#but does not necessarily know how to get down

[dukeofankh]

I mean, nothing I said was suggesting that nothing can or should be done. I have a couple things I can think of but people are already rightly pointing out that my experience, like all experiences, isnt universal. Calling out a shallow take isn't something I'm doing because I'm so so wise and I know how to fix everything.

I have heard the take that part of the fix for this will probably be a lot more white men with podcasts, and that is almost definitely *part* of the fix. It is legitimately difficult for young men to find content about random ass basic hobbies that isn't being served to them by low-key fascists. That needs to change. When talking with other progressive men, something that came up a lot was after school programs, especially ones that bring boys in more contact with their communities and expose them to different kinds of people in positive ways. Hate breeds in ignorance and isolation.

You already seem very anti-terf, which is great. That is also part of it. I don't honestly think that women are the cause of this problem but like, in terms of fixing this and convincing men that feminists are on their side, yeah, some small part of it is probably looking at the state of feminism currently and recognizing that it has devolved in many very public online spaces into reactionary gender essentialism and that radical feminism takes up a lot more air than anyone would like to pretend it does. "Sure I wholeheartedly reblogged something that claimed that any man who seems decent is just trying to let women's guards down to make it easier to assault them, something all men are trying to do to women at all times, but that's just venting. Ignore that broadside that me and my friends just unloaded on you and everyone who looks anything like you, if you think that your hurt feelings about that matter, that's on you for not recognizing that our pain justifies saying literally whatever we want" (to call up a random example) is certainly a standard that it is possible to enforce in some more isolated corners of the internet, but there has been a serious breakdown between the personal and the public, which is hell for messaging as a movement. This is no longer drinks with friends, this stuff gets broadcast worldwide to men who are trying to get a sense of what feminism is about. At some level, what is cathartic to say will have to give way to what is tactically wise to announce. The only men who will willingly share space with that sentiment if it is core to this movement are either convinced that they are personally exempt from examining their own privilege, which is its own problem, or men who agree wholeheartedly that all men are evil, them included, and are trying to atone. I've interacted plenty with both in male feminist spaces. It's not a winning team. I am aware how hard that will be. 4B type political lesbianism/lesbian separatism seems to be having a moment (at least as a meme) right now as people process their grief in this moment. That's understandable. But it's not wise.

Considering this is happening in the wake of the US election, and I'm saying this as a Canadian, it's also worth gently and precisely noting that even if the harm is the same, someone who voted for trump didn't necessarily do it because they despise women. If we're just looking at the raw numbers and saying "we're doomed", that's probably not helpful or, luckily, accurate. The project of changing the cultural narrative is huge and depressingly long. The rise of reactionary right wing populism when a society starts failing its young people economically isn't. That is a different, and much easier project. If you don't want people to vote for right wing populism, you need to give them left wing populism, and infiltrating the democratic party and pulling all the same tricks the right did but towards economic policy that will provide the next generation of men with the opportunity to own homes and pull their weight supporting families will do a hell of a lot more in a much shorter time than systematically changing each and every man's heart, especially considering a lot of the people who voted for trump weren't men. This project will outlast us, but MAGA doesn't have to.

If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.

"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.

Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.

Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.

You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."

Problem with that being:

1: Many feminist men also have no friends, see the atomized society above.

2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.

3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.

4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.

I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[janeyseymour]

A Piece Of Paper

Summary: You and Melissa have been dating for a while. Marriage isn't necessarily the plan. Who needs a silly piece of paper to solidify the relationship anyway?

WC: ~4.2k

After dating Melissa Schemmenti, second grade teacher at Willard R. Abbott Elementary School, for about a year, the two of you decide to finally jump the gun and move in together. It took a bit of convincing on your end, but eventually, she welcomed the company and companionship that you brought with you. Living together didn’t mean you were married after all. 

You’ve been living together for two years now, dating for three. It’s a nice situation to be in. Neither of you are particularly ready to get married, each of you for your respective reasons. The topic had come up when you moved in, and you came to an agreement that you were more than satisfied just being partners… life partners. The weekday routine of waking up together, occasionally showering together before getting on with your days, breakfast, heading to work, coming home to your person, and then relaxing before heading to bed and starting the cycle all over again is warm enough. But your weekends are always slow, steady, full of comfort and contentedness to do everything or nothing at all. This relationship that you have with Melissa is all you’ll ever need in life- married or not.

It’s a day where you have off and your girlfriend conveniently has a professional development day that, while you are still more than content with your lifestyle how it is, Melissa’s thoughts and views begin to change. 

Because Ava doesn’t have anything against you (you would even venture to say the principal of your girlfriend’s school likes you), you’re able to enter the school during lunch hours and share a meal with your girlfriend and her coworkers. They all adore you, but it does confuse them how someone like you could be dating someone like the redheaded woman. You’re calm and level-headed, and they’ve seen Melissa in her fits of rage. Regardless, they support your relationship wholeheartedly and eagerly.

“So,” Jacob hums loudly as he practically stares down his two coworkers that he’s closest to. “Does anybody have any big news to share with the group?”

You just roll your eyes in good nature at the secondary education teacher. He’s always so nosey, but he means well. You steal another bite of your girlfriend’s lunch, despite the fact that you have the exact same dish in front of you.

Janine and Gregory each share a look, before the shorter woman breaks out into a grin. “We actually do have some news… Thank you, Jacob.”

Jacob looks quite proud of himself, and it’s immediately clear to the rest of the room that this was an orchestrated act.

“So, Janine and I were talking last night, and…” Gregory nudges his girlfriend.

Janine holds up her left hand, and there’s a sparkling ring sitting on her ring finger. “We’re engaged! We’re getting married!”

Immediately, the group of teachers erupts into cheers, shouting their congratulations. It’s all a bit hectic for a few minutes as everyone tries to get a glimpse at the rock before it dies down.

“Damn, Eddie,” Ava looks him up and down once she’s seen the ring. “If I had known this is what I could’ve gotten, I woulda flirted with you way harder than I did.”

“And I would have happily reported you to HR,” Gregory replies with a satisfied smirk. “But thank you. I did what I could.”

“As you already know,” the second grade teacher smiles and claps her hands together. “Abbott is family to us, so of course you’re all invited to the wedding. We haven’t set a date yet, but we’re thinking sometime next year?”

“We’ll all be there, sweetheart,” Barbara puts in warmly. “We’re all very happy for the both of you. What a wonderful step the two of you are taking.”

You don’t think you’ve ever seen Janine so excited, and that woman is always practically bouncing off of the walls with energy.

But then the naive and in love woman looks to you and Melissa. “When do you think the two of you will be getting married?”

“This is your day,” you tell her gently. “Let’s keep the attention on you.”

“But I’m curious!” Janine argues. “I mean… I would love to have a double Abbott wedd-”

“Yeah, no, kid,” Melissa cuts in. “I love ya, don’t get me wrong, but I would rather die than have a double weddin’.”

“Besides,” you say as you lay a gentle hand on your girlfriend’s knee. “We don’t really see a need to get married. We live together, we’re happy together, and we don’t necessarily see the need to have a piece of paper solidify our relationship. But we are truly so happy that the two of you have decided to tie the knot.”

The rest of lunch is buzzing with questions about the engagement and talks of what Janine has already mentally planned for what she and Jacob are describing as ‘the wedding of the century’. Gregory just looks at his fiancee with a love in his eyes that you recognize as the way that Melissa looks at you. Every once in a while, he will interject his opinion though because some of Janine’s plans are a bit over the top.

“Hun, we can’t afford that,” the man says quite a few times. “Not on our teacher salaries.”

His objections don’t deter her in the slightest. She just smiles at him and nods along, claiming she’ll find a lower budget option with the same amount of pizazz. You listen, quietly amused, while your girlfriend takes in the conversation around her. For once, she doesn’t offer up any sarcastic quips. You chalk it up to her not wanting to ruin the moment for Janine and Gregory, but what you don’t know is that Melissa is deep in thought about engagements and weddings, marriage. The way that you so casually explained that you probably would never be married struck a chord in the redhead. She almost sees it as a challenge now to get married.

After about fifteen more minutes of chatter, the teachers have to find their ways back to their classrooms for the rest of the day to prepare and go through the rest of their data while you have to find your way out of the school.

“I’ll see you at home?” you ask sweetly.

When your girlfriend doesn't quite respond, you set a gentle hand on her shoulder. “Honey? I’ll see you at home?”

Only then does Melissa seem to understand that you’re speaking directly to her. “Y-yeah. I’ll see you at home, mi amore.”

She kisses you warmly, and then you grab your purse and exit, calling goodbye to your girlfriend’s coworkers as you make your way out.

You’re lounging on the couch with your book in hand when Melissa comes into the house from work. She kicks off her shoes, and she’s practically straddling your lap before she even drops her bag on the floor next to you.

You kiss her back passionately before pulling away with a giggle and a rosy tint to your cheeks. “Oh!” you giggle out as she continues to chase your lips. “My love, not that I’m not enjoying this, but what did I do to deserve this greeting?”

She doesn’t answer, instead just kissing you with desire and hunger- she’s being greedy. You can’t do anything but give in to what she wants, but air quickly becomes a necessity.

Her eyes are blown wide with lust for you, but you know you have to get her to talk to you before you can do anything else. “Baby? What’s going on?”

“I’m just so damn in love with you,” she mumbles as she starts to graze your neck with her lips and teeth. 

That’s all you need to hear before you allow her to lower you to a laying position on the couch, throw your book haphazardly, and have her way with you.

It’s a bit later that your legs are still shaking just slightly, but you’re clean and your clothes are back on. Your girlfriend just nuzzles into your hold, humming as she cards her fingers through your hair gently.

“My girl,” she whispers as she dots a few sweet kisses to your head. “Mine.”

“That I am,” you chuckle softly, still in somewhat of a haze after the mind-blowing couch sex. “What’s got you acting like this?”

“Just a day,” Melissa tells you as she kisses you again on the lips. Then she sighs. “Can we just call for delivery? I’m exhausted, an’ I don’t feel like cooking.”

You don’t quite know if she’s exhausted from the professional development day, or if she’s exhausted from the effort she just put in to satisfy you, but you hum and nod your agreement.

“Chinese?”

“Chinese,” you agree.

As you’re waiting for the food to come, your girlfriend decides that she needs to shower. You lounge in the living room, feet tucked beneath your figure, when your phone begins to ring. It’s your mother. Of course it’s your mother. With a heavy sigh, you reach for the ringing device on the coffee table. 

“Hey, Ma,” you answer.

You can hear how delighted she is that picked up. “Hey, sweet girl. Just calling in to check up on you. It’s been a while since I’ve heard from you.”

“I called you yesterday,” you deadpan.

You can practically see your mother shrug into the phone. “And a lot could’ve happened in a day!”

You can’t help the laugh that comes tumbling out of your mouth before you begin to fill her in on your day. You tell her how you were off from work so you were able to sleep in, and then you went to Abbott for lunch with your girlfriend.

“Oh, and how is Mel?” your mother asks.

“She’s good,” you promise. “Tired after today, so she’s in the shower, but I’m sure she’d tell you hello if she were here.”

“Good. The two of you need to come up for dinner sometime soon. Your dad and I aren’t getting any younger, you know.”

“I’ll talk to her,” you promise. “Oh! You know what did happen at the school today?”

“What?” It’s clear that your mother is intrigued. She’s been to Abbott as a guest reader in your girlfriend’s class, and has therefore been privy to the redhead’s coworkers. 

Melissa exits the bedroom, wet hair still clinging to her pajamas when she hears you talking to who she can only assume is your mother on the phone. Usually, she would walk right into the room, calling out a greeting as she takes her place beside you. But something in her stops herself, and she listens to your words just out of eyeliner.

“You remember Lis talkin’ about her coworkers, Janine and Gregory?” At your mother’s hum, you continue. “They got engaged. Wedding next year.”

“Oh how wonderful for them. Let them know I said congratulations,” your mother smiles into the phone. “Hey, when can I expect the two of you to finally pull your heads out of your asses and get hitched already? I want grandkids, you know.”

“Ma,” you sigh and roll your eyes. “You know Lis and I aren’t really planning on getting married.”

“And why would that be?” your mother pries, despite the fact that she’s well aware of the reasoning. 

“Because,” you chuckle. “I’m in no rush, if at all. And Lis has done marriage and divorce before. She don’t want to get married again, and that’s more than okay with me. Besides, we live together. She’s practically my wife as is. Who says we need a silly little paper to tell us that we’re together forever?”

“All I’m sayin’ is, I want grandkids. And you could use the insurance from the school- yours is shit. You can only claim it if you’re married. And, God forbid anything happen to either of you…”

“Ma, we already have all of that sorted out,” you try to reason with your mom. “We’re in a place where we’re content. I wish you could be happy with how we’ve chosen to live our lives.”

“I am!” your mother protests. “You know I adore Melissa, but I want grandkids!”

“I can give you grandkids without being married, Ma. But don’t hold your breath. I’m in no rush to have kids, if I have any at all. And Lis is practically a mother to twenty five children as it is with her job.”

Something in your mother finally gets her to relent. “I suppose I’ll just have to move onto your sister.”

“Yeah,” you snort out. “You do that, Ma. Just don’t tell her I sent you her way.”

“Oh, you know I’ll be sure to tell you you sent me to her,” your mom teases you.

You roll your eyes. “How are you and Dad?”

Melissa sees this as a good opportunity to enter the room, with your mother telling you about her day and what she and your father got up to today.

“Ma?” she whispers. You nod, and during a brief pause, the redhead calls her greeting into the phone.

“Mel!” your mother grins into the phone. “How are you dear?”

“Just fine, Nel. Tell Rick I said hey too when you get a chance.”

“I will dear,” your mom promises. And then she’s off and telling you more about her day. She chatters on for a few minutes before the doorbell rings. It’s your food.

“Ma?” you interrupt her gently as she tells you about the chronicles of her canasta game. “I hate to go, but our food just got here, and I’m starving. I’ll call you soon, yeah?”

Melissa stands to answer the door as your mother reluctantly lets you go, but only after quite a few promises of calling her again soon- coming up for a visit.

The redhead is already sorting out your food from the bag when you’re finally able to end the phone call, and she looks to you with a smirk. “Just a catch up call?”

“Just a catch up call,” you groan. “Woman acts like she hasn’t talked to me in years when I called her yesterday. She says to tell Janine and Gregory congratulations by the way.”

Melissa nods and hands you your pair of chopsticks and food before grabbing her own. You gently drape your legs over her lap with a smile, and green eyes are rolled fondly.

“So, anything else happen once I left Abbott today?” you ask.

Your girlfriend huffs. “Yeah. Loads of bullshit, that’s what happened today.”

She launches into some story about Ava and the data analysis, how the way that they retained their reports was deplorable- a school to prison pipeline really. You can’t help but chuckle at the way she explains the details, loudly and with lots of emotion. Your eyes go soft as you remember just how in love you are with the woman in front of you. The way that she cares about her students and her employment so much is… she goes above and beyond, really.

“Oi,” Melissa nudges you. “I’m over here talking about the school to prison pipeline, an’ you’re giving me lovesick puppy dog eyes. What the hell?”

You lean up and kiss her sesame chicken stuffed cheek gently. “I just love how passionate you are about your job and your kids. It’s really admirable. I wish I cared about my job that much.”

“You know what else I’m passionate about?” your girlfriend chuckles quietly and winks at you. Then she wiggles her eyebrows.

“Jesus, Lis. Always thinking about sex,” you roll your eyes, but a smirk is evident on your face.

“You’re sitting here in booty shorts and a sports bra with your legs draped over me, and I’m not supposed to be thinking about sex?” Melissa challenges.

“We had sex before the food got here. Eat your dinner,” you roll your eyes once again as you pick up another piece of broccoli with your chopsticks. 

The two of you finish you meals in relative silence as the television plays softly in the background, your girlfriend in her head and thoughts about what had been revealed earlier that day in the staff room, and then what she had overheard while you were on the phone with your mother. 

It’s not much later that the two of you are heading to bed, and Melissa just can’t keep her hands off of you- and not in that way. You know that you were joking about sex earlier, but you’re both so exhausted you don’t even know if you could manage right now without falling asleep. Her arms are just wrapped around your frame as you brush your teeth, as you comb your hair and take off your makeup. Her chin rests gently against your shoulder blade, and you feel a soft kiss being pressed to it. She doesn’t detangle herself from you even as you make your way into the bedroom. The only time that she lets you go is when you crawl into bed. Still, almost immediately once you’ve settled under the covers does she attach herself to your side again. Her head rests gently on your chest, red hair splayed out underneath of her.

“I love you,” Melissa whispers softly.

You press a warm kiss to her temple, muttering out a soft, “Love you too, Lis,” before you allow your eyes to flutter shut and sleep to take you away.

While you’re sound asleep, your girlfriend stays up for some time thinking about everything that had taken place today. Is… should the two of you get married? Your mother made a few good points. She knows you want kids at some point, and being on her insurance would probably beat the shitty insurance that the district offers her. And God forbid something happen to her, she would want you to be taken care of- you would get the house, her belongings… everything. But what you had said was true- the two of you were practically married as is. You’ve been together for three years, you live together, you’ve been through good times and bad. You don’t need a paper to prove to the world that you love each other.

But… she finds that she wants that stupid piece of paper. Melissa realizes that calling you her partner, her girlfriend, the love of her life that she isn’t married to just isn’t enough. She wants to have the privilege of introducing you to new people as her wife, as Mrs. Schemmenti. And she can’t do that if the two of you aren’t married. Silently, she decides that she might just have to fix this situation she’s found herself in.

The two of you wake up in a warm and sleepy haze. Melissa’s arms are wound tightly around your waist, her face practically in your chest from when you had turned in your sleep. Your legs are tangled with hers, and you’ve never woken up so warm and light.

“Good morning,” you whisper as you kiss her nose softly.

She just smiles. “Waking up next to you everyday, it’s always the best part of my day.”

“Stop trying to charm me,” you chuckle. “You already got the girl, and there’s no way that my bedhead and morning breath is the highlight of your day.”

Green eyes are soft and full of love as she looks into your own. “I promise you, my love.”

You lean in to kiss her.

She’s clingy the rest of the day, like how she was last night. And while it’s not unwelcome, it isn’t quite like your girlfriend. Yes, she likes to touch you- she’s usually not all that far from you while you lounge around the house on a lazy Saturday, but today you can’t seem to escape her hold. And if you do, it’s because Melissa is up and getting you a cup of coffee, grabbing the television remote from the other side of the couch, or she’s draping a blanket over you when you shiver. But as soon as the task at hand is complete, she’s right back to you- arm draped over you, kissing your head, tracing patterns on your thigh as you read, just simply enjoying your presence. 

You let her do this in silence- you don’t mind it. But it does confuse you. For the morning, you simply chalk it up to still being exhausted from the previous day, but even a time where she should be refreshed and back to her normal self, she isn’t.

Finally, around two in the afternoon, you can’t quite keep it inside of you anymore. You have to know why she’s acting like this, and without an apparent reason.

“Lis?” you crane your neck to look at her. She’s currently sitting behind you and massaging your shoulders as you watch television.

She answers by dotting a few kisses to the slope of your neck.

“Lis,” you repeat again, and you have to fight the moan that wants to come out of your mouth. Her hands and lips are almost irresistible. “Honey.”

“I love you,” she whispers against your skin.

“I love you too,” you smile softly and turn in her arms. “But babe, I gotta ask: why are you so lovey today?”

“Am I not allowed to spoil my girlfriend?” Melissa asks you.

You chuckle and kiss her softly. “You definitely are, but… I’m not forgetting an important day for us or anything, am I?”

“You think I need a special day to show you how much I love you?” she retorts.

You shake your head. “Well, no, but-”

“I love you,” your girlfriend tells you. “That’s all.”

You chuckle and kiss her again. Although you don’t believe her, something had to have happened to have her acting like this on a random Saturday, you relent. “Okay, honey.”

You let her continue to be clingy- it’s not like you mind it. Melissa is always so hellbent on showing her tough side, and you absolutely melt at being privileged enough to see the walls come down and her heart show. She continues to shower you in words of affirmation, and the look in her eyes is a look of love, but it’s different from the usual love you see.

The two of you are cooking dinner in your loungewear when she takes hold of your left hand. She brings it up to her lips and kisses your ring finger specifically.

“Lis?”

She just hums in response before pulling you in close and continuing to tend to the pot that she’s stirring.

“Honey?” That was odd.

Melissa looks to you. “What?”

“What was that?” you ask with a raised brow.

She smirks at you before casually replying, “I think your left hand might look better with a couple rings on it, don’t you think?”

“What?” Your jaw drops at her words, spoken as if she was telling you about the most mundane things in life, not marriage.

Melissa kisses the side of your head. “I’ve been thinkin’.”

“Clearly,” you chuckle softly.

“Can I admit somethin’ to you? Without you gettin’ mad?”

Your brows furrow. “What did you do?”

Your girlfriend’s hands immediately go up in surrender. “Nothin’ bad, babe. I just… with Janine and Gregory getting married, your words about not needing a silly little paper did something to me. And then… yesterday when you were on the phone with your ma, I may have heard you tell her I was practically your wife anyway.”

“You are,” you confirm. “But I know you don’t want the legalities of it all, and I’m okay with that- I told you that when I moved in.”

“What if- what if I don’t want just ‘practically’ no more?” she asks hesitantly. “What if I want it officially, and to be able to introduce you as Mrs. Schemmenti, my wife?”

Your eyes widen slightly. “I mean…”

“I’ll put it to you this way,” Melissa sighs softly. She pauses to stir the contents of your meal again. “When… when I married Joe, I knew it wasn’t the fairytale I imagined as a kid. So when it didn’t work out, yeah- it sucked. The circumstances made it suck a lot more. But… I don’t feel that way with you. I feel like everyday is a dream when I wake up beside you. You’re the… the miracle I’ve been waitin’ on.”

Tears begin to spring to your eyes at her vulnerable and meaningful words. “R-really?”

“Really,” she whispers as she kisses your head again. “An’ I’m not sayin’ we need to rush anything, but I… I think we should think about next steps. Ring shopping, an engagement, maybe a small, low-key wedding?”

You nod against her. “I- I think you’re on to something.”

When Monday rolls around and Melissa, now your fiancee, walks into the staff room of Abbott Elementary with a sparkling ring on her finger… well, she can only smirk.

“I guess I want that stupid piece of paper after all.” And then when she sees Janine’s face, she quickly adds, “And no- we will not be having a double wedding."

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[eddiethebrave]

secret admirer part twenty-five

1043 words

one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty twenty-one twenty-two twenty-three twenty-four

That morning…

Eddie it really sucks that you’re the only you  other than the fact that two eddies would be amazing on it’s own, i realized that you don’t know how it feels to have your attention it’s so intense dude you’re so intense in the best way, of course i can only hope that i get to experience that feeling more in the future maybe in the present, too p.s. i got your book again yesterday, here’s hoping second time’s the charm -H

Yesterday, Eddie thinks, he should have been more present and paid attention to what H’s note said. He’d sort of gone into tunnel vision when he’d been - however jokingly - accused of not understanding one of his books. It kind of made him wish for the first time that he could talk back. He’d contemplated just walking up to Hagan during lunch, but decided not to. He wouldn’t want to make anyone suspicious of the guy, no matter how much of an asshole he tends to be to everyone else. Eddie just isn’t that kind of person. 

The audacity of a jock who’s admitted to only reading books for school - and for Eddie - to allege that Eddie needs to read a book more than once in order to understand it. 

Has he read all of his favorite books more than once? Yes, but that’s only because they’re his favorites!

And does he notice something new nearly every reread? Also yes, but he chooses to believe that’s what Tolkien intended. It’s like a scavenger hunt of foreshadowing and little things to get excited about even when you know the ending. 

Anyway, Eddie is decidedly less preoccupied today and he’s been wondering what book H is reading.

His curiosity leads him to venture into the school’s library before he heads to the lunchroom. 

He tries to recall which books he’d checked out the last couple of months. Once he’s compiled his mental list, he tracks them down one by one. Eddie checks the card that’s in a pocket inside the front cover of each book on the off chance that Hagan’s name is logged on any of them - it’s not. 

Eddie does find it interesting, though, to see a pattern in a few of the names he does see. Those that pop up multiple times are mostly people he recognizes from Hellfire.

He slowly eliminates each book until he’s left with one that’s not on the shelf. The Return of The King. The last book in the The Lord of the Rings series. 

Most staff - like the students - at Hawkins High aren’t very happy when they see Eddie ‘The Freak’ Munson approaching them. The school librarian isn’t one of them, though. Eddie’s been traipsing through this library for the better part of four years. 

Before he’d procured his prickly personality and style as a defense mechanism to the hostile environment of high school in rural Indiana, Eddie found shelter among the creaky furniture, shelves lined with books, and Ms. Hewitt.

She’s seen his sorry face more times than you can count and has always greeted him with a smile. Today is no different. 

He asks her about The Return of the King.

“Someone beat ya’ to it. Nice young man, he was.”

And while Eddie wouldn’t necessarily refer to Tommy Hagan as nice, he would for H. 

Eddie thanks and bids her farewell and then he’s off to lunch. 

He’s still having trouble conflating Hagan and his better half as the same person. 

So, H read the last book of an already complicated series without any backstory. No wonder he was so fucking confused. Eddie laughs to himself just imagining it. Against his better judgment, he’s hopelessly endeared. 

He’s late to lunch, but it’s not as if he was planning on paying for what the school thinks passes for food, anyway. 

When he takes his seat at the head of the table, Jeff places an apple from his homemade meal in front of him without even looking his way or pausing his debate with Gareth (the freshman who’d flipped Eddie’s world upside down by unknowingly revealing H’s identity as the one and only Tommy fucking Hagan).

Eddie absentmindedly munches on the fruit as he takes up his usual lunchtime hobby of gazing at a certain jock’s table. He finds it sort of odd when Harrington - Steve - forces Hagan to play musical chairs or some shit, but Eddie’s not intrigued enough to care, really. He does catch sight of Hagan’s red face and clenched jaw, though. If he didn’t know any better, he’d think the guy was pissed. 

The change of seats provides Eddie with something more worthwhile to look at, so he’s not complaining. Steve seems in high spirits, and Eddie feels his own mood brighten in return.

When their shared elective comes along, Eddie finds himself jittery as he awaits the boy’s arrival. It makes him feel sort of silly, but not enough to lessen the excitement when Steve finally arrives.

The jock takes his seat between Eddie and Carol and turns to greet the latter.

“Carol, Robin.”

“Steve,” the girls say simultaneously without looking in his direction at all. Eddie doesn’t pretend to know what’s going on there, and he honestly doesn’t want to.

Steve then turns to his left to face Eddie, and the last thing he needs is to be limited to the same dry conversation - if you could even call it that - so he cuts him off once he starts.

“Ed-”

“Steven Harold Harrington III. How now?” Eddie has never been the best at English accents, but he figures it gets the point across just fine.

Steve’s face splits into a grin before he forces his expression into a stoic one. He continues to adopt the most heinous English accent Eddie has ever heard - including his own. “That’s His Majesty Steven Harold Harrington III to you, Edwin,” he says snottily.

Eddie can’t help but break into his own grin. Never mind the fact that Eddie’s name isn’t fucking Edwin, but Edward. Few people embrace his antics, let alone engage in them. 

Eddie is so gone on this boy. He was kidding himself thinking he could stay away. 

Steve Harrington might just be the end of him.

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[rawbin-hsr]

Hi! Could i request Feixiao, Boothill, and Argenti with a s/o who has panic disorder (or panic attacks in general). Just generally how they react and such :)

@dragon-anon

A/N: Surprisingly I found this a little difficult IUESJhief I have a lot of experience with. having anxiety when I was younger. I think I was even diagnosed with it at some point ? Which is weird because I’m not diagnosed any longer and I no longer really get anxiety attacks so idk what the fuck that was erm. Anyways that’s beside the point. I really struggled to make Feixiao and Argenti different because I think they would handle it similarly (hence why Argenti’s part ended up so much shorter than the other two, cause I didn’t want to just. Repeat Feixiao’s whole part.) and I’m a little worried Boothill is ooc because I haven’t done the new quest and it seems like it showed a lot of his backstory so forgive me if I’m not up to date on that. Sorry about rambling I’ll get on with it now help

Reader has an anxiety disorder

Characters: Feixiao, Boothill, Argenti

Cw: anxiety/panic attacks (descriptions kept brief, not very detailed), slight mention of self-harm inflicting behaviours in Argenti's part (only reader unintentionally scratching themself, not necessarily done out of a desire to harm oneself).

Lmk if there's anything else I should add !

────── ⋆⋅☆⋅⋆ ──────

╭──────────.★..─╮ Feixiao ╰─..★.──────────╯

Oh she’s great 

Amazing at picking up your signals, amazing at assessing what course of action would help you most, amazing at following through with it

She can tell what sets you off, even without you telling her, and she has a lot of firsthand experience with handling other people’s anxiety (both from more intimate relationships and from soldiers she doesn’t exactly know on any personal level). It’s not hard for her to figure out what calms you down most quickly. 

Your episodes have never been shorter than they are with her around 🙏🙏

I’m not sure exactly how I imagine her handling it, because I think it switches a lot depending on what she knows about you. If she knows you find physical touch comforting, she’ll hold you and gently talk you down. If you’re the type who doesn’t need much reassurance, she’ll firmly remind you of where you are, that she’s with you, that you’re safe, etc, etc. She’ll find whatever solution works best for you. 

Apart from being great with damage control if you do have a panic attack, she’s also pretty good at preventing them from happening in the first place. 

If she recognises you’re stepping into an environment you’re likely to have an attack in, she’ll either steer you out of it if she can or she’ll make sure you’re in there for as little time as possible. Like, for example, if you’re bad with large crowds, she’ll usually just find a less packed road to take around the mass of people.

Obviously it’s unavoidable sometimes, and she won’t always be able to adhere to you completely because she does have a very important job that she can’t really put on hold for your sake, but like I said, she’s great at handling it then too. 

If something needs to be done but you can’t do it, she’ll do it for you (after gently trying to encourage you to face your fears and do it yourself — but she does quickly relent if she notices you really, really don’t want to)

10/10 would recommend she’s amazing

╭──────────.★..─╮ Boothill ╰─..★.──────────╯

I feel like Boothill would be absolutely dogwater at preventing any anxiety attacks from happening, but he’d be great at stopping them once they do happen

Like obviously he won’t trigger you on purpose but he won’t tiptoe around the things that put you off either. Both because he doesn’t usually have much choice in the matter considering his line of work, and because he believes in exposure therapy. And because he maybe sort of kind of forgets. 😭

But he’d be great while you’re in the middle of an anxiety attack ! So that counts for something !!!!

He always manages to snap you out of it pretty quickly. Takes you out of the situation once he recognises the signs that the attack is coming, then gets you present in the current moment again. How ? That’s very simple. He confuses the fuck out of you

You know that tip about making someone having an anxiety attack bite into a lemon ? Yeah

(If you haven’t heard about it: a way to snap someone out of a panic/anxiety attack can be to make them lick a really sour lemon without any warning. The sensory input is really overwhelming and the person having the episode might be so shocked by it they kind of just snap out of it because who the fuck makes you taste a lemon when you’re at your lowest like that ???)

You’re curled up in a ball, hyperventilating because there are too many people, too many sounds, too many what-have-you ? Not anymore, now you’re too busy being confused and lowkey angry at him for shoving an ice cube down your throat. Like wtf are you doing my guy

Usually his little stunts do the trick to get you out of that headspace, and then he can just verbally talk you down so you’re nice and calm again. Will let you cool off while he solves whatever issue it was that led to your anxiety attack. Don’t worry about it anymore, he’s got this. 

If he can’t confuse you out of it, though, he’ll just do whatever you’ve instructed him to do while lucid. If it’s hugging you and talking gently until you’re calm, he can do that. If it’s to just take you into a quiet space and let you ride it out, no problem. If it’s to just continue on and let you just stand next to him, sure. 

Only thing he won’t do is to avoid your triggers altogether. He can give you a heads-up when possible, he can let you sit it out if you really need to, but he won’t (in his words) “baby you”. In his opinion, you’ll never get over it if you just avoid it forever. 

He says it in a kind of harsh way, but there’s genuine care in his tone and his expression, so you know he doesn’t mean it like that. 

All in all I think Boothill is really great if you’re the resilient type and you have the kind of anxiety that can actually get better through treatment, but if you’re sensitive and need someone who actively helps you avoid your triggers I definitely wouldn’t recommend him 😭

╭──────────.★..─╮ Argenti ╰─..★.──────────╯

Obviously amazing at handling it is there anything he’s not good at ? 🙄 (/j)

He immediately becomes very serious when he realises your control is slipping, falls silent and looks at you worriedly. He recognises surprisingly quickly what’s happening, and steps into your field of view and crouches down, makes sure you can see his face. Takes both of your hands in his, wishes he didn’t have armour so he could let you feel his heartbeat.

He calmly talks you out of it. He sounds so sure of everything he does, to a point where you’ll question afterwards if he has firsthand experience with this. 

(He does. He used to experience a lot of anxiety and panic attacks as a child, it is only natural when you grow up surrounded by war; you’d never guess just looking at him now, though.)

He’ll obviously switch how he handles your panic attacks if you ask him to, but his default is to hold your hands (both to prevent you from accidentally scratching yourself, and to remind you he’s there) and to softly reassure you

I think he becomes sort of hyper aware of what triggers you, and does as much as he can to avoid it. Lowkey starts to baby you a little, but just a little, and even if it’s annoying it’s done with love, done out of a desire for you to be happy. It does put him in some tough spots though, considering it means he sometimes tells you to sit an adventure out, but the plan was for it to have the both of you and it’s harder to handle a lot of things alone 😭

Overall super good though I love him <3

────── ⋆⋅☆⋅⋆ ──────

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3

[halfwayhearted]

Hi girl i love your work sm,

would you be able to do one with marc bernal and he’s really touchy with the reader and he’s just obsessed with her and has to be near her all the time

tysm xxx

For Lovers — Marc Bernal.

Pairing: Marc Bernal x Fem!Reader

Summary: Marc won’t leave you alone, you don’t really mind.

Word Count: 700+

Disclaimer/s — Just tooth-rotting fluff, uh. Freak yeah.

A/N: Thank you so much!!! I love you and I loved this request. BOOOOM SHAKALAKA. YES GAAAAWD. I’M SICK.

The night was going smoothly. You’d invited Marc over for a night in, something you two often liked to do. With him having to practice and travel, you would take whatever time with him you could get.

Lifting your head up and off his chest, you’re met with a disappointed groan. “What’s wrong now?”

“You’re moving. Why’re you moving?” He asked.

“You’re not bored?” Your tone was confused. All you guys were doing was watching movies. How was he not at all bored? “Let’s make some food?”

Food. Okay, he could eat. “Yeah, let’s do that.” And with that, he reluctantly releases his hold on you and moves to stand, his hands not wanting to be off you for long. When he helps you to your feet, his hand rests on the small of your back for whatever reason. This was your house; he didn’t necessarily need to guide you, well, anywhere.

Once you both enter your kitchen, you open your refrigerator and glance at whatever ingredients you spot first, hoping that the second you lay your eyes on something, a recommendation will pop into your mind. That’s what you always did.

Thankfully, it does! It’s simple, but it could work. “So! How does a quesadilla sound? Is that good?”

“Mhm,” Marc hums, his gaze trained on yours like he was following your every move. It makes you nervous. You know you should be used to it by now, although you don’t think you ever could be.

Taking out everything needed, you switch on the stove, your body turning to face him while you wait for it to heat up. “What’s next on our list? We could start a show and only watch it when we’re together. I have a bunch that we could start.”

The boy tilts his head. “Yeah? Tell me about them, then we can choose,” he says, leaning against the counter. Again with the eye contact. Oh… okay.

“Well—” you found yourself unable to even start under the intensity of his gaze, and you swallow. “Can you, uh, can you grab the cheese for me?”

He doesn’t answer you, but he follows through with your request. That’s when you start to speak. “Oh, wait! We can watch ‘Outer Banks’! Have you heard of it? About the treasure and all that?”

Yes, he has. You seem excited to talk about it, so he finds himself shaking his head no. Setting the cheese down next to the stove, he’s already by your side, his hand finding yours on the countertop, fingers drawing shapes. The first being a heart. Then, he flickers his gaze to yours, watching how you talk about how the show has been on your ‘must watch’ list for a year, you just never had the chance to go through with it.

“Marc? Are you even listening to me?” You laugh.

That’s when he blinks. How long have you been finished explaining? “Yeah. Yes. Let’s watch.”

“Perfect! Just give me, like, ten minutes. You can go sit down if you want. What drink would you want? Look in the fridge and let me know, ‘Kay?”

“I’ll wait. I can wait for you,” he shrugs. “Tell me more about the show. Or is that all you know?”

“That’s all I know. We can talk theories about it?”

The sound of his laugh is like music to your ears, tugging the corners of your lips into a soft smile. You don’t know why he’s laughing. “How can we talk theories if neither of us have watched it?”

Your eyebrows pull together at that, and suddenly you’re frowning. “Fine. Let’s talk predictions?”

“Let’s talk predictions. How about you start," Marc suggests. Of course, he’d want you to start. You just never really know why. Not that you were complaining or anything, though.

To him, it was just so he could hear your voice. Yes, he listened. He always listened. The fact that he could listen to you ramble on and on for probably hours and still be able to repeat and ask questions made you want to do nothing but tell him how deeply in love with him you were.

And he’d want nothing more than to do the same.

Likes, reblogs, and comments are always appreciated ^_^.

DT(s) — @planetpedri + @spidybaby + @sakashq ! ౨ৎ

[mistriavalley]

Okay so I’m loving your smut headcannons and at the bottom of Sam’s you talked about the idea of both Sam and Sebastian fing the farmer. If you’re comfortable w it I would LOVE to know what you have to write about it. Lots of love♥️♥️

Sam's fantasy (Sam x Sebastian x afab!farmer)

Note: This is based on my Sam smut headcanons. You don't necessarily have to read those, but they will give you some context, because I'm basing these headcanons on those

TW: 18+ MDNI, smut, threesome, masturbation, everyone is giving and receiving oral, creampie

Masterlist

As I mentioned in my previous headcanons, Sam is very much open to try almost anything and threesomes aren't an exception. He'd prefer it to be with someone he trusts though and that someone would be Sebastian in this case. It has been a fantasy of Sam's for a while anyways

It's not that he's super attracted to his best friend, but it has definitely crossed his mind a couple times. He has even thought about it while jerking off. Just imagining the sight of you sucking him off while Sebby is fucking you from behind or beneath you

Sam is a bit hesitant about bringing it up though, because he doesn't want you to get jealous or anything, but you wouldn't be reading this if you'd mind a threesome with these two so yea. The fast speed and eagerness you agree with to it, makes him low-key hard

You two decide that it would be the best to have Sam bring it up to Sebastian alone. You're close to him, yes, but you don't want to run into the risk of putting him on the spot or pressuring him if you have too many people there

Once you guys agree on a day, time and place (which is obviously your farm) you and Sam try your best to set the mood a bit. Some scented candles are bathing the living- and bedroom in a nice orange light and depending on the weather you light the fire place as well. Sam suggests to have some music running in the background, but you can't agree on which songs to put on so you just leave it as it is

When Sebastian finally knocks at the door and you guys let him in it's awkward to say the least. He's just standing around with his hands shoves in the pocket of his hoodie, you're sitting rather stiff on the couch and Sam is trying to figure out how to ease the tension a bit. "Does anyone want a drink or...should we go straight at it?"

His ungraceful attempt at lighting the mood earns him a chuckle from both you and Sebby. "Straight at it? You want us to jump on each other or what?" You both poke some more fun at your boyfriend's clumsy wording and everyone quickly relaxes. After a while of just talking and hanging out you guys finally do decide to move it to the bedroom

There it starts rather awkward and slow as well, but once most of the clothes are gone and heated kisses are being exchanged, everything continues on rather smoothly. Soon you find yourself on your back with Sam's hard cock in your mouth while Sebastian is eagerly eating you out

You slightly gag on your boyfriend's dick as the first orgasm of the night washes over you. Your legs instinctively wrap around Sebastian, trapping him between your thighs. Sam lets out a low moan at the sight, almost shooting his load in your mouth, but he holds back his own climax

Everything is kinda a blissful blurr from that point on. There is either a tongue lapping at your swollen clit or a pair of fingers caressing your g-spot while you either get a cock shoved down your throat or pumping a shaft with both hands

The boys give you a small break though. A few minutes to catch your breath. As your eyes flutter open, you're being graced with the sight of Sebastian sucking Sam off and your breath catches in your throat. Your boyfriend has a fistful of black hair in his hand while his best friend is doing a damn good job at deepthroating him. It's making your pussy wetter than it has ever been before

Quickly you crawl over the bed towards Sam and place a deep, hungry kiss on his lips. He groans into your mouth as he gently rocks his hips and holding onto your body for dear life. Then you get an idea and with a mischievous grin you make your way down until you're right next to Sebastian

He's kissing and sucking the tip while you lick the shaft and your hand is fondling Sam's balls. The mix of his pre-cum and Sebastian's saliva tastes heavenly and you can feel something wet run down your inner thighs

But then suddenly Sam sits up and brushes blonde hair strands out of his face. Pearls of sweat are running down his reddened face and his chest is lifting and falling heavily as he pants. "Fucking hell..."

Sebastian quickly takes his place, making himself comfortable with his head on the pillow. His arm is placed under his head and with his free hand, he takes you gently by your cheek and guides you down. Of course you're more than eager to get another taste of him. While your tongue slowly drags along his shaft, from his balls up to his tip, you feel a shift of weight behind you on the mattress

Before you can look over your shoulder to see what's going on, you feel a familiar pressure on your cunt and you automatically lift up your ass higher. As Sam slowly slides in his heavy cock, you take in Sebastian's entire length. You try to bob your head to the speed of the Blonde's hips, but it's so difficult to stay focused while he hits all the good spots

Sebastian's hand gently strokes your head and he tries his best to keep your hair out of your face while Sam is fucking you straight to cloud 9. You feel a familiar knot forming in your stomach and you grab a fistful of the bed sheets while your other hand is looking for support on Sebby's thigh

Your legs shake as you reach yet another climax and you fall slightly forward until you feel the tip of Sebastian's dick hitting the back of your throat. He throws his head back with a moan as he cums into your mouth. The warm liquid tastes a bit salty and sweet at the same time and there is so much of it that it runs down your chin

Shortly after that you feel Sam's cock twitch inside your cunt and his fingers dig into your hips as he fills you up completely. Cum is dripping out of you from all sides and your muscles ache as you fall flat onto the bed. The air is filled with gasps and the smell of sex

"That was...I don't even know, man." You and Sebastian let out a breathless giggle at his words and for the longest time you all are just calming down and catching your breath

"So does anyone want drinks now?" "Sure." "I'll just get cleaned up first."

[murfpersonalblog]

IWTV S2 Ep7 Musings - Sam Reid’s Autumn Brown Interview (Pt2) S3 Akasha, the Drop, & Amel

Ok, returning to the whole "Blame Amel For Lestat's Abusive Behavior."

Sam referred to something VERY important that I think people overlooked in his segment on the Ep5 revisit; they heard the Akasha bit and just ran with it. But this is exactly what he said:

[SR] Loustat "had the potential to have something very beautiful, but [Lestat's] too messy and chaotic, and Louis and Lestat are also...the beauty of their violence and hatred together, their dynamic...you know.... [AB] It's the best! They have exactly what each other needs. But also everything that makes both of them the worst parts of themselves and the best parts of themselves. [SR] And I think that's kind of cool, when we revisit that scene from Episode 5 in Season 1. And you see that in the in the Trial. I think there's something really wildly beautiful, between the two of them, in that violence. Because Louis is unhinged and angry at Lestat, and I think Lestat is more obviously--he's way more powerful, and his act of violence is, you know, like unforgivable. [SR] But there's this space that private space that they have in the coffin room...how much they hate each other...that's how much Louis hates him, and that's how much Lestat is...hurt, and then turns into this violent, angry, I hate you!.... They have that much hate. They also have that much love; because they're also vampires, and so they operate on like a level of like-- [AB] Emotion that's dialed up to-- [SR] Pure chaos! They're operating on that level, and then Lestat drops him from the sky, and it is an irredeemable event in their relationship. It cannot come back from that. And it creates this kind of cascade in a set of events, that leads to Lestat being killed. And I think that's part of our adaptation. It's not necessarily the the real events Anne Rice's books, but this is what is in our adaptation. And I think it does feed into that overall sentiment that Lestat acknowledges his evil, hellish self-loathing self...that is there; and we obviously heighten things and make it bigger. [AB] In Season 1 you know that there's something else going on, on the other side of the wall; because you can hear the fight dies down. There's a break, and you think it's over, and suddenly starts back up again. And we have this moment of Lestat taking Louis into the sky. We finally get to see what that moment was. And Louis is chilling--oh my god that little laugh that he does! He's like I'm gonna cut your head off! I'm gonna feed it to the lions and I'm gonna laugh about it! I mean, do you think for Lestat in that moment...? Cuz what leads to Louis saying that is Lestat asking Are you going to leave me? Had Louis just said: Yeah! and walked out the door and left with Claudia, would that have led to the explosion? Was it the act of him leaving, or was it the words that instigated that level of vitriol? [SR] Uhhh....I don't know about that. And I don't know if it's worth speculating what would have happened if that didn't happen.

--MURF INTERJECTION-- Thank GOD Sam shut that ish down, omfg. Again: STOP tryna find ways to victim blame Louis for what went down or say he "instigated" the fight! 🤬 It doesn't frikkin MATTER what Louis said or didn't say. All that matters is what happened TO Louis, and TO Claudia, that was what got Lestat "killed."

[SR] But I think more importantly is that--and this is something that I've felt has been really important about playing Lestat from the beginning, and probably something that people find probably a little bit confronting--but for me, for Queen of the Damned to work, Lestat has to have a level of toxic male rage in him, so that when he is angry, and when he's violent, it has to be a toxic masculine rage for Akasha to follow through with the events that she does. And why she says: You are everything about masculinity that's wrong and terrible. And so that's why you're going to be my right-hand guy, and you're going to help me kill them all. And I think...I always felt like, when he does have those spurts of anger, it does have to come from a very toxic place. [SR] Where we're going, when we're looking at it, obviously there's a scene back in Season 1: he's had a drink of this, like, fountain that nobody knows he's had. Nobody knows. No one in the show. Nobody knows. The only person who knows is Lestat. And most of the people watching the show don't know this, at this point in time. [AB] There's just that one little throwaway line about Those Who Must Be Kept, and then nothing else. [SR] And originally in Season 1, when they're in the sky and they're having that moment, Lestat was originally scripted to tell Louis about The Sacred Fount! In that moment, Lestat actually tells Louis about what he has inside of him; what, who he's drunk from. I'm trying to be really vague for anyone who's watching this, and has no idea, and I'm not going to give anything away! But anyone who does know, will know. But originally it's that he's up in the sky. [SR] And I think that is the parallel line that we're drawing with. That level of rage that Lestat has. That toxic abusive rage is also coming from an extreme monstrous power, coming from this intense monster that he has, and he has no idea how to control; he's trying to repress it all the time. But he knows, if he can, if somebody just ticks him off a bit.... He's a volatile guy already, but he's got this thing in that makes him go: AAH! [AB] It's almost going back to that element of vanity that you're were talking about: being like, you would do this to ME?! You don't even KNOW what I have within me! [SR] Yeah, exactly! So that also means that we can feed that shame and shock into his monstrous self--and acknowledgement OF his monstrous self--into his progressive spiral, into where we're going. (34:10 - 40:59)

So. All of this stuff about Akasha (& Amel) needs to be recontextualized, cuz what Sam said is that "ORIGINALLY" the 1x5 script had Lestat threaten Louis with the warning: I'm trying to restrain the monstrous thing in me that makes me go AAH; you don't even KNOW what I have in me, AAH!

But guess what else happened? OBVIOUSLY, THEY TOTALLY TOSSED THAT ISH OUT OF THE SCRIPT, in S1 AND in the S2 revisit. 😂🤣 The time to have teased/suggested that there was something controlling Lestat that made him "accidentally" hurt Louis came & went in BOTH seasons, so arse-pulling Amel so late into the show after we already got Lestat's admission during the Trial looks goofy AF.

Cuz possession is a lazy abuse apologia COP OUT. Having "It was Amel's fault all along" would've directly contradicted AND undermined their whole point about PERSONAL ACCOUNTABILITY that they clearly wanted to get across MORE than using spirit possession as a crutch to explain/excuse Lestat's abusive behavior.

Possession would imply too many things, distracting from the overall thrust of Rolin's vision for telling a very real & very "aggressive, toxic, beautiful love story" about the ways soulmates find their way back to each other after hurting each other over & over.

Esp. since Hannah Moscovich (Ep5's writer) has already been VERY clear about her take on Lestat's capacity for "evil." She mentions his bad actions in TotBT, when Lestat was HUMAN again--he wasn't even in his own vampiric body (attached to Amel/Akasha's blood), and he was STILL doing effed up things! So his issues have nothing to do with spirit possession.

[SR] "it does feed into that overall sentiment that Lestat acknowledges his evil, hellish self-loathing self...that is there; and we obviously heighten things and make it bigger."

(Funny, when Sam something it's flowers & praise; but when Hannah says the same thing it's boos & hisses from the exact same fans, lol.)

Vampirism EXACERBATES & INTENSIFIES aspects of ALL people's character/nature that was ALREADY there; "all feels amplified." Cuz ALL vampires have Amel's spirit in them, NOT just Lestat. ALL of them are powered by his monstrous spirit, and ALL of them are capable of heinous sadistic bloodlust & inhuman acts of violence--look at Claudia's 56 Floaters & Santiago at the Chateau & Armand chasing Malik (& book!Daniel) for the lolz; and how hard Louis tries to FIGHT succumbing to those same impulses too. (Nebamun/Gregory & Teskhamen drank Akasha/Amel's blood. Marius & Pandora & Bianca drank her blood. Sweet baby Khayman drank her blood. Her son Seth drank her blood. Even Big Bad Rhoshamandes drank her blood, and as twisted as he is, even HE was like naaah this heifer's crazy, I'm outta here. Plenty of vamps drank from the Sacred Fountain, and aren't half as crazy & abusive & evil as the vampires that DIDN'T: Magnus, Santiago, Santino, Bruce/Killer, etc.) So the (weak) argument that Amel/Akasha's blood alone is what drives vamps to go totally effing ballistic on their significant others whenever they get mad is patently false, by the book AND the show's own logic.

So I'm glad they got rid of those lines, and just had Les say EXACTLY why he "fought myself a million times; fought my nature, controlled my temper!" and got mad enough to beat the breaks off Lou:

It's INSECURITY--not that Les can't control the monster in him (though ofc that's a VERY legit fear, his struggles with his temper & anger issues); it's that he can't control his family; his husband & child; and can't even "force Louis to love me;" esp. cuz despite all the Dark Gifts he has, he CAN'T read Louis' mind or manipulate his thoughts the way he could back when Lou was still human.

Cuz what Lestat DOES have from Amel/Akasha is direct access to more raw POWER & more Dark Gifts than the average vampire his age. He got her blood straight from the source, not diluted across vampiric generations. Those Gifts are why his rage so dangerous--his ability to overpower weaker vamps & fly them up in the air to drop them & set Millennial Fledglings on fire just for irritating him, etc. Esp. cuz we know "he's a volatile guy already;" he's got patented anger issues up the wazoo ("I am cursed with my father's temper; I am burdened with my Maker's temper").

ALSO, why would Amel have possessed Les to do something so counter-productive to his Chosen One's survival as almost winding up in the incinerator right next to Antoinette? By that logic, we'd have to say that Louis chokeslammed Claudia cuz HE was possessed by Amel too! That entirely strips away precisely what Sam said: how much Loustat LOVES each other drives them to unhinged levels of violence AGAINST each other, AND ultimately Claudia, as they each fear she'll take them away from each other (to Europe/the incinerator).

Hence why AMC hasn't laid ANY breadcrumbs indicating that Lestat was "possessed" by anything--just plain ole oppressive patriarchal toxic masculinity, just like I've been saying all along:

Cuz that machismo's what draws Magnus to Les in TVL & Akasha to Les in QotD; and that "vanity" is what draws Raglan James to Les in TotBT, and that sin/guilt/shame/self-loathing is what draws Memnoch to Les in MtD. In every book until Merrick, Lestat proves the villain right, before he finally realizes how bad he's messed up AGAIN, and course corrects to try proving them WRONG about him.

But Lestat's character development is a marathon, not a sprint; so it's not until Blackwood Farm that Lestat finally simmers TF down, and it's not till the PL Trilogy that his redemption arc really shines best. In PLatRoA, Louis proposes to Lestat WITH AMEL STILL IN HIM, as the Sacred Core directly communicating with Lestat, with the greatest chance to ACTUALLY take over Les if he wanted to! Louis is arguably the MOST concerned about Amel staying posted up in Lestat & possibly taking over him, so sure, I CAN see AMC leaning into the fear that Lestat's underestimating the chance of being spiritually possessed; esp. when compared with Akasha & Rhoshamandes. But that's also what SEPARATES Lestat from those 2, cuz he IS different; he IS special--to Amel. Cuz Les has a massive capacity to LOVE; he LISTENS, and treats Amel like a FRIEND, a PERSON, not a monster. And Lestat was SAD when Kapetria darn near kidnapped him & forced the surgical operation that finally separated Amel from him--cuz Lestat's ALWAYS carried that fear of abandonment in him.

Cuz it's not about Amel at all: it's about the HUMAN SOUL in each & every vampire; at the core of Gothic lit as a genre.

Cuz vampires ARE monsters, but the whole point of TVC is how they all learn how to be BETTER monsters/people; and NOT act like "barbarians" & wild animals--hence: Lestat's Vampire Court in the Chateau Era at the end of the franchise. Hence: Lestat finally becoming WORTHY of Louis' love.

So if AMC succumbs to pressure from the Lestans and retcons S1 & S2 to blame it all on Amel, Imma call that weak ish out on the spot.

[fivewantscoffee]

So, Five x Lila. I need to get this out of my system so I can maybe finally move on:

I don't like the ship.

I don't like the characters together. I find the pairing a baffling one, and I don't like what it does to the show (and characters) either.

First of all, that wasn't Lila. I don't know who it was, but it wasn't the woman we saw off at the end of S3, or even the one we started off S4 with.

It just wasn't her.

You can blame trauma, or six years of being on the move. That's going to change a person, for sure, but this wasn't about giving Lila any character development.

It was about giving Five a love interest.

Because that life? Yeah. I could see it for Five. I could see him deciding to settle down and take life slow, I could see him being sweet and domestic with a partner should he have one. After he's had some time to heal, now that he's finally free of the apocalypse, I could see that for Five.

But Lila? She was unhappy in her marriage, at least partly because the domestic, stay-at-home-mum life has proven to be something that doesn't fulfil her. She wants more out of life, which is why "bookclub" happened, which is why she ended up in the subway with Five in the first place.

And okay. For the sake of argument, let's go with this. Let's say Five x Lila happened so they could cope with their situation. It was survival, like Lila said. If we were going to have to endure this bad, messy plot point anyway, (which we didn't, we really, really didn't), it should at least have been treated with the seriousness it deserves.

Because, Five? The complete, callous lack of remorse on his part? What the fuck was that?

Even if you pick through the crumbs and try to make it make sense, this wasn't a romance. At best it was survival, and coping, and kind of a tragedy all at once. Five shouldn't be picking fights with Diego. He shouldn't be acting like a spurned twenty-something-year-old.

And yeah, characters can be flawed and in the wrong, but why like this? This didn't feel like Five to me. He is brusque and, when looked at it from a certain angle, I can see why some would call him selfish (which I don't necessarily agree with, but that's a different conversation), but under all his layers, he does love his family. To me, that's the core of his character and has been since S1. Everything he's done, he's done to ensure their survival, then when he agreed to give up in S3, he was content to simply die by their sides.

So, you're telling that this Five, the one we've known and followed for three seasons, had a fling with Lila and didn't even feel guilty or conflicted about it? You're telling me loved this woman, yet was willing to keep her from her family, her children?

"Five is selfish" "Five is tired" "Five is finally moving on"

No. Not like that. To me, the Five from previous seasons (S2 specifically, because that's where a lot of it goes wrong) is only "selfish" in that he wants his family to survive and is willing to go to any lengths to achieve that. He's not exactly compassionate about Allison and Viktor having to leave Ray and Sissy behind. And yeah, he leaves Diego in the asylum because he doesn't want him messing with the timeline.

Is he in the wrong for that? Answer this any way you want, but I don't think it matters to Five. Does he want his siblings to be happy? In my opinion, of course he does, but they're not going to be happy if they're dead.

That's not the same as what S4 does. Not by a long shot. Five cares deeply about those he loves, and granted, he is pretty bad at showing it, but he does care.

He nearly worked himself into the grave trying to solve the first two apocalypses, with little regard for his own well-being. When he realised a third apocalypse was happening, he didn't say fuck it and continue his Pennsylvania retirement road trip... he immediately dropped everything to try and fix it.

So how did we get to S4 Five, who got with his brother's wife, found a way home, didn't tell Lila, AND THEN, after he finally gave her the notebook and they went back, he acts like that?

Yeah, no. That's not my Five.

Also, five x lila happening isn't Five moving on. If anything, it's how he copes with the situation they're in. That's just his Delores 2.0.

Anyway, all of this is moot because the fact of the matter is, they chose to make this happen. Five and Lila getting stuck in the subway together for seven years didn't have to happen.

I don't know.

This used to be a show about family. It also used to be a show about the effects of child abuse on this group of siblings. This started to fall to the wayside after S1, but the family aspect of it still remained.

At its core, tua has always been about family, so what was the point of making S4 at all if this is what they were going to give us?

It's not just Five x Lila. They messed this up across the board, with how flippantly the absence of Sloane and Ray was treated, how shallow and surface-level all of the rest was. They gave us some crumbs with Klaus and Allison, but they couldn't even do that without retconning their entire relationship. That's not even mentioning the ending. The Hargreeves all sacrificing themselves in the end could have worked, but this was not the way to do it.

Anyway, this rant is over. S1 Five, you'll always be famous to me.

[hoe4hotchner]

Bit of a fic idea (not necessarily a request). But what about a friends to lovers with Aaron Hotchner? Like they've been friends since childhood, she's a few years younger though. She was in the drama club with Hayley and is the reason the 2 met and she was the best woman at the wedding. But she's had a crush on Aaron for the longest time,t though always dismissed it as she valued the friendship more. She's Jack's godmother and is there for Aaron whenever he needs. She is a Sargent in the Marines, so gets the long hours Aaron does. She was deployed when she got the news about Hayley being killed by Foyet and rushed back as soon as possible. She didn't take another mission for a while after to be there for Aaron. Further down the line she considers maybe telling him her feelings but he starts dating Beth so she doesn't. Eventually she starts dating a guy in the army and Aaron is jealous though is in denial about why. It is only after Beth and him break up and he hears that readers bf might propose that he fully snaps out of his denial and confesses his feelings

That's such a good idea!!!! 💕 I don't know if I'll write the full thing one day but here's 1/2 and essay worth of thoughts I have about the concept!!

I imagine it would be even more heartbreaking and kind of a slow burn if you and Hotch knew each other before the drama club meeting with Haley. Like maybe you lived on the same street as kids and played together every day. And without realizing it back then, you were always meant to be together, because you just completed each other.

You would be a little jealous about Hotch starting to date Haley and eventually marrying her, as you had thought it would be the two of you one day. But since you value the friendship so much, you don’t mention it to him, just wanting him to be happy in the end.

The wedding especially hurt to be part of for you, but you pull through, keeping a smile on your lips as you attend, give your toast, and do everything you can to help. Hotch is so thankful for your support during the wedding.

You’re ecstatic when you learn about baby Hotchner, and when Jack comes into the world, you’re the first person he calls, seeing you as more like family than his blood relatives. And it might be the best day of your life (at the time) when Haley mentions they’ve been talking about godparents and then asks if you want to be Jack’s godmother.

When you start realizing that you’ll never be truly happy as long as you’re around Hotch almost every day, you decide to join the Marines, throwing yourself into the work and quickly moving up the ranks. And when Haley dies, you’re, of course, sad for Hotch, but somehow you feel kind of desensitized to death and don’t know what to say. Still, you drop everything and rush back to Quantico to be there for him—not so much emotionally, but at least to help him around the house and such.

Life eventually finds its rhythm again, and even though neither of you ever speaks about that time, you can feel something shift in him. But then Beth enters the picture. You see how his face softens when he talks about her, how he starts looking ahead instead of behind, and you can’t bring yourself to disturb that happiness. You tell yourself this is what you want—that his happiness matters more than yours.

You didn’t expect to meet someone else, but that’s how life works. You didn’t think much of it at first, but there’s a comfort in his company. Aaron notices. He doesn’t say anything, of course, but you feel the shift in the way his gaze lingers when you mention your boyfriend.

And when he hears rumors of an upcoming proposal, he can’t ignore it any longer. He shows up at your door one night. For a moment, you think he’s come with good news, but he only stands there, jaw clenched, his fists tight. “I don’t want you to marry him,” he says, and then, “I—God, I should have said this a long time ago. You’re more than just my friend. You’ve always been more,” he admits.

And then you kiss, and it’s really passionate.

[anna-pineappel]

Head-canons!

Head-canons!

Head-canons!

Buckle up, I have quite a few headcanons for Hogan’s Heroes and the characters! I also have some Klogan-ship specific headcanons but I’ll focus on the characters. I’m also going to follow @frau-wilhelm-klink’s format. This gets long, sorry not sorry!

I also have specific head-canons for my fics, especially my long ones since there’s a lot happening and it’s too easy to derail and I need something to keep me on track! 😅 I could easily make separate posts for Walk Through Fire and Peace in the Moonlight (including its Prequel, which is now titled Terror in the Shadows)

General:

Either Klink/Burkhalter is Nimrod - it fluctuates depending on the Plot of a fic I’m writing. But I can see arguments of either or. (Why Burkhalter keeps Klink in his post, why he lets Hogan stick around in Klink’s office when he comes around. Why Klink tolerates Hogan’s antics, why he’s so high strung).

The Germans spoke German a lot more (obviously the show was in English for an English-speaking audience). However, Klink and Schultz would often speak English for Hogan and his men’s sake. Hogan and the gang all understand German in varying degrees but are fairly fluent in it.

The POWs definitely formed a found-family situation at Stalag 13. They all need each other and even though a horrible thing brought them together, they wouldn’t have it any other way. Klink and Schultz somehow became part of the found family too. (They are like that uncle that you’re not quite sure about, but turn out to be pretty cool and let you drink beer behind your parents’ backs).

The Germans (the Main 4):

Klink (trying to stay human in an inhumane business):

Is not the complete dummkopf that everyone makes him out to be. If he’s Nimrod, he’s just anxious about anyone else finding out. Burkhalter and Hochstetter also drive him crazy and he just wants to get through the war without freezing to death on the Russian Front.

When passionate/angry, Klink doesn’t remember the English language. Any yelling that happens is most definitely in German. Also, he can get incredibly angry/intimidating when he absolutely needs to.

Feels protective over his prisoners. He has a sense of duty and frankly, doesn’t care for the Nazi’s ideology. He’s grown fond of Hogan (especially; whether platonically or romantically) and his men and wants to makes sure they live through the war.

Schultz (Gentle Giant Teddy Bear):

Got caught up in the Draft, is definitely not a Nazi, nor does he believe in the Regime. Holds a grudge for having his toy factory repossessed for the war effort. Also can’t stand all the violence/fighting that comes with the War and just wants it over.

He knows about Hogan’s men and their operation but since he opposes the Nazi Regime, he implements his ‘I know nothing, I see nothing!’ Policy and plays the fool, but often helps out in any way he can.

He and Klink are actually good friends, bonding over their hatred for the war and what has become of Germany. Klink acts tough towards Schultz but deep down, has a soft spot for him, keeping him in his post.

Burkhalter (Has no time for nonsense and will sass you):

Is 110% done with everyone and their bullshit, especially Hochstetter. He has his own agenda (whether as Nimrod or as a General), and is tired of everyone else getting in his way. He doesn’t necessarily care about people or things; that would get in the way of his Strategy.

Surprisingly, he doesn’t completely hate Klink. He’s also feeling pressure from his superiors and since Stalag 13 is a Model Prison Camp with Zero Escapes, there’s a spot-light on it and Klink. He genuinely wonders how Klink does it.

He is also… fascinated by Hogan (in a ideology/military strategy way). All he knows of America is what the Regime has told him, which is all propaganda bullshit, so he’s genuinely intrigued by Hogan and his homeland.

Hochstetter (my angry smol bean man; I’m deep into this man rn for my WIP):

Definitely has an unhealthy obsession with Hogan (to the point that it is homoerotic in a way/may be due to internalized homophobia) and is desperate to prove that he is the Underground agent Papa Bear to his superiors, who may be getting to the point of dismissing the theory since there’s no evidence.

Like Klink and Burkhalter, he is feeling the pressure from his superiors to prove that Hogan is Papa Bear, and that is why he is wound tighter than a ball of yarn. He usually is a great detective, but is letting his skills/other cases slide with his Hogan Obsession™️

Is insanely jealous of Klink for having Hogan in his custody. A man as dangerous as he claims Hogan to be should be handed over to Gestapo for questioning. Why does KLINK, of all people, get to have Papa Bear?! He also questions if there’s something going on between Klink and Hogan, but like his case for Papa Bear, he has no proof.

The POWs:

Hogan (military mastermind with a mouth that won’t shut up):

Would sacrifice himself in a heartbeat if it meant his men (and Klink and Schultz) would be safe, a bit of a martyr. He sees himself as a father/big brother figure to his men and loves them as if there his own family. He also gets fed up with them, like they’re his own family.

Can sometimes let his emotions get the better of him, and explains why he sometimes seems to be flying off the handle. Seriously, without Kinch to hold him back, Hogan is bit unhinged.

Has gotten roughed up by the Germans (the SS/Gestapo) at least once, and holds a personal grudge against the Nazi Regime. He has his own mental blocks, but his motives are to make sure no one goes through what he did.

(Bonus): Has a certain level of respect for Klink and genuinely thinks they could be friends or more after the war. He loves his men, but enjoys the company of another officer from time to time.

Kinch (Holder of the Brain Cell):

Is the gang’s rationalized thinking. He questions the sanity of himself and those around him on a daily basis, and wonders what he did to be surrounded by these maniacs (that he loves).

With his race, he, along with Hogan, knows how horrible people like the Nazis can be. He would like to go unhinged like many (especially Hogan, Newkirk and Carter), but he takes the high road, to not feed into horrific stereotypes.

Often had to prove himself to others, but not with Hogan. Hogan knew Kinch was brilliant with technology and doesn’t see race, and Kinch appreciates being treated like anyone else.

Newkirk (Lovable Bastard):

He’s been at Stalag 13 the longest, which makes sense given that England/France/Canada joined the war years before the United States. Next of the core gang for longest time at Stalag 13 is Hogan, so the two have a bond over that.

Has a (petty) criminal past, which explains the lock-picking/pick pocking skills. Forced to join the military as an alternative to jail time and he was told he could kill as many Nazis as he’d like. He gladly accepted since… yeah, Nazis suck.

Bonded well with Carter since they both have a love for mayhem and destruction. He only picks on Carter because he is teasing, but knows to stop when he really strikes a chord. Carter brings out a sensitive side to Newkirk that he wouldn’t admit to the others.

Carter (Pyromaniac with a Heart of Gold):

Is neurodivergent (whether it’s on the autism spectrum, ADHD, or a little bit of both), and is happy to be be included, and accepted in the gang, even if he doesn’t understand all the social conventions. He seems a bit dim/naive, but in fact, is one of the smartest people of the bunch.

Has special interests with chemistry and explosions, which is why he can ramble on and on about them. He gets dejected when the rest of the gang dismisses him, but often, Newkirk or Hogan come to him later and let him ramble and show an interest.

Has a close bond with both Hogan and Newkirk, he sees Hogan as an older brother and often forgets they are in the military together. Explains why he often calls him boy vs. Sir because he just… feels like family.

LeBeau (Resident Short King):

Like Hogan, has a personal grudge with the Nazis since they did occupy France after all. He might have also had a run in with the SS/Gestapo, which Hogan knows about. It took him a long time to come around to Klink not being a bad guy; he was instant friends with Schultz after the first batch of strudel.

His one pet peeve with the rest of the guys is that none of them really bothered to learn French. So whenever he’s mad, he just starts muttering in French under his breath and shaking his head. Oddly enough, he found out Klink speaks fluent French and the two of them would often talk in French, much to Hogan’s frustrations (of not understanding what the hell they are talking about).

Has aspirations to be a chef, and maybe was one before the war/occupation. He takes a great joy in cooking which is why he doesn’t mind cooking if Hogan/Klink ask him too. He would rather not cook for Nazi-scum, but he knows that Hogan (and to a lesser extent, Klink) have ulterior motives.

What are your top 3 headcanons for Hogan's Heroes in general?

What are your top 3 headcanons for each character?

[thewiglesswonder]

maelstrom seems like she'd take posthaste around on a child leash

Nonsense, her creation can wreak havoc as he pleases! That is, when that havoc is confined to the ground. She did have to invest in a tether when he took a drone alt-mode when he was about toddler-age, because as much as she loves her creation, he's terrible at flying.

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[leupagus]

Please note that this fic is going to take the better part of 2024 and probably 2025

(and given my track record might never be done):

Sansa

"Do you like the taste?" asked Littlefinger, watching her closely as she tried the wine. He always watched her closely.

They had stopped at the Inn at the Crossroads; she hadn't wanted to, but she would have had to explain to Littlefinger why. So she had choked down a meal and refused to think about the last time she had come through this way, where the first member of her family had been murdered in the stable while Joffrey had sniveled and lied and shown her, for the first time, who he really was.

"I don't see what all the fuss is about," she answered. "Why do men love it so much?"

Littlefinger shrugged. "It gives some men courage."

"Does it give you courage?"

He smiled, the way he did when she had stung him. He would take his revenge on her somehow, she knew. He was nothing like Joffrey, but there was a smallness to him that reminded her of the king.

The dead king, now.

A flash of armor to her right made her look up; a familiar woman, tall and broad of shoulder in a suit of armor, had approached their table. "Lord Baelish. Lady Sansa. My name is Brienne of Tarth."

Sansa opened her mouth to reply, to tell her she knew who she was, of course she knew. Tyrion had mentioned her often, usually after rebuffing yet another request by the lady of Tarth for an audience with Sansa. I hope you don't mind, and Jaime vouches for her, but Cersei has made it clear she's to go nowhere near you and frankly this giantess makes me a bit nervy. He'd been glad to recount the tale of Lady Brienne and Ser Jaime, traipsing through the Riverlands on their way to King's Landing.

Before Sansa could speak a word, Littlefinger had made some cutting remark, the sort he was so good at. She'd yet to be on the receiving end of any of them but she flinched all the same, watching Brienne's face. Littlefinger was something like Joffrey — and something like herself, too, when she'd been young and pleased at her own wit. Looking back, she knew now that she had only ever been cruel.

Lady Brienne seemed not even to hear Littlefinger; as though he were no more than a gnat to be tolerated until such moment as he could be swatted. She knelt, awkward but not clumsy, and looked earnestly up at her. "Lady Sansa. Before your mother's death, I was her sworn sword. I gave my word I would find you and protect you. I will shield your back and keep your counsel, and give my life for you if needs be. I swear it by the Old Gods and the New."

Would she have given the answering vow? She would never know, because once again Littlefinger was talking, sliding his glance over to Sansa to see what remarks might prompt a reaction. Sansa stayed still and watched as Lady Brienne's attention was at least drawn away, glaring at Littlefinger.

"Strange," Littlefinger was saying. "I knew Cat since the time we were children. She never mentioned you."

"It was after Renly's murder," said Lady Brienne, direct and blunt. She and Sandor would get along well, Sansa thought suddenly. Pity they had never met.

"Ah, yes," said Littlefinger. "You were accused of killing him."

Lady Brienne blushed, a splotchy red spreading across her cheeks. Shame, Sansa thought, but not guilt. "I tried to save him," she spat out. She did not glance over, to see if Sansa would believe her.

"But you were accused."

"By men who did not see what happened."

"And what did happen?"

"He was murdered by a shadow. A shadow with the face of Stannis Baratheon."

"A shadow? With a face?" Littlefinger turned to Sansa, and that was when she knew whatever he was about to say was a lie. "This woman swore to protect Renly. She failed. She swore to protect your mother. She failed." He smirked up at Lady Brienne. "Why would I want somebody with your history of failure guarding Lady Sansa?"

Lady Brienne made a face. "Why would you have any say in her affairs?"

"Because I am her uncle. I married her Aunt Lysa shortly before my beloved's untimely death. We're family now. And you are an outsider. Forgive me, Lady Brienne. But experience has made me wary of outsiders."

She gaped at him, then looked back at Sansa. "Lady Sansa," she said, and paused, as though at a loss for how to convince her. "If we can have a word alone?"

"Yes." Sansa rose, knocking into the table. The goblet of wine spilled and ran down her dress, but she was on her feet at last. The sellswords Littlefinger had brought with him moved in, one of them putting a hand on Lady Brienne's shoulder. She tensed and in just a few seconds there would be bloodshed, there would be someone dead on the floor and it would be her fault.

"Uncle Petyr," she said loudly, her heart rabbiting out of her chest, "Thank you very much for understanding. I will speak with Lady Brienne as you suggest, and then we shall resume our journey."

The sounds of eating and talking died out as faces turned toward her. A round-faced boy came bustling up, a wide, customer-friendly smile pasted on his face. "Is there anything I can help with, milord?" he chirruped.

"A room for the ladies," said Littlefinger, still watching her. She nodded very slightly and his mouth twitched.

"Have you anything on the floor above?" she added, addressing the boy with a nervous glance toward Lady Brienne.

"Er," came the reply, "Yes? Right this way, milady. Miladies."

Sansa leaned toward Littlefinger. He smelled of wine and the oils he used on his hair. "Could some of the guards watch the door?" she whispered. "And some near the stairs. Just…in case."

"Of course," he said, though his eyes were on her mouth.

The way Littlefinger had spoken of her mother, there had been a great rivalry between himself and Ned Stark; and before that a rivalry between himself and her uncle Brandon, who'd been betrothed to Catelyn before his murder. Littlefinger had always sounded like the defeated lover, the man who had nearly won his beloved's hand.

Mother had never mentioned Littlefinger. Father had, once they were in King's Landing and he'd been forced to admit an acquaintance. He'd sounded irritated more than angry; her mother had never loved him, had hardly ever thought of him. Her parents had lived and loved each other and all the while Littlefinger had stewed in his own curdled affections, imagining a love story that had never existed.

She could never decide what had moved her to kiss him on the cheek. Perhaps it had been a clever ploy to distract him, or a way to tell him she would return. She would have liked to have been that clever. But in the moment she could remember only how sorry she felt for him. "I'll just be a few moments," she promised him, lying.

Minutes later she was in a small bedchamber, with two dirty windows on each outside wall and the ominous creak of leather and metal just outside the door, signaling that Littlefinger's sellswords had taken up position. Lady Brienne, for her part, looked as uncomfortable as she had downstairs. "Thank you for speaking with me, my lady," she said.

"Can you fight them all?" Sansa asked her, keeping her voice down. They would need to be overheard soon, but they had a few seconds. Enough time, perhaps enough time. "If there's four in the corridor, and four downstairs."

"What? Yes, of course," said Lady Brienne, expression torn between confusion and offense. She fought off a bear once, Tyrion had told her with glee. Even beat my dear brother in a sword fight. When he still had both hands.

Sansa went to the first window. A long drop onto hard ground, and it faced the road as well as the hitching posts. The second was more promising: hay bales stacked haphazardly next to the wall, and the wood only twenty hards away.

"Start talking," she hissed at Lady Brienne.

She frowned. "I'm sorry?"

Sansa mimed opening the window. "Start talking. About anything. Honor or duty or what my mother was like. Whatever you'd say if you were trying to convince me."

Lady Brienne's eyes widened in understanding. "I…am not much for speeches, my lady," she said slowly, then more loudly as Sansa pulled open the window slowly, mindful of any squeaking. "But I found your mother an honorable woman, and your brother too. I brought Ser Jaime Lannister back to King's Landing at her request, so that you might be returned to your mother in exchange."

It would never have worked; she'd known that even then. The Lannisters did not understand the notion of letting go of an advantage, once they'd sunk their teeth into one. Even Tyrion had never offered to take her to her family once they'd been married. He'd had his reasons, and they had been good ones, but she'd learned another lesson that day. "So you sacrificed your oath to protect my mother for an oath to protect me?" she asked, making sure her voice carried as she swung her legs over the sill. "How can I know you'll not abandon me, too?"

It was important not to think. If she thought about it, she wouldn't do it.

She held her breath, put her hands over her mouth, and fell.

[hadesknockedupintheunderworld]

That scene towards the end of the S3 trailer

The one where Shadow is running to save Sonic from disappearing

What if by that scene, the main conflict is changed? Nine is no longer actively trying to get ahold of Sonic, to drain the paradox prism energy from him. Just like Shadow and his focus on saving Green Hill over the Shatterverse before, he concedes that *nothing* will exist if they can't fix the paradox prism (assuming that the crew comes to the conclusion that they need to fix the paradox prism to have a chance at fixing the rapid breakdown of the shatterverse).

What if after episodes of fighting Nine and avoiding having his prism energy taken from him, Sonic gives himself over willingly. Nine has just realized how far he took things, how tunnel visioned he became on a goal with the sacrifice of things (and a person) he cared about. What if he feels guilty, resolved to help fix the universe they live in before anything else, and Sonic *asks* him to drain the energy this time?

And no matter what Shadow or Nine or anyone else says, no matter how uncertain doing so would make Sonic's fate uncertain and put it at stake, they can't refute the argument. Doing this could kill him (just like back on Ghost Hill, when Sonic asked for Nine to give him energy to match that of the prismatic titan), but is there any other way to save the shatterverse?

I'm not sure what the answer is myself, but perhaps they hope so. They're running out of time, and if they can't fix it, all of them will die. So, they all form a plan.

What if Nine feels this guilt as he drains the prism energy from Sonic? What if he feels more awful (and a little jealous) when it's up to Shadow to ultimately save him (because Shadow's the only other one who can move quite as fast)?

What if Shadow runs and runs, desperate too to make sure that Sonic won't die? What if he's frustrated at Nine and Sonic (because why did it have to come to this?), but also frustrated at himself (because maybe if he could have been there with Sonic, or maybe if he was the one searching the shatterspaces before, maybe he could have stopped all this before it went too far, maybe he could have kept Sonic safe from this fate)?

What if Shadow enters that shatterspace with Sonic in his arms, hoping so badly he'll pull through, trying not to think about what'll happen if he doesn't?

And what if Nine is the next to enter the shatterspace, arriving before anyone else? What if Nine watches Shadow hold Sonic's barely existing form and feels a pang of jealousy, and a waterfall of guilt. What will he do if Sonic doesn't pull through?

[raayllum]

I will say one of the funniest things ever is that I was figuring Callum to be less devotional than canon has actually made him in arc 2, purely because I always figured that if Rayla kept pulling her self sacrificial bullshit (see numerous instances in s4) Callum would eventually be like "I can't do/love you like this anymore" and leave out of self preservation, and then 4x09's "I know" came along and said no, he would never actually leave her over this, and that's fucking insane to me but I love that for him