#i keep seeing people talk about doomed relationship tropes

[poopiefart420]

My fave pair of doomed siblings

[everlasting-rainfall]

I didn't see anywhere that requests are closed, so I was wondering if you could write something for your pages au with Boa Hancock? She's my favorite female character, so thank you!

Okay so I’m gonna have to come clean about something and it’s that I haven’t yet reached Amazon Lily like most of my knowledge about One Piece characters comes from a lot of outside sources and for why I haven’t reached it yet?

That’s a simple answer as I have a very bad attention span so if I’m not watching with a friend then my brain wanders and suddenly the episode is over but I promise that I’ll do my absolute best to write her for you!

As Boa is honestly a really cool character like she isn’t my favorite female character as that honor goes to Rouge a lot of the time but I do love that girl regardless!

So before I start rambling too much and making an absolute fool out of myself, let’s get into it. Yeah?

Also since I do know what Boa’s backstory is, I can’t see her trying to actively force someone into a relationship but she is probably willing to keep them if it means they’re safe

!-MINORS DO NOT INTERACT AT ALL-!

!-POTENTIAL TRIGGER WARNINGS-!

Manipulation, Copying of Work, Workplace Sexism, Implied Homophobia (?), Delusions, Kidnapping (?)

!-POTENTIAL TRIGGER WARNINGS-!

!-MINORS DO NOT INTERACT AT ALL-!

Okay so let’s imagine that you wrote a book, it was a romance novel of course and it was pretty good like it didn’t sell well but it was seen as pretty good by those who did read it

But about a year later while you’re working on the sequel story that you managed to convince the publisher to give you, something happens as a book is released into the market that looks so much like yours except… bad…

The main character on the cover is grossly sexualized when they’re supposed to be someone that the reader can project themselves onto and the two love interests have basically been turned into big muscle men with no personality compared to how you had them as powerful women with quite a lot of personality and complex backstories that helped to shape their characters

You took some time to read it and found yourself absolutely disgusted with it as it was exactly your book just if every trope from R/MenWritingWomen was stuck onto it, certain important plot points were changed and romantic scenes were either completely changed or removed

Attempting to talk to the publisher didn’t do anything as they simply told you that your book hadn’t been copied and clearly you were seeing things if you thought that… You should just get back to what you were writing and be quiet about it…

This was humiliating but there wasn’t much you could do except hope that your next book would absolutely blow this gross copy out of the water especially as when the reviews came in, you found that most people loved it with very people pointing out that it was a gross copy of you

Eventually when you did release your sequel book, it had some moderate success but not as much as the copy… It was truly discouraging…

When you tried to ask your publisher to at least push it a bit more with advertising, they were reluctant but decided to do it in the end to just get to be quiet so they started doing some advertising on other islands and quite a few people picked up the book

Your book achieved more success! It was great!

Soon enough, word of this book had reached Amazon Lily and it was raising quite a few eyebrows in interest as although it did have a few male characters in it but the story and what they heard about it was truly what interested them

A female marine captain saving the MC from certain doom at the hands of pirates by holding them close with one arm and defending them with the other even despite their injuries? A pirate captain who promised to give the MC the world and much more if she would simply take that first step and set out to sea with them on their ship?

All these things that they were hearing were quite interesting and after hearing about one scene in particular where both of the love interests put aside their differences to save the MC from a dragon? Interests peaked!

So a request from so many was given to Boa as they asked her to please make it so that a shipment of the specific book would be sent to Amazon Lily, it took her a bit but she soon made a request and sent it out

The publisher picked it up and within the week, a small shipment of the book had been delivered to Amazon Lily. So many were excited to read the book that they had heard about but there was one problem with it…

This wasn’t the book that they expected, everyone was so confused as the book was awful to the point where most dropped it within the first few minutes of reading it as what had been delivered wasn’t your book but instead the copy

When Boa found out about this, it was safe enough to say that she was quite irritated as in all honesty based on the way that the story had been described to her

She was getting excited to read it as well only for this to be what was delivered so she had the shipment be taken back away from their island alongside a message detailing how disgusted she was and how she demanded every last beli that she spent on this shipment to be refunded or there would be hell to pay

Of course, the publishers listened as who wants an angry pirate empress after them? But they fucked up yet again and instead of realizing that they sent the wrong book, they gave you the message thinking your book had disgusted the women of Amazon Lily that badly

Upon reading the entirety of the message, your heart sank and you got ready to reply as you started writing an apology along with an explanation of what had happened

You took your own personal copy of the book at home and attached the apology to it alongside a gift before sending it to Boa Hancock herself who almost threw it away the second that she saw it until she noticed the cover and stopped

A close look at the cover revealed that this was the true version of the story as there was the MC laying down in the bed of flowers with her hands clasped with the pirate captain laying facing towards her on her left with a red rose in hand while the marine was laying on the opposite side with a blue rose in hand

This was not the same story… The title was even different so she sighed and decided to at least give it’s first page a read to see if it was truly different…

It was and she found herself hooked, she read through the entire thing and couldn’t stop a smile at the scenes that you had written alongside the part where the pirate captain and marine saving you from a greedy dragon despite the fact that they may fail? It was lovely

When finishing the book, she took another look at the note accompanied with the book and reread the explanation. She was honestly unsurprised about learning the truth and set it aside before opening the gift

It was the only piece of merch to ever exist for the book and it was because you had made it yourself only to give it to her as a truly sincere apology, it was a pair of fake roses with their stems tied together. A red rose and a blue rose tied together with a lovely white ribbon, a physical version of the books very last illustration

Part of her was touched by this and in all honesty, she found herself thinking about it for a good while as you had taken the fall for the shoddy knock off created by the gross imitator and the publishers hadn’t even been willing to help you sort things out

It was downright deplorable in her personal opinion and she knew that you weren’t the MC from the story but part of her started to feel like she wanted to rescue you

Rescue you from your life dealing with the publisher on that island where no one would ever appreciate your work just like how the MC had been rescued from the dragon, she would keep you safe and keep you in a place with people who actually appreciate your work and wouldn’t just disregard it in favor of someone’s fantasy

She would keep you safe from the prying eyes of anyone who wanted to harm you, she wouldn’t even let anyone brand you as theirs and do horrible unspeakable acts to you

If you wanted then the two of you could even become friends and maybe potentially something more which she grew to like the thought of more and more until she started to imagine the two of you going on nice walks together, laughing together and having fun

Ah yes, that was the life that would be perfect for you in the end…

All that she needed to do was get you here and she knew exactly the way to go about it…

It was a few weeks after sending your own letter when you received one from Boa Hancock, it was a request to come to Amazon Lily with copies of your book as she no longer trusted the publisher to send them the right ones

She also requested for you to bring your things as well as she would like you to stay on the island for an undisclosed amount of time, you didn’t want to potentially make the pirate empress any angrier than she already was so you packed some things and took a large box full of book copies of the first book and the sequel and headed off

A few days were spent at sea before you finally reached your destination, you were greeted and the books were quickly taken off of your hands in order to be enjoyed by everyone who had been so excited to read it

Meanwhile you were taken off to meet with Boa herself, she was a scary lady and more than intimidating but she was kind to you despite everything and had a smile on her face when you offered her the sequel story

Your time on Amazon Lily started on that very day, a lot of it would be spent with Boa simply spending time together as she took her time getting through the sequel story as she always stopped to ask you questions about it

As time progressed however and Boa continued to read the story, she found that it was wrapped up in the end with a neat little bow and the person the MC chose got married in the end. The MC had wound up marrying the pirate in the end and symbolically tied a ribbon around the stem of a red rose as a sign that they would always be together

Boa found herself enjoying the scene of the wedding and she smiled to herself as she reread the chapter only to notice certain things this time around like how the pirate had her hair done in a similar fashion to Boa’s and not only that but the way that the outfit was described? It sounded like her…

Part of her tried to write the entire thing of as a simple coincidence until she reread the line “The beauty of the two was so strong that it could turn anyone who laid eyes upon them to stone”

…Oh my god…

That was all that Boa needed to see and she quickly closed the book and set it aside, she honestly wasn’t sure what to think as this couldn’t be a coincidence anymore as the one who had won over the MC in the end was a Pirate Captain who would do anything for her…

It couldn’t have been just a coincidence now and she had to be sure that you didn’t write about some sort of deep hidden feeling for her… So she picked up the other book and spent quite a bit of time searching it for answers…

And as they say, if you’re looking for something hard enough then you’re gonna find it regardless of whether or not it’s there

Slowly Boa becomes convinced that you wrote about some sort of feeling that you had for her despite the fact that you could have never known her before this point…

And she would confront you about this, she would tell you off for doing this and make you leave but something in her refuses to do so

You don’t see Boa for days as she deals with these emotions, you aren’t sure why this has happened but you don’t bother her simply thinking that she’s busy while she attempts to figure out what’s going on

Until it hits her… She returns your feelings…

And when this happens, this is when things start as she starts to attempt to show you that she feels the exact same way about you that you do her

It starts with her trying to spend more time with you, it progresses into her getting jealous when other people speak with you, it progresses even further to her actually touching you with hand holding and the occasional caress

When it reaches its peak? That’s when Boa starts to greet you with a red flower of some kind whenever the two of you meet, she hopes that you’ll get the hint and finally realize

But hey, it’s not so bad that you aren’t getting it as your smile is heavenly to her to the point where she could look at it all day and has even caught herself staring at your smile for long periods of time when the two of you are together only breaking out of it when you point it out to her

Eventually you’ll start wanting to return home and back to your old life but Boa will insist that you stay, the world off of Amazon Lily is dangerous for someone like you after all and she wants to keep you right where she can absolutely make sure that you’re safe

You might try to insist on returning to your old life and that’s when Boa will start to manipulate you, I can’t see her turning violent but she probably would tell you things like “If something were to happen to you out there then I simply wouldn’t be able to live with myself”

She’ll trap you into staying on Amazon Lily this way until you’re ready to stay of your own accord…

It’s for the best after all and once you finally realize that she returns the feelings that you oh so clearly have for her, everything will be perfect…

A pair whose beauty is strong enough to turn people to stone…

[honeycreammilkshake]

Hi.... If you don't mind me asking, can I ask, what are your top 7 favorite media (can be books/ manga/ anime/movies/tv series) and your top 7 favorite ships (can be canon or non canon) from any media ? Why do you love them? Sorry if you've answered this questions before......

omg i've been wanting to answer a question like this for such a long time, thank you so much for asking! (you can always ask me about anything <3)

it's hard to talk about why i love these without giving a few spoilers, so i hope you don't mind that.

1. Jujutsu Kaisen & Sukuita

I first got into JJK because of Sukuna edits, but I started reading it more seriously when I fell in love with Yuuji (one of the best protagonists ever!) and got really invested in more of the other characters (Nobara, Mai and Maki, Nanami, Shoko, Yuki, Hiromi, and Uraume being my favorites <3) as the story went on.

Although I'm generally not interested in a lot of action manga, I fell hard for JJK because there were just so many good things about it. An anime protagonist that actually cares about saving other people but is still kind of unhinged and comparatively weaker than a lot of his peers? Bodily possession and an ancient god of chaos obsessed with the unworthy brat he's trapped inside of?? Scary monsters and scarier humans who fight them off???

But if I'm being really honest, my main reason for loving JJK is almost completely Sukuita.

These two are my #1 otp and I'm rabidly obsessed with them (almost as much as they're obsessed with each other). I could go on forever about why I adore this ship, but to keep it simple, it's really because they're one of the most dynamic and overlooked protagonist/antagonist relationships I've ever seen.

As a ship, they really have it all: enemies to lovers, hero x villain, bound by fate, bodily possession, virtually soulmates, matching each other's freak, yin and yang, toxic divorced couple/possessive exes energy, incest (if you're into that), and even opposites attract.

I see them as an inseparable matched set that share basically the same soul and see through each other but they'll never fully understand or accept each other, and it's beautifully heartbreaking in every way.

I first started shipping them when I read a lot of different ship fics with Sukuna, but the only one I ever really got invested in was Sukuita. My favorite ship trope of all is enemies to lovers, so I couldn't really resist them, and overtime I just fell deeper and deeper. Now I personally can't ship them with anyone but each other, but there are still so many more amazing ships to be found in this fandom, though a lot of my JJK otps (Nobamai, Makimai, Nanahito, and Gojoken) aren't very popular.

2. BNHA & Togachako

I'm not going to lie... I'm really not very invested in BNHA as a series, but I'm totally devoted to some of the characters, mainly Himiko Toga. I love kawaii yandere villains so much, and Toga is my favorite autistic bi disaster girl. I also love Dabi (one of my very first anime crushes), Ochaco, Bakugo, Deku, Shoto, Mirko, Eri, Overhaul, Mina Ashido, Kuin Hachisuka, Beros, and Twice.

Some of the quirks are really cool so I always love when they explore the different kinds both heroes and villains can have, and I love all the amazing fight scenes where heroes and villains get to go all out using their quirks, but my #1 reason for watching BNHA is for these two.

My top otp in BNHA is Togachako, of course, because I adore doomed yuri, especially the hero x villain kind, and I will never stop crying over how these two deserved so much better.

I shipped them almost as soon as they first interacted. The chemistry between them was beautiful and I love how Toga went all out with her yandere-style flirting with Ochaco, saying she had the same scent as her, that she wanted to be like her, from the very start understanding so much of Ochaco's character, her need to be heroic and save as many lives as she could, like Deku wanted to. Toga sees a lot of similarities between Ochaco and herself, and I love a villain that obsessively connects to the hero they're always at odds with.

I especially went crazy during that scene from season 6 where Toga had Ochaco pinned down and started crying out "What are you going to do to me? Are you going to kill me, too?" There was so much feeling and pain inside of that scene, Toga coming to terms with how heroes kill villains (like they did to Twice) even though they're human too, and knowing she could be next.

Yet later on we see how Ochaco accepted Toga despite all the things Toga had done. Because she understands that Toga is more than just another monster. All her childhood, Toga had been forced to suppress her own nature, but there Ochaco is... loving her not even despite it, but because she finds Toga herself, as the person she is, the cutest girl in the world. Just what Toga always wanted to be to someone, loved for her real self.

That just... really got to me.

My second main BNHA ship is Toyasho, or Dabisho.

They hit all the good tropes: hero x villain, twisted family, reconnecting, and lots and lots of angst. It fascinated me how they went on two different paths after experiencing abuse from their father: Dabi craving vengeance and resenting the world around him while Shoto largely isolated himself from others and tried to be indifferent about things. Dabi indulged in being ruthless, depraved, and even sadistic while Shoto tried to be "frozen" both inside and outside, yet he was learning to slowly open up to others and have hope for forgiveness.

They share a lot in common - being arrogant, getting overly emotional, wanting to do things alone, their way. But overall they have two different perspectives and Shoto considers Dabi to be his "cross to bear" since Dabi is his brother.

They still try to reconnect with each other in their own ways, especially at the end, where Dabi does regret a lot of what he did to Shoto and Shoto forgives him by asking what his favorite food is.

Togachako and Dabisho are my main otps for this fandom, but I also really like Shigadeku, Bakudeku, Meilissa, Saimomo, Togatsuyu, Momokendo, and Miruhawks because they have amazing chemistry as well!

3. The Locked Tomb & Griddlehark + Harryanthe

I first read Gideon the Ninth about a year ago and fell in love with it. The series reminds me of those weird sci-fi fantasy paperbacks that I would find packing the shelves of thrift stores and old book stores, but even better because of all the toxic lesbian angst and unhinged necromantic freaks who are the most unreliable narrators.

I like the writing style, the worldbuilding, the scientific feel to all the different necromantic theorems, the House politics, the beautifully complex characters, and the strange humor.

I love Griddlehark for all the angst, the enemies to lovers, the sad "you're the only friend I ever had so don't forget me, I'll even sacrifice my own life for you" from Gideon's side and the desperate "don't leave me, I'll erase all my memories of you because I can't bear to let you die" from Harrow's side. When we're first introduced to Harrow, from Gideon's POV, we think she's a heartless monster only concerned with herself. But soon we learn Harrow is weighed down heavily by her burden to handle all Ninth House affairs largely on her own and also by the nature of her very birth. Harrow has a deeply romantic and tragic side that Gideon is the first to discover, proving all her previous assumptions about Harrow wrong, and Gideon also proves herself to be more loyal, dedicated, and caring than Harrow thought she was. And even though they started out hating each other, they become each other's first true friends and can never let go of each other.

I also adore Ianthe's (mostly) one-sided obsession with Harrow, the way she acts like she just wants to manipulate Harrow and break her heart but unintentionally caught feelings for her along the way. They can't stand each other but they're forced to rely on one another and it's perfect, especially when Harrow (reluctantly) starts to feel somewhat close to Ianthe overtime. They're opposites in many ways, but they are both driven by their overwhelming sense of ambition and by their deep love/obsession for the people closest to their hearts (Harrow for Gideon and Ianthe for Coronabeth).

Harrow is my favorite, and I love her dynamic with both Gideon and Ianthe, so I can't choose between either ship. They're my ot3 really, since I also enjoy Gideon/Kiriona's interactions with Ianthe and how they sort of warm up to each other because of how they first "connect" over Harrow.

I have a lot more ships in this series too, namely Alectostasia, Pyrrha x Wake, Jarpedon, Augustine/Mercymorn/God, John x Alecto, Halecto, Corona x Judith, and Corona x Ianthe.

4 . The Summer Hikaru Died & Yoshikaru

I am a BIG fan of eldritch monsters developing codependent and destructive relationships with the mortals they become fascinated by, and this manga delivered that amazingly.

I've been following this story obsessively for about a few months but it's quickly becoming one of my most favorite manga ever. The dynamic between "Hikaru" and Yoshiki is perfect — the way Yoshiki can't really reject "Hikaru" because he craves the closeness he used to have with his friend but overtime he starts caring deeply for whatever "Hikaru" actually is.... Everything about them is so beautiful and tragic, it hurts physically but I love it.

The art is gorgeous and fits wonderfully with the summery horror atmosphere, and I like that's it set in the rural country, since I don't see as much of that in manga or anime as I would like to.

It has some elements of mystery, some of horror, lots of the paranormal, and plenty of chemistry between the mcs, all of which makes it so interesting and unique.

Yoshikaru is my main otp but I also love Asako/Yuuki, because they're so cute together.

5. Alien Stage & Mizisua

This series ruins me. The music, the story, the emotion. All of it makes me feel way too much.

The character designs for the humans are so good but I particularly like the aliens because I want to know more about their cultures and how they ended up imprisoning humanity.

One of the most central themes of this story is longing: the longing for freedom, the longing for love and friendship, the longing for something to put all your faith in even during the darkest times. And for Mizi and Sua, they put all that longing, that faith and hope, into each other.

Despite the fact that they know only one of them can survive that first round, they still sing almost every verse together because they refuse to give the other one the edge. They want each other to survive, even if it comes at the loss of their own life, but they were also hopeful that both of them could have tied. But Sua understood that this was unlikely and she chose to sacrifice herself to keep Mizi alive.

During the song Mizi narrates how humanity has forgotten gods and religion, but Mizi still believes in something that transcends all her suffering and longing, and that is Sua — her god, her universe. Even in the final moments of their round, as their fates are being sealed, Mizi looks over to Sua and smiles at her, because despite everything she's still happy to be with Sua, to sing with her and not against her, to find comfort even at the end. But she's still shocked and horrified when Sua dies, especially because of the fact Sua died to protect her.

And Mizi was never able to get over Sua's death. It's why she lost composure during her round with Luka, who relentlessly used her undying feelings for Sua against her by singing far too romantically.

Mizisua is my main otp in this fandom but I also love Ivantill, Hyuluka, and Hyunamizi.

6. Kakegurui & Yumedari

Even though it's arguably not as intelligent or coherent in its matches as I first thought it would be, I love pretty much everything else about this series, both the live action and the anime. The craziness, the color schemes, the focus on exaggerated body movements, even how thrilling the gambling scenes can be. Not to mention so many amazing characters and shipping possibilities, and my personal favorite ship of this series is Yumeko and Midari.

They get a lot of hate for being a toxic ship, which they are, but what exactly in Kakegurui is safe or sane in any way?? These two have such an interesting and compelling dynamic and from the start Midari is impressed and obsessed with Yumeko. And despite Yumeko's intolerance for Midari, they have a lot in common.

They're both compulsive gamblers who don't care about winning money or social status when they play. They're both addicted to the thrill, really skilled, impulsive, and quite smart too.

What made me start shipping them was, of course, their match during episode 7. The way Yumeko so expertly predicts Midari's moves to prevent an outcome where either of them are actually shot, how Midari comes to understand more of who Yumeko is through their game, the fact that Yumeko knew that Midari wanted her to win and was angry enough about it to deny the other girl that outcome. Yumeko despises cheating to "win" instead of fully indulging in the thrill of the uncertainty, which is what she lives for, and if Midari had maybe not resorted to cheating, I think Yumeko would have more respect and even enjoyment for playing with Midari.

What also really interests me is how polar Yumeko's actions are with Midari. She screams that she hates Midari, she finds her pathetic, she can't stand to be around her. Yet she has this almost soft moment with Midari before they begin playing, if only to keep the other girl from harming Ryota.

Yumeko also grows more tolerant of Midari as the show goes on, but it's by no means warm or loving in any way. And I think that's what I like about them. They're so alike but will never fully "fit together" because of it. It will always end up with either Midari wanting Yumeko to be the one to cause her pain or death, while Yumeko hates any kind of predictable outcome or rigging of the game.

I also have a lot of other ships in this fandom, mainly Yumary, Kirisaya, Meariri, Ayadari, Riridari, Naodari, Ririsaya, and Yumemika.

7. Monster & Tenjoh

I don't even know where to start on this one, really.

I've known about the existence of this series for a while and even tried to start it, but all I could could get into initially was edits of Johan Liebert. I kept meaning to pick it up eventually, since I'd heard that it was one of the most popular seinen manga and that Johan was also one of the best manga/anime villains.

But only recently I have I started watching this series, and I don't know why I didn't sooner.

I cannot describe everything I love about this series without writing a whole other post, but to put it simply - it's extremely well-done and very thought-provoking. And as someone deeply interested in psychology and criminology, I found this to be a brilliant exploration of both. The characters are so well-developed, especially the twins and Tenma (who is honestly one of the most underrated protagonists I have seen) and though I was first off-put by the older animation style, I have actually come to like it a lot since it's very unique and suits the setting and atmosphere perfectly.

There are so many different layers and themes that I will never tire of trying to analyze them all, and there's especially a certain thrill to watching how all the pieces of the puzzle connect together, especially when we get an understanding of how Johan perfectly manipulates others so that they essentially follow the designs of their own downfall.

But one of the very few people to resist Johan's plots and to even come close to destroying him is Tenma.

Tenjoh is so fascinating, both as a ship and only as their canon interaction, because of how deeply personal and complex their relationship is.

Tenma saved Johan's life years ago, a choice that essentially ended his career for him and led to his life being significantly altered. When Johan returns, revealing himself to be the person responsible for so many deaths, Tenma feels guilty for "creating" the monster that Johan became. However, even though Johan kills everyone who knows about him, he spares Tenma as both a sign of respect for the doctor saving his life and because he wants to drive Tenma to kill him, therefore proving Tenma's ideals that every life has value wrong.

Not only is there something darkly poetic in Johan wanting the doctor who brought him back from the brink of death to be the one to kill him, it's also just as suiting that Tenma at first wants to be the one to kill Johan, feeling it was his burden to end the monster he'd "revived." But despite many opportunities given to him, even by Johan himself, to kill the evil mastermind, Tenma still couldn't do it.

I have so many thoughts on them and would love to write a meta about it someday, but all I can really say for now is they're quickly becoming one of my top ships ever.

[reesiereads]

James and the Dupes (Goosebumps 2023 Analysis 3/5)

If you haven’t read the previous two parts of this analysis I highly recommend you do, however the jist is that I am attempting to show how each Biddle item is purposely symbolic of the kid it’s tied to.

I’ve already discussed Isaiah and Isabella so let’s talk about James.

(Spoilers below the cut, I seriously recommend watching the show first before reading, it’s definitely worth it)

James is the point of view for Goosebumps’ third episode The Cuckoo Clock of Doom, however James’ object is not the clock for which the episode is named. When listing the objects in Go Eat Worms Margot specifically says James’ object is the “dupes” aka the duplications of James that the clock created. I’ll be discussing the significance of this in a moment but keep this in mind.

The Cuckoo Clock of Doom starts once again the night of the Halloween party at the Biddle house and with James hitting his head for the first time on the cuckoo clock. James is disoriented and it’s implied he hit his head fairly hard but he decides to go through with the party anyway and it’s through his actions at the party this first go around that we see the most vital aspects of James’ character.

James goes throughout the party talking to just about everybody. He knows all their names, he’s personable and friendly, he’s a complete social butterfly. It’s very obvious though that he isn’t actually saying anything of substance; it’s all small talk. He knows everybody and everybody knows him but none of them are his actual friends. James’ demeanor through this scene is also very (for a lack of a better word) safe, it’s the sort of polite but casual tone you take when trying to make friendly small talk and it’s the sort of tone that while very forced very few people could take issue with.

When James stops to talk to Isaiah this very palatable tone fades but not completely, there’s still a very obvious amount of effort and energy being pushed into what James is saying. His words are casual but his body language and tone are practiced.

Essentially, James is a performer. His given description prior to the shows release labeled him as a “class clown” and this trope is a perfect encompassment of everything James embodies. He’s funny, he’s charming, just about everyone likes him but nobody actually knows him. He’s got a sort of casual confidence about him that is a complete act, but he’s so at arms-length with everyone around him that most don’t recognize his facade.

There are two relationships that perfectly show James’s true character: Sam and Isaiah.

Sam is the boy James likes but we aren’t given much of an indication why James like him other then that Sam is hot: this is deliberate.

See, Sam is the perfect vehicle to showing how James conducts most of his relationships. He approaches a person, he makes some small talk, he finds a topic the person likes and (whether he has any knowledge or interest in the subject) tries make himself palatable by discussing it. As a people-pleaser myself I can say with full confidence that this behavior is done with two goals in mind: to make the other person like him and to keep the conversation on the other person so he doesn’t have to talk about himself. This is the main reason Isaiah tells him he needs to stop trying so hard to be liked, because this people-pleasing behavior hinders James’ ability to form actual deep connections.

The reason James doesn’t take this advice is because that’s exactly what he wants. What the time loops reveal is that even when given the opportunity James will not be himself. He’s presented with the perfectly opportunity to try and be himself with Sam, being completely able to just reset the night once again if it goes wrong, and instead James abuses the time loop so that his lie about sharing interests with Sam will be more convincing.

This is further emphasized by the clones words to Sam. While yes, the clones are being purposely cruel to try and ruin James’ life, a majority of their words are rooted in some kind of truth. They are James and they are using the exact information and feelings James has to manipulate the people around them. When ruining James’ relationship with Sam the clone specifically states that Sam is “too clingy” and I believe this is the exact reason James was interested in Sam in the first place.

James went after Sam, a person he seemingly shared no interests with and only found attractive, because James assumed he could have a very (for a lack of a better word) shallow relationship with him. James was never looking for anything serious and his comment about “I don’t know anything about soccer but I don’t care because Sam is hot” emphasizes that. Why would James want a deep emotional connection with someone when he doesn’t even have a relationship like that with his best friend?

Isaiah is James’ best friend however his actual relationship with Isaiah seems to go roughly the same as his relationship with just about everyone else. Sure, they hang out a lot but most of their interactions seem to be James hearing Isaiah out about his issues and them talking about their crushes. Isaiah does question about James about how he’s doing but James either deflects or avoids the seriousness of the situation.

In The Cuckoo Clock of Doom Isaiah and James have a discussion after James’ botched attempt at talking with Sam. In this discussion Isaiah immediately knows James was not being himself when talking to Sam and encourages him just be himself rather then trying so hard to be liked. This, on it’s own, seems like reasonable advice however what’s interesting is James’ response: “that’s easy for you to say.”

Isaiah questions what he means by this and James, clearly uncomfortable, says nevermind and essentially forces the conversation to be dropped. Despite Isaiah being his best friend it’s very clear James is not comfortable being honest about his emotions with him.

The questions comes up again once James is found however and this time James is upset enough by the discovery that Isaiah, his best friend, doesn’t know him well enough to know if he’s a clone or not, that he elaborates. He states: “It is really hard to be 1 of 6 gay people in a town.”

The crux of James’ behavior, the reason he people-pleases and dances around serious topics is because he feels othered. He feels different from the people around him and he’s scared of the judgement that could come from that. A lot of his behavior reads as a sort of compensation, as if he’s trying to be as palatable as possible so people will like him despite the fact that he’s queer.

I imagine James also feels isolated the same way Isabella does, at least in an emotional sense. He keeps everyone at school at an arms-length and his relationship with his Mother is implied to be rather distant. She treats him more like a best friend then anything and paired with her alcoholism there is a very clear emotional wall between the two of them. There is no one James feels safe to confide in and I imagine it’s only worsened his feelings of otherness.

Now, finally, let’s discuss the Dupes:

The Biddle Clock and Dupes (roughly) work like this: When making contact with the clock a person is trapped into a time loop from the time of hitting the clock. The loop is restarted if the person attempts to leave the Biddle property. Every loop creates a duplicate of the person from an alternate timeline which Biddle is able to communicate with and who act as Biddle’s minions. The duplicates have all the information the original person had during the loop and, as their forms are goo of some kind, can likely change their appearance at will.

The duplicates take James’ place for roughly a week and during this time they set out to ruin James’ life as throughly as possible by destroying all his relationships. Sam is broken up with on ground of being “too clingy,” Isaiah’s relationship with Allison is worsened and his feelings for Margot are revealed which are things James likely knew a lot about as Isaiah’s friend not to mention the clone picking on Isaiah’s insecurities, and based on the comments about James’ mother James feels some resentment for his Mom’s behavior which the clone is more open about then James would be.

No one recognizes that the clones have taken James’ place despite them not acting very in-character. The people the clones strive to ruin James’ relationships with also all react very volatile to the clones’ behavior, showing how despite James’ efforts to be very likable his efforts haven’t fostered very strong relationships.

The message of the episode is fairly clear: If you keep everyone around you at arms-length and try too hard to be likable then you are inevitably going to be isolated as none of your relationships will have any kind of stable foundation.

[frogskelton]

So quick version of a poster for ep 1 of all stars rewrite and because I think the theme of all stars with rehashed challenges was boring, I’ve changed it. ( Just wanted a little drawing while I talk about the episode) READ FOR REWRITE STUFF HERE:

Teams:

Ghoulish Guinea pigs

Heather

Zoey

Noah

Brick

Joe

Lindsay

(Soon) Alejandro

Clownish caterpillars:

Scott,

Gwen

Courtney

Duncan

Mike

Cam

Lightning

The episode: (barebones version)

The camper enter the new sight and settle down and take notice the cabins r actually livable and and even have a tv with a bunch of movies on vhs (grated, not very good ones, but a million times better than the last cabins). They have a few hours to get ready and so on one team Zoe puts on a film called “Pony house,” curious if it actually works, while Noah stand over her shoulder grizzling (he was meant to come here with Owen but he got a broken leg and had to cancel, and Noah was contractually obligated to still go). During this the tv screen continuous flickers and a strange face appears sometimes and the characters will say strange but of dialogue that seem like they don’t belong. Noah and Zoe r thinking it’s pretty expected Chris is give them busted up stuff.

Lindsay is frustrated that she is on the same team as Heather saying to her about how she might of won last season and good for her, but she has still hurt lots of people and Lindsay doesn’t like that she’ll be sharing a room w someone who treated her very poorly and hopes the other girl (zoey) has watch season one plenty of times to see what Heather is rlly like. Heather is taken aback for a sec and attempts to brush it off.

While this happens Brick goes out after hearing a noise, similar thing with Scott on the other team. Though, the focus is on Duncan and Gwen’s relationship falling apart as Gwen questions if she is rlly willing to continue hurting Courtney like that this.

Soon Chris calls them over and tells them to come back with their missing teammates. So, cue montage of them looking for them as strange occurrences happen, primarily around technology.

Eventually Brick and Scott r found trapped in a weird shed where a bunch of old tech from the show got dumped (e.g, Chris bots, screen, old cameras, THE DRAMA MACHINE, and so on)

Scott’s team gets out w him just before Zoe is trapped in the room (alone) as all the appliances corn alive. initially she tries to fight them as Mike is all sad at the door, unable to get in as he is dragged away from the door as they Damn this season and whatever is going on. Zoe us out numbered by the amount off Chris bots n stuff. Though she hears the drama machine saying something weird, the same thing the ponies from her film were saying and decides to attempt to interact with it, distracting whatever is controlling the Chris bots and giving her a chance to break the robot, stopping the haunting and finding Alejandro stuck in there.

She, carrying Alejandro returns to where and Chris and the Campers r excited she is alright and surprised about Alejandro.

Chris does his thing of u won the challenge (this was not the intended challenge, but it’s a bit late for that.)

At the camp fire Duncan is booted, he goes in to kiss Gwen, but she regrets saying that she does want keep hurting people and while she doesn’t love Duncan, not enough to keep hurting all the people she loves.

Furthermore, Alejandro is left resting, heather sees him and feels sad that this is how everything went down and this is how he is doing, while she has been living the highlife.

So each ep/challenge is based on supernatural/horror tropes n stuff. I’ve got all the new challenges written down in chronological order and both teams set out. Let’s just say this new finale challenge is a big improvement to all stars.

EVEN BETTER, the “doomed soulmates” plot for Aleheather is written down in episode by episode plan, which may be revealed when I have a little drawing to go w it. I quite like it, I think it goes well and is very endearing.

Actually just a forgotten thing, but when I was doing the redesign for Alejandro I just kinda forgot I could give him visible injuries, so that has changed.

[doctorbunny]

So I thought it'd be silly and detract from this post to talk about fandom underneath it But I've been looking for a way to talk about this and I think this is as good a start as any.

I keep seeing a lot of people confused as to why Kazui, assuming he is a gay/aro/other closet LGBT man would want to 'decieve' Hinako by lying to her about being in romantic love with her and marrying her

It makes sense, if you're young and from the right area, you might not know a lot of history, its certainly not taught in schools. For example, to many people 'gay panic' is a cute trope, wherein a person struggles with their newly discovered identity and not a legal defence people used to excuse the beating and murder of gay people

Kazui is 39 years old. He would've turned 40 in August 2020, meaning he was born in 1980

When the comic above about Bert and Ernie getting a civil union (not even marraige yet) was made in 2003, he would've been 23.

By the time gay marraige was legalised in the US, it was 2015, Kazui would've been 35 (and despite Kazui being Japanese, because other countries like to copy America, the US legalising gay marraige was absolutely celebrated by LGBT people worldwide)

(here's a section of Our Dreams At Dusk a manga that began publication months before the legalisation of gay marraige in the US showing just two states legalising gay marraige as being news worthy to LGBT people in Japan) The first Asian country to legalise gay marraige was Taiwan in 2019 Japan is expected to be the second... but they're taking their time

Gender identity and sexual orientation are also not nationally protected civil rights, meaning protection from discrimination depends on the prefecture you live in.

And this is without getting into darker subjects like higher self harm/suicide rates or violent crimes against LGBT people

I don't want to be doom and gloom, many people are becoming more aware and accepting of LGBT people. But Kazui had every reason to wish to remain closeted

For all people talk about a 'divorce stigma' I believe it is silly to have expected a gay man in the 2000's, when many people even in the states thought gay marraige was unattainable in their lifetime, to have considered that when he got married to someone in an attempt to conform to society Especially because most difficulty to remarry after divorce comes from views surrounding custody laws and adoption. A lot of people don't want to get in a relationship with someone who already has children since they don't view them as their own on account of being blood related. This is probably why Fuuta's mother left Fuuta and his sister with their father. It's very notable that Milgram lampshades how by Kazui's age he was 'expected' to have children but didn't. We don't know Hinako's opinion on having children, but its possible Kazui intentionally didn't have any with her for this reason (despite feeling melancholy he could've had a child Muu's age by now)

Shidou had children (the eldest of which he likely sired while still being in medical school), Mahiru was still in university and thinking about planning a family, Amane notes that her mother gave birth to her when she was Mahiru's age. (TLs from Rochisama)

These aren't malicious feelings imo. This is Kazui noticing a coworker he likes is romantically interested in him and taking a chance on her in the hopes that playing a role as a straight man will make him into one. (unfortunately the suit doesn't fit) There is a Japanese saying of 出る杭は打たれる 'the nail that sticks out gets hammered in' suggesting it is better to not stand out (interestingly, the below lyric is the same in Japanese and English but in French its more like 'I can't take it anymore, I'm different')

It's also worth noting that gay people getting into heterosexual relationships even outside of Japan, used to be Extremely Common. Like my mother has a co-worker who did it

In addition, Yokohama is one of the more expensive places to live in Japan. Mixed with his expensive looking wedding and the traditonal dress of the family at his wedding. It's very likely he comes from a wealthy (conservative) background which would contribute to pressures

I'm rambling a little, i'm quite tired. But I don't want people to think this means they Have to vote Kazui innocent. I don't know your theories. Maybe you think he's straight or sexuality is entirely irrelavent to his crime or you think he's gay but you just want to vote him guilty for some other reason. Any reason is allowed (although non-milgram fans trying to use him as a luck shrine has to be pretty weird)

I just think that when you judge Kazui as a gay man who 'lied' to a straight woman, you need to look at the context it happened in and the many real people who still exist in marraiges like that. Beware whomst you call deceptive or manipulative in a world were heterosexuals feel entitled to your immediate coming out.

[linkspooky]

Hi! I saw your tags about Tara in Teen Titans comics--I'm only familiar with the cartoon series. How do your feelings about Tara compare in the show vs. the comics? I ask since I noticed you mentioned that Tara never really cared about BB, which I think is obviously changed in the show, and I wonder how you feel about that.

They're both good? They're both good! I think one thing people forget about comic book characters vs. adaptations of comic book characters, is that comic books were always intended to be a collaborative medium that builds on itself through the work of multiple authors and interpretations. Thus, you can have multiple versions of the same character who have the same core but don't really have to be exactly the same. This is why it is kind of silly when people get upset animated adaptations make changes from the original source material because that's kind of the point, in a collaborative medium, you're going to get another author's take on the same character.

Since you asked I can give you an analysis on the core ideas of Teen Cartoon Terra vs. Comics Terra, and also her relationship with Beast Boy in both versions.

1. GWEN STACY

So, I once talked about how Terra was always intended by her creators to die, but that's not necessarily offensive or fridging her character because Terra's still a character with a lot of narrative agency. Terra is the main character of her story, it's just her story happens to be a tragedy. That is true for both versions.

Before the start of the story her fate is sealed. This is what you call doomed by the narrative. George Wolfram and Glen Murakami have both given interviews explaining as such. Albeit, for different reasons.

Comics Terra was essentially made to deconstruct a lot of comic book tropes. I lovingly call her "Asshole Kitty Pryde." From conception she was going to be the spunky new kid with mutant powers who joined the titans at fifteen and immediately became friends with everyone... except she was evil all along.

George’s strength was he also understood the characters 100 percent as I did so there was never any question. He knew. We had talked enough about the characters to know we were exactly on the same page with them. So I said, “Everyone keeps complaining that we’re like the X-Men” and the X-Men had just gotten Kitty Pryde. I said, “Why don’t we really screw around with them completely?” — this is the fans — “…and make them think we’re stealing Kitty Pryde only she’s gonna be bad from Day One.”

Of course this is where authorial intent differs from like, what actually ended up happening in the story. Worlfram's intent was to always make Terra have no reason for her actions, the tragic backstory she feeds the teen titans is kind of embellished and made up, she decided to become a mercenary all on her own, she wants to work with Slade and is even trying to seduce him. However, Terra still comes off as horribly tragic despite their intentions and other authors have since then picked up on their subtext.

Like, I genuienly think the intention was to just write her as pure evil, but instead what they got was writing her as a bad victim. That is, the kind of victim that presents incredibly unsavory and unlikable reactions to their abuse instead of either being kinder than their abusers, remaining pure and chaste like Cinderella or just waiting to be saved. Terra's not a passive victim nor is she waiting for sympathy, she hurts people the way she has been hurt, she maipulates the way she has been manipulated. Terra's been beaten down and now her goal is to come out on top. I believe the reason why she came out this way has a lot to do with Perez and Wolfram sticking to their guns and never giving her a redemption arc.

The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case.

First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. The fans had to accept what we were doing and not do the same stories that they had read 14,000 times before. You know, at Marvel, Quicksilver and Scarlet Witch were villains who became good guys and I could go through a whole list of ’em.

Their commitment to the bit meant that Terra’s story became what was essentially Greek tragedy at that point. Terra was always fall and because of that, Wolfram and Perez dedicate a lot of time in the story showing the audience exactly what all of her flaws are and why those flaws are the reason for that fall. They committed to their creative decisions when writing this character, which is why Terra ends up being such a strong character, especially for the time. Of course there were female villains, but they weren’t really allowed to be complex victims to the degree that Terra is, have her entire range of negative traits, have her flaws fully on display and then still have it be a tragic ending when she does not get saved. 

Gwen Stacy was always going to die, and Terra was never going to be redeemed. I do not believe either of those cases are fridging because sometimes characters die in fiction, and sometimes they contribute more ot the story dead than they do alive. Terra’s the first real loss for the Teen Titans, it also came on the cusp of a time in DC where teenage superheroes and sidekicks started to die (Cough, Cough, Jason Todd). Under the Red Hood and Judas Contract are such effective and lasting comic book storylines because they are such tightly written tragedies  yes... both of them depict a bad victim who does not get saved (even though that is the whole point of both arcs). 

Terra is in fact, probably more comparable to Under the Red Hood Jason than she is Gwen Stacy because she is number one a teenager with problems who probably should not have been made a superhero in the first place, and two a trauma victim who copes by manipulation and violence to try to reclaim control of their lives. But, to bring the Gwen Stacy comparison back. Gwen Stacy was always going to die, Terra was always going to die, but unlike Gwen Stacy Terra is not anyone’s love interest she is the protagonist. Peter Parker fails to save Gwen because the Green Goblin attacked her, she was killed to hurt Peter Parker. Terra pulls the arena down on herself and buries herself alive in Samson and Delilah-esque fashion at the end of her own personal tragic arc. 

To get to the real differences between the two characters though, characterization wise, I think both versions start with the same central concept, this is a troubled teenager who should never have been made a hero. 

Terra is a deeply troubled teen, however the way she copes in both versions are wildly different, almost opposite. I like to say cartoon Terra has like, at any moment five different personalities, while comics Terra has no personality. 

2. Runaway Girl

To elaborate on this, cartoon Terra’s entire character revolves around how unstable her sense of self is, due to never having any stability in her life. The cartoon is actually very purposeful in showing in both imagery and metaphor Terra’s splintered sense of self. The first few lines of dialogue introducing her are this. 

“She’s not in trouble, she was leading it into a trap.”  “Question is, who is she?” Slade: “Don’t get too attached my young friend, I saw her first.” 

Said by the Titans and then Slade. Even in the first lines introducing her, not only is the question of who she is asked, but Slade immediately tries to claim her from the titans. Later on in the show, the way Terra acts around the Teen Titans as a group, the way Terra acts when she is with Slade, the way Terra acts when alone with Beast Boy, the way Terra acts when alone with Raven are all wildly different versions of herself, to the point where it’s hard to believe she’s the same girl sometimes. 

This is even apparent in the first episode before Slade even gets to her. Terra insists that she enjoys sleeping outside, she enjoys running from place to place, she doesn’t really want a place to stay for the night, she’s presenting herself as some sort of self-reliant and worldly traveler instead of what she really is, a homeless runaway kid. Terra is attempting to appear calm, cool, and responsible and she is absolutely none of these things, and she’s pretty transparent about it too. She cool girls herself so people will like her. The second she is alone in Beast Boy and loses control of her powers for 30 seconds, she immediately crashes, starts berating herself and her self esteem sinks to the bottom of the ocean. 

Trust, is something constantly brought up again and again with Terra’s character though I would say Terra despite literally being the main character of an arc called the Judas Contract, despite betrayal being the one thing she is known for... always sees herself as getting betrayed first. Which is why she overreacts to the perception that Beast Boy broke a promise to keep her powers safe in the first episode. Terra doesn’t trust people at all. Though, to trust people and form healthy relationships with them, you actually have to be a fully developed and well-rounded person which Terra is not. Terra is basically a foster kid who has been through several families before this, waiting for her current one to dump her. She has interanlized the idea that there is something wrong with her that makes this rejection happen, but she doesn’t know how to fix it, or how to be better the kind of person that can have those healthy friendships so she dedicates herself into hiding those flaws instead. 

Terra: You don’t belong with the Titans. Terra: You don’t know anything about you. Slade: On the contrary Terra, I know everything about you. I’ve been watching you for some time. I know why you’re always running away. I know your secret, little girl.

This is also why she runs from the Titans to Slade. It’s a question I see commonly asked about cartoon Terra, if she’s meant to be more sympathetic than comic books Terra why does she willingly go to Slade instead of staying with the Titans? Which is a silly question, because you might as well be asking why do grooming victims get groomed? Why don’t they just know that groomers are bad people?

Teenagers are not grownups. Especially not Terra, a bastard child rejected by her parents who has been on the run for however many years. Terra is a teenager and a severely underdeveloped teenager at that, and she has learned to survive on the streets yes, but that’s not really the same as learning to be a functional person, who can have healthy relationships with people, and control their emotions. Children actually require parents to nurture and teach them and raise them up to be more functional adults, and they also require the stability adults in their lives provide them. 

Terra goes to Slade because he is an adult who is promising to be there for her, and give her control and stability which are things adults in her life have failed to give her. She can’t trust the Titans to give her these things because they are children one as Slade needles her into believing they cannot understand or help her, and two the way Terra has lived her life up to this point a transactional relationship with Slade makes more sense to her head than the found family the Teen Titans have based on love and trust because Terra is a stranger to both of those concepts. 

Terra is also someone who has little control over her life in general, which is why cartoon Terra is so passive in comparison to comic book Terra. In the episode Betrayal itself, Terra keeps her foot in the door about the actual betrayal the whole way, and seems to change her mind on what she wants several time. Because Terra has five different personalities. Ginger Terra, Sporty Terra, Posh Terra, Scary Terra, and Baby Terra. Terra doesn't have a cohesive sense of self so she's entirely reactive, she just does what she thinks will keep her safe in the moment. Terra wants safety and control of her powers so she goes to Slade. Terra feels guilty about what she does for the Titans so she tries to run away from Slade for the moment. Beast Boy asks her out on a date, but because Terra's betraying the Titans that night Terra says no. Five minutes later, Terra says yes. She is constantly changing her mind and contradicting herself like this.

Which is where we get to the greatest contradiction this episode, Terra betrays the titans and clearly feels guilty about it,b ut instead of say telling the Titans what she did or coming clean she just runs away. Which is where we get to the extremely subtle imagery of Terra in a house of mirrors.

Terra can't face her reflection over and over again, because she can't face herself, because she has no sense of self. She doesn't know why she does these things, but she's done them now, and she's stuck with those choices.

Terra: Beast Boy, I'm so sorry. I never meant for any of this to happen. Beast Boy: Then why did you let it? Terra: I don't know okay, I don't know. Slade he helped me. He saved me from myself. He said I owed him. Beast Boy: So, it was all just a game. You were just pretending. Terra: No. You said you'd be my friend no matter what, remember?

This is also Terra's most honest display of remorse, and the exact moment Terra gets rejected, crying and begging for forgiveness for what she's done and after that is the point where she goes full villain. Terra goes from baby Terra, to Scary Terra. A lot of who cartoon Terra is born from fear of moments like this where she is rejected. Terra was the one who tricked Beast Boy and Beast Boy is rightfully upset of course, but in Terra's mind only able to see her own hurt feelings Beast Boy is the one who broke the promise to her. Terra internalizes the fact she cannot be forgiven at that point and seeing no other recourse goes full villain and insists she feels no guilt, she wanted to destroy the titans to begin with, it was all a lie. The complete inversion of how she acted in the betrayal episode. Terra is manipulative, spiteful, hungry for power and yes she's capable of being all of those things but one important thing is.

The second, the second Slade starts mistreating her and beating her Terra immediately wants out. It turns out it's not power or control Terra wanted at all with Slade, but the idea of safety he provided her. The moment it becomes unsafe for her she tries to leave again, because Terra is a child desperately seeking safety in a world that feels unsafe for her, and she'll find it by crushing people she perceives to be a threat if she has to.

That is Terra in a nutshell, she doesn't feel safe anywhere, or with anybody. She has no stable foundation. She is the human embodiment of the tower card in Tarot. No matter how hard she tries to trust others and trust in return, because those are basic human urges we all have, she ends up falling down. It's interesting for a character who is so famous for betrayal, how much of her arc shows she clearly wants to be accepted and trusted by others, and gets hurt at the idea of their rejection. Even the day she literally betrayed Beast Boy before taking him out on a date she asks him this.

Terra: Do you trust me? Beast Boy: More than anyone I've ever met.

I would say Terra's inability to trust doesn't come from the fact she's a bad person or a bad victim, but because she doesn't have the tools to form healthy relationships because of how seriously neglected a child she is. A part of the tragedy of Terra is because Terra cannot save herself, because she is a child. Just like how the Titans have such difficulty saving her, because they are children too and they're not really emotionally prepared to save a person as morally grey and as in need as Terra, and the only adult in the situation is Slade who is there to take advantage.

Transitioning too. Comics Terra, while cartoon Terra has too much personality, Comics Terra has too little. She was written to be a sociopath, and that's not really my term that's how the writers describe her though I can dig up evidence she shows clear signs of being capable of having attachment to people. I'd say rather than a sociopath she's more written as an enigma. Terra's motives are spurious, her actions are inconsistent, she seems to be driven by spite. She is an incredibly angry kid with a chip on her shoulder who seems to be capable of anything.

Cartoon Terra is trying to play along with other peopel's expectations to her, while comics Terra rejects everyone's expectations. She loathes cute teenage girl superheroes. She finds dressing up in costumes and fighting crime to be ridiculous in the first place. Though, I would say despite saying she clearly hates the titans, literally the next panel she displays some affection for Kid Flash.

Comics Terra isn't completely unfeeling, she's capable of forming connections to people, she has a fondness for Geo-Force her brother, Kid Flash, and sort of for Beast Boy she just never fully forms relationships with them.

Terra's not really even maintaining much of a cover with the Titans, because both with Slade and the Titans she is a rude, belligerent raunchy kid who is trying to constantly get into other people's faces. Terra is all of those things, she just when she is alone with Slade also pretends she is an adult, in an adult relationship with him. (Cough, cough, grooming victim. A victim of sexual grooming in this sense too).

Terra's written to be a sociopath yeah, or at least her writers tried too but I'd say she's more a character who the audience has little to no idea what is going on in her head. A lot of her is left ambiguous. Considering her backstory though, the rejected bastard of a king, someone who is working as a mercenary at fifteen, she clearly has not had a good life. Just like cartoon Terra she is lacking a sense of self.

However, instead of eschewing her agency, Terra takes her agency from other people. Cartoon Terra is good at manipulating when she wants to be, but Comics Terra sees the world in terms of every relatonship is transactional and based on manipulation, the world is winners and losers, the world is about who is on top and who is on the bottom. Terra lacks no real goal, or purpose, no friend, no home no loved ones she really only wants to crawl up on top of others if she has to.

Which is exactly why she gets into a relationship with Slade. Comics Terra seems to think her and Slade are equals, and that she is manipulating and using him as much as he is using her. The tragedy in this case arises from the fact that you know, Terra is a fifteen year old girl and Slade is three times her age.

There's an entire chapter where we follow around Terra montiofring people with contacts, and she's going about the titans daily lives just, telling Slade how much she hates them the whole time, but then she stops to ask Garfield why he's constantly being rude to other people and seems genuinely interested in listening to him talk about his feelings.

Terra's only out for herself, she is out to define herself and not let anyone else tell her who she is and who she should be. Terra's selfishness makes sense though considering the situation she is, she's either made to feel nothing like how she was with her family, or she is being sexually groomed by a guy three times her age. Her response to that, her extreme self interest and only caring about her own survival really is her way of fighting back against a world that she sees as trying to wear her down.

And that's a key part of her character Terra is a grooming victim who is also a bad victim. She's being groomed and her way of reclaiming her agency is to insist she wants sex, she wants to hurt people, that actually she's the one manipulating Slade. It's all Terra trying to assert control in a situation where she has none. I don't know if you know this, but a fifteen year old can't manipulate a guy in his fifties who has been doing this for years. Terra also, projects a lot of her hate for her situation and her lot at life at the Titans.

They did not do anything wrong to her, but at the same time she's pretty cosntantly unhappy with them, she complains none of them like her, she complains about their lack of trust, I believe that's less Terra trying to infiltrate them and more Terra herself either believing she cannot fit in anyhwere or as a person who only believes in transactional relationships and manipulation just not understanding how family works.

Terra also acts like dangerously unstable at all times, there's a point in the comics where Beast Boy gets way too aggressive with his flriting, that he full on triggers what resembles a PTSD response in her and she tries to bury him alive.

At times like this when Terra is made to feel she's either not the one with the power here, or being looked down upon she asserts herself with violence to desperately try to regain control. It is not healthy by any means, but it is still the behavior of someone who is coping incredibly poorly. Terra relies on fear and control to make herself feel safe at times like this, because she's not been shown love early on in her life and by this point she genuinely does not understand it. And also I cannot emphasize this enough as a victim of sexual grooming, Terra is pretty much not ever safe, or in a situation where she has bodily agency or control.

Terra in the cartoon dies in a heroic sacrifice, whereas Terra in the comics dies because she loses control of her power and essentially suicides. If anything the tragedy here is that Terra is someone who never learned to be a girl properly, nor was she appreciated as a human being and because of that she formed her entire sense of self around her powers. She is a child, and never having been allowed to be one, and not knowing how to live in this world, form relationships with people, trust and be trusted she dies as a child. Terra once again has nothing solid to build herself on, and because of that the tower falls down.

3. Terra and Beast Boy

In the cartoon Terra and Beast Boy are clearly meant to be in a relatoinship, in the comics Terra claims to have hated him all along, but arguably she could have been fond of him.

In both versions the relationship is entirely wrong headed from the start. A lot of it has to do with Beast Boy's flaws as a character. I wrote on and on how immature of an individual Terra is, and Beast Boy as the youngest on the team shares many of those immature and selfish traits. IN the comic itself that seems to be the reason why Beast Boy and Terra are paired together, they are the closest in age, she is the new girl and the trope Terra is made to deconstruct is the cute comic book love interest.

Comic book Garfield is almost more immature than cartoon Garfield, and on top of that is a full blown male chauvinist. A lot of people do not like Wolfram/Perez Beast Boy, I kind of love him because he doesn't understand woman's boundaries and thinks he desperately needs to get into a relationship and makes them uncomfortable because he sees his flriting as harmless to them... you know like a teenage boy. Unlike most characters like this that appear in media, this quality of Beast Boy's is something that gets called out on all the time.

Terra and Beast Boy do have something in common in that they are both outsiders to the group, they are the youngest so no one takes them seriously, they are almost always stuck together, there's a scene where they're both getting tutored by a tutor Garfield's rich father hired and they're both such ADD kids no one wants to be there. She does have at least one genuine moment of connection like this one.

Their immaturity is what makes them the most similiar, but they go about the inferiority they feel towards other people in opposite ways, Terra sets out to try to prove that she is better than other people by asserting herself, while Beast Boy tries to bend over backwards to win their love.

Terra sympathizes with Beast Boy because they share the same root cause of the issue, but they cope in opposite ways and because of that she looks down on him as just another kid. Which is something Terra is desperately trying to prove she is not. Terra genuinely does go out of her way to kiss him which shows this conversation at least affected her, she has moments of being genuine around Beast Boy, but I think this and every version of Beast Boy is too immature to ever reach her. Because to return to the male chauvinist aspect of Beast Boy's character, not long after this scene he full on triggers Terra by coming on way too hard to her.

Beast Boy wants a girlfriend, to validate his feelings, to make him feel special when he feels like he is the only kid, and the one most often left behind in a group of adults. He tries to make Terra into his love interest and Terra does not want to play that role at all. There are moments where Terra is genuine with Beast Boy, and he might have been able to reach her, but Beast Boy is so obssessed with the image of Terra he has built in his head and the idea of having her he's never able to even come close to her.

Beast Boy cannot understand Terra with any sort of nuance whatsoever, because she's a woman who doesn't really want to play along with any image of her in his mind.

Their cartoon relationship is much less destructive, but really suffers from the same fundamental problem. Both the episode "Terra" and the episode "Betrayal" feature Beast Boy trying to make Terra a promise that he cannot keep. The first time he promises to keep her powers a secret, he actually keeps that one but the perception that he's betrayed her is what makes Terra run. The second time Beast Boy promises to accept her no matter what she does, only to reject her when she is openly weeping and apologizing at his feet out of remorse.

Like, if you wanted to save Terra. To convince her to turn back to the side of good there was never a time more ideal than that but Beast Boy spits in her face. Because while he's a hero he's also a fifteen year old boy feeling hurt and betrayed. This is Beast Boy's Orpheus turning back to look at Eurydice moment.

Terra: Beast Boy, I'm so sorry. I never meant for any of this to happen. Beast Boy: Then why did you let it? Terra: I don't know okay, I don't know. Slade he helped me. He saved me from myself. He said I owed him. Beast Boy: So, it was all just a game. You were just pretending. Terra: No. You said you'd be my friend no matter what, remember? Beast Boy: Slade was right, you don't have any friends.

Beast Boy's attraction to Terra is sort of instant and a kiddie crush, but any relationship they might have had is broken by the time Terra runs away at the end of their first episode together. Afterwards Terra has already betrayed the Titans, and Beast Boy is clinging to the girl Terra appeared to be the first time they met.

Beast Boy doesn't really fully comprehend Terra, which is why the literal last episode of the series is Beast Boy stalking Terra all day long and insisting that he knows her best, and he knows certain things about her and acting confused when she tells him that she was never that way, she never liked sleeping outside, she wasn't the girl he thought she was.

I went to great length to show how Terra's emotional immaturity results in her constant flip-flopping and contradiction, but Beast Boy shows the exact same behavior. Beast Boy in the cartoon tries to play roles to Terra that he is not emotionally mature enough to play. While at the same time. The first is he tries to be the one protecting her, the one guaranteeing her stability. In the first episode he is the one who stays with Terra and calms her down after Slade triggers her into nearly causing an earthquake.

At the same time by the end of that episode he's unable to make Terra stay because she's so hurt at the idea he betrayed one secret. Beast Boy is also the same person who one episode ago told Terra that she didn't have any friends to her face when she was crying and apologizing and just left her there, and the very next episode gets angry when the titans say Terra is irredeemable. Beast Boy that was you. You said that, to her face.

Beast Boy: Terra, you're our friend. Terra: I don't have any friends, remember?

Beast Boy wants to act like a hero saving Terra, but he's not that great of a hero, nor is he emotionally mature enough to do that. Which is why we get this behavior of Beast Boy, first reaching out to save her, and then resorting to victim blaming when he feels like he can't save her. He jumps between I am Terra's best friend, I know she was there all along, to just Terra doesn't have any friends. Terra you wanted to do these things, it was your choice. There's no consistency in Beast Boy's actions, because Beast Boy doesn't really know what to do he is vulnerable and desperate, because a person who he cares about has hurt him, and is also hurting.

Beast Boy is once again trying to put Terra into a simple and easy to understand box. He is acting like the hero of the story, and she flips between his villain and his love interest when that's not the case. Terra's more focused on Terra herself, she cares about Beast Boy but she's also just trying to survive. Beast Boy is a little bit too focused on his relationship with Terra, and like the validation he wants to get from her that he can't look at Terra as a whole person, or realize from an outsider's perspective she's a kid in dire need of saving. Well he does at times, but like I said he flips between advocating for never giving up on her, and victim blaming her because Terra is not easy to understand and he cannot make up his mind.

Terra is the main character of her own story and Beast Boy doesn't know how to comprehend her that way, or set himself aside to look at things from Terra's perspective because he's fifteen and stuck inside his own head with all those adolescent feelings and hormones.

In both versions, I think Beast Boy mistakes what could have been a strong friendship for romance because he is obsessed with getting into a relationship without really understanding what that entails. Beast Boy not being a good boyfriend at fifteen is actually perfectly understandable, the whole tragedy of the Judas Contract in general is that just like Terra is too immature to save herself from her situation, the Titans also just being kids are too young to save her.

They also both try to jump into a relationship without building a solid friendship first, because they both need love and stability and have no idea how relationships are supposed to work. It's like they both fell in love with the people they were when they first met and the relationship never evolved. They are similar and there is a connection, but rather than the things they have in common bringing them together, it drives them apart.

[yanderes-galore]

Can I request number 1. Bowser I don't care how many times it takes to get through to you, I'll make you realize how much I love you

https://www.tumblr.com/yanderes-galore/700551429444763648/reblogging-again-because-i-lost-my-previous-one-in

Sure! I do enjoy writing Bowser content ^^ I made this one have angst again, whoops- Sorry if this isn't that good, my favorite trope happens to be Bowser struggling to understand love I guess???

Prompts Found Here

Yandere! Bowser Prompt 1

"I don't care how many times it takes to get through to you, I'll make you realize how much I love you."

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Stalking, Kidnapping, Forced relationship, Angst, Frustration at being ignored/neglected (?), Isolation.

Bowser felt his love was forbidden. As the Koopa King, he can't find someone who'll love him. Such neglect makes him get a bit... desperate.

He isn't meant to have the happy ending. He's the villain all while the heroes get to be happy. What does he get?

To be isolated in a castle surrounded by lava.

Maybe he wants to be happy for once? Perhaps he's tired of being seen as just the villain? It irritates him to no end.

It only upsets the Koopa King more when he realizes he'll only be seen as a monster and a villain. Even to the one he set his sights on.... He felt both anger... and sadness towards this.

You looked like such a treasure to him. You lived on the outskirts of the Mushroom Kingdom, one of the few humans residing in this realm. He couldn't help but keep an eye on you.

You had wondered why Koopa and Goomba troops were so common around your house. You thought they were planning an assault on the Mushroom Kingdom. You didn't think you had anything to do with this....

You didn't think you meant anything to Bowser.

You had a strong effect on him. The first time he met you, when you helped Mario and Luigi track Peach one time, he kept you in mind. Then he kept seeing you help his enemies and had enough. Now, he could care less about kidnapping Peach....

You were the real prize.

It's scary how one encounter made the Koopa King stalk you in your daily life. It was impossible to do it alone, so Kamek and troops did it for him. You had no idea what they were planning-

Until Bowser decided he had enough waiting and ordered your capture.

Bowser didn't bother trying to classic ways of courting. You were one of the good guys, he was considered a bad guy. Talking it out would bring you two nowhere.

That's how Bowser saw his obsession...

The only way to love you was like a villain.

The relationship was doomed from the start. Bowser knew this fact in some capacity, he just chose to ignore it. He's selfish, desperate, and impatient.

Even when he explains he loves you and means no harm, you're going to see a monster. That's all people ever see. If he's seen as a monster...

Then he'll be a monster as there's no use in changing people's mind.

He just hopes he'll change your mind some day. That you'll see his affections as... loving. It's a daydream but he hopes so.

Soon you won't need the cage, the isolation, and the locked doors.... Soon... he feels you'll love him. Until then, he tries to drill it into your head that he loves you.

"I don't care how many times it takes to get through to you, I'll make you realize how much I love you."

He knows it's one-sided. He just hopes if he tells you enough, if he drops the intimidating posture and looks pathetic, you'll love him. He knows you, he just knows you felt bad for him at one point.

Keeping you captive is a futile attempt at fulfilling a pipe dream. He knows the right thing to do would be to let you go. He can't bring himself to do it despite knowing, in your eyes, it's wrong.

You'll never be happy this way. No matter what Bowser does, if he doesn't let you go you'll never love him back. Perhaps, deep down...

Bowser can't accept that.

The Koopa King will keep clawing for this fantasy even if it hurts you and him. He's tired of being the bad guy. Yet, in his attempts to feel wanted...

He only makes things worse...

Which makes him even more of a bad guy.

[morningstarwrites]

Omg oh my star i love receiving your updates notifications, and you keep doing such a lovely job to be consistent with it, thank u a lot for the food. So where do I start…this chapter might become one of my fav like ever. I love that now Rosie is gonna help Angel with his ‘project’ and please I need to see Lucy actually getting jealous of someone being near Al, or overall being protective of him, cause I can’t be the only one who think that’s hot as hell?! Eheh see what I did there! Totally pun intended

We already seen Al being jealous in numerous occasions, so I think it would be hilarious if Lucy, who actually has more grasp on his feelings for him, gets jealous and Al doesn’t understand why the king of hell is suddenly angry and clingy to him but he actually finds that he doesn’t mind it, and he gets even more confused lol

I adore how in this chapter Lucifer is respecting Al’s boundaries and Al is finally asking for another hug. I screamed so hard when he made Lucy sit on his lap, cause one hug wasn’t enough, and Lucifer just went on with it, following him like a little duckling. One of my favourite scene was definitely the ‘drunk fist fight’ scene. The mental image of Lucifer and Al wobbling like infant and throwing punches and strawberries at each other was priceless. At one point I was wheezing so hard I had to take a break. Ohhh and Lute finally made her move eheh Imagine if she just ends up sanding Nifty back, only after a day, cause she is discovering a new novelty: bad girls. Heaven is doomed!!!

I love this, can’t wait to read more💕💕

Btw I was wondering…u talked about showing more of their relationship in the future, when they finally get together. And do u accept prompt by any chance? Cause I am a big bottom!al stan and I would love to see Lucifer spoil the HELL out of Alastor, like giving him 🎁 and such, and him not knowing what to do with that:)

‘One the one hand, how dare he 'baby' me, on the other hand, hmmm, this is actually kind of nice’ kinda of thing😆

Honestly I mostly say that cause I am ace, and that would be what I would want from a possible romantic relationship. I like the idea to be spoiled a lot lol

But anyway thank u for listening💜

I am SO touched, thank you 🥹 I'm so glad you liked the chapter!

And me personally, I love the jealousy trope! I'll sprinkle it in for sure. I know, that hug was a long time coming haaaaaah I get shocked by my own slow pace sometimes

Don't worry - their relationship is gonna be super romantic, I guarantee it! Definitely gift-giving and such. But also they'll still be dumb and aggressive together haha. I've always approached them as a Partnership of Equals so you'll see how it unfolds!

Thanks for letting me know your thoughts, because it definitely helps me think about what people are interested in seeing/carve out the details for my next chapter!

[co-mixed]

Daredevil by Charles Soule

Let’s start with the wow. The same wow that comes after finishing a great run by a great writing team. Charles Soule and various artists alongside him took the several times reimagined, arguably the darkest hero of Marvel and gave him an entirely new life. Let there be spoilers.

Bottoms up

I want to immediately talk about the end of this run. It's a dream sequence, which is a notoriously difficult trope to pull off. Most people will agree that gotcha! dream sequences cheapen their own effect. But I can't say that the resolution felt cheap here. Despite watching it unfold throughout several issues, it was everything that Matt had ever wanted. From turning imaginary family real to having the final dramatic night with Elektra, to heroes assembling to take down Kingpin. It was so epic it was doomed to be a fantasy. 

But none of that would've happened had it not been for the previous events. The run starts with Daredevil in black, which is never a good sign for a hero. And don't for a second think that no one makes a joke about that. Spider-Man is first in line. But it's not only the costume that's different: the whole public identity cat is back in the bag. To be frank, it gets a bit confusing. So much so that I had to go back and recheck reading guides, to make sure I didn't miss a special where Daredevil makes a deal with Mephisto. He doesn't, in fact, when he gets the opportunity, he walks away. Good for him, I suppose. 

It takes 20 issues of city and overseas adventures to finally find out how and when he pulls off the restoration of the status quo. It's a pretty enjoyable arc for which the narrative style and the colors of Waid’s run make a temporary comeback. 

Status quo

But back to the now, to the beginning: Daredevil has his own Robin, a kid called Blindspot who wants to protect Chinatown like Daredevil does in Hell's Kitchen. The only one who knows Matt is Daredevil is Foggy and he's so salty about that, they're almost on the outs.

Kirsten had joined the extensive group of exes (I have a mental list of them so far) and a shorter list of exes who got away alive. Oh, and Matt was back in New York. It's been way too odd to see him in San Francisco. If the X-Men could thrive there, Matt Murdock definitely belongs in NYC. 

Connections

Let's start with the romantic life. There is none. Charles Soule manages to tackle every other aspect of Matt’s life, even religion. But he has no romantic partner for the duration of this run. Which means no woman has to suffer and die unnecessarily. Yay. 

Well... if you don't think too hard about their conscience.

And you know, Matt's inability to maintain a relationship is probably 30% of the fun in his books. Still, Soule manages to deliver a rich dynamic narrative without dragging Matt’s partners through hell. 

Matt is not left without a connection though, despite everyone forgetting who he is, he gets a partner and an apprentice. Now of course this kid, Blindspot, gets the short end of the stick. He is blinded by Muse, who is a new villain on the block. Gotta say he’s a pretty decent villain too. A very Batman villain, I want to say. Since he goes all out with his creepiness and finds a BS pseudo-philosophical explanation for his sick hobby. That always makes me think of Bats because who else has a rogues gallery so twisted? But like I keep saying, the characters share a lot of common features so it's only fair their villains do as well. 

Muse, in fact, shows up twice and both times cracks sickness up to 11, even throwing in a little social message here and there. 

He serves as both Daredevil villain and Blindspot's re-origin story. Although I can't exactly say I’m happy with where Blindspot ended the run. He had potential and he had a struggle with darkness which surely could be used better anywhere other than with a group of flying nuns fighting priests.

Before that, of course, Matt has to go to China and fight the Beast. Why not? 

The why we fight

When he comes back though, that's when everything hits the fan and brings the arc that to me holds this whole run together. Wilson Fisk becomes the mayor of New York. And that, to me, is it. The why we fight of it all. A raging obsessive and violent maniac becoming a recognized public authority figure. I knew right then and there that no matter what Matt or Daredevil tries, he is screwed. And how beautifully it's delivered: it's not just that Fisk grabbed a position of power, it's that people showed up to vote for him. They bought and believed his message. And no one stepped in. He twisted the system and he used it to grab more influence. He sketched an idea of an enemy and united people against it. And yes, he rigged the election but in the end, we find out he didn't have to. Because fear and hate, they always work, don't they? 

There were two moments when I felt this book bleeding realism. 

The first one is when Daredevil mistakenly says he has faith in the people of New York. He believes they know what Fisk is and they can't support him. That's a lie. Or wishful thinking. Either way, they don't. And they don't come to his rescue as he is declared public enemy number one. Even the cops he’s helped so many times, they are in fact the first to pick up tasers and advanced sound systems to join the hunt. 

The second moment is Matt's paralegal at the D.A. office, Ellen, saying she supports Fisk’s ideas since Spider-Man destroyed her car once. Well maybe not just that but you get where I’m going with this. It's always the seemingly small things. And it's always the unexpected people. Her reluctance to respond when Matt asked her who she voted for, it was louder than a poster at a rally and if you have experience fighting the good fight, you feel it like a bucket of ice water. Of course, Matt gets to shake it off and go swinging through the city. You don't, so you're left with the remaining issues of the run.

Talk to The Hand

The power struggle goes on and on, neither Matt Murdock nor Daredevil gets a win until Fisk is shot full of The Hand’s arrows, and due to a lucky break, Matt becomes the mayor. Everything works out in a questionable arc that I don't want to focus on too much. I'm gonna say, however, that “I can't see the light so I will be the light” is a hell of a powerful phrase. With this phrase, Soule does to the reader what Daredevil is supposed to do. The whole reason for his endless misfortunes, and battles, and losses: inspiration.

This is, actually, the message of this run. Not guilt, not responsibility. Inspiration. At one point, Daredevil mentions that people have to fight for themselves too. And maybe the fact that people hear that is why he believes in New York. 

This optimism under the darkest of circumstances is another thing that continues Waid’s narrative. Because the tone, that returns to a more familiar Miller-inspired brooding nature. If you ask me, that's good. That's where Daredevil functions best. He’s not great at wisecracking, he's not Spider-Man. He has to remain intense and on guard.

Let's talk colors.

Several artists work on the run and each one brings a different look. Keep in mind, that this run was happening at the same time as the Netflix show. So yes, at some point characters began to look a little too much like the actors from the show. Which isn't bad, just curious. Either way, all styles worked in their own way. 

But my personal favorite was the arrival of Phil Noto. It took his mastery to deliver the final blow, the final massive arc that might have been meaningless in a wider sense but did bring a fat bouquet of emotions.

There were many moments throughout Soule’s run when I laughed and praised his writing. Even if the stories didn't always go where I’d like them to, it was never dull. From taking a case to the Supreme Court (and delivering a hell of an argument splash page) to the last words “And I am not afraid,” this series remained surprising and moving. 

[thewertsearch]

Asks Compilation 11/12

I never considered that Aradia could be feeling sincere gratitude towards Equius - that's a good point, and might partially explain her flushed feelings for him. Similarly, I never thought about how difficult and impractical a relationship would be for Equius, given he has this kind of strength paired with this kind of dexterity.

Anyway, I half-agree with your thesis. I can imagine a hypothetical kismesissitude between an older, more mature Equius and Aradia, and I think that relationship could potentially be healthy, for the reasons you describe.

But the one we're getting is doomed from the start - Equius's mind-control shenanigans have pretty much torpedoed the whole thing. I don't think he can have a healthy relationship until he figures out why that was wrong.

I'll give you a freebie right now - most of the Jojo villains would fit right in with the Felt!

Yeah, it's not like romantic rivalry is a new idea. Really, the more I think about it, the more I think Hussie's riffing on real relationship tropes with all the quadrants.

Hell, I could probably list some fictional characters that work pretty well as Moirails - and I'm not just talking about The Locked Tomb!

[ sent when you posted your troll ranking! - C ]

She's the best, she's the worst, and she's destined for great terrible things.

Sorry Eridan - someone had to nab last place!

He does have a great design. The cape and scarf work well together - I can see how he'd be easy and fun to cosplay.

We have two opposing views here, and they both make good arguments. Aristocrats do tend to be egotistical by nature - but Alternia would expect him to act that way, even if it wasn't his natural tendency.

I personally don't think Eridan ever intended to exterminate the land-dwellers, but I'm not sure he ever realized that himself.

Don't forget Insane Clown Hussie, which is when your webcomic author keeps putting more harlequins in their story.

Toby, what are you doing back in my ask box? Get outta here, you scamp!

Ayy!

It's funny, I never considered that many people are reading through the liveblog/chrono/ tag. I'm almost never on my blog's page; I see it through the dashboard!

Happy belated birthdays, Jade, Dave, and, Rose!

Odd. It really looks like John's birthday should be December 2nd. Maybe something went wrong with his meteor.

The Newtonverse is a corruption of Homestuck, but Homestuck is already a parody of a million other things. It's one layer too deep, and feels 'wrong' as a result.

Unless Cool and New Webcomic is a similar style of parody, in which case, who knows? Maybe the Newtonverse is simply real, and trying to break into our reality.

Yeah, that makes sense. She certainly looks like a classic eldritch monster.

I can't see the commentary - I assume because some of it contains spoilers. For comments that don't spoil anything, feel free to send them along.

It's always very tempting to check out other livebloggers so I can compare and contrast. I won't, though - quite aside from any worries about spoilers, I just don't want to influence my own opinions!

This has always been a blind spot with me, and it always will be. Try as I might, I will never recognize the difference between Rouge and Rouge.

I knew the comic had about 8000 pages, but it's good to know it clocks in at 8128.

It annoys me more than it should that it's not 2^13, or 8192. It would have been a nice round number to finish on!

Thank you, and welcome!

Eridan's beliefs don't really make sense - but it makes sense that they don't. It's bigotry, after all.

He knows trolls like Kanaya, and can clearly see that there's nothing inferior about her - but he can't let go of what he's been taught, so he just doesn't address it, and continues on as normal.

This comic is damn long, so it's a fun reference to make.

I'd probably pick one. No special reason - I just sort of vibe with the number, and it's the closest to something kooky like zero, or a negative number.

I would have picked the cueball, but I don't think I want Scratch as a rival...

Ok, that's fair, actually.

I love how she's trying to 'cull' them.

It's a good bit. I wonder if this means Hussie's trollsona is a green-blood, like Kanaya?

Read it!

It's not intended to! The others all link to the post where the work was recommended to me, but Con Air wasn't recommended - it's just a movie slightly relevant to Homestuck. I have it up there for completeness, and it's underlined for consistency.

[scalproie]

omg plz do 13, 16, and 25 for the violence ask meme on tekken FWKJFK sorry for so much im just interested to hear ur thoughts!!!

13. worst blorboficiation

Objectively, Lee is the "least evil" mishima and congrats to him for leaving (tho forcefully) that fucked up family and yeah his childhood sucked big time and I have to respect the hustle of him rebranding himself into the funny "excellent" flamboyant guy but GOD he somehow successfully tricked everybody into forgetting that he is also very not a good person. I KNOW we are starving for positive relationships in tekken but he is very much as egoistical and self-interested as the rest of his family, kazuya is his brother only by name only and lee not only doesnt care about him nor their father and he would happily throw him or both of them under the bus to get ahead LIKE HE IS DOING NOW BY WORKING WITH LARS AND JIN AGAINST KAZUYA. Lee could not have inherited raw power from heihachi so he got his manipulativeness, sketchyness and charisma, and lets not talk about how the devil gene is alienating both kaz and jin so there is no way lee could even keep up with that. But if he could I really doubt he would still be regarded as the meme man that he is now. I love lee but I feel like the only person that can see smth sinister lurking under the surface thats funny and approachable and even has friends. Thats not a negative btw I love that about lee but the overly kindness I see from people's interpretation of him sometimes take me out. Hes better, but hes still not good, yknow?

(as for mk im just slipping it there bc its fresh in my head, johnny cage holds the really heavy burden of being the only somewhat comical main character in a sea of dramatic people so he is doomed to be mischaracterized I think. Either hes treated TOO seriously and it feels... wrong in a way I cant explain OR he is subject to comical whorification. But thats just me hating fun I guess.)

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

Heihachi has the worst fucking development in tekken 7 it genuinely makes me insane that some people would enjoy this botched attempt of sympathy toward him, all while making fun of his original reasonning like "haha lions dont push their cubs off cliffs" WE KNOW its a traditional asian misconception that even has a name and it makes sense bc heihachi is old school but also ITS NOOOT ABOUT THE LITERAL LION THING ITS A METAPHOR ITS ABOUT GENERATIONAL TRAUMA AND TOXIC MASCULINITY GNGNHGNH and its BETTER than a hypothetical witch trial that makes NO SENSE bc HEIHACHI YOU THREW THE KID SAYING THAT IF HE SURVIVED, HE HAD THE EVIL IN HIM. AND THEN YOU RAISED HIM??? WHAT??? Its stupid. I hope he stays dead goodbye forever funny cockroach grandpa.

(mk break again but you genuinely have to explain 80% of the mk ships to me. Maybe its me being idk, a shipping paladin or smth and took an oath to the One True Pairing or whatever and im now blind to the rest but yeah I dont see the majority of it.)

25. common fandom complaint that you're sick of hearing

EVERYONE SPEAKING THEIR OWN LANGUAGE AND EVERYBODY UNDERSTANDING EACH OTHER DESPITE THAT IS ONE OF THE BEST THING ABOUT TEKKEN. FUCK YOU IF YOU WANT AN ALL JAPANESE OR ENGLISH DUB. ITS ORIGINAL ITS INTERESTING ITS GOOD TO HAVE CHARACTERS SPEAKING ACTUAL FRENCH, SPANISH, PORTUGESE, KOREAN AND OTHER IN A MAINSTREAM VIDEOGAME. FUCK YOU FOREVER IF YOU WANT TO TAKE THAT AWAY OR IF ITS "WEIRD" TO YOU BC ITS NOT REALISTIC, BORING BITCH.

ALSO "NOBODY CARES ABOUT THE PLOT" I DO!!! I DOOO!!! IM NOT GONNA LOWER MY STANDARDS FOR THEM TO MAKE A GOOD SATISFYING STORY JUST BC YOU CARE MORE ABOUT EVO TOURNAMENTS, MICROFRAME DATA, AND IF YOUR WAIFU MAKE IT BACK IN THE MAIN ROSTER.

[mistyheartrbs]

in a faberry post you said to ask about your quinn thoughts. so i’m asking. because as a character and an individual, quinn’s fucked and beyond interesting. so please; your favourite quinn thoughts. maybe something you’ve been pondering/holding onto that you’ve never had quite a good enough opportunity to talk about until now. something you’ve said 50 times over that you want to say again. rattle them all off in dot points. spend an hour writing a mini essay on two. what ever you like. what ever makes things easiest/most entertaining for you

YES...YES.........thank you dearly for this anon

so the thing about quinn is like. she is deeply deeply sad. and she is so gay. and she and rachel are both deeply unpleasant people, neither of whom would really be considered "good" by real-life standards and sometimes they even push it by glee standards (though people are a lot harder on rachel but that's a different essay) and quinn has the extra difficulty of essentially being glee's narrative punching bag. she gets pregnant she gets kicked out of her house her boyfriend pretty openly cheats on her she keeps getting dumped she tries to form a relationship with the baby she gave up only for the adoptive mother to outright refuse this and so she tries to steal the baby but this fails too her best friend who she is in love with almost gets married to her ex she's paralyzed for several months. the culmination of her arc isn't her getting what she wants, it's her giving up prom queen to rachel. and through it all we're told over and over again that she's selfish, she's horrible, she's the queen bee evil bitch even when what we're seeing onscreen is the polar opposite.

and i think one of the things that's interesting about her is how performative everything about her is, which lends itself to this sense that we're never even seeing the whole picture. we get these cracks in the glass - her confession that she's afraid of the future to rachel in 2x20, "i just want somebody to love me" in 2x22 - but by and large she has this veneer up. this manufactured self. we find out in s2 that she literally created a new identity for herself after she left middle school. lots of weird gender stuff going on there.

but despite all this she's still The Queen Bee Bitch. and however much glee deviates from/plays on high school tropes in other ways, she's still locked into the narrative culmination that that demands, which is to say, success for the protagonist at the expense of her own happiness. prom queen is a hollow title and she grows to learn that, but it's one she spent a lifetime working towards. and she gives it to rachel, because she loves her, and we never really see her get a fully realized happy ending beyond that (i kind of wish they'd just written her off completely so i could imagine she was being her best gay self at yale, or at least written her off after the quinntana sex episode) - she can't get the girl. that's not how this story goes. she's doomed by the narrative to never shine as bright as rachel. she was doomed the second she appeared onscreen in the pilot - hailed by rachel, no less - but god, she still loves so, so hard.

bringing faberry back into the conversation, she and rachel understand each other on this bone-deep level that nobody else in the show really manages. and it's remarkable. and it's so so compelling to watch, and a big part of why the latter seasons fail so badly is that we lose that complex relationship when we lose quinn - though, then, it makes sense that we would, since the watered-down version of rachel we see in latter glee would never have the same relationship the one we loved in the first half of the show does with quinn.

i have more quinn thoughts (i will always have quinn thoughts) but these are the main ones. girls when they're doomed by the narrative. girls when queerbaiting reveals a previously unforeseen depth to a relationship that would not be present were they straightforwardly canon. girls when dianna agron puts everything into playing a character who, on paper, could have just been a cautionary tale/one-note villain. and those girls? quinn fabray.

[clearlakeve]

a insomnia-driven set of thoughts (i.e. a book review) on Julia Armfield's Our Wives Under The Sea

I feel like I should like this book more than I actually did. On paper, it's got all the stuff I like -- a tragedy in the making, "you love her but you can't keep her", the ocean, cosmic horror, etc. But...something about the execution is just off for me I guess? 

Let me be clear: these are 100% my own opinions, and I understand that a lot of people like this book. That's absolutely fine! Nobody has to agree with me! Everyone is entitled to their own opinions! No hate here :)

Things I liked:

   1) I think the book does a very good job of acknowledging/representing the queer love? romance? at its core. Miri and Leah are married, and that is important to them, and it's not a major plot point or anything, but there are still subtle societal pressures surrounding them. It's always nice to see relationships like this normalized in a realistic way.

   2) The ocean descriptions. oh my god. I love the ocean and I think the book did an excellent job of conveying its beauty and also how terrifying and vast and unknown it is. "To know the ocean, I have always felt, is to recognize the teeth it keeps half hidden." Amazing. 10/10 line. Beautiful.

   3) Leah's chapters are pretty cool. She's obviously the more dynamic character to Miri's more passive one, and while this...has certain drawbacks I'll talk about later, conceptually the idea that the more passive person, the one left behind picking up the pieces is the one stuck in the present while the dynamic character is (in a sorta meta sense) stuck in the past is a pretty cool subversion of traditional adventuring/fiction tropes. It's clear that the Leah whose chapters we read no longer exists in Miri's present.

   4) It was always going to end like this. You were never going to be able to keep her. "Every horror movie ends the way you know it will." That one Tumblr post that goes something like "I loved you so much I broke the laws of nature to bring you back but I do not think either of us are happy." (aka the leftover pizza post). Despite the fact that I had issues with the way Miri and Leah were written, the sense of mounting doom constant in the background of the story was there, and contributed heavily to the tone of the overall story.

My problems:

   1a) I think my biggest problem is that the story and writing just did not make me care enough about either of the main characters. We are supposed to care about Miri, and through her, care about Leah. (I concede that Miri herself acknowledged this, but being self aware about this does not invalidate the detachment I felt from both the characters.) Leah and Miri are the center of the story -- if we cannot bring ourselves to care about them, the story sort of falls apart at the seams.

   1b) I think this lack of care is because neither Miri nor Leah get any real character development in the story. I was on a 14-hour flight, trying to understand why I loved The Song of Achilles but not this book, when they're conceptually and theoretically a bit similar. I mean, one reason is that Madeleine Miller's writing just works much better for me personally, but also, we are drawn to care about Patroclus and Achilles because we get to actually see Achilles develop as a character (from a young boy to an...adult?), and fight against his own demons and societal pressures. Even though it's a similar character pairing, where one character is much more dynamic than the other, the timespan of TSOA really works for it. In comparison, Our Wives Under the Sea sort of glosses over Miri and Leah's character development (we assume that it exists. It honestly might not.) in favor of a really short timespan and a lot of introspection. (Leah's portions are set in the past, but they focus pretty much solely on the events of the ill-fated submarine expedition, while Miri's are only about the aftermath. Kind of makes the whole story disjointed.)

   2) Connected to problem 1 (probably the reason for it tbh), but Miri is barely an entity in the story. This is bad because by and large, her sections are longer than Leah's. We know she loves Leah, she has a weird and complicated relationship with her mother, and probably suffers from some mental illness. But she spends such a large portion of the book waffling around and just being confused about everything! This does not an interesting character make. 

   3) Connected/extension to problem 2. Miri is so...passive? I wanted more emotion from her. It feels like she doesn't even do all that much to try to help Leah, it's really just her coming to terms that Leah is not actually back, and/or that she's changed. I wanted her to fight before coming to terms with it, or fight it to the end. Instead her entire tone was more just resigned. I cannot understand the care and love she had for Leah if she's so resigned and just depressed about it all the time. (Maybe her repeated calling of the Centre is supposed to be her fighting? Idk I just didn't get enough of that from her.)

   4) Too much is left unknown. I personally think the not knowing what Leah saw in the ocean is fine, but all the stuff happening with the Centre felt very mundanely confusing for no apparent reason? And I guess the author was maybe going for realism, where sometimes you just don't get answers to questions but...it's just more confusion on top of the already confusing wtf is happening to Leah thing.

   5) Kind of nitpicking at this point, but I felt like the introduction of Juna felt really unnecessary. I think it should've been someone else who drove Miri to the beach. Perhaps Carmen or Sam? Or maybe she drives herself idk. Most of the side characters in Miri's parts honestly felt useless to me. At least Jelka and Matteo seemed to serve actual narrative purpose in Leah's parts?

My final verdict: 2/5 ⭐.

Long story short, I really wish I had liked this book more than I actually did. It has such a cool premise! Maybe it was the stream-of-consciousness writing style or something, but it just wasn't my thing.

[staliamazing]

I'm gonna have a go, hope that's alright!!

What’s a fic you’ve read more than once?

Early morning rain by HeyGoodLookin on ao3! It was on a fic list @iansw0rld made for me right when we started becoming friends and I told her I a) watched Shameless, b) loved gallavich and c) loved reading fic! It's one I come back to for the cozy vibes and I have a soft spot for depressed Ian.

What’s a gifset you always have to reblog?

Gotta be thug Mickey with that damn gold chain (I am unwell) or Ian floating in the pool with all those leaves around.

What’s a headcanon you can’t stop thinking about?

To tell the truth I have been thinking far too much about other stuff (work, summer approaching, impending sense of doom that came with turning 20 etc etc) to have a good answer for this. I do like to imagine either Lip or Ian as left-handed though sometimes haha.

What’s a fanart you love looking at?

Uhhhhhh, next question! My fave gallavich fanart are all smutty and reveal wayy too much about myself so... I will say, Panic_Blooms on ao3's 2021 kinktober is a favourite collection of mine!

What’s an idea you’d love to create if you had the time/inspiration?

If I had the time/inspiration and also skills, resources, and luck I would Love Love Love to write my own Shameless script and force all the cast to act in it. I'd also love to turn my fics into screenplays and direct them too! Seeing the things in my head come to life that way would be amazing.

What’s something you’ve discovered since entering this fandom? A new trope you love? A different analysis of the show?

I've discovered the terms whump and hurt/comfort which are great for narrowing down ao3 searches haha! It's also been fun reading posts by @gallavichmeta and discussing analysis with other people in the fandom!

What’s an underrated trope or concept you’d like to see more of?

Hm, I'm not sure! I suppose a concept would be more of a film-makers view of scenes and blocking. OOH ALSO ALSO one of my biggest special interests as an autistic person is soundtracks so anyone anywhere who wants to talk about songs featured on the soundtrack PLEASE. please.

What’s your favourite season? And has this changed after multiple rewatches of the show?

The first handful of seasons remain my favourites! I've rewatched about 3 times since mid-last year and the nostalgia of them all never fails.

What’s a plot hole you wish had been answered or resolved?

Fiona getting custody of the kids then Not taking Liam with her when she leaves? I was so happy for her but like are you not responsible for a whole Being??? A child?

What scene or moment do you feel isn’t discussed enough?

That scene where you can see Ian's Calvin Klein's LOL in that burgundy shirt ... No but for real when him and Lip talk about them noticing Ian potentially being manic and going to the doctor and whatnot. Such a real, brotherly conversation. And then Carl coming in too. Such a special moment :,)

What line/dialogue/description from something else (a poem, a book, a tv show, a movie, or something else) do you feel describes Ian and Mickey’s relationship?

SCRREAAAAAAAAAM why would you ask this I have so many. What comes to mind first is lyrics from 'How To Love You Today' by Son of Cloud...

"I'm learnin' how to love you today

And I'm a little bit stupid when it comes to this game

Sometimes it feels like the rules keep on changing

But I'll try to keep up just the same"

To me, this captures the insecurity Mickey faces in loving Ian and a deeper down feeling of being incapable of caring for him or not knowing how to but over everything wanting Ian to feel safe and loved.

What do you think is next for Ian and Mickey post-finale?

Love. Always love <3

Totally optional, fun Gallavich questions if you feel like answering….

Answer one or a few or all, whatever you feel like! No worries if you don’t want to play 💖 but if you do, let’s talk Gallavich…..

What’s a fic you’ve read more than once?

What’s a gifset you always have to reblog?

What’s a headcanon you can’t stop thinking about?

What’s a fanart you love looking at?

What’s an idea you’d love to create if you had the time/inspiration?

What’s something you’ve discovered since entering this fandom? A new trope you love? A different analysis of the show? Something else?

What’s an underrated trope or concept you’d like to see more of?

What’s your favourite season? And has this changed after multiple rewatches of the show?

What’s a plot hole you wish had been answered or resolved?

What scene or moment do you feel isn’t discussed enough?

What line/dialogue/description from something else (a poem, a book, a tv show, a movie, or something else) do you feel describes Ian and Mickey’s relationship?

What do you think is next for Ian and Mickey post-finale?

Tagging: @sgtmickeyslaughter @bawlbrayker @shippergirl121fic @neanerbean @miilkoviich @deepeststarfishsong @golden28s @krystallouwho @m4ndysk4nkovich @joanna-olson @gembu-tortuesouscafeine @iris-writesx @redshirt2 @cal-tastrophe @midwestclover @tanktopgallavich @wh0lemilk0vich @jademickian @such-a-barbarian @zutaralesbian @transmickey @dynamic-power @milkovichrules @iansw0rld @crestfallercanyon @scurvgirl @thereyoflights @gallavichonly @redwiccanrobin @ohkate @astaraels @swiftfootedachilles @sam-loves-seb @jrooc @secret-gallavich @c0ffee-gh0ul @l0st4l1fe

And please feel free to tag others!! (I want to tag everyone in this fandom but that’s a bit much so I’m hoping people will answer and tag others) Also, please feel free to just jump in and answer the questions even if you haven’t been tagged! Can’t wait to read everyone’s answers 💖

[thecarnivorousmuffinmeta]

There's this sort of trope I've noticed in a lot of Twilight fanfiction where the Cullens do not return as quickly as they did in canon during New Moon and somehow inexplicably run into Bella years later, when she's in her early-to-mid twenties and I was wondering how you think this would go? In my head the Cullens would skedaddle the second they got a whiff of Bella, but suspending disbelief there I always have a hard time buying it whenever older Bella ends up back together with Edward.

I think it depends on the Cullen in question, or, if it’s all the Cullens together.

The Yoko Ono Effect

To be honest, if the Cullens had stayed away in New Moon, I don’t think they would have made it as a singular unit to five-ten years down the road. The cracks were already to show even a few months in.

This isn’t to say Bella is responsible for the collapse of the Cullens, I believe they’re doomed anyway, but she serves as a catalyst.

After leaving Forks in New Moon the Cullens immediately begin drifting apart.

Edward is despondent and depressed, within a few weeks leaves the coven, and travels down the continent until he reaches Rio where he stays for months. Note, Edward knew by the time he hit Rio that he had long since lost Victoria’s trail (for the record, he lost her in Mexico) but I think it’s very telling he does not return to the coven.

I don’t think Edward was ever coming back.

This puts a significant strain on Emse, as Edward is far and away her favorite child, and she’s noted as being anxious and severely unhappy with Edward’s disappearance. In time, I believe this would lead to the collapse of Esme and Carlisle’s dumpster fire marriage (which at this point only survives on denial and miscommunication).

Alice and Jasper leave the group to both a) get out of dodge b) investigate Alice’s past. While they do later return things are... awkward.

Rosalie desperately tries to keep the family together, tells Edward the bad news to a) be the only one with the balls to tell him and b) hopefully get him to come back to the family. This, obviously, doesn’t work.

I think without Bella’s suicide attempt the coven would have broken apart probably within the year. Rosalie desperately would have tried to keep them together, but Esme would crack and go to be with Edward, Carlisle would let her go, Alice and Jasper would probably keep their heads down and go on extended honeymoons, and eventually they all realize there’s just nothing to go back to. 

They go their separate ways.

The Cullens Are Still Cullening

But lets pretend that things work out.

Edward gets tired of being depressed in Rio and comes back to... be depressed with the family. To be honest, I don’t think he’d get over this. Edward was severely depressed before Bella.

He was very contemptuous not only of his own family but of humanity in general. Yes, he has this very strange idolation of humanity but he also views them as inherently beneath him and lesser. High school is his purgatory where he listens to the mundane thoughts of mundane mayfly humans.

He outright despises Jasper and Rosalie and even Carlisle, who he adores, he often views as something of a fool in great need of Edward’s personal protection.

Edward has lost all passion in life, even in his hobbies like music, and is slowly but surely spiraling down into a place where he can never recover. His obsession with Bella, while far from a good thing, brings light back into his life.

This is an Edward who gave that all up and willingly returns back to what he used to be. And I think that would destroy something in him. Frankly, I think it’d leave him in an even worse place than canon.

So, if the Cullens run into a now adult Bella...

Well, it’d be a clusterfuck.

Edward will be very conflicted as he tried to leave for Bella’s own good but now she’s done exactly what he wanted. She grew up and got over him, Edward presumably means nothing to her now.

Worse, there is now such a gap between them. Edward is physically much younger than she is now, he poses as a high school student while she’s an adult. Bella’s fears were warranted, she’s too old for him now, and in many ways has outgrown him.

If Bella’s in any sort of relationship with anyone, I think Edward would flip his lid, and murder her significant other. As he often fantasized murdering Mike as well as her nameless future husband. If she’s single...

I think with enough time, distance, and therapy Bella would be able to make significant strides towards a healthier mindset. She’d get over her depression and in turn over Edward. She might be angry at him for a while but in time would likely decide that he had left her for what were immature but noble reasons.

What they had was nice, but the relationship was never going to last. Even when she was a teenager, she knew this, which was why she so desperately wanted to be a vampire.

She likely might talk to him to find closure, but I imagine a more mature Bella realizes they know nothing about each other. She’s had so much time in her life now without him and he’s so different from what she remembered, younger. There’s no way to start a relationship, more, Edward himself realized it was never going to work.

I imagine Edward doesn’t take this well either. For all that Edward says he wants certain things, really, he does an impressive job making sure Bella never ran from him. Bella legitimately not being interested in him would destroy him and... likely lead to him devouring Bella eventually.

After all, Alice had predicted that Edward would not be able to stay away and that, ultimately, there are only two futures for Bella: death or vampire.

Edward Comes Back Alone

Alice had predicted that Edward would not be able to keep his distance from Bella. He tries twice. Once, in Twilight, when Alice first announces that Edward is in love with Bella and she will become a vampire. The second time is New Moon.

The first, he cracks in a week. It just doesn’t work out and Edward has a minature crisis over it and tells himself it’s fine because he has to protect her from spiders therefore he has to be in her life AND THIS IS FINE.

The second, he notes that he’s dangerously close to cracking and Alice predicted he couldn’t do it. He makes it six months, but does confess to Bella he often considered finding her again and watching her life from the shadows in Rio.

So, I highly doubt that Edward would make it to five or ten years or that he’d make it with the Cullens. He probably comes back alone by the time Bella’s senior year starts, and intends to watch her from the shadows.

Now, given the plot of Twilight, he realizes that nothing’s working out. Bella’s not free from the supernatural, as her best friend/potential new love interest is a werewolf who might maul her any second now. She’s being hunted by Victoria and everything’s spiralling out of control.

So, Edward probably gives up the charade fast and comes back to get Jake out of the picture and be very upset with Bella for ruining his plan. Bella’s just glad Edward is back. Given Edward probably calls the entire family back, who likely have nothing to say to this nonsense, things proceed pretty much as in canon.

Jasper Runs Across Bella

Considering the last time he saw her, Jasper would run like the hounds of hell are on his heels. This is a world in which he never sees much of Bella after the birthday incident and, as a result, is still mired in guilt. He can’t imagine Bella’s reaction upon seeing him in the wild nor does he want to.

Rosalie Runs Across Bella

Rosalie likely makes no contact. She probably views Bella with bitterness, sees her as the reason for the collapse of her family, and never understood Bella’s appeal in the first place. However, for all Rosalie’s bitterness, she wouldn’t take it out on Bella mostly because there’s nothing to say.

She’d just choose to be distantly happy for Bella that she got to live her human life and glad she adjusted well.

Emmett Runs Across Bella

Emmett and Bella don’t actually know each other that well, Emmett certainly has no personal connection with her. He wouldn’t make contact because it’d be awkward and would piss off Rose.

Alice Runs Across Bella

Alice doesn’t agree with Edward, but she’s also proving a point to him and ultimately values Edward far more than she does Bella. She’ll abide by his rules and not speak to Bella. Also, she sees that if she tries, there’s no way the conversation goes well as Alice would have to explain why she never answered any emails.

Best to avoid that.

Esme Runs Across Bella

Esme values Edward over everything, and while she perhaps thinks that Bella could fix Edward’s desperate unhappiness I think she’d acknowledge that Edward also doesn’t want to see her. She’d snoop from afar but ultimately, I don’t think she’d make contact.

If she did, it’d be with the sole purpose of matchmaking the adult Bella with Edward, which would lead to disaster.

Carlisle Runs Across Bella

Carlisle I think actually would talk to her, to offer up some explanation of what happened and how they got where they are. He and Bella would likely talk about vampires, the Cullen way of life, etc. and ultimately go their separate ways.

He’d try to give closure if she wants it but nothing more than that.

Though if he thinks Bella doesn’t want to talk/see him or any Cullen, he’d likely also make himself scarce.

Some Thoughts On Fanfiction

But that’s not why people are writing these types of stories, and, really while I can give my depressing takes on Twilight I think it’s fair to note that people write these fics for significantly different reasons.