#but anyways this scene started with one of the other companions getting to his room before me and his demon had taken control

[deepwoundsandfadedscars]

This game continues to make me obsessed with this guy

[miriadalia]

About Keenry and how the CK writers ruined one of the best relationships of the show...

I'll try to keep it short.

These are the reasons why I think Tory and Robby shouldn't be endgame in Cobra Kai anymore:

Their miscommunication will only lead them to more heartbreak.

Back in season 4 I became a fulltime Keenry shipper, especially after the Prom scenes. And the main reason was because we could see how they understood each other, talked things out and worried about the other... After the season 5 breakup nothing was the same for them anymore.

With Tory wanting to solve her problems always on her own and with Robby escaping and assuming things before talking with her properly... They made it pretty clear they have communication and trust problems. And I get it, they both have had hard lives. But I hoped that after they made up in the last episode of season 5, they both had learned their lessons...

Flash forward to season 6 and instead we had more of the same but a thousand times worse.

Their SECOND break up

Listen. I know many couples go on and off for years and then end up getting married anyways, especially when they started their relationship pretty young... But I don't think that's healthy at all.

If you feel the constant need to resort to a break up or pause to fix your problems then that probably means you don't actually go well with that person.

And that's fine. That doesn't mean one of the parts is a horrible person. Just means it doesn't work and even if it's hurting it will be for the best in the future.

And yeah, I think the same about Sam x Miguel in case you're wondering.

The "love triangles" they used to kind of made them up again

They really run out of ideas in the writing room. We already had the drama: Tory mom died and she had to fix her relationship with the Miyagi Dos. She could have been forced to fight Robby in the tournament because of the rules, not because she was angry at him.

Why did Robby had to go through literal SA with that freak of a girl while thinking his second girlfriend had also cheated with another guy??

Why did Tory had to be captain with a guy that was made to be just a cartoon villain instead of an actual companion? And why did she also had to experience watching the boy she loved kissing another girl for the second time??

Kwon and Zara were such a wasted potential it makes my blood boil. They had multiple time Taekwondo champions with really good acting skills and they just went with the psycho gang freak and the superficial jealous bitch (ahem, abuser). But that's for another post...

The solution to these "misunderstandings" was... Pushing their respective freaks to defend each other

I'm talking about Tory pushing Kwon in the hall and Robby throwing Zara like a potato bag during the brawl.

"You really choose her over me?"

"It's not even close"

WTF was that?? It wasn't a choice in the first place!! Robby was drunk to the point of unconsciousness. Who on earth wrote that?

And are Tory and Robby supposed to be back together just because he said that?

He also said: "I know you better than that. I shouldn't have let Kwon get into my head" Well........ Your actions didn't show, honey, you immediately accused her of hooking up with him during the last fight.

Kwon's death and its impact in both their lives

Even if they didn't like him and Kwon made things even more difficult between them, he was still a teen like them.

Look at Tory's face in the picture above. Do you think she can handle any more death after what she had to go through with her mother? Do you think she will be magically cured by the power of Robby's love and fight Zara to "get revenge" in part 3?? Please, don't.

Even if a year has passed between the Sekai Taikai and the new tournament, this kid is traumatised. I don't think she should be fighting at all for a long, long time.

Robby, I can see him fighting, but I'm really disappointed on how his character arc went... Yes, he has finally gotten over his second place complex and understood he is a good leader if he wants to... But I can't see how that can improve his relationship with Tory.

So, lastly, I hope this is what one of the CK creators meant when he posted that "some high school relationships last forever, other don't". It makes me sad if it has to be Keenry the one that doesn't end up being endgame. But at the same time is the only solution I see to this poor writing...

[fellthemarvelous]

Staged and Good Omens: The discontinuity of a story within a story within a story.

I'm watching the third season of Staged again right now, and I think I've figured something out.

The discontinuity that people are talking about of Good Omens 2.

Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)

The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.

But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.

Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.

They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.

The entire show has layers upon layers of meta weaved into it.

Anyway, my point is...

This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.

I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?

Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day

What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?

Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.

There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.

You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.

Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.

These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.

The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.

There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.

There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.

We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.

We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.

We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.

The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.

It's a story within another story within another story.

And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.

And it works very damn well. Because the love story was beautiful.

Staged 3 ending

Good Omens 2 ending

[sevensinswithin]

Okay so to everyone who was here for the original post, here’s basically how Alicent and Laenor get married in my lavender marriage au:

The entire thing starts because Alicent catches Laenor and Joffrey fucking in a secluded part of the castle a few weeks before Aemma dies. The boys only realize they’ve been caught because Alicent runs away from them like her ass is on fire. That girl had no idea gay male sex was an option in life and now needs to reevaluate everything in her life after catching them.

Laenor then spends the next few weeks trying to find a way to get her alone because guess what. Fucking in a secluded but also public area is not a good strategy if you want to keep your gay love affair a secret. So now Laenor is hoping to convince Alicent to stay quiet about what she saw because his dad seems to think he'll grow out of it (do not attack me, this literally happens in canon) and he doesn’t want anyone to know yet since it might impact who he’ll get married to eventually. Meanwhile Alicent is desperately trying to forget that she ever saw anything and doesn’t tell Otto about seeing Laenor and Joffrey because let's be real. This man said “childhood companions” like it was a slur in that one scene, so she knows that her father would do something with this information. Alicent does not want to be the reason Joffrey and Laenor are in trouble for their relationship. Nevermind that she’s suddenly having the realization that women liking women isn’t that far of a stretch after all.

Unfortunately, to everyone else in the world, it looks like Laenor is trying to court her and that Alicent is just trying to be very polite about his interest in her since she never wants to be alone in a room with him unless they’re around other people. Which is something that is totally normal and not weird at all. Why would you say otherwise?

Then Aemma dies and Otto sends her to see Viserys in his room and Alicent is now very stressed about something else in her life because she wants to do what her father says, but she also doesn’t want to betray Rhaenyra.

So during those six months after Aemma dies - which is apparently how much times passes between Aemma’s death and when Viserys decides to marry Alicent according to a HOTD article I read - Alicent, like in canon, is sent by her father to Viserys’ chambers and desperately hopes that her father’s ambitions won’t happen and that Viserys will simply see her as person that is supporting him in his grief.

(Life Hack: If you ever want to read an article and it says you have to make an account to read the rest of it, just go back to the google page you found it on, right click the link, and save the link as an HTML document. That lets you read the article without having to make an account. I found this out from someone on the internet and damn did it help when I wanted to access any account restricted article. Anyways, back to the plot.)

So to counteract that and make it so she’s less appealing to Viserys, Alicent always mentions Laenor and how fond of him she is during their talks. She also mentions how worried she is about Rhaenyra and her position as heir because there seems to be so many people that seem to be under the impression that they can replace her by having Viserys marry one of their daughters and convince him change his heir to one of the possible children he might have with those daughters.

Meanwhile, Laenor is absolutely losing his mind because all of a sudden Alicent is always around him and receptive to interacting with him, even though literally weeks before she avoided being around him like the plague. During this she also manages to wring out of him the fact that his parents (mainly Corlys, let's be real) are talking about potentially marrying Laena to Viserys and that he hates that idea as she’s way too young in his eyes for that. Eventually Alicent manages to find a way to be alone with Laenor and make him swear to secrecy about what she'll tell him because telling anyone might mean that his sister will actually have to marry Viserys. He does and she fills him in on what her father wants and what she’s attempting to do, and that she needs his cooperation to get him to at least appear like they’re courting.

So Alicent and Laenor put up the appearance that they’re at least attracted to each other to get people talking, which totally doesn’t ignite jealousy in Rhaenyra at the idea of Alicent being in love with her cousin. Cue Rhaenyra absolutely doing everything in her power to make Laenor appear like a loser to Alicent and the rest of the court. Alicent makes sure to get her to stop that shit real quick and tells Rhaenyra that she and Laenor are only pretending to be in love in order to avoid having to marry someone that would disrespect Laenor’s preference for men and disregard Alicent’s autonomy. Alicent also mentions that possibly marrying Laenor means that Alicent and Rhaenyra will be allowed to see each other very frequently as she will be Laenor’s wife and the Velaryons are often at court since they are related to the royal family. So now they have Rhaenyra on board.

Eventually the night before that one small council meeting where in canon Viserys announces that he’ll marry Alicent, Alicent “confesses” to Viserys that she’s in love with Laenor and that she wants to marry him, but that her father would never allow Alicent to marry Laenor because he and Lord Corlys dislike each other. She also lets it “slip” that Otto is very adamant that Viserys must have a male heir despite the fact that Rhaenyra has already been made heir, and that he sees Alicent as a potential bride for Viserys despite her unwillingness to marry her best friend’s father. She also sprinkles in the fact that Rhaenyra would be devastated at the idea of her father remarrying, especially if the bride in question were her best friend or even her little cousin (Yeah fuck you Corlys, you’re on thin ice for that and the grow out of it comment), and the fact that surely his wife would want him to defend his daughter’s claim to the Iron Throne from potential usurpers, which is something that would definitely happen if he had a son.

This causes Viserys to absolutely lose his shit, but Alicent calms him down and he sends her away from his chambers. However, not before Viserys hints that he would not dissolve a marriage between a highborn lady and lord if they eloped and consummated the marriage. So instead of heading straight to her rooms, Alicent instead books it to Laenor’s chambers. The two of them run off to a sept and convince a septon to marry them with a few commoners as their witnesses because they can’t take any nobles in fear of being stopped (and to also have the commoners spread the fact that Alicent and Laenor eloped). Then she and Laenor head off to Laenor’s chambers to consummate the marriage with the help of Joffrey, who they had stay in Laenor’s chambers so that no one would get him in trouble or notice that he was in the room with them during the consummation, and to have Alicent stay over so that people could catch them together in the morning and spread the news of her “ruined reputation”.

The next morning Laena bursts into Laenor’s chambers like she always does and “catches” them before running off to tell Rhaenys the way all little siblings do. So then Rhaenys and Corlys show up, as does Otto; he caught wind of the situation through a servant he paid off to spy on the Velaryons. Once there Otto starts shaming Alicent about her ruined reputation and Laenor retorts that she didn’t ruin anything as he married her before he bedded her. Otto then explodes at the pair when Laenor says that and Corlys rushes to defend his son against all the stuff Otto is saying and threatening him with.

Eventually their argument gets so loud that a servant rushes to get Viserys and a few guards since they’re afraid that the two lords will resort to violence. Trailing after them is Rhaenyra and the Small Council, as the meeting was supposed to start half an hour ago but certain people were missing and needed to be found. So now the entire Small Council, Rhaneyra, and Viserys are at the doorway of Laenor’s room while a furious Otto and Corlys trade insults. Meanwhile Rhaenys sees how afraid Alicent and Laenor are and rushes to the pair’s defense (because they need someone in their corner that isn’t shaming the other party), saying that perhaps the two wouldn’t have resorted to eloping if Otto and Corlys weren't always at odds. Seeing the King, Otto rushes to demand that he have the septon reverse the marriage, but Viserys reveals that he knows about Otto’s plan to make Alicent marry him and how he knows that she wished to marry Laenor instead. He then fires Otto from being Hand and sends him packing to Oldtown, approving of Laenor and Alicent’s marriage as a final insult to Otto. He also firmly informs the small council that he will not be getting remarried, that Rhaenyra will remain his heir, and that anyone who objects otherwise is speaking of treason.

So there you go, the outline for a story that I’m most likely going to write in non-linear bits. In this world Alicent is Lady of Driftmark, Laenor and Joffrey get to be happy, and Viserys prioritizes making sure that Rhaenyra’s claim to the throne is secure. Also somewhere down the line in this universe Rhaenyra and Alicent get their shit together and realize they’re in love with each other, and Rhaenyra gets to marry Harwin because Daemon never takes her to the brothel and so she gets to pick her husband and be the polyamorous bi queen we all love.

[yeehawbrothers]

Inverted PB&J-11th Doctor x Fem! reader

I'm alive guys.

This was a request from a lovely fellow 11th lover, I wrote it platonically, but if you ignore a few words it could be romantic. I also wrote the reader as American, just because I am. (I also zoned out while writing this and do not remember most of it)

“Do you think it could be considered a federal crime to eat inverted peanut butter and jelly?” She asked, hands covered in grease, sparks flying almost catching her hair on fire, and her best friend beside her, in the same state. “Inverted?” He looked up from the wires in his hands, his grease and dirt covered face, also covered in confusion. “Yeah like,” an explosion of sparks behind her interrupted her statement, before she spun around and used her sonic to tame it momentarily. “If you put the peanut butter and jelly on the bread normally, right? And then instead of putting them like, face to face, you turned them outward.” She stared at him as he seemed to process her words. “Oh, yeah. That’s absolutely a crime” he nodded, as they both went back to what they were doing. 

Behind them, Amy and Rory stared at them in question, before turning to each other with faces of pure bewilderment. 

Amy slowly stood and walked towards the two timelords, crouched under the ball of wires. “Inverted peanut butter and jelly? Where on earth did that come from?” A shot of sparks erupted in the timelords face as she stopped her work momentarily, the metaphorical cogs in her mind visibly turning. “Boston, I think. In like, 1901.” She said, with a small smile. “What?” She tilted her head slightly, “You asked where peanut butter and jelly came from, Boston. In the early 1900s.” She paused, “But if you’re asking about inverted peanut butter and jelly, I don’t know that. I’ll find to find out though.” She turned back to her work, as Amy shook her head and walked back to where Rory was sitting watching the scene unfold. 

“What was that about?” Rory said as he watched his wife flop down on the makeshift bench beside him. “Who knows.” They turned back to watch the two timelords who were now bickering over the wire placement, before all went silent as the lights flickered and a pounding was heard on the metal doors. The two timelords looked towards the door, before turning to each other and immediately standing up. The Doctor began quickly scanning the room as his right-hand woman ran to where Amy and Rory sat. “Hey so, we should probably start running.” As if on que, the metal doors flew off the hinges into the room. “Right, let’s go.” The Doctor ran over, grabbing her hand as they began to run down the hall to the Tardis.

 They stopped, allowing their two companions to run ahead into the welcoming blue doors of the tardis. The Doctor lightly pushed her ahead of him into the box, running in last and slamming the doors behind him. The two ran up to the main console and began flicking switches and pulling levers causing the Tardis to take off with a violent shake, before stilling. “wow that was-“ Amy began, before getting cut off by a certain timelord.

 “Why would you use the purple wire for the highest current?” The Doctor froze, looking over at his companion. “Well I-“ The Doctor began stuttering over his words. “No, seriously. It only had the capacity for 5 voltage, and it was running at 25. No wonder the doors were faulty.” She stood, hands on her hips staring him down. “Well if YOU,” he pointed at her, shaking his finger, “Hadn’t gone off about inverted peanut butter and jelly-“ She gasped, “Do NOT blame me Mr.! That was an incredibly valid question. Right?” She turned to the two humans watching the scene unfold. “Well-“ Rory started. “Don’t get them involved!” The Doctor said, “You know what, it doesn’t even matter. Because everyone knows peanut butter and butter is better anyways.” She stomped her foot in detest, “You take that back!” He shook his head, crossing his arms as he looked down at her. “You’re the British one, eating beans on toast or whatever it is, so you have absolutely no credibility on what’s good.” He gasped lightly, “EXCUSE ME? The British one???” She nodded, a small smile playing on her lips. “Yeah, I got lucky and am a proud American.” She stood in a fake salute. 

“Listen,” Her hand coming to rest by her side, “All I’m saying is one fried Oreo will change your life.” His tongue stuck out in disgust as he considered the notion. “You American’s and your fried stuff. It’s so unhealthy for you.” She scoffed, “At least we don’t eat like we have no access to real food.” They stood like that for a moment, in a standoff of sorts, the Doctors face one of disgust, and hers smug as could be. Before bursting out in laughter and pulling each other into a tight hug. 

When they broke apart, she wacked him upside the head, hearing Amy snicker and watching the Doctor rub his head. “Don’t ever do that again though, I’m doing the wiring next time.” She pointed, hand on her hip. The doctor stood quickly, taking his turn at coming to a false salute. She shoved him jokingly, before turning back towards the console. “SO. Where to now?” The doctor thought for a moment before running around the console causing the TARDIS to shake and launch into takeoff. All the passengers grabbed a hold of the metal bars circling the console. “I know this amazing place in the Amedromia galaxy! Its- WHOA WHOA WHOA” He was interrupted quickly. “You know I’m banned.” 

Silence fell among the Tardis, “Your-your banned?” The doctor tilted his head slightly. “Yeahhhhh…. So, I accidently stole this like super important religious piece from one of their temples cause I thought it was a free sample.” The doctors face dropped into one of annoyance, “ARE YOU KIDDING ME?” She became defensive quickly, “Listen- at least I’M not the one who stole that guy’s eye cause he thought it was a Halloween costume.” “HEY, YOU SAID YOU WOULDN’T TALK ABOUT THAT AGAIN-“ As they both launched into yet another bickering session, Amy and Rory sighed and shook their heads. “Here we go again.”

Thanks for reading, and thanks to @dinofromspac3 for the request. <3

All the love-A.

-i do not give permission for my work to be copied, translated, or posted anywhere but here on this post.

[loremaster]

CHAPTER 1 - Man Door Hand Nail Fur Door (Comic)

...aka the Zilara manifesto.

(tw: strangulation, suggestive themes) BOBA AU MASTERPOST: [link]

Yakou tells Yuma to go to the hotel and corral all the other detectives who have been sleeping soundly in the nice fancy rooms over there. Yuma, who got 3 hours of sleep on Yakou's creaky couch, says "Okay, sure thing, Dad." ((side note - wouldn't the train detectives have had rooms reserved at the hotel? Couldn't Yuma have had one of those?))

Instead of agreeing to meet up, they all send poor little Kokohead around the city doing side quests.

Pucci wants to know if Kanai Ward has any good symphonies; recordings of classical music are all well and good, but it's no substitute for the acoustics of a live concert hall. Closest thing Yuma can find is Aetheria Academy's chamber orchestra program. Musicians in Kanai Ward used to be part of a larger regional symphonic orchestra, but since Amaterasu locked off the city, they've had to resort to busking. Pucci seems disappointed, but resigns herself to checking out the high school girls' next concert anyway.

Aphex is cruisin' for a bruisin'. He spotted some suspicious movement in one of the districts on his radar (drug deals?), but every time he goes to check it out, he can't find out which people in the crowd are the suspicious ones. They must be afraid of Aphex's intimidating appearance, so Yuma goes in his stead to grill the people hanging around the square. Turns out they weren't dealing drugs, they were passing around anti-Amaterasu propaganda. They beg Yuma not to tell Aphex. Yuma goes back to the hotel to tell Aphex... who thinks anti-fascist action is cool, actually, so no need to do anything about those guys.

Melami wants to know about the local fashion scene, and is very curious about the dronebrellas she's seen around Kanai Ward. She sends Yuma to see what the big deal about them is, and once there, he gets roped into a long winding sales pitch for technology he can't afford. He relays as much of this as he can remember back to Melami, but once she hears they only come in one color, she decides she's not interested. What's the point if you can't customize it? Just get a regular umbrella. Or a rain coat. That's a much better way to show off your personality! Yuma tries not to scream about how much time he just wasted.

Zange shows Yuma a picture he took (with his mind) of a specific location in Kanai Ward, but can't quite remember where it was. Yuma has to go on a scavenger hunt to find the place that matches the picture and tell Zange how to get there. Zange assigns Yuma a numerical score based on how long it took him complete the quest (which is always too slow). This will be a repeatable quest/minigame with different locations every time.

As Yuma is about to leave the hotel, Zilch stops him. He offers a more formal introduction (since, you know, they didn't actually meet aboard the train) and volunteers (insists) to accompany the poor useless trainee as a senior detective, to show him how it's done.

Zilch has four animal companions with him at the moment: three caged mice and a dog named Bosch.

He doesn't seem to treat them very kindly, though. He isn't careful handling the mice's cage, and he orders Bosch around like one would speak to Alexa.

Anyway, Zilch and Yuma go look for the last remaining detective, Halara Nightmare. Canon ensues.

They run into The Boy and accept the quest to investigate the Nail Man murders. Halara needs some convincing.

At the church, Zilch makes a new friend, or so he thinks.

Zilch tactlessly asks the nun if her ears are natural or not, and starts bragging about how well his own surgery went. For the ears and tail, that is. The Nun doesn't like Zilch's attitude one bit. She watches him use his mice for spying and gets freaked out. The nun threatens to kill Zilch but he doesn't think she's serious.

Zilch says that he didn’t expect there to be a Metal Fox Church here, of all places. Yuma asks him to elaborate, and he says they’re a denomination that exists elsewhere in the world. The church near where he grew up was much larger and more spectacular than this one. The Metal Fox is a deity known for its fortitude and cunning, that offers protection from “hunters,” or persecution of any kind. Zilch doesn’t seem to believe in its teachings at all. #atheistpride

Meanwhile, the dog, Bosch, sniffs around and seems agitated by something. He can place the smells of all the church NPCs around the scene, but there's something else, too. Zilch barks the order - literally - for Bosch to track whichever scent doesn't belong, and the dog goes off on a solo mission.

Zilch has a plan to catch the Nail Man red-handed, but he won't tell what it is yet. He needs to prepare some stuff. So in the meantime, Yuma and Halara hold hands at several different crime scenes.

While Shinigami keeps blabbing about stripping detectives, Halara fucks off to who knows where and Yuma returns to the church to meet with Zilch. Zilch leads Yuma to the nearby woods and reveals his master plan to lure out the Nail Man by taking a doll with a slip of paper on it to the forest, and writing the name of someone for the Nail Man to kill...

"Yuma Kokohead," of course.

Yuma is terrified of being used as bait, but Zilch promises he'll intervene before the Nail Man can actually kill him, it'll be fine. So Yuma the pushover gets tied to a tree...

Halara unmasks the cloaked figure to reveal the priest of the Metal Fox Church, as they suspected. The priest begs for mercy - he was only trying to protect the people of Kanai Ward by purging it of corruption (and letting an innocent man take the fall for it)...!

Yuma thinks he might not have to rely on Shinigami's powers this time, but then...

Bosch leads them back to the church where Seth and his Peacekeepers are threatening Yakou.

And with that… it’s Mystery Labyrinth time!

Zilch’s voice is back to normal inside the Labyrinth. He seems oddly relaxed around Shinigami - because he insists this is not real and actually a dream. #atheist4lyfe

Yuma deduces that Zilch's name was written in the woods by the nun. She witnessed Zilch’s mistreatment of his animal companions and tactless assholery - but the thing that pushed it into murder territory was actually her recognizing the crest of the Alexander family on his fur coat. The full truth comes to light - the Alexanders have been known for generations as prolific trophy hunters. They “live alongside nature,” sure, but it’s a heavily controlled and subdued “nature.” This is antithetical to everything the Metal Fox Church stands for, so the nun, devout to her faith, believed Zilch to be an invasive threat to their way of life, and the peace of Kanai Ward.

And, since this revelation is taking place in the Mystery Labyrinth, of COURSE she gets a cool Mystery Phantom.

The gang also, like, solves the actual mystery.

Then once they find all the evidence they unmask the true culprit and his copycat, and the Priest's and Worshipper's souls are reaped.

Zilch is horrified. Somehow he didn't expect this was actually going to affect reality. Shinigami assures him that he won't remember any of the Mystery Labyrinth anyway, so...

Aaaaand eventually they do leave the Labyrinth. Halara is back to their usual steely exterior.

The masked priest in front of them drops to the floor dead. A scream from the church can be heard, presumably because the worshipper has just done the same. They go to check it out.

Then… Yomi shows up. He intimidates the group and doesn’t seem to deem any of the detectives worth his attention… until he notices Zilch.

Shinigami wonders if he recognized the Alexander family crest... but Yuma makes the connection and realizes Yomi might have had some sort of connection to the impostor on the train. That's pretty scary to think about. Was this the guy who tried to kill off all the Master Detectives coming into Kanai Ward? He seems dangerous...

Good thing Yomi has a devoted right hand to play around with. In front of everyone.

But anyway, regarding the Nail Man situation, Yomi decides to throw Seth under the bus, and punish him accordingly.

Bye Seth! Or should I say... Steve. :noes:

After his near-death experience, Zilch has a change of heart and decides he doesn't need a fur coat after all (seeing as it almost got him killed). Halara accepts it as payment for their services solving the case.... at least Zilch's half of it - Yuma still owes them a small fortune.

And with that the day is saved. Yuma plays a bit of baseball. Halara has a comfy new bed for their beloved strays. And Zilch... has a lot to think about.

-----

HELLO BOBA FANS!!! Thanks for your patience waiting for this update! I hope you can tell I've been working on this very hard (in between assignments for cartoon college)! The post didn't even fit all the images I made for this chapter - I'll be sure to post the other ones separately. At some point.

This chapter was an interesting challenge to write, trying to hammer down Zilch's character - how to make him distinct from his impersonator, but similar enough to lend credit to the impersonator. It took a while but I think I've finally landed on a solid backstory. I'll be posting more about him in the next installment of Boba AU - Zilch's Gumshoe Gabs. Then after that will be Chapter 2! Super excited to rub my gay little hands all over that one.

If you've made it this far, thank you so much for reading! If you liked this, then please... I beg of you... draw me some Zilara ;_;

BOBA AU MASTERPOST: [link]

[neverchecking]

Ok I saw the 🧜‍♀️ request and I have to ask for a part two

Can I have a yandere sky, fd,war, sage, CDI link ( excuses me princess) , Link between worlds, dark link x harpy reader please nsfw

You can!

I assume you meant Legend when you said A Link Between Worlds Link? And I think you also meant the animated Link (Courage) because CDI Link (Koridai) Is from a game. Those are the ones I wrote anyway. Also bc there are so many, these are shorter. And i know you also asked for Dink and FD, but I got lazy and didn't wanna make them a banner so...

(Have you guys ever seen the CDI scenes? Holy hell that is PAINFUL-)

Part one -> Here!

Smut so MDNI! 18+!

Smut CW: Breeding, Monster fucking, Reader is a harpy!, light baby trapping

A Bird's Eye View

・❥・Now, Sky, unlike the others, is used to birds. In fact, it was you who assisted him when he first began roaming the ground level.

・❥・You stuck by his side for the entire time before being left behind when he was deposited back on Skyloft.

・❥・He had tried finding you, but it was as if you just...disappeared.

・❥・So when he's on a ride with Crimson, and hears your distinct calls? He's thrown out whatever his previous goal was without so much as a flick of his wrist.

・❥・When he finds you hurt? He goes into total mother-hen mode.

・❥・When your bandaged and clean? hes just so ecstatic to see you again! He may be hovering, all but forcing food down your throat, but you have to understand.

・❥・He won't let you leave again.

<><><><>

"That's it, songbird. Nice and slow." His voice crooned smoothly over your warbled cries, hands holding your hips and easing your descent onto him. "You're doing so well."

You were a sight. Watching you above him, feathers ruffling as your body sheened with sweat, glimmering in the light around the room? It drove him mad with lust. Maybe desire? He just knew he wanted you. And he had you. You had come back to him!

He knew you were meant for him from the start. You had always been such a caring companion, perfect in every way. When you chirped at him for a cut a little too deep, or nuzzled up to him when the nights were a little too cold? He knew. When you shoved herbs and berries into his hands to boost his immune system? He knew. When you ran your taloned fingers through his hair, picking out twigs and bugs? He knew.

He knew that you were irrevocably his. His to keep and cherish and love and hold. Those were all privileges that were only bestowed upon him. He only had to give you your own privilege. One that would be exclusive to you and you alone.

And he knew exactly what he wanted it to be. Because he had seen you care for him. He had seen the way you fret and croon and-

And he wanted-no, needed to see you be that way with your child. No. That wasn't right either. Not your child. His child. A kid made from the two of you?

He was so excited to meet them.

・❥・You probably save him from that dragon knight. Yk the one? In the beginning of the game? Him.

・❥・It probably leaves your feathers scorched and that's where he steps in. He cares for you with his basic military first aid knowledge.

・❥・You prove to be useful in battle, acting as an aerial advantage, so he keeps you close.

・❥・Your especially helpful when it comes to Cia. Your an unaccounted for variable. And she doesn't like that. She can try and get rid of you, but because Wars keeps you so close, it doesn't quite work out.

・❥・This only deludes him further, because if this powerful sorcerer that has a hand in time and space, can't separate you two, nothing can.

<><><><>

The hand around your throat tightened just a bit as his hips crashed against yours. In the back of his head, he worried about hurting you, but he had a mission that needed to be fulfilled.

As a Captain, the mission would override any concern.

He needed to ensure you stayed with him. That no matter what, you stayed by his side. And what was more damning than a baby? A person who would rely on the two of you so heavily that you would never even think of leaving him.

And that's what he needed. He needed you to stay with him. He needed you to remain with him, with your unyielding loyalty and unbending ferocity. You were everything he needed in this life. And the thought of you having his baby? Was something he also needed. Just the thought of having this perfect little nuclear family made his nerves buzz. He would provide and you would stay by his side.

Like a good little bird.

・❥・I can't tell if I hate this guy or love him.

・❥・I just- I think i mostly wanna hit him.

・❥・Now, I don't know a lot about the animated series, but I have too much self respect (/j),

・❥・But he probably meets you through Sprite. She seems like the type to be like 'Look who I met' to attempt to rub it in your face, but it backfires.

・❥・Courage finds himself too enamored with your glorious feathers and effervescent eyes, immediately laying it on thick. He's complimenting your eyes and your smile and the way the light reflects off the apples of your cheeks.

・❥・If you dare even giggle at his honeyed words, he knows he's got you. Hook, line and Sinker. Now, Courage is more of a brawn over brains type of guy, but he's still a link. He knows how and when to go on the down-low.

・❥・And, honestly, who's better suited for you then the hero of Hyrule?

<><><><>

"Come on, Princess. I know you can do better." He knew his smirk was infuriating if your low grumbles were anything to go by. "How can you prove you want my kid if you don't work for it?"

You gave a challenging look, bounces speeding up as you leaned into his space. You gave a low trill, feathers moving in a wave of agitation as you did, teeth bared down at him . It was so cute seeing you act so aggressive. Like you would ever stand a real chance against him. It was almost daunting- how trusting you were of him. How you just believed everything he told you.

How you trusted he would ever let you out of his sight.

How you trusted he would never use whatever means necessary to get what he wants from you.

How you trusted that he wouldn't do anything to keep you tethered to him.

But he would. Because once you were tied to him, once you were his in every way- with a fat ring on your finger and your belly so swollen you couldn't see you feet- you wouldn't be able to escape. There was no where in this kingdom nor the next that he wouldn't be able to find you. Not that it would matter. Once his child was safely growing, you wouldn't be able to move fast enough to get rid of him! You would lose your, aerial advantage, your running and hiding abilities would be greatly hindered, and should push come to shove, he wasn't against using the triforce to keep you right where he wanted you.

Afterall, you wouldn't want the kingdom your child was growing up in to be destroyed...Right?

・❥・For Legend to trust you to this level, you must've met him at the beginning of his first adventure. In fact, you probably saved him when he was still young and inexperienced.

・❥・Thus proclaiming you as his most trusted companion.

・❥・After Koholint, he for sure latched onto you far more than ever before. He couldn't risk you being torn away from him too.

・❥・Because of what happened with Marin, he felt he had lost the ability to love. But you quietly and calmly reassure that he hasn't.

・❥・Thus leads to him just...knowing that you are here to stay. You won't be leaving him anytime soon. You won't ever leave him behind.

・❥・He lost his chance the first time and he absolutely refuses to lose it again.

・❥・Even if it means temporarily overriding your basic autonomy. You'll understand eventually.

<><><><>

He knew his other form sometimes bled over into his hylian one. it was something he learned to live with and, sometimes, battled with depending on his mood and the circumstance.

He was sure this was part of that.

He had heard the saying 'Fucking like rabbits' but this is just a little ridiculous. It wasn't all that unwarranted however. He needed to mark you as his. Brand you and litter you with enough hickeys and bitemarks to have even the most dense boys (Because that's all they were when compared to him) backing off.

Legend had lost too much in too short a time to take any chances. Honestly, it was a miracle that you were still here. Hylia had proven that she liked taking the most precious things in his life away from him (That fraud. Thinking she could outsmart him?! Thinking he would go down without a fight?! She had another fucking thing coming.) and you had held that title for years.

And you would. For at least a few more months. But even then, you would only have to share.

As he hoisted your legs up to your chest, folding you practically in half as he kept his rhythm steady and continuous (over and over again. Until you remembered the shape of him and only him.), he felt his lips twitch. He could see you now, cradling his and yours young. An absolutely precious little kit that would have your eyes, your perfect eyes, and maybe his nose. Who would be brought up with your gentle nature, but his intellect. Who would know no dangers of the outside world as he would destroy it to keep you two safe.

If it kept you two warm, he wouldn't hesitate to burn it all down.

・❥・Yall have been WAITING for this one.

・❥・Now, my broken little rat. He probably meets you up on the Sky islands. You probably help him get down and he just...latches onto you.

・❥・When you stick with him, even down on the ground and into the depths, he slowly learns to trust you.

・❥・If your patient with him and let him move at his own pace? You aren't leaving. He has let too many people leave and let too many people fuck him over.

・❥・He will not let you do the same. In fact, he's thinking of a million and one ways to keep you with him.

・❥・while all of the boys will think a5bout it, Sage is the only one to actually genuinely clipping your wings. You can't leave him if you can't fly, now can you? He's faster than you.

・❥・ Let's say, for the sake of it all, you happen to befall an accident that makes clipping your wings necessary. While he isn't super excited about you being injured in any capacity, he is a little grateful that he didn't have to do it.

・❥・And on the plus side, he gets to be the good guy and nurse you back to health!

・❥・Not flying health (He has no idea why your wings aren't healing like the rest of you), but healthy enough he can enact his own little plan.

<><><><>

"Shit."

His voice quivered as he bent over your own hunched form, keeping your chest pinned to the counter he had deemed acceptable. His one hand remained locked onto your hip while the other snaked up your chest to gently wrap around your throat. There was no pressure behind the action, just enough to keep you right where he wanted you.

Keep you perfectly still while he pumps you so full of cum you'll have no choice but to carry his child. You won't ever be able to leave then. No, you were kind. Too kind for his world. Too nice, too much of a beacon of pure light to ever do that. You would never deprave a child of his father, nor would you deprave a father of his young. And he knew this. If he planned on capitalizing that fact, just a little, that was no one's business but his own.

Just the thought of you carrying a child, a perfect mix of both of you-- just as much yours and they were his-- was almost enough to have him thanking Hylia for you. For putting him through everything if only to gift him with you in the end.

Almost.

"Keep going, dove. Your almost there. Soon, we'll have a family of our own."

[loquaciousquark]

So I stayed up ungodly late last night playing through the Cazador quest/conclusion (?) of the Astarion romance and I have a lot of thoughts!

Overall, I LOVED it. Absolutely loved it. I love how much he has to say about the mansion, I love the design and weirdly oppressive layout of the space, the sinister door, the annoying button/attic puzzle, his relationship with Go...dey? The bone man! When I saw that room was called the kennel I literally said "oh no" out loud.

The one thing I'm mad at myself about is that I didn't understand how to actually get into the stupid palace to start the quest! I couldn't get up that dirt incline right next to the map marker so I thought I had to get into the upper city via Baldur's Gate on the left--that the palace was in the next area altogether--so I've been dithering about with murderers and Lae'zel getting kidnapped (D:! she's safe now though) and hag children and a million other things WHEN I COULD HAVE BEEN KILLING CAZADOR THIS WHOLE TIME. Harrumph.

Anyway, once I actually made it into the darned palace, I didn't have any trouble at all with the fights until I got to Cazador himself. I did think the ritual skull on the pillow was a nice touch, and I loved the confrontation with Sebastian in the cell, just in case the PC has any doubt left about how sane/human these spawn still are. Seven thousand souls! That's so many!! Seven is a lot, but seven thousand, yikes! There was also one room with some levers at the end of the tedious attic puzzle that appeared to have no purpose; I guess it was unfinished from the design stage, as dozens of Reddit threads/forum posts all agree there's no clear puzzle solution or interactable element. Really, the first design misstep I've seen from the game, and even that was pretty minor!

Then came the confrontation with Cazador, and for all I didn't even get touched in the werewolf fight earlier this fight WRECKED me. I didn't understand the mechanic and got everyone sacrificed for the ritual the first time (was focusing on the adds first), and then the second time I checked the journal and it said "Help Astarion" and so I wasted two turns getting to him only to discover they meant "help Astarion by killing Cazador," not "free Astarion with the Help action" because that sure didn't work, so he got sacrificed again! Then the third time I focused Cazador better until he Called Lightning on Shadowheart and Karlach and killed them both, and then I finally scraped it out on the fourth try. A really, really tough fight! If I didn't have the six summoned ghouls from the Thay book I don't know if I could have done it with this party.

The choices available afterwards are FASCINATING. I played through them all again, and I loved that in every version he absolutely butchers that vamp with as much violent stabbing as I've seen in a video game. And that little flip of the knife to the reverse grip! So deft! He's a rogue! It's like there's thought and care behind these animations!! Incredible! The choices where you don't help him are absolutely awful--the enraged venom in "I'd say good luck out there, but honestly, I hope you die screaming"--and the flat "Your companion has permanently left the party" made my stomach clench. The version where you help him ascend is also horrifying; are there many other quests where both companions are like, "this is a HORRIBLE IDEA, don't do this!!"? And afterwards Karlach said something about "all those souls..." and she looked like she was about to cry, which was the second worst thing in the world aside from the time I had to break up with her because I didn't realize we were dating. Everything is red and evil and we get nice close-up views of the spawn in agony and bursting and then Astarion's eyes glow red as sin forever. I did really like the explicit confirmation that the infected can use the parasites to see out of each other's eyes; that's given me a couple fic ideas already!

I will say the scene of him crying & screaming was unspeakably cathartic and I was yelling at the screen to let me hug him. YELLING. Thank God I live alone! Again, the tenor differences between this scene in the "insight/persuade him to be better than Cazador" track vs. the "flatly deny to help him" track were shocking. I can't believe how different the exact same animation set felt between the two versions! Unbearable relief & grief vs. total impotent despair--no wonder he tries to kill you in a few of the bad endings (on top of deciding on his own to snap the staff & trap the spawn forever).

Regardless, once the ritual was disrupted and the spawn were saved and freed and Cazador was a lolling pincushion, I couldn't figure out how to trigger the follow-up scene I KNEW had to be there, even though I'd already done Shadowheart's personal quest & should have known I needed to long-rest, lmao. I wandered around like a dope for several minutes before finally triggering it.

I really, really liked this romance scene a lot. I liked that there isn't even an option to break up at this point; just like ME3, the romance is locked in and you can just play around inside that structure, which I thought was fantastic! I am sad that it opened with what I expected, which is him resigning himself to eventually being trapped in the darkness & never seeing sunlight again, and the fact that the game let you pick "maybe we'll figure something out with the tadpoles" only for Astarion to express doubt does make me worried for long-term outcomes. My favorite options once you get to the graveyard were to just stay back and let him talk, but I'm honestly really delighted that we got this scene of pretty significant emotional closure for him, and I loved the animation of him carving the year into the headstone. It seemed so immersive & real that even though we can't read the text, we know exactly what he did.

The only incredibly, incredibly, INCREDIBLY minor things I didn't adore about this scene are that first, when he tells you he loves you, his head animation is weirdly still/frozen the whole time on that set of lines despite his expression changing, and it honestly broke my immersion a little bit. The ambient movements of the characters have been so realistic for so many dozens of hours that to have this seriously critical and important moment for the character be almost rigid, especially against a completely silent music-less background, made it stick out as an "oh yeah, this is a video game" reminder. Bummer!

The other thing is that it's icky to have sex in a graveyard, lmao. Tavish doesn't really care because it's just dirt under them--he's literally standing in front of her, so as far as she's concerned it's not that different from the forest--but I did grimace a little. Someone give these dingdongs a bed! or at least a roof!

Anyway! A fantastic romance and super strong writing/consistent characterization throughout, and I'm pumped to see where it's going to go next. I'm still so curious about how the tadpole outcomes will affect things and faintly hoping for a deus ex machina to keep him in the sun, though I suppose that's what fic's for. Regardless, full sign-off on an utterly satisfying romance; so many little things dropped throughout were EXACTLY what I wanted--you can even accuse him of sincerity in the graveyard scene, which is precisely the arc I was hoping he'd have! He didn't even like you in the beginning and now we're smooching next to a bunch of dead people. What isn't romantic about that?

10/10 Larian, thanks for making me a mess for another white-haired grump.

[cringecompanionapologist]

Some Interesting Stuff About the Development of Turlough

I was seriously tempted to call this post "Vis-lore Turlough". I am so fucking normal.

Anyway, I found a website via the TARDIS wiki that goes into detail about the concepts behind and making of Doctor Who episodes. For Mawdryn Undead, this means a discussion of how the character of Turlough was developed.

It started with JNT and Adric not going according to his vision. He was supposed to be a companion you couldn't quite trust, but that didn't really work with him, so it was decided that they'd try the idea again.

Honestly, the "untrustworthy" thing didn't work with Adric because of his age. He had an innocent vibe to him and tended to work best when the fact that he was just a kid trying his best was emphasized.

He'd often sort of go rogue, trying to save the day in his own way, often with some lying and stealing involved, but this seemed to confuse people. Adric became infamous for taking the villain's side, something he only did once. He pretended to take the villain's side in two other stories, but it was a fake-out. In Kinda, since the villain he pretends to side with is obviously insane, the fake-out is also quite obvious. I've seen reviews of State of Decay that don't seem to understand that Adric was supposed to be faking, however. There was also Castrovalva, where Adric was forced to work with the Master, and there's a scene or two where he pretends to cooperate willingly, but it doesn't last very long and it's always clearly a fake-out. Honestly, Adric is actually a pretty bad liar. I'm not sure if he was supposed to come across that way, but it's what we got.

Turlough was an attempt to start over and try the idea again, but with a clear story arc behind it that would make the writers keep that element consistent. Notably, for a character meant as a replacement for Adric, and a character who'd later be introduced as a schoolboy, the original plan for Turlough doesn't seem to specify his age. He's an alien working for the Black Guardian.

Unlike Adric, Turlough wasn't really meant to be a teenager. He originally wasn't going to be introduced as a schoolboy at all. The planned third story of season 20, where he'd be introduced, was The Song of the Space Whale, but the story fell through, eventually ending up as a Lost Story audio with 6 and Peri.

Since this was a last minute change, Turlough wasn't actually aged down. According to Mark Strickson, Turlough is supposed to look like he doesn't belong in the setting, and one of the ways he doesn't belong is by being obviously too old. It's never directly explained to the audience that Turlough is older than he was pretending to be, though it is implied. When given Adric's old room, he complains about it looking like a child's room, because he's had enough of children. So, the clearest answer we get to Turlough's age is "older than Adric".

Having Turlough be a bit older makes the more morally ambiguous part of his character seem more convincing. He's also given a more clear motivation for it. Adric had kinda sorta been an outsider on his homeworld who learned to steal things, but he stole because his big brother did. Adric sort of latched on to any role model he found, so simply traveling with the Doctor would change his moral attitudes to better match him. He's still young enough that his worldview is shaped by adults. Turlough is old enough that, even if he respects and admires someone, he's developed his own view of the universe through his own experiences with it.

Another reoccurring point in Mark Strickson interviews is that he wanted Turlough to be more independent than most companions. He's from an advanced civilization, so he knows how all the tech works. He's familiar with alien species. He doesn't need the Doctor to explain everything to him. But, the show kind of forced the companions into a simplistic role. JNT believed that at the end of the day, the companions were there to ask "what's happening, Doctor?" even in situations where they should definitely already know. They had to stand in for not only an audience of ordinary humans, but an audience primarily of children, so even things that a regular human adult could figure out would sometimes have to be spelled out to them.

Janet Fielding also had a problem with this for feminist reasons. Tegan wasn't supposed to be stupid. This led to a period of time where everyone was going rogue. You had two actors playing their companions as intelligent, independent adults when the script needed the opposite.

I'm calling attention to this because I think it's interesting that this was happening with Five's companions specifically. Five's main fandom characterization is as a dad with all these adopted queer youths. Five does often act like that, but it would be interesting to really look at that in the context of companions that probably wouldn't want to be treated that way. Adric and Nyssa were both introduced as teenagers, though Nyssa seemed to grow up over time. They sort of were his adopted children.

But, Tegan and Turlough enter the TARDIS as adults. The actors' frustrations could actually fit in-character. Tegan feels like she's being talked down to because she's a woman and Turlough had to pass himself off as a schoolboy but is sick of it. Why he doesn't change out of his damn uniform makes no sense with this in-universe. Out of universe, 80s Doctor Who characters were often given limited selections of outfits so they'd be more recognizable. In Turlough's case, he was dressed in black to contrast with the Doctor's white and beige and Tegan's more bold colors. It represented the personality of each character: The Doctor is mild-mannered, Tegan is bold and tends to stand out, Turlough is somber and cynical.

So, over time, Five's companions grow up. Nyssa is with him long enough that she literally comes of age while traveling with him. With Adric and Nyssa gone, we're left with Tegan and Turlough as two adult companions. Five spent years alone with Nyssa, basically acting as her adoptive father, raising her to adulthood, when she decides to leave home. He's not sure how to relate to his companions as adults. They haven't been in quite a while.

In comparing 5's companions to older companions, Adric and Nyssa are more like Susan or Zoe, very smart, but still kids. Tegan is more like Sarah Jane, limited in scientific knowledge by being a 20th century woman, but still clever and not fond of being talked down to. Turlough is more like Romana, another intelligent alien that the Doctor could communicate with as an equal. At least, that's how I would've thought of it if I'd been given these characters

This has devolved into rambling now. I just wanted to analyze 5's companions and "dad" status. I've run out of things to say.

[mike-wachowski]

I have to ask #29 Thanks in advance!

29: Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.)

YEAHHHHHH HAHA THANKS INKYDROPIES

okay i have genuinely so many oneshot wips i could choose from to post for this but i think im going to choose an old fic i was working on- its a tumblr mutals fic lol, where lena and kara are both in the same fandom for the tv show "morgana", kara writes fic, and lena is her beta reader. the "morgana" show was going to be loosely inspired by jazzfordshire's morgana/red daughter au fics, and i actually got her permission to slip some references in there lol.

anyways, i think if i never end up going back to this i might cannabalize it for another fandom (maybe imodna? im still unsure) but without further adieu- the first part of the wip

The straps of leather between Morgana’s fingertips were rough with use and wear. Toying with them gently was as easy as toying with the woman beneath the form fitting armor, yet it proved itself quickly to be only half as fun. As Morgana trailed a finger down one of the straps of the chest harness, dragging slowly, she heard a soft intake of breath from her companion. 

“Do not tease,” El whispered, but her command held none of the bite Morgana so dearly craved to hear from the accented woman— truly, it bore the opposite: she heard only thick, unadulterated affection. El’s eyes flickered and shone ice-blue in the firelight of their shared hearth, and Morgana found herself drawing from all the power within her to stop herself from lunging forward and ravishing the woman’s lips. She wanted to be ever closer to El, bound hand and waist, palm and throat, lip and lip. She wanted to hear that rough voice, usually restrained by her knight’s mysterious stoicism, begging and crying out for her. She wanted to hear her say it— say the words Morgana hungered to hear-

“Kara. Earth to Kara.” 

The hands flying across her laptop keyboard freeze. Kara glances up from her desk. 

Winn Schott is staring at her over a dusty CatCo monitor. His eyes are wide, frantically oscillating between her and the door. “Ms. Grant just walked in,” he hisses. 

“Oh, shit.” Kara slams her laptop shut, grabbing her phone. She quickly slides it open to her mail app, scanning through all her recent messages— “Winn, did you forward me that message from IT?” 

“Already sent,” he nods, glancing up at her from his dual monitors. “And you have something on your shirt.” 

“Oh, darn it—” Kara glances down at her white oxford, sees the tan stain present beneath her chest pocket, and scowls. Stupid National City streets making the bus rides so bumpy. She didn’t even notice she spilled coffee over herself. 

Kara wrestles her blazer out of her bag, throwing it on top of her shirt and hoping for the best. She about faces, turning towards the door’s to Cat’s office, and, taking an exaggerated breath, steals herself for her first, and worst, interaction with Cat of the day. 

She pushes open the door. Cat Grant sits, regal, ruling the room from her ergonomic office chair. She types idly away at her laptop with one hand, and scrolls through her carefully curated morning news feed with her other. 

“You’re late,” she says to Kara, without looking up, even though Kara technically arrived to work before her. “I’ve been sitting here, waiting, for six minutes,” she continues, which, objectively, is true. 

 “Sorry, Ms. Grant,” Kara mumbles, pulling out her phone and clicking open her document with all of Cat’s itinerary for the day. 

Cat Grant starts speaking, then, and Kara tries to focus on her boss’s words, but her mind, as usual, wanders. She had been in such a groove on what she was writing, had finally broken through the haze of writer’s block she had been experiencing for nearly a week. And right as she’s about to round out the denouement of this fic, just in time for the end of the week, she has to be interrupted by her job. 

It’s really her fault, she knows. She should try to keep her home life and work life a little more separate— but the newest episode of Morgana dropped last night, and Kara had been filled with such inspiration for a scene in her current fic she spent nearly the entire bus ride here and the rest of the morning working through it. She’s nearly done too, she just has to send it off to—

Kara’s phone buzzes, perfectly timed, and she knows exactly who it is without even checking. 

Kara slides past her lockscreen and taps open the tumblr app. There waiting for her, past a wall of messages and notes, is a message from the one person she’s been hoping to hear from most all morning—the only person who could maybe help her turn this terrible morning around.

[] morgana-with-a-gun

read through what you added to the google doc last night. left some notes. its looking pretty good. 

Kara practically swoons.

[laurasimonsdaughter]

The movie nights, Yule decided, were genuinely nice. Yes, it was absolutely ridiculous that she was forced to sit in between Ev and Chris every time. Especially since Chris was now constantly a pile of blankets and hot water bottles, basking in the rediscovery of warmth, which he wouldn’t have to do if he had sat next to Ev, who was an absolute furnace. 

But of course he couldn’t possibly do that, because there were only three days left until full moon, which meant Ev was already so hairy and uncomfortable when fully clothed that they had stripped down to their shorts and sports bra as soon as they got home. It was a wonder Chris hadn’t fully left the room yet just to prevent himself from accidentally looking at their midriff. One day, Yule thought, she was going to snap and forbid him to spend so much time with vampires from the 1940s.

But right now his eyes were glued to the action on the TV screen and Ev was lounging comfortably, both of them at least temporarily relaxed on either side of her. And that was really very nice. 

“You know what,” Yule said, handing Ev the bowl of crisps and bumping companionably against Chris’s drawn up knee. “I think movie nights should be on the list of house rules. Movie nights every Friday, to improve human-vampire-werewolf relations.”

“I’m game,” Ev grinned, teeth glinting and Chris made a pleased sound from inside his cocoon.

Wonderful. Surely they’d start actually hanging out and talking to each other eventually. Yule sat up, reaching for her soda. “Speaking of house rules,” she remembered. “Stop stealing my foundation, Chris. I can get you your own. Mine's too dark for you anyway. You ought to have one closer to your current skin tone.”

“I can't even see my skin without make-up!” Chris protested.

“I know that,” Yule said fondly. She knew that was why he wore it, to be able to see himself in the mirror every once in a while. “But I can. I‘ll help you choose something you like. Maybe two shades lighter, I think.”

“More olive though.”

“Hm?” Yule turned to look at Ev, and so, amazingly, did Chris.

“Not just lighter,” they said intently, gesturing at his face. “There’s a more olive tint to...Chris’...complexion...” Ev's voice inexplicably trailed off to mumbling silence rather suddenly and their gaze dropped to the floor.

Yule looked thoughtfully at Chris, too distracted to notice the calamity unfolding on her couch. “Yeah I think you’re right! An olive tone would look very good.” 

She tried to give him another encouraging smile, but he was still looking at Ev, with rather wide, startled eyes. And Ev's cheeks had gone worryingly pink under their stubble.

The horror of it all hit Yule just a bit too late. “Oh dear,” she said loudly. “I’ve completely missed where this scene was going. Chris, where were we?”

“What?” Chris stammered distractedly. He looked as close to flustered as a cold, bloodless vampire could possibly get. 

She could just tell them. She could just turn off the TV, and tell them, and leave them alone in here. Possibly lock all doors and windows and tell them she’d be back when they had sorted their shit out. Tomek would probably let her crash on his couch, especially if she repaid him with more gossip. 

Yule took a deep breath. “Where were we in the movie? Two minutes back?”

“Uh, sure.” 

“You’ve got the remote, hun.”

“Oh, yes.” Chris hastily grabbed for the remote, one pale arm reaching out of the tangle of blankets.

On the other side of the couch Ev had pretty much curled up into a ball, their limbs folded at odd, inhuman angles to make up for the lack of a tail to hide their face behind. Yule could feel the flustered heat of embarrassment radiate off them as clearly as if she was sitting next to a damn campfire. 

The movie resumed and Yule sat, looking at the screen without seeing it, flanked by two friends doing exactly the same. They were both frozen in place, acting as if they would bloody combust as soon as they’d look at each other, and neither of them was doing anything about it. And neither was she, because Yule was genuinely afraid which words would come out of her mouth if she dared to open it right now.

She made it five whole minutes before she took out her phone and began frantically texting Tomek. 

He was not at all sympathetic, and she spitefully resolved to bring a chocolate covered coffee bean for his familiar the next time she came over.

[Read ‘And they were flatmates’ chronologically on AO3]

[therandosfandos]

Sum: Based off of the deleted scene from "The Six Million Dollar Mon"

After Roberto demonstrates on Bender, after it's all over, Fry is worried and needs to get his robot repaired, but it's so bad that he'll only allow his orange head meatbag to touch him and no one else

@frenderbender09 @euforimorily

With it all over, the human ran to Benders side. The robot looked terrible. His whole metal body skinned of the outer shell which revealed vulnerable wires, gears, parts and Benders endoskeleton. The robot was tossed on the ground. His arms and legs lankily dangling from their connected joints. Static came from his voice box which was sparking out electricity from the seams.

"F4y!?!!?...", Bender can't speak properly. Fry watches his robot boyfriend tried to move but only fell backwards. The redhead frowned, more concern falling over him.

Fry's heart ached at the sight of his lover in distress. Ignoring the pain in his own hands, he attempted to lift Bender from the ground. But the searing pain from the exposed wires and jagged edges made Bender's metallic body too hot to handle.

"Ouch! Hot, hot, hot!" Fry yelped, he could hear Bender hissing in glitchy pain too, the human wondered how he'd do this. Recoiling as he singed his hands. Bender had a sad look in his optics. Like he felt guilty for hurting his human. It wasn't Bender's fault. Fry shushes him. Determination flashed in his eyes as he took off his red jacket.

He could see panic in those yellow bulbs instantly. Like he was afraid of the red. The robot whimpered and backed up, letting out squeaks one would hear from a car radio when you're in a underwater tunnel. Fry hesitates, he doesn't do anything yet. "It's okay...it's just my jacket, buddy..", he assured the little bot. The robot hesitantly reaches out, wincing, until he felt it.

The soft fabric. Not metal. Cloth. Not the insane killer who hurt him.

Fry smiles gently and he started to hastily wrap it around Bender's battered form. "Oh baby...sorry I didn't interfere...", he mumbles. Bender can't speak back, so he only looks at the ground. He wanted to reassure his meaty boyfriend, to tell him that he couldn't interrupt what happened to him due to the other manbot being a crazed killer. He just nuzzled his visor into Frys jacket.

With newfound caution, Fry carefully lifted Bender, cradling him in his arms. Bender winced in pain, Fry nodded, determination replacing fear. "We'll get you fixed up, Bender. Just hang in there."

Bender shook his head. Then he carefully and weakly points at Fry. It's as if he was saying he only wanted the human to fix him. No one else.

Fry seems surprised, "Bender...I...thought you didn't trust me, you always think I'm gonna break you, baby...", and it was honestly rightful to think such a thing. Fry was clumsy and didn't know what he was doing. It didn't mean he wouldn't try his best though.

The journey through the desolate and dark laboratory was slow and arduous. Fry's steps were measured, each movement calculated to minimize the pain for his wounded companion. The jacket cocoon protected Bender from further harm, but the reality of the situation weighed heavily on Fry's shoulders. The professor and the crew weren't here anyways. It was all up to the redhead.

Bender's optics dimmed as he fought to stay conscious, the agony threatening to drag him into a mechanical abyss. His usual snarky remarks were replaced by ragged breaths and muffled whimpers. Fry, feeling the weight of his friend's suffering, pressed on with determination etched on his face. The human hated that his lover went through such a thing. His baby.

Once they reached a near workbench, Fry gently laid Bender on it. The metallic echoes of Bender's cries filled the room. Fry surveyed the damage, his heart sinking at the sight of his friend in such disrepair. Bender's voice box emitted distorted sounds, the once smooth voice now a cacophony of broken tones.

Fry fumbled through the toolbox, gathering tools he hoped would be sufficient for the impromptu repair job. The room was filled with tension as Fry delicately began his work. He could feel Bender's eyes on him, a mix of pain and trust lingering in the air. Bender knew Fry loved him. Fry wouldn't try to break him. He knew it. However, he still cracked one optic open to keep check on his meatbag. Just in case.

As Fry worked, Bender's sobs began to subside. The pain still lingered, but a newfound trust blossomed between man and machine. Bender watched Fry with a mix of vulnerability and gratitude. It wasn't just about physical repairs; it was about the emotional mending between the two robsexuals. Fry started with Benders voice box, carefully rewiring it so the bot could speak again. He cringed each time the bot made a screech. "I know, I know, it hurts waffle...but it'll make it all better...I promise...", Fry says gently.

He then went ahead and started to fix his lovers leg tubes and arms, straightening them back out so it all was equal length again. Fry kisses his metal boyfriends cheek and whispers praises, saying how well the bot was doing. It made Bender feel so much better when Fry called him great, amazing, a lot more.

The final step was to redo the outer casing of Bender. It would be hard. Fry hesitates then gets out spare scraps of metal and welding tools. Bender looks at Fry and tries his new voice box, "...it's okay, meatbag...you can do it... it'll hurt me, but just do it", he says. Fry winces. He doesn't want to hurt his robot but if Bender trusts him that much, he'd do it. "I love you, baby...", he states.

Fry then held Benders hand in his own, which the bending unit was grateful just for the nice psychical touch again. His boyfriend always knew how to keep him calm. "I love you too, asshole", Bender chuckled. The human giggles, at least the robots personality was in check. The welding process began and soon was complete. It hurt like a mother fucker, but everything was back in order. Benders systems ran it's usual checks, all normal. He then sat up cautiously. He could walk again. He goes up without a word and buries himself into the humans chest, "thanks idiot...", he muffles. Fry smiles gently, "anytime, baby...anything...I'd never leave my robot broken", he chuckles. Bender playfully gives a punch on the humans shoulder and wraps his mechanical arms around the orange haired man's body. "Hm..", a content hum came.

Fry picks his lover up and goes to sit on the couch in the hangout room, where they always chilled during work. He gets out a can of Slurm and beer from the mini fridge and turns on "The Scary Door". Nuzzling his head into Bender, the two had a quiet night without any more interruptions. Everything would be okay.

[dialovers-translations]

Diabolik Lovers LOST EDEN ー Kou Ecstasy [07]

CHAPTER MASTERLIST

ー The scene starts in the entrance hall of Eden

Yui: ( I wonder when Kou-kun will get back? )

( He told me to wait here while he went to check up on Subaru-kun but...I wonder if he’s alright? )

( Besides, it seems like Kino-kun and his companion wandered off on their own as well... )

Selection

→ Go look for Kou

Yui: ( I can’t help but be worried. I’ll go look for him. )

ー Yui starts walking away

→ Wait here (❦)

Yui: ( I’ll have faith in Kou-kun and wait here. )

( If we end up missing each other, it might only cause him even more trouble. )

Kou: ーー Sorry for the wait! 

ー Kou runs up to her

Yui: Ah, Kou-kun...!

Kou: I went to ask the other Sakamakis, you see. 

And just like we thought, Subaru-kun has isolated himself in his room.

Yui: ...I see.

( Of course he has. )

( His own mother passed away as a result of his powers going rampant. )

( I just hope he’s not beating himself up too much. )

Kou: ...Hey, M-neko-chan. You should go see Subaru-kun and comfort him. 

Yui: Eh...?

Kou: Don’t worry about me. Go to him.

Yui: ( He won’t look me in the eyes at all... )

( Still, I agree that we can’t turn our backs to Subaru-kun now. )

Kou: Don’t worry! I’m fine! I’ll wait here for you, okay?

Yui: ...Okay. I’ll get going then. 

( I’m sorry, Kou-kun. )

ー Yui walks away

Kou: ...Haah.

( I toughed it out and said that but it hurts quite a bit... )

( I wonder if this will be my life from here on out? )

Azusa: Kou...!

ー Azusa walks up to him

Kou: Ruki-kun, Yuma-kun, Azusa-kun...!

Ah, uhm...Long time no see. Sorry for all the trouble I caused.

Yuma: We never looked at it like that.

Azusa: Yeah...You had it much worse after all...

Kou: ...Thanks.

Ruki: Don’t push yourself too much. You can rely on us if you need it.

Kou: ...Ruki-kun.

Ahー Geez! You’re going to make me cry with those sweet words, so cut it out...

Azusa: Sorry...Kou. I met up with the other two first so I told them everything which happened to you...

Ruki: Of course. We heard about the guy who claims himself to be the illegitimate child of Karlheinz-sama as well.

Kou: Aah, Kino-kun, you mean?

Yuma: Yeah, that guy. We spotted him wanderin’ ‘round the castle with some chick earlier.

Why did he come here in the first place?

Kou: Hmー ...I don’t know for sure either.

But he was talking about joining our fight.

Ruki: ...I see.

I just hope he will side with us...

Kou: He’s a cunning and suspicious guy. I’m sure Azusa-kun will agree with me on that.

Azusa: Yeah...Exactly. 

Ruki: Let’s wait and see for now.

This is a case we cannot decide over by ourselves.

Kou: ...Okay.

*Knock knock*

Yui: Subaru-kun...Uhm, it’s me, Yui.

I’m sorry for leaving without telling you.

There’s something I’d like to talk about, so it’d be great if you could let me in.

ー Subaru opens the door for her

Subaru: ...

Yui: ( Subaru-kun doesn’t seem to be doing so well. )

Hey, are you alright... ーー !?

ー Subaru embraces her

Subaru: ...So you are actually alive still.

Yui: Y-Yeah. Sorry for making you worry...

( His arms are shaking...He must be terrified. )

It’ll be okay, Subaru-kun. I’m here, see?

Subaru: ...Right. You’re not dead...

...But where have you been this whole time? 

I can’t imagine you managed to live all by yourself...

Yui: I went back to the human world for a bit. Kou-kun looked after me.

He came here with me to Eden as well. 

Subaru: Kou...

Yui: ( Ah... )

Subaru: Right...Guess there’s one other guy who wants to keep you safe, huh...?

ー Subaru steps back

Subaru: Anyway, so Kou’s here...?

I’ve got somethin’ to tell him. I should go see him...

ー He leaves the room

Yui: S-Subaru-kun! Wait!

ー Yui chases after him

Monologue

I quickly rushed after Subaru-kun,

who stepped out into the hallway with shaky steps. 

When I dropped Kou-kun’s name,

Subaru-kun looked terribly hurt. 

I could vaguely pick up on his feelings for me.

However, I’m afraid that those are feelings (想い),

I simply cannot (出来ない) return. 

The one I love,

...will always be Kou-kun and nobody else. 

ーー TO BE CONTINUED ーー

[silvfyre-writings]

Take their names out of your mouth (BSD Fanfic)

I return with bramran!! I always have so much fun writing hurt/comfort fics, and this one is no different. I also have a personal goal of having bramran reach 30 fics by the end of the year, so let's see how that goes :D

Anyway, I hope you all enjoy!

Ranpo’s day starts off fine.

He goes to work, he solves cases, he gets praised; it’s the same as every other day, and yet there is a niggling feeling in the back of his mind that just sits there… waiting. What for, he doesn’t know—well, it’s more that he doesn’t care, since if it was truly important, then the feeling would be at the forefront of his mind. So, he forgets about it.

Until lunch.

The moment he goes down to the café below the Agency, and sits in one of the booths, a sickeningly sweet sundae in front of him, it all goes downhill. He manages to enjoy just four bites of his sundae before his mood flips, because that’s when two officers that he’d worked with earlier in the week, walk into the café, talking shit about him.

Now, Ranpo isn’t one to let other’s words get to him. Not since the day Fukuzawa picked him up and told him that he was special. There wasn’t much point in his opinion, since it’s already been long established that he’s the smartest in the room, and that everyone else is just stupid, which includes the useless words that often spill out of their mouths. But there were times, like right now, where the words seemed specifically designed to hurt him, and it was always when people thought they were alone.

Ranpo’s used to people insulting him right in his face, gets a rise out of returning the favour to whoever speaks them, but he gets frustrated when people do it when they think he’s not around, because it’s not a game then, and Ranpo can’t defend himself.

Not to mention that the words are always crueller, more truthful, when people think you can’t hear them.

He says nothing as the officers walk up to the counter to place their order, and ducks his head when they move to sit at the booth behind him. It’s unintentional on their part, but in Ranpo’s mind that doesn’t matter; it’s not like the café is busy at this hour, and it’s not as if it’s hidden knowledge that the Agency is just a few floors up. Either these two are waiting for a superior that’s gone up the stairs, or they’re hoping that he’ll come down them.

Well, the jokes on them, since he’s already here, and openly eavesdropping on them.

“What’s Edogawa’s deal anyway?” One of the officer’s say, contempt in their voice as they speak to their companion. “What right does he have to come trouncing over our crime scene?”

“He’s been doing it for twelve or so years apparently.” The other officer says, less upset than their companion, but still annoyed. “Yasui-san let him get away with it for so long, and now Minoura-san’s doing the same. Our bosses seriously need to get a backbone—”

Ranpo narrows his eyes. Yasui and Minoura both have plenty of backbone, having stood up to him many times in the past when they’d believed him to be wrong—he’d eventually proven that he was right though, but that wasn’t the point.

“—otherwise we’ll never be respected.”

“We aren’t respected anyway. Edogawa’s made it quite clear that we’re nothing but a speck of dirt on his shoe.” Comes the bitter response. “Clearly his parents never bothered to teach him respect.”

In an instant Ranpo freezes, spoonful of ice cream stopping just in front of his mouth. The wound that was the loss of his parents tearing open like it’d never healed in the first place. Across the room, he sees Lucy look at him in concern that is bridled by anger, silently asking if he wants her to step in and chase these people out. Ranpo tightens his grip on his spoon and shakes his head. This is a battle he’s more than capable of dealing with; it’s not as if people haven’t tried to use his parents—or lack thereof—against him before. He’s an adult now, not some wayward teenager, that knows his worth and has people that care about him. The opinion of some dissatisfied officers is nothing to him, he’ll let them finish their complaining and then—

“He’s an orphan apparently. They probably died before they could.”

And then—

A humourless chuckle, followed by the sound of utensils. “What’s the bet they orchestrated that accident themselves just to get away from their asshole kid?”

And then—

“Hey!” Lucy intervened then, rushing out from behind the counter and storming over, arms crossed, and a furious scowl on her face. “I don’t know what your problem is, but we don’t tolerate that kind of talk here. So get out before I throw you out.” Silence follows her words which gives her the opportunity to turn towards him. “Ranpo-san, can I get something for you?” Do you want me to call the Agency down?

And then Ranpo smiles. He stands, eyes flicking from Lucy towards the officer’s whose faces have turned ashen. One of them opens their mouth to say something—no doubt an apology they don’t even mean in the first place—but Ranpo cuts them off before the first syllable can leave their mouth. “No thanks. I’m just about to leave.” It’s fine, I’ve got it handled.

“Edogawa—”

“Enjoy your meal officers. I do hope that I’ll see you on the next case Minoura-kun calls me out for.” The words are empty, and Ranpo can see the realisation and fear in their eyes as they figure out that he fully intends on telling Minoura what they’ve said about him, and that depending on how courteous Minoura is, their jobs may be on the line.

Not that Ranpo cares. They should’ve been more aware of their surroundings before they started running their mouths.

He drops some money onto the table before he leaves. It’s rude, he knows that, but right now he just needs to leave. The atmosphere of the café is stifling, threatening to suffocate him, and that feeling he’s had since morning has made itself known. Overwhelmed. Something that happens frequently, yet never recognises because the build-up is always different. And yet, the triggers always seem to be the same; someone saying something that he disagrees with, that sets him off in an instant.

His parents is one such trigger.

Once upon a time, when he’d first begun to live with Fukuzawa, they’d argued. It was bound to happen considering their differences in personality, and the shift in dynamic that they’d both still been getting used to at the time. Buttons were pressed, barbs were thrown, and it was the first time that Ranpo’s parents had been dragged into the conversation to make a negative point. He still remembered that moment clearly; the words leaving Fukuzawa’s mouth, the way the older man stiffened the moment he realised what he’d said, and Ranpo’s world coming to a screeching halt.

Fukuzawa, of course, apologised immediately, and they managed to talk it out—otherwise Ranpo wouldn’t have stayed with the man—but it still didn’t change that the words were said in the first place. What mattered was what happened afterwards, and after that argument, Ranpo’s parents were never brought up when emotions were high.

And now they’d been brought up again, by strangers, who had no right to speculate about their deaths—the deaths that were proven to have been an accident.

And still, Ranpo can’t stop himself from jumping from zero to a hundred the moment they get brought up.

He leaves the café behind, and instead of going upstairs to the Agency, he leaves the building entirely. The world around him sounds like it’s underwater, and his vision is swimming, even though he knows there’s nothing physically wrong with him. It’s like he’s stepped out of his body, moving on autopilot to a destination he doesn’t know. And he just lets it happen. He doesn’t try to fight it, even though he knows he should. He doesn’t try to think, to understand, what just happened, and he completely ignores the emotions his mind is trying to make him feel.

Despair, anger, fear; he squashes them into a ball and locks them away in the corner of his mind.

Right now, Edogawa Ranpo feels nothing, and that is just fine by him.

He’s not sure how long he walks for, nor is he sure where he’s gone, but what breaks him out of his stupor is the whistle of a train. He jerks, stumbling over his feet, and colliding with a stranger that shoves him away with a look of disgust. The touch burns, it truly burns, hot and heavy where the brief contact had occurred. Someone else brushes past him, and that touch burns too. Ranpo wraps his arm around himself, suddenly overwhelmed for a different reason now as the world filters back in.

The noise of the station. The brightness of the lights. The compressed feeling of the air.

It’s all too much for him, his knees give out and he collapses to the floor. He covers his face with his hands and presses it against the ground, uncaring that it’s a dirty station floor. He just wants the world to stop right now, and this is the best way he can—by pretending that it simply doesn’t exist.

It doesn’t work, because of course it doesn’t. Just because he stops, doesn’t mean that everyone around him is going to do the same. Around him he can hear whispers; a child points at him and asks his parent what the strange man is doing—hush now, just ignore him. It reminds him of his parents, when they would take the time to explain things that he didn’t understand until he could. It makes him miss them even more than he already does, and his heart aches, along with the rest of his body.

He thinks he hears someone ask if he’s okay—or it might be if he needs help, he doesn’t know—but he can’t hear them clearly over the roaring in his ears, over the cacophony the station provides.

Ranpo wants to scream, he wants to tear his hair out, but all he can do is lay against the dirty station floor and just shut down.

There’s a cold touch against his face, but before he can panic, the world goes silent, and a heavy weight presses on his back.

And Ranpo feels like he can breathe again.

After a moment, he raises his head, and finds himself staring into the crimson eyes of his vampiric lover. Bram stares at him, concerned, even as the rest of his face is in its usual monotone look—it’s the eyes, always the eyes—and Ranpo feels Bram’s nails against the back of his scalp. The touch is gentle, soothing, because the older is more than aware of how to handle Ranpo when he’s at his worst, which is why Bram doesn’t say anything as Ranpo tries to pull himself together.

Only, his body chooses then to completely betray him, because he feels tears well up in his eyes and spill down his cheeks. How embarrassing, he thinks, to be breaking down in the middle of a train station during rush hour, but before he can hide away from the world again, Bram presses his hands firmer against his ears, which also prevents Ranpo from lowering his head, and leans forward to press a kiss against his forehead.

The gesture calms Ranpo. He can feel his heartbeat slowing, his airway clearing—he hadn’t even been aware of his panicked breathing, that’s how out of it he was—and soon, he feels like he can face the world again, even as the first wave of exhaustion hits him. He moves to sit up, and Bram follows him, hands not once leaving their place in blocking out the sounds of the world. The weight on his back slips, but is quickly readjusted, and that’s when Ranpo realizes that it’s Bram’s coat that’s resting around his shoulders. But considering that the vampire’s hands are currently occupied, he’s not sure who it is that’s also witnessing him crumble apart.

He receives an answer when Aya steps into view, keeping a respectful distance as she observes quietly. Her face is openly concerned, and she shifts from side to side, wanting to help, but knowing him well enough to keep her distance. And Ranpo appreciates it. His words fail him when he tries to say as such, so he gives the girl what he hopes is a reassuring smile. Aya returns it, which makes him think he succeeded.

“Ranpo.” Bram’s voice is muffled, but he’s kneeling close enough that Ranpo can still hear his words. He looks up into those eyes of crimson, blinking slowly—tiredly. “Can you cover your ears so we can get you out of here?”

It takes a moment for the words to register in Ranpo’s mind, and when they do, he nods, and brings his hands up to replace Bram’s own. For a split second, in the moment where Bram moves his hands, and Ranpo covers his own ears, the sounds of the station flood his senses and threaten to overwhelm him, but soon enough, the sounds become muffled again, and Ranpo finds himself focusing on the warmth that is Bram’s body as the older man swings Ranpo up into his arms, coat and all.

Ranpo keeps his eyes closed as Bram walks; normally he’d be embarrassed at being carried in public, but he’s already long passed that, so he instead focuses on the gentle motions that lull him into further calmness. This is where Bram’s absurd height comes in handy; the extra inches somehow allow the vampire to move smoothly—he’s also sure it’s just centuries of practice, but Ranpo likes to imagine it’s the height. Longer legs and all that.

After that, Ranpo loses time. He opens his eyes after what he thinks is a few minutes to find that they’ve left the station entirely now, and that they’re in a park that’s thankfully devoid of other people. Bram stops in front of a park bench, and glances down at him before moving to set him on his feet. Ranpo allows it, but still clings to the other with one hand as he sits. He doesn’t want to let go and risk Bram leaving him too—an unreasonable thought, but Ranpo’s never been the most rational person after a meltdown.

Almost as if he can read Ranpo’s mind, Bram sits beside him, and reaches to grab at the hand that’s clutching his shirt with one of his own, gently pulling it away and lacing their fingers together. Bram studies him carefully before he turns to Aya. “I wish to speak with Ranpo alone. Will you be alright to continue to the Agency on your own?”

“Of course I will be.” Aya exclaims, hands on her hips. It’s an act; Ranpo can see the stress on her face, not at going on alone, but for him. Turns out Kunikida was right when he said that the girl was empathetic to everyone she knew, regardless of closeness. Ranpo blinks as her eyes fall on him. “Hope you feel better soon, Ranpo-san. I’ll tell the others you’re with Bra-chan.”

The words get lodged in his throat again, so Ranpo simply inclines his head in response. Aya skips off in the next second, leaving him alone with Bram, and it’s the most at peace he’s felt since the incident in the café.

Bram runs a thumb over the back of Ranpo’s knuckles soothingly. “Are you able to talk yet?”

Ranpo shakes his head. He’s calmer now than before, but it still feels like there’s something trapping his words within him, locking them within a cage that’s gotten lodged in his throat. Even after swallowing, the feeling doesn’t go away.

“That’s okay.” Bram says, squeezing his hand this time. “I can take you back to your dorm?”

He nods this time, and tightens his grip on his lover’s hand.

“Of course I will stay with you.” Bram stands and tugs Ranpo upright. With his free hand, he adjusts the coat around Ranpo’s shoulders again, and then they set off for the Agency dorms, where Ranpo can curl up underneath his futon and hide from the world, but this time, not lose himself entirely.

Today has certainly been a day.

The moment that the door shuts behind him, Ranpo drops Bram’s hand and strides towards his bedroom, ripping off his clothes as he goes, leaving them scattered about. Normally his clothes bring him comfort, the loose material doing wonders to stop his senses from overloading, but now, they suffocate him. He’s almost certain that it’s just him, and not actually the clothes, considering the suffocating feeling only eases off marginally once he’s naked, but if he tells himself enough that it helps, he’s sure that he’ll believe it eventually.

It’s the better option when the other is him tearing at his skin to try and get rid of it.

Behind him, he can hear Bram moving about, can hear him picking up the clothes that Ranpo discards, and ignores it in favour of his futon. He practically dives into it, drawing the blankets up and over his head until there’s nothing but darkness and his own shaky breathing. He’s pathetic, truly pathetic, to be hiding from the world like this. Earlier, he claimed to himself that he was an adult, that could handle things in an adult manner, but here he is, breaking into pieces like he used to when he was a teenager lost in the world.

“You are allowed to break, Ranpo. There’s no shame in how you handle things.”

The words echo in his mind, words from over a decade ago that he’s clung to for so long in moments like these. The reminder helps him to believe that he’s not overreacting, and that this is just how he was built to handle things. He remembers being told once, that what others see as an overreaction, is simply just him responding to a situation in the way his mind was programmed to. Everyone is different, that voice continues to say. Where one may cry, another may not. Being shamed for your reaction is wrong.

Ranpo repeats those words in his mind, and jumps when light invades his cocoon. A protest that dies as fast as it forms, half-heartedly falls from his lips as warm arms envelop him, pulling him against a chest with a steadily beating heart. He turns his head to press an ear closer to it, until all he can hear his that heartbeat. As he listens, he relaxes, and when the first drag of nails through his hair comes, he relaxes even more.

“I have you.” Bram murmurs, the words reverberating beneath Ranpo’s ear. They bring tears to his eyes that he refuses to let fall. But of course, that fails when Bram repeats his words. “I have you.”

The first sob comes as expected, so do the first lot of tears. What isn’t expected is the wail that he lets out, all the words that have been trapped inside him escaping in that one cry.

And then Ranpo breaks.

Bram holds him close, humming soothingly into the crown of his head, and running one hand through his hair. The other is wrapped around his shoulders, a reassuring weight. It’s a relief to have Bram there, Ranpo finds, as he cries and throws his fists against that firm chest. The vampire isn’t spooked by him breaking, nor does he mock or call him a fool for being unable to control himself when his emotions take the reins. All his love ever does is hold him close and accept it. He soothes, he holds, as one does when the one you care about his hurting, but he always goes at the pace that Ranpo sets, no matter how long it might go on for.

This time, it’s just a few minutes, probably due to him having broken at the train station earlier, and Ranpo sniffs, croaking out a quiet I’m sorry.

“No need to apologise.” Bram says, not once letting up in his ministrations. He does loosen his grip though, allowing Ranpo to shift so they can be eye level without Ranpo needing to crane his neck.

Ranpo closes his eyes and sniffs again. He feels the lingering tears be brushed away, and decides that he owes Bram an explanation, a small one, a summary. “Some officers were being assholes when they thought I couldn’t hear them.”

Bram hums. “Aren’t they usually?”

He’s not wrong, but still, Ranpo corrects him. “They brought up my parents. In a not nice way.”

The hand in his hair stills, and the atmosphere turns icy. There is pure venom in Bram’s voice as he speaks. “How dare they.”

New tears form in Ranpo’s eyes, and he shuffles forward to press his face into the crook of Bram’s neck. Bram immediately wraps his arms around him protectively. The other’s anger is reassuring, and he knows that if it weren’t for his poor emotional state, that Bram would be flying out the door to hunt down and, well, he’s not quite sure what Bram would do actually; it could be anywhere from scaring to eviscerating, and Ranpo finds himself entertaining both options.

“Will you be okay?” Bram asks after a moment.

Will you be okay, not are you okay. God, Ranpo loves this man.

“I will be.” He says. “But not right now.”

Ranpo feels lips against his temple, the words that follow, whispered into his ear. “That is fine. Take your time, love, I am not going anywhere.”

[capybaraonabicycle]

Let's write an episode together and talk about the TARDIS(s)!

Anyone still there? Sorry, I got a little distracted by other things. But I am still having fun with this, so I will slowly continue it. Come along if you like :D (If you’re new: we’re writing a dw episode with my options that I am giving you and your choices in the polls. When it’s done I’ll force RTD to write it properly /j )

So far, we have decided on a multidoctor episode with the teams:

9 travelling with Rose, Bill and Jack

10 travelling with Martha, Donna and Jack

13 travelling with River and Yaz

Now, the last poll decided, that our episode will mostly take place inside the TARDIS. As we are dealing with a multidoctor episode, the question is: (How) Do they end up inside the same TARDIS? I have come up with some answers.

Explanations and examples can be found under the cut. Please remember while voting that no matter the scenario, the most time the camera will show the inside of one or more TARDIS-s (well, it’s all the same one anyway but you know what I mean), i.e. the console room, hallways or other rooms inside the ship.

I'll give you a little more time this round as I am expecting I might stay this slow with updates.

please reblog to gather more writers ❤

Scenario Different TARDIS-s, different plots

The distinct TARDIS teams don’t interact directly. The scenes switch back and forth, showing three distinct (but related?) stories inside the three TARDIS-s of the three teams. In different points in time and different locations. The teams don’t interact with each other except for possibly the Doctor and Jack remembering a similar situation or objects inside the TARDIS being used. Or things one Doctor and team do influencing another incarnation (think 11 ordering a fez and 13 receiving it). To the teams it has no relevance that we are seeing the scenes together but they enhance each other through subtle references.

Scenario Different TARDIS-s, same plot

All the teams stay inside their own TARDIS, at least for most of the episode, but they can communicate. Either directly, video call style, or a little more like Sally and her DVD’s with the Doctor/Jack leaving notes for past and future selves. The three teams work together to fight some impeding doom™, perhaps resulting in a celebratory party in the end outside the TARDIS-s.

Scenario Same TARDIS

For some reason two teams end up inside the TARDIS of another. I am imagining 13 purposefully tries to borrow 10’s TARDIS to do something specific (maybe she needs the round things for it or something) but miscalculates the time. Thus, contrarily to her belief, 10 and his team are already inside, taking a calm day to explore some rooms or something. And it’s not just them because right before 13 plus team arrive, 9 and his friends have made their way on board, mistaking her for their own TARDIS. The TARDIS, ever helpful, provided them their rooms, too, at the usual place. So, everyone’s inside the ship somewhere, none the wiser, when 13 and Yaz and River are starting the engine. Everyone comes to see who is abducting ‘their’ ship and find those strange women. Half of the episode is probably consecrated to the Doctor’s bickering about whose ship this is and who gets to fly her and the other half to actually pulling themselves together and solving the issue 13 was concerned with together.

Scenario Merged TARDIS – Doors

An error occurs and suddenly, while believing to have landed somewhere else, one team opens their door to leave the ship and finds itself entering the console room of another team, through the TARDIS door again. When they try to leave and go back, they end up inside the third team’s console room. Only at the third try they get back, but no matter where they try to fly to, the doors stay merged together. The outside of one TARDIS has become the inside of another (a tiny bit like in ‘time’ and ‘space’). The main issue of this episode is to figure out how to detach the TARDIS’s again and which Doctor belongs into which TARDIS and which Jack to which Doctor before the split happens and they’re all separated again.

Scenario Merged TARDIS – Interior

The TARDIS incites the teams to venture further into her depths until they reach the inside of another TARDIS incarnation. She has merged her insides together, producing a way of easily moving from one timeline to the other (although you have to run quite a long way, I suppose, I’m sure Donna and 10 will provide some segways to help out eventually). This helps with fighting several issues outside two or three of the TARDIS-s. This episode will feature a lot of running through TARDIS hallways, getting lost, searching for items that only exist earlier or later in time and loads of chaos and shouting to get a grip on the issues happening outside. Also probably someone getting locked inside a room on accident or one of the console rooms being no longer safe to enter.

Scenario Merged TARDIS – Russian Doll

One TARDIS is having steering/stabilising problems. To solve them, she lands inside the safest place: Herself. But not herself right now, but a former/later console room. When that TARDIS, disturbed from the impact of having herself inside, tries to land, the same thing happens. The Doctors storm out, managing to prevent the third TARDIS from landing and repeating the process, but now we have a TARDIS inside a TARDIS inside a TARDIS that can’t land. And the inner ones are too ruffled to start flying as well. The main issue is to resolve the connection and get all the TARDIS-s to be normal again.

(possible extra option with this one: one or several of the TARDIS-s get shrunk in the process together with the travellers. Picture mini-13 climbing over the console and leather jacket up to 9's ear to yell at him to notice them and help them out for Gallifrey's sake! (also tiny Jack hitting on giant Jack and vice versa) If people like this extra option, regardless of which option wins, I'll see if we can include it there, too)

Scenario Merged/One TARDIS – Echoes

We are following the storyline of only one of the teams but the TARDIS is supplying memories/echoes of former/later companions and Doctors to help with the plot. A little like River in ‘Name of the Doctor’ or 13 and the fugitive Doctor in ‘Once upon time’. Some possession, some ghostlike figures and images in mirrors and tapestries, some people suddenly being displaced in time and disappearing again. The echoes are interacting with the main TARDIS team but it is clear they are not completely there. When that particular adventure is lived, the TARDIS stops producing the echoes or is repaired so she doesn’t have to anymore.

Scenario The Master’s TARDIS

We are not inside the Doctor’s TARDIS at all but some incarnation of the Master has abducted/lured all the three teams into their own TARDIS where they have to work together to survive whatever the Master can throw at them in their own realm. Also possible with several incarnations of the Master working together.

Scenario Trenzalore

What it says on the tin. The three teams end up on Trenzalore inside the giant TARDIS that is the Doctor's grave. This one is angsty, friends ❤

In any case, feel free to leave your own ideas for scenarios in the tags. If I like them enough, I might to a redraw between your ideas and the most popular ones here :)

[mllelaurel]

Shard... like 90% of the way through the book. 

Can’t deny, Salvatore writes incredibly entertaining fight scenes. There’s a fun and creativity to them. 

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That said. Yep. This sure was the pre-5th edition era where D&D ethos was all about ‘some sentient species are evil/basically animals anyway. Go ahead and kill ‘em.’ (I have no idea if 5th was, in fact, where fans/players started noping hard at that trope, but given that 5th is where D&D went mainstream, it feels like a good guess.) The fight with the orcs was both really fun choreography and... uncomfortable. We get a bit of that with the wererats too, but the wererats at least get a smattering of pathos. 

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But back to the good stuff! Chapter 19th. Basically everything about Chapter 19! 

Jarlaxle: “Look, for it is I, Drizzt Do’Urden.” GM: “Make a deception roll.” Jarlaxle: “...Nine.” Entreri: “Fuck it, I roll intimidation.” Jarlaxle: “Can I just steal their shit and drink their booze?” 

Entreri: “Meh, swashbuckling. What is this swishy bisexual shit?” Jarlaxle: [Rolls a crit.] Entreri: “....Well color me bisexual. Swishy can stay.” Jarlaxle: “Close your mouth, it’s time to bail.” [Grabs his hand and dashes, like he’s the Doctor and Entreri is his brand new companion.]

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Sharlotta’s narrative continued, alas, to not impress me to its bitter end.

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On the other hand, while I initially found Danica bland, then she and Entreri met and started interacting. And I kind of love that “I hate everything about you, and not even in a sexy way, but also I respect you as the Other Smart Person In This Room” dynamic they immediately fall into. 

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I did, in fact like the Perspectives on Religion. And find it notable that Entreri, at least in this book, specifically verbally attacks priests and their corruption and abuse of power, rather than gods or faith. Like, I can’t imagine he thinks highly of the other two topics either. But he aims his anger with scalpel precision rather than broadly, in this case. I also kind of love that for all his own distrust of organized religion, Jarlaxle still notes that the cathedral is beautiful. Because it likely really is, and he loves beautiful things. 

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God, Entreri’s down-to-the dirt reasons for hating the Crystal Shard being essentially that it enslaves and corrupts people and fuck this, he belongs to no one. It’s both such a great character moment and hurts so fucking bad, given what happens to him later. 

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Allllmost done with this one. So of course, Promise of the Witch King e-book has been checked out by someone else. So I’ll tackle Starlight Enclave next. It’s on Hoopla, which means anyone with access can check it out at any time.