#but i can't say exactly when it might happen

[redbootsindoriath]

Oh look what day it is again!

Happy Hobbit Day to all who celebrate! Here's a rushed doodle to assure you guys that I am in fact still out there somewhere on earth.

[coffeeshades]

credits to the gif maker!

LOVE IS COMPLICATED - PART VIII

summary: the trials and tribulations of falling in love or two idiots who can't get their shit together.

pairing: pedro pascal x actress/singer!reader.

word count: 6.3k

warnings: 18+ (minors dni). angst!!! cursing, age gap, mentions of alcohol and depression. feelings of hopelessness, anxiety. no use of y/n, if i missed something please let me know!

a/n: hello besties, here's the next part!! happy reading <3

masterlist!

Pedro hadn’t expected his career to take another sharp turn so soon after The Mandalorian. The call he received that night in January, while lying in a dimly lit hotel room in London, still felt unreal. Hazy, thanks to the Ambien coursing through him, but real enough to make him sit up in bed after the line went dead.

Something big was coming, and he could feel it in his bones. It would change everything—if things weren’t already good enough as they were.

A few weeks later, he was back in London to film The Bubble. Everything seemed to blur by—filming, meetings, and the quiet rhythm of his life with Julia. He hadn't expected to fall into a relationship so effortlessly, but here he was.

She was a producer he’d met during a project in Budapest, though nothing had happened between them until months later.

Late November, to be exact. By then, things had shifted.

Pedro was never good at deciphering if someone liked him or not, and maybe that was why, when she suggested coffee, he didn’t think twice. She was lovely—kind in a way that didn't feel overwhelming, and he liked the way it felt safe, uncomplicated. When she reached for his hand, the world didn’t spin beneath his feet, and that was comforting. It was normal, and maybe that’s exactly what he needed.

After that first coffee, there were more—turning into casual dinners, casual sex, easy conversations, and eventually, a steady progression toward something more.

By December, things had gotten serious, though Pedro still sometimes woke up disoriented, feeling as if he was living in someone else’s life. Julia kept him grounded. And though it wasn’t the kind of love that made him lose his breath, it was steady.

One morning, in early December, he woke to find a message from you. You’d mentioned him in an upcoming Vogue interview, a brief nod to his help in keeping you sane during those first chaotic months of the pandemic. Your publicist thought it might make a fuss for a while, and you didn’t want him to wake up and think someone had died or something.

Nothing too big, P, just the usual storm. Call when you’re back in the States. Miss you.

Pedro stared at the message for a long time, debating. You’d always known everything about him. Every high, every low. But now? There was Julia to consider. He sat on the edge of the bed, Julia still asleep next to him, the London sky a dull gray through the curtains. He’d thought about telling you about her for weeks—maybe he should’ve before New Year’s—but it was easier to let the conversation slip away.

Until it didn’t.

That night, at Oscar’s New Year’s party, when you found out about Julia, he could see it in your eyes—the hurt, the shock, the confusion. You didn’t say much after that. Just told him you hoped he was happy, and if he was, that would be enough.

But it didn’t feel enough.

Not then, not now.

•••

Back in London, the routine of it all began to suffocate him. He spent his mornings reading lines, drinking bitter coffee, and answering the inevitable buzz of questions about his relationship status. He didn’t care to comment. He didn’t want to make it official in a way that felt like another announcement to the world. His job was to act, not live his life on a stage. Still, the headlines rolled out, and his relationship with Julia became another topic of conversation.

The days passed in a blur, but something bothered him. You had gone silent. Completely. Not only from his life but from social media, from the public eye, from everywhere. He called on your birthday. Oscar had mentioned you hadn't planned anything for the day, not that he knew off, and Pedro found himself standing on the cold balcony of his hotel room, dialing your number with a strange urgency.

You picked up on the third ring.

“Hello?”

Your voice sounded far away, thin and almost unfamiliar, like a melody he had forgotten.

“Hey.”

There was a beat of silence, a pause where recognition should have clicked into place. Instead, you sounded distant, hesitant.

“Oh. It’s you.”

His lips twitched into a smile, but it didn’t quite reach his eyes. “Yeah, it’s me. Did you delete my number?”

A soft shuffle on the other end, like you were shifting in place, caught off guard. “No, uh, I just picked it up without looking who it was.”

He leaned against the railing, gripping the phone tighter as if it could bridge the distance between you. The cold metal beneath his fingers bit into his skin, grounding him, though your absence felt like it was growing by the second. "Happy birthday, mi amor."

“Thank you, Pedro.”

The way you said his name, the clipped tone, made something stir in his gut, but he shook it off.

“You doing anything? I heard you didn’t have plans.”

“Nothing really, maybe over the weekend,” you replied, but there was a softness in your voice that didn't match the words, like you were choosing them carefully, holding something back. “I know you’re in London; that’s why I didn’t—”

“Doesn’t mean I can’t call,” he interrupted, leaning against the cold railing. His free hand found his hair, fingers tugging at the strands, trying to steady the unease creeping in. “I’m sorry, I’ve just been... You know how it is.”

Another long pause. For a moment, all he heard was the faint rustling on the other end, like you were curled up somewhere small, the space between you both stretching impossibly wide. He didn’t notice the silence for what it was—didn’t notice the way it wrapped around your words, cloaking the pain underneath.

“I do,” you whispered. It wasn’t an agreement; it was resignation. "Listen, I have to go. Say hi to Julia for me."

You hung up quickly, the words leaving him cold. The last part stung in a way he wasn’t expecting.

Days turned into weeks, and though you stayed in touch here and there, your conversations felt different. Lighter. Less personal. He tried not to let it bother him, but it did. The less he tried to think about you, the more you occupied his thoughts, living in the corners of his mind where you had always been. It felt like torture, the way your presence always lingered even in your absence.

When Pedro finally posted about landing the role of Joel Miller, the flood of congratulations came pouring in, but only one comment left him reeling.

So happy for you!!! You’re gonna kill it.

It was from you. Simple, encouraging, and yet it twisted something inside him.

His birthday arrived not long after, and he found himself back in LA, where his friends greeted him with a backyard party under the stars. Sarah held a cake with a single candle, and as everyone cheered, Pedro smiled, but there was an immovable weight in his chest.

Later that night, after the crowd had dispersed, he and Julia escaped upstairs to his room. They ended up half-dressed, tangled on his unmade bed. She smiled at him afterward, her gaze hazy with affection. “Happy birthday,” she murmured, running a hand down his chest.

Pedro wanted to stay in that moment, to let it be enough, but his mind wandered. He had that feeling of wanting to be trapped in one place, wanting to dig his heels in. It didn’t need to matter that that reality was waiting for him outside the door. It didn’t need to matter that you hadn’t called.

April 11, 2021

London, England

Pedro’s mood had been darkening for weeks now, but if Julia had noticed, she didn’t say a word.

She’d taken on a slew of new projects, coming home late most nights, leaving him to his thoughts and the silence that clung to their flat like fog. Pedro found himself pacing the empty rooms when she was gone, unsure where to place himself in her absence. He felt the weight of insomnia closing in again, the recognizable ache behind his eyes making the hours stretch painfully long.

That day, however, his focus had shifted. He was set to present Best Foreign Film at the BAFTAs, and his stylist had dressed him in a Prada tuxedo coat, a crisp white shirt, and skinny-fitting suit trousers. He looked sharp, elegant even, and for the first time in days, Pedro felt something close to confidence.

He and Julia arrived at the event together, but they didn’t pose for pictures side by side. Still, photographers captured fleeting moments—Julia holding his hand as they stepped out of the car, a quiet laugh between them under the canopy of flashing cameras. By the next morning, their images were all over social media, sparking the inevitable buzz about their relationship.

Pedro ignored most of it.

Two days later, while sharing a quiet breakfast in a cafe with Julia, he opened Instagram out of habit, and your face appeared.

There you were, standing in the middle of some forest, your expression serene. The caption read: Surprise. A new album drops at midnight. In isolation, my imagination ran wild, and this is the result—stories and songs that flowed like rivers. I hope you love it.

The post had already gathered thousands of likes and comments, and Pedro’s chest tightened as he stared at the screen. The timing of it all was almost cruel, but it was the impact of your sudden reappearance that left him reeling. You had vanished from the public eye for so long, and now, with no warning, you were back.

That night, Pedro lay awake next to Julia, the persistent itch of insomnia dragging him out of bed. He moved quietly so as not to disturb her, slipping his earbuds in as he stepped onto the hotel balcony. His hands trembled slightly as he pulled up your new album. He hesitated for a moment, but he pressed play anyway.

For ten songs, Pedro was transfixed. Your voice wrapped around him, haunting and familiar, weaving tales of heartache and isolation. There was a rawness to your words, an unflinching honesty that pierced through the midnight air. He listened intently, picking apart the lyrics, wondering if they were about him, if the pain you sang about was shared between you. It felt like an open wound, and yet he couldn’t stop listening.

Each song was a confession. Each melody a letter never sent.

When it ended, Pedro sat in the dark, overwhelmed. The emptiness gnawed at him, and all he wanted was to call you, to talk, to hear your voice. But he didn’t.

A couple of weeks later, he found himself shamelessly googling you again, hoping for something—an interview, a post, anything—but there was nothing. You had gone silent after the album drop.

No promo, no press. Just the music and then nothing. He congratulated you once, a brief message saying how beautiful the album was. You replied with a simple, “Thank you. It means a lot.”

That was it.

July 10, 2021

Alberta, Canada

Pedro arrived in Alberta at dawn, the skies painted in soft hues of pink and orange. The cab ride to the hotel was quiet, his agent and hairstylist riding with him as they prepared for the long months ahead. Filming for The Last of Us was finally starting, and though Pedro was eager to begin, a deep nervousness tugged at him.

Julia hadn’t come with him this time, staying back in London for her own work. She promised to visit, but Pedro wasn’t sure how often. In her absence, he felt that familiar loneliness creeping in, the kind that terrified him, mostly because it left him alone with thoughts of you.

He checked into his room and sat heavily on the sofa, rubbing the heels of his palms into his eyes until his vision blurred. He needed to eat, to call his family, to ground himself in something, but instead, he grabbed a beer from the mini fridge and settled back into the couch. His fingers hovered over his phone again, the compulsion to check your Instagram pulling at him like a bad habit.

But, like always, there was nothing.

Your only other post had been a month ago, thanking your fans for the love on the album. He had messaged you a couple of times—small, inconsequential exchanges that left him unsatisfied. He didn’t know what he was searching for in those brief interactions, but whatever it was, it felt futile.

Then, ten minutes later, like a sign from the universe, you shared an interview. A video with you talking about your creative process. Pedro couldn’t stop himself. He grabbed his laptop, another beer, and settled in.

As he watched, he couldn’t help but stare at you. You looked radiant, sitting across from the interviewer in the backyard of your California home. The conversation was easy at first, touching on the album’s success, but then it turned more personal.

"The pandemic was really rough, and also life in general, I guess," you said, your voice quiet. "I found myself post-breakup, isolated in a cabin in Calgary, and writing was all I had. But the inspiration wasn’t just from that breakup. It came from years of… things."

The interviewer asked gently, "You mean the breakup with your most recent ex specifically?"

"Yeah," you replied, your eyes dropping for a second. "It wasn’t entirely about that. I pulled a lot from my imagination, I guess. The lines between fantasy and reality blurred, and I found myself writing from perspectives that weren’t always mine."

Pedro’s heart clenched.

"There’s a song on the album," he continued, "the final track. It’s haunting. You sing about being hurt by someone you love but being unable to let them go. Can you talk about that?"

You paused, taking a breath before you spoke. "It’s a quiet resignation," you said. "That person and I, we hurt each other, but I love them. So, I guess that’s it. It felt like the right way to end the album."

Pedro’s world stilled. He realized, in that moment, what he had been searching for all this time. He had wanted confirmation, a sign that you still loved him. And with every word you spoke, you gave it to him.

Filming for The Last of Us began a couple of days later, and though Pedro threw himself into the work, your voice lingered, ghost-like, at the back of his mind. Days turned to weeks, and as production moved into September, the physical toll started to wear on him. He spent long hours on set; the Canadian cold started biting into his bones. Bella, his co-star, became a bright spot, their energy infectious, and though they bonded quickly, Pedro felt the weight of exhaustion pressing down on him.

In the early mornings, when the world was still asleep, he would take walks to clear his head, the cold sunlight grounding him. Julia came to visit now and then, joining him on these walks, but they often ran out of things to say. He could feel the quiet disintegration of their relationship, like watching ice slowly melt into water. He didn’t know what they were holding onto anymore.

•••

When October rolled around, Pedro’s schedule clashed with the start of The Mandalorian’s third season, and it became clear that he wouldn’t be able to join the production on time. His agents scrambled to find a solution, but when Pedro’s stunt double was suggested as a replacement for the early scenes, he was left with an odd sense of detachment. And when his agent told him it had been your suggestion, something in him cracked.

The anger simmered for weeks. He felt foolish and abandoned, wondering if you had pushed him away to keep your distance. But then, just as the resentment began to harden, you showed up on set with two coffees in hand, flashing him a smile. "One iced caramel macchiato for me and one large quad over ice for you," you teased.

Pedro blinked, startled. He hadn’t expected your warmth. "Thanks," he managed, taking the coffee.

"You’re welcome," you replied brightly. "We missed you here."

"Did you?" he said, a hint of sarcasm slipping into his tone. "Because I heard it was your idea to keep me away."

Your expression twisted into confusion before you laughed. "I was just trying to make things easier. You were still filming, and I figured rushing back here would be a nightmare for you. I wasn’t plotting anything."

Pedro felt a wave of relief wash over him, mixed with the faintest trace of regret. "Well, in that case, I missed you too."

•••

For two seasons, your character hadn't seen his without the helmet. Today you were shooting the scene where, out of necessity, he reveals his face to you. It was written as a pivotal moment in your characters' relationship.

The moment the director called action, the air on set felt different. It wasn’t the usual hum of crew members shuffling in the background or the low murmur of cameras whirring. Instead, a heavy, almost sacred quiet descended, blanketing everyone as the scene unfolded. Pedro’s mind mirrored that stillness, a sudden and unnerving hush. It felt like everything outside of this moment ceased to exist, like time itself had bent inward.

And then—nothing. No words. No script. Just you, standing so close to him, your face inches from his, hands cradling his jaw.

You widened your eyes, a silent prompt, urging him to speak, to remember his lines. But all he could do was stare. He hadn’t been this close to you in months, hadn’t felt the warmth of your touch or the soft presence of your breath in what felt like a lifetime. His throat tightened, his words trapped somewhere deep inside. He knew the scene needed to move forward, but for one fragile moment, all he wanted was to keep you there, locked in this pocket of stillness, as if holding onto you would stop everything else from slipping away.

You read him, like you always did. You settled in, your hands still on his face, fingers pressing gently into his skin as if anchoring him. Then, softly, you filled the silence with a line—one that Pedro was sure wasn’t in the script, but it was perfect. You carried the scene, leading him back into it, your voice becoming the tether that pulled him out of the stillness and into motion. Pedro blinked, refocusing, forcing his body and mind to follow your lead as he finally delivered his line.

The scene moved on, but something lingered, thick and unsaid.

When filming wrapped for the day, the tension still simmered. You caught him at the edge of the lot, your expression unreadable as you approached him. Maybe you'll ask him why he froze like an idiot during that scene, or maybe you'll just walk past him without a word.

Instead, you simply asked, "Dinner?"

Pedro couldn’t say no. He never could when it came to you.

You ended up at a small sushi restaurant tucked away from the chaos of the city. The space was warm, softly lit, a sanctuary from the noise of the outside world. Pedro sat across from you, picking at a piece of sashimi, trying to focus on the conversation but finding it hard. You talked about the year you’d spent away from the spotlight and how you’d pulled back from everything.

"I mean, I’m doing this because I signed a contract," you said, lightly joking, but your eyes flickered with something that gave you away. "Disney has snipers; you know how it is."

You smiled, but it didn’t reach your eyes.

Pedro chuckled, though he could hear the sadness in your voice, the weight behind your words.

"If I could’ve gotten out of it too, I would have," you added, your tone quieter, more reflective. "I guess I just needed to slow down. I’m tired of it all."

"You even skipped the Oscars," Pedro replied, taking a sip of his drink. "That's how you know it's serious."

"Yeah, I love the Oscars. Excellent champagne."

Pedro watched you closely, wanting to dig into your words to pull apart the layers of exhaustion and sadness you were burying beneath the surface. He wanted to offer you some kind of comfort, to tell you that he understood—that he, too, had been feeling the weight of it all. But the words caught in his throat. Instead, the two of you ate in silence, the kind of quiet that wasn’t uncomfortable but spoke volumes.

There was something about being with you, even without words, that felt…right.

Later, as he lay in bed, his mind kept returning to you, to your confession. He wondered what you weren’t telling him, what you were holding back. But as much as he wanted to reach out to ask, he couldn't.

The next morning, Pedro was on a flight back to Canada. The weeks that followed blurred into a rhythm of cold, grueling days on set and long, sleepless nights. He threw himself into The Last of Us, trying to lose himself in the work, but no matter how hard he tried, thoughts of you crept back in. You were there, always, lingering in the corners of his mind, and Julia could sense it.

She didn’t say anything at first, but Pedro could feel it—the slow unraveling of their relationship. It wasn’t sudden, like a crash or an explosion; it was quiet, a gradual dissolution. Every day, a little more slipped away. He wasn’t sure what he had expected from this relationship, from this life they had built together. Did he think they would buy a house, start a family? Had he ever really seen himself in this life with her, or was it just easier to disappear into hers?

Finally, Julia said it. Brightly, almost too casually. "I think maybe we’re done."

Pedro didn’t fight it. He didn’t have the energy. "Yeah," he murmured. "I think that was my fault."

•••

Christmas and New Year’s came and went in a blur. Pedro went to Chile for a few weeks, seeking the comfort of home, of family. There, surrounded by his siblings and nephews, he found a brief pause, a sense of peace he hadn’t felt in a while. But even in the warmth of his childhood home, memories of you still haunted him. He saw you in every corner, heard your laughter in the echo of the hallways.

One night, after too many glasses of wine, he called you on a whim. It wasn’t about anything important—just small talk, catching up. You sounded good, better than the last time you spoke, but there was a distance in your voice, a kind of finality that made Pedro’s heart sink. For some reason, he didn’t tell you about his breakup. He kept that part of his life hidden, not out of secrecy but because it felt irrelevant at that moment.

What would it change? What did it matter?

You didn’t talk much after that. Your silence felt deliberate, not like a missed connection but a closed door. It was as if you were telling him, without saying it outright, that this was where it ended.

In the days that followed, Pedro did his best to push you out of his mind, but it didn’t take long for the thoughts to creep back in. They always did. Anger. Sadness. Regret. They whispered in his ear, insidious and unrelenting, reminding him of what he had lost, of what he could never quite hold on to.

February 7, 2022

Los Angeles, California

The suitcase lay open on the bed, half-packed, with clothes spilling over the edges like an unspoken reflection of your mind. Each item you folded and placed inside felt heavy, as if carrying pieces of the last year with you. Taylor sat cross-legged in the chair by the window, scrolling through her phone while talking, but her words barely reached you over the noise in your head.

“I’m surprised you said yes, that’s all,” she said, her voice light with curiosity. “You’ve basically been a hermit for a year now.”

You laughed softly, your hands smoothing over the fabric of a sweater. “I needed the break, you know that. ”

She raised an eyebrow but didn’t push yet. You were grateful for the acceptance, even if you knew she was waiting to bring it up again, the same way she always did.

“One day, you’ll tell me what really happened,” Taylor continued, her voice taking on a familiar teasing edge. “You'll tell me what had you sulking at home like a sad Victorian poet for a whole year.”

You folded another shirt and placed it in the suitcase before responding, “I’ve told you countless times. Nothing happened other than…he got a girlfriend, and I stayed out of the way. That’s it.”

Taylor squinted at you as if she didn’t quite believe it, her eyes narrowing with the kind of suspicion only a close friend could afford to show. “Aha,” she said slowly, drawing out the sound.

You rolled your eyes but smiled.

“I wasn't sulking,” you admitted, trying to keep your tone light. “I was…relaxing. It was my year of rest and relaxation.”

She chuckled at that. “Good one, smarty pants."

Outside, a breeze rustled through the palm trees, carrying the scent of jasmine and the distant hum of LA traffic. You imagined the street below, the shuffling of photographers leaning against their cars, lighting cigarettes, and murmuring to each other. They had become a permanent fixture, appearing gradually over the months, staking out your house like ghosts waiting for you to return to life.

It never ceased to surprise you how much people cared about what you did off-screen. You couldn’t just let your work stand for itself. No, you had to prove yourself over and over again, reminding the world that you were still an asset, still someone worth admiring.

You shrugged, half-smiling, but there was something sad in it. “Don’t get your hopes up. I’m only doing this because I've been dying to work with this director, and it’s a closed set. Once those eight weeks are up, it’s back to my hermit status.”

Taylor shook her head with a dramatic sigh. “So we’re missing the Oscars again this year?”

You threw a pair of socks at her, chuckling. “Seems like it.”

But inside, everything wasn’t as lighthearted as your words. Last year, you’d taken a step back from the spotlight, and while you didn’t want to attribute it to the hurt you were feeling over Pedro, the truth was, it had everything to do with him. Well, at least a huge chunk of it. It hurt not to have him. It hurt to see someone else kiss him, hold his hand so freely, so easily. The pain wrapped itself around you like a second skin.

The world expected you to bounce back, to emerge from this self-imposed exile with a smile and a perfect soundbite. But the truth was messier. You had spent a year nursing a heart that hadn’t fully healed. You loved Pedro in a way that still hurt, in a way that sometimes made you feel like a child who didn’t understand why they couldn’t have the one thing they wanted most. You wanted to be the bigger person, the one who could let him go gracefully, but instead, you had hidden.

You were blue all the time. Some days were okay; some days you barely got out of bed.

There were moments it felt paralyzing. The weight of the world outside your window, the expectations, the love you still felt for him—all of it crushed you. Some days, you simply couldn’t move. You stayed curled up in the safety of your blankets, staring blankly at the ceiling.

It wasn’t long before someone intervened. Your PA was that someone.

She didn’t push you at first. She’d just knock on your door, leave food outside, and ask if you needed anything. You’d spent three weeks in your room, moving only to get water or occasionally sit by the window.

One afternoon, Renata came in and found you in the kitchen, grabbing a glass of water. She placed a sandwich she brought on the counter and looked at you, her voice careful, but firm. “You need to talk to someone.”

“I’m talking to you,” you replied simply, taking a sip of water.

“No, you know what I mean. A professional. It’s okay if you don’t feel…” She didn’t finish the sentence. She didn’t have to.

“I’m fine,” you said, starting to walk toward the stairs.

“You’re not going to eat?” she called after you.

“Not hungry, but thanks,” you mumbled, disappearing into your room again.

But Renata didn’t let it go. She pushed gently, week after week, until finally, you let her schedule an appointment. She promised not to say anything to anyone, especially Taylor. You didn’t want to worry her.

The word depression had seemed too big to say aloud, too heavy, but that’s exactly the word your psychiatrist had used.

“You’ll need to take these every morning,” he said, handing you a small prescription bottle. “And it would be good to write how you feel. Keep track of things.”

You sat there, legs crossed in an oversized chair, staring at the prescription bottle in your hand.

•••

You watched from the sidelines as Pedro continued to rise, landing roles in The Last of Us, becoming the face everyone adored. You were thrilled for him, of course, but the distance between you felt insurmountable.

The only interaction you had was through a comment on his Instagram post, and even then, you weren’t sure if it meant anything. You didn't dare to call him on his birthday; you didn't want to stain his day with sadness. Every time you looked at your phone, tears threatened to spill. You felt as if the moment he spoke into the phone, you might collapse.

He's better off; he might not even notice.

The album you dropped in the spring had been a release of every emotion you hadn’t been able to speak aloud. Each song was laced with love and loss, heartbreak and longing; every note was a confession you’d never let yourself voice. You wondered if he listened to it—if the lyrics registered with him, if he knew they were about him.

That same week, you saw photos of him in London, holding her hand. You cried yourself to sleep that night.

The months passed in a blur of avoidance. You busied yourself at home with anything you could find that didn’t involve thinking about him. You did the one interview your publicist insisted on. It was with Zane Lowe; you liked him, so it was mostly okay. You found yourself talking about the songs you wrote during that time. As you listened to your own words, you realized that the music had given you a voice when you felt silenced by heartache.

It was a bittersweet realization.

By October, filming for The Mandalorian had loomed on the horizon, and when you found out Pedro was still tied up in Canada, you suggested beginning production without him. It felt easier that way, like a reprieve. But when he finally arrived on set, the connection between you two still crackled beneath the surface. There was an unspoken understanding in the way he looked at you during that intense scene—the one where your character saw his face for the first time. He froze, and you wondered what was running through his mind—what thoughts had stopped him from continuing.

You hesitated, but after the scene wrapped, you found yourself asking him to dinner. It was a slippery slope. You could pretend you were okay all you wanted in the brief moments between takes, offering coffee and smiles, but no one saw right through you like him.

Still, you asked. It was a small gesture, just a way to extend the fragile thread of connection between you, to hold onto him for a little longer before he left again.

But you’d learned how to stay in your lane. You’d learned how to love him from a distance, how to let him be happy with someone else. It was an act of love, really—letting him go, stepping aside to give him the space to live a life that didn’t include you. At least that’s what you told yourself.

Taylor’s voice pulled you out of your thoughts. “Do you think you could be a hermit in Greece next? I could use a vacation.”

May 29, 2022

Los Angeles, California

Between promoting The Unbearable Weight of Massive Talent and wrapping up the final scenes of The Last of Us in Canada, he had little time to do, well, anything else really.

It was late May, just after the Star Wars Celebration. He’d worn a blue two-piece set that felt more like pajamas than anything formal, which was fine by him. Comfort was the priority these days.

But something was missing. You. You hadn’t been there. Out of everyone from the cast, you were the only one absent, and that absence settled like an itch he couldn’t scratch.

"She’s just taking time off," he’d tell himself, repeating the words like a mantra. “She’s probably busy; she's okay.” But the nagging feeling wouldn’t leave him alone.

Pedro had even caved one evening, calling Taylor. It had been late, after a full day of press, his voice rough from interviews and late-night whiskey. He had only meant for it to be one drink. But then he thinks back to the fact that you've plagued his dreams every night this week and that there was a song he kept hearing repeatedly that reminded him of you, and one drink had turned to three, and now here he is.

“Taylor?” He had sounded more vulnerable than he intended. “Is she... I mean, everything’s okay, right?”

Taylor had reassured him, of course, her voice patient, telling him you were fine, that you just were busy. Pedro wanted to believe her, but it gnawed at him. Something felt off.

He still woke up some mornings with the urge to tell you something, a joke he heard or a weird dream he had.

•••

By August he found himself in Spain, the arid heat of the desert sinking into his skin as filming for Strange Way of Life began. The project felt like a strange departure—something raw and gritty, something that required his full attention—but even then, in quiet moments between takes, his mind wandered. He’d sit in his trailer, his phone in hand, thumb hovering over your contact name, but the messages stayed unsent.

The days passed in a blur of rehearsals, early morning call times, and late-night script revisions. He spent his downtime with Ethan, exchanging stories over beers. But there was a quietness to Pedro that hadn’t been there before—a missing piece of him he couldn’t quite place.

•••

November 22, 2022

Miami, Florida

The night was sweltering; even by late fall standards, the air was thick and humid. Pedro was grinning, wearing a loose-fitting animal print shirt that made him feel playful, like he was stepping into some exaggerated version of himself for the evening. Lux was by his side, vibrant as always, their laughter mingling with the clink of glasses as they arrived at a wine event.

But it didn’t take long for Lux to notice the shadow that hung over him.

“You’ve been quiet,” she said, side-eyeing him as they sipped their drinks by the bar.

“I’ve been busy,” Pedro answered vaguely, swirling his glass and watching the amber liquid catch the light.

“Sure,” Lux replied, smirking. “And when are you both going to stop being idiots? It’s getting tiresome, hermanito.”

Pedro nearly choked on his drink, laughing in surprise. “What?”

“Don’t play dumb.” Lux’s voice was matter-of-fact, cutting through his defenses with that typical bluntness only siblings could pull off. “You and her. It’s obvious. To everyone.”

Pedro sighed, leaning back against the bar, the Miami night buzzing around them. “It’s not that simple.”

Lux raised an eyebrow. “Really? You’re both so afraid of what might happen that you’re stuck in this limbo. It’s ridiculous. Why let it get this bad?”

Pedro stared into his glass, her words echoing in his head.

"Because I love her," Pedro finally admitted, his voice quieter, weighed down by the truth. He stared down at his drink, swirling the ice around the glass. "I love her so much I’m willing to let her go."

Lux didn’t say anything.

Pedro shook his head, a bitter smile playing at his lips. "I would only hold her back. I know her so well. She’d sacrifice things just to be with me, and I can’t let her do that. I would only hold her back. She deserves so much better."

Lux tilted her head, her eyes narrowing. “And what if what she wants is you? What if she’s out there feeling the same way, thinking she’s the one who isn’t good enough for you? Do you ever think about that?”

Pedro let out a slow breath, his shoulders sagging under the weight of it all. "Of course I’ve thought about it. Every day. But what if I’m wrong? What if she gives up things she shouldn’t for me? I can’t let her do that, Lux."

Lux leaned in closer, her voice gentle but firm. "Maybe it’s not your decision to make. Maybe she deserves the choice. Don’t you think it’s a bit arrogant to assume what’s best for her without even asking?"

Pedro met her gaze, feeling exposed. “I just... I don’t want to mess it up. I don’t want to ruin her life.”

Lux smiled, but it wasn’t pitying. It was knowing, soft around the edges. "You’re not ruining anything by loving her. But keeping it to yourself? That’s where the damage is, hermanito. You think you’re protecting her, but all you’re doing is pushing her away. And trust me, that hurts more than anything else."

He had always been so afraid of losing you, so terrified of not being enough, that he hadn’t even realized how much distance he had created.

Lux’s voice softened again, the words cutting through the noise in his mind. "She deserves better, Pedro? Maybe. But who says you don’t deserve her, too?"

a/n: please like, reblog and comment! i love reading your thoughts!! next part will be posted in a bit ;) aaaand something might be happening ;)

[oh-no-its-bird]

hi listen i just had a divine intervention or smth lmk if you don't like it but

what if your team Ro time travel au + my time travel Tobirama

Team Ro would have memories of the canon and they got to this different timeline and there's Tobirama actively trying to seduce Uchiha fucking Madara. They didn't teach THAT in the Academy

They got in the time when Tobirama still orchestrated meetings, but Butsuma is already dead so if everything goes well, Tobirama would get Madara and peace soon.

And then there suddenly spawn a Hatake with a sharingan with 2 Uchiha kids and a Mokuton user. Political nightmare.

Later Tobirama recognises Kakashi and was like "The fuck? It's that Hatake from the war. What is he doing there, he should not have been born yet!!"

OHHH THATS SO GOOD THO???

I'm gonna be real I love the concept of "team ro time travel au but they time travel into someone else's time travel au," that's so good

If we go with your au, there's a really interesting immediate aspect of like: hey ! Tobirama might recognize Kakashi or maybe even Tenzo from the war, but these guys are way fucking younger than when they met !!!

Idk what exactly can be done with that but it's interesting to consider. Also Tobirama talked ab Itachi and his crimes before I'm p sure? So like he knows what happens to the Uchiha and that it was Itachi who did it for the village. I wanna see him faced w the kid who he once praised for slaughtering his own clan to prove his loyalty.

I wanna see him feel the consequences of the stress Itachi is under when he (and possibly Shisui) attempt to kill Madara.

Stop interfering with his fix it fic you brats!! He's already got it covered!! You're just causing a mess!!!!

They get zapped in, like, in the middle of Tobirama's happy ending epilogue too. Tobirama is peacefully eating dinner in his house w his new husband Madara thinking "well. Alls well that ends well." Then BOOM Kakashi Shisui Itachi and Tenzo crash out of fucking nowhere directly onto their table, getting covered in food and breaking the table in half

Immediatley arrested !! I feel like Tobirama would instantly understand what happened by recognizing their uniforms + potentially Kakashi + he's already a time traveler himself so it's really no stretch for him to go "oh fuck I didn't think we'd get a double jepordy in this bitch but I guess not"

But like it's not like he can just SAY that ? Or he could but it would bring a lot of questions he probably does not want to answer.

Now another problem arises in like. I don't think Tobirama is especially attached to any of these guys. I can see him maybe having a lingering "pay it forward ig" feeling just bc they're "loyal konoha soldiers" and it'd be a waste to let that resource just burn. But also like. Under no circumstances can Tobirama have these guys share certain aspects of future knowledge.

Tobirama worked so hard to get here !!!! Literal years of planning !!!! He got his happy ending and it very much rests on Madara staying safe and sane and NO ONE IMPLYING HE WILL BETRAY KONOHA EVER !!!!! Tobirama does not even wanna RISK that becoming a rumor, he will take no chances.

Anyways I think his best course of action would be to reveal himself as a time traveler specifically to team ro, then position himself as their hokage who they should remain loyal to, say that it is for Konoha's best interests that they do not reveal certain things, and play it by ear from there.

Tobirama deciding he can't risk team ro going forward in time again and potentially fucking up the time stream or smthn. They need to stay here. He can not risk losing this shit. Sorry guys it looks like your trapped here <3

Anyways team ro being scary loyal to him bc he is the closest approximation to their (current?) Hokage and only person w the knowledge to enforce that power over them (at this time)

In my original post, like, all of team ro are already established to be kind of at their worst and most loyal to the village at that point to. They are at THE age(s) to be manipulated like that tbh, rip

It's not too bad tho. I think Itachi would feel relieved but also very guilty. Shisui too. Tenzo is violently neutral bc hes still in his "learning to be a real boy" phase from root, but it's all positive for him tbh. Kakashi is tricky bc his mental state is the equivalent of someone rapidly bouncing a ball on a thin pane of glass trying to prove it's bullet proof (it's not) and has like MOUNTAINS of complexes around the words "konoha authority figure" and what he's leaving behind. He's probably the most determined to go back

Anyways uhh. Izuna gets Itachi to help him be skeptical of Tobirama and spy on him. Itachi only agrees bc he violently reminds him of Sasuke (this will develop into a complex if not stopped. Shisui is working on it.)

[master-muffinn]

Asking the scavengers to hold your drink

Misfire

Not a good idea. He goes like, "yeah, sure!" but the moment you are gone he'll drink it. He does it on purpose with no regrets. What did you expect? He's a glutton and he steals food all the time, even from friends! And he won't buy you a new one either. "Sorry y/n i don't have any money on me right now"

Misfire: 0/10 trustworthy drink holder.

Spinister

He will also say 'yes'. But you shouldn't take too long, it gotta be quick! It could go two ways; either he gets distracted and forgets about your drink and you won't find it. Or the longer he looks at the drink the more suspicious it looks. "It looking at me funny, I think I will shoot it"

"NO!"

Spinister: 2/10

Grimlock

He will just stand there, holding your glass. Not knowing exactly what to do. Looking around and then on the drink without moving and looking confused. If it was Grimlock with better mentally health, then he would be the same but more protective and more confident and looking like a bodyguard.

"Nobody touch y/n drink on my watch!”

Grimlock: 8/10

Nickel

Honesty, she doesn't really want to, but she holds the glass anyway if it isn't too big. Don't expect her to hold your drink multiple times though or you will get the: “Why are you asking me all the time? Can't you just hold your own drink or ask someone else?” 😑 We know she was reliable with the D.J.D and it’s the same with you and your drink as well. The way you left your drink with her is the same way you get it back.

Nickel: 9/10

Fulcrum

"Oh okay". It's not a bad idea to ask Fulcrum. He will hold the drink with no problems…until he starts to second ask himself and overthink the situation. What if ‘someone’ he doesn't know approaches him with bad intentions and wants your drink? If that happens he will give the drink and run away. Hopefully he hasn't been shaking while thinking about it or the liquid in your glass will be less than when you left it.

Fulcrum: 5/10

Krok

Is the most ‘normal’ about it. He just holds it for you and still does what he is doing. Doesn't do anything weird with it, no drinking, just holding it. He doesn't bother asking what took you so long, unless you completely forgot about it.

However, he expects you to say ‘thank you’, or he won't do it the next time. (Krok deserves at least some appreciation).

Krok: 10/10

Crankcase

It depends. You most likely get a no, but if you ask again nicely, he'll might say yes. If he still says no, then it's better to ask someone else or he will be irritated and complaining. But if he says yes, he'll most likely just be sitting down and drinking his own drink in the other hand and looking grumpy around until you come back. If you take too long he is going to complain. "What took you so long?”

Crankcase: 6/10

Bonus: I can see Crankcase as the typical grandpa sitting in the corner of a party drinking beer and judging/watching people making fools of themselves on the dance floor and then use it against them later.

Thank you for reading! Have a good day! ^^ Reblogs are very appreciated 🥰

Post made by @master-muffinn

[beneaththemasks]

not to sound socialist, but I think the fact that people defend (not just like) kalim says a lot about why the world has become like this. think about it; kalim (unlike chenya and neige) goes to NRC and not RSA and is presented as someone involved in an overblot case. and while the RSA guys are also presented as characters involved in them, they're only involved as victims (although chenya's case is arguable in my opinion) which makes the whole point of those who go to NRC to symbolize/represent the side of "those who participated in the crime" that was committed in the og stories.

while we do know that this doesn't necessarily mean they're bad/problematic people (ortho, silver, epel, etc etc etc) it does mean that they take (or will eventually take) part in some sort of incident on the side of the perpetrators. sure, this doesn't mean that those who go to NRC are never the victims, but they do have a part in allowing things to get twisted (in other words, their silence or compliance has made room for someone else's downfall). so taking all these facts into consideration, what we players know is that, as far as NRC goes, the students (characters) that belong there are known for making morally/emotionally questionable decisions in contrast to their RSA counterpart (again, chenya's case being arguable imo). and this is why kalim's case, even though he's portrayed as someone with a "sunshine heart", can't be looked through a different glass as long as he remains in NRC.

yana's message is clear here: NRC students represent someone she (the author) considers a perpetrator (active or passive) in the og movies, and ignoring this equals to ignoring both the author and story's intentions. kalim's case is no exception, and the fact that his personality has been used to "redeem" him from what he's done was probably also taken into account by yana when she wrote him (which I think is her wonderful way of exposing all of us, like a good piece of media should do). but precisely because this character (or any character ever) is playing this specific role, doesn't mean we should just let the character be (less we become the active/passive perpetrators) and rather take on a more critic approach in which we recognize and stop trying to sweep under the rug all of its flaws like we would do with a pup that's too adorable to yell at for misbehaving. I know the comparison might seem unreasonable, but I use it because it's simplicity portrays exactly what happens when things aren't addressed and/or are looked over, even (especially) if it's not on purpose. as always, one's good intentions to preserve someone's pure and innocent reputation at all costs (in this case it would be to shift the blame on jamil alone or dismiss jamil's feelings when he expresses his anger for the people that have literally oppressed and robbed him of his freedom since childhood) will backfire and, in time, innocence will turn into ignorance.

I'm aware people will read too much into this so, just to be clear, I'm not saying all of this so everyone hates kalim (or any "evil" character) but rather to bring more awareness on why and where lines need to be drawn

[memento-morri-writes]

So, it's been a million years since I've done any real writing, but I was toying around with potential descriptions for one of my dnd campaigns, and I'm really proud of how it turned out:

tw for graphic description of an injury

Every inch of [Rook's] back and shoulders is raw, covered in dozens, maybe hundreds, of small cuts. They overlap and merge so that his entire back is one giant wound. But you can't even get a good look at the cuts, because they are covered by a thick layer of dried blood, almost black in some places.

This will be part of the description the party gets upon seeing Rook for the first time after he was kidnapped by Captain Wolf, and dear god I can't wait to see their reactions both in and out of character. :)))

[blujayonthewing]

well I just spent an hour digging through my own dnd notes and social media and also almost cried because I mentioned, in passing, something justin had said about one of his NPCs and he, completely lightheartedly, was like '?? I don't remember that at all. [I mean I'm not making it up?] I think you might be making it up 😏'

[sysig]

“Friendship” bracelets (Patreon)

Bonus:

[caffeinatedopossum]

Events of last night:

Me: *crying*

My girlfriend: what's wrong?? :(

Me: *struggling to form words* intrusive thoughts are bad... I don't want to talk about them because then I'm scared that they're true and you might think I'm awful

My girlfriend: ah I actually get that. I have those a lot. It doesn't mean anything though, intrusive thoughts are just like dreams. Like the things you do in them aren't really things you want to do, it's just stuff your brain comes up with.

[soultoken-archived]

american comics are wild, man.

[sapsolais]

-

[chososrightnipple]

❝𝐣𝐣𝐤 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 + 𝐭𝐡𝐞𝐢𝐫 𝐤𝐢𝐧𝐤𝐬 (𝐩𝐚𝐫𝐭 𝐭𝐰𝐨)❞

a/n: almost four hundred followers omg.. i love all you freaks mwah!! here is part two as promised. included some requests for characters. aged up! megumi and yuji of course. might do a part three maybeeee? afab body w/no gendered language as usual.

part one.

── დ ──

. *. ⋆ TOJI FUSHIGURO

▸ panty stealing. he thinks of it as memorabilia. snatching your panties from the floor before you have the chance to put them back on- just something he keeps to remember you bye.

▸ daddy kink. we all saw this coming, right? you call him daddy once and it's all he needs to fuck you into the bed for the rest of the night.

▸ thigh riding. seeing you frotting against his large thigh, desperate to cum, pussy practically drooling for it... his favorite foreplay 100%.

▸ cum play. this man will cum anywhere and everywhere and he'll love it. let him cum on your face, your ass, your chest, your back, down your throat, etc etc.

▸ hatefucking. angry sex after an argument where he takes out all of the stress you caused him on your poor holes :(

▸ breeding. you can give him another baby, can't you? you can make him a daddy all over again, right? just let him cum inside of you as much as he wants, he'll make it happen, he swears.

▸ exhibitionism. you grind against him once on the bar floor and next thing you know he's dragging out to the empty alleyway and pressing you against the nearest wall.

▸ size difference. he's so large, so big, every single part of him practically overtaking you. and he gets off on that fact so fucking hard!!

. *. ⋆ NANAMI KENTO

▸ cockwarming. seating himself inside your warm pussy while he's stuck doing all kinds of boring paperwork. he'll fuck you, he swears, you just gotta sit pretty on his lap for a little bit, okay?

▸face fucking. he loves taking out all of his stress on you. gripping your hair as he uses your mouth mercilessly, bullying his cock down the back of your tight throat.

▸blindfolding. silk ribbons in a variety of colors that he matches to the underwear you're modeling for him. only the best for his lover <3

▸ thigh riding. there's no better way to put him in the mood than pathetically grinding yourself against his thigh, using his body selfishly for your own pleasure.

▸ hair pulling. y'all know that one scene... he pulls at your hair exactly like that. fingers going white with how tight he's tugging at you, manipulating your position until you're face to face with his scowl.

▸ spanking. makes you count for every slap and if you miscount, he's starting all over again. pay better attention to him next time, yeah?

▸ semi-public. yes, he will bend you right over his desk, no he doesn't care there's a meeting going on next door. or better yet, against the window of the fourth floor, overlooking the busy street below it.

▸ phone sex. it really isn't any problem that he's across the country on a mission. even just the sound of your whines over the phone is enough to get him off.

. *. ⋆ MEGUMI FUSHIGURO

▸ panty stealing. he would say he feels bad about it, but he doesn't. you looked so good in the lacey little things, he can't help but want to keep them for later. even has his own little drawer for them.

▸ masochism. the stinging pain of your nails running down his back is utterly euphoric. and don't get him started on how harshly you tug at his hair when he's eating you out- he can cum in his boxers just from that alone.

▸ breast play. massaging at the skin, feeling the plumpness under his fingertips. sucking at your nipples and leaving a trail of kisses down the valley of your breasts. he's obsessed.

▸ edging. leaving you just on the brink of release over and over again, until tears are streaming down your face. he'll let you cum eventually, you just look so pretty this worked up for him.

▸ marking. oh my goddd do not get megumi started on this. he doesn't know why it gets him so worked up- seeing you covered in the hickeys and bite marks that he's left on you- but it does.

▸ cunnilingus. eats you out like a man starved, like he'll never eat you out again. pulling him away from your poor pussy is next to impossible if he's not yet done with his meal.

▸ mutual masturbation. sometimes you both just need to relaxation of release and nothing more. sitting across from each other on the bed, or maybe side by side, listening to the moans of the other as you both touch yourselves.

▸ dacryphilia. like adoptive father like adopted son. seeing your eyes brim with tears from how good he's fucking you drives him crazy.

. *. ⋆ YUJI ITADORI

▸ ass play. we all know he's an ass man i mean come on?! doggy style is his favorite position just because of it. seeing how the fat of your ass moves with every slap of his hips is fucking addicting.

▸ praise kink. tell him how good he's fucking you and how much of a good boy he is pleaseeee!!!!

▸ toys. he didn't realize how much he would love bringing toys into the bedroom until he sees how hard you can cum around him while he holds a vibrator to your clit.

▸ raw sex. he knows it's stupid, fucking you with no protection. you're pussy just feels so good, so warm, he needs to fuck you raw.

▸ face riding. please sit on his face, suffocate him, he doesn't care. it's his favorite position to eat you out.

▸ overstimulation. poor baby doesn't even mean to overstimulate you half of the time- he just has so much stamina, you understand that, right? and seeing you so flushed and fucked out under him has him so horny. just one more round, yeah? you can do that for him, right?

▸ dirty talk. yuji is a yapper and that doesn't stop when he's fucking you. the filth that comes out of his mouth has you wet just thinking about it.

▸ dry humping. the tension, the intimacy, the panting, the friction?? all of it, it's like a drug to him.

[jonnywaistcoat]

hey jonny, i just thought you'd want to know that character.ai has an ai-generated imitation of your voice and i'm not sure what other websites might have it or where it originated :(

Yeah, it's a fucking garbage state of affairs but, as a somewhat well-known performer with a pretty distinctive voice it doesn't exactly shock me. Needless to say I think anyone who used this is a mediocre waste of skin and if they ever tell me in person they've used it then 50/50 I punch them in the teeth.

I can't wait for a couple of years when it all collapses just like every other niche-but-interesting-technology-with-limited-use-cases-sold-as-a-universal-panacea-to-gormless-CEOs grift (blockchain being the best example). Because the thing is, none of these things actually make any money and cost a vast amount, so as soon as all the dumb venture capital funding dries up and AI is required to actually start paying for itself, the bubble bursts and the whole industry is fucked.

That said, it's gonna be rough when it happens - a lot of companies have invested very heavily in AI and they're going to be hurting badly. I know of more than one media company whose idiot executives invested ridiculous amounts into NFTs and ended up laying off massive swathes of workers when that obvious fucking scam collapsed. I suspect the AI crash is gonna be even worse than that. And by then it will have drowned the Internet in slop. We'll see, I guess.

Anyway, anyone who uses AI is a soulless fucking husk of a person who cannot tell half-digested vomit from culture, and I would pity them if they weren't making the world such a measurably worse place to exist.

[river-taxbird]

AI hasn't improved in 18 months. It's likely that this is it. There is currently no evidence the capabilities of ChatGPT will ever improve. It's time for AI companies to put up or shut up.

I'm just re-iterating this excellent post from Ed Zitron, but it's not left my head since I read it and I want to share it. I'm also taking some talking points from Ed's other posts. So basically:

We keep hearing AI is going to get better and better, but these promises seem to be coming from a mix of companies engaging in wild speculation and lying.

Chatgpt, the industry leading large language model, has not materially improved in 18 months. For something that claims to be getting exponentially better, it sure is the same shit.

Hallucinations appear to be an inherent aspect of the technology. Since it's based on statistics and ai doesn't know anything, it can never know what is true. How could I possibly trust it to get any real work done if I can't rely on it's output? If I have to fact check everything it says I might as well do the work myself.

For "real" ai that does know what is true to exist, it would require us to discover new concepts in psychology, math, and computing, which open ai is not working on, and seemingly no other ai companies are either.

Open ai has already seemingly slurped up all the data from the open web already. Chatgpt 5 would take 5x more training data than chatgpt 4 to train. Where is this data coming from, exactly?

Since improvement appears to have ground to a halt, what if this is it? What if Chatgpt 4 is as good as LLMs can ever be? What use is it?

As Jim Covello, a leading semiconductor analyst at Goldman Sachs said (on page 10, and that's big finance so you know they only care about money): if tech companies are spending a trillion dollars to build up the infrastructure to support ai, what trillion dollar problem is it meant to solve? AI companies have a unique talent for burning venture capital and it's unclear if Open AI will be able to survive more than a few years unless everyone suddenly adopts it all at once. (Hey, didn't crypto and the metaverse also require spontaneous mass adoption to make sense?)

There is no problem that current ai is a solution to. Consumer tech is basically solved, normal people don't need more tech than a laptop and a smartphone. Big tech have run out of innovations, and they are desperately looking for the next thing to sell. It happened with the metaverse and it's happening again.

In summary:

Ai hasn't materially improved since the launch of Chatgpt4, which wasn't that big of an upgrade to 3.

There is currently no technological roadmap for ai to become better than it is. (As Jim Covello said on the Goldman Sachs report, the evolution of smartphones was openly planned years ahead of time.) The current problems are inherent to the current technology and nobody has indicated there is any way to solve them in the pipeline. We have likely reached the limits of what LLMs can do, and they still can't do much.

Don't believe AI companies when they say things are going to improve from where they are now before they provide evidence. It's time for the AI shills to put up, or shut up.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[glow-in-the-dark-death]

A Week (He Will Take You)

~

Danny moved to Gotham for school, while there he noticed that Gotham's ambient ecto was really murky for lack of a better word.

This didn't really affect him too much besides a mild headache every once in a while but that also just might be stress from all his school work so maybe not.

Anyway

This murky ecto seemed to effect the people who lived there or more importantly the ghosts,

They were visible to the human eye like most ghosts back in Amity but instead of looking very much like a ghost they still looked like humans if a bit off putting.

They all seemed to be continuing their normal lives as if still fully alive, with the people around them none the wiser.

Danny noticed this and began approaching them to figure out what was going on.

Apparently the murky ecto in the city had made it so that they were strong enough to still continue a somewhat normal life but not be able to cross over to the GZ.

In other words they were stuck in Gotham

Danny was the Ghost King so he could easily fix this problem, all he needed to do was give them a bit of pure ecto for around a week to fully stabilize them them then he would just open a portal into the GZ and they could cross over with all their things also transferring into the GZ for their new haunt.

Unfortunately this looked rather worrying to an outsider,

Imagine you're used to your neighbor being very outgoing so you and others see them a lot suddenly this man seems to appear in their life out of nowhere an at exactly one week, your neighbor and all their belongings in their home disappear no trace to be found.

You tell people and they begin saying the same story they knew someone and them a man with black hair and blue eyes appeared in their life, then they and all their things disappear in exactly one week.

Of course the police in Gotham do the bare minimum so they're no help.

But it starts to begin a trend, especially online.

"Oh careful or the blue eyed man will make you disappear in a week"

This of course after time catches the bats attention, Gordon had already given them all the information he had.

"Young adult early twenties, dark hair, blue eyes"

That was it.

The bats look into it and from their point of view Danny is a serial killer.

But they can't find the connection between all of his victims, they range from young children and the elderly from different backgrounds absolutely no connection,

Worrying enough he doesn't just make one person disappear he has taken entire families up to over a dozen, without anyone figuring out how he's doing it or why at all.

The disturbing thing also being that he seems to take everything in their home, leaving it like it has always been empty

Like no one had been living in it.

People have tried to take photos of Danny get some kind of evidence of his existence, but when they try to do it, it either comes out completely corrupted or their devise simply shuts down fully.

Danny of course has no clue what is happening he's just happy that he's able to help so many ghosts, and is trying not to fail his exams.

~

Danny leaving the house he just helped: "That went easier than I expected!"

Neighbor peeking from the window: "Shit it's that guy! "

~

Red Hood marching down into the cave: " The fucker took many from my territory without me even realizing it!"

~

Tim: "I'm pretty sure his kill count is nearing the hundreds and he just started like maybe 4 months ago, this is bad."

Barbara: " I think I got a theory, this matches up with the new school year beginning so maybe their not a Gotham native which narrows down my suspect list."

Bruce: "Hn."

Tim: "Yes thank you B for the insightful commentary"

~

Danny trying not to fall asleep while on his way to class: "Strange I keep seeing shadows following me, oh well must be the stress!"

Bats who are pretty sure Danny is the killer: "Has he done anything suspicious yet?"

~

Just an Idea