#but it's just about setting the scene right now anyway

[lunarriviera]

under the skin meta: The Monologue™ (part 1)

[spoilers for s2 in general and ep 20 in specific—which, trust me, you really don't want to watch out of order. it's worth waiting for this one.]

if you’ve seen The Monologue, you understand. this is why tan jianci fans are somewhere on a spectrum from chronically bitter to unendingly distraught about never not yet getting to see him play gu yun in sha po lang/winner is king. if uts were a north american prestige drama, tjc would have just handily won an emmy. as it is he’ll probably just be in a bunch of romcoms and do more goofy stuff on hi6, and that’s fine too. i guess we’ll always have “wet the bed.”

where was i oh right The Monologue. this will be long but it’s possibly the most glorious moment in this entire drama so here we go.

to build up to it, tho, we need backstory: namely, season two's gradual unraveling of shen yi. we know he can’t sleep well and has ghastly nightmares about a little girl he didn’t save, mostly because he didn’t consciously know she was in any danger. in her red dress, like the little girl in schindler’s list, she stands out, tragic amidst the desaturation, and shen yi makes a variety of horrified faces about having failed her. (horrified faces seem to be his main ones this season, which is partly what makes The Monologue so exciting.)

anyway shen yi has already been pretty thoroughly harrowed by this particular case as it is, having been the one to figure out (of course) the serial murderer’s ritualistic pattern and motive. shen yi turns his most Horrified Face to du cheng to warn him that the next victim's in danger, and they have this exchange, which will be important later.

(what du cheng says is 别担心, which also gets translated as "rest assured"—like, don't let your heart be uneasy. i got this.)

so du cheng takes off to save the victim, and shen yi goes back to his office to do…actually, what does he think he’s going to do? some paperwork, a little light filing, maybe sharpen some pencils? instead he predictably goes into a glass-shattering fugue state, and imagines the little girl. this begins the monologue scene, even though it all takes place in shen yi’s head. pls indulge me by watching it again, bc i assume you’ve already seen it anyway, and my god it’s such a gorgeous piece of face journey that ALSO sets up what’s to follow.

in some ways this compressed little piece is even better than what comes after. the way he FLIES to her and FALLS to his knees, just rushes up to her stammering and devastated and PROMISING he'll save her this time. honestly it destroyed me, i watched it like 5 times in a row before i could even move on. the unheld-back generosity of this brief performance, the way he’s completely focused on her and then just FALLS APART, it snapped my heart like a carrot stick.

me, a fangirl: SHEN YI SHEN YI NO BB NO PLS SOMEONE HELP HIM me, film nerd: huh fascinating never seen an actor's lips shake before

so now he understands what he needs to do. what he MUST do. having had this revelation, shen yi shows up at the killer’s door, creepy-smiling at him and barging inside. and then he delivers The Monologue, ten solid nearly-uncut minutes of sheer batshit insanity.

shen yi rants. he raves. he paces and pivots and gestures, he thinks aloud, he surmises and expostulates and revises and reverses and exclaims and delivers each conclusion with rabid glee. he scowls and shouts and is sinister and grins and is just one thousand fucking percent unhinged.

we have never, ever seen shen yi like this before, and thank god, because he would scare people on the regular, and he’s scary enough as it is. why do you think he wears all those baggy pastels and smiles so sweetly. why do you think he tries to pass as an unassuming twink, it’s because if people knew what was really going on inside his head half the time, they’d be screaming crying passing out. (tho the beauty of shen yi is: he also really is just an unassuming twink.)

anyway there i was, like a bonehead, stupidly trying to screenrecord this scene before i realized it would be like fifty gig of fire emoji, and then my hands fell limply at my sides, bc it dawned on me what was actually happening. sort of like that moment in “free churro” when you realize bojack horseman really is going to keep giving this heartbreaking eulogy for the length of the entire episode.

because The Monologue is virtuoso. it's tour de force. this is the kind of thing they play at the oscars during your "in memoriam" clip reel. this is what undergrads copy for their audition pieces. this is some heath ledger shit. it's jack nicholson in the shining, al pacino in scarface. this is about one inch away from brando.

as a result of all this, shen yi has the serial killer (whose name is ge yutian by the way) eating out of his goddamn hand within like half a minute, absolutely spellbound—which is the entire point. if shen yi doesn’t convince him, all of this glorious sorcery is for nothing.

(the guy who plays ge yutian is good too, a perfect scene partner for this. he picks up every cue and lets tjc have all the room he needs.)

just a few more notes on the performance, both tjc's and shen yi's:

1. where it really goes off the rails is when shen yi shrieks, DAMN POLICE! and ge yutian JUMPS in alarm. this not only made me laugh (him being so bonkers that he actually frightens a serial murderer!) but is also the moment when The Monologue stops being "aw haha such a fun thing for an actor to get to do" and “…jesus christ what the fuck am i watching." look how i couldn't even get a non-potato screencap. it's from this point on that shen yi is possessed.

2. because he has to show that he identifies with ge yutian, that the killer can and should trust him because they think alike. but that’s just the old “FBI profiler eventually becomes his prey” cliché, so there’s more to it. he also has to convince ge yutian that his ideas, shen yi's, are ge yutian's ideas, from the inside out—and therefore he's the right candidate for the sheng role. and finally, that it's precisely his ability to act, to be a strong performer, that makes him the right choice. that it’s shen yi who’s most suitable, thanks to his convincing mimesis of ge yutian’s highly suspect “thought process."

3. to really pull this off, even as shen yi builds him up (cf. ge yutian clapping enthusiastically, enthralled by this flattering vision), he also has to tear him down. so he plays two roles at once: ge yutian and an unknown theatre critic—who’s also shen yi, because he’s still the righteous officer of the People’s Police, here to inform ge yutian that his vision is sick and twisted, and not anything his gentle-hearted lover would have wanted, not her way of being in the world.

4. finally i would argue that shen yi's admittedly shaky s2 state here suddenly seems a lot more bolted-on. a few viewers have worriedly described The Monologue almost as some kind of psychotic break but honestly i read it as so very controlled and so very deliberate. while he’s desperate (must save victim this time. must not fuck it up again.) he’s not deranged. he absolutely knows what he’s doing.

i'm sorry to say part 2 will follow. but to conclude for now:

• actors are witches. • 16:9 can no longer contain tjc’s talent this man needs 1.85:1 • you hardly ever get to see someone just NAIL IT TO THE WALL like this, what a time to be alive • (and these were long takes too. there wasn't that much editing. that was all him. and you can see three uncut minutes of it here) • pls watch under the skin for some unexpectedly fine acting as well as ofc crime drama, ensemble comedy, weird art historical facts, and captain du cheng (jin shijia), who alternates between being a giant goofball and an aloof occasionally scary badass. also they’re in love.

[mrmanbat]

Saw that you reread Red Robin and wanted to ask abt ur thoughts on it all :3 that whole series is some of my fav comics ever- plus I own the full set lol. Favorite part? Something you didnt like? Thoughts about Tim's development and character throughout? Thoughts on the whole Ra's situation? Tim being passively suicidal lol. Or how Tim gets. Just so many bitches. All the bitches. Tim Drake canonically gets bitches. They really look at his failboy swag and go "Yeah I'd hit that" 😭 wheezing.

Anyway yeah, they're like my fav comics so what are your thoughts on them?

And Happy Christmas! Or Happy Holidays if you do not celebrate. Merry ChristmaHannuKwanzaa!

Happy Holidays! (sorry if this does sound cohesive- I wrote right after finishing a 17-page essay, and my brain is actually fried)

The RR comics are so nostalgic to me; they were literally the reason I even picked up a comic in the first place.

The comedy in them gets me every time like Damian accusing Steph of stuffing her bra, gold. And the unintentional stuff like giving Tim an ungodly amount of rizz is just so funny, I can't. Bros is literally a Casanova but can't enjoy it bc, yk, he's busy trying to bring his father back from what is essentially death.

He's just in a long downhill spiral, yk? And he just progressively gets worse throughout his run as RR. The scene where Tims accepts death but Dick swoops in to catch him, and Tim has to lie his ass off, saying that he "knew his brother would catch him," just really brings that point home.

It started off as "No one believes me about Bruce, I'll just have to take. things into my own hands," then it goes to "I barely believe myself about Bruce, but it's too late to turn back now," to "Fuck this, if I die I die- womp womp, too bad I won't be able to tell Dick 'i-told-you-so"'

Tim is self-aware of his self-destructive nature; he knows that all his friends and family are trying to get him to seek help, but he just doesn't care. To him, the mission is more important- batman is more important.

(Side note- Dick trying to get Tim to see a therapist is a lot more impactful than how Fanon twisted it into Dick-trying-to-send-time-to-Akham.)

I'm split on the Ra's thing. I love the concept; I think he was a good choice for the main 'villain,' and I think there was so much potential with Tim reluctantly having to work with Ra's. I just don't think it was done all too well by the writers. A good chunch of Ra's motivation didn't align with his character- at least, I don't think so. And the whole thing with his sister just feels so unnecessary and gross.

Overall, though, I flipping love these comics. They would be better if DC didn't, yk, undo all the cherecter development by making Tim Robin again, but whatever. You win some, you lose some.

[ladymidnight-goesforth]

I'm in a Feylin mood today.

From one of my favorite scenes in ACOTAR:

His lips brushed mine—testing, soft and warm. He pulled back a little. He was still staring at me, and I stared right back as he kissed me again, harder, but nothing like the way he’d kissed my neck. He withdrew more fully this time and watched me. "That's it?" I demanded, and he laughed and kissed me fiercely.

They're so soft for each other in this chapter. I miss them. T_T

EDIT: This is from the "I'm thinking I might kiss you"/"Then do it" scene in ch. 25. I should have been more specific. Sorry about that!

[unordinaries]

presented without comment

(chapters 280 + 344)

[mc-critical]

1.01 / 2.17 (41)

[tiddiesoutwhenthetisout]

not me curling my laptop charger wire the way you curl band equipment cords HAHAHA god i miss it

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[suckishima]

rrrrrrrrr im so frustrated with my writing. its just been weeks of struggle and whyyyy. idk i think i need to rework or rethink what im going for with this one or something, its like i can feel the threads of the themes i wanna do are sooo close to tying together but it just isnt quite reaching yet and so it reads like a stilted bland mess but the more i stare at it the further away it feels aaah

i know it can get there i kNOW it can, the ending and like aha moment is so cleaaaar that i think its almost too solid and thats why my beginning feels so fucked—like i just keep asking myself 'well if hes gonna get there in chapter 5, whats stopping him from getting there now in chapter 2??' i tHOUGHT i had reasons but now that im there i just keep instinctually writing him to have the connecting/realization moment anyway and like. if that's how it is then what even IS the story??? i need a break

[sahkuna]

NOT SO INVISIBLE STRING — GOJO SATORU

synopsis: the universe has a funny way of working. gojo always knew he was destined to be with you and so did others. it just took some time for you to figure that out as well.

content warning(s): FLUFF! eventual smut so 18+ mdni, fem! reader, pining gojo (sooo cute), mutual pining, friends to lovers, unproetected sex, gojo calling you baby multiple times while going innn.

word count: 6.8k zoo wee mama... pls read anyway or i'll d—

SPRING 2008

“So, you’re not gonna miss me? Not even a little?” 

An arm was suddenly thrown across your shoulders, leaving you to bear its weight. The press of his uniform stuck to your nape, making his presence all the more difficult to ignore.

Fellow students bustled and sidestepped their way around you two, some even falter in their steps to ogle briefly at the scene unfolding before them.

“Satoru, move!” Shoko— your saviour— jabs Gojo’s side, urging him to budge, but to no avail.

He’s still tethered to your side, twirling around his diploma in his unoccupied hand despite your best efforts to create space between you two. “You’re literally blocking people’s way toward the gates,” she says.

It’s graduation day and the last day of school for the spring semester, bringing the school year to yet another successful end. It also meant that today would be the last time your upperclassmen would walk on school grounds as students.

The sun was beginning to dip behind the many trees surrounding the school, and its marvellous glow cast warm hues of pink and orange that stretched across the sky. Its rays descend onto the school’s campus; setting for a brilliant, comforting atmosphere. 

Answering Gojo’s initial question about whether you’d miss him, you avert eye contact with your persistent senior. “I never said that,” your voice teeters between a grumble and a groan riddled with exasperation. 

Your eyes sweep the courtyard and you spot a few familiar faces in the crowd. Some are gathered along the steps leading up to the school taking photos to commemorate today. Others linger on campus chatting amongst themselves, and some whack each other with their diploma scrolls while others treat theirs delicately.

And not too far off from where Satoru holds you hostage stood a small crowd of his classmates—specifically, his female classmates— waiting for their chance to bid their goodbyes...

Or stumble out an unprepared confession thrown out in the heat of the moment before they may never see Gojo Satoru again.

Who knows. 

All you’re sure of is that they are most definitely throwing you shady death glares from your peripheral.

“Y’know, I’m gonna miss you,” Gojo says, his arm still looped around your shoulders. He has half a mind to drag you away from standing right front and centre in the entranceway and shuffles you off to the side. “All the years we’ve spent together—”

“Two years, by force.” 

“— and now we’re being split apart,” he finishes, paying no mind to your sardonic comment. The infliction in his voice prompts you to turn to look at him, only to wind up and see a slight pout tugging at his soft, pink lips. “How ever will we manage?”

You smother down the urge to heave a loud and heavy sigh at the clingy characteristics he’s displaying today and decide to play nice.

Gojo’s always been one to be playful, perhaps even a bit pushy at times but it was all in good nature. However, for some reason, his antics have reached a whole new level today. 

Emotions were running high among staff and students alike. Some are more potent and… persistent than others.

“You’ll be fine,” you assure, patting his arm half-heartedly, “and I will certainly be fine. Everything will be just fine.”

In the middle of your sentence from the corner of your eye, you spot another one of your seniors— Geto Suguru. You watch him step out from a conversation with two classmates of yours (Haibara and Nanami) and is now trekking his way over to where you and Gojo occupy the front steps.

“Geto-senpai!” 

Geto greets you warmly by placing a comforting hand on your head and gives you a reassuring pat once, then twice. The action leaves your hairstyle a little dishevelled, nonetheless, there’s a small smile tugging at your lips.

You’ve only interacted with Geto a sparse number of times outside of class or at the end of the school day. Whenever you both would cross paths you appreciated how he would regard your presence with temperance. It always left you feeling at ease. You’ll miss him. 

You’ll especially miss how he was so quick to offer you and Haibara snacks from the vending machines on campus.

Gojo emits a pathetic squawk at the special name drop.

Pale, white brows are pinched tightly together with faux betrayal. “How come he gets honorifics but I don’t?!” he complains once Geto’s within earshot. 

“I see that Satoru's already started…”

Though Geto was talking to no one in particular, Shoko chips in given that she bore witness to Gojo’s incessant pestering toward you ever since the home bell rang. “You missed the part where he blocked her from getting to the lockers for a good several minutes.” Unzipping her bag, she carelessly shoves her diploma into it. 

“But anyway, I’m gonna head out for a smoke. I’ll catch you guys later.” Before departing, Shoko stretches her hand towards you and gives your arm an affectionate squeeze. “Get home safe, ‘kay? Don’t let these guys keep you out too long.”

Which reminded you…

“Gojo, this has been fun and all…” Being rag-dolled around by your upperclassman across campus has been anything but fun. “But I really should start heading home now.”

You wanted to beat the rush hour of students and working-class alike trying to go home on a late Thursday afternoon. Looking for empty seats on the 4:25 PM train was brutal and you did not have the energy to stand the entire ride home.

Sensing your air of urgency, he eventually relents. Heaving a dramatic sigh, Gojo steps back a few and gives you some space.  

“Gimme a second, yeah?” He rummages around in his uniform pocket, searching for something. It only lasts about a second before he pulls out his flip phone.

“Suguru!” A curt upward nod of Gojo’s head is the only warning Geto gets before he tosses his cell toward his best friend to catch. You’re appalled that he catches it so easily with the little to no notice that was given. “Take a picture of us.”

…Huh?

Your brows drew close-knit together with confusion. “What are y—?!” Before you can even finish your question, you’re pulled tightly into Gojo’s side. 

His arms circle your neck once more, but this time, he uses the opportunity of your close proximity to tip his head to the side and knock it against your own. 

“Smile,” Gojo murmurs into your ear, his slender fingers pinching at your cheek prodding for you to plaster on a sugary smile for the picture.

You don’t have enough time to register, let alone recover from how his lips faintly brushed against your skin, Gojo’s already obnoxiously yelling “Cheese!” towards the awaiting camera.  

Snapping the photo Geto sports a lazy grin admiring his work. “Looks good,” he says before he tosses the phone back to its owner. 

You’re still reeling over the gentle graze of Gojo’s lips against your cheek, too dazed to digest what’s going on around you. What. In. The hell. Just happened??? 

Sputtering out a laugh, Gojo grins down at the image on his phone. “What’s with that face you’re making, huh?”

Eyebrows furrowing, you look up at Gojo curiously. Whatever was in that picture that made him smile that wide couldn’t have been good. “What do you mean?” You question, stepping closer to see what he was referring to on his screen.

Gojo tips his cell over and shows you the photo Geto took. There you both are in grain, Gojo looking the most lively out of you two. Despite the quality of the camera, you can see the proud and happy smile he wears compared to your frazzled and confused expression.

If anything, it looked like you were the one who was graduating and he so happened to snag a photo with you before your big send-off.

“I wasn’t ready…” you grumbled, looking away from his phone.

There’s a faint smile lingering on his face, blue eyes still trained on the screen. His voice's cadence grows warm and carries a small hint of affection.

“That face of yours is what I’m gonna miss the most.”

SUMMER 2009 

To no one’s surprise, you and Gojo kept in close contact, even after graduating high school. 

Well… More so Gojo kept in contact with you. Consistently. 

Whenever he can.

He was there during your spring graduation (shocker), much to the elation of the entire female population from your graduating class. Looking back, the number of times he stopped to pose with random students around the school when he came to greet you was absurd.

You’ll also never forget how loud he cheered when your name was called despite Principal Yaga telling the audience to hold their applause and hollers until after the ceremony.

Fast forward to the summer of ‘09 where Gojo consistently seeks your presence to go and hang out with him now that you have a freed-up schedule. Whether it's with him alone or with Geto and Shoko, you can always rely on him to shoot you a ‘u busy?’ text an hour before dragging you out for the rest of the day.

“Sooo,” you start slowly.

Your eyes skim across the playground, watching the few children who were there amble and climb on the jungle gym before you. The sun was beginning to descend below the skyline, and hues of warm orange press onto your features casting you and your surroundings in a soft glow. 

“You’re a… guardian now,” you state, eyeing how Gojo stretches his legs out beside you. 

You both sit at a park bench, the chorus of laughter and playful shrieks surround you as you watch Megumi— a kid Gojo now supposedly looks after— poke mindlessly at something buried beneath the playground’s sand.

“Yup!” he chirps, but then it’s swiftly followed by a hesitant, “Well, sorta kinda…”

There’s a mental warfare going on in his mind as he combs through the various explanations he can give you, searching for one that would be both concise and easy for you to digest.

“To put it simply, from here on out I’m going to be a constant in Megumi and Tsumiki’s life.”

You think of the step-sibling duo. They’re the sweetest pair of children you’ve had the delight of coming across, and now…

“They’re doomed,” you say with pity, your gaze still focused on the youngest Fushiguro. 

Gojo gasps in disbelief at your bold accusation with his hand flying to his chest, clearly having taken offence. “What’s that supposed to mean?!” he asks.

But before you could give him a smart alec answer, the cheerful exclamation of your name pulls your attention elsewhere. The soft thump of Tsumiki’s shoes approaching prompts you to smile brightly. With open arms, the girl practically throws herself at you and giggles.

You give her cheek an affectionate squeeze. Despite her being in the second grade, you couldn’t help but coddle her. “Why hello, Tsumiki!” 

It takes her a few moments to finally release you from the hug, backing up a bit she glances up at you. “Where were you? I missed you on Tuesday, the swings weren’t fun without you!” she says, pouting.

“I wasn’t feeling the best, so I had to turn down Gojo’s invite to meet you guys at the park that day.”

Upon hearing all the commotion, Megumi spots Tsumiki talking to you a few steps from the play area. It prompts the young boy to walk over and join you three at the bench. He nods his head over at his step-sister and says, “She thought you guys broke up.”

Huh?

You blink rapidly. “Broke— Broke up!?” You squawk, the inflection of your voice rising at the ‘up’ part.

Where could she have possibly gotten that idea from? You and Gojo weren’t even dating!

Gathering your composure you plaster on a sweet smile, ready to explain to the young pair that you and Gojo weren’t together like that before a heavy arm comes hunkering down onto your shoulders. “Even if she tried, she can’t get rid of me that easily,” Gojo comments.

Christ.

Tsumiki claps her hands together in glee at this revelation. “Yay! ‘Cause I like you!” she confesses. “I thought I’d have to deal with Gojo and his friend with the big ears pushing me on the swings forever.” And with that, the girl’s already off running to the big yellow slide, pulling Megumi along in her wake.

The sweet smile you wear grows more and more strained the longer you two sit there on that damned bench with Gojo’s arm still lodged around you like it belonged there. 

Long delicate fingers drum themselves along your bare shoulder which leaves a tingling sensation that lingers against your skin.

“Gojo Satoru…” you hiss between clenched teeth.

Your hand creeps up to give his knee a mean pinch, but as always, Gojo reads your movements like a damn book and catches your hand in his before that could happen. “Hm?”

“What do you mean ‘Hm’?” You gesture in the general direction of where the kids are playing. You feel your brows start to pinch together. “Why would you tell them that?!”

“It’s true though, no?” Snowy white wisps of hair fall in front of his eyes shaded by his signature round sunglasses. “We haven’t ‘broken up’ and we’re still together. Just not in their understanding of it.”

“You—! That’s not—” You flounder for words, trying to spit out why he can’t go around inadvertently feeding into the imagination of whatever relationship Tsumiki and Megumi thought you two had. But you come up blank.

“You’re irritating, you know that?” you say, as you try (and fail) at removing his arm which still rests comfortably around your shoulders, pressing you tight against him. “You’ll wind up confusing them.”

An easy smile slips onto his lips as he observes Tsumiki and Megumi scramble up the slides. “Relax,” he responds. “They’re smart kids.”

And until it was time for the Fushiguros to go home, there you two sat underneath the thinning ochre sky. Stuck under the guise of an unspoken relationship.

WINTER 2011

Being the “middleman” between two people who are so obviously into each other but cannot figure out how to hang around each other normally was all too common for Shoko.

It’s a shame that Geto wasn’t available to come down and hang out with the three of you tonight, he would’ve revelled in getting a kick out of this expected yet unexpected… turn of events.

Brought in as a buffer between you two, with an unlit cigarette dangling loosely from her lips Shoko leaned back in her chair and watched the buzzing scene before her unfold with bemused eyes. 

Underneath the comforting golden glow of the restaurant’s hanging table light, Gojo picks at the cookie dough chunks that litter your plate to which you turn a blind eye. Now, Shoko could’ve easily brushed this occurrence off, seeing that friends often eat from each other's share of food all the time.

But something was... different.

With Gojo seated to your left inside the booth, he neatly cuts up a piece of his soft, creamy cheesecake and leverages the small serving on his spoon. “Here, try some of mine,” he says.

Harmless, right? 

So, you reach for your own spoon to retrieve the sample of dessert that he was offering you. But without any hesitation, Gojo lifts his cutlery to your lips and prods the food toward your mouth.

There was no way that he intended on doing this right here, right now. In front of Shoko especially.

“Say, ‘Ahhh’!”

Concern creases your brow when Gojo continues to press the spoon against your lips, idly humming as he waits for you to open your mouth so he can spoon feed you as if he were your mother. A delicate, yet sure hand cupping your chin and everything.

He was being serious.

From your peripheral, you catch the slow spread of a Cheshire-like grin creeping onto Shoko’s face.

You press your fingers onto Gojo’s wrist and frown. Trying to retreat from his hand, a peal of nervous laughter bubbles out from you at his display of reckless affection at the table. “Give me a br—”

Gojo uses the opportunity of your uncertain state to slip his sharing of the  Japanese cheesecake into your mouth in the middle of your sentence. Your eyes widen a small fraction at its creamy taste, prompting him to comment, “It’s good, right?”

The cigarette threatens to slip from Shoko’s mouth, as her lips slightly gape at what just happened before they curve into a soft smile. Her brown eyes are warm with… something. It’s as if she knew something that you didn’t.  

“Ehhh…” Is all she says before you’re already jumping down her throat to clear up any misunderstandings.

“It’s nothing!” you supply in a rushed manner. Your main objective was to simply imply that this was nothing for her to lose her head over. Hell, even the friendliest of friends feed each other all the time! Right?

But at your remark, Gojo’s mouth downturns into a cute little pout. “What do you mean, ‘nothing’?” From the corner of your eye you glance at how he’s fixed another spoonful of the dessert, and it's hovering in your direction.

“Sato—” Fuck.

You quickly correct yourself on your mistake, and school your voice to have a bit more edge to it. Despite that, you don’t overlook how hard Gojo’s beaming at you. “Gojo, not now.”

“Ehhh?” Shoko exclaims once again, but this time the cadence of her voice has changed. It’s gained an amused note to its tune. “You call him Satoru now? Since when?”

“I’ve been begging her to use it for the longest time ever,” Gojo answers on your behalf, and he ignores your mutter for him to please stop talking in favour of jabbing an accusatory finger at you. “You know how painful it was to see you be all chummy and on a first-name basis with everyone but me?”

Lord. You’ve forgotten how dramatic he could be. 

There’s a teasing glint in Shoko’s eye that you quite don’t like, and her lips purse heavy with consideration at his comment. “You make him beg?”

Groaning, you cross your arms against the table and bury your face. You can’t with them. Your two former upperclassmen were the bane of your existence right about now. 

“I’ll kill you both,” you mutter, your speech muffled by the fabric of your sweater.

A FEW YEARS LATER

A calming blue nightly glow ripples through your curtains, casting your room in nothing but moonlight. Amidst the serene silence, you idly stare at your screen and read the text Satoru sent you right as the clock struck midnight.

Satoru: Are you home?

What an ominous question. Your eyes skim over his message again. And then again. 

…And again.

Thumbing through your phone, you glance at the time displayed on the top of your screen. It’s been five minutes since you’ve opened his text. You should probably send something back soon before he quintuple texts you.

As you’re about to respond right when Satoru immediately shoots you another.

Satoru: I KNOW you see this!!! ( `ε´ )

Satoru: Hurry hurry hurry

You: yes... why?

Now it’s his turn to take a while to respond. First, it takes a couple of minutes for you to receive that pinging chime; indicating that he’s texted you back— which isn’t too bad because you like to consider yourself a pretty patient person. 

But then five minutes slowly turn into ten, and that ten becomes a whopping fifteen until finally he answers.

Satoru: Open your door.

What the fuck.

Satoru: Pleasepleasepleasepleasepleasepl

So that’s why he took so long to reply. The man was coming all the way down from his place to come and visit you!

You: you're actually insane.

You: hold on!

Rising from your seated position on your bed, you stalk over to your bedroom door and are about to exit when you spot yourself in a nearby mirror.

“Oh!” you exclaim to no one in particular. You can’t open the door for him looking like… this.

Wait, why do you care about what Satoru thinks of your clothes?!

 He’s seen you wearing much worse. Like that one instance in first-year, when you had to borrow Geto’s spare parachute pants because Haibara accidentally spilt his soda all over your lap during an informal outing with everyone.

Yeesh.

Shaking your head, you slip out of your room and pad down your apartment hallway wearing your discoloured oversized band tee and shorts. Upon reaching your door, your hand hesitates on the doorknob. 

It stays like that for a few seconds until the doorknob is rattled in a fashion that’s all too persistent, annoying, and all from—

“Satoru!” you hiss, swinging the door open. You’re ready to chew him out on how much of a nuisance he may be for your sleeping neighbours a few doors down. But your looming reprimand falls short on your tongue once your eyes take in the man facing you.

“Happy birthday!” 

In the darkness, the soft glow of sparklers illuminates your features and highlights the exquisite details of a beautifully decorated cake held in Satoru’s hands.

Wordlessly, your hand aimlessly searches for the light switch to brighten up your hallway so that you may get a better look at what’s on the cake. 

Something trembles in your chest and it hurts a little to breathe. But not in the way that you detest.

He’s cute.

Gojo Satoru is so heartbreakingly cute.

On the cake, you see that damn grainy photo you two took on his graduation day back in ‘08. The photo you love to hate.

Wetness springs to your eyes from the entire gesture, from the fact that he ensured he was the first one through text and physically to wish you a happy birthday, and from the fact that he’s here right now.

“Hey…” There’s concern creasing Satoru’s expression as he pokes his head down a little to get a better read on you. “Are you crying?”

You sniff back your tears and grunt out a watery, “No… Shut up and come in already.”

Ushering him inside, Satoru hands you your cake, toes off his shoes and heads straight to your living room. Good to see that he’s already making himself at home.

Plopping himself down onto your couch you hesitantly follow behind him, suddenly feeling like a stranger in your own home. “Come, come!” He waves a welcoming hand at you and pats the seat beside him, insinuating that you should sit.

With immediate interest, you do as he says and take a seat beside him after you position your cake in the middle of your coffee table. The couch feels so small now, with him spread out like that.

Pulling out something from his pocket with one hand and tugging off the party hat from his head with the other— had he been wearing that the whole time?— Satoru clears his throat. “Before you cry again, I gotta make sure you’re able to see your present first.”

He takes your head in his hands, and you realize his fingertips are a little cold as they press on your warm cheeks. Stretching the string down from the party hat a bit, he places it under your chin and snaps the cardboard cone into place on your head.

Breathing a noise of satisfaction seemingly content with how you look, a cheeky grin dances across Satoru’s face. “Perfect. You can now go ahead and open your gift,” he says, handing you a small black velvet box with the company logo HW scrawled across it.

“Wait, what,” you deadpan.

This can’t be what you think it is.

“It’s not a ring!” Satoru blurts. But composes himself seconds later with a quip of, “Unless you want it to be?”

Har. Har. Very funny.

You disregard what he’s said and peel open the box with caring hands.

Inside was the most extravagant necklace you’ve ever laid eyes on. A diamond pendant laid bare inside the box in the shape of a forget-me-not with your birthstone at the flower's centre. 

That could’ve easily cost him a little over one million yen if you think about it deeply.

“Satoru!” you squeal.

Without thinking, you throw your arms around his neck and squeeze your longtime friend into your loving embrace. Satoru’s gift to you almost topples and sinks into the crevice of your couch had it not been for his quick hand to catch the necklace.

Your heart’s racing, and initially, his body goes rigid until he gradually relaxes under your hold. “You’re crazy, ’s too expensive!” you sparingly chastise him. 

Satoru swallows hard and brings a careful arm up to reciprocate the hug. You feel the warm press of his arm against the thin material of your shirt. 

“Nothing’s too expensive if you’re involved,” you hear him murmur into your ear. “So, don’t worry ‘bout it.”

You give him one last bone-crushing squeeze, hoping that your rare show of physical touch does not go unnoticed and exemplifies how grateful you are. Pulling away from him you look him dead in the eyes. “Thank you, seriously.”

Shrugging you off like it was no big deal as if he didn’t blow double, maybe even triple the money the average Japanese businessman earns on a singular paycheque toward your necklace, Satoru casts you a gentle smile and changes the subject. 

There would be no need to dwell on it any longer with what’s to come.

“Now…” He gives your lower back a soft pat. Once, and twice. “A birthday kiss from the birthday girl.” Satoru puckers out his lips and shuts his eyes real tight, making a huge show out of it.

For extra effect, he even hums a prolonged Mmm-ing sound to emphasize him waiting for you to initiate it.

It’s a joke; you know he’s joking. He has a ridiculously long history of being overly affectionate with his teasings and whatnot. 

But this time, you really do lean in and take said kiss from him.

There’s something incredibly adorable about this kiss that has your heart surging in your chest. Partly because it’s the first time that you’re kissing each other, but mostly because of how frigid and careful it is. It made you feel as if you were in high school all over again, trying a plethora of new things for kicks and giggles.

The tension was almost palpable, thick enough to suffocate the air he breathed. Even when you pulled away creating space between you both, Satoru still felt a lingering lump in his throat.

Cracking your eyes open, you see that Satoru’s own are blown wide. Piercing cerulean eyes stare unblinking at you. Normally, you would’ve found that to be off putting as hell, had it not been for the slow rise of a blooming pink crawling up his neck.

“Sorry,” you offer weakly. Sensing that you may have gone too far, you make an effort to scoot off his lap. But a determined arm holds you in place.

“Again.” He swallows thickly, and your eyes follow that mesmerizing movement in his throat. “I… I didn’t do it right. Please.”

And who are you to make him beg? So, you do as he says.

Leaning in, your lips press against Satoru’s once more. And this time, he has the sense to close his eyes and bask in it, not daring to let his nerves get the best of him (though he’d never admit it). 

Slotting yourself to be more flushed against him, the tips of your noses brush and you feel Satoru’s hand smooth down your spine. The pads of his fingertips press onto your exposed skin peeking out from underneath the hem of your shirt bunched around your hips.

God, you wanted him bad.

It’s abrupt, the way you push yourself off him and force yourself to stand on your feet, breaking the kiss. The rise and fall of your chest is a bit staggered and Satoru’s is too. He’s all red-faced and his snow-white hair is a bit dishevelled, considering how many times you’ve combed your fingers through it.

“Did I do something wrong?”

Cute. 

That alone made you want to jump his bones even more.

You shake your head and get one good look at him before you leave him to head down your hallway. He looked perpetually enraptured by you, eyes hyper-focused on your every movement.  “Come to my bedroom.”

Satoru’s stunned, the implications of your remark not lost on him.

And like a keen lost puppy, of course he follows. He joins you in your bedroom seconds after you and stands in the doorway, just kind of hovering there. Not sure of what to do.

Wait. Did he come here too fast? Did that make him look overly desperate? A million and one questions rush through Satoru’s mind as his neck grows red, stained with embarrassment, want… arousal. 

Seeing how he seems to be short-wiring at your doorway, you beckon him to join you on the bed with your hand. Once he does, he sits extremely close next to you. His clothed thigh brushes against your bare one, which sends a jolt of electricity through you.

Your fingers find his nape once again and they stroke up on his fresh undercut, prompting him to shiver a bit. “Why’re you so shy all of a sudden?” you question, your voice going gentle with a provoking edge to it.

Gaining some of his personality back, Satoru pinches your cheek. “‘Cause I didn’t think you’d want to kiss me!” But his mean hand then turns soft and slides along your jaw, his thumb rubbing smooth circles into the skin just below your ear. 

“Well, I’m here,” you say, scooting impossibly closer to the man beside you, “and wanting.”

Message received.

Hauling you onto his lap, Satoru cradles your face in both hands and kisses you deeply. It’s full of emotion, expressing all the things he’s been wanting to say for the longest time. A trembled exhale escapes you, and it’s through that that Satoru uses the opportunity to slide his tongue alongside yours. 

The kiss is frenzied, but so filled with love.

“So you like me?” he asks, his breathing laboured.

“Yes,” you bite, pushing him away from you and onto the mattress. “As if swapping spit with you wasn’t enough.” You guess you’ll have to show him how much you undoubtedly like him, love him even, through other means. 

He huffs a breath of laughter and drops his back onto your bed. Underneath you, you see Satoru’s eyes sparkle as he watches you have your way with him. 

But something’s up.

His eyes climb up a little higher and this time, he barks out a real laugh.

You still have that piece of fuck sitting on your head. You probably look stupid as hell right now.

Discerning that you’re about to raise your hand to your head, Satoru holds your wrist in his palm. There’s something bright that gleams behind those alluring pools of blue, warm and tender. He bites back a smile. “The birthday hat stays on during sex.”

You scrunch your nose at him. “You’re so dumb,” you growl with artificial frustration and tear off the cone-shaped hat from your head, tossing it into the depths of your room. He whines at its loss, but you’re quick to placate him with a slow roll of your hips into his lap.

Satoru’s jaw clenches and his hands fly to your waist, gripping you tightly as you continue to grind yourself down onto his erection. Your ministrations pull a wanton whimper from his lips, one that has you grinding with more purpose— the purpose of hearing that sound again.

“Do you like that?” you ask.

He nods, not trusting himself to speak, else he’ll let out a pathetic string of moans.

“I know, me too.” Satoru’s dick lurches in the confines of his pants as he watches you dry-hump him into the mattress slowly, your eyes shining with lust. Fuck, he could get hard just off your expression alone. “It feels reeeally nice being up on you like this,” you continue.

You have a fucking dirty mouth. One that Satoru’s growing more and more addicted to the more you speak.

There’s an incessant throbbing between your legs that you can’t quite alleviate. While rolling your hips into Satoru’s lap— with his occasional thrust to match your movements— felt good, it can only do so much. You wanted and needed more.

And so did Satoru, because he’s already pulling at the waistband of his pants. His thumb loops two layers and tugs both his pants and boxers down, revealing his toned V-line. 

Fuck.

You fall victim to Satoru’s enamoured gaze from below, which makes you squirm hot with arousal. “Take it off,” he commands.

He wants you to strip him of his clothes. 

Caught taking a startled breath, you ignore the wicked, handsome smile that slinks onto his face as you slip off his lap so you may curl your fingers around his waistband and pull. Your pussy clenches when his erect dick springs into view, and the heat pumping through your veins runs a little hotter.

You shiver at how pretty and filling his dick looks. After a few seconds of openly ogling at his lap, Satoru clears his throat which successfully gets you to drag your eyes back up to his face.

“While that was nice,” he starts, leveraging himself up onto his elbows and grins at your cute error, “I meant you, baby. Take it off.”

“Oh.” 

Seriously? Just ‘Oh’?

Mentally facepalming, you shimmy your shorts down your legs along with your panties. They pool down at your ankles and you step out of them to stand between his legs.

Fully sitting up, Satoru pats his lap; encouraging you to sit on him again. “C’mere.”

You crawl onto his lap, but you don’t sit down fully. Hovering a few inches away from his cock, your knees press on each side of his thighs, trapping him in. 

There’s no way in hell you were gonna sit down right now, knowing that if you do, you’d be pressing your bare pussy onto his naked thigh and he’d feel everything. Exposing how wet you are.

Humming, Satoru lifts the hem of your oversized top to your breasts and sighs. “Pretty,” he murmurs before he leans forward and captures your nipple into his mouth.

You gasp harshly at the titillating feeling. Your hands balance on his shoulders for support, as he rolls your nipple on his tongue.

“Sa— Ah!” You cry out. The hand between your legs startles you and has you whimpering in the open air.

“You’re wet,” he comments, slipping a finger against your slick pussy.

“Shut up about it…”

But he doesn’t. Another finger joins the first and delves down between your lips, gradually easing them inside you. They push against your walls, curling in a way that has you gasping into his neck. “You got wet from grinding alone, huh?” 

A breath stutters out of your mouth and you rock yourself against his hand. You can’t take this anymore. You want more. “Do you have a condom?” you ask.

“I—” he groans when your hand slides between you two, your fingers curl around his dick and stroke his tip along your leaking slit. “I didn’t bring one, because I didn’t think we’d—”

Oh.

Biting your bottom lip, you sling a heavy arm across Satoru’s shoulders. You meet his hungry gaze with one of your own and inch closer toward his dick that rests against his stomach. What you’re about to do could be risky, but at this given moment you couldn’t find it in you to be overly stressed about it.

“No worries,” you reply, your voice barely above a whisper, “I trust you enough to pull out in time.” And like that, you push down on him and ease Satoru’s cock into your aching cunt, making him bottom out inside you completely.

You’re so wet and slippery that it took little to no effort for him to slide inside. The noise of your slick sticking to where you two meet at the hips has you two moaning softly in unison.

The harsh mutter of your name echoes off your bedroom walls and goes straight to your cunt. “So tight,” he grits out behind clenched, white teeth.

Each time you slide up and down on his cock, Satoru grows more unrestrained with his vocal appreciation of how well you take him. Desperate little moans escape him each time your sweet cunt squeezes him of all he’s worth.

You were no better. Choppy, broken whimpers can be heard from you, loving how he stretches your walks with your length. He fits perfectly inside you like your cunt was destined for this moment, for him alone. 

“Let me fuck you,” Satoru blurts out. He was losing it, and he could feel him tipping closer and closer to the edge of release.

“You are— Ugn!” you say weakly when his hands grab your ass and he stands, lifting you with him as if it were nothing. Kicking off his bottoms, Satoru props you on your back against your mattress.

 Crawling between your legs, he positions the crown of his cock to press against your opening. “No,” he drawls, with one hand on the base of his shaft and the other propped beside your head. “Let me fuck you.”

He pushes in and you swear you see stars. 

Satoru pistons himself faster and faster inside of you, rocking your bodies against the mattress which makes your wooden headboard tap noisily against your drywall.

You fear your neighbours may have some… less than pleasant words to share with you about the noise tomorrow morning. 

“Ah! Fuuucking— shit!” You wail. Euphoric tears start prickling at the corner of your eyes. “Don’t stop, please!”

The pleasure melts through you when Satoru presses down harder into you, his hand finding the back of your right knee and hikes your leg around his waist so that he can fill you at a new angle.

“Baby,” he murmurs into your neck. He says it like you’ve been his for years. “Say my name.”

“S—Satoru!”

Laughing a little, probably too fucked out of his mind, Satoru removes his face from your neck and presses a hot, searing kiss onto your lips.

You yelp when he drives his cock more harshly into you, growing more desperate with the urgency to come inside you.

Riding his high, Satoru says the first thing that comes to mind, which is a long drawn-out, “Haaa…”

What Satoru meant to accomplish was to wish you another ‘Happy Birthday’, but of course, it all gets garbled up in his throat due to his approaching orgasm and comes out sounding fucking obscene.

That’s what gets you.

You come hard, your back bowing off the bed. Satoru, remembering your initial statement about how you trust him to pull out, does exactly that. Albeit, he did it at the very last second, but you avoided a pregnancy scare. So you can’t be mad.

Thick ropes of his cum splash across your bare belly and some get on your top. You’re hyperaware of how it trickles down your abdomen, some dipping into your belly button.

Wow.

Breathing hard and heavy, both coated in sweat among… other sensual fluids, Satoru rolls onto his back.

“Stuck with me for life, huh?” he asks, delicate fingers intertwined with yours. 

You hum. “Seems so…” you agree quietly. 

Now that you think about it, there hasn’t ever been a moment where Gojo Satoru hadn’t been present in your life, ever since meeting him during your high school days.

You two lay like that for some time, soaking in each other’s company until the early traces of morning light ripple through your curtains.

You’re about ready to shut your eyes until your thoughts are accosted by something you offhandedly forgot. 

“Satoru?” you begin, tone nice and sweet.

“Hm?”

You sit up slowly so you can peer down at his blissed-out face. “By chance, was the cake you got for me made out of ice cream?”

You know how deep his love for sweets goes. You just pray and hope to whatever higher power that he chose the safe route and chose a normal ca—

“…Yeah, why?”

Jumping out of bed, you rush to the living room where the cake is probably spilling its guts out all over your expensive, mahogany coffee table. “You IDIOT!” 

A string of curses follows you out into the hallway, as Satoru sits on your bed confused.

“What’d I do?!”

Whether you liked it or not, you were stuck with this bumbling idiot if he had any say in the matter, an invisible string keeping you two bound.

And maybe it wasn’t that bad.

Even if it’s at the cost of your ¥20,000 table.

if you read to the end we're making out.

© do not copy/plagiarize/translate/use ai on my work.

[evandore]

i still havent finished this chapter of [REDACTED] despite saying i was gonna finish it last night. luckily i only have two more pages to get through but dear god. its nearly 6k which is a not a lot but considering the average length for every other chapter was 3.5k... and this one started at like 3.2k...😑 i wrote seven completely new scenes in the middle of it . btw

[wavernot4love]

oh what do you Mean ag just announced a boom done tour and the first show is in my area. and also i see thursday play war all the time in full in less than a week .... a show which is also the first show of tour ....

big moment for wavernot4love lately

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[reineyday]

@erinyra ur tags 😂😂

Mihawk needs to do something really hot and sexy like get trapped with Shanks in a situation where they are surrounded by hostiles who pose a semi-significant threat while he does not have his sword (Shanks' fault) but Shanks' has his, for the sole purpose of scoffing when Shanks says he'll fight them off, telling Shanks that he is in no fit condition to fight even rabble like this, before reaching over, pulling Gryphon off Shanks' hip like he owns it, and completely obliterating every single person surrounding them with it.

[ophelialoveshandsomemen]

Say what you will about Van Helsing 2004; hate it, love it, be indifferent, But the All-Hallow's masquerade ball went sooooo hard and it had zero right to do so! It's a fun, campy, monster mash movie with wonderfully dated ( and expensive) cgi and non-stop action meant to be a popcorn flick one takes out to watch around spooky season. And it has this* chef's kiss* GORGEOUS 6 minute sequence plopped arbitrarily in the second act, which unexpectedly surpasses nearly every other ball in the last 30+ years of film( notable exception being the Cinderella 2015 ball) for literally no reason other than to be dramatic af.

Like feast your eyes on this Gothic masterpiece!!! Who doesn't want to immediately live in this picture?!??

They used those candles with oil in them so that they would have real candles, real string orchestra( I believe), probably around 100 real life extras( something which is tragically absent in modern film), said extras are all in beautiful fully decked-out costumes( which are in luxuriously dark colours, but nearly no fully black, another thing you cannot say for much modern cinema), REAL CIRQUE DU SOLEIL PERFORMERS for all the acrobatics!!!! Hell, instead of filming in a sound stage, where they could control the reverb and the acoustics and the size of the set and the bloody lighting ( they apparently had a heck of a time emulating the firelight for this sequence) and the temperature( it's very cold in stone churches!) better, they filmed in a Baroque church in Prague! As I said, peak dramatic splendour, jfc...

Think about that a second...They filmed a vampire masquerade in a Baroque Catholic Church( St. Nicholas' in Lesser Town, if you were curious) with amazing over-the-top acoustics and marble statues and real, tiled floors and marble pillars and a choir loft which they very much utilized, covered the pipe organ and the altar with a grand brocade curtain so it wouldn't be so obviously a, you know, a church! And there's a gold gilt elevated and canopied pulpit into which they put two vampire kiddies for, again, the sake of being dramatic.

And the costumes! They remind me of the 25th anniversary Phantom of the Opera Masquerade costumes. Same quality, like they're old, well-cared-for costumes pulled out of a warehouse, instead of fast industry churn-outs. With lots of trim and colour and masks and lace and feathers and..just...ugh.. they are all perfect! Just look at all the head pieces on the ladies and the hats on all the gentleman ( save Dracula of course) and the powdered wigs on the musicians. ANNNNDD! The dresses are historically correct!!!!!! It's the 80's bustle era! Nobody does the 80's bustle era in film anymore and it's a bummer. Oh and one other thing! Anna's ( and other women's) hair, at least here in the ball, is also historically accurate because it's all pinned up! None of those fucken modern beachwaves at a ball! Everybody's got updo's!

Gah, I swear, Dracula in his gold cloak really does things to me in this scene!

By the way, the acrobatics are bonkers in here for just background stuff!! Especially the random guys on unicycles and the dude playing the violin whilst standing on a ball...Like....WHAT?

Anyways, all this to say, that this masquerade ball feels sooo real and tangible and because of that it blows every other film out of the water, and no, I will not change my mind!!!!!

Here's a few more gifs, bcuz, why the hell not, this scene is sexy as fuu*ck?

Alright I need to go to bed now.

[paarksunghoon]

what about childhood best friend hoon who has always seen you as the sweet and innocent kind until he accidentally stumbles upon your dirty mind and fantasies

this just did something to me

***

“What the fuck?!”

“Sunghoon!” your cheeks and neck feel like they’ve been set on fire. You mumble a quick apology and goodbye into your phone and end the call. “What the hell are you doing in my apartment?”

“Your mom said you’d be home and I just got back into town.” He looks at you, frowning.

“Why are you looking at me like that?”

Sunghoon steps through the threshold of your bedroom wearing a black muscle tank and sweatpants. It’s a bit unfair how beautiful your best friend is with perfect biceps and an abdomen that can be seen through the fabric of his tank top. Sunghoon doesn’t have to try that hard and people will still fawn over him.

He looks at you like he’s seen a ghost. You see his duffle bag still in his hand but his grip seems to loosen the longer he looks at you. Sunghoon gulps and hesitantly takes a step inside of your room.

“You…I overheard you talking.”

“Why did you talk to my mom before coming come?” You ask, deflecting Sunghoon’s words in an attempt to pretend he heard nothing. “Did you drive home from school? Why is my apartment the first place you go to instead of your parents’ house?”

“Y/N.” Sunghoon’s throat feels a little too dry.

“You’re awful for not texting me before coming over.” He watches you turn around and put your phone on your table. “Anyway, how was your drive?”

Sunghoon drops his duffle bag. “I thought you were a virgin.”

You sputter. “A-A virgin? Why in the world would you think that?”

A part of you already knows this answer. Unlike you, Sunghoon’s not afraid to talk to you about his sex life and started hooking up with girls the second he left for college. He told you he lost his virginity the second he got home and updates you every so often about his sexual escapades, though not in great detail. He doesn’t press on about your sex and you don’t make it a point to bring it up because you aren’t as shameless as him.

The two of you don’t really have the dynamic where talking about sex is on the table. Or rather, he’s more open to the idea and doesn’t pry any information out of you because you’d shot him down when he asked about your virginity before you had sex for the first time. Sunghoon, for the fear of making you uncomfortable and losing his best friend, kept his mouth shut and generally always thought of you as a pretty innocent person.

You get a bit warm in the face when a sex scene in a movie comes on or whenever he plays songs that have sexual undertones to them in his car. Sunghoon has always thought you were a bit on the innocent side and figures the farthest you’ve ever gone was kissing Lee Heeseung in the eleventh grade.

But right now, his perception of you is distorted. Upon coming over after your mother told him where the spare key was, Sunghoon stood outside hoping to surprise you when he overhead you talking to your friend about a recent hookup.

“No amount of porn or book smut could really describe the feeling of a guy cumming inside of you. I had to practically beg him to take the condom off because he was worried it would be risky. But I’m on the pill so he agreed and fuck, it felt so good.”

He stands there, dumbfounded by the revaluation but can’t stop picturing you with your legs spread open for him on the bed next to you like he has for the past few weeks. Sunghoon’s face is red, no doubt.

“You’re looking at me funny.”

He whips his head to look at you. “I’m not acting funny. You’re acting funny.” Sunghoon watches you scoff and get up from your desk.

“I don’t know why you’re surprised that I fuck, Hoon.”

He sputters. “I don’t think about it.” That’s a lie.

“You don’t have to.” You shrug it off like it’s no big deal. “Do you use condoms?” Sunghoon chokes.

“No.”

Your wicked grin makes his cock jump.

“Me either.”

***

comments and reblogs are appreciated! xx

[ghostfacd]

SASSY MEN DO IT BETTER! | TOM BLYTH

PAIRING. tom blyth x fem!actress!reader

SUMMARY. in which yours and tom’s behind the scenes gossip session goes viral and everyone’s dying to know who’s it about

AUTHOR’S NOTE. thank you to whomever requested this, nonnie i love you! this was so much fun to write and instead of Instagram posts, I decided to do tweets this time! enjoy as always and thank you for the overwhelming support on my au, it means so so much

installment of this au (recommend reading for context)

It started off innocent.

Just you and Tom in the background of a Behind The Scenes video where Rachel was currently talking about her character, Lucy Gray Baird.

You and Tom were fairly close in proximity—as you always were anyway—and you two were scrolling through your phones, showing each other funny videos or pictures of beautiful places that showed up on your feed.

That was until a message popped up from your ex, some jerk who had somehow gained a role in a movie and thought he was now some hotshot in the film industry.

“Oh seriously,” Tom mutters, watching as you tapped on the messages your ex had sent you. “He’s got to be kidding.”

Your ex had apparently “missed you greatly” and wanted to hang out so you two could catch up. He said he watched The Ballad of Songbirds and Snakes and was in awe of how well you acted. If he wasn’t such a toxic asshole when you two were dating, you would take it as a compliment.

“I don’t know where he has the nerve.” Tom says, giving you a disgusted look. “Like girl, please.”

“Girl please?” You say, giggling as your head fell back into his chest. “Baby, I didn’t know you said things like that.”

“There’s plenty of more where that came from,” he says, “Okay, I need to stop. What if someone on set thinks I’m crazy?”

“They already think you’re crazy.”

Tom rolls his eyes, shoving your shoulder back slightly. “You’re lucky you’re my girlfriend.”

“I think you’re more of the girlfriend in the relationship Tom,” you say, shrugging. You fail to hold in your laugh as you watch Tom’s expression turn into shock. “I’m kidding, thank you for being the best boyfriend I can ask for.”

He grumbles a sure whatever under his breath when you engulf him in a tight hug.

“You’re practically crushing my lungs.” He says a minute in, only to be responded with a roll of your eye. “But hey, I’m much better than that newbie actor ex of yours, right?”

“Is that even a question?” You say, pulling away. “He was just nonchalant and mean to me half of the time. Don’t know why I even dated him.”

Your phone goes off, another message coming from your ex. “Oh, he called you knock off Draco Malfoy, which by the way, isn’t even an insult because he doesn’t even come close to you or Draco Malfoy in terms of looks.”

Tom lets out an honest to God laugh at your commentary, shaking his head in amusement. “Yeah, but didn’t you have a huge crush on Malfoy as a kid?”

You pretend to think for a minute before nodding your head teasingly, “yeah, I guess things never change huh?”

“Okay stop, you know I’m a fake blonde.”

And the entire moment between you and Tom is captured on camera, sending your fans into a frenzy as they watched how cute you two were with each other.