#but i guess it would be mean

[beevean]

And isn't this a telling line.

I know why Lenore says this. It's very clear, and it weighs on her, that she is seen as the weak link of the Styria council. The others keep her around because of her diplomatic skills, but they don't really respect her as a person: we even see the others constantly making fun of her behind her back (Carmilla mocks her for her penchant for caring about animals, Striga implies that Lenore is saccharinely romantic, Morana accuses her of "being off with the fairies"), and if she has really eavesdropped Striga's proposal to hire mercenaries, surely she has heard them dismissing her strategy of "adopting" Hector, which might have been the reason she rushed things with the ring. So yes, her sentiment is understandable: her own friends don't seem to care about her, so she leans on Hector, the only one in the castle who listens to her woes like she's a person and not just a problem-solver.

This is, as per usual with Lenore, highly hypocritical on her part, because she too keeps Hector around but doesn't care about him as a person.

The common conception is that, by S4, Lenore stopped treating Hector like an animal and started to see him as a person, and this is why, only six weeks after effectively raping him into slavery, Hector is so chill with her and even does his best to protect her regardless of his own life. The two have off-screen organically grown to care about each other, perhaps bonding about their positions as the unfavorites: this is what Hector choosing to be with Lenore even after cutting off the ring symbolizes, that he's no longer bound to her by force but sincerely.

But think back on their two major scenes in S4 before the turning point of episode 6.

What are they about? Ignoring the stupid dick jokes, what is the function of both scenes?

Lenore venting about her issues. About how she feels pushed to the side, how she feels useless, how she doesn't see a place for herself in the world Carmilla wants to build, how Carmilla is overreaching which worries Lenore because they'll lose the stability she has worked for, how Carmilla might have lied to her. She even reveals her tragic childhood out of nowhere lmao.

Do you notice what it's missing?

Hector.

Oh, he's physically present. He sasses back because we need to establish them as a couple, but he also asks genuine questions to Lenore ("Are they sidelining you?"), and wants to listen to her. He even attempts a little connection with his "Just like Dracula lied to me," showing empathy.

But do you see Lenore ever asking about how Hector's doing? You know, since she raped a slave ring into his hand and now he's trapped in a castle he didn't want to be in, working for people who have at best ignored him and worst have hurt him in all sorts of ways?

How about asking if he's enjoying the castle? How about asking what is he doing when not working? I'm not even demanding she'd do something as outrageous as asking him if the ring is hurting or expressing any regret that it has to be between them when they get along so well, just fucking be invested in the guy the story is trying so hard to convince me that you care about! Hector has empathy for her, but it sure isn't reciprocated!

It becomes all the more egregious when you remember that Lenore did ask about Hector's desires and life at some point. When she had to manipulate him in S3! Do you realize how utterly scummy this looks? Much like her losing any sign of sexual interest in him once he got out of his cell and gained a shred of attitude, it really looks like Lenore only pretended to be attracted to him physically and mentally to get something out of him, but now that she has managed to trap him and got a good dicking, she won't bother to put in the effort!

Yes, learning about Lenore's inner turmoil is important to establish the rest of the subplot: the sisters losing faith in Carmilla, Lenore being so devastated by Hector's scheming that she'd rather kill herself, all the good stuff. But I think the priority should have been, you know, the victim here.

Well, we know how Lenore reacted the only time Hector expressed any resentment over his condition...

You know this was coming 🙂 the clip I linked may have conveniently cut this exchange, but I, unlike the fandom, am not ignoring this little part.

I want you to take a good, hard look at Lenore's expression, and tell me that she feels any remorse for what she has done. At best, she believes he's just whining for no good reason - why would he, when he lives in a nice castle, gets to do what he likes, and even got good pussy? Oh, silly Hector, joking around like that. At worst, she looks offended to be called out like that, because he's breaking the nice façade they have going on. And considering that the ring is objectively a failure because it barely does what it was meant to do, this only gives credit to my interpretation that she's pissy that her master plan didn't work as she imagined and only made things worse. It's not about how Hector feels, it's about her pride in her skills.

This line is, conceptually, a continuation of this sentiment:

"You're not a real person, Hector. Stop complaining, and be thankful for what I give you. You can stand there looking pretty, like a good boy, and do nice things for me, but you're not allowed to express yourself: you'll make me look bad."

Tell me again how much she changed after the timeskip?

(and no, I don't believe Lenore was lying in this scene to play tough with the others. As much as I like the idea of her pretending to be evil to "fit in" a group of cruel vampires, this giddy, dehumanizing behavior is supported in other scenes where no one is around. There is, instead, enough proof to support the theory that Lenore resorted to forcing the ring on Hector instead of continuing with her manipulations because she got offended that Striga underestimated her methods, again fitting with her touchiness over being seen as "weak" or soft. It's about, once again, her pride.)

As the cherry on top, the line I quoted at the very beginning? Directly follows this. Lenore dismisses her rape of Hector, Hector concedes the point and urges her to keep talking about her woes, and she thanks him for wanting to listen to her. The very same thing she vehemently refused to do for him. Lenore angrily shuts down Hector when he tries to express himself in a way that would make her feel bad, but rewards him with appreciation when he acquiesces and makes her feel cared for. If this isn't an encapsulation of their dynamic, I don't know what is.

So let's move on before I spontaneously combust, because I'm not done! Because there's also her suicide! Or, to be more precise, her verbal suicide note.

TvTropes phrases her as killing herself out of guilt:

I would love to see how they came to this interpretation, considering Lenore makes it all about, guess what? Herself:

I don't see any "I'm sorry for what I put you through. I believe your life will be better off without me keeping you chained here." Now that would show "severe guilt", not a shitty "welp, things have happened". No, she sounds so damn flippant no wonder her fans see this as an OOC decision. But even in the best interpretation I can give, she killed herself out of her abject failure at keeping the council together, and because Hector, who was also responsible for taking her queen life away from her (not that she points it out), made her realize that this is all her existence will amount to, even long after he and Isaac will be dead (which is why the latter shouldn't even factor into her choice: in the grand scheme of things that she has just finished talking about, he doesn't matter, he's going to die in 40 years or so).

Hector is nowhere near her thoughts, except for a quick "I'm sorry I can't be here to help you through… whatever comes next", appended there like an afterthought, but still expressing the sentiment that Lenore would rather leave Hector alone because she feels too sorry for herself to even bear sticking around for a few more decades, which are nothing for a centuries-old vampire.

By the way, what concerns her about her vampiric power is not that she'll cause harm to people, but that she'll always crave more power and end up losing her mind like Carmilla, which means her existence will inevitably lead to feeling miserable. It's all about her, again.

Back to the point, that very line, that overly dismissing non-apology, shows how little Lenore is concerned about Hector's feelings: he wanted to be with her, even after cutting the finger where she forced the slave ring on him, really you couldn't have a purer declaration of love - and her response is basically "well I don't, bye". Girl even says, verbatim, that Carmilla's desire for power "ruined her life", as if Hector had been living in paradise ever since Carmilla barged her way into his life while looking for power. Isaac, of all people, had the decency to ask about how Hector's faring without a finger, while she, the very reason Hector had to mutilate himself, doesn't, because she's too busy drinking her sorrows away, because only her sorrows matter - when Hector cut off his finger, her main reaction was despair that she lost power over him and Isaac was now free to kill Carmilla. It's really hard to feel sorry for her suicidal intentions when she sounds and behaves so dismissively, and her suicide feels less like dictated by despair and more like she's running away from the consequences of her actions or, worse, from a few decades of a less than comfortable life.

And I'm supposed to be touched that she decides to look at Hector rather than the sun? It rings hollow, like many emotional moments in the show when it wants to wring tears out of you without putting in the necessary effort to build the necessary context - but unlike Dracula's "I'm killing my boy", which is simply less effective due to lack of concrete proof that he used to be a good father to Alucard, Lenore's final act feels like an active mockery after everything I pointed out.

(at least Lenore asks Hector "What will you do?" before sunning herself. This is the most interest she has ever shown in him as a person. Right before killing herself, something she knows will cause him grief, and after, as I mentioned, confirming she's not willing to support him anyway. peak romance)

So let's recap. How does Lenore show care for Hector? He keeps him in nice living conditions, as she promised: he can walk all around the castle, wear fancy clothes, do the work he likes, talk with other people, he's doing perfectly fine. She relies on him for emotional support, showing a modicum of trust. She's concerned for his safety: she "protects" him from Carmilla's ire at his stalling, and most noticeably she chooses to go to him and attempt to flee together instead of going to Carmilla when Isaac storms the castle. However, she shows no concern about his emotional state, dumping her own issues on him because he "listens to her", while never reciprocating the favor.

He's her pet. After all this time, Hector is still her damn pet: just because she doesn't call him "good boy" while on a leash anymore, doesn't mean the attitude has changed. Sure, you make sure your dog has all the comforts it needs, you might vent to it when you come home from a grueling day at work, and you make sure it doesn't run into traffic, but it's not like you're particularly interested in your dog's opinions or its life, right?

Everything, and I do mean everything Lenore does, ever since being introduced, screams of deep self-centeredness and lack of empathy. She only cares about herself, what she's going through, her status, her objectives, being respected, and most importantly having the upper hand in any situation. And she will trample over anything to get what she wants, and she will fold when she doesn't. I have shown more than enough proof of this. Her supposed "love for animals" is a mask to look, or feel, better than she is: and she will outright ignore any proof she is not as good as she believes to be.

tl;dr: Lenore is still loving Hector like a vampire would. I said it many times, but it bears repeating.

I genuinely love this line. I have quoted it many times. It is a very good interpretation of the way predators and abusers love, which is what vampires are. And I understand that the show didn't have the time to elaborate on this, but through Lenore, it could have given us so much food for thought.

Is Lenore really the kindest she could be? She took pity on Hector when he was dragged in the castle, she found a way to make him useful (in theory) despite her sisters' skepticism therefore allowing him to live, she kept her word when she promised him a comfortable life (and hopefully forgot about her promise to use him as a sex slave, the story conveniently ignores it), she relies on him for emotional support, and in the end she actively shows that he wants him to be safe from any harm. For someone like Hector, used to nothing but pain and rejection, these crumbs would look like a feast. But is this love? Do they even care about each other as people, or are they only each other's emotional crutches? Can you ask for more? Could Lenore do more? Are all the cruel, humiliating actions she took in S3 justifiable or understandable or forgivable due to her nature? Is she self-centered because she's a vampire, and therefore all she did is really her best love language, and this is why Hector, who has a similar love language shown in him reanimating dead animals to bind them to him through magic, never held all her previous abuse against her; or is she self-centered as a person, a flaw she never overcame, and Hector should seek the love he craves from someone else? Or, better yet, stop craving love, since it only made him suffer?

How human can she truly be? If she's nothing more than a vampire, then yes, what she did to Hector can only be read through the lens of a different species loving in a different way, but that would reduce her to the level of an unintelligent animal unable to rise above her instincts, and it would mean her efforts to be better than her species were for nothing. If she is more than a vampire like she so desperately wants to be, committing to the human values of pacifism and diplomacy that her kind scoffs at, then her behavior is as human as a toxic human can be, and condemnable.

Even better, Dracula of all people refutes Carmilla's claim. Carmilla herself mocked Dracula because he did what no vampire does with their human lover: he let Lisa free to go as she pleased, instead of turning her into a vampire or chaining her to the castle. Carmilla, used to men who take things from women, saw it as proof he didn't actually care about his "pet", but we as humans see it as genuine respect. Sure, after Lisa's death Dracula's brand of love is even more destructive than normal and his very plan of destroying mankind is disrespecting her memory, but not only the two had natural mutual chemistry when they just met, Dracula effectively loves like a human would. A severely unhinged human, but still, he never expresses the idea that he saw Lisa as his property. In this sense, Lenore doesn't go beyond the limits of her own species.

The show doesn't need to give us precise answers, but these questions do fit the general themes of the story, and they should have been hinted at.

But instead, we are meant to take Lenore's "goodness" at face value, with zero conflict. We know this, because Hector barely expresses himself in S4.

There is a noticeable lack of internal turmoil in him, and with all the screentime he got, most notably the montage in S4E2, he could have shown it. Imagine if he had developed the tic of fiddling with the ring: after six weeks, he still can't get used to this foreign object stuck on his finger (this would also be foreshadowing for his decision to cut it). Imagine if, in the library, we had a scene of him glimpsing outside, and then glancing at the ring, implying that he feels the desire to escape but knowing that he's trapped. Imagine a scene where, while bantering, he reaches for Lenore with his ringed hand, the scene putting an uncomfortable focus on it. Sure, they might be sassing and bantering and exchanging dick jokes, but it's an awkward, fragile façade, a warm genuine relationship all but made impossible by Lenore's past callousness.

Instead, the season politely removes any reminder that Hector has been living as a glorified slave after being intimately betrayed and dehumanized by someone he had grown to care about. Aside from not even forcing him to obey orders, the ring only briefly activates when he forges a Night Creature, and it looks like it hurts, but Hector doesn't linger on it because he has to take care of the creature: he doesn't express any sort of emotion over the fact that the sisters have taken even this one pleasure from him. And, as I said in the first part, he never speaks about himself with Lenore, because she's the only one who matters. There is no on-screen struggle to reconcile the Lenore who chooses to talk to him over her sisters, which indicates a moderate amount of intimacy, and the Lenore who smirked at his agony when she betrayed him mid-sex. One could think that he was mellowed out because he learned that Lenore is acting as a shield against Carmilla's anger, proving to him that she cares... but he learns it on-screen, six weeks after becoming their slave, therefore not explaining his friendly attitude with her in the dick jokes scene.

In fact, the one time he even dares to challenge Lenore for the cruel way she "solved his problem", he gets told more or less "you got your dick hard and wet so you have no right to complain," and he quietly relents to allow her to finish her sad vent, in what is clearly framed as wholesome banter. And, as an extra kick in the balls, he is appreciated for giving her the chance to keep complaining. This is what passes as ship tease! How isn't this enough proof that he, as a person, has never mattered, not just for Lenore but the story as a whole?

This one gesture is the closest time he gets to show inner turmoil, and it's still framed as character development for Lenore's sake, not his. That stump is the symbol of all the hardships Hector went through: he is giving Lenore the freedom that she herself took from him, that he had to regain by mutilating himself. Does he show any sign of being torn over this irony? No. This is nothing more than a romantic gesture. Hector grew more than Lenore did, but only enough for the show to paint her in the best light.

After all, unlike Isaac who was able to articulate how much he has come to appreciate life and how he's willing to live fully because he is a person worth living for himself, when Hector is asked what he wants, his answer is "I want to be left alone with Lenore" while looking with guilt and concern at his still bleeding stump. Hector's only desire is to soothe Lenore's hurt feelings like he has been doing ever since she raped him into a position of pet. This could have been painted as the depressing sign that Hector still hasn't grown from his instinct to crawl back towards the people who hurt him, or even as the result of his past tortures making him lose his will to live, and being confused on what to do with his life now that Isaac is giving him a second chance. But his emotions don't matter. This is meant to be seen as the proof that he loves Lenore so much, he wants her even without the binding of the ring.

A light criticism I have often read about Lenector in S4 is that they should have shown mending their relationship after Lenore's "scheme" (which is a nice word for what she did). My question is, why? Why can't it be treated like the Moral Event Horizon it is? Lenore doesn't show any sign that she was coerced into it or reluctant, and as I have proven there is zero regret in her actions and words. Lenore was a complacent part of the council, an important part even: unlike what the "Just the way Dracula lied to [Hector]" implies, Lenore was never tricked into collaborating by Carmilla, she was more than happy to help, and the sentiment she expresses in S4 is not "wow I did some fucked up shit for my sisters' sake" but "this plan is starting to feel inconvenient to me". Her kindness is hollow, and if Hector forgave her and slotted her in his category of "good people", it's only because his standards for basic decency are below hell, something that the show never addresses or lets him grow out of, only mocks him for.

To prove my point, there was the easiest compromise between "Hector setting the castle on fire and smashing Carmilla's and Lenore's skull with his hammer", which would have been cathartic but overall a sign of negative development, and him blithely loving his abuser: make him leave. Make him grow from a manchild hidden from the world to a brave man willing to face the world. Make him spare Lenore's life as appreciation for how she took care of him when no one would, but decide that he deserves better than what a vampire can give him.

But no, he isn't even granted this much dignity: his last shot in the entire series is him standing heartbroken next to Lenore's remains, stuck in the same castle Lenore forced him in, with no plans to build himself a better life (only writing a book about "his mistakes", which just feels spiteful at this point - he regrets his stupidity more than Isaac regrets the blood of innocents on his hands), with nothing left in his life isaac and whatever tentative friendship they could build doesn't count because hector routinely forgets about his existence because he only wanted to be with Lenore and he couldn't even have that. Fucking Dracula got a much more saccharine ending than he deserved.

But narrative cruelty aside, Hector's entire character revolves around Lenore, who in turn revolves around herself.

This is a profound narrative failure, from multiple angles. This is why I say that Hector effectively stops being a character in S3: his emotions and desires no longer matter unless it's for torture porn or painting him as stupid. This is why I cannot take seriously his big badass "redeeming" moment in S4E6, on top of him regressing morally and effectively only aiding Isaac who has hogged all the spotlight: he may have become smarter, but he doesn't have any significant character development. This is why I don't see the poignancy of him forgiving Lenore for taking advantage of him in the worst way she could have, or of him letting her go when she chooses death over him: it only looks like the same lack of spine that has fucked him over ever since his introduction (he could have trapped Lenore out of cruel mercy, but it's clear that it's just good-hearted mercy). This is why I don't see Lenore as a "good", nuanced person who went through character development and should have ended the story marrying Hector: she has depth (shown too little too late, but it's there), but it's completely negative depth, because the more I look inside her, the viler she gets.

And this could have been great! We could have had such a gripping story about the intricacies of abuse, how it's not just a man beating a woman, but yes it's made also of good parts, your abuser can still do good to you and you still deserve better than those scraps. Lenore and Hector's relationship could have been an intriguing discussion on morality, or the lack thereof, about the nuances of abuse and "kindness", the torn mixed feelings between anger and attachment, how being "human" doesn't mean being "good". In a well written story, Lenector would be one hell of a toxic, co-dependent relationship, built on necessity, shared misery, lies, mistrust, mutual harm, power games, and the eventual realization that they can only thrive if kept apart - if Lenore can even thrive, as a cursed undead doomed to only bring misery to the world and herself.

But S4 needed to be fluffy because S3 was the edgiest shit a 14 yo could write, and in its desperate attempt to write Lenector as yet another sassy cute couple like every straight couple in NFCV, the squandered potential and eagerness to forget about all the uncomfortable parts of their story in S3 becomes actively offensive, and I will never, ever understand what everyone sees in them, to the point that the arguments that Lenore is actually a good loving person honestly worry me.

There is a good story here, with a good villain and complex psychology. It's not the story presented on-screen, which is simplified, dishonest, and disgusting.

[crumb-crumblet-s-crumbington]

elita pep talk

[ovenproofowl]

i'm dying over that reveal. truly. truly. because on paper, the concept that ruby's mother was just an ordinary person and what made her so special was this belief everyone had feeding into her own mythology, creating something larger than life, is actually pretty cool. and, yeah, from wild blue yonder we know the doctor absolutely handed the power of suggestion over to an unknown entity that made it something tangible.. so it works.

sort of

but like. that 15 year old girl decided to drop her baby off at a church in the middle of the night in the most ostentatious, medieval looking cloak and then proceed to point mencingly at the road sign on the off chance the security camera would pick her up and that would somehow give someone the idea to name her daughter after said road sign??

i'm just saying... if that's the way you handle giving your baby up for adoption then there is absolutely nothing ordinary about you

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[nocek]

Wade is always winning at the pay attention to me game.

In this case grand prize is hour long lecture about spiders reproduction (and also genetics, don't forget the genetics ;P)

[glyphalodon]

heavy has a special way of spy checking

[technically-human]

Your art is so, so, so, so cute. If you ever were so inclined, I would love to see your take on Charles finally getting to eat a plate of spaghetti

Edwin wasn't too sure he liked it, but I think he's convinced now!

ko-fi

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[acianoh]

Ed and Mary drinking buddies

[egophiliac]

Serious question.

Do you think we’ll see the parents/family of each of the guys???

Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….

Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.

I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)

Anyhow, any idea/headcannon about this? Who do you want to see first?

I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)

but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!

characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.

[pooptoucher4000]

more fid / bill slop

[sneckoil]

why did wilson feel the need to go gender neutral when talking about the homewrecker he cheated with that made him fall out of marriage? why did house feel the need to describe his ex-bandmate with “if he was a woman i would have married him” ? why did they both say “you’d be surprised with what you can live with?”

There is no closet there are only two men afraid of changing the dynamics of the good thing they already have

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[askfordoodles]

Emmrich Volkarin is stronger than any marine 🥓

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[canisalbus]

I tried to draw sheep Machete and goat Vasco (but I am not good at drawing goats, at all)

.