#if the person im writing about sees this

[reaper-in-reverie]

I am mourning somebody who is alive.

I am mourning a girl, special to me as she was, who has ascended to a place I cannot reach. A place as unknown as the moon — dark, serene; something far into the void, yet I can still touch, see, and feel its beauty.

I think I am mourning a year of both pain and laughter. I think I am mourning a friendship — a human relationship — that I killed with my own two hands. A friendship that I took by the neck and squeezed. A friendship that I had plunged a knife into.

My hands will poison anything they touch. I despise myself for even trusting myself.

Do I blame you for letting me go? When the one at fault is in my tainted soul? A soul meant to always be left in the cold, ashy, dusty darkness — a soul that will only hurt. A soul that leaves a dark shadow in its path.

Yearning for another human being to stay for a tainted soul is a burden no one should have been forced to carry.  Though isn't it all but forgivable that a human's heart be blemished and overly-zealous?

I did not want us to die.

Was it selfish of me to have wanted to truly lived, just this once, with you?

The moment my existence is comforted, another existence loses its sights on being human.

I truly only hurt everything around me.

I am mourning a realization.

I am mourning the fact that what was once my hope in my own humanity has become my very proof of the opposite. I am mourning the fact that I never — never, ever, in a million lifetimes, even if all this comes to repeat — will wear a heartfelt smile in a world like this.

Not without you, the comfort of my existence.

Not without my humanity.

You are my humanity.

And I apologize you had to be so burdened by it.

║Ⓒ reapkusho on tumblr. 2024. all rights reserved. refrain from translating, copying, or stealing in any way, etc.

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[torchstelechos]

I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.

[kirkwallguy]

extremely funny coming from writers whose characters return and play major roles in more than one game. yeah sorry guys we couldnt do anything interesting with the game because we had to protect our fans from the conflict we would write if we did <3

[arcanegifs]

idk why ppl put comments like these + hate comments of the show/character/ship under the tags of a gifset knowing full well that the OP CAN and will probably see it and if u think this is a compliment IT IS NOT please stop doing this

[moonliteve]

an analysis of the dance of death murals in act 3 of pentiment

So I finally finished the game last night and it absolutely wrecked me :') the Chapter House scene in act 3 left a huge impression on me and since I couldn't find much on the deeper meanings of the murals Andreas drew, I tried to analyze the symbolism and what they each represent :) I'm not an expert by any means so if anyone has more insight on something I haven't mentioned please feel more than free to add your own thoughts, I'd love to see them

[jasperthejester]

me: finally accepting theres a good chance im autistic and starting to work up the courage to ask my parents to see if i could get a diagnoses but being scared to

my mom: do you ever think you have adhd? if you want to do a screening for add next time your at the doctors you can

me:

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.

[inkskinned]

"the strike is gonna kill my favorite shows" babe okay if you don't want to think about the human livelihoods at stake (you should really be thinking about the humans though) like. think about what happens after this. when writing pays you enough to eat; more people get to be writers. more stories. more interesting plots and ideas. think about what gets made when artists aren't starving.

you've been complaining for years that tv is going downhill. part of that is because the writers aren't paid enough - a screenwriter needs to be able to live with a very low paycheck while being virtually anonymous, so as a profession it self-selects for a very slim number of people. part of bad writing is burnout and the absolutely criminal amount of influence corporations have over scripts. writing is actually a craft, despite what people who love chatGPT will tell you - and, as a craft; it takes time, diligence, and support.

and yes, i understand. you have a connection to a piece of media, which is what writers want. but we regret to inform you that your blorbo is as real as the image in the mirror - is your reflection actually you? can the reflection ever show anything but the truth? as writers, our work is the reflection. you can't keep throwing our bodies under buses and then being shocked that our work is bitter, 2d, "needs revision". imagine what gets made when the artist is inspired and has the time, space, energy, and fucking budget to actually make what makes them happy.

i love you so much. but also, really - and for real - before anything else, please remember it's human livelihoods at stake.

[foundfamilywhump]

see like the thing with 'carewhumpers' as a concept to me is it just like... i know this is prrrrobably not really how it's meant but something skeeves me out about the idea that kindness or caretaking mixed in with hurting someone can somehow meaningfully complicate or dilute the harm done to the point of making that character no longer a 'whumper' whereas someone doing the same 'bad' things but not ever being gentle or caring for them would just be a straight-out whumper. when like... that's how 90% of irl abuse dynamics work? so i just... don't really get the point, i guess. like to me it implies something about the 'care' provided somehow mitigating or combating the harm done that. i just do not personally appreciate or enjoy.

[kori-senpai]

New Leokumi content in the lords year of 2024?? It's more likely than you think! (x)

[sin-sidejob]

alright, we’re hunting down Netflix executives

[blighted-lights]

someone needs to grab me by my neck and stop me from making a meta post about idw soundwave and the cassettes and about how his insistence that they are equals (or at least some of them are equals) is in direct contradictory with how he actually interacts with them/how their dynamic is written throughout idw. because as much as i do think they are generally a group that cares and relies on each other (minus ratbat, who has 0 reason to gaf about any of them and vice versa), i,,, ough. its messy.

i do not think this is a weird character writing moment, i actually think it's SUPER interesting to think and talk about. but i can't,, i shan't,,, unless ✍️👀

[bigcats-birds-and-books]

oh it's Soliciting Book Rec Hours again:

has anybody read a NOVEL (preferably spec fic, like SFF/Weird/horror) where the major conflict centers around a Crisis of Faith? character driven, is what i'm looking for, specifically in long form genre fiction. upper YA or adult, please! bonus points if queer.

at this time i am NOT seeking religious fiction recs (no, not even religious spec fic like ted dekker or whoever is writing such things now)(is ted dekker still writing)(no shade on this market, it's just not what i need)

thanks!!

[alistair-blackwood]

kabru's relationship with his eyes makes for suuuuuch a fantastic trans allegory (an aspect of your body alienating you from your community, being compelled to understand the perspective of someone who also has a complicated relationship with their body in the hopes that you'll better understand your own, people straight up misunderstanding biology) it makes me kind of insane because now I feel like I can't dig into any complicated feelings he might have about his body in relation to his gender without feeling like im just ... double dipping?? like fifjpejgh ryoko kui straight up already told that story in a way that exquisitely fucks??