#but even then. sometimes we Can say the character has acted a certain way Because of trauma
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Should I read homestuck
tl;dr: no
actual answer: yes, but with some extremely important caveats.
Firstly, because Adobe shitcanned Flash, you can now no longer experience Homestuck in the form it was intended upon release... unless you download the Unofficial Homestuck Collection. This act of unbelievable, nay, saintly generosity by Homestuck's most dedicated fans allows you to experience Homestuck as it was intended - as close as is humanly possible.
"As close as is humanly possible" is the key phrase here. One indelible part of the original Homestuck experience was UPDATE! Homestuck would sometimes go weeks or even months (and later, years) between updates. I wasn't on Tumblr back in the day, but at the peak of Homestuck, even if you knew nothing else about it, you'd know when an update dropped because Tumblr's net traffic would increase something like three to fourfold. People would go apeshit bananas about whatever new revelations the Huss would drop on us.
You also need to realise that Homestuck is a product of its time and while its takes on sexuality and gender identity was pretty progressive (for its time), Huss did use the r-slur a bunch.
While we're on the subject of the author, Andrew Hussie (of whom my current understanding is that they have not changed name but go by they/them nowadays) is, in the most diplomatic possible terms, a very unique person. They are, at times, a visionary storyteller with genuinely fascinating ideas. At other times, they come off as kinda spiteful towards their readers.
Without meaning to dip into spoilers, some story beats seem (in my opinion) almost intentionally calculated to upset, irritate or mock certain fans. It never rises to the sheer vicious contempt that Steven Moffat had towards Sherlock's fanbase, but it does leave a bad taste in my mouth whenever I go back.
Additionally, and this is where a sort of birds-eye-view spoiler is unavoidable, the story suffers from the Game of Thrones pitfall of repeatedly increasing its own complexity by adding new plot threads without resolving existing ones, eventually leading to fatigue on the part of both the reader and the author. The arcs of a lot of characters just straight up get abandoned, while a couple of characters take an unnecessarily large amount of screen time.
There's one character in particular that the author openly states within the narrative (the author exists within the world of the story. It's... a whole thing) that they favour, and whose behaviour the story is warped to accommodate. You'll know exactly who I'm talking about almost the moment they show up.
Another reason I say that it's not really possible to read Homestuck as it was originally intended is because a lot of the shit that happens in it fits into the zeitgeist of the internet at the time any individual update was written. There's a whole section in the late middle third that is inextricably and very specifically tied to how it was like to use Tumblr in 2012.
Additionally, a lot of things have soured with time. There was the whole Hiveswap debacle (it was first announced in 2012. We got the first act in 2017. We got the second act in 2020. We do not even know if the third act will ever come out.). There were the legal threats. There were the Epilogues and Homestuck 2, which were... how do I put this? Not universally liked. There's been nearly a decade of discourse since Homestuck ended, and a lot of things haven't grown better with age.
All of that being said.
You should read it.
I cannot express to you just how big an impact Homestuck has had on internet culture. Even people who claim to hate Homestuck unconsciously use slang that it invented. Its unique ideas on storytelling, character design and narrative chronology have, in both subtle and unsubtle ways, changed the way millennials and Gen Z tell stories.
A lot of people were inspired to tell stories because of Homestuck - one example I always give to Lancer players is that Kill Six Billion Demons started as a comic on the MSPA forums (before it was homestuck.com, it was MS Paint Adventures), so Homestuck is in an indirect but demonstrable way responsible for the existence of Lancer. The sunglasses that Gideon Nav from the Locked Tomb wears have been explicitly stated by Tamsyn Muir to be Dave Strider's. Toby Fox made music for Homestuck, and worked on large parts of Undertale while living in Andrew Hussie's basement.
We also know someone in the Bluey creative team is a Homestuck, because...
There are subtle but direct references in Bojack Horseman, Hazbin Hotel, Steven Universe, Adventure Time - and those are just the ones that it's easy to prove! In a more general sense, I think there's a lot of cartoon series, movies, games, etc. that would either be very different or wouldn't exist if Homestuck hadn't happened.
It's certainly influenced my work.
I think, being very cautious to manage your expectations, that you should read Homestuck. At the very least, a lot of things people say on Tumblr will start to make, if not sense, a different kind of nonsense.
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Name: Hot-Hot Rock Debut: Super Mario Bros. Wonder
You know something I love about the Mario series? Its tendency to use reduplication to put emphasis on certain words. You thought your average everyday mountain was tall? Well this is a Tall Tall Mountain. You've never seen docks quite this dire before! And it's not even just adjectives that get in on the fun! Rock Rock Mountain, Ice Ice Outpost, I love that something can be more "rock" or "ice" than something else. Sometimes a word is so nice, you just wanna say it twice twice.
Hot-Hot Rocks are one of the latest additions to this long-running Mario trend, and also one of our latest Cubic Companions! You know, Blocks are very important to the Mario franchise, but how many enemies can you think of that are blocks...? The answer should be a lot. This was a Mod Hooligon Trick and you may or may not have fallen for it. I can't tell unless you tell me, alright?
Hot-Hot Rocks first appear in the level Hot-Hot Hot! (this is an example of a linguistic phenomenon known as "threeduplication"), where they serve as one of the primary obstacles. As long as Hot-Hot Rocks are Not-Hot, you can stand on them like any other platform. But when they start glowing red, you better get out of the kitchen, because Mario and friends can't stand the heat!
Of course, a little water is all it takes to turn Hot-Hot Rocks into Not-Hot Rocks for good, so spray them with Elephant Mario's trunk or a precariously placed pot of water, and they won't be able to hurt you anymore!
Hot-Hot Rocks have a symbiotic relationship with another new enemy called Kerpop, which will probably get its own post someday, likely courtesy of Mod Chikako. These guys act like Goombas most of the time, but when they touch a hot Hot-Hot Rock, they will pop and begin jumping around! How cute! This attention to detail is what makes Super Mario Bros. Wonder truly special.
That's about all there is to Hot-Hot Rocks, but we're not quite done yet, because this post is about to get all philisolophical(sic)! Because as Weird Mario Enemies, an important part of that title-we-love-to-defy-and-love-bringing-up-how-much-we-love-to-defy-it is knowing what an "enemy" is to begin with. And so we must ask ourselves: what is an enemy? What separates an enemy from an obstacle? And is there even a meaningful difference...?
I can't say I can give you an answer. But I can give you a bunch of thought exercises under the cut! You like those, right?
You do like those! Thanks for looking under the cut, I really appreciate it.
So if we want to have a discussion of what counts as an "enemy" in the context of a video game, we should probably have a rough definition of what we think an "enemy" is in the first place. It's tough to look for edge cases of something that doesn't have any edges.
I personally think a good starting definition is along the lines of "a character designed with the intent of hurting the player," or something roughly like that. And now that we have a definition, we can scrutinize the hell out of it!
On the left we have Thwomp. Thwomp is a classic Mario Enemy. The kind you'd see featured on @regularmarioenemies. We invite Thwomp over for dinner every Sunday, and Thwomp always smashes the dinner table because that's just what Thwomp does. On the right we have Karamenbo. Karamenbo does the exact same thing that Thwomp does, but it doesn't have a face! And despite the fact they act the exact same way, this simple design difference leads to most people considering Thwomp an "enemy" and Karamenbo an "obstacle"!
Is the difference between an enemy and an obstacle really something so simple as having a face? And if so...
What do we make of Lava Bubble, another Classic Mario Enemy that only sometimes has a face? Are they only an enemy when they have a face? Or are they allowed to always be enemies in spite of their occasional facelessness? Or alternatively, are they prohibited from being enemies despite their occasional befacedness? I don't know, and my "the fact I am writing for this blog" tells me I should probably be an expert in this field!
And what about Moonsnake? What could easily be dismissed as a simple obstacle like a Spike Bar is revealed by in-game text to be a living creature! Does this allow it to be classified as an enemy instead? Does something become an enemy just because there's text saying it's alive? Do ghosts and robots count as alive? Is a thorny flower an enemy instead of an obstacle, or does the specific choice of the word "creature" make a meaningful distinction here?
What if I told you there's official text calling Karamenbo a type of Thwomp, does that change your perception of it?
And we haven't even started touching on the idea of whether or not enemies need to hurt you. Let me ask you an important question...
Are Hoppos enemies? They can not hurt you. Whenever you touch them, you just bounce off, and sure, you might be bounced into something that can hurt you, but Hoppo is just an animal. Is it really Hoppo's fault? Could Hoppo be charged with manslaughter for bouncing Mario into a bottomless pit? Are bottomless pits a type of enemy?
Flomps, Bomps, these can not hurt you directly, but they can cause you to get hurt! And they're relatives of Thwomp, too! Do these factors matter in defining them as an enemy? Bomps act basically the same as the Push-Blocks from Super Mario Odyssey, and the wiki classifies those as mere platforms!
Is mayonnaise an enemy? I don't even know anymore!
Basically, enemies are a subclass of obstacle but there's not really a meaningful distinction that separates them. Literally the only thing that separates an enemy from an obstacle is the Vibes. Nothing else matters! Sorry! But what does that mean for our blog...?
Absolutely nothing! As I've said multiple times, we stopped caring about that distinction ages ago. We're hardly even a Mario blog anymore! I just wanted to subject you to my ramblings because I've had this in the back of my mind for a while now and well I had to say it somewhere.
And since I subjected you to several paragraphs of ramblings that amount to basically nothing... am I an enemy...?
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it's a story about hands (reprise)
Yeah, okay, today's the day.
I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.
Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.
Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.
I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that ��fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.
The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.
It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…
…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.
Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:
Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.
Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:
As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,
…but what about the little boy inside Izuku? Who saves him?
This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.
It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.
Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.
As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.
I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.
#lin speaks#bnha meta#bnha manga#bnha 419#mha#boku no hero academia#my hero academia#midoriya izuku#bakugou katsuki#bakudeku#bkdk#dekubaku#dkbk
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I found a new thing that absolutely gets on my nerves.
I was scrolling through the Alastor Aroace tag as you do and I keep seeing people say things like, 'if he's Aroace then why so fruity' or 'how can he be Aroace if he acts like this' referencing to the fact that he is eccentric and silly.
All I can think is, um, why is that important, like at all? I was already annoyed by the fact that people just say someone is gay simply because they act a certain way, that is both offensive to gay people and puts people in boxes, but now it's grown to be more than a frustration.
I mean, do people not see how freaking offensive that is? And it seems as if it's genuine sometimes and even if it's not it's not a funny joke.
What do you mean you don't think he can't be Aroace cause he kicks his feet and drops his wrist? That has nothing to do with sexual or romantic orientation! It's so... It makes me feel like him being Aroace is just a joke to them. That it's more of a silly note the author made than real representation.
Do these people not realize we can see things and that we exist? That, maybe, not every character you find fun and attractive is a gay man?
I just saw a Tiktok where it's like, 'I think he wants a man,' to that one scene of kicking his feet and it pissed me off.
Anyways, I just needed to say that.
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Been seeing a lot about writing Spencer "accurately" online and idk where this wave of criticism is coming from, but I need every single one of you to be so fucking for real rn. Yapsesh below the cut.
Spencer Reid is a fictional character. Fiction means he's not real. He's a not real character from a not real universe. There's no "wrong" way to write a fictional character.
There is no canon guideline on how to write every part of him. Yes there are certain traits and characteristics we're shown, but people are complex. What we see the character do on screen isn't a complete representation of how they live every aspect their life.
Even the show runners couldn't get him "right" all the time, Hell, Mathew himself deviated from Spencer's canon traits sometimes. For example: his birthday, the fact that he's a germaphobe but you can still see him shake hands with characters when he normally wouldn't and there's SO many more if you just watch the show and pay attention.
Also there are things about Spencer that the fandom has deemed canon when they are not, in fact, canon. Like the converse: it's commonly believed that Spencer has a preference for wearing converse, which is wrong. That's a purely MGG thing. Spencer only wears converse in a few episodes through out the whole show. Most of the time he wears formal/work footwear, like loafers.
Now, there are definitely aspects you can't take away from a character in your writing because that's what makes the character who they primarily are. You'll notice that even in most alternate universe stories, Spencer still has the traits he's known for. IQ of 187, eidetic memory, socially awkward genius. That's literally how he was intended to come across during the initially seasons.
We only got new traits as the show progressed. Like how he's a sassy little shit who isn't scared of authority. The reason we can deviate from those is because they're not his core traits. His personality changes throughout the show. At times he appears like his same socially awkward self, but we also get to see his confident side with strangers at times.
It's literally impossible to label him a black and white character because there's so much we don't get to see. We don't get to see how he acts with love interests in every season (every season is a slightly different version from the last), we don't get to see how he acts when he's home alone, how he changes in so many aspects of his life. I think I'm just repeating myself now, but I think you get the point.
I find comfort in Spencer Reid's character, which is why I write about him. He acts however I want him to act in my writing because that's how I see him. Everyone has their own interpretation of the character. A lot of the interpretations share similarities with each other, so they're deemed as "the right way to write Spencer" by us, but that's not possible because there is no right way.
All this to say: Please stop criticising writers for how they write a character. You don't have to agree with their interpretation. There are other writers out there who you may agree with more. Engage more with them and disengage from the content you don't want to see.
#ignore any mistakes I'm so tired rn#; discusses#spencer reid#ssa spencer reid#dr spencer reid#criminal minds#criminal minds thoughts#spencer reid thoughts#the bau team
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Rambling about Marina and Relatability...
I've said in the past that i relate heavily to Marie, but as i think about it further.... I think i relate more to Marina... I just read through this incredible twitter thread by @ _CSenpai_ which i shall leave at the end, but it got me to really think... "huh... Marina is kinda me fr." (Also I'm gonna get pretty personal in this post so keep that in mind too.)
Marina has very serious special interests and clearly spends a lot of time researching and engaging in these interests. She gets VERY excited when someone mentions anything remotely about her interests and takes them seriously. Which is something i do as if someone even remotely mentions Splatoon out of the blue, my chest will go "BZZZTTTT" and i get the tingles and i wanna run around my room.
She's very into machinery, video games, music and manga/comic books. Marina stays up and overworks herself when it comes to music and her interests, which is shown in the dev diaries and chat logs in Side Order and Octo Expansion. This is something i tend to do as well as I consume my special interests way into the night and i can't go to bed because I'm so damn energized. Sometimes i become so focused that i don't even notice that time has passed by for so long and before i even realise it... It's 2pm and now i want lunch.
She corrects Pearl on wizards which reminds me of the kind of stuff i say during my rambles about Callie and her arc in Splatoon 2... I get VERY picky when it comes to people using ahem.... certain words when describing the events that took place.
In the Hero vs. Villain Splatfest, she is the only one who is taking it very seriously while everyone else is smiling or expressing anger.
She's using a god damn GAMECUBE CONTROLLER AND A HEADSET! She's literally me oh my god. When i go over for parties and celebrations and someone brings out a Switch and we play Smash Bros or Mario Kart? I take that shit seriously and i can't tone back my skill level and just have fun.
Also Marina is known to have sensitivity to certain food textures including mayo and pulp in orange juice. Now i LOVE mayo personally but i HATEEEE stuff in my drinks. I am a massive texture eater and i will avoid stuff in food that ruins the texture. When i get pumpkin soup for example, if i see vegetable bits in that shit i will actually feel sick and flick the bits off of my spoon.
Marina is also seen stimming and pacing back and forth when excited. When i tend to get overly excited by myself, i will literally violently shake for a brief moment and then squeal. I'm not joking.
Marina also tends to bottle up her emotions and often lashes out onto others when it's too much for her. Which is something i tend to do... I don't often say how i feel when someone asks how am i and i often wanna scream and break something when the anger is just too much for me to contain. I end up yelling by myself and cuss like no tomorrow. I can find solace in a character who does a similar thing i do, minus the cussing lmao.
I think one of the bigger reasons on why i relate to Marina is gonna be a weird one but... She is almost always seen with her headphones. No matter what situation she is in, she always wears her headphones.
Even when she's Marina Agitando and Overlorder has taken over her body, the Controller VM acts like headphones as it covers her ears!
Now this detail about her wearing her headphones almost often might seem minor, but to me it makes me love Marina even more. I always constantly wear headphones and it's due to various different reasons. First is because i love listening to music and enjoying background noise, second, it dampens the sounds around me as i can be pretty sensitive to certain sounds. And third... well... let's just say that i live with a uh.... loud parent who... gets pretty angry, NOT AT ME! THANKFULLY! BUT... when they scream... and swear... i put on my headphones and wait for the noise to go by. It's a comfort thing for me and helps get through those... rough periods... Marina wearing those headphones often and not being judged for it, makes me feel, happy...
...uh... yeah.
ANYWAYS! Another big thing i relate with Marina on is her want for order and balance in her life. She doesn't like massive changes in her routine and wants to maintain the balance in her life.
i do not like it when my routine suddenly changes and i get upset and angry. I have a strict routine and when it gets fucked over oh MAN OH MANNNN!!!!!!!!!!!
And that last point about feeling safe and secure, as i mentioned earlier with the third point about wearing headphones... I wanna feel safe and secure... I want to feel calm... I don't want someone to suddenly shout or get upset or for my routine to change and i can't do anything about it...
The only thing i don't relate with Marina on is well... Looks. Listen, i ain't no tall black octopus woman with a noticeable figure and a pretty face HAHAHAHA! I find it kind of funny that I'm able to relate SO MUCH to someone like her when I'm some 20 year old dude who looks nowhere NEAR like her. Except for maybe height i don't know.
However, i will say, i actually don't act this excited in person, i tend to be very shy and reserved in person compared to my online behaviour. I say words in a dry manner and i don't have the best social skills. So i guess that's where the relatability for Marie comes in as well. I'm a heavy introvert and despite my need for wanting to connect to others, i would rather stay indoors than go out and meet new people to start friendships or potentially a romantic relationship... like that's ever gonna happen anyways...................
I got two brain cells. It's them.
So anyways, that was all i wanted to say! I love Marina and she's my second favourite Idol, you can probably guess who's number 1 but i ain't talking about... her... well not today anyways.
Thanks for reading!!!
The thread that inspired this blog post: https://x.com/_CSenpai_/status/1367219374948376579
#splatoon#splatoon marina#marina ida#marina#marina agitando#off the hook#pearl houzuki#pearl splatoon#long post#autistic rambling#rambles#ramblings#actually autistic#autism#shes literally me#not my image#marie cuttlefish#marie splatoon#callie cuttlefish#callie splatoon#splatoon 3#splatoon 2
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Stiles Stilinski and Claudia Stilinski are such an interesting dynamic. Only one person commented on the fact that they wanted to hear about this, but that’s permission to me, so yall have to suffer with me. It’s been awhile since I’ve watched teen wolf so my take may be off, please no hate but I’m open to discussion.
Claudia Stilinski is such an interesting character to me. We know virtually nothing about except how she, especially her death and the way she died affects the Stiles and the sheriff.
Stiles watched her die, the sheriff didn’t. Stiles stayed beside her, the sheriff was at work. Both undergo guilt because of this. This is the exact moment when stiles has to grow up - it fundamentally changed who stiles is as a character, it also defines him in certain moment. To me both characters try and keep their connect to Claudia in anyway they can. This is made apparent with the jeep. That’s Claudia car, stiles refuses to leave it even though it’s unreliable. This could reflect stiles relationship or his idea of his relationship with his mother is unreliable. The sheriff connects to his wife via stiles. Stiles real name - his mother gave it to him, he had the nickname mischief but changed to stiles, I wonder why?? Maybe after his mother died. But they can’t in the end, they can’t let go over her but they can’t hold onto her.
Stiles has a lot of trauma response from this moment. He pretends he’s fine even when he’s not, this is a learned response. He obsessively takes care of his dad, wanting to hold onto the last parent in his life. It also feels like a way to hold onto his mother via taking care of his dad. Literally every way that that stiles acts after his mom’s death is becuase of her death. The way that he loves people after his moms death is an effect of the last months of his mothers life and her death. He cares to a point of obsession (one of the reason I ship sterek, I think they’d balance each other out or just be able to understand each other darkness)
His mother’s disease would have taken precedents over everything else. And even after she died, his fathers feeling would have been more important. The Stilinski’s don’t talk about their feelings, they don’t talk about the times when they hurt each other. It’s almost like they can’t, that there is a disconnect. To me this says that Claudia was the emotional support for both of the Stilinski’s men. Don’t get me wrong, this is not hate on the sheriff. He does try to connect to stiles - they do talk each other about other things in their lives.
In a way I can understand Stiles. My father is a cop. The change in shifts and odd hours would mean that sometimes I wouldn’t see my father for days. Add on the fact that He is the Sheriff, whom the show makes it clear take extra shifts - stiles would be alone a lot. To me this means that his mother was his main source of paternal affection. This was further cemented for me when stiles tells his father “mom would have believed me”
When she dies it almost makes it seem that his care was transferred onto Scott. In most cases this would make Melissa a surrogate mother but in the show it doesn’t feel like that to me. Stiles is extremely independent, when his dad was away at work he would take care of his mother, even after her assaulting him. This would fundamentally change the way he interacts with adults, parents, specifically mothers. So I don’t see him grasping onto Melissa as a mother figure.
But also the way he interacts with Melissa, on one hand he’s almost her equal. He takes care of Scott almost as much as Melissa herself does. In a way their interactions feel like two parents talking to each other. On the other hand, it is clear that Melissa take care of him like he’s her son. But to me the only time when stiles reacts to her authority is when she’s mad, sometimes not even than. And the one time when he’s been possessed he calls her mom.
But also it’s made clear that the Stilinski’s don’t talk about Claudia - like at all. In the first season when the sheriff is drunk he says “I miss your mother”. The absolute shock on stiles face when he says that is so visceral. Claudia lingers over the household, not in a way that is a happy memory. she haunts it. After she dies stiles takes her place. The whole scene “how can I take care of you if I don’t know everything about you / I’m the dad, your the son” Stiles takes care of his dad obsessively, in a way that upsets the the balance of a child/parent relationship.
This is further made clear with the hints that the sheriff got major drunk after Claudia died. And that he threw himself into work once he got sober. Stiles effectively took over the household, putting him in the roles of his mother. We also see how the sheriff reacts to this because Stiles plays both the role of his wife and his son, not reaching the expectation for either. Stiles can never be his mother and yet he is her carbon copy. He wants to be her but all doesn’t at all. This dichotomy between the idea of stiles and the idea of Claudia means that she will always be present in the home. The first parent you will see in stiles face is Claudia. She haunts the narrative via her ghost but also via Stiles.
Especially in season three with the nogitsune, especially when it tricked everyone into believing that he’s dieing the same way his mother did. This is the final act of stiles becoming Claudia. The ghost of his mother has never been as prevalent but in this moment. You cannot tell me that his didn’t absolutely destroy the Stilinski households for months, even after they figured out that it was just a trick. To me this was one of the worst tricks played on stiles, because besides losing his friend this is what caused the Most devastation to him and his father. When he gets the MRI done this is when we see the change between stiles and the nogitsune. The demon has enough power to take over even for a few seconds because of this.
Being his mom especially in this connection is what devastates stiles the most. The nogitsune was in stiles head, he knows what would hurt him the most and what stiles fears the most.
Idk this is just my opinion and take.
#stiles stilinski#the way a child should never be a place holder#sheriff stilinski#the dynamic between a haunted space and the person it haunts#the terrifying ordeal of being known#stilinski’s clan put their loved ones above everyone else#claudia stilinski#i’m just delusional#stiles has mommy issues that’s why he’s the way he is#Stiles Stilinski character analysis#Claudia Stilinski Character analysis#I tried to analysis a character#I’m ignoring my connection to the character#character analysis#teen wolf#relationship analysis#sterek
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In fact I have the impression that most fans in this fandom are never satisfied no matter how SC acts, they'll always find something to say. I remember how they behaved towards each other in the early days, and a lot of fans criticized SC for acting like kids and being unprofessional when they appeared at different events and I sometimes felt the same way about certain salacious things that were said to journalists and which they were also criticized for. When SC were very demonstrative with each other, fans criticized them for selling the show, and I even read comments from angry fans on their SM at the time asking them to stop behaving like that and that S wasn't respecting his co-star. Some people tend to forget that today they're no longer in their thirties, 11 years have passed, they've evolved, they've mellowed. S no longer acts like the young boy who fell under his co-star's spell, they've both moved on in their careers and in their private lives. Their goal, I think, is to go on in Hollywood and at least get some good job opportunities, and you don't need to have done advanced math to know that if you act like a kid on the red carpet, it doesn't look serious nor professional. In addition, many fans continue to say that if SC managed to represent Jamie and Claire so well it's because it's real. I'm sorry but SC and JC are two different couples. When S says he's not Jamie and when C says she's not Claire, it's true. Is C a doctor? Is S a fighter? Is S as traditional as Jamie? Are SC as co-dependent? I don't know if you've noticed, but SC have repeatedly pigeonholed this saying that JC are so fused that Claire would even tell Jamie when she went to the bathroom because he'd be worried. S, of course said recently that it's good to play scenes with other protagonists and not necessarily Claire, to which S joked and added : I need some space ok? For me JC's spotless love doesn't represent reality and unless I'm mistaken I don't think SC's daily life is all about living on love and fresh air. I agree with you, though, that there's been a certain distance between Jamie and Claire for a few seasons now so I don't know if it's because they've grown older and wiser, so they're not going to jump on each other like they did when they were young or if it's because the distance SC set up between them for the public is unconsciously transposed to JC . In any case, I think that SC, and maybe S more than C now, have set limits and that when they take part in promotions they remain professional and it's no longer Sam and Caitriona as a couple but Sam and Caitriona as co-stars. For me, fans need to stop mixing the two, also out of respect for the actors. I don't think it does them any favors to dissect their slightest behavior, and they're perfectly aware that every move they make will be observed and commented on, hence the distance S has put up with C publicly. Sorry for my long speech but when I read certain things, I think that some fans and mostly Anons need to stop throwing their own expectations and dreams of the ideal couple onto these two people (SC). On the other hand, SC have allowed some fans to find comfort in JC's love, and we can thank them for that.
Dear Long Speech Anon,
This is, indeed, very long and given my current circumstances, I had to read it twice in a row, in order to make sense of it.
I have to 1500% agree with you when you say two very important things:
'For me JC's spotless love doesn't represent reality and unless I'm mistaken I don't think SC's daily life is all about living on love and fresh air.'
With the amendment that JC's love is not exactly spotless, either. But that is Gabaldon's narrative choice, and as much as I detest her public persona (with a passion, can you tell?) she is queen on her page and of her own creatures. When she created them out of thin air, she assumed complete mastery over their destiny, even if any good writer will tell you that characters do have a life of their own - one of the most exciting mysteries of writing, indeed. Yet, it is ultimately up to the scribe to choose the words and to weave the story as they see fit. But yeah, SC not being a postcard couple is what makes them so damn endearing to me, in the first place, too.
'I think that some fans and mostly Anons need to stop throwing their own expectations and dreams of the ideal couple onto these two people (SC).'
You know, I really try to understand why this happens. There is so much tension and ugliness in this world, that you sometimes need a secret garden of sorts, don't you agree? It is harmless, it brings you solace & comfort, it's just that kind of daydreaming torpor your brain sometimes automatically switches on, in order to cope with hardship. Where I do see a problem, however, is going very vocal and public about it. And even more so, when people start to demand or believe they are owed at least an explanation (if not vindication), when These Two do not fit what definitely is to me a terrible, syrupy scenario.
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give me the Sol good & bad endings in detail pretty pls 💖
sol as a character is defined by the crows and the blight, so here’s a spread of what i might have to work with
some bad sol endings:
crow version: the Widow Dellamorte. sol commits to being first talon lucanis’ right hand, but fail to protect him when the rest of the crows go to war with the ascending dominance of the dellamorte-de riva-cantori block. desperate to cling to whatever they have left of him, they allow themself to be possessed by spite—a fuller meld than spite/lucanis ever was, more in the anders/justice style—and become a vengeful winged monstrosity effectively haunting the dellamorte villa. black veil over golden heavy armour. for now, they still recognise their friends
blight version: the blight finally catches up. sol was intensely careful about fighting the blight right up until the final days, where there was nothing for it but to cut blindly into blight cysts. obviously it’s awful and pointless for them to suddenly die after all that, which is why i think we should at least explore the possibility. for awful and pointless drama. the ending they were kind of hoping for, just when they no longer want it??
alternate blight version: okay this isn’t an ending per se but i still think ghilan’nain should have gotten to turn them into a sick crow-themed blight monster at some point, as a special treat. this can also be a neutral or good ending depending on how much of themself they retain and how much of a monsterfucker lucanis is. sorry for saying that
some neutral-ish sol endings:
crow version: the First Talon’s Executioner. this is the version where sol goes back to the crows and it’s essentially business as usual. i can’t imagine this as good, but with their renewed appreciation for what they have and the lifetime of focus and activity ahead in order to just keep their heads above water, it could be survivable. and lucanis is there. but then i think about how permanently damning the step is where you start raising the next generation for it and i feel a bit sick
blight version: warden sol! sol finally gets up the nerve to cut ties with the crows, making the necessary choice for themself even if it means losing the people they love most. they take the joining and build what life they can alongside davrin, evka, and antoine, slaying darkspawn and finding a new path for the wardens following the tracks of a changing blight. it’s ugly and terrifying and hard, full of horror they never get used to, that will still be making their skin crawl until the day it kills them and drags them down, far from the comforts of home. but as a life, it is, at least, theirs to choose
some good sol endings:
crow version: a newly re-energised sol takes their place at lucanis’s side but considers things in ways they never could have before. why does going back to the crows have to mean they’re locked in place? they aren’t the underdog just clawing for survival that they once were, and they don’t have to act like it. they can do better! they have viago and teia and lucanis and people listen to them. if the dread wolf can change, can’t the crows? through a certain connection via the wardens, they make a contact who has very interesting ideas on the crows’ future
blight version: sol accepts they can’t stay with the crows, does a whole tear-stained confession to a shocked and distraught lucanis, and walks away. they settle into helping davrin, evka, and antoine against the changing blight. nobody actually requires them to take the joining because, hey, they’ve already gotten rid of more than enough archdemons for one person (showoff), and sometimes it is actually helpful for them to do their crow thing as the combatant the darkspawn can’t sense coming. maybe a year or two later, the world’s most miserable first talon (“they don’t even let me do my own assassinations anymore!”) quits his job, thoroughly disappoints his grandmother, thrills his demon, hands all his power to teia, and shows up somewhat nervously with as many antivan delicacies as he fears forgiveness will require
#veilguard spoilers#sol de riva#in the last one sol would have not even a thought that forgiveness is required here#it’s actually assan you have to placate lucanis. good fucking luck he’s up to your shoulder now
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@toaverse made a great point that now that the writers and animators are speaking out, it's clear the Arcane team did not collectively agree on key parts of their storytelling, such as the dynamic of JayVik, and it actively harmed their storytelling further.
With the confirmation that Christian didn't see JayVik as romantic, but the animators said they specifically animated certain JayVik scenes to be romantically intimate, it made one of my thoughts clearer.
I'd argue that most of the praises people have about the series are because of the animators and despite the writing. But some fans are conflating the two.
Writers tend not to be heavily involved in the animation process unless they have multiple roles in a production process that would require them to be present for the long, large team process that is animation. Sure, showrunners and producer positions (also sometimes the writers) will likely check in on progress, writers might provide early rewrites (but idk how often that happens in animation & how the writers strike impacted writing this season), provide insights to the team, or give feedback at most. But they aren't overseeing every detail in a way that the animation team does. An animation team of many people ultimately has a vision to stick to, every tiny detail to consider, and a lot of work to do in limited time. People are right to say literally everything is intentional in animation.
Writers do block out some of the exchanges characters should have on screen, but in animation, you can tailor those blocking and interpretation details even better than you can in live action movies and TV.
All those tiny details, looks, body language of characters between spoken dialogue? Because of the animators.
All those Easter Eggs in the background? Because of the animators.
The blink and you miss it details that people only pick up for 3 frames and dissect like it's the Bible? Because of the animators.
The lingering glances and touches demonstrating the nature of characters' relationships? Because of the animators.
I hated the writing leading into that sex scene, found it to be very wattpad-y, and the timing for CaitVi intimacy at that point of the plot made no sense. BUT the choreography and animation for a lesbian make out scene seemed respectful, accurate, and not exploitative. That's because of the animators.
The character design details, even down to Vi still wearing the enforcer belt during her emo phase or Ekko and Jinx having matching paint designs in the Act 3 final battle? Because of the animators.
Very creative ideas like Jinx and Ekko's 4 frames per second dance in the AU? Because of the animators.
I'm noticing most of what people are praising about this show and having fun dissecting are certainly something the animators/ a design team executed, but we don't know if they were the writers' decisions. Some fans that think season 2 is perfect or amazing are assigning that credit to the writers when it's not certain these small details that they use as proof were the writers' decisions. It's especially uncertain given recent confirmation online that the writers' intentions and animators' executions contradicted each other, resulting in creative interpretation disconnect.
It's clear from the many plot, character, and pacing issues of season 2 that the writing fell flat in multiple areas. Yet as a member of the arcane critical community, I could tell the animators did their absolute best and remained the "attentive to detail" group we knew from season 1. Thank you, animators 💞
#arcane critical#arcane season 2#arcane criticism#arcane#the animators knew their shit#but the writers didn't
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White Knight Time Travel idea : People are suspecting..
Jaune and Weiss are at the Vytal Festival , each one with their respective teams , their mission has gone..well.. so far. Even without trying to change so much some things never change like Team CVFY and Prof.Port saving the city or Ruby meeting Penny...
But that doesn't matter compared to the titanic work they would have to do during this specific moment..it was now or never
~Weiss Side~
Ruby:WE DID IIIT!!!!....Anyone esle is starving?....
Weiss listened to Ruby and Blake's chat from the side , each time they have this small moments the more she thinks how everyone took Beacon's days from granted
Having to relieve the fight against Team ABRN made her notice how..unprepared they were ; even herself with her "Competent" perfomance wasn't still not enough to face that monster..
Weiss..
The Grimm entering Beacon..
Weiss..
The Witch's inner circle playing right under their noses..
WEISS..
Pyrrha and Penny along many other students being casualties of the..
WEISSS!
Weiss:W-W-What?!
Yang: Your scroll is ringing , shouldn't you answer it?
Weiss noticed her scroll , the contact named "FATHER"..
Right..her time at Beacon was almost up..
Weiss:I will call him later , thanks for making me know Yang..
The Blonde Brawler has noticed her friend weird..this last few day , she can't say why..but it's there , spacing out of chats most of the time or reacting to certain words like Destiny , Maiden or even mentioning locations like Haven Academy can get her all shaky
Right now Ice Queen is looking at her Sis talking with Emerald and her silent friend like she's trying way too hard to keep herself civil , her face may not show it but that tense posture and hands behind shouted something was wrong
And to say the last person she saw acting this way her Dad after..her Supermom left was all she needed to know , Ice Queen's hiding something and she will find out
~Jaune's side~
Jaune did miss Beacon , the academy.. , but coming right back wouldn't make it any better..quite the contrary it shows him how somethings must remain as memories..
The Vytal Festival just started and the mood seems festive enough for him to enjoy a little. Children playing around , teens being themselves truly a moment to breathe fresh air
Miss : Gather around as I tell the story of the Girl who fell through the World!
Jaune tenses hearing that , it's just a woman reading a story to a bunch of kids..nothing dangerous..
Yet..
He takes a look at his armour , clean not rusted..his face is still young and Crocea Mors is still complete..
Ren: Jaune?
Jaune:W-What?!
Nora: You have been standing there for a while , did the story peak your interest? Alyx's story is a classic! The Curious Cat is my favorite character! So mischevious!
If looks could kill , Nora's smile would have been erased a while ago..
Jaune:That Cat is nothing but troubles..
Nora:What? Don't tell me you are a fan of the Red Prince? Or the Rusted Knight?
Sensing hostility , Ren tried to change the topic..
Ren:Why don't we go with Pyrrha? She's saved us a nice spot in that Mistralian restaurant.
Both teammates agree , Nora leaves because she has won another petty argument..but Jaune seemed so personal about it..The Girl who fell through the World is just a Children's story..why is he so defensive about it?
Lie Ren is someone who can read the room quite well and to his knowledge..there's something wrong with Jaune..
He acts like..an adult sometimes , there's nothing wrong with that but it seems off..
Even their stategies , they are a group of Four , Team JNPR..but Jaune always acts like only Nora and him are part of the team
Ren even hears his silent sobs when he has nightmares , the words "Cinder" "Kill" "Penny" "Pyrrha" is all he has as evidence , trying to make sense of said word it would be something like
Cinder will kill Pyrrha and Penny
That sounded so..dumb , Cinder is a student along her team but he would ask Jaune later right now they have a fight to win
👀👀👀
So many of these WK Time travel asks are from their POV, I LOVE this look into their friends’ view
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I'm actually so tired of these surface level readings and interpretations of Vickie.
I'm not about to argue Vickie has been developed well so far, okay? We barely saw her, and we still haven't been told much explicitly about her, and I hate that, I wish they payed more attention to her since she's their only canonically bi character (so far) and she's going to be partnered with one of the main cast, not to mention she's half of their only sapphic relationship. It SUCKS.
HOWEVER.
Calling her just a carbon copy and saying Robin "deserves" a better romantic plot is ridiculous??
How can she deserve a better romantic storyline when we haven't even seen all of it yet? We are at the beginning of their plot, we know there's more to come and we can be pretty certain they're going to progress into a proper relationship, or at least admit feelings for each other. I wish we saw more of them in s4, but we can mostly gather where they're going with the next season based on circumstance and how the characters have interacted with each other so far. That kind of Joyce/Bob dynamic of one of them not knowing anything about the upside down I think is such a sweet concept for Robin? It could bring out new sides of her if she's the one guiding Vickie through all of it, or even trying to keep her away from it. Obviously if you don't like that you don't have to, but saying she should have something "better" really sounds like you've not even thought about it.
Then saying she deserves better because Vickie is just a carbon copy of her is actually so silly to me, she deserves better than someone who understands the way her brain works and can relate to her? Robin's friends love her and care about her, but ultimately they don't know how to handle her sometimes. Vickie sharing one trait with her that will make both of them feel seen and understood is not lazy or boring, it's normal and even beneficial for partners to share traits like that.
The "carbon copy" thing really needs to stop because you sound five years old I'm sorry. They both ramble and they're both in band. Yet they dress totally differently, have different taste in movies (or are we all forgetting Robin likes classic black and white movies while Vickie watches raunchy movies about teenage sex), even speak and act differently despite sharing the rambling thing.
Most of Vickie's character is in the subtext (which I hope will be expanded on s5), but from what we've seen of her she does have some traits that don't seem to be in Robin's character (some things Robin does or the way she acts being a direct result of upside down monster hunting capers, whereas Vickie just does it on her own). To me they're pretty distinct from each other while sharing some essential traits they can connect on.
If that's just not what you like, that's okay! Ship what you want to ship, like who you want to like, but just put a bit more thought into it if you're going to tell people why you hate rovickie for the millionth time. It's okay to have a preference, but don't speak as if you're making a profound point about sapphic representation when you yourself aren't looking that much into it.
#i'm sorry this got ranty#certain people been trying to agitate me recently#and i caved like the weak shit i am#opinions are opinions not facts#both robin and vickie have adhd change my mind#and we're saying that's a BAD thing?#let my audhd4adhd gfs live#stranger things#vickie stranger things#give vickie a last name#rovickie#rockie#robin buckley
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Meet Sebastian Stan, the actor who plays Donald Trump in The Apprentice
From Gossip Girl to Marvel Studios, to more independent productions: Sebastian Stan's career has been a roller coaster ride. During his visit to the Deauville American Film Festival, Vogue met the actor, who at 42 years old won a Hollywood Rising-Star Award.
BY LOLITA MANG
On October 9, Sebastian Stan will be Donald Trump in The Apprentice. Some know him for his role as Carter Baizen in Gossip Girl. Others, for that of the Winter Soldier in Marvel productions. But recently, the American actor, of Romanian origin, has ventured into more independent fiction, which sheds a new light on his career. At the Deauville American Film Festival, he came to present A Different Man by Aaron Schimberg, in which he plays Edward, a young disabled actor who decides to change his appearance to, he believes at the time, improve his life. On the contrary, this transformation marks the beginning of his fall. An antagonist role such as he has long played on our screens, and which he continues in The Apprentice, presented in May 2024 at the Cannes Film Festival, and directed by filmmaker Ali Abbasi. So many elements that made us want to talk with the 42-year-old actor during his visit to Normandy, where he was awarded the Hollywood Rising-Star Award. As proof of the new direction taken in his career, today considered by the proponents of European cinema, perhaps, let's confess, more snobbish than their American compatriots.
Vogue. Gossip Girl, The Covenant, The Apprentice or even Captain America: The Winter Soldier … Your filmography is full of antagonists!
Sebastian Stan: A lot of things came to me, other roles, I pursued them. What I am certain of is that I never wanted just one type of role. I wouldn't go so far as to say that I refuse the more traditional hero roles, which I also find very interesting, even difficult in some ways. But it's true, I've always been curious about the idea of playing complex characters, full of flaws. Sometimes, they are the antagonists. Often even! What interests me in human nature is the duality. We can be extremely good to each other, as we can become horribly evil. Life is more complex than that, there are not good guys on one side, and bad guys on the other. Each of us is capable of the best as well as the worst. The antagonists, in my films, offered a great potential for acting that I enjoyed exploring.
Even Edward, your character in A Different Man, seems consumed by envy.
Probably the most complicated character I've ever played! But he's still so realistic in so many ways. I was just talking about this: I hope a lot of people get a chance to see this movie because it's really about acceptance and truth. Someone asked me what I think are the most important human characteristics. I said: values, the relationship we have with ourselves, and how we treat others. When I look at younger generations growing up today, especially with social media, people are almost forced to be followers. Fewer and fewer people are brave enough to express their voices in a unique way to fight against conformity. When you look at a character like Edward, you understand that better. We've all lied to ourselves at some point in our lives. We've all wanted things we couldn't have. We've all envied the person next to us. I wouldn't go so far as to say that this film is a fable, but it has this ability to make us look inside ourselves, and ask ourselves: "What makes me different?" Rather than trying to be things that we are not.
For the first time, with A Different Man, you are putting on the producer's shoes. Why?
I found myself much more invested in the film. It was a very unique experience, which I had not anticipated, I must admit. When I met Aaron Schimberg, the director, at the very beginning of the process, we formed a great connection, and we tried to sell the film together here and there. He welcomed me with open arms in this collaboration, included me in all the conversations about the feasibility of the project. For example, I was the one who suggested that he watch the film Julie (in 12 chapters) because I think Renate Reinsve is incredible in it. I was even able to help with the prosthetics that are used in the film, as well as on the shooting. Let's be honest: it was a complicated shoot, to do in a very short time. Only about twenty days. As an actor, I worked harder, I didn't count my hours. As a producer, I helped Aaron Schimberg make the film as he had in mind. I learned a lot from A Different Man, that's for sure.
Does this mean you're going to try it again?
Oh yes! There are several projects that I have my eye on at the moment… But it’s very difficult to make films, which you probably know here in France. A film like A Different Man, honestly, if A24 studios hadn’t intervened, I’m not sure we would have managed to make it. The United States is not like France or the rest of Europe: there is not the same support allocated to the film industry from institutions. There are no dedicated funds, it’s up to you to manage on your own. When you fight for a film, in addition to playing in it as an actor, it’s both exhausting, but terribly rewarding.
It’s a role for which you were awarded a prize at the Berlinale , and tonight, you’re going to receive a Hollywood Rising-Star Award here in Deauville. At 42! That’s joyful!
I know! I'm a 42-year-old emerging actor, I should say that in my speech... The thing with this industry is that you're constantly growing. It's true, I'm 42, but for the first time, I feel like I'm learning very important things, that I wish I had known much earlier! It was a strange year for me, between the Berlinale, the Cannes Film Festival, Deauville ... For my two films, The Apprentice and A Different Man, I felt real support from the European festivals, very prestigious ones at that. It was very special for me who had never experienced that before. And then I have immense respect for European cinema, which for me is synonymous with real work and authenticity. Here, if people don't like the films, they're not afraid to say so! So that my films have been so well received here, it means a lot.
You are European yourself, you grew up between Austria and Romania…
That’s right. I lived in Romania for the first eight years of my life, and then in Vienna for four years. Coming to the United States in the mid-1990s was a turning point in my life. There, I had opportunities that I would never have had in Romania. That’s why I’m so interested in the idea of the American dream, which is reflected in many of my films. A Different Man and The Apprentice both explore it, in their own way. I think the central question of both of those works is: “When is enough enough? How far can we go to get what we want? Why do we always want to win?” Coming from Europe, where the philosophy is almost the opposite of that, helped me in many ways. I don’t know if I would have approached my roles in the same way.
In A Different Man , you don't speak much, but the physicality of the role is evident. How did you work on it?
Luckily, I was there from the beginning of the shoot. Our makeup artist, Michael Marino , who was working multiple shoots at the same time, would put the prosthetics on me very early in the morning. So I had this time before the shoot where I would walk around the streets of New York with this face that is not mine, and see the reactions of the people around me. It was scary, and enriching in many ways. It helped me understand what it meant to live in the shoes of a man like Adam Pearson, because I wouldn't have been able to realize it otherwise. Adam was very honest with me and talked to me a lot about his experiences, which helped me a lot. And then as an actor, I myself live this strange phenomenon of being recognized on the street every day. I don't have a private life. I sometimes feel like I'm some kind of public property: people can film me and do pretty much whatever they want.
Let’s talk a little bit about the Donald Trump you play on The Apprentice . How does one prepare for such a role?
Playing a real person has its pros and cons. The advantage, with people as famous as him, is the amount of archives available. Videos, articles, documentaries… you have plenty to study the character! But there is a problem: you have to find a place to insert yourself, as an actor. A real challenge, which I like to welcome without really knowing if I will succeed. That is part of the problem that faces me! But that is precisely the reason that makes me want to take on this kind of challenge. Telling myself that I can't do something only redoubles my desire to succeed. When you play a completely fictional character like Edward, it is up to you to build his story. How did he get there? That is what I am constantly looking for.
The Apprentice by Ali Abbasi with Sebastian Stan and Jeremy Strong, from October 9, 2024 in theaters.
A Different Man by Aaron Schimberg with Sebastian Stan, Adam Pearson and Renate Reinsve, coming soon.
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Hello AGAIN Nyx 💗💗 Idk if it's too much pression for u (i'm kinda worried idk) to make a request now that you just finished the others requests, but if it isn't too much i wanted to do a req :(
Bsd with a completaly nerd m!reader, like literally an "☝️🤓" irl, they are like a human wikipedia about something they like sm, principally about old games like gameboy or an unknow hq like ranfrem (idk if you got my point but yeah), and also they wears glasses and braces because yes?! I think it fits lol. Dazai, Ranpo, Nikolai Yosano and Kunikida pls?
Also i wanted to ask if you pretend to write to more fandoms if that's ok ^-^
-☠️🎀 anon
multiple characters headcanons!
"nerd."
characters: dazai, ranpo, nikolai, yosano, kunikida x gn!reader
author's note: motivation sparked up a single bit so i'm gonna write this(i hope everyone's doing well^^) and this was made with m!reader in mind but it's pretty much gn anyway
๑ Dazai
-this man would legit not leave you alone even for a second no matter what
-when you get into arguments with people about whatever he always tries to awkwardly drag you away like "okay that's enough more fighting--" with a smile on his face
-honestly just punch him in the face if he insists on something like "2+2=5" just to annoy you
-he likes how smart you are but likes taking advantage of it a lot too
-he has asked you stuff like "if we jumped down from this building together now, and the wind blew towards the east, where and how fast do you think we'd fall while hugging eachother?" in the middle of a date(the people who heard him got fucking concerned)
-if you answer him in any way he's gonna get super giddy and ask more questions
-and if you don't answer him he'll also ask more questions
-and yes he would love to try on your glasses everytime he sees you and yes he will show you his hand asking how many fingers you see
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✷ Ranpo
-you two are the perfect pair and you can prove me wrong
-whatever you're into being smart about, trust me he's into it too
-proving people wrong TOGETHER is the perfect date idea
-if you two are arguing about some random philosophical question tho then it's very difficult because both of you have proof and you both won't accept defeat
-in the end you'll probably have to flip a coin
-he always says he's heads and you're tails because he always believes he's right
-and when the coin lands on tails aka you, he starts to whistle and look away like they do in cartoons
-loves your glasses and will buy new ones for you every now and then
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⑅ Nikolai
-literal hell with him but he acts innocent once he angers you
-you start telling him about how he can't appear out of nowhere and hug you because what it you're writing some important papers one day and you can easily fuck everything up
-but he'll just smirk at you after your whole scolding and say "but i'm too pretty to wait for you."
-if you argue with other people he'll agree with you and argue with the person as well even tho he has no idea what you're saying and sometimes he says dumb stuff like "yes it's exactly how [name] said because the grass is green!"
-makes you feel like you should kick him out of your house at times but then again he'll just teleport back into your bed under the covers and you'll see him there smiling at you "hi i was cold."
-hides your glasses on purpose and loves when you get mad at him for that
-you'll get them back at night only if you cuddle with him so fuck it
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✿ Yosano
-it annoys her sm sometimes but she just accepts it
-arguing with random people about random things is very annoying to her tho so she'll just get you away from that person hoping you'll stop being irritated
-she's gonna listen to all of your rants and everything you know a lot about certain subjects but she won't let that go on forever
-like if it's late at night she'll just tell you "goodnight." and turn her back away from you as a saying of "enough, go to sleep."
-she just agrees with you whenever you try to argue with her opinion or thought because she seriously has no time to listen to you prove everything to her
-and she'll keep your glasses clean, buying you new ones if anything happens to the other ones
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✯ Kunikida
-the BEEF you would have with this man unless you agreed to every single word he said
-like if a math equation has more possible correct answers you two are gonna argue for a few hours about why, how, and which answer is the truly correct one
-but when other people argue with you he's gonna start helping you in your argument at first but he WILL get you both away after it gets too repetitive and dumb
-he'll always listen to your rants and all ofc unless he spots something wrong with what statement you said and he'll correct you immediately because yes
-what i'm saying is that it's either super easy or super complicated between the two of you
-oh yeah and glasses are no issue for either of you so if he feels nice he'll buy you new ones
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okay
i hope you liked it
damn i miss writing
| @mariaace <3
#bsd#bungou stray dogs#bungou stray dogs x you#bungou stray dogs x reader#dazai x reader#ranpo x reader#nikolai x reader#yosano x reader#kunikida x reader#dazai osamu#dazai osamu x reader#nikolai gogol#nikolai gogol x reader#ranpo edogawa#ranpo edogawa x reader#yosano akiko#yosano akiko x reader#kunikida doppo#kunikida doppo x reader#bsd fluff#· nyx's bsd hcs *.✧
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*Rant Incoming*
Warning: Tired & Emotional Author did not check for emotional errors. This is not the usual “facts & research” essay. It may feel attackish. It may feel like a targeting accusation. I guess, in a way, it is. I apologize. But I need to speak.
Sometimes I wish I could be that creator.
The kind who can say mean, hateful things about RISE and walk away. The kind that can go in depth to explain how truly bad Splinter is and how furious Leon makes me and how the way the Foot are portrayed feels like a betrayal to the Foot’s history and everything else cringy or mortifying about that series.
But I can’t. Because that’s not fair.
Because if I spent every single day hating on Rise when I remember something that upsets me, everyone would be rightly upset.
There are people out there who adore this show and I’m just sitting here going through every reason why their favorite thing is stupid.
That doesn’t seem like a nice thing to do by any means.
Just because I have an opinion doesn’t mean I have to share it.
Just because I dislike a character design or certain aspects doesn’t make the show as a whole an inherently awful show. Heck, (as an example, not a truth) just because I dislike every single thing about a show doesn’t make the show itself inherently awful!
I think we should be able to agree on that for any tmnt iteration.
So why is it that 2012 happens to be the favorite outliner?
Why is it that I can’t go a week without someone reminding me how inherently awful and disgusting and terrible it is? Why is it that I’m biased and nostalgic and that’s the only reason that I could like the show, and one day, I’ll have to take a step back and realize how awful it is? How abusive and cringe and stupid it is?
Some days I get online after long, stressful days to indulge and relax and maybe even write- and then someone comes up to tell me how dumb or horrid my love for the show is. And I don’t even want to do any of that anymore because a part of my brain is looking at the screen and wondering, “Maybe they’re right.”
And then I’m miserable because I know that’s not fair.
Why do you get to stand in the way of what I love? Why can’t you talk about the series that you love and adore, and just ignore 2012? What joy do you get out of tearing down the one thing that keeps me sane?
It isn’t like people are sitting down to explain anything. To acknowledge character development or changes or to explain the inherently abusive things the ninja family does and take into account their heritage and bond and then reason why it’s still bad.
It’s always the same things.
“The brothers are so horrible and abusive-”
Great, so don’t watch the show.
“The love triangle is so cringe and Donnie is a creepy stalker-”
Great, so don’t watch the show.
“Splinter is literally The Worst example of Splinters in any iteration-”
Great, so don’t watch the show.
“Leo is so boring and stiff Ugh I can’t believe season three exists-”
Great, so don’t watch the-
“Raph is so mean and cruel and he always takes it out on Mikey-”
Great, so don’t watch-
“Mikey is a poor baby who has never done anything wrong and just likes playing around and doesn’t deserve anything that his family ever throws his way and it’s like they aren’t family at all-”
Great, so-
“That isn’t how REAL brothers would act.”
Great.
Just. Great.
Thanks for sharing.
#I’m going to have to step away from media at this rate#I need a serious cleansing because I am going insane#I am way to high strung these days and this is not helping#teenage mutant ninja turtles 2012#rise of the turtles#rise tmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#tmnt splinter#splinter 2012#teenage mutant ninja turtles#tmnt donnie 2012#2012 donnie#tmnt raph 2012#donnie 2012#tmnt leo 2012#tmnt 2012 donnie#leo 2012#raph 2012#tmnt 2012 raph#tmnt 2012 mikey#2012 mikey#tmnt mikey 2012#tmnt 2012 leo#2012 leo#mikey 2012#raph tmnt#leo tmnt#leo hamato#raph hamato
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Can I request general hcs for Wukong and Red Son crushing on a reader who uses a female reader?
little crushes
— wukong & red son x fem!reader
yessir, yesSIR !! apologies if red son is ooc, still not confident in writing his character <//3
;; romantic, no warnings.
WUKONG
- he is in DENIAL at first.
- he's found people attractive before, sure, but he's never had a crush on someone.
- doesn't know how to act, and may distance himself in an act of rash panic—he's scared of losing you as a friend, or getting too close and dealing with the loss of a mortal loved one.
- once he starts coming to terms with the fact that he likes you, he's scared.
- scared that getting too close to you will have you in danger of people that he regrets messing with, scared of eventually losing you and dealing with that pain, scared that you don't like him back.
- thankfully, he only really gets lost in these thoughts when he's alone.
- around you, he'll be a lot more touchy than he already is.
- loves wrapping an arm around your shoulders, or picking you up on his somersault cloud.
- if you're around when the Spider Queen attacks, or the Demon Bull King goes on a rampage, he's hauling your ass to safety.
- but when its more calm, and he has nothing else to do, theres a good chance that he'll drop by your house to freeload off of your snacks—definitely not because he desperately wants to spend more time with you.
- we all know that this monkey is LAZY, so he will be laying across your couch, packet of chips in hand, watching a movie based off his self, and living his best life while you're sitting there like,,, 'man? don't you have humanity-saving to do?'
- MK will absolutely notice how clingy his mentor is to you, and will not be ashamed to bring it up during one of his training lessons.
- Wukong will deny everything he says with an obvious blush across his face.
- but the young successor will try his best to play wingman, but he's not exactly subtle about it.
- cue him slyly walking up to you, like, "so, uh... what're your thoughts on Monkey King? brave, cool, handsome guy, right?"
- he will probably be the reason you two ever get to together, he'll accidentally end up confessing FOR Wukong.
- this monkey is so obvious, no one understands how you DON'T realise his crush on you.
- the way his face turns red when you wear a dress for a fancy occasion, or when he tells a joke and that harmonious laugh you have captures his heart.
- he will do ANYTHING to keep a smile on your face.
- unintentionally uses pet names on you, "hey, peaches—" "what did you call me?" "uh, n-nothing, nothing."
- if you let him, he'll love playing with your hair and styling it.
- human hair feels so different to monkey hair, it feels more fragile and delicate, soft and silky—plus, it smells nice.
- you get bonus points if your shampoo/conditioner is fruit scented, you'll catch him sniffing your hair and holding himself back from rubbing his face in it.
- please brush his hair, too, he'll fall more in love with you since its common for monkey's to show affection by picking through each others hair.
- he gets a little protective sometimes, as once certain demons realise his feelings for you, you'll become a target of kidnapping and being used as bait for their attempts at attacking the Monkey King.
- but, since you two haven't acknowledged your feelings for each other, you aren't as protected as you would be if you were his outright girlfriend.
- so enemies like the Spider Queen or the Lady Bone Demon, possibly even Macaque at one point, would definitely take their chances in taking you in their grasps to get a one-up on Wukong.
- and its probably during one of these moments, after he saves you, that he'll properly confess how he doesn't want to lose you because he loves you :))
RED SON
- this spicy boy—oh my goddd.
- immediately assumes he doesn't like you.
- thinks his crush on you is a feeling of annoyance, it will take him a while to realise its quite the opposite.
- since he thinks he 'hates' you, he'll spend a lot of time bickering back and forth with you, uselessly throwing insults around.
- its not until he doesn't see you for a while, whether its because he's busy with a project, or you've taken some sort of vacation, that he realises he misses his interactions with you, that he misses you.
- he'll be a lot nicer to you afterwards, which gives you a bit of whiplash.
- i feel like he'd be the type to buy you gifts and nice things, like he'd anonymously drop a pretty red dress off at your doorstep, or he'd give you a necklace claiming he just "happened to find it, and thought that it complimented your eyes".
- way to not be obvious, red boy.
- but he'd still playfully argue with you, he just wouldn't outright insult you as much.
- if you're friends with MK and go on his adventures with him, whenever Red Son goes to insult that group as a whole, he'll be like, "you guys are all insolent peasants... except you".
- i reckon he'd be reluctant to tell his parents about his feelings, and probably has a hard time on himself, thinking that he should've fallen in love with another demon, powerful enough to assist his family.
- but he forgets about those worries when he's around you <3
- when neither of you are busy, he just 'so happens to be in the same place as you, at the same time', an excuse he uses too many times for it to be a coincidence.
- you're out in the markets, just wandering around? he was in the middle of shopping there, himself!
- taking a stroll in the park? oh, he had just taken a step outside to clear his mind!
- at Pigsy's Noodles? he was on his way to conduct an 'evil plan' on Monkey King's successor!
- during the Spider Queen's attack, when the Demon Bull King was possessed by the Lady Bone Demon, he might come to you for comfort at first.
- definitely focuses on keeping you safe, though—no way in hell is he letting you be turned into a spider.
- you're definitely one of the very few people who help him with his temper.
- he doesn't lose it as quickly around you, instead, finding you rather calming, and often seeks you out when MK has gotten him particularly annoyed, or if his parents have upset him.
- will shy away from your physical touch, but deep down he does kind of crave it.
- is the type to blush if you brush hands walking past each other, or if your fingers touch when passing him an object.
- and my god—if anyone dared to flirt with you or look at you a little too non-platonically... he'd go off at them, yelling at them to respect a lady such as yourself, calling them a peasant for their advances on you, etc.
- and you're standing there like,, 'all he did was compliment my dress and wink at me'.
- if anything, you'll probably have to be the one to confess to him that you love him, but i can see him confessing his love after some pushing from other people ahem, MK, ahem...
- he'd act like it was a proposal, getting down on one knee or something <//3
- i said it before and i'll say it again, his love languages are gift giving and acts of service!!!
- expect plenty of gifts (probably more expensive ones, too), and inventions that will either, 1.) look really cool, or 2.) protect you in some way.
#lmk#lego monkie kid#red son#sun wukong#monkey king#red son x reader#sun wukong x reader#monkey king x reader#— fawns fics#romantic#headcanons
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