#but i'm kinda interested in what people have to say

[ignis-sama]

Yotsuyu headcanons in the form of an interview led by Tooru (because why not?)

Tooru : "Okay Yotsuyu, first question. What are your sexual and romantic orientation?"

Yotsuyu : "I'm demisexual and gay. Well, since I'm agender, there's a word that fits me more. Toric, I think?"

T : "How old were you when you've first gotten laid?"

Y : "Bold of you to ask me that. I can't even remember how old I actually am."

T : "Forgetful rock, huh? Would you have sex on the first date?"

Y : "No. I don't have dates in the first place."

T : "Would you ever ask someone on a date?"

Y : "..."

T : "No?"

Y : "Next question."

T : "Do you prefer to be asked on a date or do the asking?"

Y : "Neither."

T : "Ooookay... What are your kinks and/or fetishes?"

Y : "Oculolinctus, eye penetration, choking, doctors and dollification."

T : "That's... kinda creepy. When did you go on your first date?"

Y : "Never."

T : "What's your ideal date?"

Y : "Restrained to a bed in the hospital."

T : "But that's not a date, yes?"

Y : "I don't care."

T : "Oh okay... Have you ever been in love?"

Y : "...Yes."

T : "With who, with who???"

Y : "None of your business."

T : "What was your last serious relationship like?"

Y : "You mean my first and only? Perfect. My beloved doctor is the perfect partner."

T : "Oooh, interesting~ I wonder who this doctor is~... Would you like to get married?"

Y : "With... him...? Yes..."

T : "Big or small wedding?"

Y : "Small."

T : "Sub, dom or switch?"

Y : "Switch."

T : "What was your first time like?"

Y : "We were... in the hospital... and he sat next to me. Then... then he put his hands on my neck and... he banged me so violently I thought the bed was about to break~!"

T : "..."

Y : stares silently

T : "Are you into monogamy?"

Y : "It's a human thing, right?"

T : "It's when you only marry one person."

Y : "Oh... I don't like that word. It sounds like... monotonous."

T : "Would you be interested in a polyamorous relationship?"

Y : "No..."

T : "And a threesome?"

Y : "Having... 2 men taking care of me...?"

T : "Yeah, if that's how you see it."

Y : blushes

T : "Have you ever had public sex?"

Y : "N-no...! Why would I?"

T : "What was your first heartbreak?"

Y : "I've never had one!"

T : "What are the requirements to be your partner?"

Y : "U-um... a man taller than me... intelligent... and with a wild side..."

T : "How many people have you slept with?"

Y : "Only 1."

T : "Are you the type to sleep around?"

Y : "No."

T : "Would you cheat on your partner?"

Y : "N-no!"

T : "What was your worst relationship?"

Y : "...Have you forgotten I mentioned my first and only relationship earlier?"

T : "Oh, yeah, you're right. Would you marry someone just because they're rich?"

Y : "No, I'm not a gold digger."

T : "Would you lie for sex?"

Y : "No."

T : "Would you blackmail someone into sex?"

Y : "No. Damo would, but I'm not him."

T : "Who's your celebrity crush?"

Y : "Celebrities are all annoying. I wouldn't even want to be near one."

T : "Who would you sleep with if no one could know?"

Y : "...Jobin. Jobin Higashikata."

T : "Wow, the rock boy has particular tastes!"

Y : blushes

T : "Have you ever had a one-night stand?"

Y : "No. And I don't understand why people have them."

T : "Do you like Valentine's Day?"

Y : "Useless custom. Should be erased from the calendar. When you really love someone, you don't need that failure of a holiday."

T : "Glad we both agree on the uselessness of that day. What are the ways you say I love you without actually saying it?"

Y : "Um...I'm glad you own me, you made my life better, you're the island to my rock, ..."

T : "Aww~ well then, end of the interview. Thank you for answering the questions."

sex+romance headcanons!

Send me a symbol. Please note that some answers may be NSFW.

🌟 What is my muse’s sexual/romantic orientation? 💦 At what age did my muse lose their virginity? 😘 Would my muse have sex on the first date? 😊 Would my muse ever ask someone on a date? 👍 Does my muse prefer to be asked on a date, or would they rather do the asking? 😉 What are my muse’s fetishes/kinks? 💬 When did my muse go on their first date? 💯 What is my muse’s ideal date? 💗 Has my muse ever been in love? 👠 What was my muse’s last serious relationship like? 👰 Would my muse ever get married? 🌼 Would my muse prefer a big wedding or a small wedding? 🍬 Is my muse a sub, dom, or switch? 🏩 What was my muse’s first time like? 🎆 Is my muse into monogamy? 💕 Would my muse ever be in a polyamorous relationship? 🔥 Would my muse ever be up for a threesome? 👮 Has my muse ever had sex in public? 💔 What was my muse’s first heartbreak? 💑 What are my muse’s requirements for a potential partner? 💋 How many people has my muse slept with? 👀 Is my muse the type to sleep around? 👎 Would my muse ever cheat on their partner? 😳 What was my muse’s worst romantic/sexual relationship? 💲Would my muse ever date/marry/sleep with someone because they were rich? 👓 Would my muse ever lie for sex? 👿 Would my muse ever blackmail someone into sex? 🎥 Who is my muse’s celebrity crush? 🎀 Who would my muse sleep with if nobody ever had to know? 💍 Has my muse ever had a one-night stand? 💝 Does my muse like Valentine’s Day? 💘 What are the ways my muse says ‘I love you’ without actually saying it?

[lover-of-mine]

Okay, me and @buckgettingstruck have been going back and forth since yesterday and we have reached enlightenment about bucktommy, and I'm here to share. This isn't an anti post btw, this is us trying to make sense of the relationship in the context of the show.

But imagine you're Tommy. You’ve been closeted for most of your life and you recently came out (yeah, recently, six years is not that long). You left your fiance and decided to come out, but since then most of your relationships — friends and otherwise — have been shallow. For some reason, you don't know how to turn off the instinct to keep people at arm's length.

Suddenly you’re helping your old coworkers rescue your former captain and his wife, and in come Eddie and Buck. 

You hit it off with Eddie. He’s very friendly and you have a lot in common, so you're hanging out with him and trying to get a feel for him. Maybe he’s into guys. Hanging out with him is fun, even if you still can’t find any actual reason to open up to him about your life. You go to fights, you practice Muay Thai, you play basketball. You have fun. 

And then there’s his crazy ass best friend — Buck. 

Buck is spinning out about the two of you hanging out for a few weeks for some reason. You kinda assume there’s something going on with him and Eddie and you try to apologize to the guy. Buck tells you that it's not because he’s jealous of Eddie, it’s because he wants your attention. It throws you for a loop (my attention? You two haven’t really talked since he asked for a tour around Harbor), but your interest is piqued. The guy is hot, and he’s cute in a rambly way so you decide to go for it and it works out in your favor. But in the back of your mind, you know that this dude has some very intense relationship going on with his best friend. You had to bring up Eddie’s kid to get him to warm up to you, after all. But for all you know Eddie is straight, and Buck says he wants your attention. You don’t want anything that serious — breaking off the first engagement was hard enough — and you don’t really have anything to lose by just seeing where this goes. You’ve only been out for six years, so you want to explore. Maybe this could be fun. 

The first date is a bit of a trainwreck, and the dude turns out to be too intense. Somehow Eddie showed up with that girlfriend of his he’s never really talked about, and Buck is spinning out. You decide to cut your losses and go home — even if leaving Buck on the curb was a bit of a dick move. But Buck calls you a few days later. You meet for coffee. He tells you he doesn’t know what he wants, but he wants to try with you. He invites you to Chimney’s bachelor party and his wedding to Buck’s sister as a nice gesture and you figure, what the hell? Why not? Maybe it’s a little much, but he’s trying. 

In your head, you're in a fun, casual relationship because you haven't had the conversation about it being serious. Since Buck doesn’t bring it up or ask you for very much at all, you believe he is on the same page. You keep him at arm’s length so it stays that way — when he talks about almost losing Bobby, the whole Gerrard mess. It’s subconscious, you think, but keep it light and surface level. You don't want something that deep, and he is following your lead. You maybe see each other once a week, considering you both work 24-hour shifts and have chaotic schedules. You go to dinner, you go to the movies, and maybe you make out a little. It's easy and it's fun, and you can stay that way as long as the Buck doesn't push you further. It’s been almost six months now, and beyond venting about Gerrard a few times, he hasn’t even nudged. 

It’s a little weird, though, how Eddie’s always there. And you really like Eddie, honestly, but he’s constantly around. Sometimes it feels like you’re the third wheel here. He’s already there when you arrive for Chimney’s bachelor party, dressed in a suit to match Buck’s and helping set up. Suddenly a few months later you’re being invited to Chris’s Zoom birthday party, where Buck looks just as defeated taking the decorations down as the kid’s father. Buck dislocates his shoulder — you didn’t ask why, and he didn’t volunteer the information — and Eddie is there tucked into the guest chair with a magazine and the shitty hospital coffee, asking about Buck’s recovery and return to work. You do get to stay with him overnight, on his uncomfortable couch and falling asleep as he talks on and on about the corpse he accidentally rented (and alright, why did Buck get mad at him for laughing and not Eddie?). When Buck wakes up with boils the next day it’s not even a question for him to call Eddie. Eddie talks him down a lot better than you could, even if the situation is a bit ridiculous. You don’t miss the way he snaps at you for calling him gross — mentioning your cousin gets shingles is apparently a crime — while he tells Eddie to call his appearance what it is and he’ll believe it’s stress if he says so. But hey, getting boils kinda sucks, and Buck is having a rough go lately, so you move past it. But you don’t miss how Eddie seems to sense that Buck’s picking at his face without looking up from his phone when you’re at the hospital a couple days later because of Hen’s kid. You don’t miss how everyone else gets the good news that he’s going to make it through. Everyone except for you. 

You kinda want what Buck has, if you’re being honest. He found a family at the 118, with really intense people on his six, and you’re hoping that when the relationship runs its course you can stay friends. Maybe you can still keep part of that. Maybe that’s still within reach, even if Buck won’t even show you the text everyone else got. 

Buck goes from zero to a million after that, because he finds out he dated your ex-fiance and his next course of action is to thank you for gay rights and ask you to move in with him.

Up to this point, you thought you were on the same page — light, casual, fun. He didn’t push, but then he shoved you both off a bridge and now you can't ignore the thing that's been in the back of your mind for the last six months. 

Honestly, you have no idea what’s going on with Eddie. The mustache is a choice, and he was doing some funny things with that ring pop back at the hospital, but for all you know, he’s a zero on the Kinsey scale. You know Buck has something going on beneath the surface with how he feels about Eddie, whether he realizes it or not. You knew there was an expiration date on this thing when you started, and you didn’t even mind. You kept it fun and light over the past six months. You kept your distance — maybe a bit too much, considering Abby never came up until now. You hoped maybe you’d get to keep some decent friends once Buck figured his shit out. You knew, even if you tried to ignore it. You tried to enjoy it while it lasted. 

You tried to convince yourself it wasn’t there for a while. Buck, as far as he knew, still knew, was telling the truth. He wanted your attention, your time, you. He’s still figuring everything out, and you thought maybe you had more time. Keeping it casual and slow could only go so far, in the end. 

Buck nudges once, pushes you to consider what it would be like to be in a relationship with him that's serious. He’s talking about living together and you’re panicking a little bit as a thousand scenarios run through your brain, but you can’t see an ending that's not him realizing he has feelings for someone else and leaving you. Another six months, a year, five years — it's all the same. 

You didn’t want to get hurt in this situation, but you will be if you stay. You’ve already hurt people by denying the truth before.

So you tell him — I know how this ends.

You didn’t want to. You never really planned on ending it because you figured he would, but you reached the point where you can't come back. He wants more, and you know that would just end in smoke. Not for him, but for you. 

So you have to break this guy’s heart. And you know if you break this guy’s heart, you’re going to become the villain. You lose the entrance to a family you wanted to be a part of. You lose the friendship you had with Eddie, who is just as goddamn weird and crazy about Buck as Buck is about him. You lose the potential friendship in Buck, in them both, in everyone. There’s only one way out of here now. 

Buck’s somehow still endearing as you end things. You try to nudge him for once, talking about firsts and lasts. He doesn’t get it. You throw in some line a parking spot because the second reserved one Buck got with his loft went to Eddie years ago. You step into the hall, out of Eddie’s shadow, and walk away with nothing.

[meanbossart]

im so happy youve given permission for people to draw their tavs and durges with your beefy drow haha. hopefully that applies to ocs outside of bg3 too?

and im curious for the sake of the sketch im doing, you got an ask awhile back about how dudrow might react to a nonbinary drow and your answer was really interesting. im curious if thats changed at all or if you have any other ideas about it?

im currently sketching dudrow with my oc who is a nonbinary drow for fun, and thinking about what kind of connection they might have.

so far the sketch is just dudrow and nb drow, both with hand on hip poses, just kind of standing there evaluating each other. but i plan to have that sketch as a first meeting sort of thing, then do a follow up of them either as friends or... maybe more, if that would be allowed...

I can't stress this enough, you can draw DU drow with whoever you want and doing whatever you want, I'm just happy to see other folks drawing him at all! No rules there save for what is common sense.

If I recall correctly, my answer back then was somewhere along the lines of "he doesn't get it, and it's weird enough that it gets you the benefit of doubt". That while he would likely suspect that, lets say, a male-to-female drow woman would only transition for her own social benefit, that a nonbinary drow would be shooting themselves in the foot too much for him to justifiably believe them to be duplicitous (since, at least in the "cultural canon" that I personally subscribe to, there is no way a nonbinary drow could be out and functional in drow society; so they would HAVE to be an outsider - and unlike most times, DU drow might just believe them at semi-face-value this time.)

This has remained unchanged, I think. DU drow knows how important gender (well - sex, in this case, I guess) is in their culture, and while men and women have their place in it, as unbalanced as it may be, that's a step above someone who refuses to partake in gender at all or constantly falls outside of it. They're kinda fucked of their own accord and he can weirdly respect that.

And, just to clarify, this perspective applies ONLY to the drow race. DU drow is truly indifferent to gender and all it's implications otherwise.

Anyways, thanks for the question and I hope this was helpful!

[salty-an-disco]

What chapters would you say are your favourite characterisations for each of the voices? I ask because a lot of the way they act is very much based on what chapter they’re in :3c

Ooooohhh, that's a good one…… I take all the different ways they're portrayed in these chapters in consideration to inform different facets of them, but if I were to choose a favorite, let's see–

Contrarian: As much as I like seeing their more spiteful side in Fury and Apotheosis, and their line readings in Razor is fucking top-notch, nothing can beat the character arc they go through in Stranger for me. It's just. so good. Love this clown who's full of resentment and guilt <3

Cheated: Torn between Cage and Wraith…… Wraith, because seeing her bond with Cold over their mutual hatred for the narrator is just so fun, and how she goes about suggesting throwing Wraith in the pit ("Fuck those two. Let's flip the table!" how Contrarian of you Cheated) is just incredible to me. But I also really like how Cage shows that as sympathetic as Cheated can be, she can still fall into doing cruel things just to assert control over her circumstances, even to her own detriment. That's some good stuff.

Skeptic: EotN Skeptic, my beloved…… I feel like after pris-cut, people started focusing too much on Cage for Skeptic's characterization. Which doesn't feel fair, when that's him at his most stressed and desperate to cling to any semblance of control. It's still a very interesting look into his character, but people seem to be taking that as his default, and not him in dire circumstances. In Eye of the Needle, though, Skeptic is much calmer and even friendly, trying to gas Stubborn up to get him to help. He has a theory and a very simple set of circumstances to test, and even seems a bit excited to test it. Also shout out to Den Skeptic, the moment when he realizes the Princess is more than just a moment is everything to me. He's got low empathy, but he tries to be fair to others <3

Smitten: Sighs, really wish we got to see more of him, really feels like out of anyone, his character is really underexplored, which is a shame. Character-wise, though, gotta give it to Burned Grey. He's just…… so fucking devastated, lashing out at everyone around him, and the way he quickly switches up the moment we see the princess aikskkdmdk This chapter is what really shows where Smitten's priorities are to me. Her safety. Her happiness. At the expense of anyone and anything, even himself. And if he has to hurt, to burn alive, to get to it, he will.

Stubborn: Listen…… the way he managed to have such good chemistry with Adversary despite never speaking to her directly is just sijsjddjjdjdjf SO GOOD SIKSKDKJDKFJ. And I love, LOOOOOVE how he isn't the cliché 'ew, emotions' kinda tough guy. No, he feels, and he feels STRONGLY, you can even get him and Ada to sob in this route I'm just simskjdmdjjdjfj THEM!!!

Broken: Call me a contrarian (heh), but I love seeing Broken getting worse and doubling down on his devotion lol. It's more engaging, OK? And how spiteful and even mean he gets in Tower-Fury is just so good akmskkdmmdjdjd

Hunted: Den with Skeptic…… Just. Seeing this lil guy who was so so afraid of Beast finally get to understand her, to connect to her, and be the one urging you to reach out to her is SO GOOD. Also, the ending where you end up trapped under the rocks with her, when Hunted realizes there's no escape, and it just says it'll lay down and rest for a moment…… OUGH.

Opportunist: Gotta go with Wraith for him too aikskdjdjdjdis Not only is him hilarious there, but also surprisingly competent??? He actually manages to successfully suck up to the princess here???? The surprise factor of it matched with just how funny he is really bumped him up for me when I first saw this version of the route lol

Cold: Another one where their own route just can't be beaten to me akmskddmxmdm. I just love how even after murdering her in cold blood and suggesting we try to kill her again, Cold still gets along with the Princess so well. I also just really like his insights in this route when you decide to free her, about where does a world ends and another begins. It just goes to show how detached he is from reality. (Also, him casually insulting the Narrator every other sentence is just too good lol).

Paranoid: Apotheosis……… What I think is interesting though, is that while on the outside, it looks like Paranoid is 'winning' here, I think she's never been losing it more. She just confirmed that there are no fucking rules. This world is whatever they think it can be. And for someone with a lot of intrusive thoughts (no, it isn't Cold who's 'intrusive thoughts personified', stop calling him that, it's medically inaccurate and honestly insulting to people who actually suffer from intrusive thoughts), the mere idea of it is TERRIFYING. And I think she reaizes that just as they go to that epic fight, which is why she laughs like that, and why the fall is so hard on her and immediately makes her back down and feel like everything's doomed again. For a person full of delusions and intrusive thoughts, the construct is a fucking nightmare world (pun intended).

Hero: Now, for him, I just can't choose one route for his characterization. Out of all the voices, I think he's the most important one to really take into account how he can act in each route when characterizing him. I love his complexities and different facets so much, I made them into a plural system wkmsdmdkdmd he's just. sighs. Hero, my beloved <3

[shiny-jr]

Recently I read the Ignihyde chapter of Damnation, and I wanted to start by saying I really enjoyed the read! I'm already a big fan of your writing, and the chapter had multiples points where I was worried for the MC (though a lot of the time I just wanted them to stand up for themself, lol). I think the way Idia was written was really interesting, and it's fun seeing the cockier(?) side of him, if that makes sense. I was wondering while reading though, what was the thought process behind making MC one of the imps? I don't mean this in a bad way, I think it was a perfect way to explore a different personality for the MC, but I wondered why you decided on Panic instead of Meg? If it were me, I would probably end up defaulting to replacing Meg- 1) Because I prefer characters like her and 2) Because the imps probably wouldn't even cross my mind. I'd like to hear your thoughts and reasons behind this decision! Take care!

I've very glad you enjoyed the read! As for why this Imp!MC is the way they are well, that's just cause I wanted them like that. Let's be honest and consider the situation, how many people would stand up for themselves in their position? Certainly not everyone. Some, yes, but not all. It's likely that some of the other MCs of the series would have stood up for themselves, but Imp!MC isn't like that. Hopefully it wasn't annoying?

As for Idia... Hot take, y'all. I'm about to say it. I'm tired of nervous stuttering Idia. I said it. The dude has so much potential, so much attitude and hidden arrogance that we usually don't see, but it's certainly there, and I wanted to explore that. And, well, considering the fact that his role in Damnation is literal a god, it provided the perfect opportunity.

Now, back to MC. Why make them an imp? Well, because it's fun. How generic is the idea of placing them in Meg's role? It's quite a common one, and I believe I've done it before in another quiz that's so old and probably really bad that I refuse to actually look at it again, but I digress.

The purpose of the MCs is that they are not good people. Meg, while starting out as a villain, does eventually switch sides. So besides the idea of the MC being Meg is kinda basic, I just didn't want the MC to be on the "good" side. I love Meg as a character, but yeah, I just wasn't for the idea of implementing the MC into her role.

[hexedwinchester]

Sam and Dean's Heaven

i wanna talk about this scene, mainly the space time paradox. Now I know a lot of people have done math differently when it comes to their ages but in order to keep this simple, I'm gonna say Dean was 43 years old when he died at the end of season 15, which makes Sam 39 years old. (Basically I've taken their ages from when the show started and added 15 years to that. I have also added 2 extra years to account for some time jump but yes, this could be a bit off, so bear with me)

According to Supernatural Wiki, Sam dies in the year 2070, so that's at the age of 87 (woahh!). Sam lived without Dean for forty eight years which brings me to my point of: it really shows in the above gif.

Dean in Heaven, is happy, catching up with Bobby, driving the Impala, but Sam, he looks wary. Sure, he happy to be united with Dean again but all those years without him weren't easy. There's an interesting theory that says that Sam in heaven looks younger and not the 87 years old man because in a way, he too died the same day as Dean and the rest of it was just him surviving.

Yes, Sam lived a long, fulfilling and even a happy life. Started a family with his blurry wife, had Dean Jr. and raised him into a safe life. But the hole left by Dean's absence remained as the all consuming vaccum as ever. You can see that in his eyes. We even see it when he's alone, coping with the dog, or sitting in the Impala trying to remember all those times he spent on the road with his brother. Those years without Dean weren't easy on him. He had everything except for that one person he called his home.

Remember, in Hell one month was equivalent to one human year (agruable because there are theories that state it was different for different people and Sam's Hell probably stretched longer than that) so Dean goes through all those years taking baby one long drive. It seems to fly by so quickly. But for Sam, each day was longer, harder and left him feeling more empty.

Jared brought that gravity to Sam when they shot this scene. Is this also him being sentimental about the show coming to an end? Of course, something like that is going to bleed in but I feel this little scene here speaks volume of Sam's life after Dean died. Kinda shows life can cruel in giving what you want in a twisted way.

[bitletsanddrabbles]

Island of the Procrastinating Brain

I swear, my brain is actively trying to drive me insane.

Back in 2022 it came up with a plot for @alex51324 's "Island of the Gays" where the Duke of Crowborough comes to the Island because, well, by this point the man's less of a human being than he is a walking bundle of neurosis. I got through a couple of scenes before my brain got tired and stalled out, but I still have a good frame work. Every once in awhile, I come back and poke at it and get out a few more sentences. Maybe even a paragraph or two.

Yeah, have I mentioned I'm not a fast writer?

And Phillip does NOT want to deal with his issues and Thomas does NOT want to deal with Phillip, which, okay, FAIR, but that's kinda the point of the whole thing. But in the meantime my brain still wants to write Phillip on the Island, so what's it done?

Come up with a sequel, naturally!

And it really, really wants to write this sequel despite the fact I can't do it properly until I've written the first piece, which neither my brain or my characters seems interested in, because they are all PUNKS, but my brain will NOT stop thinking about this hypothetical sequel which, at this point, will never be written.

So I'm just going to write out the summary for the thing here, in case anyone's curious and wants a laugh, because I can and maybe it'll galvanize the lump of grey cells in my skull to be productive. Maybe. Not holding my breath.

Things you need to know before going into this:

Random.org has decided that Thomas is married to Peter Fitzroy for this one, which is kinda important for Thomas's characterization.

Phillip only kinda counts as human at this point, but he's actively trying to fix that. The results are mixed.

It was inspired by a couple of polls I ran when I was trying to figure out where I was taking the first piece (hey! I have the last scene written!) and the suggestions that Phillip might like working in some sort of architectural field (believe that was from @o-rchidae) and that he wind up married with an older working class bloke who would not take his shit.

Right then. Let's go.

-

Okay, so, this takes place a couple of years after the Walking Disaster of Crowborough arrived. At one point he was tapped to help with building or repairs or some such and he realized he liked it, so he's taken to studying books on building and architecture and has joined up with the local work crew. The problem is, he's basically teaching himself out of books and then applying it to real life, so he keeps getting ideas about "Say, why don't we do this thing THIS way?" and while it'll seem like a reasonable idea, there is, in fact, a very good reason NOT to do it that way, but because a) he's a Duke and b) a bunch of people hate him, on general principle if nothing else, everyone just goes "Oh, okay, sure" and the do it that way and…it fails. And the people who hate him laugh and it's obvious that EVERYONE knew it was a bad idea and he gets frustrated, but he wont' say it, because a) Duke and b) boys don't cry.

And this goes on for awhile.

After a bit, though, a new guy shows up who has lots of experience building things. It was kinda his job before he got here. He is educated in the ways of Building Things and knows what's up. He's also at least ten years Phillip's senior and has limited patience for upper class twits, so when he joins the crew and is informed there's this know-it-all-Duke who's always demanding they do things his way (by which we mean 'making suggestions that everyone just goes along with'), even though it's stupid and wastes time and resources, this guy goes "Pff, not on MY watch!"

And sure enough, the next time Phillip makes one of his suggestions, instead of "Yeah, sure, okay" he gets "We're not doing that." Why? "'Cause it's a stupid idea that won't work." WHY? "Because (insert full explanation of why the thing wouldn't work)." And Phillip stops asking and the rest of the crew cheers and laughs at how the old guy sure showed him and they anticipate an end to the questions.

THIS TOTALLY BACKFIRES.

Instead Phillip, who had actually been kinda slowing down on the suggestions over time, is making ALL of the suggestions, ALL of the times, and arguing every last aspect of the suggestion with Old Timer before giving up. The crew can't put up a fence without an argument. Old Timer starts calling Phillip 'Phil'. Rather than tell him to stop, Phillip just starts calling Old Timer by a similar nickname, which Old Timer ignores, because not giving in to his own trick, oh no. There's talk of starting a police department in case they murder each other.

After this has gone on for awhile there is a Big Dramatic Plot Twist and the Old Timer goes out into the woods for something and…doesn't come back in a timely manner. He stays gone long enough for people to get worried and mount a search. To everyone's shock, Phillip wants to come. He's quite insistent on the point. They finally agree to put him in Thomas's party because he and Thomas "get along now" (read: Thomas has spent enough time with Peter talking him down that he can tolerate Phillip's presence under the right circumstances as long as he doesn't say anything). The parties go out and before long, Thomas and Phillip's party has the good luck to find Old Timer. He's accidentally been injured badly enough he can't walk and crawling through the woods is not easy going. The manner of this accident wasn't a super obvious bad idea, but that could maybe have been avoided with a bit more thought, perhaps, with luck. Most of the party just nods and goes "Yeah, sounds about right, could have happened to anyone."

…Phillip flips straight out and starts screaming at Old Timer for being an idiot who could have got himself killed. And then storms off a ways into the woods, back toward the village, leaving everyone else wondering a) the best way to get the injured man back home and b) what the heck just happened with the prissy little Duke. Thomas gets deputized to go find out what Phillip's problem is. There is protesting involved, but he finally gives in because he'd like to be home by dinner, thank you very much.

Phillip has, by this point, stopped to have a smoke, which both gives Thomas an opportunity to catch up and, thankfully, a scent to find him by. Thomas asks him why on earth he's so upset that Old Timer is hurt since the two of them hate each other and everyone figured Phillip would LOVE it if the other man died…

And that's when he finds out that everyone's had that relationship all backwards. Phillip doesn't hate the Old Timer, oh no! He loves being called 'Phil'. He absolutely adores the fact that when he asks "Why don't we do this?", rather than just go "Yeah, okay" and waste time and resources doing something HE KNOWS WON'T WORK, the Old Timer says 'no' and, over the course of the argument, actually EXPLAINS why not, which means Phillip ACTUALLY LEARNS THINGS. The more he argues, the better he becomes at building things and he doesn't have to try and decipher what some book is telling him or guess what the book might be leaving out and he LOVES IT and if the Old Timer had died, how would he learn things then? When Thomas points out that he'd learn just as much - maybe more - if he just asked the Old Timer to teach him things rather than argue, Phillip low key panics because what if he figures out Phillip WANTS to learn and stops talking to him or refuses because he doesn't like him at all?

By this point Thomas is a) trying to remember if he was ever THIS paranoid, and praying he wasn't and b) wondering what on earth to do with a Duke who is clearly in love with a crusty old working class codger, but hasn't figured it out yet.

He decides to tell Rouse and make it HIS mess to deal with.

Phillip and the Old Timer eventually get married and get a cottage of their own and Phillip about dies happy at the idea of a home that he actually owns instead of something that he's the custodian of for the next generation who will be the custodians for the generation after that and so on.

[emotionalsupportgoblin420]

So first, lemme introduce you to my f/o of the week: Tfa Bumblebee

(Also, I will be rping as my Shisa s/i)

Me.

He would start with playing a song that is calming and that I like. Music always calms me down. Once I've settled down a bit, he'd hug me and just sit there till I was okay and playing calming music.

No. He doesn't wear clothes period lol /nm /silly

Him. He's also the one who needs protection more often as my yokai powers keep me well protected. Even against decepticons.

Low light, a candle, some snacks, maybe some hot coco for me, and some warmed up motor oil for him if it's the cold months, some blankets, a plushy for me, and anime while we're all cuddled up.

He would beg me not to leave, and I would have to to protect him.

Yessir! We're two nerodivergent dumbasses ofc we would lol /lh

I'm the only one who gets sick, and it's constant comfort, pity, and cuddles, which my touch starved ass LOVES.

Obvi we can't have bio children but he's not entirely against it. But preferably WAY in the future when we're both more mature lol.

Probably to somewhere like an amusement park. (Fun fact: In the canon, Bumblebee has gone to an amusement park. Whether or not his 16 foot tall robot ass was or was not allowed on any ride remains unknown, but imagining him on a roller coaster is fun as hell to me.)

We both kinda do. Him more than me, but we can always tell when the other is upset.

Not often, but it does happen. Usually over something petty ngl. It usually goes down like this: yelling, petty insults, storming off, coming back to talk about it calmly, apologizing, and forgiveness. Works for us. Neither of us are ones to linger on things long.

Me. I have made it my life's mission to torment him lol (in a loving way ofc. I try not to take things too far and to apologize when I do).

Both of us match each other's energy level, and we both have a love for speed. He sees me as a "goddess" (his words, not mine), and I am deeply insecure, and he helps with that while he's very confident (downright full of himself in a fun way.) The problem arise when you realize we both have ADHD. I'm innatentive, and he's hyperactive. That makes for an interesting combo to say the least lol. Also, he's a yapper and sometimes, I just wanna be left alone. This has led to a few petty arguments.

Yep. We both do. I always have to kiss him if either of us is leaving.

Omg yes. Sometimes, he won't shut up. But, I knew what I was signing up for, so I can't complain too much, lol.

Me. I'm the flirt in the relationship, and I wear it like a badge of honor.

Me! I LOVE animals! I already have a hamster and a crow (the crow is my familiar). If I could, I'd have horses, dogs, cats, cows, goats, ducks, and millipedes. I do have to restrain myself a little but will get some of those one day lol.

I'm aight with it most of the time. He loves it. He loves people knowing I'm his.

Pika Girl by S3RL

Bee would, and I'd help Ratchet patch him up.

The song Bumblebee always reminds me of him (for obvious reasons). Fire reminds him of me (because of my dark flame magic).

Either one of us, really. I could do it by being flirty (and possibly explicit 😏). He gives me his puppy eyes, and I am not leaving, lol.

Neither of us ngl. I'm too ticklish, and he wouldn't feel shit if I tried.

Video games! I don't care much for playing, but I love watching. Especially Legend of Zelda games.

Mine's alcohol. His is video games.

Him. He's such a toddler when he's drunk (I think it's kinda cute ngl. Also, according to G1, cybertronians can get drunk /nm /gen)

We like the basics. Babe, honey, sweetie, sweetheart, the usually. Babe is the most common one between the two of us.

Him. I freak out a bit. I hate the sensation.

If he could choose my outfit, he'd probably choose my yellow plaid dress and white leggings (assuming it's for a night out. If we're staying home, he'd pick some sort of laundering)

Oh, we're both handsy. But he can be more explict with it. If he can do it discreetly, he'll try to squeeze my thigh (not to say I mind ofc).

Me! I like to tell SCP stories! Unfortunately, I'm dyslexic so I often stumble over my words lol.

Me again. I love to forage for edible mushrooms, and I make mean fried mushroom nuggets if I do say so myself. He tried to cook once and nearly burned down the whole base. Optimus banned him from ever doing that again so... yeah.

We both make dirty jokes, but when it comes to stories that make the other blush, I'm the reigning champ.

Me. I draw all the time and make jewelry as well.

I'm most likely to fire up the stove at ungodly hours because I'm hungry. He keeps me company, which I appreciate.

Me. I cuss like a sailor (and I'm not happy about it).

He's the one always wanting to try something new. I'm a bit vanilla ngl. I just don't think of some of the things he does.

Me. He'd be against for like 10 minutes before caving to the cuteness and helping me beg Optimus to let us keep it lol.

Neither of us ngl. He doesn't eat, and I'm a lightweight when it comes to food portions.

Me as a joke lol.

He likes sunny and I like rainy.

Either of us. Without hesitation.

I would, and he'd join. The most likely song to create such a situation is Classic by MKTO.

Yes we both can.

Hell yeah 100%. We match each other's freak lol.

No. Both of us are chronic oversharers.

Him. He's literally a car lol.

Him more than me. If I don't give him enough attention, he starts begging like a dog. He knows what to do for my affection.

Me ngl. Nothing too bad. Just something little like hiding the game he was playing or something like that.

For me, it's happy stims, hugs, and nuzzling my face into him while I hug him. For him, it's some kind of gesture, like taking me on a nature or something.

California vacay and checking out cool stores and universal.

Any swimming is skinny dipping for him. I wouldn't, tho. I hate feeling that exposed outside of the comfort of either of our rooms.

He is. I physically couldn't carry him, lol. Not to mention, I usually fall asleep while cuddling or during a drive.

He doesn't get it, but he's willing to stargaze for me.

I usually will just spread my legs while we're alone, and he jumps at the opportunity. He'll just gently brush his hand against my bits, and I'm good to go.

I'm serious with grocery shopping, and he throws random stuff into the cart.

Me ngl.

I'm top dommy mommy. He's bottom twink.

He does.

Ask for OTPs and Self Ships

copied from a now gone post and blog: original url https://glitter-and-gasoline-deactivate.tumblr.com/post/687208822931095552

TW: angst, suggestive content, etc.

Who would end a heated argument by defending their actions with ‘because I love you!’ ?

What would they do if the other woke in a manic state after a nightmare?

Do they wear the other’s clothes? (sweatshirt, bandana, necklace, etc.)

Which one is more protective? Who needs to be ‘protected’?

Describe their cozy night in.

Who would beg the other not to leave? Who has to leave to protect the other?

Would they build a pillow fort together just because?

What happens if one of them gets sick?

What are their thoughts on having children?

Describe their first date.

Do either try to hide their emotions if upset? Can the other still tell?

Do they have many heated arguments? How do they smooth things over?

Who’s the bigger tease?

How do their personalities compliment each other? How do they clash?

Do they always say ‘i love you’ before leaving?

Can they stay up all night just talking?

Who’s more likely to pull the other in by the waist and kiss them passionately?

How likely are they to have fur babies? How many and what kind?

How do they feel about PDA?

Choose one song that perfectly describes their relationship.

Who would get into a fight to defend the other’s honor? Who tends to the other’s wounds?

What reminds each of their partner?

Who’s more likely to convince the other to stay in bed come morning?

Who’s more likely to give the other a massage?

Do they have any hobbies they share?

What are their vices?

Who is the light weight that needs to be taken care of after a party?

What are there thoughts on pet names? Do they have any?

Who is more likely to jump in an elevator? Who freaks out?

Your OTP gets to pick out each other’s outfits; what is each wearing?

Can they sit side by side without touching the other or are they handsy? (lacing fingers, touching knees, etc.)

Who’s the better story teller?

Who’s the better cook?

Who’s more likely to tell a dirty joke or story to make the other blush?

Who’s more artistic?

Who’s more likely to fire up the stove at 2am because the other woke up in the middle of the night hungry?

Which is more likely to swear?

Who is more sexually experimental? Who’s more vanilla?

Who would rescue an injured animal and nurse it back to health? What would the other think?

Who has an insatiable appetite? And what does the other do to help?

Which one would take their jacket it off and drape over the other one because they were visibly shivering?

What’s their favorite type of weather to enjoy together? (getting snowed in together, watching thunderstorms, etc.)

Who would give their life for the other without a second thought?

Who would dance in the kitchen making dinner? Would the other join in or watch from the doorway?

Can they fall asleep without the other?

Would they get frisky at the movies by themselves?

Does either of them have a secret that could potentially ruin their relationship?

Who’s the better driver?

Does either of them have a hard time being away from the other?

who’s more likely to do something out of spite?

What’s a non verbal way they say I love you?

Describe their weekend getaway?

Would they ever go skinny dipping?

Who’s more likely to carry the other to bed?

Do they like watching clouds or star gazing?

What do they do turn the other on/put them in the mood?

Whose the serious one when grocery shopping and who likes to toss random things in the cart?

Who’s more likely to hold a grudge after an argument?

Who tops? Who bottoms?

Who pulls the other closer when they’re sleeping?

[ghouly-boiiiii]

Coming back to Ghoulcy after a long break. Upon rewatching the show again, I honestly feel more strongly than ever that there's gonna be some canon Ghoulcy in the show at some point...

But I wanna clarify what I mean by that...

If that happens, obviously that's gonna create a bit of a love triangle between Lucy, Max and The Ghoul. And honestly, the triangle's probably gonna end up being pretty one-sided. Like I can't say whether I think Lucy will develop feelings for Cooper. But I definitely think its setting it up for Cooper to start having feelings for Lucy. And I think Lucy and Cooper might bang, just because Lucy is one horny lady with not a squeamish bone in her body lol.

Of course, that would definitely complicate things between her and Max even more than they already are. (You know, her dad being the one who blew up Max's home, the fact she offered to have him live in the vault with her but probably won't want to return after what she's learned, Max now being a knight, etc.) And who knows whether they will find each other and end up being together in the end, but...

Whatever the case, I don't think there's going to be a happily ever after for anybody. Not for Lucy and Max and definitely not for Lucy and Cooper. But it's certainly an opportunity for a lot of interesting drama and frankly, as someone who's been playing the Fallout games for 10+ years, I'd honestly be kinda disappointed if there wasn't some kind of human/ghoul relations going on. I mean, it's no more weird or ridiculous than any other absurd piece of lore in the Fallout universe. It's absolutely on brand 100%.

And if you think they won't do it just because they're worried about what people think... I would argue, they incinerated puppies in the beginning of the second episode... I don't think the show gives a shit about how anybody feels lol. The people making it are obviously passionate about the games and being true to the universe they're expanding upon. They've already fully embraced the dark and quirky elements and tone of the games. And they seem pretty cool with the Ghoulcy shippers too haha. So no, I don't think it's delulu to think there might be at least a little somethin' somethin' happening between Lucy and Cooper. Even if it's Cooper just pining hopelessly over her. Obviously, I could be very wrong. But I don't think I am. We'll see what happens, though. I'm sure I will still love the show even if it doesn't, but damn it would be fucking rad if it did lol.

[velvetvexations]

Ngl I haven't found any trans allegories that hit for me because they're all too focused on like. Ideas of a "true self" and performing gender and the like for my autistic ass. My true self doesn't have a gender; when I say I'm a man, that is just as much of a lie as when I say I'm a woman, I just feel significantly more comfortable with lying that I'm a man than any other options. That or it's like. About physical modifications of some sort. Which I really dislike as a trans allegory outside of like . A specific person's experiences or something. Because I hate the idea that transness is hinged on extremely modern medical technology that so many still do not have access to, or that gender and one's physical body are at all inherently related. Which. Because it's allegory it is imprecise and tends to fall into those sorts of unfortunate pitfalls. Not that I think all trans rep has to be like. A character looking into the screen and saying I Identify As Transgender. If that doesn't make sense for the setting, okay, try to figure out language and context that does! Especially with fantasy there's so much room for interesting worldbuilding if you include actually trans characters instead of just metaphors.

Idk it just kinda sucks getting things about me relegated to only allegory and metaphor. There's some things where I think it works fine, like neurodivergence, but it just. Doesn't hit with trans stuff for me for some reason. Give me medieval fantasy trans men with tits because the technology for top surgery doesn't exist but hairy chests because alchemy reasons(tm). Give me worldbuilding that accounts for how different cultures handle gender variance. There's so many matrix type stories and shapeshifters and androids and those are great but it feels Bad when metaphor is all there is and then the metaphor/allegory/what have you is all about a fundamentally alien experience. Sorry this got so long woops

You gotta write your own anon! For the people like you!

[skyrages]

it's always been weird to me how people moralize feeling things and having actions driven from emotions rather than logic and personal ethics.

people hear "low empathy" and assume that means low-empathetic behavior: things like abuse, manipulation, and conceptualize this cold, calculating, Inherently Evil thought process, and so when someone with low empathy is convicted of a crime, I think people who think emotional empathy = emotionally intelligent behavior think of it as those "inhumane" urges breaking through this "inauthentic veneer" that's able to be dispassionately thrown aside at any convenience.

I think people who are agnostic or not incredibly religious deal with the same sort of issue, because incredibly religious Westerners think that without being afraid of some greater enacter of divine or cosmic punishment, humans descend into selfish, cannibalistic anarchy. I've never personally understood it, but I'm autistic so I don't think I can explain it to you, it's just something I've had to accept that some people think lol

the issue with all of this, of course, is that emotional empathy isn't the only kind of empathy that exists, but neuroconvergent people like to pretend it is. people who struggle with "feeling" empathy should still be able to develop logical empathy. but people who feel empathy get weird about that for some reason.

I deal with dynamic empathy, so I'll be using my own experiences when talking from here on in.

say I find out that something that I've done inadvertently hurt someone I'm close to, either socially or through work/school or whatever, and I hadn't realized it in the moment.

when I have "normal" emotional empathy, I'm able to "feel bad" which tends to translate to physical sensations of guilt, such as an unsettled stomach or sometimes my hands start sweating. I find out I hurt someone I'm close to, I "feel bad," and so I'm emotionally motivated to go to that person and apologize, make things right, explain where I was coming from, and figure out how to avoid that kind of conflict in the future.

but I have moments when I have low emotional empathy. people who don't deal with empathy issues assume that when I'm in these states, I react to the knowledge that I've hurt someone with scorn and disregard, and make no effort to right any wrongdoing, because I "don't care."

in actuality, I'm able to step back and realize, hey, that was kinda a dick move. I'm not emotionally motivated to go and make things right with the person, but I'm inclined to do so because I'm aware that, according to my equity-focused code of ethics, I did something that wasn't okay. I may not hate myself for whatever happened, but I'm still aware that, hey, this person is important to me for a variety of reasons, and even if I'm dispassionate in this moment, I know that I have reasons to care about this person that extend beyond me "feeling bad." I will still make efforts to make appropriate amends, but I might not go out of my way the way I would when I have moments of hyper-empathy and be tripping over myself with emotional guilt.

sorry if this is kind of long, but emotional vs. logical empathy is a huge thing when talking about AVPD and NPD and other such personality disorders. it's always been very strange to me that people assume that because you don't "feel" a certain way doesn't mean you don't know what's right and wrong, simply by growing up and being aware of (if separate from, for a variety of reasons) your surroundings. it's something that, again, doesn't make sense to me, but I've had to accept that some people view the world from such perspectives.

I think different ways people feel things is interesting. Anyway, I agree that judging by emotions is absurd. But I do think your logical empathy has an emotional part that you don’t really count and isn’t universal.

[swanqueen-is-the-story]

Okay, here's the thing... I've always LOVED the big coma theory from Operation Out...

BUT THIS RIGHT HERE makes the show MORE SWAN QUEEN!!

Like, I totally understand why people hate coma theories, I hate it too most of the time 'cause it sort of erases everything that happened in a show or a book, and makes it a dream.... But, that's not the case with OUAT, and I LOVE THAT! Like, yes, give me MORE TO CHEW ON!

All the emotions are not erased by this theory, and I love that the Swan-Mills family is still THE HEART OF THE SHOW!

This opens up the possibility of so much Swan Queen that we haven't witnessed but that's told metaphorically... Like, maybe in the beginning, Emma was not very responsive, but then she's kinda back and forth, so she isn't completely cut off from Regina and Henry.

She's sometimes moving and talking. So Emma and Regina are interacting, they just have to work super hard for it... like they're on opposite sites of the town line.

Or imagine Regina mocking an Emma who says weird fairy tale sentences... and a Regina who is so lonely that the only person she comes to talk to is a woman who is half-conscious... because it's safe. But then still being snarky about it like:

Sidney: The only thing I really learned was that she doesn’t like to sit still. Regina: Well, that appears to have changed.

OR

Regina (to Emma): Well, you covered this room. I suggest you branch out.

And then, the half-conscious woman is completely in love with Regina against her own better judgment because this asshole is not being precious with her like everyone else. And Regina goes from little sarcastic interactions to starting to look at Emma and really seeing her... she's listening to the weird things she says, she's trying to go to where Emma is, understand what she's saying with all her fairytale adventures. She fucking likes her, in spite of being in different realms, and feels like she knows her... profoundly. And that's holy CANON.

Video: YouTube

Like, I love Swan Queen still after all these years, and the fact that analyzing this show with these new glasses still has the potential to give me new SQ squeal moments is just insane. I am now on the HUNT for hidden Swan Queen moments in other storylines.

Like, one thing I've already noticed is that from the beginning, Regina is "cast" as the love interest every time in the first season. I mean the fact that Sydney is "The Mirror"... literally a reflection of Emma, and he goes, "She's an amazing woman." and then Emma "You're in love with her? Ugh." Like, Emma's annoyed with herself for totally being into this woman... and all of this stuff seems fully intentional. Just when you thought this show couldn't get more gay, it really, really does. And that's an example that's not super evident.... because let's remind ourselves that Swan Queen parallels Snow and Charming ALL THE TIME!!! So where are the other hidden ones, you know? 👀

So anyway, all I'm trying to say is that we should hunt all the Swan Queen that's still left to discover.

SQ really, really is the story.

Analyzing Once Upon a Time

This can't be how the story ends

Since this blog is now as old as Henry in the Pilot, we thought this would be a good time to re-introduce this Once Upon a Time theory to the new kids on the block - and to the old kids on the block, because we have learned a thing or two during the decade we've been researching this concept.

The heart of the theory can really be summed up in one sentence:

"Everything that happened on Once Upon a Time also really happened in our world, and it is all a metaphorical retelling of Emma's life experiences in the past and in the present."

That's the part of the theory that we are certain about. Every episode has a deeper meaning, there is no fluff and together they all form one big story.

Does that mean that the story that we watched, didn't really happen? No, it's more like getting two stories for the price of one. The best metaphor we can come up with is that of lenticular cards.

Remember those little cards that you would twist and then the image would change? It doesn't really matter which one of those two images is real, because they both are. Someone had to draw and print both of them and use the right technique so we could see them both. Usually the images tell a bit of a story when you combine them, but they work perfectly fine as two standalone images.

So what we are doing is simply twisting the card, we're revealing our second story. We've really emotionally invested in these characters and now we're entering an Alternate Universe that was written by the same writers. And that's the real appeal of this theory, to get another story after the show's been off the air for so long, with the characters we know and love, because they are both.

Let's say the genre of the story we watched on television for 7 years is fantasy and the genre of our new AU is magical realism. So take a seat, suspend disbelief and enjoy the ride, because we're about to watch the official trailer of this new ABC show called Once Upon a Time.

If you watch the trailer, you see the idea of the two sides of the story being reinforced. You also hear the voice-over tell us that "someone from our world" needs to save the fairy tale characters while showing an unconscious Emma. This is the moment when the story splits in two.

Once Upon a Time takes place in what Jung called "The Collective Unconscious", or in this case The Enchanted Forest - a place where humankind's stories are real, where the fairy tale characters we know and love live - the world of archetypes.

A metaphorical curse is cast when Emma crashes her car. She loses consciousness and travels to her own subconscious mind. The fairy tale world and Emma's personal world collide and she gradually steals the fairy tale characters to work through her own issues and traumas. This is how the fairy tale characters actually get trapped in our world.

This is why this version of the story is "Magical Realism" - In magical realism, the underlying idea is that the world we currently live in actually has an undercurrent of magic, of intelligence, a magic that expresses itself through uncanny coincidences. We see this in the Pilot. Emma makes a heartfelt wish, and a second later, her long lost son rings the door bell. Unlikely, but possible in our world. When she slams her car door in anger, electric sparks fly and when she looks up at the clock, it's stuck on 8:15. August 15th. The date her long lost son was born. Odd coincidences, but entirely possible.

This magical world, however, is also a world of karma, because she violently knocks a man against his steering wheel earlier in the episode. Later that night, she hits her own head. This was the only way for the hidden magic of our world to grant Emma's wish and to restore her karma. The intelligent universe forced her to confront her demons with the help of age-old archetypes, so she could heal from her traumas, learn the life lessons she needs to allow people like Henry and Regina into her life.

Everything we saw on this show was Emma's real experience during the show's timeline, but the undercurrent of the world she experienced was created by her memories and by everything what's going on in the world around her while she is in different states of consciousness. Like Jefferson points out during "Hat Trick", even fictional stories come from a real place. They come from the writer's emotions and experiences, codified into story.

What we didn't know when we first started writing this theory, was how weird our consciousness really is. Real comas are nothing like movie comas where people just sit up one day. Maybe they need a little bit of physical rehab and then off they go. No, in the real world, people spend days, weeks, months or even years living in between their dream world and reality, trying to make sense of it all. Some people report having no memory of the months after they woke up and after they were up and somewhat functional. Many report strange dreams and remembering conversations that happened around them - except they thought they were participating.

Based on this newfound knowledge, we concluded that Emma was only in a deep coma for parts of the show's timeline. We think Emma's state in this theory closely aligns with what medical professionals call a minimally conscious state (MCS). Sleeping curse victims in an MCS are awake but show limited awareness of their surroundings. They may respond to stimuli, have brief moments of purposeful behavior, or even show emotional reactions to familiar voices or events. While their consciousness seems fragmented, they can form connections between external events and their inner experiences. The show uses David's coma story to tell us what's happening with Emma. He is able to grab Mary Margaret's hand, which he couldn't do if he was in a full coma. That means Emma is sometimes saying words and interacting with the people around her. They can connect with her in meaningful ways. And they do.

The show is peppered with hints that point to Emma's state in the land without magic. Jefferson is one of the characters who is used as a part of her subconscious that is trying to make Emma aware of her situation in the reality realm, but during the second episode, Emma herself gives us a description of the curse that she is now trapped in.

Emma: "So, for decades, people have been walking around in a haze, not aging, with screwed up memories, stuck in a cursed town that kept them oblivious."

What's very important about this description, is the "screwed up memories". The flashbacks about Emma's life that we have seen, are just as metaphorical of the other parts. They did happen, but they didn't happen in the way we saw them happen. The best explanation for how these 'new memories' are created is by looking at one clear example.

The "memory" of Emma giving birth to Henry is actually a metaphorical memory of Henry coming back into Emma's life, through parallels and visual clues. In this new memory, she expresses how she really felt in that moment, in so much emotional pain she could scream, and terrified to be asked to be a mother. This is how all the stories are created.

Much of the show works this way, except unlike during this scene, we haven't seen the original experience that the metaphor is based upon. So to decipher the rest of Emma's memories, all we can do is look at the recurring themes and storylines, as they show what Emma is wrestling with. Season 1 is full of car crashes, because crashing her car in the Pilot is a very recent trauma. Parents giving up children is a recurring trauma, because it matches both her story and Henry's story. This is the translation key to figure out Emma's story. Look at the patterns.

If we listen back to the show's trailer one more time, the theme song that was chosen to represent the show couldn't be more of an invitation to see the reality layer of the story.

Rescue me

Show me who I am

'Cause I can't believe

This is how the story ends

Fight for me

If it's not too late

Help me breathe again

No, this can't be how the story ends

This is Emma fighting for her life in reality. Asking Regina and Henry and the people around her to help her come back to life, because this can't be how the story ends. This can't be how she dies.

Ooookay... so where's the fun exactly?

You may be wondering, what is the appeal? Admittedly, this story is somewhat sad and dark at first glance, but remember when you watched the first season and you were trying to guess the characters' fairy tale identities? You get to do that again, except this time you are trying to guess the real world identities. You get to experience the curse from the inside and it really does feel like you can recapture some of the fun from the first time around.

Once you realize that the memories we saw were warped, many questions bubble up to the surface. How did Henry really find Emma? Who gave him the story book and why? How did he come to his conclusions? Is he the author because he is creating the fairy tales he is reading to Emma? Who are Emma's real parents? Why was she given up for adoption? What really happened to her in foster care? Is Neal really Henry's father or is there more to the story? What is wrong with Emma? Was there something fishy about the adoption? Why is she in and out of consciousness? How do Henry and Regina react? Did Regina really try to kill her? If Regina wasn't actually the evil queen, why did Henry think she didn't love him? Why is everyone suddenly related? Who is Emma Swan? Who is Regina Mills? Who is Henry? And Gold? And Hook?

It becomes a gigantic mystery, a fantastical true crime show. And the more people lend their ears and their eyes to it, the better our chances are to actually solve this very, very weird puzzle. Because as we said, the only part of this theory that we are sure of, is that everything we saw, is all a metaphorical retelling of Emma's life in the past and in the present. We report on the connections we find, the possible interpretations. The recurring themes. The meaningful parallels. We don't claim those are the correct interpretations, because they change as we dig deeper.

So consider this an invitation to take a bite out of the forbidden fruit of knowledge, join in and share your observations, because we would like to see the full picture once we tilt our little card to take another look.

[dazzle02]

Buck and Maddie's relationship is one of the most interesting on the show to me personally.

She was nine, she lost her brother and gained a new one and suddenly she's not just an older sister, she's a parent too. She's nine years old and someone's Mother. While not being allowed to properly grieve the brother she just lost. Not even allowed to acknowledge his existence.

And of course she did the best she could, but she was a child raising another child. No parent has all the answers, but especially not a CHILD who never asked to have this put on them. So she of course got things wrong. One that really sticks out is her explanation about their parents worry when Evan falls off his bike. She kinda put the idea in his head that getting hurt is what will get him that love he craves from their parents. And that was NOT her fault. She was 12. And also living in this abusive household. But she was the one that gave him the idea to continue hurting himself to get attention. And there are likely other things that he learned from her that weren't actually healthy, due to her being a child trying to learn about the world herself.

And when she left for Boston, that would definitely feel like a parental abandonment for Evan due to her being the only parental figure he ever really had. But it WASN'T. It was a 19 year old moving out and going to School, which is what a lot of people that age tend to do. But to Evan, it would feel like the only parent he's ever known leaving him. And logically he'd know that's not the case. She's NOT his mother, she's his sister and she's supposed to live her life and she never asked to raise a child at such a young age. He was NOT her responsibility. But emotionally? That's the start of his abandonment issues.

And it's why Maddie can be kinda overbearing with him at times too. (Especially after the lightning strike...) It was ingrained in her from the age of nine that he's her kid and she has to take care of him. So as soon as she sees him suffering in any way, those instincts come back full force. She's gotta take care of him, make sure he's not going to die while she's not looking. AND make it clear she's not leaving him again.

They've had to figure out how to go from the relationship they had as kids where she was more a parent than a sister, to a new one now that they're adults where they're siblings.

And that's gotta be tough. And I would love more of a focus on that really. Just them still kinda adjusting to having to have this new dynamic. Because logically they both are aware that Maddie having to raise Buck was messed up and unfair for them both. But it's also just what's normal to them.

And any time someone comes for Maddie about not being a good sister it makes my blood boil. SHE DOES HER BEST! She was a child raising a child, and she's now an adult who went through abuse for pretty much her entire life! First the neglect from her parents (plus the parentification) and then her marriage to Doug for like 15 years! Of course she's not perfect. And as much as they both love each other, they ARE BOTH part of each others traumas. For Maddie a big trauma for her was having to raise him, and for Buck a big trauma for him was her leaving. And they've managed to work through that for the most part. It's always going to be there, they're both very defining for each of them. For Maddie having to become a parent at such a young age made her feel as though she couldn't be a very good one due to not being a perfect parent AS A CHILD. And for Buck, Maddie leaving was definitely the start of his abandonment issues. And neither of them are at fault for that, but they both have these issues that are directly tied to each other. It all comes back to their parents though. If they'd just done their jobs as parents, things would be so different.

Some of this may not make much sense as it is very hot here right now and I am not thinking right. But you get what I mean, hopefully. 🤣

I would also like to add to Supernatural fans, you can not claim Dean Winchester is just the best brother in the world for raising Sam and then turn around and claim Maddie is a terrible sister. Especially as Dean could be very abusive at times...

[commsroom]

cutter was born in the 20s, and he'd become "arthur keller" by the early 70s, so obviously pryce's story at the beginning of brave new world can't be taken literally - that's not even an old man, much less "older than anyone she had ever met." it's also inarguable she was an adult already working on her... ideas for the human body when cutter sought her out; "i want you to make a doll for me" and "i found people who had some very bold ideas about how to... tune up the human body [...] i funded their work, and provided them with a willing test subject" are pretty definitely referring to the same events. so, it's fairy tale language, but the question is: why? why frame it this way?

one part of it is the "fountain of youth" in connection to immortality, strength, and health. the implication isn't literally that cutter is very old and pryce is very young; it's that she represents this power, and that he wants her to bestow it upon him: "then you and i will fix the world. i will be young and you will be whole." cutter and pryce choose to look eternally 28, while referring to and conducting themselves as if they're very old: it's not just vanity, it's part of their self-mythology. simultaneously young and old, having overcome the natural order.

that mythology of "overcoming" natural limitations is especially significant for pryce: characterizing herself as a "little girl" within her own story is both self-victimizing and self-aggrandizing. pryce does not see herself as disabled so much as temporarily inconvenienced; even the usual limitations of the human body are something she hopes to transcend. "instead of being wretched or afraid, the little girl decided to be clever." she was put at a disadvantage, but overcame it all by herself because she was smarter and better than other people. by extension, anyone who can't do what she did just isn't good enough, even as she's closing doors behind her and making it harder for others like her. and at the same time: it's an underdog story that requires her to have been an underdog. she hasn't been in a very, very long time, but the power she holds over others remains justified in her self-perception by this image of a sick little girl who was hurt by the world. there's an implication of inherent worthiness, and even a sort of expected assumed innocence in characterizing it that way. the first thing people notice about pryce is her eyes, and... sure, maybe it's the technology, but if cutter can catch bullets without any visible signs, it seems likely to me that, like her age, this is at least in part an aesthetic choice. it intimidates people. she's turned this point of hurt and vulnerability into a power play, and remains attached to it.

and that's the other part of the mythologizing that's going on: presumably, pryce was not the only person who worked on all of this. cutter funded others. but the story retroactively simplifies it, in a childish fairy tale way, and paints an image of them as exceptional, uniquely capable and so uniquely deserving, people.

i think there's something interesting to consider here about pryce in contrast to hera: that pryce is a woman who self-justifies her cruelty via a mythologized girlhood, while hera is a woman who was never a girl, who was never considered innocent or even allowed the same recognition of the ways she's been a victim. pryce resents humanity and all it represents, resents her body and its limitations, feels that being human has only caused her suffering, but still clearly believes that she has more of a claim to humanity than hera does by nature of her biology and upbringing. pryce's "bootstraps" attitude re: disability and her own self-victimization are the crucial things here, but i think that is also particularly interesting if you read hera as a trans woman.

(incidentally, this is part of why i have a particular love for hera designs where she's just a regular woman, more angular, and maybe even older looking - a natural 30-something in contrast to an unnaturally maintained 28 - than pryce. they're both women who have chosen how they want to look, and it highlights something.)

[danwhobrowses]

I'm not sure how much good this vent will do, I'm not even sure I want to post this vent after my last one, but I'm writing it just so it's out of my head and into words because it seems once again fandom has chosen to send vitriol Ashton Greymoore's way.

What for? They talked to a 'specter' of the primordial titan within them, through their connection to the earth, the natural flow of creation and destruction. They ask what will happen to the world, it responds that it'll endure, they ask what of the people, it responds that the strong will survive and the weak will be remade into something stronger, to which Ashton replies they think they understand. To fandom this means that Ashton is becoming a fascist, that they have a 'Make Exandria Great Again' attitude for wanting the Primordials back, that they need to be beaten up or 'get what's coming to them' in order to change their mind, and I can only sit here and stew and wonder if this hate is really well-founded? Ashton is among my favourite characters in C3, I get frustrated by them at times too but if I think about it a big percentage of my frustrations is more towards people disliking them than me disliking things they do, or Matt setting up scenarios that doesn't do them any favours towards the fandom that hates them. Some of these are knee-jerk reactions of course, but for others it does feel like they have it out for Ashton, and I don't wanna engage with that, which makes it quite lonely when most of the fandom hones in on it.

For the most part I can understand how the whole 'the weak will be remade' bit can be taken badly; it's definitely iffy, but every other plan we have is also very iffy. The Release Predathos option literally involves unleashing an entity that wants to genocide the gods, the Maintain Status Quo option ('option' the status quo imo is impossible, in my mind the Gods can stay but the dynamic will still have to change) maintains a relationship where the gods pick and choose who they feel deserves help, using their power to covet more power, strongarm and demand loyalty, and overall choose fellow gods over mortals when the chips are down and not owning up to it. We should also remember that entities can speak in riddles, 'remade into something stronger' doesn't necessarily mean death; it could mean to adapt and grow, to become strong enough to bear and overcome it as many of the PCs of Critical Role have done with their hardships and trauma. It's worth reminding that the sad truth is that people will die whatever outcome happens - the aim is always to lessen the amount but if the Gods leave it's a power vacuum, if we linger too long it's a Calamity, and if the Gods stay it's a holy war on a more wild and less organized scale - and that Ashton isn't saying they approve of such death, merely that they think they understand. The commune doesn't tell Ashton which way to go; it only tells them that the world will endure, there will be change and it will change people, trees will still grow, the wind will still blow, the waves will still flow along the coasts of the sea, and people will survive. I know the interpretation can differ from people thanks to Matt's patented vague or riddle-mounted choices in phrase, but I also think if it was the Wildmother who told Orym or some other follower that 'nature is a cycle, everything must adapt to change or else it'll die - this world will change, but it will also survive' nobody would be calling Orym a fascist, people would accept it because the Wildmother's domain is nature, and nature is not always kind.

While we're mentioning Orym - and because this is gonna come off as critical I must preface that I like and enjoy All of the Hells, that's not changed - I also gotta call it out here because it does very much feel like the people who hate Ashton hate them for the reasons they love Orym. Both are stubborn, they're diligent in their personal code, they care deeply for their friends and would give their whole being just to keep them safe, they believe in the Hells' power and greatness more than each member does and more than they believe in their own, but Ashton gets the hate mainly because these fans agree more with Orym on the god stuff. What confuses me though is how these same haters can despise Ashton for being consistent but love Braius, the literal Devil Worshipper who secretly is on board with the Chase Away plan only so he can help the Devil rule the world, the compulsive liar. Where's Braius' scrutiny? A world under Asmodeus will be a far worse 'survival of the fittest' scenario, why does Braius get a pass in all this stuff huh? Because he's funny? Seems people ignore the whole morality talk when they're discussing Braius' dedication to Exandrian Satan.

I find it irksome too that even the group seem to criticize Ashton reaching out to Primordials too - as if that wasn't what we wanted them and Fearne to do anyway. They don't dislike the gods simply because they're a 'great entity', it's because they're a great entity that holds power and doesn't use it equally or fairly; they pick and choose who to help, a lot of the time in Ashton's experience for their own self-service, but they won't prioritize mortals over another god no matter who cruel or heinous the god is being, and the following of these gods are so intertwined with politics that most religious motivation also ends up being political. Ashton has no connection to the gods, they reached out and got nothing, an Angel looked at them and made them feel like nothing, but they do have a connection to the Primordials; from the Earth Golem to the Titan Empress they're literally a vessel of, they experienced something significant in their connection to the Earth, so I don't like how that they're almost mocked for having it. In addition, Ashton's behaviour during this commune differs because of that connection, but also because the titans are a natural flow; they don't demand or test or politic or prejudice, and despite being a Great Entity in its own right it never made sure Ashton felt small for their own satisfaction, they asked a question and got an answer, it's the same reason Ashton has disdain for most political leaders but likes and respects Keyleth, Allura, Kima, Pike, and (eventually) Percy despite also being people in power. To call on Orym and the Wildmother as an example again; Orym's an Air Ashari, the Ashari are guardians of the Elemental Planes - made from the Primordials - not tied to a god, but nobody criticizes his connection to the Wildmother despite both not being a follower and his culture being more tethered to Primordials and their descendants. I'm not saying it's all correct for Ashton to want things to go back to how Primordials ruled, but we must remind ourselves also that we only know a story written by victors when it comes to the Schism - a story which could very easily have been altered and edited to make it feel more justified for the Primes and mortals to actively genocide all the Primordials, the native species and creators of this world, and desecrate their remains to make weapons, soul anchors, and cities - the specter didn't say 'fuck em, all mortals should die' after all, if they believe mortals would survive then they must be at the least tolerant of mortal existence. Why is it okay for god followers to say they wanna keep the world with the gods they have a connection to (and I'm not saying they aren't) but Ashton is out of line for wanting to have a world which has something active that they also have a connection to? It seems rather unfair to allow one side to have and the other to have not, picking and choosing because our audience's bias has spent more time with the gods, Ashton wanting something they can connect to doesn't feel all wrong either, the Eidolons still exist with faint worship hiding away so they're not smited by the gods, why can't faith exist so they're not in hiding? I sincerely doubt the Punk Rock that is Ashton is asking for the Primordials to fill the Gods' roles the same way the Gods have been running things either, they want to break the throne remember? There needs to be a balance in ideals and practice of course, and in an ideal world there could even be a more fluid and all-inclusive Exandria where gods and Eidolons live harmoniously with mortals without hierarchy and class systems, I think Ashton could happily live with something like that, they did say the world needs 'a little chaos' to call back to Matt hinting that the current world doesn't have enough.

Which leads us to those wishing violence upon Ashton - and I really don't like that. People who say 'hitting them over the head is the only language they understand' seem to misinterpret Ashton as if everyone around them have been on their hands and knees begging Ashton to reconsider and them ignoring valid points and pulling a Leroy Jenkins. In reality, nobody is actually talking to Ashton about it, a lot of the frustration with Bells Hells right now is that they aren't talking to each other, even about the end goal! Ashton has valid reasons for their thinking, so being violent isn't gonna change their mind; undermining, dehumanizing and trying to effectively bully anyone let alone someone with chronic pain and low self worth will never truly convince them to your way of thinking. All people understand the language of violence, but that language is not used justly, those who truly wish violence upon Ashton don't want it in hopes it'll force Ashton to change their mind, they want it for their own satisfaction of seeing them in pain; so they can further push them away from the rest of the group and go 'that guy's not one of us', make it so the people Ashton calls family after a lifetime of loneliness, confusion and abandonment - the people they promised they won't abandon, and have kept true on that promise even at their lowest - make them feel small and worthless, and force them into box where they can't be themselves, and I hate that people would want to treat them that way. Ashton IS capable of listening; they've stepped back and trusted the other Hells to do their own thing even when it's ridiculous like staging a play where they pretend to be Ludinus to trick Unseelie emissaries into thinking that he attacked them, they listened to the gods even when they didn't have to like they promised they would and despite it being very personal they held themselves back for the benefit of the group, and if the group talked to them calmly where they were all allowed to healthily discuss the pros and cons, the ideals and compromises, and the risk and reward of all plans that have been proposed then they would listen, and they would try - you don't need to slice bread with a broadsword.

Will Ashton 'get what's coming to them'? Maybe, but what is that exactly? We only assume to know the full vision of what Ashton wants to act on. All of Bells Hells are gonna face the consequences of the choice they make on Ruidus - when they finally make one that is - in and out of the world they live in, so won't that apply to everyone? So what for Ashton? do people want Fractures 2.0? Does everything Ashton wants in life have to blow up violently in their face? Family, Closure, their best friend's safety, why does 'what's coming to them' have to be something aggressive and harmful? People change through positive reinforcement and good experiences too! Caduceus Clay would remind you that it's love that makes people. Don't mistake this rant as me wanting Ashton to be exactly as they are now, I too want to see growth from Ashton and we ARE seeing it happen; I see it in small instances where they think twice about rash actions and try not to fly off the handle, when they sit just to listen or understand or to defuse tension, and that when they're going somewhere or doing something they let the group know in advance, those who think Ashton hasn't changed since ep. 1 aren't paying close attention, but that doesn't mean that they don't still have more ground to cover. I believe that Ashton grows the most through kindness; when they're treated like a person and not a blunt instrument or a nuisance, and I hope what's 'coming' for Ashton isn't rejection, bitterness, and isolation, but acceptance, empathy, and for someone - if you know me you'd know who I'd want it to be - to convince them that they are worthy of living, that they're special not because of their powers or blood or because they have died and been put back together again (honestly, it does irk me a little that both Keyleth and Imogen chose that for titles and to brag to the Matron, I know it isn't intended this way but sometimes it feels like saying 'your best defining quality is that you've died a lot') but because while they have every reason to hate everything they still chose to be kind to those who deserve kindness, they have a good heart and they mean well. Are they perfect? No! They're in their 20s very few people irl have their lives together at even twice that age, but I want them to have good things in their life; things that help them feel happy and safe and like they can still feel comfortable in their own skin without having to appear more 'palatable' for people who've already decided that they don't like them. I want them to know that they've always deserved to live and they still deserve it now, I want that not just for Ashton but for all the Hells, and hopefully they'll all live to have it.

And most of all I want the people who hate them to be wrong about Ashton Greymoore, and I want Taliesin to prove them wrong.

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.