations accordingly. There is an instance of a disembodied head used as a prop. So y’know
Okay, spoilery stuff below the cut
Arishat was hot :( rip
Monkeys at the beginning? Terrible. 0/10 did not enjoy that. Also did not enjoy seeing and hearing Mr. Mescal BITING ONE
I love Ravi I would watch a whole movie just about him tending to gladiators’ wounds quite frankly. Give me that story
We love to see bisexuality on screen (even though that wasn’t a social identity at the time but we’re not here to talk about that) what with the concubines and drunk as fuck Macrinus
Speaking of drunk as fuck Macrinus: that whole scene was so fucking funny. They’re like that meme about people getting high. You know the one
Speaking of Macrinus—Denzel Washington stole the show. When TIME magazine pushed a story to me today headlined “Gladiator II Belongs to Denzel Washington,” I was like, pshhhh, nah. But it really does. It’s not about him? But it’s his fucking show.
The politics . THE POLITICS
It feels a little heavy handed right now but that wasn’t probably how it was intended, given it was made before. Y’know. The election. But the whole dream of Rome being a place where everyone is equal and cared for but you can only whisper it or it’ll shatter? Yeah.
Oh, right, Acacius: that dude is so tired he does NOT want to be there. Let him go home to his hot wife. Alas, his hot wife is the way she is and like… no good deed goes unpunished.
And I fucking called it with my text post a few months ago. Two (2) movies now where Denzel Washington (either directly or indirectly) kills Pedro Pascal. Brilliant
Admittedly selfishly I would’ve liked to see more of him. But it felt like the correct thing in the context of the story. If he didn’t die then, if he wasn’t the inciting event for the uprising of the people of Rome, it wouldn’t have made sense and it would’ve just been fan service and “look, we got Pedro Pascal!” at that point.
I would’ve liked to see a more in-depth exploration of the change in relationship between Lucius and Lucilla—it seems like they went from Lucius screaming at her to get out to them hugging it out without any real development between the two of them specifically. Obviously a lot had happened in the world of the movie at that point but nonetheless
Macrinus shooting Lucilla was his Icarus moment. There was no coming back from that. “But what about Geta” “but what about Caracalla” no. It was Lucilla. If she’d gotten got by the praetorian guards or something else, it would’ve been fine. But because it was Macrinus there was nowhere he could go from there other than [checks notes] getting his hand chopped off and then gutted in a dirty irrigation ditch.
Remember kids, the people in power who are causing all of the things going wrong in the world have names and addresses and are mortal <3
Also another takeaway from the movie: imperialism, religious extremism, ableism, and authoritarianism will be the end of us all <3
Anyway. Good movie. Can’t wait to watch it again in my own home with subtitles so I can actually like… process everything everyone was saying LMAO and take better reaction notes.
I’m still sitting in the theater parking lot it’s been like 30 minutes LMAO okay thanks for coming to my tedtalk or whatever
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ladymidnight-goesforth · 9 months ago
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I'm in a Feylin mood today.
From one of my favorite scenes in ACOTAR:
His lips brushed mine—testing, soft and warm. He pulled back a little. He was still staring at me, and I stared right back as he kissed me again, harder, but nothing like the way he’d kissed my neck. He withdrew more fully this time and watched me. "That's it?" I demanded, and he laughed and kissed me fiercely.
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They're so soft for each other in this chapter. I miss them. T_T
EDIT: This is from the "I'm thinking I might kiss you"/"Then do it" scene in ch. 25. I should have been more specific. Sorry about that!
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unordinaries · 5 months ago
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presented without comment
(chapters 280 + 344)
#unordinary#unordinary webtoon#cw blood#i fucking lied i have so many comments#FIRST AND FOREMOST. i originally had the images in the opposite order (meaning john’s on the left and rei’s on the right)#when i was drafting this post. but then i was like. ‘oh i should put them in chapter/chronological order instead’ and it oh my god#uru you bastard that’s so much worse#(and then ofc i had to rewrite my tags accordingly)#but anyways#like literally almost everything about these scenes is mirrored/opposite#obviously they are facing different directions (and thus. each other)#they are also looking at different places in the second panel - rei is looking up and john is looking down#rei is looking up directly at kuyo. yes. but his raised head also makes him look a bit defiant. his kind of smirk also adds to that feel#he’s obviously not… happy. he’s been through a lot (is literally about to die) but his spirit remains.#there’s still light in his eyes. hope.#and he still finds the time to tell kuyo to call it quits and give him well wishes#then we have john’s half which is. ough.#and uhh cw suicidal ideation from this point on i guess?#looking down! no light in his eyes! defeated and dragging himself to the finish line!#alone.#he’s still fighting but he’s TIRED. absolutely nothing to look forward to here.#keep going because there’s no turning back now#he is doing this for the people he’s already lost (jane william sera). not for people who are here now (blyke remi isen)#rei didn’t go into this thinking he would die but ended up choosing to sacrifice himself anyways#john went in with the intention of sacrificing himself and survived anyways#i could be reading too far into it but i think you can kind of see that in their expressions in the first image set#rei looks like he’s realizing he’s about to die but john just looks like he’s fighting#he’s already made his choice#that’s about all i got (and i’m at the tag limit) so.#to everybody who hated my john-william comparison post this one’s for YOU 🫵
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tiddiesoutwhenthetisout · 3 months ago
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not me curling my laptop charger wire the way you curl band equipment cords HAHAHA god i miss it
#i really said “okay big performance in the city square let's make this work” and i did but absolute fuckery of the manager just made me...#and she also used to complain about being an opening act-- like come on that's a nationally-renowned band and we're not there yet 😭#we used to fight a lot though so ack i really should have taken that as a red flag#but i was 14 and stupid 🤷‍♂️#being solo way better uM i shouldn't say this yet but i got a commission today audhauagah i don't even have a portfolio#fuck guys i'm so so so nervous from big changes in life because uM god i just came from actual hell with various things working to make me#kms#but uH we're uH not too keen on that anymore atm and uH it's probably going to all fuck up after i share that i have good news in life#but yk what#let's keep challenging god#i know he hates me#but we will not be defeated we will strangle him by the tie#AHHHH help me i want to get into music again pls pls pls pls pls#anyway back to my old band manager#she was known for being a shitwad in the scene anyw but i was young and stupid as i sais#and i defended her and rationalized her behavior because “we're friends right”#i'm starting to get why my mom is wary of people i get to know#i'm tbh a fucking idiot i would never admit that elsewhere (nah i do) uM my brain is bouncing off the walls#i took a bargain with 7pm coffee and look where it got me#i was also getting up there in my 5 days of uni absences agsgshags#DOES ANYONE ACTUALLY READ THESE I KINDA HOPE NOW NO ONE DOES#IM KINDA UHHH MY CHILD THERAPIST SAID UNCONVENTIONAL#I THINK SHE MEANT FUCKING CRAZY#sorry#oh yeah i walked tf out the band after that big performance set up just for us because i couldn't keep working with that kind of environment#other bands started flocking to recruit or proxy after i was let go by my famously fucked-up ex-manager LOL#but um i have issues so i'm not among them and i think they get the message tbh#appears and disappears#that is actually my brand
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currentlyonstandbi · 2 years ago
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I am nothing in my soul if not obsessive.
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fingertipsmp3 · 5 months ago
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Ughhhhhhh I hate writing and I hate not writing and I hate myself
#nearly bought a digital typewriter today. actually i DID buy a digital typewriter today. officially yes i have bought a digital typewriter.#the money for the digital typewriter has left my account but i have emailed them to cancel the order because i can't in good faith buy#a digital typewriter when i don't fucking WRITE#i thought it might help me get back into it. distraction free and while allowing me to not judge my own writing#and be continuously editing while i write and going 'i'm crap i'm crap i'm crap no one will ever read this and if they do they will think#that i'm garbage and that i should feel bad etc etc etc'#but it's too expensive and i have the feeling i wouldn't even like or use the thing once i got it#because the IDEAS! the ideas aren't coming to me. or rather they are but none of them seem to stick#i feel underconfident in writing any of them#and then i have old projects that i've always wanted to get back to like the tennis romance thing but SO much has changed since i first#started drafting it. like i don't even know if i like the main couple anymore. i kind of want to put both of them with different OCs of min#but it'd switch up the WHOLE story if i had a different cast#in fact most of the problem lies in the fact that i have this long-running bedtime story i tell myself every night with lore#and a massive cast of characters that i switch out depending on who i'm most interested in right now and every so often i incorporate new#themes and ideas and motifs and plot points sometimes based on media i've been watching because it's MY bedtime story and it doesn't matter#if i plagiarise in my own brain. but then obviously i can't plagiarise in real life#and none of my bedtime stories are GOING anywhere. sometimes i only get through a scene or two before i fall asleep#all of which means my bedtime story is not so much a sweeping epic novel but a sitcom with way too many characters#most of which are werewolves to be honest and sometimes for my own wish fulfilment one of them will walk out of my head#and take care of my problems for me by lending me £1million or murdering my best friend's ex. in my mind obviously#so it's like. it's a case of getting in there and annexing off the stuff i think i can use#it's like yeah i've definitely written several romance novels in my head in the process of this but does it matter if they're IN my HEAD#to be honest i feel like my main strength is in creating characters. like i have this one family of werewolves i've been slowly but surely#adding members to since i was like 16. maybe younger? no yeah i think i made the first one when i was 12#they're compelling to ME anyway. i care about them. it's just PLOTS. i can't plot#if a book could just be a lot of dialogue and sex scenes and silly moments and character studies i'd be alright#i also can't describe settings. don't ask me to because i can't#and now i'm just annoyed with myself because i sat down at my laptop to try to write and instead i'm here complaining about how i don't wri#and if i had the digital typewriter... i mean i'd probably still be doing this i'd just no longer have £300#i don't have the £300 anyway. i hope to christ they refund my card i'm a fucking idiot
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hella1975 · 2 years ago
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the boys' first commentary on keating's lessons being cameron and neil saying 'that was weird' / 'but different' is getting to me like the entire film is a narrative on the suffocation of heavy academia and how it prioritises certain subjects (medicine, law, business, engineering) while condemning creativity and passion and how institutions are promoting conformity and grades-over-wellbeing teaching methods more and more as you both move up the elitism scale and as time goes on, and how that was okay for these kids and like so many generations before them they were going to let it happen to them, but one teacher was different. one single teacher told them to seize the day and make their lives extraordinary and he made them look directly at the state of things, and for a little while it was beautiful but they're just kids; how could they ever change things? and sure enough it catches up to them and the institution wins because it always does and suddenly the suffocating thought of what neil is so sure his life is going to be is so daunting and terrifying that he cant even face it
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suckishima · 11 months ago
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rrrrrrrrr im so frustrated with my writing. its just been weeks of struggle and whyyyy. idk i think i need to rework or rethink what im going for with this one or something, its like i can feel the threads of the themes i wanna do are sooo close to tying together but it just isnt quite reaching yet and so it reads like a stilted bland mess but the more i stare at it the further away it feels aaah
i know it can get there i kNOW it can, the ending and like aha moment is so cleaaaar that i think its almost too solid and thats why my beginning feels so fucked—like i just keep asking myself 'well if hes gonna get there in chapter 5, whats stopping him from getting there now in chapter 2??' i tHOUGHT i had reasons but now that im there i just keep instinctually writing him to have the connecting/realization moment anyway and like. if that's how it is then what even IS the story??? i need a break
#leaving for my parents for christmas tomorrow and while its always a little lowkey stressful there esp during holidays#itll be nice to at least have a different stress than this one for a few days lmao#mandatory writing break coming at a good time ig#anyway a lot of the real problem is that a big reason i wanted to write this fic is bc i wanted to explore tsukkis mental space during#the ball boy arc bc i feel like its an interesting transitional time for him in terms of like being after his big moment but then#he slightly regresses in that post match bathroom scene until yamaguchi sets him straight and like. i love just how furudate is showing#that growth isnt linear and so i wanna explore how tsukki would feel during the camp (which he didnt seem stoked to go to)#and in contrast with hinata who couldnt go but weasels in anyway and like how does tsukki deal with#that intensity of stupidity and passion in regards to how he feels about his own relationship to volleyball now#like i dont think its a straight line from blocking ushijima -> admitting yeah sometimes volleyball is fun#i think theres some wavering in there and oooo i wanna explore it but FUCK its hard??#why furudate why does tsukki deny extra practice the first night of rookie camp but accepts the second night??#i know why he accepts night 2 im excited abt that. i'm big time struggling with pinpointing why he says no night 1 in a way#that doesnt come off like 1 hes fully regressing 2 like im having him say no purely bc thats how it is in canon so magical ~plot reasons~#truthfully furudates reason is probably just 'was funny to have tsukki and kunimi say no in unison' and it isnt out of character for#tsukki to say no either but i also can feeeel it i can feeel the threads of a solid character developmental reason that will fit with#all the OTHER stuff im also trying to do lmao#i just need to piece it together in the right way in the right order and right emphasis#and its so cloooose rn but ugh it just feels wishwashy atm#and so. i struggle lmao#eesh anyway fun tag rant yay#heres to hoping not thinking about this for a week will help#x#....who wants to take bets on whether ill delete this later lol
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sahkuna · 6 months ago
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NOT SO INVISIBLE STRING — GOJO SATORU
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synopsis: the universe has a funny way of working. gojo always knew he was destined to be with you and so did others. it just took some time for you to figure that out as well.
content warning(s): FLUFF! eventual smut so 18+ mdni, fem! reader, pining gojo (sooo cute), mutual pining, friends to lovers, unproetected sex, gojo calling you baby multiple times while going innn.
word count: 6.8k zoo wee mama... pls read anyway or i'll d—
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SPRING 2008
“So, you’re not gonna miss me? Not even a little?” 
An arm was suddenly thrown across your shoulders, leaving you to bear its weight. The press of his uniform stuck to your nape, making his presence all the more difficult to ignore.
Fellow students bustled and sidestepped their way around you two, some even falter in their steps to ogle briefly at the scene unfolding before them.
“Satoru, move!” Shoko— your saviour— jabs Gojo’s side, urging him to budge, but to no avail.
He’s still tethered to your side, twirling around his diploma in his unoccupied hand despite your best efforts to create space between you two. “You’re literally blocking people’s way toward the gates,” she says.
It’s graduation day and the last day of school for the spring semester, bringing the school year to yet another successful end. It also meant that today would be the last time your upperclassmen would walk on school grounds as students.
The sun was beginning to dip behind the many trees surrounding the school, and its marvellous glow cast warm hues of pink and orange that stretched across the sky. Its rays descend onto the school’s campus; setting for a brilliant, comforting atmosphere. 
Answering Gojo’s initial question about whether you’d miss him, you avert eye contact with your persistent senior. “I never said that,” your voice teeters between a grumble and a groan riddled with exasperation. 
Your eyes sweep the courtyard and you spot a few familiar faces in the crowd. Some are gathered along the steps leading up to the school taking photos to commemorate today. Others linger on campus chatting amongst themselves, and some whack each other with their diploma scrolls while others treat theirs delicately.
And not too far off from where Satoru holds you hostage stood a small crowd of his classmates—specifically, his female classmates— waiting for their chance to bid their goodbyes...
Or stumble out an unprepared confession thrown out in the heat of the moment before they may never see Gojo Satoru again.
Who knows. 
All you’re sure of is that they are most definitely throwing you shady death glares from your peripheral.
“Y’know, I’m gonna miss you,” Gojo says, his arm still looped around your shoulders. He has half a mind to drag you away from standing right front and centre in the entranceway and shuffles you off to the side. “All the years we’ve spent together—”
“Two years, by force.” 
“— and now we’re being split apart,” he finishes, paying no mind to your sardonic comment. The infliction in his voice prompts you to turn to look at him, only to wind up and see a slight pout tugging at his soft, pink lips. “How ever will we manage?”
You smother down the urge to heave a loud and heavy sigh at the clingy characteristics he’s displaying today and decide to play nice.
Gojo’s always been one to be playful, perhaps even a bit pushy at times but it was all in good nature. However, for some reason, his antics have reached a whole new level today. 
Emotions were running high among staff and students alike. Some are more potent and… persistent than others.
“You’ll be fine,” you assure, patting his arm half-heartedly, “and I will certainly be fine. Everything will be just fine.”
In the middle of your sentence from the corner of your eye, you spot another one of your seniors— Geto Suguru. You watch him step out from a conversation with two classmates of yours (Haibara and Nanami) and is now trekking his way over to where you and Gojo occupy the front steps.
“Geto-senpai!” 
Geto greets you warmly by placing a comforting hand on your head and gives you a reassuring pat once, then twice. The action leaves your hairstyle a little dishevelled, nonetheless, there’s a small smile tugging at your lips.
You’ve only interacted with Geto a sparse number of times outside of class or at the end of the school day. Whenever you both would cross paths you appreciated how he would regard your presence with temperance. It always left you feeling at ease. You’ll miss him. 
You’ll especially miss how he was so quick to offer you and Haibara snacks from the vending machines on campus.
Gojo emits a pathetic squawk at the special name drop.
Pale, white brows are pinched tightly together with faux betrayal. “How come he gets honorifics but I don’t?!” he complains once Geto’s within earshot. 
“I see that Satoru's already started…”
Though Geto was talking to no one in particular, Shoko chips in given that she bore witness to Gojo’s incessant pestering toward you ever since the home bell rang. “You missed the part where he blocked her from getting to the lockers for a good several minutes.” Unzipping her bag, she carelessly shoves her diploma into it. 
“But anyway, I’m gonna head out for a smoke. I’ll catch you guys later.” Before departing, Shoko stretches her hand towards you and gives your arm an affectionate squeeze. “Get home safe, ‘kay? Don’t let these guys keep you out too long.”
Which reminded you…
“Gojo, this has been fun and all…” Being rag-dolled around by your upperclassman across campus has been anything but fun. “But I really should start heading home now.”
You wanted to beat the rush hour of students and working-class alike trying to go home on a late Thursday afternoon. Looking for empty seats on the 4:25 PM train was brutal and you did not have the energy to stand the entire ride home.
Sensing your air of urgency, he eventually relents. Heaving a dramatic sigh, Gojo steps back a few and gives you some space.  
“Gimme a second, yeah?” He rummages around in his uniform pocket, searching for something. It only lasts about a second before he pulls out his flip phone.
“Suguru!” A curt upward nod of Gojo’s head is the only warning Geto gets before he tosses his cell toward his best friend to catch. You’re appalled that he catches it so easily with the little to no notice that was given. “Take a picture of us.”
…Huh?
Your brows drew close-knit together with confusion. “What are y—?!” Before you can even finish your question, you’re pulled tightly into Gojo’s side. 
His arms circle your neck once more, but this time, he uses the opportunity of your close proximity to tip his head to the side and knock it against your own. 
“Smile,” Gojo murmurs into your ear, his slender fingers pinching at your cheek prodding for you to plaster on a sugary smile for the picture.
You don’t have enough time to register, let alone recover from how his lips faintly brushed against your skin, Gojo’s already obnoxiously yelling “Cheese!” towards the awaiting camera.  
Snapping the photo Geto sports a lazy grin admiring his work. “Looks good,” he says before he tosses the phone back to its owner. 
You’re still reeling over the gentle graze of Gojo’s lips against your cheek, too dazed to digest what’s going on around you. What. In. The hell. Just happened??? 
Sputtering out a laugh, Gojo grins down at the image on his phone. “What’s with that face you’re making, huh?”
Eyebrows furrowing, you look up at Gojo curiously. Whatever was in that picture that made him smile that wide couldn’t have been good. “What do you mean?” You question, stepping closer to see what he was referring to on his screen.
Gojo tips his cell over and shows you the photo Geto took. There you both are in grain, Gojo looking the most lively out of you two. Despite the quality of the camera, you can see the proud and happy smile he wears compared to your frazzled and confused expression.
If anything, it looked like you were the one who was graduating and he so happened to snag a photo with you before your big send-off.
“I wasn’t ready…” you grumbled, looking away from his phone.
There’s a faint smile lingering on his face, blue eyes still trained on the screen. His voice's cadence grows warm and carries a small hint of affection.
“That face of yours is what I’m gonna miss the most.”
SUMMER 2009 
To no one’s surprise, you and Gojo kept in close contact, even after graduating high school. 
Well… More so Gojo kept in contact with you. Consistently. 
Whenever he can.
He was there during your spring graduation (shocker), much to the elation of the entire female population from your graduating class. Looking back, the number of times he stopped to pose with random students around the school when he came to greet you was absurd.
You’ll also never forget how loud he cheered when your name was called despite Principal Yaga telling the audience to hold their applause and hollers until after the ceremony.
Fast forward to the summer of ‘09 where Gojo consistently seeks your presence to go and hang out with him now that you have a freed-up schedule. Whether it's with him alone or with Geto and Shoko, you can always rely on him to shoot you a ‘u busy?’ text an hour before dragging you out for the rest of the day.
“Sooo,” you start slowly.
Your eyes skim across the playground, watching the few children who were there amble and climb on the jungle gym before you. The sun was beginning to descend below the skyline, and hues of warm orange press onto your features casting you and your surroundings in a soft glow. 
“You’re a… guardian now,” you state, eyeing how Gojo stretches his legs out beside you. 
You both sit at a park bench, the chorus of laughter and playful shrieks surround you as you watch Megumi— a kid Gojo now supposedly looks after— poke mindlessly at something buried beneath the playground’s sand.
“Yup!” he chirps, but then it’s swiftly followed by a hesitant, “Well, sorta kinda…”
There’s a mental warfare going on in his mind as he combs through the various explanations he can give you, searching for one that would be both concise and easy for you to digest.
“To put it simply, from here on out I’m going to be a constant in Megumi and Tsumiki’s life.”
You think of the step-sibling duo. They’re the sweetest pair of children you’ve had the delight of coming across, and now…
“They’re doomed,” you say with pity, your gaze still focused on the youngest Fushiguro. 
Gojo gasps in disbelief at your bold accusation with his hand flying to his chest, clearly having taken offence. “What’s that supposed to mean?!” he asks.
But before you could give him a smart alec answer, the cheerful exclamation of your name pulls your attention elsewhere. The soft thump of Tsumiki’s shoes approaching prompts you to smile brightly. With open arms, the girl practically throws herself at you and giggles.
You give her cheek an affectionate squeeze. Despite her being in the second grade, you couldn’t help but coddle her. “Why hello, Tsumiki!” 
It takes her a few moments to finally release you from the hug, backing up a bit she glances up at you. “Where were you? I missed you on Tuesday, the swings weren’t fun without you!” she says, pouting.
“I wasn’t feeling the best, so I had to turn down Gojo’s invite to meet you guys at the park that day.”
Upon hearing all the commotion, Megumi spots Tsumiki talking to you a few steps from the play area. It prompts the young boy to walk over and join you three at the bench. He nods his head over at his step-sister and says, “She thought you guys broke up.”
Huh?
You blink rapidly. “Broke— Broke up!?” You squawk, the inflection of your voice rising at the ‘up’ part.
Where could she have possibly gotten that idea from? You and Gojo weren’t even dating!
Gathering your composure you plaster on a sweet smile, ready to explain to the young pair that you and Gojo weren’t together like that before a heavy arm comes hunkering down onto your shoulders. “Even if she tried, she can’t get rid of me that easily,” Gojo comments.
Christ.
Tsumiki claps her hands together in glee at this revelation. “Yay! ‘Cause I like you!” she confesses. “I thought I’d have to deal with Gojo and his friend with the big ears pushing me on the swings forever.” And with that, the girl’s already off running to the big yellow slide, pulling Megumi along in her wake.
The sweet smile you wear grows more and more strained the longer you two sit there on that damned bench with Gojo’s arm still lodged around you like it belonged there. 
Long delicate fingers drum themselves along your bare shoulder which leaves a tingling sensation that lingers against your skin.
“Gojo Satoru…” you hiss between clenched teeth.
Your hand creeps up to give his knee a mean pinch, but as always, Gojo reads your movements like a damn book and catches your hand in his before that could happen. “Hm?”
“What do you mean ‘Hm’?” You gesture in the general direction of where the kids are playing. You feel your brows start to pinch together. “Why would you tell them that?!”
“It’s true though, no?” Snowy white wisps of hair fall in front of his eyes shaded by his signature round sunglasses. “We haven’t ‘broken up’ and we’re still together. Just not in their understanding of it.”
“You—! That’s not—” You flounder for words, trying to spit out why he can’t go around inadvertently feeding into the imagination of whatever relationship Tsumiki and Megumi thought you two had. But you come up blank.
“You’re irritating, you know that?” you say, as you try (and fail) at removing his arm which still rests comfortably around your shoulders, pressing you tight against him. “You’ll wind up confusing them.”
An easy smile slips onto his lips as he observes Tsumiki and Megumi scramble up the slides. “Relax,” he responds. “They’re smart kids.”
And until it was time for the Fushiguros to go home, there you two sat underneath the thinning ochre sky. Stuck under the guise of an unspoken relationship.
WINTER 2011
Being the “middleman” between two people who are so obviously into each other but cannot figure out how to hang around each other normally was all too common for Shoko.
It’s a shame that Geto wasn’t available to come down and hang out with the three of you tonight, he would’ve revelled in getting a kick out of this expected yet unexpected… turn of events.
Brought in as a buffer between you two, with an unlit cigarette dangling loosely from her lips Shoko leaned back in her chair and watched the buzzing scene before her unfold with bemused eyes. 
Underneath the comforting golden glow of the restaurant’s hanging table light, Gojo picks at the cookie dough chunks that litter your plate to which you turn a blind eye. Now, Shoko could’ve easily brushed this occurrence off, seeing that friends often eat from each other's share of food all the time.
But something was... different.
With Gojo seated to your left inside the booth, he neatly cuts up a piece of his soft, creamy cheesecake and leverages the small serving on his spoon. “Here, try some of mine,” he says.
Harmless, right? 
So, you reach for your own spoon to retrieve the sample of dessert that he was offering you. But without any hesitation, Gojo lifts his cutlery to your lips and prods the food toward your mouth.
There was no way that he intended on doing this right here, right now. In front of Shoko especially.
“Say, ‘Ahhh’!”
Concern creases your brow when Gojo continues to press the spoon against your lips, idly humming as he waits for you to open your mouth so he can spoon feed you as if he were your mother. A delicate, yet sure hand cupping your chin and everything.
He was being serious.
From your peripheral, you catch the slow spread of a Cheshire-like grin creeping onto Shoko’s face.
You press your fingers onto Gojo’s wrist and frown. Trying to retreat from his hand, a peal of nervous laughter bubbles out from you at his display of reckless affection at the table. “Give me a br—”
Gojo uses the opportunity of your uncertain state to slip his sharing of the  Japanese cheesecake into your mouth in the middle of your sentence. Your eyes widen a small fraction at its creamy taste, prompting him to comment, “It’s good, right?”
The cigarette threatens to slip from Shoko’s mouth, as her lips slightly gape at what just happened before they curve into a soft smile. Her brown eyes are warm with… something. It’s as if she knew something that you didn’t.  
“Ehhh…” Is all she says before you’re already jumping down her throat to clear up any misunderstandings.
“It’s nothing!” you supply in a rushed manner. Your main objective was to simply imply that this was nothing for her to lose her head over. Hell, even the friendliest of friends feed each other all the time! Right?
But at your remark, Gojo’s mouth downturns into a cute little pout. “What do you mean, ‘nothing’?” From the corner of your eye you glance at how he’s fixed another spoonful of the dessert, and it's hovering in your direction.
“Sato—” Fuck.
You quickly correct yourself on your mistake, and school your voice to have a bit more edge to it. Despite that, you don’t overlook how hard Gojo’s beaming at you. “Gojo, not now.”
“Ehhh?” Shoko exclaims once again, but this time the cadence of her voice has changed. It’s gained an amused note to its tune. “You call him Satoru now? Since when?”
“I’ve been begging her to use it for the longest time ever,” Gojo answers on your behalf, and he ignores your mutter for him to please stop talking in favour of jabbing an accusatory finger at you. “You know how painful it was to see you be all chummy and on a first-name basis with everyone but me?”
Lord. You’ve forgotten how dramatic he could be. 
There’s a teasing glint in Shoko’s eye that you quite don’t like, and her lips purse heavy with consideration at his comment. “You make him beg?”
Groaning, you cross your arms against the table and bury your face. You can’t with them. Your two former upperclassmen were the bane of your existence right about now. 
“I’ll kill you both,” you mutter, your speech muffled by the fabric of your sweater.
A FEW YEARS LATER
A calming blue nightly glow ripples through your curtains, casting your room in nothing but moonlight. Amidst the serene silence, you idly stare at your screen and read the text Satoru sent you right as the clock struck midnight.
Satoru: Are you home?
What an ominous question. Your eyes skim over his message again. And then again. 
…And again.
Thumbing through your phone, you glance at the time displayed on the top of your screen. It’s been five minutes since you’ve opened his text. You should probably send something back soon before he quintuple texts you.
As you’re about to respond right when Satoru immediately shoots you another.
Satoru: I KNOW you see this!!! ( `ε´ )
Satoru: Hurry hurry hurry
You: yes... why?
Now it’s his turn to take a while to respond. First, it takes a couple of minutes for you to receive that pinging chime; indicating that he’s texted you back— which isn’t too bad because you like to consider yourself a pretty patient person. 
But then five minutes slowly turn into ten, and that ten becomes a whopping fifteen until finally he answers.
Satoru: Open your door.
What the fuck.
Satoru: Pleasepleasepleasepleasepleasepl
So that’s why he took so long to reply. The man was coming all the way down from his place to come and visit you!
You: you're actually insane.
You: hold on!
Rising from your seated position on your bed, you stalk over to your bedroom door and are about to exit when you spot yourself in a nearby mirror.
“Oh!” you exclaim to no one in particular. You can’t open the door for him looking like… this.
Wait, why do you care about what Satoru thinks of your clothes?!
 He’s seen you wearing much worse. Like that one instance in first-year, when you had to borrow Geto’s spare parachute pants because Haibara accidentally spilt his soda all over your lap during an informal outing with everyone.
Yeesh.
Shaking your head, you slip out of your room and pad down your apartment hallway wearing your discoloured oversized band tee and shorts. Upon reaching your door, your hand hesitates on the doorknob. 
It stays like that for a few seconds until the doorknob is rattled in a fashion that’s all too persistent, annoying, and all from—
“Satoru!” you hiss, swinging the door open. You’re ready to chew him out on how much of a nuisance he may be for your sleeping neighbours a few doors down. But your looming reprimand falls short on your tongue once your eyes take in the man facing you.
“Happy birthday!” 
In the darkness, the soft glow of sparklers illuminates your features and highlights the exquisite details of a beautifully decorated cake held in Satoru’s hands.
Wordlessly, your hand aimlessly searches for the light switch to brighten up your hallway so that you may get a better look at what’s on the cake. 
Something trembles in your chest and it hurts a little to breathe. But not in the way that you detest.
He’s cute.
Gojo Satoru is so heartbreakingly cute.
On the cake, you see that damn grainy photo you two took on his graduation day back in ‘08. The photo you love to hate.
Wetness springs to your eyes from the entire gesture, from the fact that he ensured he was the first one through text and physically to wish you a happy birthday, and from the fact that he’s here right now.
“Hey…” There’s concern creasing Satoru’s expression as he pokes his head down a little to get a better read on you. “Are you crying?”
You sniff back your tears and grunt out a watery, “No… Shut up and come in already.”
Ushering him inside, Satoru hands you your cake, toes off his shoes and heads straight to your living room. Good to see that he’s already making himself at home.
Plopping himself down onto your couch you hesitantly follow behind him, suddenly feeling like a stranger in your own home. “Come, come!” He waves a welcoming hand at you and pats the seat beside him, insinuating that you should sit.
With immediate interest, you do as he says and take a seat beside him after you position your cake in the middle of your coffee table. The couch feels so small now, with him spread out like that.
Pulling out something from his pocket with one hand and tugging off the party hat from his head with the other— had he been wearing that the whole time?— Satoru clears his throat. “Before you cry again, I gotta make sure you’re able to see your present first.”
He takes your head in his hands, and you realize his fingertips are a little cold as they press on your warm cheeks. Stretching the string down from the party hat a bit, he places it under your chin and snaps the cardboard cone into place on your head.
Breathing a noise of satisfaction seemingly content with how you look, a cheeky grin dances across Satoru’s face. “Perfect. You can now go ahead and open your gift,” he says, handing you a small black velvet box with the company logo HW scrawled across it.
“Wait, what,” you deadpan.
This can’t be what you think it is.
“It’s not a ring!” Satoru blurts. But composes himself seconds later with a quip of, “Unless you want it to be?”
Har. Har. Very funny.
You disregard what he’s said and peel open the box with caring hands.
Inside was the most extravagant necklace you’ve ever laid eyes on. A diamond pendant laid bare inside the box in the shape of a forget-me-not with your birthstone at the flower's centre. 
That could’ve easily cost him a little over one million yen if you think about it deeply.
“Satoru!” you squeal.
Without thinking, you throw your arms around his neck and squeeze your longtime friend into your loving embrace. Satoru’s gift to you almost topples and sinks into the crevice of your couch had it not been for his quick hand to catch the necklace.
Your heart’s racing, and initially, his body goes rigid until he gradually relaxes under your hold. “You’re crazy, ’s too expensive!” you sparingly chastise him. 
Satoru swallows hard and brings a careful arm up to reciprocate the hug. You feel the warm press of his arm against the thin material of your shirt. 
“Nothing’s too expensive if you’re involved,” you hear him murmur into your ear. “So, don’t worry ‘bout it.”
You give him one last bone-crushing squeeze, hoping that your rare show of physical touch does not go unnoticed and exemplifies how grateful you are. Pulling away from him you look him dead in the eyes. “Thank you, seriously.”
Shrugging you off like it was no big deal as if he didn’t blow double, maybe even triple the money the average Japanese businessman earns on a singular paycheque toward your necklace, Satoru casts you a gentle smile and changes the subject. 
There would be no need to dwell on it any longer with what’s to come.
“Now…” He gives your lower back a soft pat. Once, and twice. “A birthday kiss from the birthday girl.” Satoru puckers out his lips and shuts his eyes real tight, making a huge show out of it.
For extra effect, he even hums a prolonged Mmm-ing sound to emphasize him waiting for you to initiate it.
It’s a joke; you know he’s joking. He has a ridiculously long history of being overly affectionate with his teasings and whatnot. 
But this time, you really do lean in and take said kiss from him.
There’s something incredibly adorable about this kiss that has your heart surging in your chest. Partly because it’s the first time that you’re kissing each other, but mostly because of how frigid and careful it is. It made you feel as if you were in high school all over again, trying a plethora of new things for kicks and giggles.
The tension was almost palpable, thick enough to suffocate the air he breathed. Even when you pulled away creating space between you both, Satoru still felt a lingering lump in his throat.
Cracking your eyes open, you see that Satoru’s own are blown wide. Piercing cerulean eyes stare unblinking at you. Normally, you would’ve found that to be off putting as hell, had it not been for the slow rise of a blooming pink crawling up his neck.
“Sorry,” you offer weakly. Sensing that you may have gone too far, you make an effort to scoot off his lap. But a determined arm holds you in place.
“Again.” He swallows thickly, and your eyes follow that mesmerizing movement in his throat. “I… I didn’t do it right. Please.”
And who are you to make him beg? So, you do as he says.
Leaning in, your lips press against Satoru’s once more. And this time, he has the sense to close his eyes and bask in it, not daring to let his nerves get the best of him (though he’d never admit it). 
Slotting yourself to be more flushed against him, the tips of your noses brush and you feel Satoru’s hand smooth down your spine. The pads of his fingertips press onto your exposed skin peeking out from underneath the hem of your shirt bunched around your hips.
God, you wanted him bad.
It’s abrupt, the way you push yourself off him and force yourself to stand on your feet, breaking the kiss. The rise and fall of your chest is a bit staggered and Satoru’s is too. He’s all red-faced and his snow-white hair is a bit dishevelled, considering how many times you’ve combed your fingers through it.
“Did I do something wrong?”
Cute. 
That alone made you want to jump his bones even more.
You shake your head and get one good look at him before you leave him to head down your hallway. He looked perpetually enraptured by you, eyes hyper-focused on your every movement.  “Come to my bedroom.”
Satoru’s stunned, the implications of your remark not lost on him.
And like a keen lost puppy, of course he follows. He joins you in your bedroom seconds after you and stands in the doorway, just kind of hovering there. Not sure of what to do.
Wait. Did he come here too fast? Did that make him look overly desperate? A million and one questions rush through Satoru’s mind as his neck grows red, stained with embarrassment, want… arousal. 
Seeing how he seems to be short-wiring at your doorway, you beckon him to join you on the bed with your hand. Once he does, he sits extremely close next to you. His clothed thigh brushes against your bare one, which sends a jolt of electricity through you.
Your fingers find his nape once again and they stroke up on his fresh undercut, prompting him to shiver a bit. “Why’re you so shy all of a sudden?” you question, your voice going gentle with a provoking edge to it.
Gaining some of his personality back, Satoru pinches your cheek. “‘Cause I didn’t think you’d want to kiss me!” But his mean hand then turns soft and slides along your jaw, his thumb rubbing smooth circles into the skin just below your ear. 
“Well, I’m here,” you say, scooting impossibly closer to the man beside you, “and wanting.”
Message received.
Hauling you onto his lap, Satoru cradles your face in both hands and kisses you deeply. It’s full of emotion, expressing all the things he’s been wanting to say for the longest time. A trembled exhale escapes you, and it’s through that that Satoru uses the opportunity to slide his tongue alongside yours. 
The kiss is frenzied, but so filled with love.
“So you like me?” he asks, his breathing laboured.
“Yes,” you bite, pushing him away from you and onto the mattress. “As if swapping spit with you wasn’t enough.” You guess you’ll have to show him how much you undoubtedly like him, love him even, through other means. 
He huffs a breath of laughter and drops his back onto your bed. Underneath you, you see Satoru’s eyes sparkle as he watches you have your way with him. 
But something’s up.
His eyes climb up a little higher and this time, he barks out a real laugh.
You still have that piece of fuck sitting on your head. You probably look stupid as hell right now.
Discerning that you’re about to raise your hand to your head, Satoru holds your wrist in his palm. There’s something bright that gleams behind those alluring pools of blue, warm and tender. He bites back a smile. “The birthday hat stays on during sex.”
You scrunch your nose at him. “You’re so dumb,” you growl with artificial frustration and tear off the cone-shaped hat from your head, tossing it into the depths of your room. He whines at its loss, but you’re quick to placate him with a slow roll of your hips into his lap.
Satoru’s jaw clenches and his hands fly to your waist, gripping you tightly as you continue to grind yourself down onto his erection. Your ministrations pull a wanton whimper from his lips, one that has you grinding with more purpose— the purpose of hearing that sound again.
“Do you like that?” you ask.
He nods, not trusting himself to speak, else he’ll let out a pathetic string of moans.
“I know, me too.” Satoru’s dick lurches in the confines of his pants as he watches you dry-hump him into the mattress slowly, your eyes shining with lust. Fuck, he could get hard just off your expression alone. “It feels reeeally nice being up on you like this,” you continue.
You have a fucking dirty mouth. One that Satoru’s growing more and more addicted to the more you speak.
There’s an incessant throbbing between your legs that you can’t quite alleviate. While rolling your hips into Satoru’s lap— with his occasional thrust to match your movements— felt good, it can only do so much. You wanted and needed more.
And so did Satoru, because he’s already pulling at the waistband of his pants. His thumb loops two layers and tugs both his pants and boxers down, revealing his toned V-line. 
Fuck.
You fall victim to Satoru’s enamoured gaze from below, which makes you squirm hot with arousal. “Take it off,” he commands.
He wants you to strip him of his clothes. 
Caught taking a startled breath, you ignore the wicked, handsome smile that slinks onto his face as you slip off his lap so you may curl your fingers around his waistband and pull. Your pussy clenches when his erect dick springs into view, and the heat pumping through your veins runs a little hotter.
You shiver at how pretty and filling his dick looks. After a few seconds of openly ogling at his lap, Satoru clears his throat which successfully gets you to drag your eyes back up to his face.
“While that was nice,” he starts, leveraging himself up onto his elbows and grins at your cute error, “I meant you, baby. Take it off.”
“Oh.” 
Seriously? Just ‘Oh’?
Mentally facepalming, you shimmy your shorts down your legs along with your panties. They pool down at your ankles and you step out of them to stand between his legs.
Fully sitting up, Satoru pats his lap; encouraging you to sit on him again. “C’mere.”
You crawl onto his lap, but you don’t sit down fully. Hovering a few inches away from his cock, your knees press on each side of his thighs, trapping him in. 
There’s no way in hell you were gonna sit down right now, knowing that if you do, you’d be pressing your bare pussy onto his naked thigh and he’d feel everything. Exposing how wet you are.
Humming, Satoru lifts the hem of your oversized top to your breasts and sighs. “Pretty,” he murmurs before he leans forward and captures your nipple into his mouth.
You gasp harshly at the titillating feeling. Your hands balance on his shoulders for support, as he rolls your nipple on his tongue.
“Sa— Ah!” You cry out. The hand between your legs startles you and has you whimpering in the open air.
“You’re wet,” he comments, slipping a finger against your slick pussy.
“Shut up about it…”
But he doesn’t. Another finger joins the first and delves down between your lips, gradually easing them inside you. They push against your walls, curling in a way that has you gasping into his neck. “You got wet from grinding alone, huh?” 
A breath stutters out of your mouth and you rock yourself against his hand. You can’t take this anymore. You want more. “Do you have a condom?” you ask.
“I—” he groans when your hand slides between you two, your fingers curl around his dick and stroke his tip along your leaking slit. “I didn’t bring one, because I didn’t think we’d—”
Oh.
Biting your bottom lip, you sling a heavy arm across Satoru’s shoulders. You meet his hungry gaze with one of your own and inch closer toward his dick that rests against his stomach. What you’re about to do could be risky, but at this given moment you couldn’t find it in you to be overly stressed about it.
“No worries,” you reply, your voice barely above a whisper, “I trust you enough to pull out in time.” And like that, you push down on him and ease Satoru’s cock into your aching cunt, making him bottom out inside you completely.
You’re so wet and slippery that it took little to no effort for him to slide inside. The noise of your slick sticking to where you two meet at the hips has you two moaning softly in unison.
The harsh mutter of your name echoes off your bedroom walls and goes straight to your cunt. “So tight,” he grits out behind clenched, white teeth.
Each time you slide up and down on his cock, Satoru grows more unrestrained with his vocal appreciation of how well you take him. Desperate little moans escape him each time your sweet cunt squeezes him of all he’s worth.
You were no better. Choppy, broken whimpers can be heard from you, loving how he stretches your walks with your length. He fits perfectly inside you like your cunt was destined for this moment, for him alone. 
“Let me fuck you,” Satoru blurts out. He was losing it, and he could feel him tipping closer and closer to the edge of release.
“You are— Ugn!” you say weakly when his hands grab your ass and he stands, lifting you with him as if it were nothing. Kicking off his bottoms, Satoru props you on your back against your mattress.
 Crawling between your legs, he positions the crown of his cock to press against your opening. “No,” he drawls, with one hand on the base of his shaft and the other propped beside your head. “Let me fuck you.”
He pushes in and you swear you see stars. 
Satoru pistons himself faster and faster inside of you, rocking your bodies against the mattress which makes your wooden headboard tap noisily against your drywall.
You fear your neighbours may have some… less than pleasant words to share with you about the noise tomorrow morning. 
“Ah! Fuuucking— shit!” You wail. Euphoric tears start prickling at the corner of your eyes. “Don’t stop, please!”
The pleasure melts through you when Satoru presses down harder into you, his hand finding the back of your right knee and hikes your leg around his waist so that he can fill you at a new angle.
“Baby,” he murmurs into your neck. He says it like you’ve been his for years. “Say my name.”
“S—Satoru!”
Laughing a little, probably too fucked out of his mind, Satoru removes his face from your neck and presses a hot, searing kiss onto your lips.
You yelp when he drives his cock more harshly into you, growing more desperate with the urgency to come inside you.
Riding his high, Satoru says the first thing that comes to mind, which is a long drawn-out, “Haaa…”
What Satoru meant to accomplish was to wish you another ‘Happy Birthday’, but of course, it all gets garbled up in his throat due to his approaching orgasm and comes out sounding fucking obscene.
That’s what gets you.
You come hard, your back bowing off the bed. Satoru, remembering your initial statement about how you trust him to pull out, does exactly that. Albeit, he did it at the very last second, but you avoided a pregnancy scare. So you can’t be mad.
Thick ropes of his cum splash across your bare belly and some get on your top. You’re hyperaware of how it trickles down your abdomen, some dipping into your belly button.
Wow.
Breathing hard and heavy, both coated in sweat among… other sensual fluids, Satoru rolls onto his back.
“Stuck with me for life, huh?” he asks, delicate fingers intertwined with yours. 
You hum. “Seems so…” you agree quietly. 
Now that you think about it, there hasn’t ever been a moment where Gojo Satoru hadn’t been present in your life, ever since meeting him during your high school days.
You two lay like that for some time, soaking in each other’s company until the early traces of morning light ripple through your curtains.
You’re about ready to shut your eyes until your thoughts are accosted by something you offhandedly forgot. 
“Satoru?” you begin, tone nice and sweet.
“Hm?”
You sit up slowly so you can peer down at his blissed-out face. “By chance, was the cake you got for me made out of ice cream?”
You know how deep his love for sweets goes. You just pray and hope to whatever higher power that he chose the safe route and chose a normal ca—
“…Yeah, why?”
Jumping out of bed, you rush to the living room where the cake is probably spilling its guts out all over your expensive, mahogany coffee table. “You IDIOT!” 
A string of curses follows you out into the hallway, as Satoru sits on your bed confused.
“What’d I do?!”
Whether you liked it or not, you were stuck with this bumbling idiot if he had any say in the matter, an invisible string keeping you two bound.
And maybe it wasn’t that bad.
Even if it’s at the cost of your ¥20,000 table.
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if you read to the end we're making out.
© do not copy/plagiarize/translate/use ai on my work.
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mc-critical · 10 hours ago
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1.01 / 2.17 (41)
#I love how out of so many callbacks in E41 (and even a direct E01 flashback) we also get this tiny little E01 callback#I love how Mahidevran immediately steps in to assure her son that she won't leave him in *any* uncertainty that may come#whether it's about them both facing the unknown future in Topkapi for the first time that would truly point to the separation Mustafa fears#(but rather separation from Süleiman and Ibrahim for *both* Musti and Mahi right from the start that Musti will sense and not take well)#or *someone else* facing an unknown future with the *exact* seperation attached to it that Mustafa fears - separation from mom#(and Musti relates and sympathizes with that situation instead perhaps namely due to whatever separation he's experienced)#(also Musti having grown fonder of his brothers as well; this whole gifset can sorta sum up Mustafa's development#re: his feelings for his brothers up until now but that will be a post for another day:))#I love how both scenes are staged with the direction emphasizing the vastness of the castle in E01 making Musti and Mahi smaller as if#they are sucked in already before even entering there but they still lean on each other seeking each other like a child seeks#his mother's closeness and E41 being set in Mahi's chambers the castle having already become their home and Musti getting this#accustomed that he has his own chambers already and goes to his mother's just to visit but always feeling at ease & the same goes for Mahi#they're already used to some distance and it is even encouraged to an extent (E34) but they're always there for each other#and Mahi gets joyful relief of SS calling hse in her chambers instead of the frantic nervousness that overtook her in E01#when SS didn't even *visit* her and her son; Mustafa gets a little sad look when SS calls her here instead of the insistence for#SS and Ibrahim to come but he goes to his room calmly & respectfully anyway for his mother to have her moment while in E01 he couldn't see#anything outside of his father's absense and of course he's like that he's a child but it's like they've all grown up and come so far aww#also the reversal of their positions in the two scenes and them talking on equal footing <33#just me fangirling all around for no reason <33#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#mahidevran sultan#sehzade mustafa
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evandore · 2 months ago
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i still havent finished this chapter of [REDACTED] despite saying i was gonna finish it last night. luckily i only have two more pages to get through but dear god. its nearly 6k which is a not a lot but considering the average length for every other chapter was 3.5k... and this one started at like 3.2k...😑 i wrote seven completely new scenes in the middle of it . btw
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coquelicoq · 1 year ago
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[Image description: Four black-and-white stills from "The Untamed" with text added. They show Wei Wuxian and Jiang Cheng learning that the other lost their golden core, and again when they each decide to sacrifice themself to save the other.
1: Wei Wuxian with tears in his eyes, hearing Jiang Cheng talk about the Core-Melting Hand. Text reads: "You'll never" 2: Jiang Cheng crying during the golden core reveal. Text: "recover" 3: Wei Wuxian looking down at an unconscious Jiang Cheng right before the core transfer, his mouth set in determination. Text: "from that kind" 4: Jiang Cheng realizing the Wen are about to capture Wei Wuxian. Text: "of devotion."
Altogether, text reads "You'll never recover from that kind of devotion." /end ID]
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Leah Horlick, For Your Own Good
#i love this quote for them because does it mean you'll never recover from someone else's devotion to you?#or from your devotion to them?#por qué no los dos#the untamed#they're brothers. they are BROTHERS#parallels#also looking up the scenes these are from so i could write the ID was a trip because#the first two come right after wei wuxian has fallen down because jiang cheng pushed him#(well in the second it's jiang cheng right after he's had a memory of wei wuxian falling down bc jc pushed him)#in the first jc says i hit you with all my strength just now. did you feel it? and wwx is like hit me again so i can performatively#act like you're sooo strong but jc doesn't do it. then later in the conversation jc is telling him that wzl crushed his parents' cores#so they couldn't resist...and that's when he shoves wei wuxian who falls off the bed#(so technically i think in that shot what wwx is reacting to is learning about yzy's and jfm's cores rather than jc's#but they're all pretty related and anyway it's unclear to me the exact moment wwx understands about jc's core#so i decided to describe it as wwx learning about jc's core because i think that's the gist of the set)#then in the second jc has just remembered scolding wwx during his daydrinking era for not cleaning his sword#wwx does his aw shucks bro i'm such a maverick arm-around-the-shoulder move and jc shrugs him off#but since wwx doesn't have a core anymore he falls to the ground#and then when jc approaches he holds out chenqing and tells him not to come nearer#wwx falling even when he has a core because of how much he loves jc (and the jiang)#and wwx falling because he doesn't have a core anymore (which is because of how much he loves jc)#and technically the golden core reveal happens right after the fight at the ancestral hall (during which wwx collapses)#wwx: always falling over and usually because of jc#giving up his golden core meant he couldn't cultivate the sword path anymore sure but you know what really screwed him over?#he lost the ability to speak the love language of Shoving. that was a huge blow to their relationship#(also all the lying. that contributed a bit as well.)#but also that's the FIRST thing that jc says to him after jc loses his core. the FIRST THING he does after he wakes up#& wwx is like 'jiang cheng can you hear me? do you recognize me? jiang cheng please talk to me'...is to push wwx and say#'did you feel it?'#jiang cheng lost the ability to speak the love language of Shoving first and he acknowledged it RIGHT AWAY
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