#but i have seen a lot of very interesting takes on characters through this exact coming-of-age lens

[jacksintention]

I'm thinking again on the fact that so often comments, criticism and readings on Jack dwell a lot on how he is barely human/a person/doesn't have a personality at the point of the story and, while I somewhat understand these points, I find them so lacking. I find them... ableist? I'm always doubtful to use the word here because I'm not sure if it's applied in this kind (mental health) of context, but something like that. And I find them extremely simplistic.

However, honestly, a big part of the reason for these readings being so popular is that the manga itself words it that way. But that's one of the problems I find in the manga. When I say P.andora Hear.ts is very good but unfortunately it is very manga-like at times, besides the 2000s homojokes and the like, I'm usually thinking about things like this. I feel like often characters and situations that are (potentially) very intricate instead of getting insightful deep overviews often get screwed by the writing itself, which falls into very manga tropes a lot in a bad way (not that every manga has to fall into them, or that every manga trope has to be bad or written badly).

I don't know... For instance, I'd argue R.askolnikov's capacity for love in Cr.ime and Punishmen.t is debatable, but it's never treated as if it made him less of a person, a human being or made him not have a personality. I'd say not even Svidrigailo.v, who is as much a Bad Guy™ as a character can be, gets that treatment by the writing. I'd say that even him or Mikol.ka are written as fully fleshed human beings with their intricate internal lives and feelings. Svidrig.ailov's last scene with D.unya is fascinating for both characters and spins the whole dynamic and makes you question the entire narrative and veracity of not only those two characters, but brings to mind several other conversations among different characters and throws light (and doubt!) on the main plot between R.askolnikov and Porf.iry.

In similar situations, Jack's humanity, personhood and personality are debated, doubted and even full on accepted as vanished. No one reads Crim.e and Punishmen.t and comes to the same conclusions about Raskolni.kov, Svidrig.ailov, Sony.a or Razu.mikhin. The writing doesn't allow it. The writing doesn't allow you to forget that humanity is diverse and multifaceted, that it can be sad and cruel and loving and monstrous, even all at the same time, or that a person may struggle with feeling at all; and one is still a person.

[alpaca-clouds]

Some historical context for Olrox

Okay, let me prephase this with one important message: Castlevania Nocturne made me really happy by making the plot all about colonialism, as colonialism and its fallout and how it influences us to this day is a topic that I am very passionate about. We do not talk enough about it. The US does not talk enough about it because it could make white people feel uncomfortable. And here in Germany we do not talk about it, because we act as if this had nothing to do with us at all.

But the show talks about it and I love it.

And I honestly also gotta say that I love that the BI_PoC character have a concrete cultural heritage. Olrox is Aztec, Annette is Yoruba, and Drolta is Egyptian. Other shows: Please take notes!

But let's talk Olrox, because he is so fucking interesting and amazing!

We know about him that he is Aztec and also that he is 250 years old. Or roughly that old by the time he kills Julia. Which would put either his birth or his turning somewhere around 1530.

Now, the fall of the Aztec Empire has a very exact date: August 13th, 1521. But you should keep in mind that this does not mean that on that day the Aztec's are extinct. To this day there is still 1,5 million people speaking Nahuatl, the language of the Aztecs, and preserving some of the Aztec cultural traditions. It was just that on that day the empire construct fell to Cortez and the Spaniad conquistadors and a lot of Aztecs went into exile to flee the genocide that Cortez was bringing upon them.

The question of course is: Was Olrox still human at this time or was he already a vampire? From his dialogue it is clear that he was at least alive and grown enough to remember the fall of the empire and the distruction Cortez and his men brought upon them. But you can bet it was very traumatic.

I also am assuming he was turned by a white man. Because so far my assumption is that vampirism is an old world thing that got brought to the new world through colonialism. (Mostly because in Dracula's court we do not see any new world vampires.)

Now, the other interesting thing is what he says about his dead lover. The one Julia killed. So, first the "town in Massachusetts" he speaks about is clearly Stockbridge. Which was the town in which many Mohicans have settled during the colonial times, as well as other people from the Iroquois Nations. Now, it should be noted that the Mohicans were not part of the Iroquois alliance and in fact went to war with the Iroquois, but by the time colonialism really geared up there was some cooperation between the Mohicans and Iroquois.

Due to this they were in an alliance with the Oneida (who were part of the Iroquois) by the time of the Revolutionary war. Now, the Revolutionary War created a lot of conflict between the Iroquois nations, because they did not agree which side they should fight on. Of course both sides promised that they could keep their land, but the Mohawk, Onondaga, Cayuga, and Seneca did not trust the colonists and hence sided with the British, while the Oneida and Tuscarora (and through them also the Mohicans) sided with the Colonists.

And the dead lover clearly was among those siding with the colonists. Now, a quick refresher for the non-Americans (and the Americans who slept to history class, which is understandable). The Revolutionary War lasted from April 19, 1775 to September 3, 1783 (which, yes, also means that Julia and Richter probably were in the US during the war the entire time and the "evil" Julia was fighting probably was linked to it). And of course we all know how it ended for the Indigenous people: The colonists won, countless Indigenous folks died on both sides, only to get booted of their land soon after. The Oneida und Mohicans were made to move westwards not soon after the war ended. So, yes, Olrox would have seen that happen.

Now, an interesting thing in his dialogue was when Erzebet said: "We will create a new world." To which he replies: "I have heard that one before." And she says: "This time we are going to make it to last."

And the big question is to what this is refering. Is it refering to the colonialization or is it refering to the revolutionary war? Or something entirely different. In both cases it would be possible. And yes, the American Revolution definitely were claiming to create a new world. But was it that what he refered to or something else?

Well, never the less: Interesting character. Really good writing.

[innocet]

There’s a move that RTD has been doing recently that I don’t really have a Judgement on, like I can’t say if it’s Good or Bad, but it is FASCINATING to my specific dr who preoccupations

He is (selectively, only sometimes) bringing racism that has always been present in dr who into the diegesis. I first noticed it with the Toymaker; instead of being a racial caricature in the same way his ‘65 appearance was, the 2023 toymaker is a character who poorly appropriates the signifiers of real-world cultures as part of his style of Play. He’s not just an East Asian caricature non-diegetically played by a white man. He is, within the diegesis, a white man who intentionally disrespects earth cultures by imitating and parodying them. We only see him directly do this to white/western cultures (the German, French, American, and British accents he takes), but he’s clearly textually racist to characters of color in the episode.

Racism and racial stereotype are some of the Games the toymaker plays. They’re not erasing racist production/narrative decisions. They’re placing them in a new context.

“Dot and Bubble” is the same; it recontextualizes previous adventures with all-white casts, not by reimagining them as more diverse, but by making that lack of diversity diegetic. I’ve seen some point out that previous episodes had, unexamined in the narrative, few characters of color either as a critique of “Dot and Bubble”. How can RTD expect us to notice that the cast is all-white as something with narrative significance when we’ve seen the exact same not ten years ago portrayed as a completely normal state of affairs? But I think part of the specific narrative moves that this episode is doing is that we can also examine those past episodes through this same new context. That the white Doctor, and his white companions, were not forced to encounter the circumstances that made the situation they’re in all-white, and so they did not at all engage with them. This is not to say that these previous episodes were intentionally saying anything at all about racism; they were the product of racist writing and casting, and that can’t be changed or ignored. But fan analysis as a school of thought is often far more concerned with the watsonian than the doylist, and RTD is aware of this as someone who grew up in fandom. This provides a watsonian path to exploring the racism of the show’s history, without sugarcoating or ignoring it.

It’s worth noting when he doesn’t do this as well; he seems far more willing to engage diegetically with racism than ableism, for example. Davros does not get any sort of redemption or examination as one of the only wheelchair users we see in the vastness of time and space; instead, he is simply no longer a wheelchair user. I think we should be paying a lot more attention to what gets folded in narratively and what doesn’t because it seems very clear that RTD is intent on continuing doing this and it’s something I’m keeping my eye on. Again, I don’t know whether it’s Good or Bad that this is happening, but it sure as fuck is interesting

[izzabela]

Hello!! Soo the most interesting part of my day today is that I got my pants caught on something which ripped my pants so it gave me an idea of what would each of the Lin Kuei brothers would do if their girlfriend/wife approached the embarrassment that their pants were ripped? 😂😂

Apple Bottom Jeans - Lin Kuei x fem!reader (headcanons)

in which you rip your pants in front of each of the boys

a/n: HOW DOES THAT HAPPEN

ship[s]: bi han, tomas & kuai liang x fem!reader

warning(s): ripped pants, post-story kanon

Bi Han

- i genuinely believe he would be the one laughing out loud. why? have you seen him?

- if it takes a lot for him to give praises, i believe it takes a lot more for him to laugh- this seals the deal

- "Bi Han! Help!" you'd cry out, and he'd come running to find your knees touching each other as they face inwards. His eyes would find your hands covering the huge rip on your bum, and your pretty, cotton, everyday panties peeking through

- he'd then trail to the bits of thread that come off your pants, then to the nail that holds the rest of the fabric that came off your butt

- i think he'd have a comic book moment. the moment where the character looks at the other character, back to the problem, then back to the character

- Bi Han would have the deepest, yet whole-hearted laugh of all his brothers. you want to be mad at him, really, you do. how can you with the sound of his timbre voice reverberating in your body with joy? you'd roll your eyes for sure, chuckling with him too

- i think it would make you sad, though. not the situation you were in, but the fact Bi Han doesn't laugh often. not when his only family has left him, and you're the only thing he has left from that bygone time

- after the laugh, though, he'd definitely scold you. something along the lines of "i told you that you wore those bottoms out", or "you missed an opportunity to replace them"

- if you, reader, don't care about the pants, he'd listen to you and toss them out in a heartbeat. if you did like those pants, he'd do his best to get a servant to fix them

- worst case scenario is that he'd have to find the exact brand of pants you wore

- still, he'd go great lengths to cover you up so you'd have some dignity left. he'd take off that outer layer of his uniform and drape it over you, and it'd do the job well because he's two heads taller than you

- if you try to remind him that he laughed, he'd literally deny it til his death

- still, even as he denies it all, you know he's thinking about it when he looks away from you and his left eyebrow (yes, you studied his facial expressions) is quirked up roughly ten degrees

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Tomas

- he'd be the most flustered out of the three

- raised in cultures that regard women to a high standard (slavic traditions of the Czech Republic and the Lin Kuei), he'd put you first for sure. not without feeling embarrassed, if not more, for you

- "Tomas!" you screech from your shared room of Harumi's compound. "Tomas, you get here this instant!"

- he'd show up from a fissure of smoke, face scrunched up in worry as he assesses the situation. you're panicked, and he needs to remain calm or else you'll panic more

- he'd actually find the piece of fabric that ripped off. it'd probably be hooked on a splintered piece of wood from the side-wall of the tatami door. taking it, he'd foolishly look around your bum and leg area to find the rip

- "Hey!" you'd giggle-screech. "Don't be a perv!"

- i think Tomas would be very sad and borderline offended you'd think of him like that. he'd give you a look, that's for sure, and he'd continue to quietly assess your circumstance

- only when he finds the little frills of your lacy undies will he turn the deepest shade of pink possible on the human body. he'd flail around like a fish out of water, stuttering and finding something to cover you

- he'd drape you in a blanket, the one on your bed. then he'd pick you up and toss you right back into the pillowy mattress. he'd rush out and find one of Harumi's handmaidens (or Harumi herself) and discreetly tell her about the situation

- your replacement clothes for the meanwhile would be a kimono, similar to Harumi's. as you'd get changed, Tomas doesn't look at you one bit

- "I am ashamed to have looked..." Tomas pouts from behind the dressing screen. "I apologize, feather..."

- even as he tries to get you new pants, he can't help but think about the situation he was in. he would associate those specific pants to that situation- always

- and unlike Bi Han, you'd hold this shit over his head until the day he dies

- you'd egg him like "remember when my pants ripped and you were hiding from me?" or "remember when you threw me into bed because of my pants?"

- yeah, he would be the one more embarrassed than you. he wouldn't be living it down, either, until the day he died

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Kuai Liang

- Kuai might be the most normal in terms of reaction, unfortunately. not without a good chuckle, though

- "Kuai Liang! A little help here, please!" you'd call for him from the living room of Harumi's compound. he'd rush to you almost instantly, definitely wondering why you remain sitting there when there was nothing or no one to be hosted

- "You are just... sitting..." Kuai Liang obviously notes. So much for a seasoned warrior, then again you were really just sitting

- it isn't until he walks behind you a bit, realizing that there is a reason why you're not getting up

- he'd see your hands failing to cover a hole that was right over the middle of your pants

- then, he'd see the bit of fabric that's being held by a splinter in the wooden floor of the room. he'd catch a glimpse of your panties, the color not all too difficult to miss

- "Do you think we can salvage this?" you'd ask him. Kuai Liang would give it to you straight

- "I do not believe I can, dove..." Kuai Liang says softly, kissing your forehead as an additional apology

- this is probably the most awkward situation in your life. since the pants were stuck to the ground, and you didn't want to rip it anymore, Kuai Liang basically carries you out of your pants

- with the help of a handmaid that held your pants legs down, Kuai Liang carries you by your armpits as he gently guides you to shimmy, shake, and maneuver out of your pants

- he'd praise you, a lot. things like "good job" and "thank you for listening to me" or "you did a great job listening", it'd make you very happy despite the loss of a good piece of clothing

- Kuai Liang would also order you new pants. you didn't even get to mention it before Kuai Liang had sent another handmaiden out to a nearby village to find similar, if not, the exact same pants as the ones you ripped

- and the gentleman he is, he would not speak of this day ever again. however, every time he sees you in those pants, he will chuckle to himself

- so in reality, he was speaking about it, just nonverbally

=====================

so easy that i finished this in thirty minutes

also update! i got a new job and actually love it there. everyone is so kind and helps me out

also, i love the headcanon ideas you guys are giving me, keep it up! you might see more of those get published first before i do actual fics

see y'all in the next fic!

[sirenalpha]

I'm seeing so much commentary on people reacting to the live action atla toning down Sokka's misogyny

and I'm over here like this is a total non-issue because in my own rewrite of the show I already did that exact thing, it makes complete sense to do it and they should do it because it's a weaker aspect of the original show

Sokka's early misogyny is utterly cartoonish in comparison to the set up of the rest of the SWT, it doesn't feel realistic for the only teenaged boy in a dying culture surrounded by adult women with a grandmother who left a more out and out misogynist society to act the way he does

how Sokka "resolves" his misogyny is equally cartoonish, I never liked how in The Warriors of Kyoshi literally episode 4 of the show makes a teen girl compromise her own culture with a female only fighting tradition teach a boy who is supremely rude and disrespectful to her and then still be attracted to him afterwards, it's more misogyny to fix misogyny and is very obviously men writing about how to fix misogyny especially as they have Aang make a joke about Sokka wearing a dress after going through how meaningful the fighting costume is and how a lot of Asian clothing with hanfu influences like atla borrows from would have men in what to western eyes would be dresses, Aang has already seen multiple male authority figures in robes, the joke makes no sense

I also wouldn't consider Sokka's misogyny genuinely resolved after this, consider how the show deals with his romantic relationships with both Yue and Suki and how both can be seen as extensions of how Kataang is treated in the show, rewards for the hero, especially with how Sokka interacts aggressively with Hahn instead of respecting Yue's wishes whatever her reasons for them, I think an argument can be made that Yue's death is a fridging for Sokka's storyline rather than or in combination with being a consequence of Aang's failure as an avatar or the culmination of her own storyline where she fulfills her duties as a leader to protect her own people

Beyond his romantic relationships, while Sokka drops a lot of his more misogynistic language with Katara, he doesn't support her when she faces off with the NWT leaders to learn waterbending, and he still leaves the caretaking and food preparation and grocery shopping to her which is more common than him going out to hunt or gather in order to provide for the group while he takes a leadership role like determining their travel schedule and routes, it is not an even division of labor and falls along traditional sex stereotypes

In addition to his typical duties to the group, Sokka also remains invested in the trappings of masculinity after ep4, he's concerned about what's manly and how he compares to Jet for example, there's no investigation or interrogation in his interest in meat and hunting and how they relate to masculinity and his misogyny, in the episode with Piando, his insecurity as a non-bender is resolved by giving him a new male mentor and a new martial skill, sword fighting, which is masculine in both western and Asian cultures rather than assuaging his self esteem issues in any less stereotypically masculine ways, I also think it was done so he could compare more favorably to Zuko, another male character, and even his interest in engineering and mechanics comes with a male mentor and is a traditionally masculine pursuit

the show's poor handling of misogyny also extends beyond Sokka, with the NWT, the show acts as if Pakku is the only reason the tribe is misogynistic and the only consequences to that misogyny is that women can't waterbend and there are arranged marriages, and that both the NWT and Pakku's misogyny is resolved by allowing only Katara to learn to waterbend which she doesn't even earn on her own merits, she gets the opportunity because Pakku likes her grandmother

none of this is realistic, misogyny is not because of one bad apple, Pakku doesn't make Yue's arranged marriage, Chief Arnook does, he picked Hahn for her, and the show acts as if Arnook has no authority to compel Pakku to teach Katara or any ability to persuade him in order to reduce his culpability in the NWT's misogyny as its leader to make him a more respectable character so it's not uncomfortable when Aang and Sokka follow his orders in the battle later on, but women not being able to bend and forced into arranged marriages is still status quo when the gaang leaves, Yue's just dead

I'm not even convinced the show runners understand what's wrong with arranged marriage, the issue is not Yue can't be with Sokka who she likes and at most has a slight crush on cuz she's only known him for like two days, it's that she's being treated as male property, a broodmare, and a vehicle to ensure Hahn receives the throne because her father has no male heir and picked some guy to succeed him instead, like it's not explicit in the show but that is the implication based on the historical reality of princesses in arranged marriages, and the show has her get out of it only through death idc that she ascends to being a spirit, it's still a teen girl that dies

There's also no discussion by the show of the Earth Kingdom's misogyny when it has the exact same shit going on, Toph is the only female earthbender in the show not including avatars, there might have been a female earthbender in the background when Katara broke them out of prison, but I'm not really counting that, the entire army and Dai Li are all made up of men, the EK might even be worse because the show doesn't demonstrate that women and girls even have the capacity to earthbend aside from Toph and avatars and Toph doesn't even learn from a human, she has to learn from animals, the show treats this as commentary on her disability but the show has no compelling reason why it can't also be commentary on her sex, Toph was also originally supposed to be a boy so this could have ended up so much worse there literally would have been no female earthbenders aside from avatars at all, I'm not counting Oma as she might just be a mythological figure not a real person that once lived

The Fire Nation kinda barely avoids the same issue, Azula is the only named female firebender aside from avatars in the show but she has two female sidekicks who despite being non-benders show martial skill and there are clearly female soldiers and guards in the FN military so there are much stronger implications of female firebenders existing and being completely allowed to train their abilities and that Azula isn't exceptional in that respect like Toph is, only for being a prodigy with blue fire

Azula was also originally supposed to have an arranged marriage in s3 and they dropped it in favor of showing that royal and noble girls could casually date in the FN which has wild implications for women's empowerment in the country more so than but especially in combination with the fact women can train and join the military (which is why I say the FN is not fascist it's literally the least misogynistic country aside from Kyoshi and by like a country mile so it's literally not misogynistic enough) not that the show does anything more than minor teen drama with it

again, the vast majority of this misogyny is completely unremarked upon by the show especially after s1 when they leave the NWT, it is clearly a fictional world made by men with no true understanding of misogyny just a vague awareness that misogyny is bad and what the really obvious and outdated examples of it are, this is a narrative inconsistency in the show to have the examples and commentary on misogyny be so cartoonish in the beginning and then disappear after s1

your options to resolve this inconsistency is to either go all in with more realistic misogyny and provide commentary on all of it but this takes effort and will be divisive, or take the easier route and ease off the cartoonish-ness of it and comment less on it to avoid drawing attention to all instances of misogyny in the show

obviously Netflix was gonna do the latter

(not me tho, I'm making it less cartoony and dealing with it in my rewrite)

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[chiibinomonodamon]

WHO WANTS TO HEAR ME RAMBLE ABOUT GAY FURRY DEMON SEX? XD

(damn, there's a sentence I never thought I'd say....)

Okay...so I see some Stolitz confusion and bashing online and I need to type up a defense here because I won't be able to sleep otherwise lol

I consider myself to be a Ship Critic and someone who takes shipping rather seriously.

What I mean by this is, I like to analyze and break down romantic relationships between fictional characters because it's just interesting to write for me. I especially take delight in friendly debating with opinions that I strongly do *not* agree with.

Let me start off by saying I am NOT a "this ship is awesome because gay furry sex lol" type of girl.

FAR from it. I'm generally more passionate about hetero ships between human characters (because I can relate to them more) among other reasons. So if you wanna dismiss my defense as "shallow fangirlism", you can forget about that lame excuse.

I fell in love with Hazbin Hotel when it was finally released in February and suffered waiting for each new two-parts per week. During that time, I decided to watch Helluva Boss as well, after a friend showed me a particularly soul-crushing clip (Moxxie's childhood trauma about his mother).

Yes, I like funny sex jokes as much as the next goofy adult but scenes like this, scenes that carry a very heavy emotional weight are what really get me in the end, even moreso when VERY little dialogue is exchanged. I knew I had to watch the entire episode run after seeing that the creators had a talent for this.

I saw people asking:

"How did Stolas go from using Blitz as a sex toy to being painfully in love with him?"

Oh I can tell you. I can tell you the EXACT moment this is revealed. But it's not spoon-fed to you; it's quite subtle actually and this is why lots of people miss it.

See, one of the strongest talents Vivenne has shown me is that she REALLY knows how to get her characters to communicate their feelings to the viewers JUST from their expressions and body language. These can be 'blink-and-miss-it' teeny little scenes and it may require a couple rewatches.

But since people demand time stamps for all information others post here, I'll rewatch a few scenes from S1 E7 'Ozzie's' as I'm typing this.

'Ozzie's' remains to be not just my favorite episode of HB...but probably my favorite episode of any adult-targeted animated show outside of Japan (aside from S2 E7's Mid-Season Special)

It has this huge reveal for both Blitzo and Stolas.

We'll first address Blitzo's irrational, stalkerish behavior of Moxxie and Millie.

He's obsessed with them. He finds both of them very attractive, fantasizes about threesomes with them and is constantly inserting himself into their personal lives.

Why?

Because they have everything that he badly badly wants for himself.

They have the perfect marriage and he is trying to live THROUGH them.

This was hilarious to me at the beginnning of the show but it's slowly revealed that it's one of the most tragic and depressing things I've ever seen. And it's scarily realistic too.

But you know this already so let's move on...

Blitzo follows the couple to Ozzie's but he can't get in without a date. So he calls up Stolas and yes, this is very low but he doesn't realize how much this means to Stolas (hell, I'm not sure even Stolas realizes it himself!) but the owl man is giddy with joy, he rushes over and they enter Ozzie's.

When Ozzie and Fizz mock Moxxie for being so sappy towards his wife, this strikes a chord with Blitzo (because they're his IDEAL relationship) and he speaks up to defend them.

NOW PAY CLOSE ATTENTION; THIS IS THE IMPORTANT PART:

Fizz, still holding onto his past grudge turns on Blitzo to humilate him:

"Some nerve you got commenting on a relationship"

Time Stamp: 11:37

As Fizz says "-ship", Blitzo VERY QUICKLY makes eye contact with Stolas who has a look of panic on his face. Blitzo is seeking VALIDATION from Stolas in this sharp, subtle second of screentime, as if to ask

"Well, ARE we in one?"

And then what happens next...Stolas remains silent, Blitzo's ex joins in to announce how selfish Blitzo was in bed with her, tearing him down further. Stolas stands up like he's going to put a stop to it but then Ozzie notices him and interrogates him about sleeping with Blitzo.

Blitzo looks incredibly ashamed and guilty as Stolas blushes with similar feelings...and hides his face behind his menu; HIS BIGGEST MISTAKE IN THE SERIES SO FAR.

Time Stamp: 12:24

The look on Blitzo's face as he grits his teeth and darts his eyes away basically says

"Yeah, I should have known...boy am I an idiot for trusting him to stand up for me".

(look how SHOCKED he is...wow, this hurts fr ;_;)

This is a silent betrayal on Stolas's part. Afterall, his reputation is on the line, so if he were to defend Blitzo, it confirms they are in fact, dating. He chose his pride over Blitzo and Blitzo is crushed by this betrayal.

Moxxie finishes his song and kisses his wife tenderly. Stolas watches this and also wants to have an affectionate moment with Blitzo (who is rightfully glaring daggers at him) and tries to reach for his hand.

Blitzo rejects his touch and suggests they leave. As they do, Blitzo still looks furious and hurt. Stolas is now realizing how badly he screwed up with a "What have I done?" face (13:41)

He even looks disappointed with himself.

After Blitzo drops Stolas off, he thanks him and tries to smooth over the awkwardness with sweet talk but Blitzo just rolls his eyes in disgust and pulls on his face like "I don't want to hear this bullshit".

He responds coldly and curtly, "Yeah." Stolas makes more suggestions to spend time with him, which just makes him even angrier and he snaps

"I'm not fucking you tonight, okay!

I'm really just..." (14:28)

he pauses to wipe a tear because at this point he can barely hold it together (top notch voice acting and animation directing btw)

"...not in the mood, Stolas."

Stolas still tries to talk him into doing couple things unrelated to sex.

Blitzo's face switches back to anger and frustration because Stolas isn't getting the message so he goes for the blunt tactic;

"Stolas, don't act like what we have is anything but YOU wanting ME to fuck you, okay?"

(14:42)

"You make that really clear all the time."

(again his voice sounds like he's about to break down)

"But I-I just can't do it tonight, okay?"

(Finally meets his eye)

"...I'm sorry."

I believe this is code for "I'm sorry we're even in this situation and how your reputation got damaged. " Or, more painfully, "I'm sorry I'm such an embarrassment to you".

Stolas replies "Okay" and takes a deep breath to compose himself. They say goodnight and depart.

An important note here is that Stolas calls him "Blitzo" instead of "Blitzy" to show more respect.

As Blitzo zooms away coldly, Stolas looks up at the sky with tears in his eyes, surprised at how much it hurts.

He then sits down with his head in his hands in anguish...because he's getting that

"Oh...no. These feelings are real" epiphany.

And as if this wasn't enough angst, Blitzo collapses onto his couch at home, goes through the memories on his phone and starts sobbing.

I'm going to be real with you; this is the most heart-breaking shit I have ever seen in an adult show of this type. It's also the first time a show of this type got me to cry.

The last six minutes have revealed so much information without spoonfeeding it to the audience because the show RESPECTS its audience.

To recap:

*Blitzo takes Stolas on a first official date to use him

*Stolas is extremely happy about it

*Blitzo gets humilated and looks to Stolas for validation

*Stolas betrays him and breaks his heart

*Blitzo snaps that their relationship is nothing more than lust-driven sex

*Stolas realizes he's actually in love with Blitzo and it's a huge problem because (he believes) that it's unrequited.

*Blitzo breaks down because the ONE person whom he thought would protect him didn't do so.

So these two are convinced that neither one loves the other...while the irony is, it's quite the opposite.

Because if Blitzo REALLY didn't feel anything towards Stolas, he would not have gotten this emotional.

Yes, they are both lonely...but I really don't think that's all there is between them.

So..........we know WHEN they started falling...now the question is why;

I think the answer's quite simple; single-target affection.

It was mentioned in S2 that Stolas and Stella did sleep together ONE TIME...but Stolas didn't enjoy it at all. He is stuck with a wife who hates him so much that she put a HIT on him...and a daughter who thinks he's a loser. Blitzo is pretty much the one person in his life who is able to make him happy. That one small, bright spot. He enjoys the sex with him but he also simply enjoys his company, as shown in Ozzie's episode. He is thrilled to simply talk to him about his day...and do anything else that couples do. They're complete opposites. Stolas is an intellectual but naive and sheltered. Blitzo is poorly educated but cynical and street-smart. Opposites attract...though this is likely more from Stolas's POV than Blitzo's.

In other words, Stolas is into bad boys xD lmao

In Blitzo's case, Stolas is the only character who shows him physical affection which he desperately craves. He's pretty tsundere about it most of the time...but I think he actually does enjoy that attention...especially when he's always getting disrespected by Moxxie and Loona..and quite a lot of people around him. BUT he's too scared to get serious with anyone because of past trauma and he also believes that no one could possibly love him as a person. :(

Reasons I Think This Love is Real

Aside from what I pointed out in the Ozzie's episode...there's quite a lot of evidence, esp from Stolas's POV.

After he realizes he's in love, he goes to Asomodeous for an ALTERNATIVE method for Blitzo to use so they will no longer sleep together. He wants to set Blitzo free. Which means he DOES truly love him because love is about being generous to the other person. He COULD be totally selfish about it but he isn't.

Asomodeous mentions how against love potions he is and Stolas agrees. He thinks that's out of the question.

'Look My Way' music video. Lol I don't have to say anything more.

In S2 E6 OOPS

This exchange at 16:57

Fizz: Seems your taste has gotten more 'regal', lately?

Blitz: Yeah, well unlike you, I fuck who I want WHEN I want. I'm not gonna be tied down to some big blue-blood asshole.

Fizz: You coulda fooled me the way Prince was cozying up to you at Ozzie's.

Blitz (gets very defensive) HEY! Stolas only cares about have a rugged peasant raw-dog him into his mattress, okay!

It's nothing...(gets hesistant and looks away)...you know...

(Fizz gives him a 'bitch please' look xD)

"it's nothing else."

Fizz: Then why were you even there?

Blitz: OTHER very important reasons of course.

Fizz: Whatever. I don't actually care.

Blitz: Stolas is just a loud, thirsty BITCH!

(Fizz is rolling his eyes again)

Blitz: He loves feeling the thrill of getting dicked by the lower class.

It's a novelty to him.

Fizz: LITERALLY just said I don't care!

Blitz: And then he'll call me and try to see how my day was!

And he'll pretend to care about me and comment on my photos laugh at my jokes...

Fizz: (Smirking) OH! That's definitely your clue right there that it's all bullshit!

Blitz: I KNOW, RIGHT??

Fizz: (Making a 'What in idiot' expression, shaking his head)

Blitz: HE'S JUST A FAKE, PRIVELEDGED ASSHOLE...

Fizz: Sounds like you just hate him for being a prince!

No one (laughs) and I mean NO ONE pretends to care that much just for a cheap lay.

All right. IF ANYONE knows what real love is like, it's Fizzaroli...who is in a very HEALTHY relationship with Asomodeous. He recognizes the signs because he's IN that place. He sees it...and he's annoyed that Blitzo keeps denying it and brushing it off...yet clearly can NOT stop talking about Stolas (amusing irony)

To sum up (this freaking essay lol) 'Stolitz' ABSOLUTELY has the potential to be pure and true...these two just need to communicate...or Stolas has to PROVE to Blitzo that he's serious about his feelings in another way.

There is no doubt that this ship is 100% endgame and is a case of the 'Earn Your Happy Ending' Trope. I look forward to the rest of the journey. Ron is putting my feelings about Stolitz in a perfect phrase:

[burningcheese-merchant]

When Burning Spice was introduced a lot of people made comparison with Capsaicin, and even thought they were related. You have any thoughts on that?

I do, and you're all probably going to be very disappointed lol

Not only do I NOT vibe with the idea that they're related, I'm actually really annoyed that it's as popular as it is lol. It doesn't even make sense. Burning Spice was in prison for thousands of years; when, where and how did he have a kid? At what point in time did this occur? Capsaicin is a young man. A regular mortal, outside of his "Spice Overlord" thing. I ask you all again: when? Where? How? WHY? Has anyone ever actually thought this through?

"ThEy LoOk SiMiLaR" okay, and? So fucking what? Neither of them own the concept of "long hair" or "muscles" or "sharp teeth". Pitaya has those too, and he has an arguably more substantial connection to Capsaicin because they're actually from the same fucking area. Happenstance. Lots of characters in this game have similar attributes, that doesn't necessarily mean anything

"ThEy'Re BoTh SpIcY" Refer to point A. Do you all think all the nut-based cookies are related, too? That's the logic you might as well be operating on. Correlation is not causation

"Blah blah both jail" you know how many characters in this whack-ass phone game count as felons, bro? How many of them SHOULD count as felons lol? The Cookie Run universe might as well be one giant Alcatraz with all the shit these little affronts to God get up to every day, I ain't making them all each other's relatives because of it

They're the wrong ages for them to be family. Burning Spice was serving a life sentence since long before Capsaicin was even thought of, he literally got out after the guy was already a grown ass man. They're not even from the same fucking CONTINENT! Capsaicin has probably never even HEARD of Beast-Yeast! Even that little comic the CRK Twitter account posted makes fun of all this shit!!! The Wild Spices mistake Cap for Spice from behind, and then get confused when he turns around because THEY VERY CLEARLY DO NOT KNOW WHO HE IS AND HAVE NEVER SEEN HIM BEFORE! Wouldn't an army know if their general had a son, even if it was only mentioned in passing? Wouldn't THIS army have a vested interest in having their general's son around if he existed, and stop at nothing to bring him home should he vanish, to gain favor with Spice and because of how powerful Capsaicin is and how useful he could be to them?

I wouldn't be so bent out of shape about all this if it wasn't LITERALLY FUCKING EVERYWHERE!!! I cannot enjoy any content of Burning Spice OR Capsaicin without having to endure a fucking barrage of "hurr durr father and son" posts!!! I just want to ogle my hot, sexy, deliciously evil spice man BY HIM-FUCKING-SELF in peace, I never asked to have to hear the exact fucking same "hi son I came back with the milk" joke over and over and over again

I know I sound like a massive dick right now and I'm truly sorry. You are more than welcome to think of these two as related in some way if you wish. I am not your mother, nor your leader, nor your god, I'm just some cringe loser on the internet. Enjoy this game and its characters in whatever way you choose. I even actually like a good bit of the father/son art, a lot of it is cute and funny. I'm able and willing to say that with complete sincerity.

I just wish I didn't have to feel like it's being forced on me. That is one of the biggest issues I have with this fandom: how oppressive it often feels. You MUST ship this particular pairing, you MUST headcanon these characters as family, you MUST take this one-off joke that was clearly just a goddamn joke and preach it 24/7/365 like it's the gospel truth that Devsis themselves wrote on stone tablets and delivered from the top of Mount Sinai. And then when someone doesn't want to do that, everyone else descends upon them like a plague of fucking locusts. I actually saw a Dad Spice + Son Cap post on here with the person who made it saying something like "ok since everyone agrees that these two are family [...]" and I just got so fucking irritated. No, actually, not everyone agrees. Not everyone agrees on a lot of the fanon that's shoved down the entire community's throats on a regular basis. PLEASE stop acting like they do. I still remember when people would get flat-out harassed for not acting like Herb is Sea Fairy's son (old ass drama lol).

Say what you will about me, I'm just one person and you can block me or whatever dumb tags I use for my dumb shit. There is NOWHERE I can go to avoid this. Twitter? Plagued. Tumblr? Plagued. Even fucking reddit is on this nonsense (only in my personal opinion). But that's what I get for acknowledging Reddit in any capacity lol

I shall once again sincerely apologize for my harsh tone here, I am not attacking you personally or anyone who headcanons these two as relatives. I am just generally, profoundly frustrated and I need to get it out. I appreciate you taking the time to ask me an honest question, I hope you can forgive me for my painfully honest answer

[gloomura1]

Do you perhaps do crossovers (like for example obey me x twst or sumn similar to that)?

If so, could you perhaps do the demon brothers or Diavolo with a Malleus!Male! Reader? Doesn't exactly have to look like Malleus (mainly just the horns and magic abilities, personality too if you wanna add that).

Maybe some fluff headcanons of Diavolo or the demon brothers just simply being around Malleus!reader and spending time with him, and Malleus!reader being somewhat shocked that they aren't really afraid of him?

I'm hope you have a wonderful day!

(Edit: After so long Ive realized that I never really went through with the ask and went with my own story. Im so sorry dude, i will fix my mistake and remake it in a bit)

TW: VERY small mentions of the event Glorious Masquerade in Levi’s Part, Mentions of hurting Belphegor during lesson 16 + small spoilers, let me know if more!

Malleus!Reader and the Brothers

Lucifer🦚

When you first came to the Devildom, his first concern him was your abilities, and of course, your appearance. Nothing could’ve really prepared him to see a tall man with large horns, especially one with the amount of power to actually harm them. Slightly though, I mean you couldn’t be compared to THEE Lucifer (is what he continued to tell himself for a long time).

Throughout the year Lucifer mostly left you alone. He had small concerns, but it was most likely just paperwork and his brothers stressing him out so he stayed in his room. You were kinda used to that kind of treatment though so you didn’t mention it much.

He eventually warmed up to you, and you did try to keep out of trouble so nothing much happened. His trust also kind of broke a bit when he saw you using magic on his younger brother, Belphegor during the whole… trying to kill you thing. He understood it was for defense purposes though.

When he learns that people tend to avoid you and are usually scared of you, he felt a bit bad. He likes spending time with you now, and isn’t that scared of you. Maybe a bit intimidated with your height but it isn’t a huge problem since the horns make up around 4-5 inches. He adores your love and interest for gargoyles, and is extremely impressed when he finds out what your power level. Nothing could really compare to the brothers though, not even Belphegor.

Mammon💸

He thought you were badass honestly. Maybe a bit intimidated since you were pretty tall compared to him (and also the fact that you just looked terrifying). You did kinda remind him of Lucifer though…

During the year though, you end up dealing with him like usual. Mammon would take all sorts of things from you and try to steal it, but it slowly stopped after a while (years). One night though, he decides to take your beloved Drago. I swear he’s never seen you so upset over some toy! Are you like Levi, all into those weird games? Didn’t seem like the type.

After explaining that it was given by someone special, he stops most of his teasing. You’d hear a whine or two about how you would just give away expensive items to fix it, but a small smile after it’s fixed immediately shuts him up.

Levi🐍

He was bored out of his mind when he was suddenly out of his little fantasy and he just sees this super scary guys that’s like, the exact replica of Lucifer! The horns, the glare, the terrifying but badass look that just screams “normie”! He couldn’t believe it, you were also an exact replica of the Lord of Corruption!

He pretty much avoided you but admired you after that meeting. He could compare you to so many anime characters! You really got his attention, he’d stare at you in class all day! And during breakfast, lunch, and dinner... He does get closer with you by the end of the year, you were eager to learn what he knew about TSL. Though, he called you “normie” a lot during his rant. Well, at least you were able to mention gargoyles. And he was completely fine with it! Unlike Azul and Idia who completely made a whole deal out of it during your trip to Noble Bell College… Though, you did think of Idia while Levi was ranting about TSL. Maybe they both would be friends?

(might get into writing again but oh well. This is probably just a spurt of energy after months of being done with everything.)

[n7punk]

She-ra Cast Q&A (July 23rd 2024 via Streamily)

Yeah we knew I was going to do this, sorry I'm late but I was driving when it started. Quick summary of the questions and answers, not exact quotes so if you have more questions about something, watch the VOD. Shouldn't be hard to find since these are listed in chronological order.

Guide:

Q: Not-so-average-fangirl (host)

ND: ND Stevenson (showrunner/writer)

A: Aimee Carrero (Adora VA)

AJ: AJ Michalka (Catra VA)

K: Karen Fukuhara (Glimmer VA)

ND was sick for the stream so take his answers with even more grains of salt than usual (I love you Nate but I also know when you're joking and it's often).

Right off the bat, no major announcements except ND teasing he has a passion project book coming out next year with other things in the works.

Q: What influenced your changes to the original SPOP characters (for ND)?

ND: Fell down a lot of rabbitholes on fansites and such, conclusion was it was the gayest show he had ever seen. "This is so gay, I have to make this gay, it wouldn't be true to the original if it wasn't gay." Wanted to bring in a new take and a new world.

Q: How did it feel playing Adora in the first few episodes versus the last few (for Aimee)?

A: In the first few episodes she always feels like she's seconds from being hired (own anxiety, recording environment was very comfortable). Fell in love with the character and the story, ending was really bittersweet to not have last forever.

Q: Since Catra is your first "villain" role, is there anything you learned that you would use in future villain roles (for AJ)?

AJ: Voice placement (villains talk lower, more raspy trying to seem more intimidating). Pulling anger or hurt into her body when going into a session otherwise relaxed. Would workout beforehand or clench her muscles to help introduce to stress to her voice.

Q: Was there something from your previous serious roles you pulled in for Glimmer (for Karen)?

K: Liked that Glimmer was a lighter/fun role, her voice sat well for her. Previous roles might have helped for when she was going through her identity crises.

Q: If you could hangout with your character for one day, what would you do?

ND (Spinnerella): Girls day, coffee, sailing (wind for the boat), she's the most normal person on the show so easy to talk (A/N: THIS IS HOW I FIND OUT ND VOICED SPINNERELLA??).

A (Adora): Thinks Adora wouldn't like her (she's cool even if Aimee didn't play her cool). Interests don't align, maybe finding something more atheltic and crafty. (Q suggestion: A could bake and Adora could eat - Aimee loves.) Could have Adora build her something.

K (Glimmer): Would love to explore the kingdom with her, hang out with her and Bow now/a few years down the line.

AJ (Catra): Take her to Disneyland. Would be intimidated by Catra but it would be a nice icebreaker. Rides, junkfood, meeting princesses (Catra would pretend she didn't like it but actually enjoy it).

Also, the first of many mentions of the cast wanting to do a She-ra movie, ND said "already working" on a script but in a joking way, clearly not an announcement and just something he wants to do.

Q: Which scene got you the most emotional while writing/recording?

ND: Finale. Culmination of all the characters' arcs but also the crew's arc. Knew it was the last time they would be doing many things. Co-worker asked if the characters had said that they love each other, ND searched scripts and realized they hadn't, so incorporated the pitch into the finale. It was the crew's way of saying it to each other as well.

A: Emotional often while recording. (First of many pitches for Aimee wanting to be in everything Nate writes because his writing is so amazing). No stars in the sky, Angella staying behind convo in the portal, the finale.

AJ: "I love you, I always have" (will come up again later). Also when Shadow Weaver dies, she was so hard on Catra but she's still the closest thing to a mother figure she has.

K: Angella's death and when Glimmer admitted her mistake to Bow and Adora later on. (Also Karen cried watching AJ's confession scene).

Q: What do you think Catradora's space roadtrip experience would be if they took a trip to Earthe (for ND)?

ND: (This answer is all jokes) Wearing a dad hat, Catra gets in fights. Also Disneyland.

A: Bermuda shorts and sandals situation for Adora, no SPF and sunburned. Intense dad energy on a roadtrip. Interrogating about Dorito shells at Taco Bell without knowing what a shell or Dorito is.

AJ: Catra deciding to crash a movie premeire in Hollywood without even really knowing what a movie premiere is.

K: Go to all the food spots in LA.

A: Adora going through the drive-thru over and over ordering different numbers on Swift Wind.

Q: Did you apply any techniques you learned from voice acting into singing (for AJ)?

AJ: Singing since a little kid, feels like she's solid there, but voice acting requires a lot of front voice and stamina.

Q: If you could write a spin-off series for a side character who would it be?

ND: Double Trouble (shapeshifter bias). So many parties to crash, nobles to impersonate. Spy drama. Every persona they've ever had gets their own little spin-off.

Q: If you were in Etheria for 24 hours what would you do?

Okay AJ accidentally said she'd ride Shadow Weaver and then everybody functionally died when she was asked if she meant Swift Wind. I just have to mention that.

AJ: Ride Swift Wind first because Catra has never been on a horse and AJ is a horse girl.

(ND and AJ both said Catra would love it).

A: Wants to explore Glimmer's room and play dress-up.

K: Get ready for the prom together in Glimmer's room.

ND: Explore the First Ones' ruins and press all the buttons. Act like an urban explorer and then get killed by spiders.

Q: If Adam had been in the show, how would you have approached his character (for ND)?

ND: Would have changed everything in the show because there's somebody she would have a sibling bond with and be looking for her family. Sees this version of Adora as an alternate reality, but if they were both together, would be chaos twins. Push all the buttons, etc.

Q: During White Out, what would Floppy Adora and Catra's interaction have looked like?

A: The world's worst drunk voicemail you've left for an ex, so cringey you can't even write it (A/N: she's so real for this). Profess her love but then barely speak real words.

AJ: The night would end in laughter, and then tears, and then laughter, etc. Glad it didn't happen because it would happen too early.

ND: Show would have been over at that point because of what she said.

Q: If Glimmer was only limited to three places on our Earth, what spots would she choose and why (for Karen)?

K: Japan (to visit grandma), NYC (Karen might move there, she's going to try to see Aimee there next week), Turkey (to go in a hot air balloon. (A/N my interpretation was the 'she' was supposed to be Glimmer but Karen interpreted it to mean her and the host seemed to agree).

Q: Would AJ and Aimee ever consider doing a duet together?

(AJ made this :D face immediately)

A: I would be so nervous to sing in front of AJ I couldn't even speak.

AJ: Aimee has a beautiful voice and would love to duet with her. They're friends, no need to be nervous.

A: Would still need a little liquid courage, was thrilled to be in the "Blue Dress" music video for Aly & AJ.

AJ: Wants to do a three-way duet with Catra, Adora, and Glimmer.

Q: Of all the scenes that got cut, what are the ones you most wish you'd gotten to include? (A/N: Tippen you made it!)

ND: Nothing made it to animation, maybe boards at most. Couldn't think of anything, but prank they pulled by replacing the final line in the finale after the camera pans up from the Best Friends Squad group hug with "Did we ever find out what Grayskull is?". Showed it to their exec as a prank and got super attached to it but couldn't keep it. (A/N: ND posted a video of this on Twitter awhile back, see it here. Thanks tempusername24!)

Q: What are character interactions you'd like to see that you didn't get to do?

Karen (AJ same): Catra getting to be friends with Bow and Glimmer, Catra and Glimmer explore the world together.

AJ: Catra would love to teleport once she's used to it, loves Glimmer grabbing her and going somewhere spontaneously.

ND: Bow and He-man.

Glimmer is based on Nate's first DND character who misused Misty Step a lot!

Q: What was your reaction to the glimbow confession (for Karen)?

K: Super surprised, none of them knew glimbow/catradora/etc were going to be a thing, suspected and shipped it, but was super excited.

N (adding): Karen asked him when reading the script if she should read it romantically or not.

Q: What was your reaction to the new She-ra transformation in S5 (for Aimee)?

A: Thought she was hot already, loved the redesign/glow-up, the jawline, still love it now.

Q: Has anything from the show affected/inspired your music (for AJ?)

AJ: (Never thought of it before) There are times she feels she's in the shadow of her sister but playing Catra gave her a newfound confidence in herself as a performer.

Karen had to leave at this point, but the girls want the next signing August 17th to be a pajama party if they can swing it. (Also if you had any doubts this stream was geared towards the adult fans, Karen promoted her show The Boys when prompted before leaving).

Q: What was the hardest part about writing Adora (for ND?)

ND: Keeping the balance of the friendship and tension for all the characters. People thinking Catra might be too far gone to be redeemed and executing her "apology tour".

Q: As creatives, how do you process the heavy feelings when a project comes to a close?

A: Every project has a depression period afterwards, the "post show blues" (A/N: girl I know what you mean). Keeping up with the other people on the show is all you can do.

AJ: Second, there's nothing you can do but maintain those friendships and hope for another installment/reboot down the road.

ND: Everything for 5 years for him was She-ra, even when sleeping. Jarring when it was over. Really hard, tried to make peace with moving forward to something new and passing on the baton.

Q: What is your favorite line from a character you've voiced (for Aimee)?

A: Hard for her to remember quotes, was reminded of the line "You're worth more than what you can give to other people" (A/N: not a line from Adora but a good line regardless).

AJ: "I love you, I always have" because it's Catra being honest and throwing it out hoping for Adora to catch it.

ND: Playing Netossa/Spinnerella fight with nephew at his request, ND was playing Netossa because he didn't know ND voiced her, ND did the possessed Horde Prime line from Spinnerella and he screamed and hid in a closet. Unlocked the concept of voice actors for him and not he loves quizzing ND on it.

Q: What do you envision for Catradora's post-canon space adventures (also did Adora change clothes).

(All the clothes answers were jokes but sleeveless tops and a perm for Adora and a fanny pack for Catra so she can carry sunscreen for Adora).

A: Like that they've aged, that they'll find joy in the more mundane aspects of life and they may not be worthy of a movie but she likes that little moments that make up a life for them.

AJ: Same. Enjoying life as friends and lovers.

ND: They deck out the ship (airbrush a wizard on the side, shag carpet and mood lighting, the joke answers aren't done lmao). Fun field trip, being touristy, extremely low stakes shenanigans and then going on missions. Would collect tons of souvenirs as they travel from planet-to-planet.

What are you working on / What did She-ra mean to you?

AJ: On sabbatical except for writing music. Grateful for Catra and the depth of writing on the show.

A: Filming Our Friends and Neighbors. Same as AJ, also going to pester ND to play more characters for him.

ND: (got teary) She-ra transformed entire life, so grateful for everything the viewers invested into it. Book coming out next year that is a long-time passion project but not announced yet, other various things he can't mention right now.

Aimee joked with Nate that he needs to get back to work to get them all into the Academy Awards when talking about Nimona's nomination.

Upcoming signings:

Karen, AJ, and Aimee are on August 17th via Instagram (A/N: originally they said a different date for Karen and reports have varied from fansites but these are the upcoming events listed on the She-ra Streamily collection as of 24/07). ND has a TBD date pending as well.

[anim-ttrpgs]

How Snoops are Designed for Eureka: Investigative Urban Fantasy

(written by @theblackwarden one of our team artists, not the usual person who runs the A.N.I.M. blog.)

First, here are the restrictions when making Snoops. Restrictions are not bad; they make it so that you can focus on a few specific elements and experiment with how those interact with each other. When you only have a few colors, you discover all the ways those few colors can interact, as opposed to knowing a few ways that all possible colors interact.

The body is split into two, like a coat. Usually, these two piece should not be "the exact same but flipped"; they should be two different pieces in contrast with each other.

There is a hat or hair above the coat, and a pair of eyes in between.

Nothing can be "behind" the eyes, the "face" must always appear as a solid color the same color as the background, otherwise they look like they are literally just a pair of floating eyes rather than just a minimalist character design.

Black and white.

No limbs; any held items appear to hover near the chest.

You will note here that even with these rules, they are sometimes broken.

Here, the two sides of the coat are perfectly symmetrical, but this is so attention is not taken away from the real focus of the picture - the two guns. At the same time, the hat and eyes are unsymmetrical so the picture is not a perfect mirror image, making it a little more interesting to look at.

A major aspect of Snoop design is the contrast of disparate elements, especially straight lines and curved line.

This is a very simple snoop, the Bumbling Detective. Here, you can see that the left side of the hat is a curve, while the right side is a mix of straight lines and curves. The same is for the coat, the left side is a curve and the right side is two straight lines. Similarly, the top of the hat is an uneven two humps. These are small details, but adds interesting variety to a very simple black/white design.

Usually the irises of the two eyes would be the same, but I made them different in this one, along with the size of the eyes, to make it look like a raised eyebrow or an eye bulging out. Many snoops have different size eyes to add more variety and a sense of expression.

Overall, it is a mix of uneven and different elements for interesting flavor.

Hard Boiled has a lot of conflicting lines of motion.

The character is not a perfect perpendicular to the table; the table is more tilted while the snoop stands upright.

This is to create, again, more contrast and motion by the feeling of things moving against each other, as seen below:

The curve of the coat goes vertically towards the back, while the curve of the hat goes more horizontally, and towards the front.

This contrast, even if small, makes the motion more pronounced through exaggeration.

Here, you can see much variety being done through the only things that can be edited about the Snoops:

Height

Curved Lines v Straight Lines

Hats/Hair

Eye Shape/Size

Line of Action/Motion

The smoking Burnout snoop and the snoop right above it are the same "character", but the latter just had the shape made much more curvy; everything else is generally the same, but it still leads to a great contrast.

Many of our snoops are inspired by well known characters from dectective and mystery fiction, so some of them are done with some sort of reference. All snoops are hand-drawn first so that I can experiment with the feel and motion of a piece. This takes many attempts, many erasings, and a lot of repetition.

For references in particular, my main advice is this:

Do not try to perfectly capture the exact details of the reference -capture the feel of the reference. When drawing the lines, don't try to make it mimic the line of the reference. If you look at a picture of a face and you think the cheekbone looks really round on it, draw a very round cheekbone in your drawing of the face. Not the exact roundness in the pic, but just the feel of "a very round cheekbone".

This is the same principle I use for art in general, such as when i made these portraits based on references:

For example, when it comes to the wrinkles around the eyes of the bottom old man pic, i wasn't trying to get down the exact angles/lengths in the ref pic, just moreso going "it looks like there's a lot of downward curving lines, I'll draw some of that".

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but you can still check out the public beta on itch.io to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, etc.!

You can also follow updates on our Kickstarter page where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more, you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy earlier, plus extra content such as adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[zahri-melitor]

Dark Crisis: Young Justice

I think my first, most top-level thought about this as a title is that the expectations you bring to this title have a large impact on the narrative you get out of it.

If you're picking it up for the words 'Young Justice' in the title, thinking you're going to get a fun romp of a story, you are necessarily going to be disappointed (and indeed that has happened to many people who've read this).

If however you look at it in context of the words 'Dark Crisis', as a tie-in mini to an event heavily involving themes of trapping people in dreamscape universes arising out of their subconscious, and the narrative of 'who grows up to step into the shoes of the Justice League'...? Then yeah. The story contains a lot of very relevant commentary on that.

I can see what the original pitch from Fitzmartin was for this story, and it's compelling. I think the pitch, premise and argument she is making are very interesting; I just don’t necessarily agree with all the conclusions and the exact characterisation used to achieve those conclusions.

Because. In the context of an event that has Jon Kent building a new Justice League out of a collection of heroes in his generation who largely are the relatives of the classic Justice League, despite having very little personal experience or time as heroes, and of the Original Titans generation realising that they need to step up and take on leadership of the broader community again, as they go through losing their mentors once more... a title about the inbetween generation, who have been ignored, asking 'well what about us? Why are we overlooked here? Once upon a time, we would have been seen as the future' makes sense.

Mickey offering Kon, Tim and Bart what he sees as the lure of being the hero - of growing up into the role originally seen as their destiny - is a potent one in a broader narrative that has Jon Kent openly stating multiple times that he has to be Superman because his father is not there and to live up to what his father would be doing; where Damian is once again being haunted and positioned as 'the true Son of the Bat, Heir to Batman, Has No Other Future Destiny', and where even Wally is being positioned as feeling junior to and not fully able of filling Barry's shoes. (Wally's inferiority complex is entirely unnecessary, but he is right that Barry is seen as the more 'multiverse proficient of the two of them)

Because. Why is the generation below Young Justice the ones who think they need to try and fill the shoes of the Justice League? Why has the Young Justice generation been replaced but not given the space to grow into new roles, and is the demand they step aside for the younger heroes a fair one? These are discussions to be had about the characters and they're had constantly by the fandom, and I think choosing to tackle it as a topic head on in an event focusing on the issues of legacy and what people desire secretly in their hearts is probably the place to bring it up.

And in that context, some of the choices of story that various characters were given, particularly Kon, make a lot more sense.

Bart gets to be the character who understands what is going on, who twigs to the situation first and how to fix it, because Bart is the character most often underestimated and treated as the afterthought and the comic relief of the three boys in fandom. They're in Bart's area of expertise, and he gets to showcase that as part of his growth and difference.

Tim is conflicted, because Tim has been conflicted ever since Damian was introduced and set up as a rival. But also Tim and Damian have largely made peace with each other, to the point where they're just fondly bickering brothers. And what convinces Tim that the present is better than the past is Bernard, and by analogy being bisexual and being openly allowed to be bisexual; it's an argument that it's better and easier for Tim to accept who he is in this present where he's written in the 2020s and can interrogate his identity, than to be in the 1990s and written by Chuck Dixon.

And Kon...Kon's entire story has always been about how he was created to become Superman, his destiny was to grow up to fill that role - and how it will never happen, for him. He spent years struggling with how that affected his identity and perception of himself, and whether he does have the ability to choose his path. Kon asking ‘isn’t it better here’ (in the past, when he was young and had a clear future trajectory) in an event where Clark is in a dreamworld where he gets to raise Jon (and none of the rest of the family are evident) and Jon’s running around announcing he’s Superman, he needs to live up to what his father would be doing…yeah. That IS potent commentary. Because Jon, a character who probably still is younger than Kon, is Superman. And Kon, who believed he was Superman from the moment of his decanting, is stuck as Superboy. He's been replaced and people don't even remember him.

So Kon being the fall guy who needs to be talked around the hardest in the story makes sense narratively, even if some of his lines don't wholly fit his characterisation, because when this story came out Kon was the character most in a situation where he didn't have connections to the present and a forward trajectory.

(And right now of course Tim and Kon are in the healthier positions, storywise, while Bart is the one careening around without proper characterisation. Swings and roundabouts)

And then we get to Cassie and Cissie.

And while the three boys have got to be their present selves, but pasted back into the setting of nostalgia...Cassie explicitly gets replaced and all of her characterisation wound back in the dreamworld version of her.

Notably, Fantasy Cassie is present for stories she did not appear in, in the very early days of Young Justice. Indeed, Young Justice #3, an issue that contains Mr Mxyzptlk, is officially titled "The Issue Before the One Where the Girls Show Up!". But the Cassie that Mickey chooses to use...is a costume never seen at Happy Harbour. It's a version of her mid-Young Justice costume, from about #20-#49. It's the one from before she's chosen as leader. He doesn't want her 'ugly' early costume, where Cassie's still hiding herself. He doesn't want the leader, the adult that Cassie is in her real aspect, or even the girl who joined the Teen Titans. He wants the idealised 'best' Cassie that everyone carries on about, just one section of her story.

And Cassie herself, in her conversations with Cissie, is having what are largely meta commentary discussions about the way the fandom and the 90s treated female characters, particularly in positioning Cassie as the afterthought of the Core Four.

Like, no doubt, Cissie gets stuck being nominated to be the character getting somewhat villainised to drive the plot forward. But again, part of why Cissie ends up in that role is that she's simply a less important character. Cissie's main trait that even the fans want to argue for her to show is "I don't want to be a hero, I don't want to be here". (See for instance everyone yelling for Cissie to get out of costume and go home in Green Arrow). And that's the thing. Even in her civilian aspect, she has rarely appeared on page, and even in storylines after YJ98 which mentioned her she occasionally never showed up. If Cissie and Cassie are really supposed to be best friends, where has Cissie been? It's worth poking at.

Cassie is arguing for her growth, and her complex history, and her leadership. She's also arguing to be allowed to have the narrative space to have her friends, both male and female, depicted as important to her.

All that said: I don't think the story manages to fully deliver and land the story it's trying to tell. Aspects that let this down as a title and cause drama:

I think part of the issue is the choice to use Mickey Mxyzptlk as the villain, rather than Bedlam. I think the choice of Mickey was taken explicitly for the 5th dimension 'comic story followers' aspect, and also to reflect in Mickey elements of Superboy-Prime and that aspect of Infinite Crisis, given the large effect IC has on this story, without actually making the villain Superboy-Prime and pulling the focus of the story over to what he explicitly had done to Young Justice characters. They clearly wanted to evoke the 'overentitled comic book fan' narrative encapsulated both in the concepts of the Prime universe and the 5th dimension as the villain of the piece to struggle against. The problem is that a lot of fans do not enjoy having that mirror turned so fully upon them, highlighting a view of insider frustrations with their fandom.

If it had been instead Bedlam, who is a world-shaper with a massive immaturity complex, the fundamental shape of the story could have still happened, but would have had the additional veneer of not openly attacking the fandom's idealisation of and nostalgia for Young Justice 1998. More people would have enjoyed the story. However, to make that change the story would have had to drop openly wrestling with the topic of fans demanding versions of characters that eliminate their intervening growth. It would still have underlaid the plot and gone down smoother, but also would have largely been overlooked and ignored by the fans the message was trying to talk to.

Would a spoon full of sugar have been a better narrative choice than what amounted to a take that? I think there are arguments either way, and many of the fans the message was targeted at have responded to it in any case by rejecting and ignoring it.

In addition, both Megan Fitzmartin and Laura Braga are less across the exact details of the characters and Young Justice 1998 than they really needed to be, which leads to a handful of art and plot screw ups that I feel let people dismiss the story. "Look they depicted Empress as a villain! They don't know what they're talking about!" and so on. Fitzmartin tends to write in ways where I can tell she's read things, but equally it was a while since she last read them (it's part of why her characterisation work often feels a little skewed to the fan versions of characters that she remembers or has developed in her head rather than following on from a recent writer/appearance). Just general editorial cleaning up of mistakes like this would have helped because I see a lot of people arguing that these silly mistakes are reasons the story is bad and they don't like it, when clearly they're actually discomforted by the plot itself.

Overall however, I think that Fitzmartin manages to successfully make the points she clearly wanted to make. The problem is that the fandom very much did not want to hear some of those points, and so rejected the story. People don't like to hear ‘you have to let go of what you idealise, not all change is bad and we exist in a universe where things have changed and throwing a tantrum about it doesn’t achieve what you want’, especially if they came in hoping to see their favourite characters having an adventure, and instead received a deconstruction of their favourite title.

I don't so much think I enjoyed it as a story, as it was quite heavy handed in places, but I do respect the analysis and commentary of the run, particularly in how it presented a coherent reason for why the Young Justice generation were so completely overlooked and excluded from discussions of who is a legacy and who steps forward happening in the main storyline of Dark Crisis.

I don't agree with all the conclusions, but I was interested in watching the argument.

[crazylittlejester]

Opinion time

honestly, I like the hero of time as much as the next person- OOT is one of my favorite games in the whole entire series and I love the characterization Jo-Jo gave him, but that doesn’t mean I can’t admit he’s an extremely flawed character

and I mean this in a good way, Jo-Jo wrote a character you can know did bad things and still like him /pos

but I didn’t like how, in the timeline parts, wind does confront and ask him “why did you leave?” And times only response is, in my own words

”I left it behind cuz I felt like it LMAO”

..????? yes he took percussions to make sure ganon “didn’t come back” (which.. he did, time knew the seal would break eventually. ganon literally screams out about how much he hates him and is coming for his descendants)

leaving an entire world behind to rot is just written off as “shit happens” and you can’t say “well time didn’t know what he was doing” because, at some point, yes he FIGURES OUT his actions have consequences /nm

Imagine being rulie, your entire world is a wasteland and you ask the guy who CAUSED its downfall “why does my land suck so much” he just goes “oops my bad”

in the child timeline he just fucks off, in the downfall timeline he dies, comes back, and says forget everybody else, he only really started giving half-a-shit in the adult timeline with twilight. We can see this with his blatant favoritism over him.

anyways this was me screaming at the clouds about how time isnt a cookie cutter hero, he’s flawed and he’s made mistakes and honestly? It makes his character better and more enjoyable. Thanks for coming to my Ted talk (feel free to give ur opinion on the matter)

okay sorry for any spelling mistakes or oddly autocorrected words, this was kinda a lot longer than i thought it would be alkjslkjs 😭

Okay this is an incredibly interesting perspective and I’m not sure I’ve seen anyone else with this exact take on Time. I have a much different view of his character and his actions, though it was nice to read yours! /gen

First off, I completely agree that Time is a incredibly flawed person, and that’s part of why I love his character so much. He is not perfect, he is not the best leader, he makes mistakes. I genuinely think that the only reason he’s leader of this group and why the others tolerate him being the unofficial official leader is because even they can acknowledge that Time is just the best person for that role. He is not a perfect leader, he is not and I don’t know if he’ll ever truly reach that, but looking at the other options, he really was the best for the role. (Warriors would’ve been incapable of fully separating the others from the military in his mind, Twilight wouldn’t have been able to go off as Wolfie without causing mistrust or doubt towards him in the beginning, and Legend simply didn’t WANT that. The only other person who possibly could’ve lead the group would be Sky, and while I do think that could work, Time has way more experience)

Time has made a lot of mistakes, in his games, in the comic, he’s not flawless. I think in the comic (LU) we most commonly see this through how he’ll say things that come across as incredibly flat, snappy, or a bit harsher than what was really necessary for the situation. And this is just something it seems like he’s always been like, at least with how Jojo characterizes him, because in that one sketch with him and Malon when they were younger, he said something that did very much come off as snappy/rude, and he immediately realized how what he said sounded and tried to make an attempt to apologize. In the most recent update, we see how his stress and emotions made him much snappier and harsh towards the others than he really needed to be. I’d even argue in some moments, when he’s talking about his past and we see parts of his past, he’s a BIT arrogant. He certainly isn’t that way anymore, or at least he’s not as arrogant, but we see some moments where he comes off ass a little full of himself, the one I remember the clearest is the expression on his face when he got into Gerudo Town and a bit how he was talking about it. He’s also able to admit his flaws and that he was too distracted and let that get in the way of him helping the others while Twilight was hurt

Where I disagree with you (AND THIS IS ALL MY OPINION AND MY INTERPRETATION) is on Time’s thoughts surrounding the whole timeline thing. I do not think he had ANY idea that he was creating a whole other timeline, nor do I think he really even had a choice. He was sent back in time in an attempt to stop Ganon from destroying everything, and I believe he’s spent all the years since thinking all he did was go back in time. I don’t think he ever even considered the fact that Wind’s timeline continued on without him there (screenshots taken from Timeline Talk 1, art credit to @/linkeduniverse)

He DIDN’T know what he was doing. He was like, 9-10 in the body of (roughly) a 17 year old, he was doing whatever he was told by Zelda, Rauru and the sages, the goddesses, whoever. And I don’t think ANYONE realized the consequences of sending him back in time like that. I genuinely think that this right here is where he realizes not only that the timelines split, but the timelines split because of HIS adventure/journey. And when faced with the idea that every time he used his ocarina he abandoned hyrule (kingdom) he seems horrified (also from Timeline Talk 1):

I also don’t think the others have any idea at all that Hyrule and Legend are on a separate timeline from everyone else. I think everyone who comes after Time on ANY timeline has heard of him, but Legend and Hyrule haven’t had the chance really to talk about their timeline with Time, at least not really like how Wind did. And even if they had, again, Time DIED in their timeline, which could not possibly in any way have been his fault 😭

So yeah, he did leave Wind’s timeline (which is the adult timeline), but he genuinely had no idea that it got ABANDONED. I think the way he was looking at is was like erasing and starting anew and not just writing over what was already written and leaving that there (if that makes sense). And even if he had realized he completely abandoned that time, I’m not sure it would’ve even been possible for him to go back, and if he HAD, there’s only one Time. Twilight either wouldn’t have been born, or he’ve been born in Wind’s timeline. Which raises some INTERESTING theories because if Twilight had been there, would his game have happened? If it HAD, would Wind even be a hero? Given that whole theory that Wind doesn’t even have the hero’s spirit and he CHOSE the hero life instead of the other way around. That’d honestly be so interesting to explore!! I kinda wanna write a fic on it

Time did was he was told to do, he did was he was guided to do by people older than him or who had more ‘power’ than him. He was around ten years old, I don’t think he had a “Lmao fuck this shit” attitude when timeline hopping, I don’t think he understood he was timeline hopping at all. He didn’t understand what he was doing and he had the weight of the world on his shoulders, he was just trying to survive, and I’ll even bet he really thrived on what little acknowledgement and appreciation he got for saving hyrule (kingdom) because he seems (to me at least) like after losing the Great Deku Tree and the Kokiri he was REALLY lonely

And yes, he definitely for sure has a soft spot for Twi. But aside from Twi JUST being his descendant, I think Time feels bad that Twi followed after him in the hero business. He probably realized Twilight was descended from him and then really LOOKED at him and saw everything that young man went through and Time probably felt AWFUL. And after realizing that Wind’s entire timeline suffered because of something he did, I’m sure he feels the same way towards Wind. Because he may not be Time’s blood, but he’s a KID and he’s been through so much. Also there could be an argument made that Time is such a hoverer around Twi rn because he was hurt. I’m sure Four could’ve been the one who was hit and Time would be hovering over HIM instead

TL;DR: Yes Time is incredibly flawed. That’s what makes him interesting, that’s what makes him a good character, I wouldn’t like him very much if he were perfect alkjslksj. But I do not think he intentionally abandoned the other timelines, nor do i think that has anything to do with why he seemingly favors Twi. He was a kid, I don’t think anyone understood what was happening. I think if Wind had never spoken up, Time never would’ve known

(also Timeline Talk 1):

but thanks for sharing your perspective! It’s always interesting to see the different ways we see the same character :) /gen

[ka2ki2]

Chrysos Heirs

people who play both hi3 and hsr are WINNING rn

anyway. i've determined likely flamechaser parallels for a majority of the chrysos heirs. most of them do not actually look like their flamechaser counterparts, which makes me think they're not direct expies but merely parallels.

I also sprinkled some minor analysis of what little lore we have on these guys. Amphoreus is massively inspired by greek mythology.

watch this before reading!

Aglaea = Eden (both associated with gold)

Eden owned the Elysian Realm previously, but at that time it was called the Golden Courtyard

Eden is also called the Bearer of the Gold Signet

Aglaea is called the Goldweaver

You're not going to believe this-- Aglaea is named after the Charis called Aglaea.

The mythological Aglaea basically runs errands for Aphrodite, which would explain why HSR Aglaea bears the Coreflame of Romance.

HSR Aglaea is from the city of Okhema. In greek thought (plato I think?), Okhema is an intermediary between the body and the soul. I did as much research as I could and the best I could figure out is "it carries the soul through rebirth". SORRY IF THAT'S WRONG-

HSR Aglaea has the "divine authority of mnestia". After lots of research, I think mnestia can be loosely translated to Remembrance, so perhaps that's the Amphorean way of saying she's a pathstrider of Remembrance?

Aglaea's drip marketing references the myth of Prometheus, where Prometheus stole fire from the gods and returned/gave it to humanity.

Tribbie = Vill-V (multiple 'selves')

Tribbie is called the "three-faced messenger"

We see Tribbie adopt multiple personas in the video. She can even take multiple forms at once

Vill-V has partitioned her personality into 8 different segments

Anaxa = Su (both associated with knowledge/enlightenment)

Anaxa is said to have "enough knowledge to refute faith, and to stir up a torrent capable of slaying gods."

Su is called the Enlightened of Bodhi, Enlightened One, and other similar titles.

These two have lots of physical similarity

Anaxa's namesake has some interesting connections with Nous actually

Hyacine = Griseo (both Asleep)

In the video, when Hyacine is on-screen it says "let the sky become the slumbering cot from which she wakes".

Due to the 8th Honkai Eruption, Griseo fell into a deep sleep.

Could be named after Hyacinthus

Mydei = Kalpas (fire in battle)

In the video, Mydei is seen in a post-battle poise surrounded by fire.

Kalpas is constantly surrounded by fire during battle.

Both characters constantly seek out fighting/strife.

Mydei is likely related to the greek god Deimos

One of the unnamed people has a mask too though, but these guys are too similar in aesthetic and personality

Cipher = Pardofelis (...come on.)

Cat girls.

Same eye and hair color

Castorice = Aponia? (butterfly theming)

Castorice is pictured with butterflies both in the video and in the twitter art. These butterflies look highly similar to the butterfly motif in Aponia's design

Aponia is very strongly associated with butterflies. Her dress is patterned like one and she has butterfly wings in her ult

Both seem to have devastating levels of power

IDK about the greek origins for this one. Castor? Kratos (who is actually a child of the Styx)?

Phainon = Kevin (deliverance)

Yeah they're both related to deliverance. They literally outright said deliverance in the video, and Kevin bears the Deliverance Signet.

Also they look EXACTLY THE SAME

Also both seem to be the 'leader'

In mythology, Phainon is the star of Cronus/Saturn (cuz they thought saturn was a star)

Cyrene = Elysia (...COME ON.)

They look identical and have almost the exact same personality

i have yet to figure out the two unnamed ones, Hysilens, and Cerydra. nor can i find their name origins... the closest i found, after ages of digging, is this for Hysilens

the remaining flame-chasers are Kosma, Sakura, Fu Hua, and Mobius. only one of the unknown people seems to be male ("unknown 2"), so that one's probably Kosma.

And yeah that's the culmination of me losing my mind for the past 6 hours. lucky you, you didn't have to watch me try and fail to decipher what the 12 titans might be connected to. (greek titans, 12 olympians, and HSR aeons all didn't line up easily waaaaaa)

here's the failed attempt to figure out the aeons if anyone else gets ideas from this

OK thanks for reading. normally I post my loredumps in discord servers with my friends. this is my first time posting it anywhere abfiushdliueh

[terukosnumberonefan]

Levi’s Former Identity: A Danganronpa Despair Time Theory

Levi is one of the most interesting characters for me, and I remember when I watched him and Eden discuss his backstory. I found it weird when Levi mentioned wanting to be a good person, since he had shown himself to be kind and caring towards his classmates. So when he said he didn’t actually care about anyone, that sentence finally made sense to me.

However, as I watched that episode, I began to ponder when I thought about another fictional character with antisocial personality disorder, and that’s when I began to realize they had a lot in common. At first, I struggled to believe the realization I came to, like I’m sure you guys will as well. After all, what I’m about to say sounds outlandish and ridiculous. But after looking through all the evidence I compiled, I do have reasons to believe this.

Personally? I believe that Levi used to be Nicole from Class of ‘09.

Now you may be saying to yourselves “But that’s not possible, those two can’t be the same person, right?”. So I ask you to listen to my argument, and by the end you will understand why I believe that these two are the same person.

Argument one, appearance

Firstly, I want you to take note of one really important thing:

The appearance. Appearance is everything you know. Arturo would be pleased to know we are currently focused on appearance.

So let’s focus on appearance.

Take a look at Nicole. Notice the following:

She has blue eyes, brown hair and is wearing blue, a cool color.

Now look at Levi and notice the following:

He has blue eyes, brown hair and is wearing purple, a cool color.

Do you see the similarities?

Now, I know what you may be thinking:

“But… they clearly have different shades of brown in their hair.”. Which is a fair argument to make, young reader, they do indeed have different shades of brown in their hair.

However, as you age there is the chance of your hair becoming lighter, and while Arturo mentioned being 18, that doesn’t inherently mean everyone else is 18 too.

So yeah, for all we know Nicole could have either dyed her hair lighter, or she could have her hair go lighter.

Furthermore, they have almost the exact same shade of blue in their eyes, perhaps from all the stuff Nicole has gone through her eyes turned more gray or she now wears contacts to disguise herself (even though she doesn’t wear glasses). They also have similar-ish shaped eyes minus the fact Nicole doesn’t have two little lashes on the bottom of hers, but who’s to say she doesn’t just grab mascara or false lashes?

So we agree that they look similar, right? Well, perhaps you’re saying “But Levi is more buff than Nicole, they can’t possibly be the same person!”

Well, from those who play Class of ‘09 would know, Nicole is a drug user. We’ve seen her take quite a lot of stuff throughout the series, so who’s to say she’s never taken steroids?

“They have different face shapes”, contour my friends. Nicole can contour up her face.

And yeah they have different genders, however who’s to say that Nicole isn’t disguising herself as a man for reasons that I will get to in a bit? And yes, I do think that Nicole is disguising herself as Levi and not vice versa, and my argument and what I believe happened will clarify this.

So appearance isn’t the problem, they have similarities in appearance and while they may be different personality wise, there’s another thing they have in common that honestly solidifies my theory that Nicole and Levi are indeed the exact same person.

Plus, we don’t know where Nicole’s originally from besides “Coastal America”. I asked the Class of ‘09 subreddit and they pointed out since she’s from Coastal America, doesn’t have a regional accent, obviously not from the west side, then the most likely state could be Connecticut.

Plus, that state is close to New York, which has a fairly high Italian population. Where the last name Fontana originates. Do you see where I’m getting at? It is very likely that Nicole’s last name is Fontana.

That’s evidence 1, they look very similar and the slight differences they do have can be explained through characters and who they are.

Argument 2: Their fault

As we know from the chapter 2 trial so far, Levi had mentioned he killed his dad. But we don’t know how he killed his dad. Technically there are many different definitions we can use here for “killed”.

And one of those definitions? Driving someone to suicide.

As long as we don’t know how his dad died, we can come to our own conclusions. While NOW we know Levi wouldn’t do that anymore because he feels a sense of duty to do “good” even if he doesn’t care about the outcome, how do we know younger Levi- the same person who killed three people (admittedly one in self defense)- would have that same principle?

He wouldn’t.

And do you know who canonically drove her dad to suicide even if we have no clue how she did it? (Not even she knows herself)

Nicole.

Even then, we can use Levi’s duty to do good as even further evidence of him and Nicole being the same person. Yeah, Nicole might not hold the same principle, but people can change as well.

We also know they both have at least one brother, and a mother, and that their families were dysfunctional and toxic. And bad influences on each other.

While yes, Levi mentioned having more than one brother, I believe he’s lying about this due to him and Nicole being the same person and very soon I’ll explain why.

We don’t know how Nicole caused her dad to kill himself, and we don’t know how Levi caused his dad to die. And would you honestly believe that Nicole wouldn’t track guys down and kill them if she got something out of it? And we know Levi NOW wouldn’t have done a lot of the stuff Nicole did… but we also don’t know about Levi's past. We know he killed people, we know he holds no remorse, but why would he care about being a good person? At some point he developed a sense of doing good for others.

What caused him to change and become the person we know him as today? Why would Hope’s Peak scout Nicole as a Personal Stylist of all things? Was Levi responsible for the destruction of the Photo Lab? What happened to the other Class of ‘09 characters?

I think it’s time for me to explain the entire story of what I think happened in order for all of us to truly understand the mystery behind Levi’s past identity.

The story on how Nicole became Levi

So back in High School for Nicole, after her dad killed herself, we know Nicole started doing drugs as I mentioned earlier. At some point however, Nicole messed up. Perhaps this was after breaking Megan and Hunter up, or this was revenge from Mr. Lorre after Nicole and Emily ratted him out. In any case, they sent guys after Nicole and in the process the guys killed Jecka, Nicole’s best friend. When they went after Nicole to attack her, she killed the leader in self defense and then went after the other guys several days later as revenge for killing Jecka. Before Nicole could go to jail however, Emily used her connections with drug dealers to get Hope’s Peak to scout her as the Ultimate Personal Stylist, as she knew Nicole looked good and everyone agreed Nicole was beautiful and pretty fashionable.

And so, Hope’s Peak agreed, and they wiped out Nicole’s past. Nicole realized she probably wouldn’t get bugged by men if she disguised herself as a man and thus she did so. She changed her first name to Levi but kept his last name in order to hold some memory of the past. He cut his hair, dyed it, and started contouring his face so he wouldn’t look like his old self. From the depression of losing Jecka, he stopped caring for good, and he started taking steroids which now give him the muscular appearance. It worked, and Levi started to try and do good things for the sake of Jecka and for her memory. And that’s how we got the Levi we know and love. But was it all worth it in the end?

In conclusion, the story behind Levi and Nicole is a tragic tale, and I do hope this essay proved to you why I think these two are the same person due to being brunettes with ASPD. Thanks for reading the truth. Wait, what do you mean not every brunette with ASPD is the same person and this was a waste of time, what?