Thinking about Eddie Munson who was complaining to the rest of the band about his shoulders and neck hurting post show. One of them convinces him to go for a massage.
Eddie shows up day of and is told to strip to level of comfort and get under the sheets laying on his back, his masseuse will knock before coming in. Eddie has not an ounce of care or shame, strips completely naked. Scars and tattoos on full display. He climbs between the sheets and waits. After knocking and hearing a "come in", his masseuse enters and-
The most handsome man he's ever seen walks in. A bit of stubble on his defined jaw, soft pale lips Eddie wants to kiss, big brown eyes Eddie wants to get lost in, slutty little waist and an ass Eddie could-
He introduces himself as Steve. Verifies where Eddie had said his tension was on the form he hastily filled out. Then it starts.
And maybe, maybe, Eddie is a bit touch starved. He could have anyone he wants, but they don't want him just his fame. Pushes them all away. Only gets close to his band, but they all are busy and have their own people outside of work.
And Steve is just touching him. Rubbing smooth circles into his temple, down his cheekbones towards his jaw. Pressing on parts of Eddie's face he didn't even realize were tense. It's relaxing.
And Eddie regrets not leaving at least his boxers on to help hide that he's becoming hard. Kind of embarrassing, which makes his dick harder- which, that's a lot to unpack right now-
"Hey, relax man," Steve says, laying a gentle hand on his shoulder. Eddie can see Steve's eyes dart towards the obvious situation," It's natural. Happens to the best of us." "Does it happen to you?" Eddie blurts out. Eddie wants to shove his face in one of these soft plush pillows and scream, but Steve just snorts a laugh and shakes his head at him. Doesn't even respond as he continues the massage.
Eddie tries to hold back his groans as Steve turns his head to the side and rubs his neck into his shoulders. He can feel the tension leave his body slowly. Feel the knots in his muscles release.
Eddie can't, however, hold back the noise he makes when Steve grabs a hold of his hair and tugs it. Eddie's eyes pop open and he stares into Steve's face, who has started blushing. Steve just clears his throat and let's Eddie's hair go before continuing the massage.
I've had Ludovicas girlfriend on the brain for months and finally sketched her out. I see her as the opposite to machete in that she has dark colours and softer shapes. Her ears and facefur kinda blend together and she gets big soft browneyes..
the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!
Hiiii have I told you guys he's my favourite guy. Have I told you. Can we talk about him for the love of god please Hi hello. <- has not shut up about him in days.
Something I love about being a KnY fangirl in Japan: I can be out running errands and then the most recent opening theme song will play on the loudspeakers and give me energy.
I today I passed by somebody else lip syncing "Mugen."
learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way
breaking the law and outing myself on the internet because i'm showcasing my senior dance thesis on april 28 at 6:30 and 8:30 pm Eastern Standard Time and i want You to see it
we don't have a livestream link yet but we will. in the meantime look at these cool posters and this cool blurb. ok now save the date SEE YOU SOON
Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
I've been reminiscing about Squidcraft a bit lately, so I posted this clip of Phil talking about why he didn't join the Squidcraft 2 event on Twitter (I posted the longer version of this clip a while ago, which you can see here). TLDR: Phil wasn't invited and didn't want to ask for an invite because he felt awkward, didn't want to intrude, and also felt like his Spanish wasn't good enough.
Fast-forward a few hours and many Spanish Crows crying in the quote retweets later, and someone just gave me a heads-up about this:
Komanche is one of the organizers / creators of the Squidcraft event. I don't know if Phil would accept an invitation, but the possibility of him being invited period wasn't even a possibility in my mind, so this was a surprise! :'D