#but i only really hurt her in the end

[reaper-in-reverie]

I am mourning somebody who is alive.

I am mourning a girl, special to me as she was, who has ascended to a place I cannot reach. A place as unknown as the moon — dark, serene; something far into the void, yet I can still touch, see, and feel its beauty.

I think I am mourning a year of both pain and laughter. I think I am mourning a friendship — a human relationship — that I killed with my own two hands. A friendship that I took by the neck and squeezed. A friendship that I had plunged a knife into.

My hands will poison anything they touch. I despise myself for even trusting myself.

Do I blame you for letting me go? When the one at fault is in my tainted soul? A soul meant to always be left in the cold, ashy, dusty darkness — a soul that will only hurt. A soul that leaves a dark shadow in its path.

Yearning for another human being to stay for a tainted soul is a burden no one should have been forced to carry.  Though isn't it all but forgivable that a human's heart be blemished and overly-zealous?

I did not want us to die.

Was it selfish of me to have wanted to truly lived, just this once, with you?

The moment my existence is comforted, another existence loses its sights on being human.

I truly only hurt everything around me.

I am mourning a realization.

I am mourning the fact that what was once my hope in my own humanity has become my very proof of the opposite. I am mourning the fact that I never — never, ever, in a million lifetimes, even if all this comes to repeat — will wear a heartfelt smile in a world like this.

Not without you, the comfort of my existence.

Not without my humanity.

You are my humanity.

And I apologize you had to be so burdened by it.

║Ⓒ reapkusho on tumblr. 2024. all rights reserved. refrain from translating, copying, or stealing in any way, etc.

[moeblob]

North and Simon: (shaking hands on killing Simon potentially)

[astrophiliaxx]

(The former lover is a woman in this scenario or whatever this is called)

Imagine Lilia seeing her former lover after decades or centuries since she was abandoned by her. However, her former lover does not have any memories of her at all...

Which leads to the former lover being confused about why Lilia treats her that way and why she seems to look at her with hurt and longing.

(Imagine the former lover talking about her daughter. Then, she mentions the name of her daughter and it's the name that she used to tell Lilia that she would give to their possible child.)

“If we had a daughter, then I would name her Hiraya or maybe Mirasol.”

[mythalism]

from @/elfbotanist on twitter who is posting from trick's bluesky; they elaborated a bit on exactly what the intention of the solavellan ending is

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[dayurno]

this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it

and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?

anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[mintjeru]

is it such a sin to want to live?

open for better quality | no reposts

my shop is open!!

[randomnameless]

Do you think Edelgard perceives herself as a victim? I’ve been thinking and I can’t decide myself, on one hand she clearly hates the idea of people being victims or helpless, and constantly reframes the victims of the war as “necessary sacrifices” instead of, y’know, tragic causalities of a war she started. She plays up her sad backstory to try to get Byleth to join with her in WC, but then she does all these things to concentrate as much power as possible on herself. On the other (other) hand, she pushes the culpability of the war on everyone except herself, and has trouble taking accountability. She’s obsessed with controlling everything but she doesn’t want to be blamed for the problems she’s created. What do you think?

Oh!

(sorry for replying one literal month later lol)

I find Supreme Leader hard to write because of this, but in a way, I believe that yes, she does.

However, for all the flak Faerghus gets for "ToXiC mAsCuLiNiTy" and "Chivalry BaD", there's something very toxic with the way some Adrestian victims (often women... blame the writers I guess?) deal with their abuse.

I'm not going to spend a lot of time on Doro because I already typed a lot about her, but while she still sees herself as a victim from what she endured and suffered in her childhood, she adopted the toxic mindset of "this suffering is a thing of the past and I grew from that/beyond that to become the person I am now" - which we can also see in Manu who suffered from, roughly, the same traumas.

Petra also follows this pattern, being a hostage and treated like shit, but she grow "beyond" her status of a victim to become the strong person she projects and believes she is - it's only out of House that she realises more accutely her status within the Empire, the reality of her situation and, in Houses, refuses vassalage to Adrestia to make her country independent without having to "ask the Emperor".

It's the same pattern : "I was a victim" but "I became strong" so "I am not a victim anymore, this is something of the past".

Applied to Supreme Leader...

Well, trying to ignore the Agarthans and her dad's own infuence on her character (which is kind of hard, since the games try their hardest to make Agarthans responsible for everything BaD and we're not clear on how much they had an influence on her), I think Supreme Leader believes she was a "victim" of abuse.

But - through further abuse and surviving said abuse - she became strong* enough to "not be a victim anymore".

Which is why her line of "if the weak remain weak it's their fault" feels like it echoes part of her mindset : she was a victim but became strong enough, maybe by hardening her own feelings to become "strong", so she is not the same helpless "victim" she once was.

If she managed to do that, then everyone can do the same.

As for the "necessary sacrifices", since early 2019 someone theorised that "the people" she pretends the fight for as seen as some general "concept", much like the "greater good". So if some people are sacrificed, it's for her ideals - the goal and aim of her newfound strength - , and it piles on her drive, she must realise them otherwise those people would have died (and she would have suffered) for nothing.

However, despite acknowledging her past self as a victim, and because she's now "strong", she's not above using her past trauma (but actually, still present! Remember the rat scene?) to reach her goals, because, at her core, Supreme Leader is soemone who is very determined. Maybe it's her only drive to grow beyond the trauma, or her own illusions, or a mix of everything, but AM made it clear, Supreme Leader is not above, well, using herself if it means seeing her goals come to fruition : unlike Lobotogard from AG, AM!Supreme Leader willingly transforms in Hegemongard.

This is the cost she's willing to pay, so while the memes about Lord Farqaad were on spot, I still think that Supreme Leader is ultimately willing to sacrifice** herself for her goal (but only when there's no other way to ensure her future will come to fruition, and in a way, I guess she thought she would survive the Hegemon transformation, jury's out on what she meant to do in AM's finale, but imo, she still tried, even beaten and battered as she was, to claim Dimi's head).

Ultimately I think everything's a bit muddled by the fact that, as @fantasyinvader pointed out, Supreme Leader is a liar and knows the importance of maintening good PR.

She lies and manipulates the truth to reach her goals (which again, is a red flag when CF claims to want to restore the "distorted history" of Fodlan!) and for all the flak I give them, the devs managed to scrap enough material to give us a peek in Adrestia's mindset (or at least its top nobles), they're not people who self reflect, they are salty because they aren't ruling the world anymore, and they feel like they are better than the rest of Fodlan.

Put everything in the mixer, and you indeed have Supreme Leader (but also her court, especially Ferdie in SB who dares to say, as he is invading and trouncing people who don't really like and accept the idea of being invaded, that the fear those people feel are only in their mind, or something like that? Like, dude, you're rolling over their people and country, of course they'll fear and hate you!) giving her weird rhetoric lines (why are people opposing me if they are going to die?), victim blaming (something Treehouse swallowed like honey, if their lolcalisation is anything to go by, remember, it's Rhea's fault for not offering her head on a platter that is the reason why the War continues in CF!) and so on.

IDK if the devs wanted to bank that much on the Dany parallel with her "if I look back i am lost", but again, I don't know if her drive to make a "better Fodlan" is motivated by her trauma, Adrestian revanchism, Ionius telling her dumb things or Agarthans agarthaning, but her goal and vision are everything to Supreme Leader.

So she will do anythign to see them realised, even if it means sacrificing her people, starting a war, tweaking "the truth" or using her own trauma to motivate and recruit powerful people who might assist her with her goals.

To reply to your question, IMO she sees herself as someone who had once been a victim, but won't let that stop her from reaching her goals, even if it means creating thousands of "hers" in the process, because, in her mind, reaching her goal is more important than anything else.

*I know, she refutes Dimitri's claim that she is "strong" or laughs at it, but imo, it was more in the sense of "I was weak and became strong" so everyone can "become" strong.

**I don't think she wanted to throw away her life, but more something in the lines of "putting my life on the line" or sacrificing her precious (and to see how precious it is, just play CF lol) humanity.

[gingermintpepper]

Hello! I want to know... Besides Hyacinthus, who is your fav Apollo's lover (male or female)? I really love Cyrene 🤭

Oho, thank you so much for the ask!

There are a couple candidates that immediately come to mind tbh. I'm not the sort that has a strict OTP sense when it comes to Apollo because I imagine there's importance in each of the affairs of the gods that are written about - there must be some reason that we remember their names and stories even now, y'know?

Ultimately, I have a brief selection of the lovers of Apollo whose stories I have personal and vested interest in with no particular preference except maybe for Evadne who, if I were forced to give only one additional favourite besides Hyacinthus, I would probably say it's her.

As for why I prefer Evadne over all the great and powerful romances Apollo has had; maybe it's just because I'm a sucker for the ooey-gooey romances but there's something so sweet about Evadne and Apollo's relationship and the consequent relationship Apollo has with Iamus, his and Evadne's son. I also love the subtle politics of such a relationship - from Evadne's side, yes she's a princess but more importantly, she's one of Poseidon's inhuman daughters - a child between Poseidon and a nymph - and the child between her and Apollo - a son of Zeus - goes on to become the father of a long line of famous prophets for the King of the Gods himself. That makes Iamus one of those rare children of a major god who is not divine but certainly not human either, something that is further exacerbated by the fact that for the first five days of his life, Iamus is cared for by his father who ensures that the baby is fed not milk but honey from the fangs of a snake.

All in all, it's not a very remarkable story in the grand scheme of things. There's no big drama like with Admetus and there's no great tragedy like with Coronis or Melia. Apollo doesn't act particularly noteworthy in either Pindar or Hyginus' account of the tale like he does for Cyrene or Branchus and the end result is a line of prophets sacred to Zeus and the Olympia oracle - a classic example of Apollo in his role as father to the great prophets and wisemen and yet something about the gentleness of Apollo in his affair with Evadne has always captivated me.

Evadne, who so feared her father that she would abandon her newborn child just to spare herself his anger, was able to trust and love Apollo. Likewise, Apollo did not once abandon her, sending the most blessed of attendants to help in her birthing and automatically stepping in to make sure Iamus was fed, clothed and warm until his mother returned for him. It's something about a young Iamus going into the River Alpheus - an ancient stream - and calling out for his purpose from his father and grandfather. It's something about Apollo's immediate and calm response and the way he leads the youth to the temple that will be his destiny and personally educates him in the ways of divination.

It's just one of those stories that always sticks out to me for the portrait of a father and lover it sketches of Apollo, even in a seemingly innocuous myth such as this one.

[moeblob]

Garet is literally so friend shaped. I can't believe how friend shaped this boy is. (top pic is actual dialogue)

[uselessnbee]

what i wish people would also explore more when it comes to Percy is the other side of his feelings about his mom about family and his childhood but this fandom is too afraid to paint Sally even in the slightest bad light (even if it's not bad just acknowledging her flaws because she's a human being and not perfect) that no one will touch on that subject. like yes Sally is the best mom but she also isn't and that's the thing! She isn't perfect! but she tried her best but her best still got Percy hurt and it isn't her fault at all but that's the tragedy of it. i want Percy's feelings about this explored. how he grew up with a loving mom but an abusive step father. how his step father would humiliate him and call him stupid but then his mom soothed him and told him he's not the things Gabe calls him. how Gabe would hurt him and Sally would be there to make him happy and loved but at the same time she stayed with him. i want Percy's feelings explored about how he knows his mother loves him but her absence still hurt him. she would work so much to have money to raise him she did that for him but at the same time it meant Percy was left alone or with Gabe. Sally gave up so much for him, she sent him away to protect him but at the same time he was sent away from his mom. she's the only parent he has because his father is absent and Gabe is not actually a parental figure at all but she's also often absent in his life too and that must have left him with such mixed feelings because it's not all black and white! Sally's love protected him but also hurt him. Percy loves his mom so so so much but there's also this deep-seated bitterness and hurt and anger he never let himself feel and then the guilt for having those feelings because his mom loves him he knows that and she gave up so much for him and she married a monster that abused her to protect him, he knows that but it doesn't make it hurt any less. the mess his emotions are because he knows his mom suffered for him and did it from her love for him but he still desperately wishes she never married that monster that he wouldn't have to have the childhood he had with him that he wouldn't have to live with the trauma he was left with. this all is exactly what makes their relationship so fascinating and also heartbreaking.

or the idea of Percy having weird mixed feelings after Estelle is born because that's his little sister and he loves her with his whole heart and would do anything for her and wants only the best for her but there's also this little jealous monster deep down that wonders why she gets to have a loving mom and a loving dad and a happy normal life but he never got that. why does she deserve it but not him? why couldn't he have that too? doesn't he deserve that too? he was just a child too so why why why??? and then the guilt of feeling that way too it makes me want to scream. emotions are fucking messy and they can be really ugly and they can make you hate yourself and there's no way Percy's feelings aren't a mess when it comes to this and i want to see it explored so badly!

and with Sally too! her feelings about Percy because she did so much and tried her best but sometimes unfortunately your best isn't good enough and it still got her beloved son hurt and she hates it and feels so guilty but she just has to live with that but she can't help to wish it was different. that their lives would be different. better. normal. she can't help but to wish she didn't have to do the things she's done, didn't have to suffer so much just to protect her child. can't help to wish she didn't have to worry so much, didn't have to be so scared about Percy, didn't have to be terrified that one day he won't come back home to her, that she won't be able to hold her son anymore because he will be gone, she just wishes he didn't have to suffer so much, she just wishes and wishes and wishes

and i just wish people weren't so afraid to explore this because it's so heartwrenching and yes if you want something do it yourself but unfortunately i cannot write nor am i able to handle this topic in a way it deserves so i am left only with rambling about it on here thank you

[confusedsiewmai]

Sometimes, I don't like looking at Frieren fandom things is because it feels so alienating as an aroace person sometimes.

I relate to Frieren in a lot of ways. The way she goes through life at her own speed, the way she has a certain way of doing things that is hard to change, the way she struggles to fully understand others but is still compassionate and tries, and last but not least, the way she doesn't feel romantic or sexual attraction the way most people do.

So when a fan posts something about how elves like Frieren don't really feel romantic or sexual attraction and it's wonderful that Himmel's unrequited love with her is still portrayed as something beautiful, healthy and valued, but the comments section is just filled with people being like: No!!!! That's not true!!! Frieren loves Himmel even though she doesn't realise it!!!!

Or even the more "generous" ones are like: No!!! She is just falling in love with him years later!!! The whole story is about how she regrets not pursuing it until it was too late!!!!

And like, every person has their own interpretation and ships. But it really is a bit saddening as an aroace person that sees Frieren also as an aroace who probably would never feel as much romantic love for Himmel EVER. People have almost this... need to correct people that Frieren loves Himmel romantically.

[henrybelly]

honestly when i tried to figure out why some fans are so mad at ivypool these days i was looking through avos and. the scene where ivypool apologises to twigpaw for not supporting sending a patrol for skyclan is genuinely very sweet??

i actually saw someone characterize this as "ivypool forcing twigpaw to forgive her". is it crack you smoke. is that what you smoke. you smoke crack?

[iwritenarrativesandstuff]

Teruko and Yosano should've faced off. I think Yosano should've been posed that question that Atsushi was; that reveal of the "future war" - Teruko went along with Fukuchi out of a mix of indebtedness and being at a loss for what to do. War is all she's known; of course she doesn't know. But Yosano has been to the depths of despair and come back out of it again. She might've faltered at this horrific reminder of her trauma, but when it comes down to it, she saves the lives before her. She fought for a way back to light and life. I just think there could've been a really interesting conflict there. And it would've made Teruko's role much more tragic if she wanted desperately for there to be a third option but just didn't have enough time to sit with it and process what that third option might be before Fyodor made it all go to hell.

Also a fight between them would've been interesting, because Teruko is much physically stronger than Yosano, but Yosano can heal from any physical injury inflicted. However, since we now know Teruko can alter mental age, she could inflict psychological wounds by de-aging her, which would've been a good callback to the horrors of war in her backstory, and also been a nice bit of foreshadowing for Teruko actually being a child.

Teruko eventually allowing Yosano to leave out that door after seeing her resolve would've been a deeply bittersweet and powerful moment, I think, especially in hindsight after her backstory reveal.

[songofsunset]

Today we weren't allowed out on the playground due to wet paint, and my kids were doing great but by the end of the day we were getting stir crazy and bouncing off the walls

And also separately we've been working with this one kid to try and control her temper (her tiny body fills up with So Much Rage and she will bite!!!) and I realized that we only tried to give her tools to deal with that when she was all worked up, and that isn't any sort of way to build a new skill

So we all sat on the carpet and and dimmed the lights and took like 5 minutes for toddler yoga and deep breathing and it was actually great?????? We practiced taking deep breaths and blowing them out (toddlers can't see the difference between breathing in and breathing out, they just hear it, like a lot of times if you show them how to smell a flower they will blow on the flower!!!! So emphasizing the blowing out part helps them figure out the breathing in part) and we patted our heads..... And our shoulders ... Then gave ourselves a big hug!!!! (One little boy who loves hugs was so excited about this part!!) Then I walked them through a basic sensory activity where we felt the carpet with our hands and listened with our ears to see what we could hear and then looked around for what we could see, and then we did deep breathing and stood up together for some stretching and wrapped it up

And it was so helpful??? It really helped reset the mood in the classroom, it was amazing

AND THEN, later in the day, when my tiny child was full of rage when her classmate grabbed a toy, I said 'take a deep breath!!!'

AND SHE DID

SHE STOPPED RIGHT THERE ALL FULL OF RAGE AND TOOK THE TINIEST ANGRIEST MOST ADORABLE BIG BREATH IVE EVER SEEN AND IM SO FUCKING PROUD OF HER!!!!!!!!