#but i know theyre lies

[facelessfractal]

.

[xiewho]

riz going "you know how sometimes people make stuff up" and the immediate response of "no i actually don't" coming from figueroth faeth is so extremely funny

[bacchuschucklefuck]

pygmalion and galatea for aroace people

you should tell your friends what I look like, riz gukgak.

[decoyhounds]

[macksartblock]

I LOVE YOUR DNDADDIES DOODLES I LOVE SWIFTLI AUGH AUVH AUHH AUHU AUGH AUVH AUHH AUGH I LOVE YOUR ART SO MUHC

i dont draw swiftli enough given they are the embodiment of "love is stored in the infodumping" to me

[lilzezthenyan]

Oh wow look at that, a House MD Good Omens AU that is so severely in demand. Haha. I definitely haven’t been thinking about this for weeks. and I am definitely not coping from good omens season 2.

[denkisauce]

how did he make it feel like anything was possible?

my piece for the @gohexyourselfzine <3 leftover sales are still live!

[iilmunchkiin]

Guys I'm tweaking I wanna draw I WANNA DRAW ANGST SO BADDDDD

Trying my best to post in order so the timeline makes sense but oughh the urge to just... take my pants off and show the raw angst is GRRRRRR MY EYES ARE TWITCHINGGG!!!

[endrimer]

[oceanwithouthermoon]

long as fuck nails always painted with at least a clear coat club:

saiki kusuo

teruhashi kokomi

kaido shun

saiko metori

imu rifuta

nail biters club:

kuboyasu aren

yumehara chiyo

arisu makino

suzumiya hii

nendo riki

aiura mikoto (with fake nails over top)

(formerly) kaido shun

(formerly) toritsuka reita

(formerly) akechi touma

normal short nails 🙄:

hairo kineshi

mera chisato

satou hiroshi

toritsuka reita

akechi touma

[bahoreal]

li junliang's weibo post

[redularium]

concepting something …

trying to make a little tweening thing with them. . cool is current and warm is past

truman’s balding…. Also i dont know for sure what past Sasha and Milla looks like, only a vague idea for Milla rn . sighs

[spacedlexi]

so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring

she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)

then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??

then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??

violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn

like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication

i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"

[kaurwreck]

have yall ever noticed in osamu dazai's entrance exam that ranpo cuts to the heart of dazai within moments of meeting him, weighs him against the feather in his gaze, decides it neither too heavy nor light, and then says, simply, unfeignedly, deliberately, "Oh, that's nice. Anyway, welcome to the Agency."

and dazai, despite smoothing himself shapeless under ranpo's scrutiny, is rattled, slipping aside his noh mask to self-soothe by asking kunikida about ranpo's skill. because the radio static crackling along his spine can't be the sensation that he's been caught, or ranpo would have renounced or redressed or recoiled from the snake in his home— so it must be no longer human, buzzing and frustrating such and such skill ranpo set on him, and this placidity is a facade to save face. ranpo couldn't have seen what dazai didn't deign to show him, however much the thought briefly excites dazai.

except then kunikida explains that ranpo's skill is to deduce the truth of a case just by looking at it, and dazai is momentarily stunned, the static roaring in his drums as muscle memory swallows piqued yearning and spits bitter incredulity. even if there were a skill that could crack him apart to out the pluck meat that might reassure him he's made of flesh beneath the chitin, there is no exception to his nullification.

even as the blackened grief encroaches like ennui around dazai's edges, ranpo is calling them, promising them the answer they asked for, and no more than that much. he asks dazai for his glasses (the glasses precious to him, typically on his person, but in that moment, somewhere else), and dazai is coaxed by his curiosity and ranpo's beckon.

and because dazai is still a pitiable creature prone to wanting, he leans towards the taunting lure and takes it between his fingers while holding his breath to brace against the certain-to-be-crushing disappointment.

and instead, substantiation brokering little argument. ranpo can deduce the truth by looking at it. and as dazai's own discernment reverse engineers ranpo's conclusion, he finds no fault in it.

dazai's rhapsody enlivens him in the car with Kunikida, the well of him overflowing with the salvific implications that moments prior he was pinned, writhing in place, by someone sincerely seeing him, who was satiated by enough substance to then look away, who wasn't the least surprised to see wriggling, living flesh in the shape of him.

dazai's so beside himself that when kunikida remarks that he's never seen dazai marvel over someone else's skills like that before, dazai scarcely lies to him when he says lots of things take him by surprise, like when he tried to pick up a clam with his chopsticks, and it was still alive, startling him.

kunikida, who also notices more than he's given any credit for, dismisses dazai's third perspective, depersonalized, dehumanized, and disassociated clam metaphor, and says: "You seemed taken aback that someone had the ability to see and know all."

to which dazai responds with the same seamless and subtly mean spirited deflection he tends towards whenever he's suddenly feeling vulnerable.

but yes, he is taken aback. it's worldview shattering, not unlike when chuuya incited him, or oda shrugged at him, or when kunikida would, later, see a lock without any key (a climax without any hope) and create one himself.

ranpo saw him, saw who he'd been, and said, with prejudice: "Anyway, welcome to the Agency."

because I didn't until a couple of weeks ago, but I haven't stopped thinking about it.

[tyrianludaship]

But in the end, When it's your turn to be judged, You'll get what you fucking deserve, YOU SON OF A BITCH!

Oblivions Peak - Knocked Loose

[snailvibes]

Low quality image ik im sorry but what the FUCK