#but instead I’m going to sleep

[poopiefart420]

My fave pair of doomed siblings

[greykolla-art]

I’ve been so inspired by @bananadramaaa lately!

Their human Alastor and Mimsy comics drive me insane!

I’m realising how cool their relationship is: it’s giving sibling energy!👌👌👌

just two pals looking out for each other while they murder!

[izzystizzys]

As High Marshall Commander, a title foisted on him by the Galaxy’s fakest bitch aka Chancellor Palpatine, Fox theoretically has privileges and authorities like no other clone. In practice, he has a headache and gets ignored more obviously than before.

What he also has is a fancy new function on his personal comm unit modified to broadcast GAR-wide to all commanding officers, up to and including Jedi. It gathers dust next to his own modified button that sees much better use - a private channel to Stone, the only vod that will let Fox bitch at him to his heart’s content without hanging up (Thire) or bitching right back (Thorn).

It’s been a long shift of 72 hours, the maximum Stabby allows him to do without a well-placed hypo to the neck, when Fox finally collapses on his rickety cot in the Command quarters and hits the private comm connection to Stone without looking. He’s already rolling his eyes so hard it tweaks at the migraine that’s been building since hour 18 and heaving a put-upon sigh.

“Everyone is stupid, Stone, and asking to be thrown face-first from the Dome balustrades”, he begins, settling into a low, dead tone of voice to warm to the building monologue. It’s a marathon, not a sprint. “I swear to haran I’m going to wring Amedda’s stringy neck one of these days. I don’t know what magical Force gods his mother pissed off, but they made sure to punish her and the Galaxy at large a hundred times over. He sucks the joy and competence out of every room like a black hole of stupid. I’d call him a has-been, but I trust in the power of nepotism and also just don’t believe he ever was. I swear he’s doing it on purpose and - oh, kriffing Sith-damned hells, you know who’s definitely doing it on purpose?! The kriffing Chancellor, that wrinkly ass-faced ballsack!”

Taking a deep breath, Fox lets that sit in his chest for a moment, indulging in the feeling of bright weightlessness. “I swear he’s trying to keep the war going - no one man can be that incompetent and still draw breath, not even Amedda or Taa. Goddamn Taa - but anyways, kriffing hell, Stone, either the senility isn’t an act or he’s a bad cartoon villain from Dooby Scoo. Yes Sir, sending Senator Amidala to a Seppie-infested planet for negotiations is a great idea after her fourth bomb threat of the week. No Sir, I can’t hear you cackling evilly with Count Dooku under your lame two-credit robe as you’re definitely not colluding with the Republic’s enemies. What, you have a red lightsaber?! Oh, of course I don’t know what that means, I was dropped on the head as a tubie!”

Barely pulling in a harsh breath, Fox continues, palms pressing into his eyeballs hard enough to cause sparks. “And speaking of lightsabers and senile fucks, haran smite my ass off but who the kriff thought it’d be a good idea to give absolute tactical and military authority to the kriffing eldritch space monks! The Force didn’t bless them with the collective good sense it gave to a kriffing rock, and I’m tired of pretending otherwise! Has anyone kriffing read the Theed Convention of Sentient Rights in Wartimes?! NO?!! Well, color me UNSURPRISED, because war crimes ARE NOT! GOOD! BATTLE! TACTICS!!”

“They run around in crop tops, Stone, in crop tops! Oh, the Force provides - WELL I’M GOING TO PROVIDE MY FOOT UP YOUR ASS, AND IT’S GOING TO HURT BECAUSE YOU’RE NOT WEARING KRIFFING ARMOUR!”

“Sure, let’s send the preteens into active warzones under heavy artillery in kriffing party wear! Surely nothing will ever go wrong! And give them commanding positions equivalent to CC-clones, WHO WERE LITERALLY GENETICALLY CREATED FOR IT! WITH A DECADE OF INTENSE TRAINING! LET’S DO THAT, BECAUSE WE’RE ALL KRIFFING STUPID!”

He’s gesturing wildly at the ceiling now, face heating up as his blood boils beneath the surface. “And you know what really gets my lowers in a twist, apart from the preteen commanding officers and blatant kriffing high treason and war profiteering?! Is it the complete lack of recognition? Gratitude? Basic sentient rights?! No, Stone, no, I would take all that in stride if it meant I never had to see Skywalker and Amidala kriffing canoodle right in front of me again, and pretend like it isn’t the galaxy’s worst conflict of interest case in the making!”

“By all levels of Sith-hell, what the kriff is wrong with that woman? You have it all, you could have anyone, and you choose that twatwaffle?! And then they have the gall to lock themselves in a broom closet for twenty minutes straight and have me guard it! ‘Oh yes, Senator, naturally we all go rattling brooms with our good friends! Nothing dodgy happening at all! I definitely believe you were looking for detergent and have used a washing machine before!’ The absolute nerve on those two! And then last week - you’ll never believe this - High General Windu passed by, and I swear he looked like he wanted to throw himself off the roof! I’ve never been less impressed by anyone in my life, and I’m batch-mates with Bly!”

“Speaking of Bly, that little bitchtit - if I have to edit one more, one more kriffing propaganda piece of him staring at General Secura’s bits, I’m going to stab my eye out! And if I have to edit one more of Secura staring at his bits, I’m going to stab the other one out! The only good thing I have to say about them is they’re more subtle than Skywalker and Amidala, which means nothing really. I will never understand that woman - but then she’s worked with Jar Jar Binks for a decade and not had a nervous breakdown, so she either has nerves of steel or is on some good-ass drugs.”

“Girl, your choices. And you know what else is a choice? Kote kriffing roundhouse-kicking heads off droids when he has a perfectly good blaster right there! I don’t know what the Longnecks put in his tube, but I hope to kriff it’s not contagious. I’d say I’m glad he has Kenobi to keep him in check, but that man wouldn’t know common sense if it punched his nose clean off his face. Flirting with General Grievous, ugh. I’d say he can do better, but honestly, they deserve each other.”

“And Wolffe - “, panting, Fox pauses, considering. “Well, Wolffe is an asshole and stupid, and I hate him because he’s stupid and has a stupid face. Also he keeps drunkenly submitting adoption paperwork on General Koon’s behalf - I wish I could say something mean about that, but honestly, his existence is roast enough. Anyways, bitches are trying me today, and by bitches I mean everyone. Commander Fox signing off to go not commit treason, unfortunately.”

Thoroughly powered out, Fox sinks into his hard mattress with a deep sigh. Several seconds of silence reign, and then his comm unit starts blaring in alarm.

Somewhere in the Jedi Temple, Mace Windu is knocked flat on his ass by a gargantuan shatterpoint exploding.

[muzetrigger]

In celebration of Nevermore S2, I feel the need to explain why I’m hoping for more Ada page time/development and why she’s my absolute favorite character, despite the series being absolutely stuffed with quality.

Oh and also why MorellAda is peak. I WILL TAKE NO ARGUMENTS ON THIS POINT.

So yeah, MAJOR SPOILERS Y’ALL

Okay, so when we’re first introduced Ada, she’s a minor antagonist, not just in the sense that she’s not the main villain, but that literally, she’s just kind of an annoyance to both Lenore and Prospero. That being said, shortly after the Labyrinth arc, we see her genuinely impressed with Lenore and trying to make amends.

Now at that point, there’s no real reason for us to believe that Ada is telling the truth. Yeah, she seems like she’s being genuine, but so far, we also know that she’s been playing some social games to get ahead.

That’s where we get this first piece of insight into her character (not actually the first piece but whatever):

Ada chooses caviar as her last meal, despite not liking it, or ever having had it before. She is the only student who doesn’t enjoy her final meal, and that tells us that one, Ada doesn’t know what’s good for her; two, that she probably comes from a lower class background that never would have had access to caviar; and three, that she aspires to that upper class position. She is exactly what Morella would call a “phony” but while her phoniness impacts her social behavior in the ways that Morella criticizes, she’s also lying to herself without even realizing it.

Okay, but that’s a bit of subtle character development, so Red and Flynn hit us with this:

(In case you didn’t hate Montressor already)

This moment is so critical to understanding Ada because it shows that she has absolutely no limits when it comes to proving her worth to other people. Why? Because Ada has no sense of self-worth. She is completely dependent on other people’s thoughts to feel adequate. That’s why she clings so hard to Prospero and Annabel Lee, which makes this preceding exchange even more brutal.

Ada reaches out to Annabel for support, and Annabel ignores her.

Annabel BETRAYS her, and this is going to become something of a running theme for Ada.

Now, of course, Annabel has problems, but this is COLD.

So cold even Prospero is surprised, and this sets up why Ada crumbles so easily, because the one person she thought was her friend at this school, literally her roommate (and we know what happens when you’re not on good terms with your roommate), the person who gave her (fake) love advice, just left her out in the rain.

No one is on her side, not Annabel who’s ignoring her, not Prospero (who is rightly) annoyed with her clinginess, not Will who is supporting Montresor, and certainly not Montresor who is verbally abusing her.

The only person by Ada’s side is Morella, partly because she’s being targeted too, but also because Morella is trying to protect Ada.

(Look at that hug. That is a small puppy trying to cheer up her depressed friend.)

Chapter 39-40 firmly cemented Ada as my favorite character because we get a deconstruction of this preppy, pompous, phony personality into someone with crippling self-worth issues, and I don’t know about anyone else, but I relate HARD to those feelings of inadequacy and needing external validation. Will might be the doppelgänger, but Ada is the one with Imposter Syndrome.

Anyway, now we’re going to have to skip a few chapters, because while the haunted house arc is great, it doesn’t really do much with Ada’s character. We do learn that Ada was almost definitely a servant in her past life because she’s able to navigate the house’s secret passages, and we learn that yes, she’s a romantic who clearly doesn’t understand TPO (time, place, and occasion).

Those details are important to understanding Ada, because they help contextualize why her confidence is so abysmal (servants aren’t to be seen or heard) and why she clings so strongly to ideas of ladyhood and romance (the women she served would certainly have appeared to be more comfortable than her, though I’m sure Lenore and Annabel would disagree).

We also get this feast for the MorellAda shippers:

At this point, it’s implied that Morella has stonewalled dozens of students into Prospero’s death trap, but she makes one exception that she will not stand for, and it’s Ada.

At first, I thought this was a little weird, because why wouldn’t Morella protect Lenore? I mean, she’s the protagonist and clearly treats Morella better, but looking back, it’s telling that Ada is the one who Morella chooses.

Morella’s whole deal is that she wants to protect people, and Lenore isn’t vulnerable, Ada is.

Red and Flynn do a lot of excellent foil work in Nevermore, most prominently with Lenore and Annabel, but the contrast between Ada’s dependence on what other people think of her and Morella’s dependence on what she can do for other people is just another reason why I think MorellAda is so good.

But the real interesting events happen post-house.

Prospero has had it.

Now, was Ada being clingy? Yes.

Was she being totally oblivious to all of Prospero’s signals? Yes.

Did she deserve to be told directly that Prospero was just not that into her? Hell. Yes.

But did she deserve THAT much of a verbal beat down? Probably not, especially keeping in mind that Annabel told her this:

So now that I’ve thrown Annabel under the bus for her hand in this disaster, I want to look at one line from Prospero in particular:

“Nothing you say will make you good enough.”

It’s not the final line of Prospero’s diatribe, but it’s definitely the one that hits the hardest for Ada. She is trying SO hard to play the part of a lady in order to be loved, and she is being told that at a fundamental level, she is inadequate.

And she takes that about as well as someone who’s had this happen to them could:

A hatchet to the stomach’s going to ruin anyone’s day, but we can reasonably infer that the person who axe’d Ada was probably the young master she was serving and was having an affair with, and that he aimed for her stomach to abort any kind of child she might have carried.

Again, we see this theme of betrayal and rejection. Ada might not have been able to be a lady, but in an affair, she might been able to pretend that she genuinely had her master’s affection, even though she was just there at his convenience.

This was foreshadowed all the way back with Ada’s first confrontation with Montressor and it’s a great example of how thoroughly planned Red and Flynn’s writing is (Annabel Lee’s panic attack at Lenore’s death in the Labyrinth and the House Fire is another amazing example).

But, it’s also super traumatic which means we finally get Ada’s Spectre!

First, let me gush about how AMAZING this design is. Just aesthetically, it’s great. But it’s also amazing because of how it showcases so much of Ada’s identity. If you look at the spectre’s skirt, you’ll notice it has two distinct parts, a larger back that mimics a lady’s hoop skirt, and a pleated miniskirt, which wouldn’t be out of place in a skimpy maid costume. In her spectre form, we can clearly see Ada attempting to match a lady’s silhouette but upon closer inspection, we can also see the part of Ada that might have sparked her fatal affair, this symbol of risqué servantile behavior.

It’s also worth mentioning what ISN’T in the Banshee’s design, her abdomen. Obviously, this might be a reference to the fact that she was killed by a hatchet to the gut, but if we get dark with it (and it’s Nevermore, we can’t not get dark with it), what men traditionally (and unfortunately still do if the 2024 US elections are anything to go by…) value in a woman, her reproductive ability, is absent.

Ada, who places so much importance on what others think of her, is literally is worthless to them. (I want to clarify, I DON’T personally believe that, but from a 19th-20th century male perspective, that tracks.)

We could also read her abdomen’s absence as another attempt for Ada to play into feminine expectations. Because she’s missing her stomach, she has a tight hourglass figure. I don’t personally believe Ada has an eating disorder, but as the last dinner scene clearly indicates, she has a complicated relationship with food and what stigmas are attached to specific cuisines, and unfortunately many people do metaphorically throw away their stomachs to pursue beauty goals like Ada’s spectre does literally.

Stepping away from design, I also love how Ada acts immediately after getting the slightest bit of power.

She is PETTY.

She taunts Prospero (and let’s face it, you cheered. Don’t lie to me!), which I find so interesting because suddenly, Ada is the one giving opinions.

Ada is finally allowed to express herself.

Here, she takes it out on Annabel, which makes total sense. Annabel abandoned her and is the embodiment of what Ada craves outwardly. But Ada also recognizes that she herself is a servant who was forced to serve people like Annabel and denied their comforts because of her status. If Ada hadn’t been a maid, if maybe she had been a noble or a “true lady”, maybe should would have been allowed a romance or allowed to keep her child or at least allowed to live.

The Banshee is such a perfect moment, because until this scene, Ada has bottled up her insecurities and played the part of a loyal lackey and been this “phony”. As a servant, her entire livelihood would have revolved around keeping up appearances (or disappearances) around her masters, but as a ghost, Ada is more genuine than she has ever been.

And that’s so wonderfully displayed by how Annabel defuses the situation:

To the very end, we see Ada being vulnerable. Annabel takes advantage of her insecurities, and as the Banshee, Ada doesn’t try to hide the fact that it devastates her.

If the Montressor moment didn’t guarantee a place in my heart for Ada, Episode 71 definitely did. I’m not going to argue that characters in Nevermore haven’t experienced worse, but I will argue that no character in season one ever gets close to how pathetic and distraught Ada is here.

And what’s so heart-wrenching about this for me is that Ada is aware of how pathetic she is. She knows she’s been acting like an idiot and throwing a tantrum like a child, which is a surprising amount of insight and maturity for someone we have been led to believe is quite frankly an idiot. And yeah, I relate to those feelings of self-loathing and not knowing what to do or even where to start triaging a disaster I made myself.

Now, Montressor takes advantage of this like the abuser he is by swooping in and wooing Ada, but before that, I’m going to rewind like the shipper I am to replay this:

Again, we see Morella trying to help Ada! And obviously, that’s not what Ada needs at that moment, but it’s worth keeping in mind that out of everyone in the lecture hall then, Morella is the first and really only one to reach out to Ada. (Montressor is a manipulator. He doesn’t count.)

Last time skip, I promise!

The end of the Wall arc doesn’t quite reach the highs (or is it lows?) of Ada’s character development, but I’m so excited for what it sets up in season two.

So, Lenore and the gang find where Montressor has Cask of Amantillado’d Duke and they dig their favorite French man out while beating the shit out of our cowboy(?). There’s a ton of great moments (hell yeah, Pluto! Get him!) but the battle really swings in the misfits’ favor when Duke hypnotizes Ada to traumatize Montresor.

One, this is just an amazing display of Duke’s spectre, two, it shows that Montressor has reasons (maybe not great reasons but at least they’re reasons) for being such an asshole, and three, it shows us that mental spectre powers are straight up busted.

We already knew from Prospero that Ada’s fear factor could trap a person inside a vision of their own trauma so realistic they can feel the physical effects of it, but she can also send a man with a broken Fibula into a full blown frenzy, AND Duke’s hypnosis is something even he can’t dispel.

(Does this look like the face of a man who has things under control?)

It also sets up this exchange:

Morella is able to break through Duke’s hypnosis, and she does it without attacking Ada’s insecurities like Annabel did. Now, I’m a hopeless MorellAda shipper, so of course I reading into this, but even then, it showcases how important Morella is to Ada. After all, Morella is basically the only person who has stuck by Ada’s side this whole time.

…At least until this happens:

Morella has had enough of Ada’s excuses, and just like Prospero basically tells her to shove off.

But the painfully ironic part about this is, Ada is telling the truth. This ONE time, it really isn’t her fault. It’s Duke’s.

But Morella won’t let her get a word in and I love how Flynn drew Ada’s face. It’s a different kind of fear than when Ada was groveling in front of Montresor or reeling from Prospero’s rejection. Here, she isn’t afraid of being abandoned by Morella; she’s afraid of losing Morella.

I know that difference might sound REALLY contrived to some people, but in this case, Ada has a way to keep Morella in her life that doesn’t involve debasing herself and believes that Morella will listen to her. For the first time ever, Ada thinks she has a little control over the situation together with a friend, not an enemy. They can talk things out, and that really shows how close her connection with Morella is and how that connection can be the catalyst for Ada to start developing some self-respect.

Except Morella totally shuts her down.

Of course, I’m disappointed that there’s this “divorce arc” but it makes sense in context and it’s healthier for Morella to make a clean break from the posh crew (even though Ada clearly needs her wife more than ever, like come on, don’t leave her in Monstresor’s clutches!)

Speaking of which, I’m much more disappointed with how Ada immediately crawls back to Montresor and Annabel after being chastised. If there’s one thing I have on my season two checklist, it’s Ada learning to have some confidence in herself (and maybe tossing Montresor to the Hunt).

And I really want an apology from Morella and Duke to Ada. Now THAT’S delusional, and I might be the only one who thinks Ada deserves those apologies, because let’s face it, Ada is a wreck, but it would be nice, especially if she gives out the several dozen apologies she owes the misfit crew too, so that she can hang with them and spend more time with her wife Morella.

Anyway, yeah.

I really like Nevermore.

And I really like Ada. I think she’s severely underrated.

Of course I love Lenore and Annabel, and Morella is a precious and badass cinnamon roll, and Duke is so SO cool, and Pluto is cute as hell, and Eulalie is basically manga-Orihime (which is amazing), but there’s something so HUMAN about Ada.

I empathize with her in ways that I just can’t with the rest of the cast because… they’re just too awesome. I have difficulty believing Lenore or Annabel will ever feel something as fundamentally devastating as Ada has. At their core, they’re just stronger people. Ada is someone who needs more support and it’s nice to see those weaker characters treated with the same amount of care as a protagonist who we typically see stumble a lot but ultimately succeed. With side characters, there’s a genuine chance that they fail permanently and that adds so much to Ada’s stakes.

And honestly? I’ll say it. I think a lot of the students had alright lives or even good lives, they just happened to be cut short traumatically. Exceptions for Lenore (obviously) and Pluto (baby, you deserved so much better than your deadbeat dad), possibly Eulalie for having to live through WWII, but you’re not going to tell me that Montresor didn’t have a good run being awful, Duke didn’t have a successful performance career, and Prospero wasn’t a wealthy bastard. But who knows? We haven’t delved too much into the others’ backstories, so I could be very wrong.

Anyway, I guess this was just a very long-winded way of me saying I love Ada because I’m a total girl-failure and also I’m super excited for season two.

[louferrignojrofficial]

not enough focus on tommy at the start of this scene

[schrodingers-hoarding-problem]

the only valid straight relationships are a girlboss and the guy that is down atrocious for her

[astronicht]

You know, it has been haunting me for more than a month… this far into Two Towers the size of the landscape is inescapable… and of course canonically it’s a version of our world, but also canonically the oceans moved and all… and I’ve been informed the Middle Earth mountains were bespoke sculpted.. but did Tolkien even know about Doggerland?? Did he just invent/prophesy Early Medieval Doggerland so he wouldn’t have to deal with boats, and to facilitate his Hobbit Volkswanderung Period (Hobbitswanderung, if you will).

This is a shitpost but truly I have lain awake wondering. When did we even find Doggerland? Tolkien wrote lotr before the theory of plate tectonics, but Doggerland??? I’m googling it. Oh for fuck’s same, lotr was written before plate tectonics were accepted, but after we found Doggerland. Just 20th century things:

(Wiki)

I’ll never fucking know if he did this on purpose or if it’s a wild coincidence. That’s fine I’m fine.

[anna-scribbles]

anyway can’t stop thinking about how emilie’s crypt is the same as adrien’s bedroom. the emotional heart of the narrative trapped and voiceless in a false display of life/safety. emilie’s artificial sunlight and adrien’s barred windows. everything is about them and they aren’t allowed to be part of any of it. they end the narrative the same way they began it: without any say in the matter

[nightvortaex]

A modern Davron au that attacked my brain:

Aeron finds a note in a library book saying:

“If you like this book, let’s talk” Davos

There’s a phone number written next to it. Aeron hesitates whether he should reach out to the unknown person, but he ends up liking the book so much that he really wishes to share his thoughts about it with someone, so he writes a message:

“Hello Davos, I’ve found your note in the book. Let’s talk.”

First they only talk about the book, but soon they start to have conversations about other things, and it gets to the point that they stay up all night talking on the phone and text each other daily, always asking about the other’s day, and basically just discuss everything with each other. They decide they should meet (both of them are dying to meet the other). They agree to meet at a library cafe (bookworms who love a good coffee). Aeron is the first to arrive (don’t know why in my brain he would be on time or even a little bit too early) and he’s so nervous he’s fidgeting with his bracelet. He gets a message from Davos saying; he’s sorry that he’s late, a few minutes and he’ll be there (because I think Davos would be late a little bit but only a few minutes, he’s very eager to meet Aeron as well and feels bad for being late). Aeron tried to imagine so many times how Davos would look, and when he sees him at the entrance of the library cafe Aeron realises he looks nothing like how he used to imagine him. He thought he would have the look of a 'very typical bookworm’ instead, he looks like the complete opposite: dark, messy hair, silver rings on almost every finger, clothes all shades of grey and black, black boots, and a headphone around his neck.

“He looked like the darkest night sky, only the rings and those loving eyes shone like stars.” (my brain said that’s how Aeron would describe him later in his diary when he writes about him).

Davos looks more like a typical troublemaker than a bookworm, and Aeron would have assumed he’s probably a bully if he hadn’t already known from their conversations that he has a soft side and he’s a cutie inside actually). So Aeron kind of starts to panic internally: “Omg, he’s so handsome. I wasn’t prepared for this.” He already liked him as a person a lot, and now seeing how damn good-looking he is, he is becoming concerned that, oh no, he can totally fall for him (he has already been falling for him but he's not willing to acknowledge it because falling someone you never met and only talked to through messages and phone calls is dumb according to him).

Meanwhile, Davos is absolutely mesmerised by Aeron from the first second he looks at him. He has been kind of falling for him through their text messages and phone calls (because Aeron has such a sweet, tender voice and the way he can talk so passionately about everything he loves)

“His voice, a beautiful siren song which I would follow to the depths of any ocean.” (Davos would write something like this in his diary, poor boy was already getting addicted to him).

Now he knows Aeron not only has the sweetest voice ever (+ the sweetest person ever based on their conversations) but also insanely gorgeous. He stops in front of Aeron and he’s totally unable to take his eyes off him. He loves how Aeron’s hair is shimmering in the sunlight, how his cheeks seem slightly pink and how he is fidgeting with his bracelet nervously. Poor Davos is completely doomed from this moment, that’s the love of his life. They greet each other and sit down at one of the tables. Both of them order a coffee (Davos would drink an ice coffee, but Aeron would choose something more fancy). They start to talk, and Aeron’s nervousness quickly disappears because talking to Davos is just so natural and easy like breathing as always. Without noticing, they spend several hours in the library cafe talking about whatever comes to their mind. Davos is looking at him like nothing else in the world exists other than Aeron, like he’s the Sun (a radiating beauty) and the planet of his being only orbits around him. While Aeron, from time to time, locks eyes with Davos, and he feels like he’s being pulled by a strong gravitational force making him fall deeper and deeper, in his dark clothing Davos is like a supermassive black hole that is about to devour the whole existence of Aeron.

[willow-lark]

there is nothing cool or sexy about kylo ren he literally fucking sucks. like yeah anakin was also a homicidal facist but the difference is anakin was camp. he was hot while doing it. he had the dramatic flair. he’s badass. he’s intimidating. he’s the most iconic movie villain of all time. kyle is literally just an emo neo nazi. there is zilch that is interesting about his character. sorry for speaking the truth

[andminnequin]

I was feeling all sad and mopey looking through my old art and then a saw this, so: throws my obey me mc yumeship at you !!!!!! They’re so cute, your honor !!!! And look at those hands !!!!!! I did that fr !!! I am so slay cringe and free !!

When in doubt, doodle pages make you happy. Trust me, chat. Trust the process. Trust my delulu :DDD

N e ways, I rlly need to be more indulgent and post my MCs more.

Aaaaaa goes insane, m yippeeee

[luthwhore]

“nona the ninth,” by tamsyn muir // superman: the last days of lex luthor, by mark waid // hozier’s twitter // superman: birthright, by mark waid // “sorry,” by halsey // superman (2023) #1, by joshua williamson // tumblr user dykeyphantom // smallville s10e22 // “poem,” by langston hughes

[m0thlegs]

maybe the real Viktor arcane season 2 character arc were the friends we made along the way

[barnabyboppins]

Hopefully lukewarm take (i haven’t checked)

I recently finished reading the Heroes Of Olympus series (having read pjo immediately prior) and I think it’s pretty shitty that the worth of all of our good guy characters are, to a notable degree, measured by their ability to find and engage in romantic relationships and are then greatly defined by those relationships. (Disclaimer; I don’t think I’m in a justified position to discuss lots of the racial criticisms for HoO but I do agree with a lot of em and that aspect does factor into this topic)

7+ important recurring characters is quite a lot of people to balance, even in a five book series and all of the non-pjo characters suffered immensely for it. But one character arc I anticipated over and over again that never ended up happening was any one character finding fulfillment from the non-romantic relationships around them by de-prioritizing the idea of a perfect someone in favour of accepting the support of their friends/comrades/campers/family/etc. (Second disclaimer: I don’t expect a novel saga from 2010 to have characters declaring their orientations (or lack thereof) aloud but the idea of a character learning to define themself by or through something outside of romance isn’t a new one)

I think Percy and Annabeth are very cute and work well as a couple (are they the only white couple?) and I don’t really see any chemistry between Piper and Jason (I feel like they’re on very different paths from each other and Piper stagnates greatly in favour of supporting jasons development) but I think literally every other Good Guy character had the potential to not need romance in their arcs. Frank could have been raised to praetor by consensus and recognized by his peers and grandma, actively validating his growth rather than him achieving great feats and no one noticing or really caring except for Hazel. Hazel could’ve been shown learning about the modern day with Frank and Nico during downtime and reconciling her identity and trauma with the diversity of today while discovering a new freedom in acceptance (from the Seven) of who she is from back then and who she may yet want to be (and also not dated a 16 y/o at 13).

Leo, Reyna and Nico were the main ones I was thinking would forgo the need for a partner at least as a necessity for their growth/healing as all three have severe familial trauma, are distanced from other demigods socially somehow, and all were explicitly ousted from conventional romance in-writing.

Initially with Leo I had hoped he would confront his struggle being the “seventh wheel” by expressing how he was feeling overlooked as a friend (and as the ONLY shipwright) in favour of everyone’s romantic interests, which would lead into further emotional vulnerability in the party but, that never happened save for a few stoically non-communicative gestures of support to Frank and otherwise weird hang-ups on Hazel before he fucked off to Calypso, letting his friends think him dead for weeks. Leo lacked connection and felt inferior and less important than the rest of the Seven and the narrative validated that by only fulfilling him through an a Rapunzel-like hot babe trapped on an island who is physically dependent on his emotional dependence on her. That’s not a recipe for healthy relationship! I related to Leo initially as an aromantic person with 9 siblings, half of whom are already coupled so it was very disappointing when I realized by the third book that RR just didn’t take what was to me the most obvious arc for a character who is vitally important to a team but least noticed. Also the Hazel-Frank-Leo pseudo-love shape didn’t need to happen, at least in the way it did, and I think the Leo-Hazel-Sammy weird love thing was stupid.

I think Nico and Will are a very cute couple and I’m looking forward to reading their book when I come around to it but I felt unsatisfied that the thing that got Nico to stay at camp after 5 books was a guy who had little significant presence until the last book and not like, any of the other deeply important connections he made during his journeys? Nico’s been talking about never returning to either camp for a while and none of the Seven or Reyna (I think) thought to check in with him? I get that Will is supposed to be like the first person to insistently want Nico around but if Will really is the first then that’s kinda fucked up given the whole like, eight books worth of people he’s met. It’s a bit fucked up that after years of Nico’s presence, seemingly the first connection to anchor him down is an unspoken suggestion of a romance

Reyna’s character journey confuses me because I don’t if I missed or forgot it but I don’t remember her having a conclusion to her internal struggles. Aphrodite telling her she’s doomed to singledom gets brought up again and again and it’s mostly just to make you feel bad for her. She doesn’t tell anyone else. She doesn’t seek fulfillment in the platonic or familial connections she has. They visit her house, trauma dump about her abuse AND fakeout her sisters + the hunters + the amazons deaths just to have Reyna be even more hurt. Reyna and Nico come to understand each other while they’re travelling but by the conclusion of the series she’s just gone back to her isolating and stressful role as the praetor, but now with more work to do! Aphrodite’s words are never explained and their veracity is never tested and all it serves is to give Reyna more misery porn.

I guess what I’m saying is I think the story would have been better if The Seven & Co had a little more connection with each other and not just with their respective partners and if we could have seen some internal growth come from that.

[harpdoodles]

Found this CapCut template and… yeah TvT I probably have more pictures of Likey alone then I do all of my friends and family combined

[passionateseadruid]

I’m going to hell for this

St Peter: I’m sorry Charlie! I should have supported the hotel. I should have stuck up for you.

Charlie: It’s okay St Peter-

Alastor: Yes I guess old Habits really do die hard.

St Peter:

Charlie: