#but he will run away from it

[allastoredeer]

Would you be at all interested in a scenario I concocted based on the idea that Lucifer and Blitzø are "exes" and that one succubus we see in the background of Apology Tour actually WAS Lucifer in disguise? It's been sizzling in my brain sense the episode aired and I have no one to talk to about it😅🙏

Hmm, well it may not sizzle my brain as much as yours (tho I do know what demon you're talking about. He looked SO much like Lucifer I'm convinced it was intentional. It has to be. There's no way it was an accident. Spindlehorse is making sure we're paying attention. Keeping us on our toes).

But I'm sure there are other fans out there who would love a Lucifer/Blitz bitter ex's concept.

It is funny to think about thought. I mean, the idea that Blitz has dated Verosika Mayday, Stolas of the Ars Goetia, and Lucifer Morningstar??? And he fumbled all of them??? Guy aims high and falls so hard.

[what-am-i-doing-in-this-fandom]

Yeah, I don't know about you, Fidds, but I'd fold at this 🙏

Previous!!

Next!!

First!!

[anna-scribbles]

emma dupain cheng on the brain😽🎀

more:

[burquillos]

Post-war fantasy au dkbk save meeee

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[ozymandian-hymn]

mercy, mèrci

[courfee]

17 December 1975 / 15 May 1976

[choccy-milky]

seb is lucky ominis cant see ref from triptrippy

[fictionalmenaremytype]

Percy and Annabeth are perfect for each other bc Annabeth's plans are so smart yet so stupid, and Percys plans are so stupid yet so smart.

[noxcheshire]

Back at it again with my Danny is mom coded au’s, but this time it’s because of Clockwork that he suddenly has a whole ass teenage kid.

Clockwork had been bored or maybe he was playing a game against an opponent, or even lost a bet, whatever it was, he stepped in right as Jason was searching for his biological mother.

The DNA that would have registered itself as one Sheila Haywood, confirming Jason’s mother, glitched a terrible green across the screens of the batcomputer.

In those few moments of chaos Jason’s heart beat rapidly as he tried to figure out why the computer wasn’t working, wondering if his only chance to find his mom — his blood mom — would never find success.

Then as suddenly as things went wrong the DNA settled and pinged.

Jason watched, his chest tight, as one Danny C. Works, formerly Danny Fenton appeared onto the big screen.

Danny looked a lot like Jason, short cut black hair more straight than the subtle curls of Jason’s own; deep blue eyes, tired in a way that spoke of long days and nights, but with a warm happiness that made the familiar smile — the one Jason would see on himself every time he looked into the mirror — even more striking.

Jason didn’t linger too long on the male identifying gender, nor the fact his mom leaned more towards a masculine name or clothing.

There were plenty of male to female, and female to male leaning individuals that lived in Crime Alley. He had seen it enough to not even bat an eye at it, even now. After all, in Gotham you minded your business least you find yourself in business you can’t leave.

On a different monitor information of Danny C. Works piled for Jason to quickly browse through.

Danny was a senior engineer, no intimate relationships, and with no close connections to family outside of the tentative calls from Jasmine Fenton.

Danny was estranged from Jack and Madeline Fenton, a falling out that had occurred just a little before Danny’s high school graduation. If Jason calculated it correctly that would have been — around the season Jason himself would have been born.

Okay, so no grandparents then but I might have a maybe aunt. Jason scrolled further and stilled.

Twin toddlers: Dante and Danielle Works.

Jason had baby siblings.

He doesn’t let the sting of younger siblings consume him, doesn’t allow the whispering thoughts of why he had been given up when his younger siblings had been kept and so very obviously loved.

Jason took deep breathes, he didn’t have time to linger here. He had a family to get to, and a family he would get to.

It took almost all night to reach, the starlight night sky slowly and surely fading into cloudy wine as the sun rose, but Jason made it.

And when the door opened to his hesitant but firm knock, Jason was unable to speak. His mom — dad, maybe? Did they want to be mom or dad? — stood in the doorway, brows furrowed in confusion.

It was when Danny spoke his vigilante name did Jason only just realize that he was still dressed to the nine’s in his Robin costume.

[kikipancakes]

On the run

[vantablackdraws]

real sleepy hours

bonuses:

[cubbihue]

Hi! this is kinda an art request if u dont mind. And it's angst related, can you draw like where wanda and cosmo obvs have seen for a while how (human) timmy has been treated by his real parents. I just want to see like the "last straw" which lead Cosmo and Wanda wanting them to make Timmy as their own. (IM HAPPY THAT TIMMY HAS A FAMILY THAT LOVES AND CARES FOR HIM)

The "Last Straw"?

Cosmo and Wanda have seen humans at their best. They've seen humans at their worst. They've seen anything and everything that they've gone numb and used to what humans get up to.

But nothing's shaken them quite like Timmy's case did. Nothing has ever made a Fairy feel such strong human emotions than what Timmy made them feel, on that one particular night.

The thing that broke Cosmo and Wanda was Timmy himself.

Bitties Series: [Start] > [Previous] > [Next]

[writer-room]

I think another clear theme of Spiderverse is that, as we’re told in the first movie, anyone can be Spider-Man. But in the second movie, Miguel tells us that Spider-Man has rules. Certain things have to happen, certain people have to die, certain people aren’t meant to be Spider-Man. And the message there is that, once someone makes those kinds of rules, you run. Because it’s just not true. Anyone, literally anyone, can be Spider-Man. There is no requirement. We’ve been shown you don’t even need to be bitten by a spider!

And with the amount of people comparing Spiderverse to the queer experience, this is especially important. There are no rules to being queer. There are no labels that are exclusive. There are no labels that are even required. As soon as someone says you can’t be queer in a certain way, or certain identities don’t ‘count’ for whatever reason, you need to run. They are liars. There are no rules, and there never have been. You are queer because you said so, and this is your decision alone.

If you decide you’re Spider-Man, then you’re Spider-Man. And if you decide you’re going to save everyone you can, then you will. It’s as simple as that.

[shotmrmiller]

pretend boyfriend but it's in a time where roads are nothing more than muddy tracks, making travel slow and cumbersome. the town's buildings are a mix of weathered wood and crumbling brick, faded paint peeling off their facades. wanted posters, yellow and tattered, are plastered on every available surface, faces of outlaws and fugitives who roam the countryside depicted in greyish ink.

the townsfolk go about their lives with a wary eye, and you go about yours with a sharp one, in search of opportunity: a cowboy too drunk off his wits to know his right from his left. the humble borough of blackthorn doesn't need any more working girls, no more ladies with hair down to their corseted waists beautifying the arms of both bounty hunters and farm hands alike.

that's fine, you reckon. you've always had a knack for survival. your deft fingers have made a living out of slipping into pockets and relieving men of their hard earned coin pouches when they lose themselves in drink and laughter. its not an easier life than that of the ladies in the saloon but it's yours, and you've learned to navigate it with equal cunning and charm.

but as people say, anything that can go wrong, will and tonight nothing seems to go right for you. just as you'd been slipping the stolen bills from your latest mark in between the swell of your breasts, he stirs from his drunken sleep, bedsheet tangled in his spurs as he struggles to rise onto unsteady feet. his movements are sluggish, muddy brown eyes blinking against the dim light of the quaint room.

you don't wait for him to ask any inane questions, you know when you've been caught with your hand in the cookie jar. you run out the door on bare feet, fisting the rough fabric of your dress to lift it above your ankles as you barrel down the stairs.

your shoulders ache from bumping into patrons as you try to quickly weave your way toward the door, your breath coming in ragged, panicked gasps. the saloon is a blur or faces and noise, the jaunty tune coming from the piano as fast paced as the galloping of your heart.

just as you reach the swinging doors, you glance outside through the dusty window panes and see someone right across the street in the patio of the drugstore.

the star on his chest gleaming even in the flickering light of the shop is distinctive. your heart sinks like a stone dropped into a well, the weight of the situation leaden over your puffed shoulders.

but you haven't made it this far while skirting around law and order without a sharp mind. your thoughts swirl in your mind as you run through options. a horse loosely tied to the hitching post out front, sleeping roll behind the saddle. you could take it but risk getting roped off by someone. slipping out the windows would draw too much attention. using the back door near the kitchen would have the owner on your arse.

shit. shit-

then you spot him. sitting alone at a table is a hulking, beast of a man. (his broad shoulders and burly frame makes him resemble more mountain than man tbh.) a small shot glass rests on the scratched surface before him, the only delicate item in his vicinity. the wide-brimmed hat he wears casts a shadow over his face but the glint in his eyes is unmistakable. maybe that's why even the other patrons have given him a wide berth. (the knotted scar that runs from the corner of his cheek pulling his lips into a permanent, twisted sneer makes the hair on the nape of your neck stand on end.)

desperation fuels your next move.

your hand trembles when you place it on the the exposed skin of his forearm that's covered in a fine layer of grime, as does your voice when you speak.

"hey-" you don't get to finish your sentence, feeling the words crumble into ash on your tongue when you realize you're out of time. the drunken idiot from upstairs is storming straight towards you, his nostrils flared, white etched on his knuckles. panic surges through you and so you move.

coming to stand behind the seated stranger, your arms cradle his large head, clammy palms flat on the sweat stained fabric of his union shirt. his body tenses under your touch, muscles cooling like a spring, but you muster all the bravado you can.

"if ya got a problem with me," your voice is steady despite the fear that's settled at the base of your spine, "take it up with my husband."

the drunk comes to an abrupt halt, his anger momentarily replaced by confusion, uncertainty, as he glances between you and the human(?) shield you're clinging to.

the room has fallen silent, all eyes on the unfolding drama. they watch with bated breaths, even the bartender had paused mid-polish, his hand frozen on the glass.

the man wavers, his resolve crumbling like freshly tilled dirt before you. but the final nail in the coffin is when your 'husband' grabs onto your arm and leads you to sit onto his lap, both your legs fitting on top of his one, feeling the tarnished buckle of his leather belt even through the couple of layers of your dress on your arsecheek, his arm cinching tightly around your waist.

his skin feels rough, scarred, yet warm, beneath your hand. (embarrassing that this surprises you.)

you can feel his voice vibrate from his chest and sink into your bones when he aids you in this mess you've created. "ya 'eard m'wife. piss off 'fore i make you."

his mouth twists into an ugly line but concedes defeat, telling your 'husband' to "keep his wh-wife on a tighter leash unless she's keen on ending up on a missing poster alongside the wanted ones."

when you turn in his lap to look outside the window, watching the drunk unsteadily get on his horse and leave, you give the man you're on a muted thanks and move to get up only-

the arm around your waist feels more like an iron band. you're can't get up. you can't leave. your feet don't even touch the wooden floorboards of the saloon. you turn your wide eyes toward him, lips parted in surprise.

he doesn't seem as surprised as you.

"wha'? thought you could jus' up and go 'bout your way?"

you open your mouth wider, to scream maybe, you aren't sure but he cuts you off with a sharp suck of his teeth.

"make trouble and there will be trouble. i'll drag your pretty arse to the sheriffs office by the hair."

the realization of what he is keeps you utterly frozen in place, any fight you'd had bleeding out of you.

a bloody bounty hunter. no wonder everyone had kept their distance.

"i'm gonna be finishin' this bottle and you'll be a good wife and draw me a bath in our hotel room."

(he plucks the dirty money from where you'd kept it and tosses it on the bar top, carrying you straight to where he'd hitched his horse and plops you in front, your back to his barrel of a chest. "youll bathe with me, gotta have you clean for our consummation.")

[poorly-drawn-mdzs]

No time to play. You are being sent away.

[First] Prev <–-> Next