#but im having a good time in this moment

[ccsario]

in the throes of absolute mental breakdown but at least im experiencing something good in this moment

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[aprito]

the trials and tribulations of dating cross country and season

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[hajihiko]

Trust and belief and trust and belief and trust and belief and-

[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[p4nishers]

no really ALL im saying is if aziraphale was infront of ME and me only and even gave me a smallest amount of attention i would've already confessed right there. wouldn't have taken me 5 minutes let alone 6000 YEARS. nuh uh. especially if he slutted me out while dressed like THAT in 1793 or rizzed me up in 1941. i may be oblivious but im not dumb as fuck and i would've taken THE FUCKING HINT. unlike SOMEONE. ugh if only i was in crowley's place this shitshow wouldn't have taken more than aziraphale's eyelashes to flutter once and i'm done for the wedding is already in full swing oh lookie here a priest appeared completely out of nowhere how odd how mysterious!! anyway we must not waste this opportunity let's just get over w it for completely normal regular reasons YEP!! nothing to see here just a perfectly regular every day wedding !! like come on man atp u gotta blame urself for wasting opportunities like that

[carnivalcarriondiscarded]

im so Normal. totally not shaking and crying rn

[try-set-me-on-fire]

Ok well i had the brief thought “what about an ER nurse Eddie au?” and then this popped fully formed into existence so fuck it Friday pt 2.. warnings for smoking and vague references to critically injured kids

“That doesn’t seem very healthy.”

Smoke curls up from the cigarette held loosely in Eddie’s hand. “It’s not, particularly.”

Buck’s hands are in his pockets as he strolls away from the glass doors out into the ambulance bay where Eddie is doing the mature, professional equivalent of playing hide and seek. He comes to a stop barely a foot or two away from where Eddie leans against grimy concrete. “Didn’t know you were a smoker.”

“I’m not,” Eddie sighs, “Particularly.” He looks over Buck’s face as he takes a drag, cataloging bruises and cuts. He hadn’t been the one to look him over before he was discharged, probably because he was out here avoiding having to do so. “Only when it’s- only after the bad shifts.” And only once a month, even if the bad shifts come again and again. He bought this pack in January, it’s stale as shit.

Buck’s eyes follow the smoke as it drifts skyward. “Rough one today?”

Eddie thinks he probably doesn’t have to explain to Buck that it’s sometimes better when a kid is dead on arrival so he doesn’t have to try his best to administer care he knows will be useless. He doesn’t have to explain a day where nothing goes right and he loses more people than he can save and he still has to walk away from someone’s parent or wife or sister, left behind forever in a waiting room on the worst day of their life, and go on to lose the next person too. Doesn’t have to explain why he’s out here, and not in there. “Mm. We’ve got this repeat customer, always hate to have him back.”

Buck’s eyes flick to his face before they settle somewhere around his elbow. “Yeah?”

“Yeah. He seems like a nice guy. I worry about him. He’s here too often.”

Buck doesn’t look up. “What was he in for this time?”

“Minor concussion. Bruising. Lacerations.” Eddie sucks cancer into his lungs. “Heard a house fell on him.” Exhales it into the night.

Buck does look up this time, eyes a darker blue out here in the shadows. “Part of a house. Just a staircase and the- like, the balcony, really.”

“Maybe he should stay away from those.”

“From houses?” Buck asks, half his mouth twitching into a smile.

Eddie rests his head on the wall behind him. “Guess that’s not really practical.”

“No.” Buck is quiet for a moment, one hand slipping out of his pocket and running through his hair. Eddie wonders what he looks like, when he’s not here. He’s more styled, sometimes, when things aren’t very bad. He wonders if he’s usually all gelled up and neat. Eddie kind of likes the loose curls. “I’m sorry.”

“For what?”

“Making your day worse.” Buck looks genuinely apologetic, and Eddie shakes his head.

“The guy made it out okay this time.” Buck is just close enough that Eddie can kick at his boot with his sensible orthopedic sneaker. “You didn’t even need stitches.”

“That’s good.” Eddie’s left foot is pressed along the inside of Buck’s right, and Buck is staring down at them. “His favorite nurse was on break. I would have missed you if someone else had to do them.”

Eddie laughs, just a few bursts of soundless oxygen. “You gotta find new ways to see me before something happens that I can’t fix.”

Buck moves, taking the few steps necessary to lean against the wall beside him. Carefully, he takes the cigarette from Eddie’s hand, holds it between two of his own fingers, and takes a drag. Eddie watches it happen like he’s monitoring somebody’s pulse ox, and when Buck coughs he laughs again, louder this time. “Fuck,” Buck says, laughing too. “Thought that would be cooler than it was.”

“Smoking isn’t cool, firefighter Buckley,” Eddie says, taking the cigarette back and pulling from it again between smiling lips.

“Hm,” Buck says, grinning out into the night. Then he sighs, and rolls his head along the concrete to look at Eddie. “I think there’s nothing you can’t fix.”

They’re very close. “There’s lots I can’t fix.”

Buck shrugs like he disagrees. “I also think I’d like to find other ways to see you.”

Buck’s eyes are even more in shadow at this angle, and they’re the color of the lake back in El Paso that he and a bunch of kids went to after graduation, drunk off beer somebody’s cousin got for them, skinny dipping with breathless terrified delight under bright constellations. “Then ask me.”

Buck inhales as Eddie exhales. “What time’s your shift end?”

“5:30 AM. So, probably 6:15.”

Buck traces the two fingers he’d used to hold the cigarette down Eddie’s arm. “You wanna get breakfast with me?”

“Yes. I would.”

Buck smiles, and Eddie snubs out the cigarette on the wall between them. “I’ll meet you here?”

“Alright.” He takes a step forward, then a step to the right so he’s standing in front of Buck. “Two hours.”

“Uh huh.”

He should really get back inside. They’re understaffed, as always, and there are too many patients, as always, and not enough beds, as always. “See you then.” He doesn’t make any move to leave.

“See you then,” Buck almost whispers. He leans forward, and Eddie still doesn’t move, so he presses a tiny kiss to the corner of his mouth for just a moment. His lips are warm. Eddie hadn’t noticed it was cold outside.

Buck pulls back and leans against the wall again. Eddie smiles, puts a hand in his pocket, and walks back toward the doors.

[cerealmonster15]

theres just so much comedy potential for twst ships to go on double date hang outs.... leomal (malleo?) + kalisil go to the beach or something. kalims burying silver in the sand while leona and malleus try to drown each other in the ocean :^)

[beatcroc]

pest control TWO!!!!! heres the first one

adn heres the obligatory bonus bc i can't help myself :')

[lilaccatholic]

Man, I feel like every clip I see from Pints with Aquinas lately Matt Fradd is demeaning women. Really sad to see it, I used to love his interviews :/

[bonefall]

Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("

Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(

And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.

And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.

What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.

And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.

But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.

[simptasia]

LOST: Season One

[pyrosomatic-metamorphosis]

still so gucking delighted by how happy dapper was when they heard about all of bad’s killing. mad scientist baby loves loves loves to see his dad covered in other people’s blood. I can’t wait to see the other eggs’ reacts to what their parents did in purgatory. Will Richas be excited to hear all the tales of murder? Will Pomme be horrified? Is Chayanne gonna be delighted to hear about his dad and his mighty feat of saving tubbo? What about Leo? Ramon? Tallulah? their parents all went thru so much, and did so much. What will they think about it? (And will their parents even tell them?)

[sholmeser]

the crime scene photo for gregorys death is just so chilling to me because its such a stark contrast to everything else we get in aa1. we witness cindy and mia’s deaths in full color, almost like we’re watching a movie. jack hammer’s death doesn’t quite look real; the expression on his face is quite unnerving, but the impact of it goes away when you notice his costume and how the unrealistic piercing wound in his chest just makes him look hollow inside. it’s leaning more towards what you visualize when you think of a murder scene, but falls short because of the stylization applied.

and i think this was deliberate because when you get to turnabout goodbyes and you see this photo. man. it hits. the way gregory’s eyes are hidden from view. the way he’s slumped over. the way we can’t quite see the wound but blood soaks his entire chest. how the illustration is framed, him in the corner, almost like an afterthought. the way he’s presented as such a normal person, looking just like any other businessman you could run into on the street. it rips ace attorney away from its largely-unbelievable themes—spirit mediums, three-day-long trials, witnesses whose last names are puns—and sends it hurtling back into our world. it’s just so striking and sticks with you for so long after you finish turnabout goodbyes