#but i cant accept it because people cant accept it

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[eternalera]

the sad thing about hazbin is that its such a good concept but the more and more you think about it the more it falls apart just entirely. cause ive been thinking about the angels and heaven and hell and it just... doesnt make sense. if the angels are 'bad grrrr evil' why do you want to send your people there? who's to say that they won't be treated badly there? what about the people that they'e harmed there? how would they feel about seeing their potential killers/bullies in heaven? isnt the point of heaven knowing that theres no one bad there? the world isnt black and white, they had chances while they were alive to do good right? why should they get a third one after they realize the consequences? isn't that unfair? is there a point where they can't be redeemed any longer? is there a limit to redemption? what about hilter? could he hypothetically be redeemed by the hotel? they cant turn sinners away so theyd have to accept him right? what about valentino? how would angel feel about that? why are we so focused on sera approving the extermination when she was doing it to protect heaven but not lucifer who didnt give a shit about hell until his daughter talked him into it? why does he get a pass? is it because of that one framing with fire in sera's eyes? what if you put that in lucifers eyes? would people try to justify him?

it just... crumbles and i know they didnt have a lot of time but like... come on. i dont hate vivzipop at all in fact i really do like hazbin but i can only like it to a surface level is the problem. if i dig deeper than it crumbles and thats... not fun. i like helluva boss and personally... i think its better than hazbin it has such better writing despite being in the same universe but those concerns dont really apply because guess what? theyre never brought up.

anyways yeah... i hate that i cant truly appreciate hazbin without running into complications

[ramblingautisticman]

Recently read All New Wolverine #6 and found out Gabby has kids.

And she named them Logan and Wade.

Our boys' legacy will live on forever. She admits that they are huge handfuls and Laura bassically says "what did you expect?"

And I can't stop thinking about how from the day Wade met Gabs, They were quote "Best friends" end quote.

Like this girl is somehow this mans daughter. "Oh because adoption?" Literally no. And this can be taken as "Wade acts childish" OR Iykyk-

Gabby is exactly how Logan would have behaved minus the truama and if he was raised/ accepted with the knowledge of his claws.

Our boy Logan fits with Wade so much because they are so similar it is unreal. So to see Wade so quick to help Gabby and support her through the craziest of ideas (COUGH "dont tell your sister" COUGH) Not because hes "her friend" but because he knows that Logan is stubborn ASF and if someone dosn't go with this little murder munchkin- someones gonna get hurt. And he'll be damned if its her.

This is actually so beautiful too because while they both can heal, you have "Im in pain 24/7 so this is nothing to me." and "I CAN'T feel pain so I need someone to make sure I dont push myself too far"

Everyone says how Laura is copy and paste of Logan (no duh, they were both extremely abused, experimented on, and were raised to be tough) but no one talks about how Gabby literally has Wade's batshit crazy smile. How Wade HANDS her matches and sits to watch the fire with her. How Wade doesn't tattle on her because he wants her to trust him, and he knows he won't let anything happen to her. How Wade GIVES her chloroform(!??) And tells her it would be irresponsible to NOT give her something to knock someone out if she feels introuble?

Logan can have Laura. He can argue with her all he wants. Wade and Gabs are gonna go play paintball and then get ice cream. WITH sprinkles.

This being said, I think Laura struggles to connect with Wade the same way Gabby does. I think Gabby doesn't struggle to connect with Logan, though, because of how instictivly paternal he is and the fact that he can see tiny innocent James inside Gabrielle.

They are all so over protective of Gabby and it makes me feel sorry for when she gets a boyfriend.... can you imagine trying to have a study date with a girl when both her father AND her sister is the fucking Wolverine? And on top of that her other papa is a phycopathic maniac that will infact throw you off a 10 story building if you make his little girl cry, scrape you off the concrete and throw you in a blender, bake you into a pie, and feed you to your parents...

IM SORRY SHE NAMES THEM WADE AND LOGAN!? THATS SO FUCKING ADORABLE!? MY HEART CANT TAKE IT! Also, no idea if they are in the comic or if it shows how they act, but headcannoning that Logan is the batshit crazy one this time and Wade is the more chilled one, purely because that is really funny in my head?

And Wade is like- so good with kids? Noone ever mentions it, but he really is. Yeah, okay, in his own insane Wade Way (that should be a trademark), but Deadpool 2 is literally him helping a kid because he sees this traumatised abused boy that he NEEDS to help. Someone no one else wants to give a chance, and here Wade is, literally taking him under his wing and protecting him every second.

I've seen some of the panels with him and Gabby (I need to actually read the comics but jesus, there are so many?), and he is so so adorable. The fact he just instantly (similar to Russel in the movie, not exactly the same obviously, but ya know) decides "this is my kid now. I will protect them with everything I can. No one will ever hurt them again." is just- so heartwarming and people don't appreciate it enough!!

I think the girls would definitely struggle to connect to Wade alot because I feel like Wade is ALWAYS the funny, happy dad? He wouldn't want his girls to see him hurt or upset or anything else, so he's always making jokes and bring dramatic, while Logan is the more serious one who you can talk to about anything.

Also, Wade being the overly supportive dad is so fitting. He's stood there filming Gabby just doing something EXTREMELY illegal like "you're doing great sweetie!" and after he is getting her any snack she wants to treat her for doing a good job.

[ithurielkeepsgettingkidnapped]

interesting insight op! I’d like to add my two cents:

Would it be possible that okarun and aira both ‘inherit’ the attitudes or personalities of the yokai whose powers they borrow? for instance under acrobatic silky’s influence, aira uses significantly more formal speech and is (at least at first) more settled into her skin, more comfortable with who she is. I’m inclined to believe that aira’s ongoing shtick of ‘i must save the world because I’m a beautiful young girl’ stems from the desire to prove herself. She is very assertive and constantly tries to establish her importance in the group (going with okarun to train, calling herself the ‘leader’). Even among her social circles at school, prior to chiquitta/loch ness fight, she is the person everyone follows. The mangaka has yet to expand on this quality of hers since she’s gained her powers, but I believe its pretty obvious that aira is very self conscious about how other people see her. Despite her appearances she seems insecure.

On the contrary acrobatic silky seems to refer to herself in a ‘diminutive’ way. She refers to okarun as ‘takakura-sama’, implying a sort of obedience and subservience to okarun, the object of her affections. This is in stark contrast to the pseudo kiss scene,where she confesses and pushes okarun for an acceptance in a very assertive way.

i theorise that this is due to acrobatic silky’s experience with men and the way she takes a very passive role in her life. From what we glimpse of her, her outward demeanour could not be more different from aira.

Hence: the formal speech. The assured way acrobatic silky aira faces life could also stem from yokai acrobatic silky’s nature as both a mother and a mature woman. I don’t recall any traits in acrobatic silky aira the way okarun’s protectiveness of momo is heightened, but i might have just missed something!

Which brings us to okarun. Turbo baba okarun is, as op has already established, nihilistic and pessimistic to a debilitating degree. At the same time he discards all formality and is incredibly protective of what he cherishes: jiji’s wish to be friends with the evil eye and of course ayase momo.

Does this not sound similar to yokai turbo baba? Her protectiveness of the girls who died untimely and injust deaths, the kitten she adopts in the outtakes. Turbo baba is abrasive and demeans others, while taking care of them reluctantly in her own way. I could even argue that the land god’s loneliness (recall the way it pleas momokarun to give turbo baba back and how it chases them across a city to do so?) amplifies the loneliness okarun already felt in his formative years prior to dandadan, resulting in the ‘that’s depressing, yo’ personality.

so going by acrobatic silky aira’s persona acting as a contrast to aira’s real personality courtesy of yokai acrobatic silky, the same theory could be applied to turbo baba okarun. They share the trait of being protective of people/things they cherish, but the similarities end there. Okarun has trouble expressing himself but is painfully genuine, while turbo baba hides her feelings not unlike a dragon with its inverse scale. Okarun maintains his boundaries with others by being formal and polite, but turbo baba seeks to intrude that space with insults.

Turbo baba okarun inherits her tendency to impose on other’s comfort zones yet retains his kindness, so he addresses momo and aira more familiarly and affectionately than he would normally. But since they share the same trait of skepticism (in okarun’s case, the impression that he is somehow less deserving of momo’s friendship than she his) and protectiveness, it turns into pessimism and turbo baba okarun hiding his insecurity behind ‘I’m too tired’ and ‘i cant do anything’.

tldr: the personalities and attitudes of yokai are inherited alongside their powers! Which may open another opportunity for examining why their personalities are paired up the way they are and what purpose it serves in developing their powers! And also: why is momo the only one with ‘inherent’ powers?

So a common headcanon/theory I’ve seen floating around is that when Okarun shifts into his yokai form, the personality shift he undergoes is representative of a “truer” inner self. I can see the line of logic that led to this, but the more thought I’ve put into it, the less I’ve agreed with the premise. And I’ve put so much thought into it at this point that it’s had to become its own whole post separated from the analysis it was originally a part of, so strap in.

Disclaimer: if this is your personal headcanon, I’m not here to try to prove you wrong or make you change your mind, I’m more so discussing this from the theory side of things and what I think will happen as the manga continues. Also slight manga spoilers for up to chapter 172 !!

So as the theory goes, the personality that comes out when Okarun’s transformed is a more genuine version of himself, where his yokai form removes his anxieties and allows him to act more confidently and openly show the depression and pessimism that’s lived in him the whole time. On a surface level this tracks, as being in this form does make him more confident, blunt, and he completely drops the formal way he speaks to people, going so far as to adopt a cute nickname for Momo.

I don’t think this fully makes sense for a number of reasons, though. Firstly is that throughout all 175 chapters that are currently out, I can’t recall any moments where Okarun ever acts in a way that would hint at his real inner workings reflecting the personality and behavior that come out when he is transformed. I could have missed something, of course, but when so much of Momo and Okarun’s relationship is built on them being their genuine selves around the other (more on that in this great video I saw), I’m inclined to believe that there isn’t going to be another shoe to drop nearly 200 chapters in.

To explain my other reasoning, I’m going to have to go into a little bit of a side tangent about Aira, and first I want to establish why I think comparing Okarun to her in this instance makes sense. So up until the cursed diorama arc, the only character that really has comparable yokai related powers to Okarun is Aira. They acquire these powers in different ways, and Seiko says Okarun has Turbo Granny’s “spiritual power”, whereas Acro-Silky says she gave Aira her “aura.” Given the contexts of the scenes these are said in I would assume they are meant to be two different concepts, however it’s not ever explicitly stated or shown how the difference there affects them or their yokai abilities, so I am treating them as functionally the same thing for this analysis. Regardless, the similarity between them seems to be that in one way or another, they have been left with the spiritual energy of their respective yokai, which allows them to transform in very similar ways. Their transformations affect them both physically in making them taller and stronger, as well as their personalities, with Okraun becoming less formal overall, and Aira becoming more formal in the way she addresses people.

Even though they are affected by their transformations in very similar ways, I haven’t seen any kind of headcanon or theory that the way Aira behaves while transformed is how she truly is or feels, which makes perfect sense considering her first character arc. From when she’s introduced, she’s shown to have a dynamic with Momo, Okarun, and her other peers at school, where even before she’s able to use Acro-Silky’s abilities, she’s pretty two faced. In chapter 51, Momo even says, “There’s our Aira!” when she and Okarun pull Aira away from her class and she immediately shifts to her more snarky attitude towards Momo. The manga makes it quite clear that the way she acts at school, and on occasion towards Okarun, is an act, and that her genuine personality is a little nasty and rude (which she is loved for! By other characters and audience members of taste). And with that established, of course no one put that much emphasis on how her behavior changes when she’s using Acro-Silky’s powers. She’s still the same person, her mannerisms and the way she speaks are just altered slightly, which is also pretty much how I feel about Okarun’s yokai form.

That being said, I don’t want to fully dismiss that the shifted personality could mean something, and in fact I wouldn’t be surprised if Okarun did still have some repressed feelings and pessimism from his time growing up without any friends, but at the current point in the story I’m not sure if I could see that being shown explicitly tied to his yokai form. As of chapter 165, Okarun gets his final ball back, and as per his end of the deal, he returned Turbo Granny’s spiritual power to her, and she left with them and hasn’t made an appearance since. Okarun no longer has access to his yokai form, but at this point he’s surrounded by friends, he’s confessed his feelings to Momo, and he’s even grown physically strong enough to hold his own in a fight without any powers. As far as what we’ve been shown, Okarun has developed and his life has changed so much that he doesn’t really have any of those reasons to be a pessimistic downer that he had before the events of the series. Not to say he has no reasons to be sad, of course, we still haven’t been given even a hint of what his family and home life is like, and I expect something will happen with that eventually. But with where the story has gone so far, I don’t see this theory being true or narratively compelling.

TLDR: There’s not much evidence going for this theory, and several things against it, so I personally don’t see it going anywhere in the canon series. The way Okarun acts and the feelings he expresses in his yokai form could still potentially mean something, so I won't completely dismiss it, but with where the story is currently I don’t think this theory being true would add much or be a compelling element of the plot.

[3-aem]

i also don’t want to portray myself as faultless. my work isn’t ai and it isn’t copied. but nk will say i Had old pieces that were copied and referenced ai. Yet it isn’t good faith when i apologize, state how i took accountability, and explain thats definitely not the case today because i learned my lessons- to respond with well you made these mistakes in the past so how can i believe you, you are lying, and have not changed.

so i quit. how can i prove myself then besides what i mentioned in the last post. my question is will you even ALLOW me to prove myself. each time i must explain, i place a spotlight on something that was resolved agreeably with the artists, resolved by removing the works, and resolved within myself by learning from it. but by not saying something i also allow You to concoct narratives and have to watch people spread them around and come to me demanding apologies. it is a very uncomfortable very distressing process that has worn me down completely.

never mind that other artists who have copied have not nearly been requested to apologize as much as i have been. never mind that they were forgiven when they removed the works or even when they just say sorry and don’t remove the work at all. But you still choose to hound me afterwards for doing just that?

nk has stated that i have not fixed this. and that i must address it. how many times though? for how long also? who on this planet starts the conversation by recounting all their mistakes, especially when they know they are resolved.

i have had to learn my lessons through cruelty like yours. trust me its a trauma i have to bear and they are not lessons you then forget.

my anger and my feelings of defeat come from the fact that even after nk was still talking like i had not even attempted to make progress. just look at your tone here.

[medicalunprofessional]

never change, man !

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[neonfretra]

<_<

>_>

to give myself a little bit of luxury of expressing emotions in my own house (blog) LOL

its always a little sobering to remember that the people that joke with you would joke ABOUT you if they knew just that much more or less about you. when you start talkin one way it sets the precedent that its acceptable with you to do the same, when you start makin somethin normal thats when people start repeatin the same thing over and over...!

i see the private jokes, i see the public jokes, i see the tags and the reblogs and the posts where you censor names and teams. what would somebody else see?

would you believe that the things yall make fun of about players are seen by people it also applies to? its because um. i see jokes about things that im not the most confident about, surprise! ^_^ quite a few things even! even if its something that i dont really care about nowadays, it still. makes me sad a little bit. to remember that things i cant change about me are commonly accepted jokes </3

would yall still respect me if you knew what jokes apply to me? would yall still respect me if we didnt share the same interests?

i dont really think its shallow to. care less about the feelings of someone you dont know. i just think its easier to make fun of people youll never really know or the text on a screen than a human that will react to your words in real time LOL i know you know theres a real life person behind everything, its just hard to internalize that reality sometimes

im the ugliest son of a gun you can imagine . i look like the person youre making fun of . i look like you .

please be nice to me <3

lukewarm take of the day

i think that joking about physical traits isnt funny its just mean </3 strabismus (eyes pointing in different directions) isnt ugly or funny some people just got balls in they sockets. spelling out speech impediments (or speech pediments even!) to point out how funny or weird they say it is mean... sayin peoples facial hair looks like the most evocatively ugly visual thing you can think of is making fun of how the hair follicles in their face. are distributed?

even if the people you talkin about probably wont ever see it... these are physical traits anyone can have . these are even... traits people reading your post are going to have? these arent bad or good traits just traits and makin a point that they arent normal no matter how hard the post makes you laugh is kinda mean to everyone thats gotta pass you by

you can say it not about the looks and its just about the personality, you can say you got the same traits!!! but like. people wake up and put the same skin on one leg at a time every day and no one body is truly unique... no matter how specific you try to be youre goin to be cruel to many people

maybe we should... consider keeping judgement of physical traits to ourselves?

alt title: :(

[onthemerits]

no one told me that the simone-karl plot from why women kill would rip my heart out and stomp it into little itty bitty pieces

[lilaccatholic]

I am once again thinking about the reluctant ruler whose arc justly and correctly includes assuming the throne and taking responsibility for the people set before them

[valtsv]

cannot decide if this moment in my fic drafts is real as fuck or a category twelve she would not fucking say that moment (for context, she's talking to the cairn maiden and projecting HARD in her grief-wracked rage and self-loathing)

[etoilesombre]

[id: a set of eight images from Black Sails. The first image shows Mrs. Hudson speaking to Woodes Rogers, with the text "She said you should trust that her commitment to you remains inviolable." The second image shows Flint and Silver together in Madi's house after her presumed death. The third image shows Eleanor in the fort firing on Rogers' ship, with the text "and that this is no betrayal..." The fourth image shows Flint taking the cache ashore on Skeleton Island, viewed through a spyglass. The fifth image shows Eleanor and Rogers talking in bed, with the text "...but an act of love." The sixth image shows Flint's face during the Dragons speech. The seventh image shows Eleanor lying dead in Flint's arms, with the text "An act she is determined to see through to its end." The eighth image shows Silver pointing a pistol at Flint on Skeleton Island. /end id]

[yeonbam]

People who wonder why Jack is so sensitive about Joke’s constant theft to get his way, even if it is for Jack, forget that one of the main prejudices against economically struggling classes of people is that those from privileged classes look at them with suspicion of crimes like theft literally chronically.

And Jack is the kind of person who is extra hard on himself because of the things he doesn’t have and he wants to escape this ‘othering’, this dehumanization of sorts, by using with what he has— his skills and knowledge, i.e. socially acceptable means.

This aversion to theft is seen even in Tattoo’s mother when she chastises her son for stealing from Boss despite how much they are literally suffering because of him. To escape prejudice against poor people being inherent thieves, they have to be ten times better than the average person, can't be immoral the same way the rich are, or else their suffering magically becomes "deserved" because they're not "good poor people."

YET, the complexity of this othering is so deep that even wanting to be self-reliant is frowned upon, as you see when Joke’s Dad criticizes Jack for being ‘poor but proud’ to want to give his grandmother the best medical treatment.

The reality is, the source of this ���pride’/self-reliance, is literally… never having anyone who will help you out of your situations. Boss helping his grandmother with medicine was literally a scheme to use her to control Jack. And help for the hospital bills came at the price of his life and identity in the hands of Boss.

The first time Jack got help for his dream was from Joke and it ended in the shattering of his hopes due to betrayal and being almost involved in theft— of all things.

Jack is the amalgamation, of all these expectations from others and from himself. He is simultaneously inclined to be the perfect ‘victim’ and the saviour who, having lost his own childhood, wants to give all the things he never had to the children. It is going to be a chance for them and a second chance for himself. He formed this idea when he too was just a baby.

[cent-scratchnsniff]

it was just going to be a few warmup doodles but then she infected the rest of the page like the ever eternal and spreading spores. hod!!! hod. hod :)

[mello-bee]

Underwater test!!

today's test subject, Nami Ashengrotto, belongs to @poisoned-pearls !!

its been a while since I did one of these tests Σ(°ロ°) now we're back on track and none of your ocs are safe!!