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nevermindirah · 3 years ago

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Do you have any thoughts on the use of AAVE for Nile (or lack thereof) in TOG fanfiction? I've been reading some Book of Nile fic and some writers seem to write her as a Millennial™ (using words like "fave" and "woke") but never acknowledge her Blackness in her patterns of speech. I know we don't see her use as much AAVE in the films, but I would argue she's in situations where code-switching would be valued (first in a "professional" environment in the army, then around a group of non-Black strangers).

Hi anon! I have many thoughts on this and I'm honored you asked me! But I should start by saying I'm white and any thoughts Black fans and especially Black American fans have on this that they want to share would be beyond lovely. (I'm not gonna tag anybody bc that feels rude but please add onto this post if any of y'all see this and want to!)

The main reason I personally avoid AAVE for Nile in my own fics is because I'm not Black. But Nile-centric fics by Black writers tend to avoid using much of it too, at least from what I've noticed/understood, and my guess is it's largely for the reason you mention, that she's in situations that encourage code-switching.

In movie canon Nile is highly competent at tailoring her language to each situation she finds herself in. This fantastic linguistics analysis meta shows how skillfully Nile chooses her vocabulary and grammar to meet her goals with different conversation partners in different contexts. In comics canon Nile had a bunch of different civilian jobs before joining the Marines, so she would've had experience code-switching in the ways that made sense for all those different contexts as well as the Marines and her family and high school and wherever else she spent her time before we met her. And now she's spending her time with a handful of immortals none of whom are native English speakers and a fellow Black American but one with a Queen's English UK accent whose professional experience is in the CIA where high-status code-switching is often an absolute must for success or even survival.

Fics featuring Nile are charged with extrapolating from that to how it might show up in her use of language that she's coping with a traumatic separation from her family and her career and pretty much everything she's ever known and now she needs to be able to make herself understood to people who seem to care about her and each other but are super duper in crisis, three (soon to be four) of whom predate Modern English entirely and the only one who's anywhere near her contemporary she's not supposed to talk to for a century. All of these people are telling her that pretty much any contact with any mortals poses an existential threat to her and the rest of the group. How the FUCK is she supposed to cope with that, like, generally? And would it be a more effective way for her to cope if she talked to Andy Joe and Nicky using the speech patterns that she used to use with her mom and brother, to at least retain that part of her identity even if it means having to do a lot of explaining, or would it meet her needs better to prioritize Andy Joe and Nicky understanding what she means with her words over using the particular words and grammar forms she used with her family?

I've seen several fics, both Nile-centric / BoN and otherwise, explore this a little bit in how/whether Nile uses Millennial™ speak. It's often a theme in Nile texting Booker despite the exile because of the popular headcanon that he as The Tech Guy is the only other immortal who understands memes. But Nile's much-younger-than-Booker mom probably uses Boomer and/or Gen X memes and Andy has been adapting to new communication styles for forever as evidenced by her canon high level of fluency with standard-American-accented English.

Which brings us back to people avoiding AAVE because they're not Black and they don't want to make mistakes (or they're not Black and they don't want to get yelled at for making mistakes, though I think many people overestimate how much they'll get yelled at while underestimating how much these mistakes can hurt). I can imagine some Black fans hold back from using much AAVE in fic because they don't want to share in-group stuff with white people who are likely to then adopt and ruin it, as white people so often do with Black cultural stuff. Some links about this including a great Khadija Mbowe video. I'm saying this gently, anon, because you might not know: woke, an example you cited as Millennial™ speak, is AAVE, and that's gotten erased by so many white people appropriating it and using it incorrectly online.

And also there's the part where fandom is a hobby and you never know when you're reading a fic that's the very first thing someone's ever written outside of a school assignment. This cultural considerations of language shit takes a level of effort and skill that not everybody puts into every fic, or even could if they wanted to because they haven't had time to build their skills yet. It's definitely easier for non-Black fans to project our millennial feels onto Nile than to do the layers of research and self-reflection it requires to depict what Blackness might mean to Nile, and it's not surprising that often people sharing their hobby creations on the internet have gone the easier route. There's not even necessarily shame in doing what's easier. It's just frustrating and often hurtful when structural white supremacy means that 3-dimensional Black characters are rare in media and thoughtful explorations of them in fandom are seen by the majority of fans as not-easy to make and therefore Nile Freeman, the main character in The Old Guard (2020) dir. Gina Prince-Bythewood, has the least fic and meta and art made about her of our 5 main immortals.

I've been active in different fandoms off and on for twenty years and I barely managed to write 5,000 words about Sam Wilson across multiple different fics in the 7 years since I fell in love with him. There's an alchemy to which characters we connect with, and on top of that which characters we connect with in a way that causes us to create stuff about them. Something about Nile Freeman finally tipped me over the edge from a voracious reader to a voracious writer. It's not for me to judge which characters speak to other individuals to the level of creating content about them, but I do think it's important for us to notice, and then work to fight, the pattern where across this fandom as a whole Nile gets way less content, and way less depth in so much of the content that's in theory about her, than any of these other characters.

Anyway, back to language. My two long fics feature Nile with several Black friends — Copley and OCs and cameos from other media — but all of those characters except Alec Hardison from Leverage aren't American. It's very possible I'm guilty of stereotyping Black British speech patterns in I See Your Eyes Seek a Distant Shore. I watched hours and hours of Black haircare YouTube videos in the research for that fic and I modeled my OCs' speech patterns on what I heard from some of those YouTubers as well as what I've heard people like John Boyega and Idris Elba saying in interviews, but the thing about doing your best is you still might fuck up.

I'm slowly making progress on my WIP where Nile and Sam Wilson are cousins, and what ways of talking with a family member might be authentic for Nile is a major question I need to figure out. For that, I'm largely modeling my writing choices on how I hear my Black friends and colleagues talking to each other. I haven't overheard colleagues talking in an office in a long-ass time, but back when that was a thing, I remember seeing a ton of nuance in the different ways many of my Black colleagues would talk to each other. Different people have different personalities! And backgrounds! And priorities! A few jobs ago my department was about 1/3 Black and we worked closely with Obama administration staff many of whom were Black and there was SO MUCH VARIETY in how Black people talked to each other, about work and workplace-appropriate personal stuff, where I and other white coworkers could hear. There are a few work friends in particular who I have in my head when I'm trying to imagine how Sam and Nile might talk to each other. From the outside looking in, God DAMN is shit complicated, intellectually and interpersonally and spiritually, for Black people who are devoting their professional lives to public service in the United States.

One more aspect of this that I have big thoughts on but I need to take extra care in talking about is the idea of acknowledging Nile's Blackness in her patterns of speech. There's no one right way to be Black, and Nile's a fictional character created by a white dude but there are plenty of real-life Black Americans who don't use much or even any AAVE, for reasons that are complicated because of white supremacy. (Highly highly recommend this video by Shanspeare on the harms of the Oreo stereotype.)

Something that's not the same but has enough similarity that I think it's worth talking about is my personal experience with authenticity and American Jewish speech patterns. My Jewish family members don't talk like they're in The Marvelous Mrs. Maisel, and I've known lots of people who do talk that way (or the millennial version of it), some of whom have questioned my Jewishness because I don't talk that way. That hurts me. Sometimes when another Jew tells me some shit like "I've never heard a Jew say y'all'd've," I can respond with "well now you have asshole, bless your Yankee-ass heart," because the myth of Dixie is a racist lie but I will totally call white Northerners Yankees when they're being shitty to me for being Southern, and this particular Jew fucking revels in using "bless your heart" with maximum polite aggression, especially with said Yankees. But sometimes I don't have it in me to say anything and it just quietly hurts having an important part of me disbelieved by someone who shares that important part of me. The sting isn't quite the same when non-Jews disbelieve or discount my Jewishness, but that hurts too.

Who counts as authentically Jewish is a messy in-group conversation and it doesn't really make sense to explain it all here. Who counts as authentically Jewish is a matter of legal status for immigration, citizenship, and civil rights in Israel, and it's my number 2 reason after horrific treatment of Palestinians that I'm antizionist. But outside that extremely high-stakes legal situation, it can just feel really shitty to not be recognized as One Of Us, especially by your own people.

It can also feel really shitty to be The Only One of Your Kind in a group, even if that group is an immortal chosen family who all loves each other dearly. Sometimes especially in a situation like that where you know those people love you but there are certain things they don't get about you and will never quite be able to. I'm definitely projecting at least a little bit of my "lonely Jew who will be alone again for yet another Jewish holiday" stuff onto Nile when at the end of I See Your Eyes Seek a Distant Shore she's thinking about being the only Black immortal and moving away from the community she'd built with a mostly-Black group of mortals in that fic. Maybe that tracks, or maybe that's fucked up of me.

Basically, this got very long but it's complicated, writing about experiences that aren't your own takes skill which in turn takes time and practice to build, writing about experiences not your own that our society maligns can cause a lot of harm if done badly, it can also cause a lot of harm when a large enough portion of a fandom just decides to nope out of something that's difficult and risky because then there's just not much content about a character who deserves just a shit ton of loving and nuanced content, people are individuals and two people who come from the exact same cultural context might show that influence in all kinds of different ways, identity is complicated, language is complicated, writing is hard, and empathy and humility and doing our best aren't a guarantee of avoiding harm but they do go a long way in helping people create thoughtful content about a character as awesome and powerful and kind and messy and scared and curious and WORTHY as Nile Freeman.

#nile freeman #linguistics #TOG POC Love Fest #nileweek2021 #tog meta #tog #long post #mine #antiblackness #jewish things #hi i'm an antizionist jew no i don't really want to talk about it

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bigskydreaming · 3 years ago

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Something else to keep in mind is the way things compound? Like for instance, I’ve seen a mini trend of fics lately focusing on the issue of Dick dropping out of college or not wanting to go, which for the record, I feel is another way of building up to the idea that he and Bruce have all these fights during this period that are two way streets instead of like....what canon actually was (reminder that in the canon that Dick actually dropped out he and Bruce actually were never really NOT on good terms, like there’s never been a big fight in the comics about this topic so.....incheresting).

But anyway, my point is its worth keeping in mind that how you frame something at one point in a narrative like.....ideally, you want it to mesh up and align with other things you’ve brought up throughout the narrative, and not accidentally contradict yourself narratively.

I mean, this is really the big gripe most Dick Grayson fans have with his fanon characterization overall:

The fact that it just doesn’t make sense.

In Jason-centric fics that are after his resurrection, how often is Jason utterly convinced that Dick can’t even wipe his ass without Bruce’s approval? And yet in Jason-centric fics that are before his death, how often is Jason thinking about how Dick and Bruce are constantly fighting and Bruce can’t seem to do anything without Dick objecting? Reconcile these two things. They make no sense.

Same thing with fics that talk about Dick being the emotional glue of the family, the one keeping a cool head to calm down everyone else when they’re all taking shots at each other.....until randomly he just pops off without warning because he’s just that hot-tempered. These things mesh, how?

Same thing with Dick being frequently referenced as idealized by the hero community......but every time he interacts with someone like Roy or Kori or other Titans he can’t seem to avoid pissing them off and creating epic grudges. Make it make sense.

Or how Dick disliked or didn’t care about Jason to the extent that he only references him as a cautionary tale because of one line in canon......but the whole damn story where he kills the Joker because of Jason doesn’t count.

Or how its not okay to blame Dick for his own rapes but both of his major breakups which are intrinsically linked to the actions of his rapists like....were clearly and objectively all his fault somehow.

Dick Grayson fans aren’t on board with most of fanon because you can’t sell people on a constantly conflicting characterization that makes no sense and has no internal consistency.....you can only cater to people who don’t NEED to be sold on that because they’ve already decided they’re down with hating a character or largely ignoring him.

And I think people have gotten so used to not thinking twice about contradictory takes on Dick Grayson that they unintentionally undermine their own fics by contradicting themselves without even realizing it.

Like its ridiculously common to come across fics that reference Dick being beloved and charming everyone at the society galas they all have to go to.....but these fics take pot shots at Dick’s name, fashion, mannerisms etc all throughout it just because the author likes it or fans expect it or whatever reason.

But actually THINK about it:

Think how snobby the socialites at these galas are characterized as being any time its Jason their noses are turned down at.....and then look at like.....the constant jokes you as the author make YOURSELF at Dick’s very name, fashion and circus origins......how on Earth does it make ANY sense that these same people aren’t doing the same damn thing about Dick? That they’re actually any more fond of him than they are Jason, if no matter how charming he might be in the moment, the second he turns around its just as easy and likely for them to make a joke about his circus background or name as it is for writers and readers? If you can’t resist doing it, you really think snobby one percenters would bother in-universe?

Hell, they’d be more likely to hate him BECAUSE of his name, his fashion, etc.....because think of how often people not so subtly infer that he’s making a bad choice when he refuses to go by a different name, or dress more accordingly to normal fashions, etc.....

Dick has a million ways he could more easily fit in with the society he was brought into and ease his passage through it, but he puts his foot down at practically every opportunity. The idea that everybody is just dazzled by him at these galas makes no sense because the most consistent character choice made by Dick throughout the decades is that he refuses to CONFORM to others’ expectations of what he should be like.

EVERY SINGLE CHOICE he makes from his name to his wardrobe to his costumes to his education to his city to his living arrangements and on and on is in complete and utter DEFIANCE of what people expect of the eldest son or ward of Bruce Wayne, Prince of Gotham, and that’s by Dick’s conscious and consistent choice. He knows damn well how to be more what people want or expect of him, and that’s not what he wants so he says mmmm but also how bout no.

Dick constantly embodies the idea that you can take the boy out of the circus but you can not and will not take the circus out of the boy no matter what environment you place him in or who you surround him with. He will not allow it. He will not play along.

In what universe is that going to endear him to the very people who would most likely view his choice to prioritize the very things they look down upon as something he consciously PREFERS over their projected expectations or assumptions?

Its not.

Personally, I think Gotham high society despises Dick Grayson no matter what they pretend to his face, and he’s perfectly aware of it. And probably gets some kind of trollish glee out of it because fuck them too, anyway.

(And all of that is WITHOUT even taking into account the fact that a good number of the people at these society galas all along were looking at Dick as their future property, given that they were Owl members who knew all along what they intended for their Gray Son. These people simply do not view and treat Dick as an equal. Its impossible. There’s no way).

Or then back to the idea of Bruce and Dick’s fights in his later teenage years being a two way street....

The core problem at the root of all this is the very idea of a two way street implies a certain give and take. A clashing of equals.

And that’s just not the reality in ANY continuity.

Because the question is, in any given fight between Dick and Bruce in ANY canon....

When does Dick ever WIN these fights?

When does Dick get the outcome he wants OVER what Bruce wants? When does Bruce ever cave? When is it NOT Dick leaving the manor without getting what he came for, or even being kicked out? When has Dick ever been able to say no, I’m NOT fired, or no, I’m NOT giving you control over what happens with Robin. Even when he DOES confront Bruce on these matters, Bruce STILL infamously never caves. He never actually apologizes or admits wrongdoing, he still usually tells Dick to leave. Like I said, basically the only time Dick’s ever got the upper hand in an argument was over the college thing and that time it wasn’t even a fight! Bruce didn’t actually care that much! That was the good timeline! LOL.

But there’s never actually a reversal. There’s no real precedent for Bruce caving to a teenage Dick Grayson and saying hey you know what, you’re right here, I’m overstepping or I’m in the wrong or I’m the one who doesn’t know what he’s talking about because our divergent life experiences here have mine as less relevant to the issue in question than yours do?

It doesn’t happen.

And here’s the problem with that:

Dick’s a literal genius. Every member of the Batfam is. Its how they’re able to do what they do. They’re ALL smart as fuck, capable as fuck. Put any of them in any other situation where they’re the only Bat present, and everyone usually defaults to them. They know what to do, they know what call to make, their approach is borne out by the narrative as being the correct approach. Their intelligence and strategy is validated by the narrative, with Dick being no exception here. In fact he’s particularly NOTED within canon narratives for being the guy everyone in the DC universe trusts to lead them.

Now.....imagine being this guy, who while although still a teenager, is in his late teens, and has YEARS of leading his own team under his belt. Years of being responsible for the lives of teammates and civilians. Years of becoming aware of and comfortable with his own natural brilliance. Years of becoming confident in being capable of making the right call when the situation demands it. Years of learning to TRUST in his ability to make the right call, to know the right approach, because not only are people relying on him to make those calls, he needs to be able to trust he can make them in order to have the confidence to follow through and DO so instead of being frozen with indecision or trying to pass the decision off to someone else, which he NEVER does?

With all that....and even with all due respect to Bruce’s own genius and experience....

What are the chances that in all the times that Bruce and Dick clash in his late teenage years....

Dick is NEVER right?

And yet.....when in any of these conflicts.....is he ever validated in that, versus shut down by Bruce who insists his way is still right?

Imagine being an acknowledged genius with years of experience and responsibility under your belt, but NEVER getting to be right in any arguments with your father, even when just based off pure freaking statistics, its frankly impossible for you to be 100% wrong EVERY SINGLE TIME?

Do you see where the two way street thing starts to fall apart? How can it truly be a two way street if part of the reason the two of them so often end UP aggressively opposed to each other during this time period.....is because of how many times previous encounters have only ended ONE way no matter WHAT?

It makes sense for Dick and Bruce not to clash as much during their younger years, because even the most stubborn kids do understand on a fundamental level that they have things to learn from more experienced adults. And Dick has never been someone mindlessly predisposed towards conflict. He didn’t become an exceptional acrobat by the age of eight by butting heads with his parents every time they tried to teach him, he couldn’t have. He KNOWS how to listen, he KNOWS how to acknowledge when someone else is right.

But as he grows older, when he has more and more experience under his belt, more and more confidence in his own insights in large parts thanks to Bruce’s own efforts in buttressing his confidence in his younger years.....what happens when the balance of who is right and who is wrong in their arguments NEVER EVER starts to shift in his direction even a little bit, no matter HOW much more experienced he seems to get....and what happens when communicating this problem, this imbalance, to the person that really matters here, Bruce himself....still inherently requires Bruce accepting blame and acknowledging even just in THIS case, the idea that he’s not always right at this point and Dick has insights that can challenge his?

Of course there’s going to be more and more conflict....but can you truly argue that its a two way street, even just based off THIS? Is the teenage son truly to blame for being frustrated that he’s not allowed to ever be right, because the thing getting in his way is his father never ever being willing to back down or cave or not have the last word?

This is the sort of inherent contradiction I think lies at the heart of a lot of conflicting viewpoints here. It doesn’t matter how much lip service is being paid to the idea that Dick is intelligent, that Dick is respected, if all your content continually bears out the idea that actually no he’s not, because Bruce is always right, Dick never is in the right in arguments or conflicts.

The latter evidence just is not aligning with the former claims, and thus readers are innately forced to make a choice as to which to believe.....and more likely than not, they’re going to err on the side of substantiating whichever stance actually has more narrative support behind it, in any particular story.

See what I’m saying?

You need to make sure your story is ACTUALLY saying what you think you’re saying or you intended to say....or you end up undermining your own intentions.

Anyway. Just throwing that out there.

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mira--mira · 3 years ago

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Hi! I was wondering

How do you think Hashirama and Madara would be in a Road to Ninja version?

I remember once reading a Hashimada fic (which I never finished RIP) that was about Madara appearing in the RTN universe and the 3 things that stucked with me were:

1.- Madara was the first Hokage (something that Madara thought was horrible when he saw his sculpted face on the Hokage mountain 🤣)

And personally I think that it would not have been like that even in the RTN universe because we didn't see his face along with the other faces of Hokages in the movie (Yeah, apparently I'm basing myself on a movie which I'm not even sure if it's canon or not, even though Kishimoto wrote it) and the RTN characters didn't seem to even know who Madara is.

2.- Hashirama having his bowlcut as an adult

And I agree with the Madara from that fanfic, it looks awful on him. Hashirama, babe, I'm sorry but the only ones who can rock that style are Guy Sensei and Rock Lee, I know you just were trying to be cool but it doesn't suite you.

3.- Tobirama was a porn writer

Instead of being a fan of forbidden jutsu and creating justus, he wrote porn novels a la Jiraiya. And I'll hold that headcanon with my dead hands.

The only other fanfic that places the founders in the RTN universe is one where the protagonist is Mito (it's an interesting one-shot that pairs her with Itama 🤔)

She was kind of a shy person 🤔? And so it was Tobirama 🤣 which I found fun.

Hashirama, as the first fanfic I mentioned, was the Tobirama of the place (saddenly Madara wasn't in this fic).

So I would like to know what are your versions of the founders (or only Hashirama and Madara if it is too much) in the RTN universe! And how do you think things would be

Hmm, RTN is an interesting concept to me but, to be honest, I don't think Konoha would exist if a lot of personalities got flipped 😂 I haven't read any RTN fics with the founders, but if you, or anyone else, have links at hand I'd love to check them out 👀

1. Madara

Here's the big one and the crux of why I don't think the village would exist. Typically I characterize Madara as an extremely responsible man who internalizes things when he shouldn't, takes himself way too seriously, is aggressive and abrasive even to people he loves sometimes, but genuinely loves the people closest too him. Reversing this would make a character that slacks off, takes no responsibility, and is completely passive in life and has fleeting attachments to others around him. Assuming he wouldn't die on the battlefield, I could see the RTN "alternate" personality coming about of Madara's being so overpowered and competent that he loses interest and distances himself from things before he can get attached and lose them.

It makes building a village very hard though. (At first I was tempted to go RTN Sasuke route and maybe RTN!Madara is a little more openly flirty than canon!Madara, but the passivity and refusal to take responsibility would be the "core" qualities for me.)

2. Hashirama

Hashirama is a bit weird because he has a lot of surface-level "conflicting" traits in canon. He is optimistic but he pushes beyond his natural attitude and uses it as a mask to hide instead of addressing his feelings. He's mischievous, likes jokes and games, and can be a bit hedonistic with his pleasure but can equally be serious when necessary and will willingly sacrifice for others around him. And simultaneously, Hashirama and Madara are connected by a shared sense of idealism but also anger. Hashirama is a very kind, but extremely angry, man. I think a RTN!Hashirama would share a kind of apathy of RTN!Madara but instead of passivity his lack of anger would manifest as cruelty. Because canon!Hashirama is angry but his anger is usually a righteous kind. I don't think RTN!Hashirama would go out of his way to be cruel, but he doesn't have the empathy of canon!Hashirama, especially to others' suffering. He enjoys fighting just a bit too much and has no qualms about killing. In his mind, he should always come first in any situation and prioritizing (or even considering) others' is effort and him going out of his way to be "nice" and the other should be thankful. Similarly if he feels any negative emotion, he won't bottle it up and swallow it down, he'll immediately address it, usually confrontationally. RTN!Hashirama is as intelligent as his canon counterpart but he doesn't suffer fools and he hates it when people underestimate him. He's pretty proud and vain, tbh.

I really don't think the above would make him the "Tobirama" of RTN verse. To me Hashirama and Tobirama have different core values and perspectives and inverting Hashirama's doesn't make it become Tobirama's, if that makes sense. This one is also wordy bc I immediately knew how RTN!Madara would be RTN!Hashirama is a bit harder to pin down. But I hope it's clear why I have doubts about the village existing...maybe if RTN!Hashirama got it in his mind as a pet project for the hell of it, that he'd be a better leader for the country and not just the Senju alone, and RTN!Madara liked the idea of no responsibility and being able to detach even further than he already was? But that's still kind of grasping for a reason.

3. Hashimada

Equally I think any Hashirama/Madara relationship would be ehhh. They definitely wouldn't have the overwhelming bond of their canon counterparts, and it could be a relationship ripe for unhappiness. The closest I can think of to making the ship work is RTN!Madara would be drawn to Hashirama's absurd level of self-confidence and able to let the casual cruelty slide off instead of getting worked up about it. In a way RTN!Hashirama is stable and predictable. If he's pretty overpowered, there's less of a chance RTN!Madara would lose him, so their relationship isn't deep but it's more or less dependable and Madara knows exactly what he's going to get. In contrast RTN!Hashirama has an audience in the form of RTN!Madara and a partner that's not going to push back against his ideas. RTN!Madara doesn't ask for much and he doesn't complain when RTN!Hashirama puts himself first. He doesn't want, or might not be capable of, the deep emotional bond their canon counterparts have. RTN!Madara wouldn't leave Konoha (if it existed) in the AU, because he doesn't really care. If someone upset RTN!Hashirama and he decided to leave to 'do it right' RTN!Madara would probably follow, maybe out of some loyalty for RTN!Hashirama but mostly because it's what's easiest.

4. Tobirama

The core of Tobirama's character to me is prioritizing logic over emotion and both a conscious and unconscious failure to realize he can't completely eliminate emotion. Tobirama loves his brother, he's curious and has a desire to find out what makes things work and is willing to bend morality to get results if it'll serve a greater good. He's very aware of the unfairness of the world but believes it's an unspoken truth of humanity and can only be mitigated through logical means, but never completely erased. He'll be the sacrificial lamb, the one that works in shadows so his brother can have his utopian dream. Despite everything, he loves his genin, the strongest bonds he has aside from Hashirama, and does try to instill in them lessons he think will help them and lead to peace and stability in the village. He's still influenced by the prejudices of his time and can never find it in him to truly forgive the Uchiha.

A RTN!Tobirama would be a man ruled by emotion. Him writing erotica all day definitely could be one way this manifests lol. But overall he's sensitive and spiritual and can't stand the idea of killing. He and RTN!Hashirama don't get along and he actively tries to avoid his brother. RTN!Tobirama has equally strong principles as canon!Tobirama, but they're pacifist in nature and while he likes his studies, he prefers to be out talking to people and learning from them first hand. He's very naive and can be easily taken advantage of and he has trouble focusing on any one thing for too long. No matter how many times this happens, he never can harden his heart or be overly suspicious of others. RTN!Tobirama would most likely be the one support peace in this AU. He embraces the Uchiha and all the Senjus past enemies with open arms, almost to a foolish degree. It'd be a bad idea if he became hokage in this AU because he's a terrible negotiator and has a bad people-pleasing streak and struggles with long-term tactics. With the exception of RTN!Hashirama, who he considers an aberration who doesn't have a soul, humans at their core all have good intentions at heart.

5. Mito

I characterize Mito as a very level-headed woman. Her marriage to Hashirama is political in nature but they grow to be good friends and she never expected to fall in love and she's glad Hashirama didn't want a traditional wife. Mito is devoted to her community work (she works hands-on with people in the village), she seeks out connections with others and, despite the distance, remains close with her family in Uzushio, constantly writing them letters. She's spiritual and follows the Uzumakis' beliefs (not gonna list this OoT spoiler lol) and studies fuinjutsu in her spare time, something she's done since she was a child. She is willing to sacrifice if it meant protecting something she considered greater than herself, much to her own personal detriment. She loves and is proud of her children and grandchildren, but if she had a choice, she would have chosen to remain childless, she finds her true calling elsewhere.

RTN!Mito, similarly to RTN!Tobirama, is ruled by emotions. She dreams of one day making a good marriage for herself and centers romance and being a mother as her ideal life, but she's extremely picky when it comes picking the perfect husband. RTN!Mito knows how much she's worth and she refuses to settle and will not even entertain the idea of an arranged marriage. She has a hard time forming long-lasting, deep bonds with other people and views starting her own family as the solution to this problem. At times she can be a bit absent-minded and unintentionally selfish, but she's not actively malicious. She blusters a lot and depending on the situation can come off as cold and uncaring, but it's only to hide the depth of her true feelings and loneliness. In this AU she would absolutely refuse to marriage RTN!Hashirama. Nothing on hell or earth, could make her change her mind.

Mito is such a blank-slate character it feels like writing an oc more than a canon character, tbh. And this is something I don't see brought up a lot but a "heart full of love" to combat the kyuubi's hatred to me has never been exclusive to romantic or familial (to children) love. *cough* I want a complex female character who's not vilified for not wanting to have children and/or regretting having them *cough* Mito's "love" was for the people of Konoha and Uzushio. My personal headcanon regarding her and Hashirama's child (I don't think she had more than one) was that she was dedicated to her son, but quickly realized being a mother wasn't her dream or something she even actively liked. The kid was well-cared for and she was dutiful towards him, but Hashirama was the parent that loved and embraced him with his whole heart and it led to some tension between Mito and her son as the kid could tell the difference and neither of them were "wrong" to feel the way they did. This is why Tsunade was shown with Hashirama instead of Mito, he was a lot more present in her life when she was young (instead of Kishi just not having made Mito as a character yet). But after Hashirama and Tsunade's dad died (and then Nawaki), she and Mito grew close but it was definitely more of a friendship or student/mentor relationship rather than a traditional grandmother/granddaughter relationship but both were satisfied with it and loved eachother. Likewise I didn't want RTN!Mito's characterization to be shallow and hit misogynistic undertones with her being an "opposite" to Mito's calm, level-headed, focused on her work/passions characterization.

6. Closing thoughts

#1: Wow this got long #2: I feel conflicted about RTN because it seemed to flip surface-level characteristics instead of deep characterizations, and ignored flaws altogether. The ones above, esp. Hashirama and Madara's, are kind of dark in a way? But that's the only way it makes sense to me...Gai and Lee caring about style and being stylish is a funny joke but if you were to actually poke and prod and say their personalities were inverted, neither of them would be top-notch ninja as we know...unless I'm just completely misremembering RTN because I realize it's been years since I saw it lol. Anyway, hope this was entertaining!

#naruto #hashimada #hashirama senju #madara uchiha #mito uzumaki #tobirama senju #asks #al-stuffy #rtn au #long post

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shortnotsweet · 4 years ago

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Bakudeku: A Non-Comprehensive Dissection of the Exploitation of Working Bodies, the Murder of Annoying Children, and a Rivals-to-Lovers Complex

I. Bakudeku in Canon, And Why Anti’s Need to Calm the Fuck Down

II. Power is Power: the Brain-Melting Process of Normalization and Toxic Masculinity

III. How to Kill Middle Schoolers, and Why We Should

IV. Parallels in Abuse, EnemiesRivals-to-Lovers, and the Necessity of Redemption ft. ATLA’s Zuko

V. Give it to Me Straight. It’s Homophobic.

VI. Love in Perspective, from the East v. West

VII. Stuck in the Sludge, the Past, and Season One

Disclaimer

It needs to be said that there is definitely a place for disagreement, discourse, debate, and analysis: that is a sign of an active fandom that’s heavily invested, and not inherently a bad thing at all. Considering the amount of source material we do have (from the manga, to the anime, to the movies, to the light novels, to the official art), there are going to be warring interpretations, and that’s inevitable.

I started watching and reading MHA pretty recently, and just got into the fandom. I was weary for a reason, and honestly, based on what I’ve seen, I’m still weary now. I’ve seen a lot of anti posts, and these are basically my thoughts. This entire thing is in no way comprehensive, and it’s my own opinion, so take it with a grain of salt. If I wanted to be thorough about this, I would’ve included manga panels, excerpts from the light novel, shots from the anime, links to other posts/essays/metas that have inspired this, etc. but I’m tired and not about that life right now, so, this is what it is. This is poorly organized, but maybe I’ll return to fix it.

Let’s begin.

Bakudeku in Canon, And Why Anti’s Need to Calm the Fuck Down

There are a lot of different reasons, that can be trivial as you like, to ship or not to ship two (or more) characters. It could be based purely off of character design, proximity, aversion to another ship, or hypotheticals. And I do think that it’s totally valid if someone dislikes the ship or can’t get on board with his character because to them, it does come across as abuse, and the implications make them uncomfortable or, or it just feels unhealthy. If that is your takeaway, and you are going to stick to your guns, the more power to you.

But Bakudeku’s relationship has canonically progressed to the point where it’s not the emotionally (or physically) abusive clusterfuck some people portray it to be, and it’s cheap to assume that it would be, based off of their characterizations as middle schoolers. Izuku intentionally opens the story as a naive little kid who views the lens of the Hero society through rose colored glasses and arguably wants nothing more than assimilation into that society; Bakugou is a privileged little snot who embodies the worst and most hypocritical beliefs of this system. Both of them are intentionally proven wrong. Both are brainwashed, as many little children are, by the propaganda and societal norms that they are exposed to. Both of their arcs include unlearning crucial aspects of the Hero ideology in order to become true heroes.

I will personally never simp for Bakugou because for the longest time, I couldn't help but think of him as a little kid on the playground screaming at the top of his lungs because someone else is on the swingset. He’s red in the face, there are probably veins popping out of his neck, he’s losing it. It’s easy to see why people would prefer Tododeku to Bakudeku.

Even now, seeing him differently, I still personally wouldn’t date Bakugou, especially if I had other options. Why? I probably wouldn’t want to date any of the guys who bullied me, especially because I think that schoolyard bullying, even in middle school, affected me largely in a negative way and created a lot of complexes I’m still trying to work through. I haven’t built a better relationship with them, and I’m not obligated to. Still, I associate them with the kind of soft trauma that they inflicted upon me, and while to them it was probably impersonal, to me, it was an intimate sort of attack that still affects me. That being said, that is me. Those are my personal experiences, and while they could undoubtedly influence how I interpret relationships, I do not want to project and hinder my own interpretation of Deku.

The reality is that Deku himself has an innate understanding of Bakugou that no one else does; I mention later that he seems to understand his language, implicitly, and I do stand by that. He understands what it is he’s actually trying to say, often why he’s saying it, and while others may see him as wimpy or unable to stand up for himself, that’s simply not true. Part of Deku’s characterization is that he is uncommonly observant and empathetic; I’m not denying that Bakugou caused harm or inflicted damage, but infantilizing Deku and preaching about trauma that’s not backed by canon and then assuming random people online excuse abuse is just...the leap of leaps, and an actual toxic thing to do. I’ve read fan works where Bakugou is a bully, and that’s all, and has caused an intimate degree of emotional, mental, and physical insecurity from their middle school years that prevents their relationship from changing, and that’s for the better. I’m not going to argue and say that it’s not an interesting take, or not valid, or has no basis, because it does. Its basis is the character that Bakugou was in middle school, and the person he was when he entered UA.

Not only is Bakugou — the current Bakugou, the one who has accumulated memories and experiences and development — not the same person he was at the beginning of the story, but Deku is not the same person, either. Maybe who they are fundamentally, at their core, stays the same, but at the beginning and end of any story, or even their arcs within the story, the point is that characters will undergo change, and that the reader will gain perspective.

“You wanna be a hero so bad? I’ve got a time-saving idea for you. If you think you’ll have a quirk in your next life...go take a swan dive off the roof!”

Yes. That is a horrible thing to tell someone, even if you are a child, even if you don’t understand the implications, even if you don’t mean what it is you are saying. Had someone told me that in middle school, especially given our history and the context of our interactions, I don’t know if I would ever have forgiven them.

Here’s the thing: I’m not Deku. Neither is anyone reading this. Deku is a fictional character, and everyone we know about him is extrapolated from source material, and his response to this event follows:

“Idiot! If I really jumped, you’d be charged with bullying me into suicide! Think before you speak!”

I think it’s unfair to apply our own projections as a universal rather than an interpersonal interpretation; that’s not to say that the interpretation of Bakudeku being abusive or having unbalanced power dynamics isn’t valid, or unfounded, but rather it’s not a universal interpretation, and it’s not canon. Deku is much more of a verbal thinker; in comparison, Bakugou is a visual one, at least in the format of the manga, and as such, we get various panels demonstrating his guilt, and how deep it runs. His dialogue and rapport with Deku has undeniably shifted, and it’s very clear that the way they treat each other has changed from when they were younger. Part of Bakugou’s growth is him gaining self awareness, and eventually, the strength to wield that. He knows what a fucked up little kid he was, and he carries the weight of that.

“At that moment, there were no thoughts in my head. My body just moved on its own.”

There’s a part of me that really, really disliked Bakugou going into it, partially because of what I’d seen and what I’d heard from a limited, outside perspective. I felt like Bakugou embodied the toxic masculinity (and to an extent, I still believe that) and if he won in some way, that felt like the patriarchy winning, so I couldn't help but want to muzzle and leash him before releasing him into the wild.

The reality, however, of his character in canon is that it isn’t very accurate to assume that he would be an abusive partner in the future, or that Midoryia has not forgiven him to some extent already, that the two do not care about each other or are singularly important, that they respect each other, or that the narrative has forgotten any of this.

Don’t mistake me for a Bakugou simp or apologist. I’m not, but while I definitely could also see Tododeku (and I have a soft spot for them, too, their dynamic is totally different and unique, and Todoroki is arguably treated as the tritagonist) and I’m ambivalent about Izuocha (which is written as cannoncially romantic) I do believe that canonically, Bakugou and Deku are framed as soulmates/character foils, Sasuke + Naruto, Kageyama + Hinata style. Their relationship is arguably the focus of the series. That’s not to undermine the importance or impact of Deku’s relationships with other characters, and theirs with him, but in terms of which one takes priority, and which one this all hinges on?

The manga is about a lot of things, yes, but if it were to be distilled into one relationship, buckle up, because it’s the Bakudeku show.

Power is Power: the Brain-Melting Process of Normalization and Toxic Masculinity

One of the ways in which the biopolitical prioritization of Quirks is exemplified within Hero society is through Quirk marriages. Endeavor partially rationalizes the abuse of his family through the creation of a child with the perfect quirk, a child who can be molded into the perfect Hero. People with powerful, or useful abilities, are ranked high on the hierarchy of power and privilege, and with a powerful ability, the more opportunities and avenues for success are available to them.

For the most part, Bakugou is a super spoiled, privileged little rich kid who is born talented but is enabled for his aggressive behavior and, as a child, cannot move past his many internalized complexes, treats his peers like shit, and gets away with it because the hero society he lives in either has this “boys will be boys” mentality, or it’s an example of the way that power, or Power, is systematically prioritized in this society. The hero system enables and fosters abusers, people who want power and publicity, and people who are genetically predisposed to have advantages over others. There are plenty of good people who believe in and participate in this system, who want to be good, and who do good, but that doesn’t change the way that the hero society is structured, the ethical ambiguity of the Hero Commission, and the way that Heroes are but pawns, idols with machine guns, used to sell merch to the public, to install faith in the government, or the current status quo, and reinforce capitalist propaganda. Even All Might, the epitome of everything a Hero should be, is drained over the years, and exists as a concept or idea, when in reality he is a hollow shell with an entire person inside, struggling to survive. Hero society is functionally dependent on illusion.

In Marxist terms: There is no truth, there is only power.

Although Bakugou does change, and I think that while he regrets his actions, what is long overdue is him verbally expressing his remorse, both to himself and Deku. One might argue that he’s tried to do it in ways that are compatible with his limited emotional range of expression, and Deku seems to understand this language implicitly.

I am of the opinion that the narrative is building up to a verbal acknowledgement, confrontation, and subsequent apology that only speaks what has gone unspoken.

That being said, Bakugou is a great example of the way that figures of authority (parents, teachers, adults) and institutions both in the real world and this fictional universe reward violent behavior while also leaving mental and emotional health — both his own and of the people Bakugou hurts — unchecked, and part of the way he lashes out at others is because he was never taught otherwise.

And by that, I’m referring to the ways that are to me, genuinely disturbing. For example, yelling at his friends is chill. But telling someone to kill themselves, even casually and without intent and then misinterpreting everything they do as a ploy to make you feel weak because you're projecting? And having no teachers stop and intervene, either because they are afraid of you or because they value the weight that your Quirk can benefit society over the safety of children? That, to me, is both real and disturbing.

Not only that, but his parents (at least, Mitsuki), respond to his outbursts with more outbursts, and while this is likely the culture of their home and I hesitate to call it abusive, I do think that it contributed to the way that he approaches things. Bakugou as a character is very complex, but I think that he is primarily an example of the way that the Hero System fails people.

I don’t think we can write off the things he’s done, especially using the line of reasoning that “He didn’t mean it that way”, because in real life, children who hurt others rarely mean it like that either, but that doesn’t change the effect it has on the people who are victimized, but to be absolutely fair, I don’t think that the majority of Bakudeku shippers, at least now, do use that line of reasoning. Most of them seem to have a handle on exactly how fucked up the Hero society is, and exactly why it fucks up the people embedded within that society.

The characters are positioned in this way for a reason, and the discoveries made and the development that these characters undergo are meant to reveal more about the fictional world — and, perhaps, our world — as the narrative progresses.

The world of the Hero society is dependent, to some degree, on biopolitics. I don’t think we have enough evidence to suggest that people with Quirks or Quirkless people place enough identity or placement within society to become equivalent to marginalized groups, exactly, but we can draw parallels to the way that Deku and by extent Quirkless people are viewed as weak, a deviation, or disabled in some way. Deviants, or non-productive bodies, are shunned for their inability to perform ideal labor. While it is suggested to Deku that he could become a police officer or pursue some other occupation to help people, he believes that he can do the most positive good as a Hero. In order to be a Hero, however, in the sense of a career, one needs to have Power.

Deviation from the norm will be punished or policed unless it is exploitable; in order to become integrated into society, a deviant must undergo a process of normalization and become a working, exploitable body. It is only through gaining power from All Might that Deku is allowed to assimilate from the margins and into the upper ranks of society; the manga and the anime give the reader enough perspective, context, and examples to allow us to critique and deconstruct the society that is solely reliant on power.

Through his societal privileges, interpersonal biases, internalized complexes, and his subsequent unlearning of these ideologies, Bakugou provides examples of the way that the system simultaneously fails and indoctrinates those who are targeted, neglected, enabled by, believe in, and participate within the system.

Bakudeku are two sides of the same coin. We are shown visually that the crucial turning point and fracture in their relationship is when Bakugou refuses to take Deku’s outstretched hand; the idea of Deku offering him help messes with his adolescent perspective in that Power creates a hierarchy that must be obeyed, and to be helped is to be weak is to be made a loser.

Largely, their character flaws in terms of understanding the hero society are defined and entangled within the concept of power. Bakugou has power, or privilege, but does not have the moral character to use it as a hero, and believes that Power, or winning, is the only way in which to view life. Izuku has a much better grasp on the way in which heroes wield power (their ideologies can, at first, be differentiated as winning vs. saving), and is a worthy successor because of this understanding, and of circumstance. However, in order to become a Hero, our hero must first gain the Power that he lacks, and learn to wield it.

As the characters change, they bridge the gaps of their character deficiencies, and are brought closer together through character parallelism.

Two sides of the same coin, an outstretched hand.

They are better together.

How to Kill Middle Schoolers, and Why We Should

I think it’s fitting that in the manga, a critical part of Bakugou’s arc explicitly alludes to killing the middle school version of himself in order to progress into a young adult. In the alternative covers Horikoshi released, one of them was a close up of Bakugou in his middle school uniform, being stabbed/impaled, with blood rolling out of his mouth. Clearly this references the scene in which he sacrifices himself to save Deku, on a near-instinctual level.

To me, this only cements Horikoshi’s intent that middle school Bakugou must be debunked, killed, discarded, or destroyed in order for Bakugou the hero to emerge, which is why people who do actually excuse his actions or believe that those actions define him into young adulthood don’t really understand the necessity for change, because they seem to imply that he doesn’t need/cannot reach further growth, and there doesn’t need to be a separation between the Bakugou who is, at heart, volatile and repressed the angry, and the Bakugou who sacrifices himself, a hero who saves people.

Plot twist: there does need to be a difference. Further plot twist: there is a difference.

In sacrificing himself for Deku, Bakugou himself doesn't die, but the injury is fatal in the sense that it could've killed him physically and yet symbolizes the selfish, childish part of him that refused to accept Deku, himself, and the inevitability of change. In killing those selfish remnants, he could actually become the kind of hero that we the reader understand to be the true kind.

That’s why I think that a lot of the people who stress his actions as a child without acknowledging the ways he has changed, grown, and tried to fix what he has broken don’t really get it, because it was always part of his character arc to change and purposely become something different and better. If the effects of his worst and his most childish self stick with you more, and linger despite that, that’s okay. But distilling his character down to the wrong elements doesn’t get you the bare essentials; what it gets you is a skewed and shallow version of a person. If you’re okay with that version, that is also fine.

But you can’t condemn others who aren’t fine with that incomplete version, and to become enraged that others do not see him as you do is childish.

Bakugou’s change and the emphasis on that change is canon.

Parallels in Abuse, EnemiesRivals-to-Lovers, and the Necessity of Redemption ft. ATLA’s Zuko

In real life, the idea that “oh, he must bully you because he likes you” is often used as a way to brush aside or to excuse the action of bullying itself, as if a ‘secret crush’ somehow negates the effects of bullying on the victim or the inability of the bully to properly process and manifest their emotions in certain ways. It doesn’t. It often enables young boys to hurt others, and provides figures of authority to overlook the real source of schoolyard bullying or peer review. The “secret crush”, in real life, is used to undermine abuse, justify toxic masculinity, and is essentially used as a non-solution solution.

A common accusation is that Bakudeku shippers jump on the pairing because they romanticize pairing a bully and a victim together, or believe that the only way for Bakugou to atone for his past would be to date Midoryia in the future. This may be true for some people, in which case, that’s their own preference, but based on my experience and what I’ve witnessed, that’s not the case for most.

The difference being is that as these are characters, we as readers or viewers are meant to analyze them. Not to justify them, or to excuse their actions, but we are given the advantage of the outsider perspective to piece their characters together in context, understand why they are how they are, and witness them change; maybe I just haven’t been exposed to enough of the fandom, but no one (I’ve witnessed) treats the idea that “maybe Bakugou has feelings he can’t process or understand and so they manifest in aggressive and unchecked ways'' as a solution to his inability to communicate or process in a healthy way, rather it is just part of the explanation of his character, something is needs to — and is — working through. The solution to his middle school self is not the revelation of a “teehee, secret crush”, but self-reflection, remorse, and actively working to better oneself, which I do believe is canonically reflected, especially as of recently.

In canon, they are written to be partners, better together than apart, and I genuinely believe that one can like the Bakudeku dynamic not by route of romanticization but by observation.

I do think we are meant to see parallels between him and Endeavor; Endeavor is a high profile abuser who embodies the flaws and hypocrisy of the hero system. Bakugou is a schoolyard bully who emulates and internalizes the flaws of this system as a child, likely due to the structure of the society and the way that children will absorb the propaganda they are exposed to; the idea that Quirks, or power, define the inherent value of the individual, their ability to contribute to society, and subsequently their fundamental human worth. The difference between them is the fact that Endeavor is the literal adult who is fully and knowingly active within a toxic, corrupt system who forces his family to undergo a terrifying amount of trauma and abuse while facing little to no consequences because he knows that his status and the values of their society will protect him from those consequences. In other words, Endeavor is the threat of what Bakugou could have, and would have, become without intervention or genuine change.

Comparisons between characters, as parallels or foils, are tricky in that they imply but cannot confirm sameness. Having parallels with someone does not make them the same, by the way, but can serve to illustrate contrasts, or warnings. Harry Potter, for example, is meant to have obvious parallels with Tom Riddle, with similar abilities, and tragic upbringings. That doesn’t mean Harry grows up to become Lord Voldemort, but rather he helps lead a cross-generational movement to overthrow the facist regime. Harry is offered love, compassion, and friends, and does not embrace the darkness within or around him. As far as moldy old snake men are concerned, they do not deserve a redemption arc because they do not wish for one, and the truest of change only occurs when you actively try to change.

To be frank, either way, Bakugou was probably going to become a good Hero, in the sense that Endeavor is a ‘good’ Hero. Hero capitalized, as in a pro Hero, in the sense that it is a career, an occupation, and a status. Because of his strong Quirk, determination, skill, and work ethic, Bakugou would have made a good Hero. Due to his lack of character, however, he was not on the path to become a hero; defender of the weak, someone who saves people to save people, who is willing to make sacrifices detrimental to themselves, who saves people out of love.

It is necessary for him to undergo both a redemption arc and a symbolic death and rebirth in order for him to follow the path of a hero, having been inspired and prompted by Deku.

I personally don’t really like Endeavor’s little redemption arc, not because I don’t believe that people can change or that they shouldn't at least try to atone for the atrocities they have committed, but because within any narrative, a good redemption arc is important if it matters; what also matters is the context of that arc, and whether or not it was needed. For example, in ATLA, Zuko’s redemption arc is widely regarded as one of the best arcs in television history, something incredible. And it is. That shit fucks. In a good way.

It was confirmed that Azula was also going to get a redemption arc, had Volume 4 gone on as planned, and it was tentatively approached in the comics, which are considered canon. She is an undeniably bad person (who is willing to kill, threaten, exploit, and colonize), but she is also a child, and as viewers, we witness and recognize the factors that contributed to her (debatable) sociopathy, and the way that the system she was raised in failed her. Her family failed her; even Uncle Iroh, the wise mentor who helps guide Zuko to see the light, is willing to give up on her immediately, saying that she’s “crazy” and needs to be “put down”. Yes, it’s comedic, and yes, it’s pragmatic, but Azula is fourteen years old. Her mother is banished, her father is a psychopath, and her older brother, from her perspective, betrayed and abandoned her. She doesn’t have the emotional support that Zuko does; she exploits and controls her friends because it’s all she’s been taught to do; she says herself, her “own mother thought [she] was a monster; she was right, of course, but it still [hurts]”. A parent who does not believe in you, or a parent that uses you and will hurt you, is a genuine indicator of trauma.

The writers understood that both Zuko and Azula deserved redemption arcs. One was arguably further gone than the other, but that doesn’t change the fact that they are both children, products of their environment, who have the time, motive, and reason to change.

In contrast, you know who wouldn’t have deserved a redemption arc? Ozai. That simply would not have been interesting, wouldn’t have served the narrative well, and honestly, is not needed, thematically or otherwise. Am I comparing Ozai to Endeavor? Basically, yes. Fuck those guys. I don’t see a point in Endeavor’s little “I want to be a good dad now” arc, and I think that we don’t need to sympathize with characters in order to understand them or be interested in them. I want Touya/Dabi to expose his abuse, for his career to crumble, and then for him to die.

If they are not challenging the system that we the viewer are meant to question, and there is no thematic relevance to their redemption, is it even needed?

On that note, am I saying that Bakugou is the equivalent to Zuko? No, lmao. Definitely not. They are different characters with different progressions and different pressures. What I am saying is that good redemption arcs shouldn’t be handed out like candy to babies; it is the quality, rather than the quantity, that makes a redemption arc good. In terms of the commentary of the narrative, who needs a redemption arc, who is deserving, and who does it make sense to give one to?

In this case, Bakugou checks those boxes. It was always in the cards for him to change, and he has. In fact, he’s still changing.

Give it to Me Straight. It’s Homophobic.

There does seem to be an urge to obsessively gender either Bakugou or Deku, in making Deku the ultra-feminine, stereotypically hyper-sexualized “woman” of the relationship, with Bakugou becoming similarly sexualized but depicted as the hyper-masculine bodice ripper. On some level, that feels vaguely homophobic if not straight up misogynistic, in that in a gay relationship there’s an urge to compel them to conform under heteronormative stereotypes in order to be interpreted as real or functional. On one hand, I will say that in a lot of cases it feels like more of an expression of a kink, or fetishization and subsequent expression of internalized misogyny, at least, rather than a genuine exploration of the complexity and power imbalances of gender dynamics, expression, and boundaries.

That being said, I don’t think that that problematic aspect of shipping is unique to Bakudeku, or even to the fandom in general. We’ve all read fan work or see fanart of most gay ships in a similiar manner, and I think it’s a broader issue to be addressed than blaming it on a singular ship and calling it a day.

One interpretation of Bakugou’s character is his repression and the way his character functions under toxic masculinity, in a society’s egregious disregard for mental and emotional health (much like in the real world), the horrifying ways in which rage is rationalized or excused due to the concept of masculinity, and the way that characteristics that are associated with femininity — intellect, empathy, anxiety, kindness, hesitation, softness — are seen as stereotypically “weak”, and in men, traditionally emasculating. In terms of the way that the fictional universe is largely about societal priority and power dynamics between individuals and the way that extends to institutions, it’s not a total stretch to guess that gender as a construct is a relevant topic to expand on or at least keep in mind for comparison.

I think that the way in which characters are gendered and the extent to which that is a result of invasive heteronormativity and fetishization is a really important conversation to have, but using it as a case-by-case evolution of a ship used to condemn people isn’t conductive, and at that point, it’s treated as less of a real concern but an issue narrowly weaponised.

Love in Perspective, from the East v. West

Another thing I think could be elaborated on and written about in great detail is the way that the Eastern part of the fandom and the Western part of the fandom have such different perspectives on Bakudeku in particular. I am not going to go in depth with this, and there are many other people who could go into specifics, but just as an overview:

The manga and the anime are created for and targeted at a certain audience; our take on it will differ based on cultural norms, decisions in translation, understanding of the genre, and our own region-specific socialization. This includes the way in which we interpret certain relationships, the way they resonate with us, and what we do and do not find to be acceptable. Of course, this is not a case-by-case basis, and I’m sure there are plenty of people who hold differing beliefs within one area, but speaking generally, there is a reason that Bakudeku is not regarded as nearly as problematic in the East.

Had this been written by a Western creator, marketed primarily to and within the West (for reference, while I am Chinese, but I have lived in the USA for most of my life, so my own perspective is undoubtedly westernized), I would’ve immediately jumped to make comparisons between the Hero System and the American police system, in that a corrupt, or bastardized system is made no less corrupt for the people who do legitimately want to do good and help people, when that system disproportionately values and targets others while relying on propaganda that society must be reliant on that system in order to create safe communities when in reality it perpetuates just as many issues as it appears to solve, not to mention the way it attracts and rewards violent and power-hungry people who are enabled to abuse their power. I think comparisons can still be made, but in terms of analysis, it should be kept in mind that the police system in other parts of the world do not have the same history, place, and context as it does in America, and the police system in Japan, for example, probably wasn’t the basis for the Hero System.

As much as I do believe in the Death of the Author in most cases, the intent of the author does matter when it comes to content like this, if merely on the basis that it provides context that we may be missing as foreign viewers.

As far as the intent of the author goes, Bakugou is on a route of redemption.

He deserves it. It is unavoidable. That, of course, may depend on where you’re reading this.

Stuck in the Sludge, the Past, and Season One

If there’s one thing, to me, that epitomizes middle school Bakugou, it’s him being trapped in a sludge monster, rescued by his Quirkless childhood friend, and unable to believe his eyes. He clings to the ideology he always has, that Quirkless means weak, that there’s no way that Deku could have grown to be strong, or had the capacity to be strong all along. Bakugou is wrong about this, and continuously proven wrong. It is only when he accepts that he is wrong, and that Deku is someone to follow, that he starts his real path to heroics.

If Bakudeku’s relationship does not appeal to someone for whatever reason, there’s nothing wrong with that. They can write all they want about why they don’t ship it, or why it bothers them, or why they think it’s problematic. If it is legitimately triggering to you, then by all means, avoid it, point it out, etc. but do not undermine the reality of abuse simply to point fingers, just because you don’t like a ship. People who intentionally use the anti tag knowing it’ll show up in the main tag, go after people who are literally minding their own business, and accuse people of supporting abuse are the ones looking for a fight, and they’re annoying as hell because they don’t bring anything to the table. No evidence, no analysis, just repeated projection.

To clarify, I’m referring to a specific kind of shipper, not someone who just doesn’t like a ship, but who is so aggressive about it for absolutely no reason. There are plenty of very lovely people in this fandom, who mind their own business, multipship, or just don’t care.

Calling shippers dumb or braindead or toxic (to clarify, this isn’t targeting any one person I’ve seen, but a collective) based on projections and generalizations that come entirely from your own impression of the ship rather than observation is...really biased to me, and comes across as uneducated and trigger happy, rather than constructive or helpful in any way.

I’m not saying someone has to ship anything, or like it, in order to be a ‘good’ participant. But inserting derogatory material into a main tag, and dropping buzzwords with the same tired backing behind it without seeming to understand the implications of those words or acknowledging the development, pacing, and intentional change to the characters within the plot is just...I don’t know, it comes across as redundant, to me at least, and very childish. Aggressive. Toxic. Problematic. Maybe the real toxic shippers were the ones who bitched and moaned along the way. They’re like little kids, stuck in the past, unable to visualize or recognize change, and I think that’s a real shame because it’s preventing them from appreciating the story or its characters as it is, in canon.

But that’s okay, really. To each their own. Interpretations will vary, preferences differ, perspectives are not uniform. There is no one truth. There are five seasons of the show, a feature film, and like, thirty volumes as of this year.

All I’m saying is that if you want to stay stuck in the first season of each character, then that’s what you’re going to get. That’s up to you.

This may be edited or revised.

#bakudeku #meta #my hero academia #boko no hero academia #bnha #mha #bakugou katsuki #izuku midoriya #ok these are just my general thoughts in response to the people who have hang ups about this ship #like y’all need to pls chill tf out ok #this is also not comprehensive and could definitely be elaborated on #but it’s just general thoughts #it’s just addressing general opposition I’ve seen #I never thought I’d ever write this much about this ship wtf

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mooglesorts · 4 years ago

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man. it's weird, because there's a lot of things about me that are Very Badger Primary, to the point where i would probably pick it with a strong bird model over anything else at this point... except that i hate dehumanization. i saw primaries described recently as 'things you wouldn't be you anymore if you went against,' and more than just about anything else that's it. even when i think people are monsters, i can't see them as not human; i'd be hard put to define exactly what i consider a 'monster,' but it's more about like. good faith than personhood, i suppose?

it's not necessarily a permanent status to be one--people can change--but my deeply held instinct is that once you have done something monstrous you will always be a person who has been a monster by your own choices, and that it's your duty to learn how to accept that while still living your life, and act accordingly from thereon out. you have to reconcile that you are a person with the fact that some doors are closed to you now, and it's up to you to decide what you do from there.

just. like. even when i hate someone and as far as i'm concerned they can go fuck themself, even in the multiple Heavily Badger social environments i've been in over the course of my life--church, progressive circles, the way the structure of the internet kind of just affects you in general--even on occasions where i've gotten swept away and given in to the pressure to dehumanize (or perform it) for a minute, there's always, always been a voice in the back of my head saying this is a person. this is a person. this is a person. this isn't right.

unintentional dehumanization sets off my '...should we really be doing this? we are getting into not good territory here, it's time to pull up and start questioning' alarms. explicit, intentional, purposeful dehumanization sets off the whole ass tornado sirens. if people on my side are doing it it's enough to throw me into a system-destabilizing crisis, because NO NO NO I WANT TO GET OFF THIS RIDE, I WANT NO PART OF THESE PEOPLE'S MORAL SYSTEM, I FEEL UNCLEAN. it's a good way to make sure i will never, ever, ever trust someone again.

things that are Really Really Badger, off the top of my head (after the cut because Long and trauma talk):

[[MORE]]

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-i've always loved playing adoptable games, pet simulators, etc? any game with randomly generated characters that are Yours Now and a Community, in a deeply badgery way. including games where they can die (the satisfying part is making sure they don't). except that, no matter how much fun the gameplay is, if it gets to the point where they start feeling disposable, and the only way to really keep playing is to stop humanizing them, i lose interest. it's super fucking depressing. it feels like part of me dying inside a little. i don't like it at all.

-i've always been drawn to fandoms and roleplaying communities. i was fiercely loyal to, and proud of, my first rp community on dragoncave as a 13-year-old. when my abusive mom found out about it and completely isolated me for half a year, the promise of being able to make it back to them--just sneakier this time--kept me going; when i finally got back and the group had drifted apart in my absence, it.... was absolutely devastating. i never really recovered from it. even then, i spent years trying to get the group back together every now and then, until i finally gave up.

-i am always keenly, painfully aware of the life cycle of a community. every time i hear the sentiment 'you guys are all great and i love this group' my stomach drops, because i know it's only a matter of time before things go sour or the group dissolves. rp groups, skype chats/discord servers, fandoms, you name it, i am always bracing myself or staying away entirely to avoid the inevitable and it hurts. and it hurts to see people taking part in a community i don't dare be part of, which makes lurking in fandoms... really rough. frankly, it takes me a lot of courage every time i express my appreciation for the shc community because i've been burned so many times.

-on that note: i went through some really traumatic stuff at the end of 2020 that completely turned my life upside down, and i was doing bad until i stumbled across the shc community. the moment i started engaging, it was a huge boost to my mental health, and my ability to cope with circumstances under which i was about to break down spectacularly. and it has been ever since! contributing to The Group Project and seeing other folks being friendly with each other gives me the happy feelings.

-i used to go out of my way to build and run spaces, mainly fandom and rp spaces, and took a lot of pride in engineering them so that they Functioned Well. unfortunately it wore me the hell down over the years for Burnt Badger Reasons, and now i'm too jaded, bitter, and exhausted to give a shit about being a mod/community leader anymore because of it lmao

-among those burnt badger things i relate HARD to the Red Ledger narrative. hoo boy.

-i wish i could find it again, but there was an mlp comic i saw once which went into luna's observations of what each element of harmony Means. with the element of friendship, she says that twilight has a massive amount of love to give; right now it's all focused on celestia, but when she learns to expand it outward she'll have grown into her full potential as a person, and she'll change the world. that struck a chord with how i used to feel, hard, and it's really stuck with me ever since. (hello, unhealthy snake model)

-emphasis on 'used to feel,' lmao

-got super invested in a really toxic '''mental health''' community at a low point in my life; exploded HARD trying to help everyone i could; got into vicious, protracted fights with the shitty mods for years about the harmful way they ran their community until i finally managed to go 'fuck this it's not getting better' and leave.

-had to numb myself emotionally to the people around me for a long time once i really started learning about mental health and trauma stuff, because now i was seeing signs of their pain and baggage everywhere i looked, and i couldn't handle not being able to help.

-the imagery with which i think about my bird primary is overwhelmingly negative. whether it's my actual primary or a model, i uh. i feel like a healthy relationship to one's primary doesn't involve associating it with gore.

-i saw a conversation recently about how birds think of morality in terms of 'if you can, you should,' and how that's scary for badgers because their definition of 'can' involves destroying yourself for the sake of that 'should,' and... yeah, that's a mood. that's a BIG mood. thinking about bird primary stuff is hard--and i had to pick up my lion model to deal with it--because it's so easy for me to spiral into a self-shredding spiral of other people are counting on you to do the right thing, how dare you pull back for your own health and sanity. how dare you turn your back for even a minute. how dare you rest. the work is never done.

which is... a very exploded badger approach to exploded bird morality. whoops.

-fix-it and time travel fiction in which Everything Went Right This Time and It's Going to Be Okay are one of my very favorite self-indulgent fantasies. i will enjoy putting characters through the wringer in all kinds of creatively horrific ways which may or may not end on a downer note, certainly, i love that shit, but i will also 90% of the time have a backup version of the arc or dynamic that's softer and lighter and Actually Healthy This Time. it's the dichotomy there that really gets me tbh, a story where Everything Ends Happily by default will mmmaybe pull me in? but stories where there's the constant shadow of this could end horribly, it's supposed to end horribly, and we got a happy fucking ending anyway are just... that shit will make me cry, man.

it's also why i kind of really hate stable time loop stories where it initially looks like this is going to be The Good Timeline this time around, but OOPSIE everything went to shit anyway! we're right back where we started, just like it was meant to be all along! it's a tired cliche by this point and an unsatisfying one for me, and it makes me roll my eyes every time.

-this is relevant to the bird vs. badger because like... my gut instinct is to prioritize people over systems. when shit hits the fan, when someone's fallen into the machinery and is about to get hurt, i don't feel right about it if i just let it happen. i'll break the machinery if i have to to keep it away from them; i won't feel great about that, and it might cause problems, but fuck it, we'll figure it out later. throwing people into the gears of a system when i'm convinced it's the only option makes me feel Awful.

-related to the above, another trope that really speaks to me in fiction is when a character defies the rules of reality through sheer force of will. no, this is not happening, i don't give a shit what the limits are supposed to be. i refuse to let this be the way things are. (there's that lion model.)

-i've just kind of... always wanted to be an Everyone Badger. it makes me sad how much of that i've lost over the years as i've gotten more cynical, but it's what i wish i could be.

---

doubtless i'll think of more the moment i hit send, and there are just as many things about me that are Super Bird Primary, but like... mamma mia that's some spicy badger. the main thing stopping me is the Can't and Refuse to Dehumanize bit. i also... hm. i think i can function okay without a community? they just help a lot, and it sucks when i'm confronted with one i don't have a (stable) place in. any thoughts? is it possible for a bird system's foundation to run so deep that eventually it overrides the bird?

#shc #sortinghatchats #sorting hat chats #badger primary #bird primary #burned badger primary #exploded badger primary #exploded bird primary #burned houses #exploded houses #abuse cw #gore implied cw #moogle hat talks

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astoldbygingersnaps · 4 years ago

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#wip wednesday

since the latest chapter of star trek au continues to elude me (i swear to GOD i’ve been working on it; it’s about 2/3 of the way done and should hopefully be posted in a few weeks), i figured i’d go ahead and post a snippet of one my next projects, a fic i very briefly mentioned in my end of the year wrap-up post: the jurassic world au.

this is an idea i’ve always wanted to work on as a) a HUGE fan of the jurassic park franchise and b) a person who spent years as a dog trainer who was both puzzled and horrified by the raptor training in that movie. while this will probably be The Most Niche Fic of all my Very Niche Fics, i’m super happy with it so far and hope other people will be, too.

currently this project is sitting at about 18k and i’d like to have it completed, edited, and posted within the next few months. until then, enjoy this preview!

Itachi has never been the kind of person that believes in fate. As a boy his father had drilled the importance of hard work into his head, and it had been a lesson Itachi had carried with him long after he realized the man’s guidance wasn’t actually worth all that much. It wasn’t luck or good fortune that had led to Itachi many successes in life. Truthfully, fate had always seemed like a childish concept to him, an excuse for people to hang their hats on when things went wrong in their lives and they weren’t willing to take responsibility for their own actions.

That said, it’s hard for Itachi not to feel some sort of cosmic influence is manipulating his course in life when one day Uchiha Fugaku summons his eldest son into his office at the heart of Isla Nublar. Given his position as the puppetmaster of InGen, it isn’t often that his father actually finds himself on the humid and sandy shores of Jurassic World. But every time he does Itachi feels a familiar, childish pull of anxiety, a little voice in his head that drives himself to push himself to succeed, to please. It’s as if the last four years Itachi has spent almost single-handedly managing this glorified amusement park suddenly vanish in a puff as he meets his father’s judgemental black gaze.

“Thank you for taking time out of your busy schedule to meet with me,” Fugaku tells him, waving a hand to silently order Itachi to sit. And, as always, Itachi obeys his father’s commands.

“It’s no trouble, Father,” Itachi assures him as he settles into the immaculate white leather chair that no doubt costs half of his yearly salary. “Was there something you needed?”

“Yes and no,” Fugaku replies, which is fittingly ominous for the man. “I wanted to discuss a recent change that Hiruzen is implementing to the park.”

It takes an extraordinary amount of restraint on Itachi’s part to keep his comments regarding the CEO of Jurassic World and the sheer effort he spends weekly cleaning up the man’s air-headed messes to himself. For all the years he’s lived on the island--first as a boy while his father built his career, then as an intern after college, and finally as yet another cog in the Jurassic World machine--he’s regarded Sarutobi Hiruzen with an almost bleak sort of awe. It was shocking to Itachi that a man would possess such power and wealth, yet seem almost clueless when it came to maintaining that empire. Then again, he thinks dryly, perhaps all rich and influential men were nothing more than fools in the end.

Unaware of Itachi’s thoughts on the matter, Fugaku continues, “As I’m sure you’re aware, the board has been planning for sometime now to come up with a new attraction to boost both ticket and merchandise sales.” Of course Itachi is aware of it; it had been his idea in the first place. But, like most of his suggestions regarding Jurassic World, it had been thoroughly steamrolled until a man with more money and respect to his name could repackage it as his own brilliant, brand new invention. Which, as it were, is exactly what Hiruzen is planning to do. “The project has been in the works for a while now, but it’s going to be quite controversial. We thought it best to keep it under wraps until we were certain it was viable.”

“I take it you’re certain now?” Itachi asks, and Fugaku nods.

“We’ve had great success with the assets we’ve created so far, but as long as this park has been in construction there’s been one species that we’ve been unable to successfully replicate. Unfortunately, it’s also the one species that every dim-witted tourist that sets foot on this island is looking for.”

A chill works its way down Itachi’s spine as he guesses, “Velociraptors.”

It’s an idea that’s almost too macabre to even contemplate, let alone execute. For better or worse, the general public’s more than aware of the chaos and bloodshed that led to the destruction of the first park. It’s a shroud that lingers over Itachi’s everyday life, as no matter how hard he tries to maintain order and prioritize safety there will always be someone who looks at him as if he’s a capricious madman.

Because of Jurassic Park’s spectacular failure, the image of the velociraptor--a brilliant and ruthless predator stalking the shadows, picking men off one by one--has captivated the average person’s interest in a way that no other species has. So, ever since that original park, Jurassic World has been chasing the holy grail of a fully operational, successful, and controlled raptor exhibit--and, considering the way his father is currently speaking, Itachi’s sure the board has finally captured that elusive golden ticket.

“You’re correct,” Fugaku says, though at this point the admission isn’t necessary, and with careful muscular control Itachi holds back a frown. Perhaps this is the reason why no one decided to share this information with him despite the fact he’s the Operations Manager for this entire establishment; given the way he’s previously spoken about subjects such as animal welfare and reducing employee hazards, perhaps they sensed he wouldn’t exactly be on board with the wild idea of releasing one of the world’s most dangerous beasts onto the Earth again.

Either way, regardless of his own personal feelings on the decision, Itachi intends to oversee it with the same attention to detail he brings to any other project. “It’s a risky move, but it could prove to be quite lucrative if executed properly,” he eventually replies, evenly as he’s able. “I know in prior years other raptors were bred, but they were culled because they proved to be more trouble than they were worth. What’s changed since then?”

“According to our geneticists, the sequences on the upcoming crop will give them a reduced level of aggression and increased agreeability, though to be honest I’m not convinced that isn’t just smoke and mirrors.” Bleakly, Itachi’s inclined to agree; there was a world of difference between breeding a dog for temperament and trying to strip millions of years of prey drive from a wild--and previously extinct--animal. “Given that I’m not completely sold on their claims, it’s more a question of who has changed than what.”

As if on cue, a knock arrives at his father’s door, and in seconds the visitor’s face appears in the frame. “Hope I’m not interrupting anything,” the man says--at least, that’s what Itachi thinks the man says, because the sight of him alone causes Itachi’s brain to spontaneously stop functioning.

“Not at all,” Fugaku responds, completely unaware of his son’s inner turmoil. “As a matter of fact we were just discussing your contract with us.”

“Must have been why my ears were burning,” the man replies, his smile broadening into a full-on grin the moment he catches sight of Itachi positively dying in front of his father’s desk.

If there was a god in this world, He would open a hole in Fugaku’s freshly steam-cleaned carpet and let Itachi fall to his demise. But clearly there isn’t, as instead of time ceasing entirely it drags on and leads to Fugaku announcing, “Itachi, this is Uchiha Shisui. He’s an expert in the growing field of paleo-behavioral studies, which makes him the ideal candidate for rearing the velociraptors and readying them for the public.”

“We’ve met,” Itachi all but chokes out, clearing his throat to expel the sudden lump that’s formed in it. From the other side of the room he can see Shisui fighting a laugh, and in that moment he wishes Shisui would fall in a hole and die, too.

“Really?” his father asks curiously. “I didn’t know you two were acquainted. How do you know each other?”

While his positions at Jurassic World and in life have allowed Itachi to conquer a variety of challenges, there’s not a single skill or experience that has prepared him for this moment. Because Itachi has no idea how to explain to his father that the reason he knows this man is that he slept with him four years ago and never returned a single one of his calls or texts.

“It’s a long story.”

#my fic #shiita #like i said before: this fic is essentially just a 90s romcom and i'm loving every second of writing it #alexa already has some Very Good art on the backburner for this au that i can't wait for her to drop #so stay tuned for that too

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miaxeu · 4 years ago

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though the mist might prevent some from seeing it, MIA STOEGER is actually a descendent of DIONYSUS. it’s still a question of whether or not the TWENTY-ONE year old MYTHOLOGICAL STUDIES MAJOR from LOS ANGELES, USA has taken after HER godly parent completely, but the demigod is still known to be quite CHARISMATIC & DUPLICITOUS.

( y’all dont deserve this real messy intro but im workin w half a bwain cell at 4am so i beg thee 4 mercy. nywyy im the excited new girl who’s hella pumped to meet all ur charas : katya ! feel free to hop in my ims to plot or drop a like and i’ll hop in urs ! x )

POWERS

natural acting abilities — her ma’s a hollywoo agent so she started actin real early & now shes a big shot actress. there r more deetz on her career below !

chlorokinesis — it wasnt as natural as acting n she only started working on it when she turned 13 n started going to camps. b4 she just noticed shes good w plants but it wasnt super crazy or nything. its p good now tho ! shes prioritizing vine binding and manipulation 4 the self defense bc awards r cool n all but they dont rlly protecc from monsters ykwim

levitation — shes trying her best ur honor

alcokinesis — she cant conjure it or anything, she’s just immune to it ffff

BIO POINTS — cw: drug use ( full biography here )

her mom raised her by herself bc dionysus the party god was out of the picture immediately. she never told mia she’s a demigod & it was always just “ wow ur so talented ” or “ aww u got a green thumb ! ” but when she saw him claim 13 y/o mia by placing a weird hologram over her head while she slept, she knew she had to spill da beanz & tell her kid

ofc mia thought her mom was jus playing sum weird acting exercise w her bc her powers r so lowkey she could highkey just be a Mortal but insert sad whistle, the realizashun & the claiming meant heightened monster threat !! so yea ,,, one ended up chasing her a couple days later rip

aside from the trauma, mia was ok. mostly bc she ended up cryin for dionysus like any child would n lo & behold he came & helped !!! as he should. nywy she made sure to go to summer camps every year after that but mostly just for protection purposes

she lowkey rlly hates this whole god business esp now that shes grown lmfao deadass thinks she got a bad deal bc life threats arent sexy !!! went to eonia eventually bc its Too Much Man. she just wants to go back to work and her life w the mortals w/o worryin for her life. would deadass fade her father if she could. may or may not be majoring in greek mythology to figure out the logistics of it all out of spite, who knows !

PERSONALITY

not ! a Drama Queen — dont get me wrong, shes hella Extra in the way she moves n acts sorta like shes always bein captured on film. is quick-witted & playful & can be a huge tease/flirt if she feels like it, but miss her w Real Feelings ! totally not sentimental. srsly she will try to rationalize away everything and is just,.,., not good w it. so soz folks, we just keepin it breezy here

ugh, she’s an Actress — aka she can act like she cares tho ! shes very much into keeping ppl on her good side. shes friendly n palatable to everyone bc its how shes been trained & while it doesnt seem fake, its def diff when its genuine

The Mortifying Ordeal of Being Known — lemme circle back to the first one, ok so shes good w emotions but only in theory. does intense character work with her roles so she thinks that counts as her having eq when rlly shes just emotionally stunted, projecting n repressing like an idiot

blonde, skinny, rich, & a lil bit of a Bitch — shes only a bitch inwardly or to ppl she trusts enuff to let in on the gossip. if anyone full on opposes her or becomes real emotional, then this lil diva will rear its superiority complex head n snap a lil. will most probably do it v underhandedly n w a smile but it will be Brutal

girls just wanna have FUN ! — shes the child of da party god, so ofc she a true party girl. officially off the rails when she parties. inhibitions ? we dk her. can be insensitive in that case bc smtms its truly no strings attached, tis all abt the fun. likes company a lot & it doesnt even have 2 be loud or particularly abt her, she just likes having people around n the escapism of it all. will make friends with everyone n make sure they have a jolly fun time guaranteed at dionysus parties

Work Hard, Play Hard — real responsible when it comes to work and commitments and if she trusts/likes u enough, she’ll give it 2 u straight, no bs. def thinks Calling Out is an act of love but maybe does it a lil too harshly smtms. v much into efficiency, sentiments be damned. not the feely words type. will sit next to u or party w u or even pay 4 ur therapist if u need sum1 to talk to. she will Be There while u work thru it, so long as u dont expect her to change n be all emotional n stuff

if she seems a lil contradictory thats bc she kinda is. tis the good ol nurture vs nature. her ma’s a real no nonsense chick n her pops is a frat guy drama geek greek god whos rlly into cottagecore so u get this lil blonde bitch whos sorta teetering on the edges

OTHER INFO — cw: drug use ( full headcanons here )

re her career, she achieved pegot status when she was 18 aka she truly b dat bitch. shes not super mainstream famous tho, more like indie sweetheart, film snobs/critics fave typa gal. if ya want a trajectory she started w baby commercials then a sitcom from 4-10 ( think modern fam’s lily ) then it was off to the big screen & the stage !

mia has a lil bit of a drug habit. its not abusive or dependent, but it is a staple whenever shes parties bc alcohol is useless 2 her. started a lil young too bc hollywoo. primarily uppers/hallucinogens. she smokes weed a lil more liberally but the rest is mostly just an on occasion thing ( which, ngl, is a still a lil problematic when u party a lot rip )

after she got claimed, mia ended up going to demigod camps in a lot of diff places n countries, depending on where production would take her. there was never an established place, more like wherever was nearest when they wrapped up shooting bc monsters afoot n wutnot

she was always homeschooled but she still managed to go to a prom and homecoming bc party is life. that makes eonia uni p much her first chance at having a normal educational environment & experience and even then its anything but. still tho this is her moment !!! im lit rally begging her to get a personality that isnt her internally rolling her eyes going “ its not that deep ”

might put up a bio/stats page if im feelin sxc but i wud jus like the records to show that mia stoeger is a bi sxc babe bc me ? write a het ? no grassy ass.

POSSIBLE CONNECTIONS — cw: drug use ( full connections here )

omg danny devito i love ur work !

,,, p self explanatory sdkjfs sum1 who loves her work ! it can be lowkey/highkey fangirl to a civil admiration

OR alternatively, y/m can Not Be a fan of her work. they might think the storyline of the projects she takes on r too out of touch n highbrow yada yada yada, but yes, we love to see either of it !

summer camp sweetheart !

someone she met when at camp when they were teens ? doesnt matter in what country/city, but mia was only visiting so it was truly a one summer romance typa thing. bc she was younger, im thinkin 13-17 or w/e she was probably sweeter n a lot more emotional then. was it either’s first puppy love ? first kiss ? first “ relationship ? ” idk, do yk ? truly, so many possibilities. nothin set in stone just hmu bub

summer camp pals !

p much the same as above but make it Platonic

party buddies !

or druggie pals. either way works but she wud luv it if theyre both xoxo

friends w benefits !

most probably ( but not limited to ) sum1 she met at a party skdjhsjk is it exclusive ? is any1 starting to develop feelings ? im down 4 nthing n evrything

alexa play true friend by hannah montana !

give mia her college bestie ! her confidant who knows her feels and can call each other out viciously with no ounce of resentment. we stan the friendships !

omg i love ur skirt !

that is the ugliest effing skirt i've ever seen. lmao basically sum1 mia pretends to like or acts civil w but rlly ,,,, Cannot Stand for w/e rzn

im p much braindead rn but those are just sum ideas !!! ofc the usual staples like the pals, enemies, wutnots are also v welcome we love to see it. if u also have a wc that u think mia would fit in, id luv to know more ! there are also a couple more detailed ones here, but pls feel free to shoot me a msg n we can get 2 plotting x

( * wipes brow * how did i type so much n say so little rip. mia is also a completely new muse so pls b patient n if i fuq up from time to time, pretend u do not see >.< nywy thnx 4 readin, sweets ! feel free to hmu here or at discord if ya wanna <3333 )

FULL INFO || EONIA TASKS

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miximax-hell · 5 years ago

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Happy Goku Day, everyone!!

I checked and, miraculously, I still have followers on this blog. In fact, I’ve gained some since the last time I posted, for some reason! I’m not going to question it, though. Just... bless. But, hey, long time no see! As usual!

This time, I’m going back to my roots. The first drawings I posted on this blog were meant to show my love towards original Raimon, and it’s never a bad time to remind you all that I still adore these kids. Especially now that my friend @dust-monsters-under-my-bed has reminded me of them. Go check her art, btw! She’s not very active on Tumblr, but you can find her art on Twitter right here: https://twitter.com/rachelmonart

Anyway, she’s watching Inazuma Eleven for the first time and she’s made me think again about how much love these kids deserve, BECAUSE THEY SURE GOT NONE FROM HINO. DAMN YOU, HINO. So, today, let’s talk about the one and only IE character whose feet are classified as mass destruction weapons, who decided to borrow power from someone who will make you all question me, my logic and my tastes: Yamhan (or, as he is known in the west, Tiencha), THE FUSION OF YAMCHA AND TENSHINHAN FROM DRAGON BALL.

Introducing ShoYamHan! More on him under the cut.

So, first of all, how have you all been? I suppose many of you, like myself, are being told to stay at home to fight this situation. I salute all of you who do your best to stay safe and not help spread anything. It’s a very necessary fight, even if it can be boring at times. Many of us have friends or relatives fighting on the frontline, though (unless you yourself are the doctor or nurse friend!), and we hopefully know that staying at home is a small price to pay.

As for me, I got a job in December and lost it last month, so... yeah. It’s not been great. Still, something I’ve been working hard on for a while should be released soon and that’s so exciting! MY NAME WILL FINALLY BE ON SOMETHING’S CREDITS AND I CAN’T WAIT FOR IT TO BE UP.

But, anyway, back to business!

Rachel suggested I talk about the reasons behind this particular miximax, and considering it makes for a perfect parallel with my first posts, where I talked about the reasons behind Max’s and Kageno’s miximaxes, I’m all up for it! But, this time, I will have to do something new: explain WHO THE HECK YAMHAN IS. So let’s start with a picture of this handsome devil.

As most of you hopefully know, this project is about miximaxing Inazuma characters with video game characters. No anime, movies or anything else. Only and exclusively video games. Dragon Ball has probably spawned all those things, but it started as a manga, so you’d be right to think it most definitely does not qualify for this project. And, indeed, Dragon Ball doesn't. What DOES qualify, however, are Dragon Ball characters exclusive, or first introduced, in a video game. And that’s exactly the case we’re dealing with here!

Growing up, I loved Dragon Ball games. Even before I watched the show properly, in fact! I would go to my friend’s house, who was a fan of the show, and we'd play the Dragon Ball Budokai games nonstop with absolutely zero regrets. Those were some great times. And once I came to know the source material, the game that blew my mind the most was Dragon Ball Budokai 2. Was it the best one? Not necessarily. Is it my favourite? Not by a long shot. Still, it was the most creative! Most games follow the story of DBZ, which, obviously, is always the same. But Budokai 2 wasn’t afraid to do new things. Its story mode resembled a tabletop game and it was more than happy to deviate from the source material in some really fun ways; most notably, with exclusive fusions.

Budokai 2 introduced us all to Yamhan, the fusion of Yamcha and Tenshinhan, two long forgotten characters in the series, as they (and especially poor Yamcha) didn’t do anything especially relevant past... well, past the original Dragon Ball. As a champion of the unloved, that blew my mind. There were other fun things in Budokai 2, but what fascinated me and stayed in my thoughts for years to come was Yamhan. It was just such a cool concept. Two underdogs who had fallen into obscurity fusing to create a much greater warrior!

Of course, Yamhan isn’t the only videogame exclusive characters in Dragon Ball. He isn’t the first, nor the last. Yamhan isn’t the strongest, nor the weakest. But I haven’t played FighterZ nor Fusions (yet), nor pretty much any game that wasn’t on PS2 or GBA. And even if I had, I doubt Android 21 or any of the HUNDREDS of combinations available in Fusions would captivate me and my imagination as much as Yamhan did back in the day. Yamhan was a fusion, which is something that has always fascinated me to begin with. I MEAN, THIS ENTIRE BLOG IS ABOUT FUSING CHARACTERS, SO I THINK IT’S PRETTY OBVIOUS LMAO But he wasn’t just one among hundreds. He was this very specific, never-seen-before, cool as heck and usable fusion. Like, wow. That was wild for me. Sign me up, man.

But, you know, I try not to let that sway me too much. Of course, I wouldn’t likely pick a character I hate for a miximax, but, still, my preferences aren’t everything. And choosing Yamhan begs a question that I have already alluded to: if Yamhan isn’t the strongest game-exclusive DB character out there, then, why him? Well, the answer to that is related to the biggest problem posed by the sheer concept of miximaxing with a Dragon Ball character:

Power escalation.

It’s no exaggeration to say that Goku is, pretty much, the strongest character that has ever played the lead in any manga, and one of the strongest fictional characters ever, period. By the end of the Dragon Ball Super anime, he has EXCEEDED THE POWER OF MANY LITERAL GODS AND IS (or has been) A CANDIDATE TO BECOME ONE. You may prefer One Piece, or Naruto, or anything else, but few things reach the astronomical, reality-bending scope of Dragon Ball. Not to say DB is the best series--I’m just saying that it’s so out of control at this point (and I love it). But, of course, the stronger Goku is, the stronger the villains need to be, and Goku ends up becoming EVEN stronger than said villains. Rinse and repeat dozens of times until you can make an entire universe disappear by raising your hand.

Now, imagine applying that out-of-this-world power escalation to a context where the power balance isn’t so outrageous. For example, Inazuma Eleven.

Goku wriggling in his sleep is more powerful than Zeus, and an accidental sneeze would smash all of Ixal Fleet to smithereens. Do you see what this would do to the balance? It would ruin it completely, as anyone who miximaxed with Goku would be immediately a one-person army able to defeat ANY opponent--and if the opponent were to be EVEN GREATER than Goku, well, the rest simply wouldn’t stand a chance. Ever. Remember: the point of this project isn’t to create perfect and unbeatable players, and I’m not trying to prioritize anyone or make them noticeably stronger than anyone else just because I happen to like X more than Y. That completely ruins the tension and the fun (and my attempts to create justice in this unfair universe). The point is to come up with a balanced team full of players with strong points, but with flaws, too, that complement each other when they play together against stronger enemies.

So, if we go with Dragon Ball, and I love Dragon Ball WAY too much to not include it in this project in some way, we have to be careful and avoid overdoing it. Balance is key. And now that you know why I didn’t just choose the fusion between Beerus and Whis or something crazy like that, I’ll move on to explain what makes Yamhan a very interesting option. I SWEAR THERE ARE SOME ACTUAL REASONS.

First of all, the very concept. You know, Yamcha and Tenshinhan fused to created Yamhan, and now, Shourin is fusing with a fusion. That’s just... hecking cool. I won’t lie--my preferences towards Yamhan didn’t tip the scales towards making this happen, but my preferences towards FUSIONCEPTION totally did. XD But there’s more, thankfully.

From the very beginning, I knew I wanted a fighting game character to miximax with Shourin because it fits his theme best. I’m not big on fighting games, though, so it was quite tough. Especially because just any fighting game wouldn’t do it. Shourin is a martial artist. As I mentioned at the very beginning of this post, his feet are his weapons. His entire body is a weapon, really. If I were to suddenly miximax him with some character who wields a sword or an axe, for example, it would be a complete disservice to Shourin. Original Raimon members don’t have much going on for themselves, and I’m going to cut or ignore the ONE thing that makes one of them special? Not in a zillion years. Shourin needs to fight with his body. That, of course, cuts many characters already: pretty much the entire roster of Soul Calibur, many members of Mortal Kombat, many from games like Skullgirls (which I still want to try to represent here in the future, because @lumaga worked on it and it makes me happy just because of that), etc. For a very long time, I considered someone like Ryu, from Street Fighter, but then it hit me: I have never played Street Fighter and I don’t want to include him just because I know what a Hadouken is. It’d be... cheap. And fake. Thankfully, as I also mentioned earlier, I played LOTS of Budokai back in the day and I am an actual fan, so I don’t have to pretend to know what the heck I’m talking about. XD And, thankfully, most of the characters in DB games fight with their bare fists and legs, so they perfectly fit my needs. Yamhan is, of course, no exception.

Now comes my favourite reason to choose Yamhan and not, well, literally any other DB game-exclusive character. And that reason is style.

Remember that power escalation thing I mentioned earlier? Well, it’s epic, but it comes with a big disadvantage: power ends up becoming much more important than skill. Early Dragon Ball was very focused on fighting styles. There was an ongoing feud between the Turtle School and the Crane School, who taught different martial arts to fight in different ways, and there was a big plot involving which one was superior. It wasn’t just about who was strongest, but about who fought better. With time, that disappeared, though. Even though battles became flashier, aerial and more spectacular, they were much more indistinct. Sure, there were gimmicks like “heh, I have a tail and I will sometimes hit you with it,” or “I will try to hit your face with the palm of my hand instead of my fist for some unspecified reason,” but that isn’t... much. You just see very fast people avoiding equally as fast punches to the face. And Goku, the main character, only shows some style when he adopts a fighting pose BEFORE fighting. Once the punches start flying, it’s all a race to see who can hit the other the hardest in the gut to make them spit blood. Cool nonetheless, but still.

Ironically, though, it’s two of the least relevant characters who never really lost those styles that made them unique when they were first introduced to the series. And those are, of course, Yamcha and Tenshinhan.

Yamcha joins the Turtle School and learns techniques as classic as the Kamehameha, but he had his own style way before that, based on attacking and tearing enemies apart like a wolf would. This is best represented by his signature move, the Rougafuufuuken or Wolf Fang Fist. He never drops this style, but instead builds up on it through his training to make it even fiercer.

Tenshinhan has different things going for himself. First of all, he is a hybrid between a human being and a civilization known as the Three-Eyed People, which grants him powers such as growing extra arms from his back or dividing in 4. Not just moving so fast that it looks like there’s four of him, but ACTUALLY dividing into 4 separate bodies. In terms of skills, he was a Crane School student, but when he realised the wrong of his master’s doings, he decided to start training and developing on his own. Basically, a path that mirrors Yamcha’s, but both lead to unique fighting styles unlike anyone else’s in this universe. And, most importantly, none of them depend on appendixes that are always there, like the aforementioned tail, so they totally work for us here!

Shourin is a proper martial artist. He wouldn’t want to make himself crazy strong as much as he would like to refine his technique and learn new moves and tricks. Martial arts are about discipline, self-control, skill and protection. He would take a cool-ass combo based on a wolf’s moves over earth-shattering strength any day of the week, hence why the fact that these two have so many techniques to offer is so appealing.

Finally, and probably least, is the design idea that immediately came to my mind when I thought of a miximax between Shourin and Yamhan. Historically, I have had to work with characters like Fudou, who are usually mostly bald and they miximax with someone with hair, thus making for some very... difficult things to figure out. But the idea of miximaxing Shourin, who is mostly bald, with Yamhan, who is ALSO mostly bald, was just golden and too good to ignore. And the fact that Yamhan has three eyes GIVES ME AN EXCUSE TO ADD A THIRD CROSS-SHAPED EYE ON SHOURIN’S FOREHEAD. IF A MIXIMAX BETWEEN BALD PEOPLE WAS GOLDEN, THIS IS OUTRIGHT PLATINUM.

Shourin would've probably looked a lot less like a joke if he had had hair covering his entire head or if I had at least given him proper eyes... but that would no longer be the Shourin I love. Not to mention that it’s very likely that Shourin willingly shaves his head to begin with (even if the ponytail ain’t doing him any favours--but that’s just Inazuma logic, so let’s not look too much into it), just like Tenshinhan or Krillin do, so he would probably be happier to keep that, uh, advantage. Relative advantage, but still.

As a side note, though, we can’t forget the balance. When Yamcha and Tenshinhan fuse, they undoubtedly become the strongest human being in the DB universe, overcoming the one who is usually strongest: Krillin. A fusion is always greater than its parts individually, and Yamcha and Tenshinhan aren’t so far away from Krillin to begin with, so that’s not even a question. Regardless, they still don’t have that overwhelming and surreal strength from other characters, so we still don’t get into absolutely OP territory. Yamhan is strong enough to provide Shourin with a power that can make a real difference without completely putting him above everyone else.

Sadly, Yamhan doesn’t really have a backstory, as he’s a game-exclusive character that, honestly, was probably only there for a laugh. That means there is no deep connection between them. We can, however, make obvious connections between Shourin, an aspiring martial artist whose dream, as stated in IE2, was to study at Manyuuji (Kogure’s school) for their focus on martial arts, and is now trying to become stronger to protect what he loves, and two skilled warriors who have been training nonstop under different masters and on their own for basically their entire lives to keep becoming stronger and more skilled in order to defend what’s precious to them and, simply, to be the best version of themselves they can be. Upon seeing such dedicated warriors and artists, Shourin would undoubtedly want to learn from them and, if necessary, borrow their strength too.

Or he might just fanboy and ask for their autographs, honestly. I sure as heck want Yamcha’s. And his baseball card.

#Shourin #Shourinji Ayumu #Inazuma Eleven #Inazuma Eleven Go #Inazuma Eleven Ares #Inazuma Eleven Ares no Tenbin #Inazuma Eleven Orion #Inazuma Eleven Orion no Kokuin #miximax #mixi max #original Raimon #settei #reasons behind the miximax #info

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ticktickblog · 4 years ago

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New School Year, New Chapter

Special Offers for Students and Educators

Gone through the “Sci-Fi movie” called 2020, life goes on and unfolds new challenges for us all, especially for those students and teachers who have just experienced not-so-efficient remote learning and for those who are new to the college this autumn. At this key stage, turning life into a new page and getting more focused on what’s happening next is obviously important.

TickTick is here to help you gain more control back over the new challenges in the coming school year, with the special educational discount for all qualifying students and faculties!

There are up to three benefits that you can enjoy:

1. All enrolled students and educators are eligible for a 25% discount when upgrading to TickTick yearly premium. This is a long-lasting program. Learn how to apply.

2. From today to 30th of September, everyone who successfully upgraded to premium through our special offer for education, can get 3 extra one-month TickTick premium gift codes! This is for you to share with any of your schoolmates, colleagues or friends, which means they can enjoy the one-month TickTick premium service totally for free!

3. If any of your friends who used your codes continue their subscriptions for TickTick’s yearly plan, you’ll then get one more month automatically extended to your current premium status too!

Ready to kick off the new school year? Here’s a step-by-step guide for students.

Be prepared for school with simple to-do lists

Before the school starts, preparing for the move from home to uni can be very daunting, particularly difficult if the uni is in another city or even country. To help yourself a little bit, writing everything down and getting reminded is what should come in the first place.

For example, creating a packing list by using the “Packing Template” in TickTick and then divide the lists into multiple “Sections”: clothing, stationeries, electronic gadgets, and etc. A reading list regarding one of your newly chosen courses can also pre-equip you with a general idea and get you ready for shifting to the study mood. Meanwhile, a social list for the events you’d like to attend in the welcoming week, and societies you’d like to join will prepare you for a new start of uni life. A document list for enrolment, or a sightseeing list to explore the new city where you’re going to stay, are also essential for your quick settling.

Build a study-based workaround

Step 1: Creating different Lists for different courses you’re enrolled in.

Step 2: Creating different Tasks for components of the course within each list.

For example, in the list called Sociolinguistics, there could be three tasks: Task A: Lectures, Task B: Seminars, Task C: Workshops. Here, you can set the tasks as recurrent, for example, 10-12 am every Friday for Task A: Lectures.

Step 3: Adding Subtasks within the tasks. I suggest you create those subtasks according to the topic of each class.

For example, under Task A: Lectures, there could be many subtasks: Lecture 1: code-switching, Lecture 2: translanguaging, Lecture 3…

Subtasks can be further split if necessary. For example: Lecture 1: code-switching can be divided into three new subtasks in the second level: Preview, In process, Revision.

Step 4: Defining the context of your tasks/subtasks with Tags.

In the daily study life, it’s common to have different types of tasks, e.g. Reading, Discussing, Researching, or Writing. Therefore, you can actually add different tags to the tasks to make sure they are well sorted out, and then plan out accordingly based on their contexts.

Step 5: Prioritizing your tasks and identity what’s important.

I believe you may have heard about the Eisenhower Matrix before (sorting your tasks based on urgency and importance). Important and urgent, important but not urgent, urgent but not important, not important and not urgent. Based on this, TickTick offers 4 choices of Priority: High, Medium, Low Priority and No Priority, to help you decide what needs to be done first.

Step 6: Taking notes and connecting everything related to the course.

When taping into a task/subtask, you’ll find a wide blank area for task description. You can write down/upload more details here regarding your tasks, whether it’s reading resources, professors’ contacts, random ideas, or lecture notes from the class. Markdown (a way to quickly add formatting like headers, bold, bullet points, and so on to plain text) is supported here in the task description section, in order to help you take notes easily and beautifully on your digital devices.

Not a fan of digital writing? Not a problem. You can also add attachments in the description, to include any files you feel relevant to your tasks, like notes written on paper.

With these steps above, you’ll find all your course-related materials and tasks can be well organized and scheduled just in one place.

* Would also like to plan out social and daily life? Then creating multiple Folders to collect lists is what you need to do. Move all lists for study in one folder, and get another for social life. Easy, right? Or simply subscribe to other calendars, and all the events from there could be synced into TickTick.

Beat procrastination with Time Blocking

When the courses begin, the struggle comes in the form of knowing exactly what to do but just can’t find enough motivation to actually do it. With so many tasks at the same time, like readings and group assignments, it’s easy to feel overwhelmed. The 48-hour essay writing and one-night-oil exam reviewing are probably the most often heard stories in the uni.

How to be a master of time management and stop being the last-minute person, is perhaps the most important skill we should all learn in uni life. One of the solutions for this could be practicing Time Blocking with TickTick’s built-in Calendar.

Step 1: Customizing when week 1 starts at the Date & Time Settings in TickTick.

The first week you set can be the first week when your courses begin, and the following weeks will be able to show in sequence in your TickTick calendar.

Step 2: Arranging tasks in the calendar.

After going to the calendar, you’ll be able to see tasks you’ve created before, as long as they have a due date. For example, it will show the timetable of your classes, social events synced from your local calendar, or other tasks in daily life.

If you’d like to add, move and arrange new tasks, simply use the feature “Arranging Tasks”, where all your tasks are displayed by Priority, Tags and Lists. Via drag n’ drop, anything can be put into time blocks in the calendar. What’s already in there can also be moved.

Learn more.

Be more focused with Pomodoro Technique

With so many distractions around us, it’s even harder to stay focused than we thought. One of the main features designed to help you keep focused in TickTick is actually called Focus.

Within Focus, there's a Pomodoro Timer. Based on the Pomodoro Technique, it’s a pre-set timer normally combines a 25-minute work session with a 5-min break. This goes in cycles at least four times, and you’ll then get a longer beak (normally 15 minutes). You can always change the settings for these sessions.

So, to get Pomo started, you may first have to choose a task you’d like to focus on, and then a white noise as the background sound. Start working till the Pomo timer ends, and you can’t back out of the app, otherwise you would lose this Pomo. But if you’re an Android user, there is actually an allowlist in which you can add other apps. You’re then able to use other apps with your pomo timer keeping running in TickTick.

Find more about Focus.

Be active in group work with Kanban boards

Group assignments take a big part in uni life. What may become the hindrances sometimes are the responsibility division within the group, disconnection with others’ progress, or inefficiency in group communications. Kanban in TickTick offers a solution.

First used by line-workers in Toyota’s factory, Kanban is a project management method to visualize your workflow. Group work can be displayed on different Kanban boards, so that you can clearly see what should be done by who, when it needs to be done and what’s the progress of others. Commenting on tasks on Kanban also makes it more efficient to communicate with other group members.

Go to TickTick and enter a list, you can then choose to switch it into the Kanban view. Here, you can place tasks onto different boards divided from person to person or phase to phase. Each task can be assigned to others, as long as you share the list with them. The progress of each member can also be easily marked to keep the whole team informed. Commenting on your own or others’ tasks also makes the communication in the group come in real time. Besides, not only available on desktop, Kanban also works on mobile. This literally turns the group work into something that can be done anytime and anywhere!

Ready to kick off the new school year? Take this guide and the unique discounts we offer to wrap TickTick in your starter pack!

Apply now.

#educationdiscount #newschoolyear #getreadyforschool #starterpacks #ticktick #productivityapp #timemanagement

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rivkahstudies · 5 years ago

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do you have any advice for a high school senior who wants to make the most of their last year of high school? asking for a friend :)

hi darling! I think the things I remember most from my senior year (though it was only two years ago that it started) can be summarized in, “crazy busy, crazy stressful, but at times, crazy fun.” Here’s to making the most of it, and maintaining health while you do so!

This is going to be combination masterpost and advice post, because I’ve accumulated a lot on this subject and I have a loooot to say.

Also this is heavily based off of the assumption you’re pursuing higher education, but some of these things still apply/can be tweaked.

table of contents:

i. academics

ii. social life

iii. personal health

i. 𝓪𝓬𝓪𝓭𝓮𝓶𝓲𝓬𝓼

a. grades

They’re important for your future if your plan is to go to college or academy, but they’re not the whole world. (see social life and personal health)

I’m not a big fan of the “3-to-1 rule” or other such things that tell you “study for this amount of time no matter what” because it’s important for you to understand what comes naturally to you and what you need further clarification on. Some classes are going to take up less of your time than others.

The best you can do on a given day isn’t necessarily 100%. Sometimes your best that day is 90%, 80%, 60%. “try your best” isn’t “your best ever” so don’t push yourself for 100s every time for the expense of categories ii and iii.

A lot of people (at least in places like where I went to high school) who are hung up on the stress of competition and the need to be The Best™ are going to ask you for grades. It’s going to be everywhere. Assignment grades, test grades, SATs, ACTs, (if you’re not in the US, the equivalents of your state, regional, or national standardized tests), entrance exams, et cetera, et cetera. I know it’s tempting to fall into the anxiety of whether you measure up, but here’s a quick tip: even if you think you did well/above average, you can keep it private. It infuriated my classmates when I wouldn’t share, because I was comfortable with how I competed with myself and didn’t care what my peers thought of my scores.

When you’re someone as dedicated to studying as I am, you might get a lot of “oh, you got that grade because you’re you” (the underlying implication being that it’s natural or the work is easy for you, which was not the case for me) or “ha! I got higher than (name)! I measure up!” This is a lot of their own biases and insecurity talking and the best way not to be affected is not to buy into it. Again, this is based on my own experience.

I really cannot emphasize extra credit enough because some of my teachers threw it around like candy and some of them barely drizzled a little in at intervals, but either way it really saved me when it came to rounding my grades up.

It never hurts to have a grade tracker if you’re concerned, you don’t get graded by total points accumulation/have a weighted system, and/or don’t have an easy way to access your grades online throughout the year.

find your study strategy/ies for each class and stick to it/them. It won’t necessarily be the same. I��m a primarily visual learner, and it really, really helps for most things, but I still need rote memorization for subjects with a lot of vocabulary, like medicine or languages.

further resources

studying without notes by @fuckstudy .

prioritizing that crazy to do list (the abcde method) by @eintsein

a comphrensive guide to anki (flashcards online) by @studyingstudent

a stash of tiny study tips by @acalmstudiousfirecracker

and much much more on my #studyref tag.

b. extracurriculars

These I think matter (though I’m biased) more than grades, because they’re what shape you and your experience. Most of the students at my university had grades like mine, but it’s the places I frequented and the people to whom I devoted my time that formed my sense of self. I have so many skills, anecdotes, and ideas that I’ve gained from my extracurricular work.

If you have any you’ve stuck with since early in high school and you still like, keep ‘em. Quality over quantity. Show jobs or universities you can be dedicated and disciplined, and have stamina to see projects to the end. (I was in 7 and held leadership positions in 4 and it was probably part of the reason why I spent all of senior year on three hours sleep… besides my IB classes of course.)

If you’re not pursuing college immediately or at all (or even if you are), participate in ones that pull you out of your comfort zone and teach you something new.

ii. 𝓼𝓸𝓬𝓲𝓪𝓵 𝓵𝓲𝓯𝓮

Treat this category as you would anything else in your schedule–requiring time and being a significant priority. Not always at the very top, but still demanding its own attention.

See friends outside of school, for however long or short a period, at least once every week to two weeks. This can include extracurricular time if you’re pressed.

Schedule time with your family (especially if their lives are also cluttered and hectic) do something dynamic, and also something separate that’s relaxing. One week your family time might be reading in the same room and having gentle conversation or a family dinner; the next might be going out to the movies or taking a hike together. It can be easy to feel taken for granted or to take family for granted.

By the way, this includes “chosen” family if you’re not on great terms with some/all of them. I have experience with this too.

Get. Out. Of. The. House. This plays into “personal health” too! You need a change in rhythm/routine and exposure to the outside. Especially in your winter season.

I’m one of those people who has to have things scheduled way in advance, so family/curfew/etc permitting, do something a little bit spontaneous, say with only a few hours or a couple days notice. It will make you feel more alive if you’re in a stressful slump.

Communication is really important, especially if you’re stressed. Don’t be afraid to tell people “I am sensitive/hyperreactive to X because Y is putting me on edge right now” or “this triggers X insecurity because I’m anxious about Y.” This goes doubly if you’re struggling with mental illness. Talk to someone you trust. (See “personal health.”)

Don’t give in to peer pressure if you’re spent the time you need with friends and have to excuse yourself for other responsibilities. Balance!

No is equally as important to respected as Yes, no matter what the case.

Respect boundaries but invite people to challenge their comfort zone at their space.

Don’t be broken up if a romantic relationship doesn’t last. It’s senior year. Everything’s changing. Let it.

Also, please don’t be like me and let your summer/your school year be eaten up with relationship drama. I thankfully ended a difficult relationship early (late September) so it wasn’t a huge issue, but I watched people close to me struggle with while also battling the stress of the year.

iii. 𝓹𝓮𝓻𝓼𝓸𝓷𝓪𝓵 𝓱𝓮𝓪𝓵𝓽𝓱

mentally

If you’re struggling with mental illness, be aware of your own limits and pace yourself.

Sometimes we feel dull because we need to break routine/stimulate ourselves in a new way. You should have a structure/routine, but it should be flexible enough for you to adapt to changes and listen to what your mind and body are telling you.

The path to self-love must first begin with self-acceptance. If you struggle with self-image or self-esteem issues, you can’t build positivity off a foundation of negativity. You must first level it to neutrality.

Perform check-ups with yourself. This may be in the form of meditation, a diary, therapy, etc. None of these things are a “last resort” but rather a healthy part of building good mental habits.

physically

Exercise! You don’t have to be a star athlete to bring about the benefits. Even a 15 minute jog, 30 minute walk/hike, or 10 minutes of stretching can give you benefits.

On that note! Take! Frequent! Breaks! And please, please google stretches for certain body parts like hands if you do repetitive motion like drawing or writing for a long period of time! You don’t want to push yourself!

Listen to your body and don’t ignore pain, hunger, nausea, fatigue, etc. Respond patiently and with what’s appropriate.

Don’t forget about diet. It’s easy when you’re busy to reach for the quick and nutritionally poor snacks/meals, but it’s really important to set aside time to cook/meal plan or even just throw together a quick snack tray of fruits/crackers/cheeses/etc. It doesn’t have to be instragrammable but you should have a balanced diet that factors in your specific needs, if you have any restrictions, etc.

Change yo pillow case frequently kids, it does wonders for acne.

I cannot stress enough! To! Stay! Hydrated! My goal is eventually eight glasses a day but my minimum is 4-5. I try to have one every meal, especially in college.

Bedtime is important! But more than that, wake up time is important. If you’re trying to adjust your schedule and can only keep one consistent, choose the time you wake up. Eventually your body will naturally become fatigued for the bedtime to match it. It’s how I turned my sleep schedule from 12:00 AM to 8:00 into 9:30 PM to 5:30 AM over the course of one winter break!

If you’re a morning person, you’re a morning person. If you’re a night owl, you’re a night owl. There’s research now to prove that forcing yourself into a rhythm too extreme for your tendencies can make you feel awful either way.

At the end of the day, you’ve got one goal and one goal only: to look back on this year and be proud of what you’ve achieved and how you’ve grown. You shape your future and choose what matters most in your life!

If there’s anything else you think I’ve missed or you’d like me to cover more in depth/link more posts to, please ask me! I’d be happy to clarify/continue this series! I want to make sure you’re completely satisfied.

#sleepover #annabethofcolor #rivkah answers #my advice #masterpost #high school #high school seniors #studyref

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bonjourmoncher · 5 years ago

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You can contact Hamilton Lindley by: Phone at 254-759-5866 Email at [email protected] And mail at 1020 N. University Parks Drive, Waco, TX 76706

After ten years in Dallas, Hamilton Lindley moved his family of five to the home of the Baylor Bears. Hamilton P Lindley realized the brainwashing of his daughter was complete after she believed that the Baylor Bear mascots hibernate only after “eating all them Longhorns.” If you have the desire to see too many photos of Hamilton Lindley’s family, you can find Hamilton Philip Lindley on Facebook, Twitter, LinkedIn, and Instagram.

Let’s get straight to the point, shall we?

Busy people can be incredibly difficult to connect with.

You know the drill. You send an email, then you wait. And wait. And wait some more. You get no reply, so you try again. More of the same. Eventually, you give up.

If this sounds familiar, well, you’re not alone. Most men have struggled, at some point in their career, to try to connect with someone who is incredibly busy. Whether it’s a potential employer, a possible mentor, a dream client, or even just to connect with a girl so you can ask her out on a date, contacting a busy person can be very difficult.

Does that mean you give up? Heck no. Often, there is a good reason why busy people are so busy. Namely, it is because they are successful, and they’re successful because they are smart and well-connected and have access to resources or knowledge that might make all the difference in the world to you…if you can just break through.

But if you’re like most men, you’ve struggled with trying to figure out how to go about making that contact. How can you get the person’s attention? What should you say and how do you say it? Where do you even start? Should you follow-up if they ignore you? And new means of communication in the form of social media, Skype, text messaging, and blog commenting has made this issue even more confusing and challenging.

Throughout my career, I’ve tested just about every different approach for contacting busy people. I��ve also spent the past 2+ years reaching out to very busy entrepreneurs and authors to appear as guests on my podcast. I’ve tried techniques that work like a charm and other strategies that are guaranteed to bomb. Below, I include the best of what has worked for me.

Art of Manliness has previously covered how to write an email that will get a response. In this article, however, I want to share more of an overarching approach which can be (and often is) implemented using email, but which is also medium-agnostic. Email is what I’ve used the most and is still an effective vehicle. However, you should also consider other approaches such as face-to-face and social media where appropriate. To contact AoM’s reclusive McKays, you’ll even need to be willing to write a good old-fashioned letter! (Word is if they start getting too much snail mail to handle, they’re going to move to requiring messages by homing pigeon.)

Although it can feel like a daunting task trying to connect with a busy person, the rewards when you succeed can often be game-changing. You just have to be smart about how you make your first move.

Put Yourself in Their Shoes

At the outset, you must understand that busy people get hundreds, if not thousands, of requests for help, aide, or resources every week. Not surprisingly, a large portion of them look and sound exactly the same. “Can you help me?” “Can I pick your brain?” “I’ve got an awesome idea that I know you’re gonna love!”

Don’t kid yourself. You might think your request is incredibly original or immensely valuable to the busy person, but they’ve probably already heard it before (A new app that will make you more productive? NO WAY!) Naturally, they’re going to be a little apprehensive.

Before you even think about reaching out, you need to get your mindset right. Even if you have the best of intentions, and think your request is a relatively minor one, don’t expect an answer. By definition, “busy” people can’t possibly respond to every inquiry. They’re not being rude — they’re just prioritizing. If they didn’t, they wouldn’t be as successful as they are.

According to Steve Pavlina, author of Personal Development for Smart People, “If you can accept that busy people must triage in order to be effective and have a life, and you can respect them for setting priorities, you’ll have a much better shot at building a bridge with them.”

Here are 8 tips for contacting a busy person:

1. Try to Connect Before You Ask for Anything

The worst way of contacting a busy person is to ask them for something in your first attempt to connect with them. A much better approach is to reach out and contact the person long before you ever actually ask for anything.

One way to do this is via social media. Look for creative ways to quote, feature, or mention the busy person, by including them in a blog post or article you are writing, and then share it with them afterwards via social media. A single tweet might be all it takes to “grease the wheels” and get the conversation started.

Continue to build the relationship by doing things like sharing their content, promoting them, or simply sending relevant resources their way. To do this, you need to really get to know the busy person and understand what they are working on or could use help with. Be patient and allow the connection to grow organically before you jump in and start asking for favors. Don’t burn the bridge before you build it.

Another frequently overlooked option is to examine your existing network and see if you have any ties back to that person. A friend? Business associate? Anything that can be used to show commonality between you and the other person will help.

“Getting someone else to introduce you is one way to get someone’s attention,” says networking expert Lynne Waymon co-author of Make Your Contacts Count. “Find out who you both have in common and ask ‘Will you introduce me?’”

2. Keep Your Communications Brief

“Just a tip of advice. Never write on both sides of the sheet when you are sending a letter to a busy man.” –Jack London, Letter to Louis Stevens, March 24, 1913

Save your life story for another time. The shorter the message, the more likely you will get a reply. And the busier the person, the more important it is that you not waste their time.

First, always start your correspondence with a relevant subject line that’s clear and to the point. The recipient should be able to quickly tell why they would benefit from opening your message, how they know you, or ideally, both.

“Can you help me?” With what? Your business? Your math homework? There’s about as much value here as in a rubber crutch. You don’t have to be psychic to know that this one is headed straight for the oval file.

“Podcast Appearance to Promote Your New Book” is a much better subject line. By clearly stating what it is you want, and more importantly, how it will benefit the other person, you are much more likely to get your email opened.

Being brief also means excluding anything that isn’t necessary. It’s okay to open with a couple lines of pleasantries about your connection/affinity for the person. “I’m a big fan of what you do and I’ve been reading your magazine for five years now,” or “Seeing your TED talk made me decide to switch my major to biology.” A bit of praise will get your email off on the right start and build rapport. But keep your opening to no more than two sentences.

Keep the main body of your email as succinct as you can as well; aim to make your pitch in five sentences or less. You don’t need to attach your 100-page business plan or a dozen pictures of your prototype before you’ve explained what it is that you actually want. Remember, be respectful of a busy person’s time and wait for the green light before sending follow-up information, if they are open to it.

3. Do Your Research First and Ask Specific Questions

“I do detest being asked general advice, because, in reply, I must do one of two things: (1) Either write two or three books handling the replies or (2) damp the replies by giving only a few short sentences.

What I mean is, any time ask me for particular specific advice, and I shall be only too glad to place myself at your service.

Please remember that I write thousands of letters every year to unknown correspondents. And please remember, (1) that I do not like to write for a living…and that (2) therefore, when I have written all the books that I have written and upon which I work every day, that I am so tired of writing that I’d cut off my fingers and toes in order to avoid writing…

Anyway, please remember that you can call upon me any time for SPECIFIC PARTICULAR advice on any subject.” -Jack London, Letter to Cordie Ingram, April 9, 1913

When you reach out to a busy person, do so with very specific questions in mind. You may only get one shot at this, so you want the questions you ask to offer the most metaphorical bang for your buck; make them questions where you cannot find out the answers anywhere else, and for which you absolutely need the busy person’s unique perspective/connections/input.

So first research the answers to the list of questions you have in mind as rigorously as you can, and see what you can find out from easier-to-access sources. You need to show the busy person you’ve done your homework. Tim Ferriss, author of The 4-Hour Workweek, says “It’s amazing how many would-be mentees or beneficiaries ask busier people for answers Google could provide in 20 seconds.” In Ferriss’ words, “That puts you on the banned list.”

Not only should you do research before you reach out to a busy person, you should also try to get going on your project/business before you ask them for help. “Don’t ever ask a busy person to ‘pick their brain’ before you begin working on your project or idea,” says AoM’s own Brett McKay. “Instead, wait until it’s really underway, you’re in the thick of it, and you run into a specific problem.” Advice on starting something is typically plentiful and readily available. So save your “Phone-a-Friend” lifeline for when you’ve done all you can on your own and you’ve reached a wall you can’t figure out how to break through.

What specific question you should ask will vary depending on your situation, so it’s easier to explain what types of questions you should not ask. Typical examples of the types of generic questions you should not ask include:

I don’t know how to get started with ______. What would you recommend I do?

Do you think ____ would apply to my situation?

I’m confused about ______ and I’m not sure why I’m not getting it. Do you have any suggestions?

A better approach than these generic questions is to explain 2 or 3 specific options you are considering and ask for specific feedback on this discrete choice.

When you take this approach, you can “make use of your opportunity and ask better questions about specific topics rather than just peppering someone with general inquires,” says McKay. “The time you land with a busy person is valuable, so use it to ask the highest leverage questions you possibly can.”

4. Make Your Pitch Something to Which They Can Say Yes or No

If the question you have for a busy person regards whether or not they want to work with you on something, make your pitch as clear as possible. In other words, don’t ask an open-ended question like, “Would you like to partner with us somehow?” It’s not the busy person’s job to think of ways you two might team up. It’s your responsibility to come up with a specific proposal. A proposal a busy person can answer with a yes or a no.

5. Show Up in Person

Think for a minute about how many sales calls or how much junk mail you receive in a week. The majority of these items are deleted before they are ever opened. The multitude of requests busy people receive often suffer the same fate.

Now consider what you would do if the person making that same plea was standing right in front of you. Not quite so easy to ignore them now, is it?

Waymon says if there is a particular busy person you want to connect with, you should find out what groups or organizations they are part of and see how you can add value to those groups. Perhaps you can join a committee they are on or offer to help with something they’re passionate about.

“Studies show that it often takes 6 contacts with someone before they know who you are and have you placed in their mental Rolodex,” says Waymon. “So committee work and small group activities are good ways to create that continued contact.”

Being part of the same team can get your foot in the door, but you have to be ready when opportunity strikes. “Always have an agenda. Before the meeting think of three or four things you’d like to find out or know more about. Also, be ready to talk about three or four things you’re excited about — personally or professionally,” says Waymon. “Since people want to do business with people they trust, your overall goal is always to teach people to trust you.”

6. Keep Bringing Value

The chances of getting what you want become exponentially better when you offer something of value. A lot of people struggle with how to find something of “value” to offer, but really the options are limitless.

One of the best ways to provide value to a busy person is by helping them to promote their new book, project, business, or event. You can do this in a variety of ways:

Write an online review on Amazon, Yelp, or other review site.

Feature the busy person in an article on your blog or someone else’s blog.

Offer to introduce the busy person to someone relevant. But be sure to ask first.

Interview the person for your podcast, or if you don’t have a podcast, record a simple interview using a free service like FreeConferenceCall.com and upload it to your blog or SoundCloud (also free). Keep in mind that if your audience is very small, the busy person will likely make a cost benefit analysis and decide that the amount of promotion you can offer is less than the value of their limited time.

Create a Click to Tweet link explaining why you love the particular person’s work and share it with all your friends like this.

Even if you don’t have a blog or podcast, you can record a simple video with the webcam built into your laptop and upload it to YouTube, where millions of people will watch it before going back to watching videos of a cat playing the piano.

Bottom line: Find out what it is they need, or who they want to connect with, and make it happen.

7. Assert Yourself

When you make a request, not only is the message itself important, but so is the tone in which you present it. Michelle Lederman, author of The 11 Laws of Likability, talks about approaching the conversation from what she calls the “middle ground.” You should come off as “not passive, not aggressive, but assertive” says Lederman. Think confident, but not cocky. And definitely not meek.

Lederman also recommends going for the “convenient ask.” Make it as easy as possible for them to say yes to the request. For instance, give the busy person specific dates and times to choose from. Offer to meet them at the location of their choosing. Anything you can do to simplify the request can help.

Finally, Lederman recommends creating a sense of “scarcity.” Create a deadline for a blog post or article so that if the busy person wants to be included, they will need to respond by a particular date in order to make it happen. Having a deadline elicits more responses since these types of requests are harder to push off until later (which usually results in the busy person forgetting to come back to the request).

8. Follow Up (Within Reason)

Now, what do you do if you don’t get a reply? Should you follow up, and if so, how? “I think the secret to building meaningful relationships is following up,” says Jeff Goins, author of The Art of Work. But Goins cautions that you have to be careful how quickly or eagerly you follow up. “If you’re too aggressive, it can hurt you. But if you’re too lax, you can miss an opportunity.”

Goins says he will reach out once, then follow up a week later if he doesn’t have a response yet. If he still hasn’t heard back by then, he will “follow up after another week or two with a ‘hey if I don’t hear back from, I won’t bother you again’ email and then move on.” If Goins is really determined, he says he might try a completely different approach. “I may try another way to build trust with the person, like finding a way to meet them in person, but I won’t try the same way that failed before.”

Brett and Kate McKay have a similar suggestion. They say you should follow up once two weeks after sending the original email, and then 6 months later. “Sometimes the busy person will be in a different phase or season of busyness where their circumstances have changed and they’ll be more receptive to the reach out,” says Brett.

If you want to follow up after a week or two, you can use this script:

Hey George, I just wanted to follow up on my prior email once, in case my previous email got lost in your inbox.

If you aren’t interested, I won’t take offense. If you are interested, let me know. I will send one courtesy follow-up after this email in case the timing right now does not work for you.

-John

By indicating in your message that you are just following up as a courtesy and that the busy person need not respond if they truly are not interested, you are respectful of their time while also balancing the possibility that they really didn’t see your email the prior time around.

Start Contacting Busy People

Remember: busy people aren’t selfish and inconsiderate; I’ve actually found the opposite to be true — that some of the busiest people are actually the most giving types of people. But they also want to be efficient with their time. Remember that the time they give to you is time they sacrifice from working on their own businesses or spending time with their families. So contact them in a way that respects this reality and impinges on their schedule as lightly as possible.

While the entire process may sound intimidating and overly complex, you shouldn’t be intimidated. Like any challenge, connecting with busy people is a skill that you can develop over time. And it’s worth the effort.

“Don’t underestimate your value to someone else,” says Lederman. “There are so many things you can bring to the table that you don’t realize. A little bit of legwork goes a long way.”

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eponymous-rose · 6 years ago

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Talks Machina Highlights - Critical Role C2E32 (August 28, 2018)

Tonight’s guests are Liam O’Brien and Sam Riegel!

Announcements:

No Talks Machina next Tuesday, but they will be back the following week to discuss episode 33 of CR. Next Tuesday, instead of Talks, they’re filming something very special for the new channel. Sam: “You are? Oh, god.”

Handbooker Helper premieres tomorrow at 10 AM Pacific Time at youtube.com/criticalrole! The first episode focuses on dice basics.

There’s a new charity drive for the Pablove Foundation, dedicated to research toward ending children’s cancer; they’ve already hit the first $20k benchmark, which means Sam will be DMing a game of Crash Pandas! The next goal is $50k, which will be used to establish a research grant.

@critrolestats for this episode:

Nott has successfully disguised herself 12 times since the campaign started.

Caleb’s most-cast spells (in order): Alarm, Firebolt, and Identify.

The party has spent 55 of their 81 days together on the road.

Gustav’s sentence in Trostenwald lasted 77 days. He averaged about 7 gold, 8 copper per day of work.

Is Nott freaked out after her adventure with Jester went so badly? “Nott is always freaked out to do anything, but is starting to loosen up a bit and trust that-- at least up until this last episode-- trust that her friends could get her out of most scenarios. Maybe she’ll be a little more hesitant in the future.” She might “take one of the responsible ones along, like Fjord or Caleb.” Liam: “Yeah, you should bring someone sharp and level-headed, in case you need to go to a hospital...”

Caleb loves that a fan points out the parallels between Caleb’s similarities to the protagonist in the Dark Tower books: “Caleb wants to do really specific things, and he is not done with that. They’re potentially harmful, and I think that before he started traveling with these people, the main thing was getting them to trust me, and form a working relationship, but the bigger problem now is, does their friendship become a problem? Do I want to get close to you if I know potentially that I’ve got to walk away from you at a bad moment?” There’s another element he can’t talk about yet where he took more direct inspiration from The Dark Tower. He’s not sure yet which way Caleb will end up veering, and whether there’s a point where he’ll prioritize his friends over his long-term goals. “For all characters, there’s what he tells himself is the deal, and what’s really the deal. I’m enjoying not knowing where the hell it’s going.”

“Nott doesn’t really much care about Gustav, but also does not give a shit about money. It’s a means to an end for her.” Other than providing a little security for herself and Caleb, “the other stuff is way cooler, the little buttons and stuff.” When the opportunity came to pay so much for Gustav’s release, “she was like, ‘Yeah, sure, great.’”

Sam and Nott both wanted to know more about Molly’s past. Liam wanted to know, but Caleb didn’t care. Especially since Molly emphasized not caring about his past, and they didn’t know each other too well, Caleb was satisfied to just take that at face value. Molly’s experience was also interesting as a complete opposite to Caleb’s own experience of being completely consumed by his past.

Sam and Liam talk about how they both think about the show constantly throughout the week. Liam: “And I also spend 10% of my week thinking about Vax, too.”

Gif of the Week: Caduceus learns how much money 400 gold is. There may or may not be a live voiceover version of the text.

Why does Caleb still use fire? “Caleb feels like he needs to work through it, ‘cause fire’s not going anywhere. Maybe something that will come out eventually is the reason that fire is his first and he has a real affinity for it now. The fire is natural progression. The Fireball is something that Caleb got just from leveling up, so I took that for him to be understanding what he can already do and magnifying it. It’s the strongest weapon in his arsenal. He needs to master the misery and the pain so he’s ready to deal with facing his ex-teacher someday, or other people.” On Beau being the one to bring him back each time lately: “He likes that. It’s a flawed friendship, it’s not affectionate the way Caleb and Nott is, but that’s okay. The instinct to bet big and tell her everything came from a sense of shared interest, and shared point of view. They’re still very different, but there’s a lot in common there.” A lot of the things she does has been reaffirming his choice to take a chance on her.

Nott’s aware that she’s been more and more powerful, and so she’s been drinking less in battle situations. “She’s still skittish and gets nervous about stuff, but they’ve survived and succeeded in enough fights now that she’s becoming a little more brave.” Liam asks if Nott knows how gifted she is. Sam: “She’s aware that she can do things better than other folks in the group, but she probably would not think those things are the most spectacular.” Liam talks about how Caleb and Nott are “two different kinds of gifted weirdos.” Sam: “Just like us. Except for the ‘gifted’ part.”

Caleb was impressed by Caduceus’ approach to the Ettin encounter.

Sam: “Something that I just decided about goblins: they have short lifespans, and they’re also super brutal and just attack and they’re mean and get hungry and all this stuff, so I just thought, maybe goblins are just like unrestrained id.” A lot of Nott’s character came from that thought.

It felt really strange for Nott and Caleb to be welcomed by Alfield when they arrived. Caleb’s concerned about their amplified visibility in the Empire, which isn’t sitting well with him. At least when they’re affiliated with the Gentleman and the criminal element, it keeps the visibility away. Nott’s hesitant to be in the spotlight, but has also realized that cheering means fewer thrown rocks, so that’s good.

Fanart of the Week: Jester and Caduceus strolling through town.

There’s a brief foray into autoerotic asphyxiation. As you do.

Liam, Taliesin, and Marisha have all met SideBySamuel. The mystery continues.

Caleb on the dodecahedron: “It’s a little too perfect.” It confirms what he believes---that it has to be possible to manipulate time---and drives him forward. He wonders about the source that this thing is a splinter of. He’s also wondering if the Academy’s project is one and the same. “Time travel is good. It definitely does not endanger present reality.”

“What is Talks Machina, Brian?”

Brian: “We have to put a stop to this.”

Sam: “On the surface, Nott noticed that Caleb mentioned Astrid and probably just thinks that it would be nice to have a young lady in his life.” Dani: “I called your ex-girlfriend the other day, and we’re having lunch.” Sam: “I hear she’s a doctor...” Liam: “I’m tired of coming over to these dinners, ma.” Sam: “I hear the wizard down the street got married...”

Liam on Astrid: “That would be bad stuff. Bad news. I don’t know if it’s good or bad, but it’s complicated.” Sam: “Astrid has got to be either super bad guy now, super dead, or something else we don’t know about.” Liam: “One of the many things Caleb wonders about every night before he goes to sleep, about both his friends. He doesn’t know. It’s been 16 years since he saw them last.” He’s 33 now. The fire happened when he was about 16, he was in the asylum for 11-ish years, and then he was traveling on his own for about five.

Nott worries about Caleb “about the same” in battle, but she’s definitely noticing the others stepping up, especially Beau, to watch out for and protect him. Sam points out that Liam’s strategy has been excellent lately to keep Caleb out of danger. “Nott always has an eye on Caleb, and Sam always has an eye on Caleb.” Liam: “That’s what Vax did. I would override common sense consciously because I thought it was in-character.” He still has to suppress his first instinct to have Caleb fling himself into danger for his friends.

On the surface, Caleb knows it’s not a good thing for Nott to be so affectionate toward him, but deep down, Caleb really appreciates Nott’s affection. “With Beau, there’s no affection, but he feels like he should be called an asshole and a shit, and he feels like he deserves it. It will keep him sharpened and on task.” He likes, on an unconscious level, what he gets from both of them for different reasons.

Which pet does Nott want to eat first? The weasel. Definitely. Sam ventures a theory that the pets represented the members of Vox Machina. The truth is out there, Sam.

To Caleb, it felt a bit wrong to turn his back on the Empire given everything that’s happening right now and everything that has to happen there in the future.

Talks Machina: After Dark: When It Gets Dirty (Big Dick Peanut Butter Energy)

Liam brings out both his Speak-n-Spell voice and his ~Cuddlefish~ voice. He also does a Nott impression. Sam: “You sound like Miss Piggy on acid.”

Nott’s not looking forward to the beach. Caleb’s interested in the beach in a Death in Venice kind of way. Brian ventures a guess that they’re going to discover that Caleb’s just inexplicably super ripped.

What tricks do they want to teach the pets? Liam: “Maybe ‘Die Instead Of Me’.”

Does Beau secretly have a gooey center? Sam and Liam, in unison: “Ask Keg.”

Nott feels safe with the M9 around, not because they protect her, but because they protect each other. “She’s always relied on Caleb for protection, and now I think she’s relieved more than surprised that she doesn’t have to put that burden on Caleb, or each other. That they have a support group of people that can help them and keep them out of danger.”

Nott expects Jester’s mom to be a “real sweet, fine, fancy lady.” Liam: “Caleb had good parents, and everything that Jester describes does not sound great to him.” He doesn’t say anything to her about it because he doesn’t feel like he can give advice. Dani: “My parents that I killed were awesome. As a child of great parents, that I murdered...” He keeps asking about her childhood, and he’s fond of her, so he’s dismayed about what he hears, but he feels like he can’t say anything about it.

Liam: "My least favorite thing about Sam is how much of a fucking food snob he and his wife are. It’s unbearable, mostly because I want the food.” Sam: “The thing that I love most about Liam is that he’s a gentle love, but he’s a kind soul. He wants to help people. But he can’t because he’s too busy.” Liam: “True, true, true. What I like about Sam is he’s the living embodiment of Shakespeare’s Fools. He’s seemingly a buffoon, but if you know him well, you know that there’s no end to the depth and soul of his character. He is skating on talent and wit.”

Liam: “I don’t know how cameras work.”

#critical role #critical role spoilers #talks machina #talks machina spoilers #long text post

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whatifexo · 7 years ago

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Goodbye - Scenario Dump

Hello, everyone~ This is quite possibly the last thing I’m going to post on this blog. It’s a dump of three unfinished scenarios I wasn’t able to finish in the past 2 years. As you all probably saw coming, I can no longer find the motivation to continue updating this blog and writing on a daily basis. I could write a whole novel on why I’ve decided to leave, but I’ll keep it short: Life changes and so do we. These last 3-4 years with you all have been almost surreal. From your kind messages to our crazy drabble games, I really felt welcomed as a writer and contributor to the fandom. Thank you so much for sharing this creative space with me. I will miss you all dearly. For those who are willing to stick around with me a little longer, I’m actually way more active on this blog! I’m also working on writing a little fic there, and after it’s posted, we’ll see if I do more. But for now, that’s where you can find me.

And now, for the word vomit you’ve all been waiting for under the cut. These are unedited and unfinished so pls forgive me if you find errors, lol. Thank you, everyone! See you on the flip!

Red Carpet - Jaebum

New Year ’s Eve.

You’ve grown used to spending it with the familiar waft of cookies and hot chocolate, the crinkle of wrapping paper, and carols softly playing on the radio. This year, you spend the last night of the year alone, ironically so amidst the energetic chaos flying about backstage. At some point, you’d escaped the insistent hands of your stylists and bowed past several of your seniors, never lifting your head to make eye contact. Utmost respect meant quick greetings. No questions asked. No suspicions. No one took notice when you slipped out the back exit and ascended up the flight of stairs leading into the rooftop.

Nausea hits you as soon as you peer over the edge and spot the red carpet below, still bustling with activity. The flashes from the paparazzi are blinding even from far away. Around them, fans crowd behind the barricades, holding up signs and gifts. A wall of security stands guard at the sidelines. Sleek, black vans with tinted windows roll slowly down the street, dropping off the stars of the night. Just hours ago, you were one of the many idols who walked down that glamorous path.

Your stomach flips at the memory of the event.

There was an overwhelming response to your arrival, even more so when your name made headlines after your iconic debut stage.

______,The Rising Star. Korea’s Next BoA. The Nation’s Pride.

Crippling pressure weighed on you as soon as you first touched limelight. Your fans rapidly accumulated. Your albums sold out in mere days. You received offers for commercials and acting roles, you were invited to guest on entertainment shows. Your company’s sales soared, and in turn, they prioritized your promotions over your label mates’. After all of this, tonight, on the red carpet, they had asked you how you felt.

You now chuckle sadistically to yourself, grabbing onto the metal railing and hardly feeling the cold there.

They think you’re ecstatic. Absolutely thrilled and honored to be here amongst the leading celebrities of the country, ending the year with trophies and explosive performances. Tonight, the world expects you to live up to their expectations.

How can you possibly fulfill these demands when your stomach is in knots and your throat is chocked with anxiety?

Dropping your hands from the railing, you step back with wobbling knees. Your dress suddenly feels tight around your body, locking you in a wicked grip. The worst of your fears race through your head.

What if you don’t deserve all of this attention after all? What if you break on stage? What if your voice falters and cracks in the middle of your performance? What if your fans are disgusted by your self-composed songs?

If they hate it…

The shock of this thought shoots through your bones like lightning, and you stumble back, your heel snagging in your long dress. You yelp in surprise as your body loses balance and falls backward, colliding with a broad and solid chest.

A pair of gentle hands catches you by the shoulders.

“Breathe, sweetheart.”

The voice is deep and quiet. There’s familiarity in the man’s tone, as if you’d heard it before in a passing conversation. Your guard raises, and you pull away to face the stranger who you assume to be a passing senior or staff member.

“I’m sorry. I’ll head back in-“

“I don’t think taking a few breaths calls for an apology.”

Im Jaebum, leader of Got7, stares back at you inquisitively with a raised brow.

Your heart stutters in your chest. The last time you’d seen him, it had been in the dressing room hours ago, when he’d been sitting in front of the mirror having his hair styled. You were passing by in the hall and your eyes met briefly through your reflection on the glass. He looked startled, smiling politely before blushing by the tips of his ears. The staff had abruptly the door to his dressing room before you could react.

In contrast to then, the Jaebum in front of you now no longer seems so shy. Dark eyeliner accentuates his eyes, adding a heavy undertone to his gaze that warms your insides. You panic slightly under the weight of his undivided attention, eyes unnervingly focused and…concerned?

Surely, you must be wrong.

“If you’re questioning my motives, then yes, I actually did follow you up here,” Jaebum’s lips curve into a smile. Your face warms in response. “You looked sick and pale, and I know that look all too well.”

“You do?” you blurt out, eyes widening at yourself. You never do this. Never respond to your elders informally or entertain colleagues who made their advances. In revealing something more than your stage persona, you were afraid of exposing your vulnerabilities. So you became a shell. Bathed in the spotlight, but never letting anyone touch your core.

Jaebum has thrown all of your practice out the window.

“I remember when I felt that way,” Jaebum nods, as if confirming something in your eyes. He’s reading you as easily as an instruction manual, and you can’t bring yourself to look away. “I felt something like it after Jinyoung and I stopped promoting as JJ Project.”

Jaebum’s gaze softens. He slides past you to look over the railing where the activities of the red carpet event have begun to dwindle. You watch his back and taut shoulders for a moment, hesitating. He could be up to something. Leading you to let down your guard so he can tease and torture you about it later.

You’ve heard stories during your training period. How seniors sometimes pressured rookie artists, manipulating the rules of seniority in order to bully the ones on the lowest of tiers. The end goal was to drive the rookies to quit, weeding out the competition so the ones at the top may stay there. It was a sick, twisted game played by a select few, but still a possibility in this line of business.

But to be played by Im Jaebum?

You shake your head.

He’s better than this. You know it with certainty. Those eyes that met with yours in the mirror held the truth, and somehow, you know you can trust him.

Joining him to stand by the railing, you watch Jaebum examine his hands, calloused and stretched on the back of his palms. With a start, you remember watching an interview of Got7 weeks ago while you were on standby in the waiting room. Jaebum recounted a story of his stray cats in the dorm, each who had bizarre, yet strangely endearing personalities.

You find yourself smiling before he even begins to speak.

“I think my whole world fell apart and rebuilt itself when I re-debuted with the boys.” he folds his hands, toying with his fingers in awkward movements. “I hated them for a time just because they were new and inexperienced. But God, did they grow on me fast. I wanted to show off as their senior, but who was I kidding? I was still shitting my pants before our debut stage.”

You laugh out loud at this, and Jaebum turns to you, mirth in his eyes despite his unfortunate story.

“You know why they call me out for being so hyperactive out there?” he jerks his head to the side, referring to an imaginary audience.

You shake your head, and he sighs softly.

“Because I don’t think I’ll ever forget the energy of my first stage. As in, my first genuine stage. I was happy. I didn’t care about what others might think of me in that moment or afterwards. I was out there losing myself in my craft, and that’s the only thing I hold on to when I perform. That should be your only concern tonight too.”

His eyes dart over to the red carpet briefly, and you shiver, both from the chill of the night and the implication of his words.

“How did you know?” you stare up at him, wondering. In a matter of minutes, he’d figured you out. Related with your emotions and churning thoughts. Though all he did was talk about himself, you don’t think this is really about him. Not completely. Otherwise, he would have approached this conversation with much more arrogance.

No, that’s not it.

He’s comforting you.

The realization has your pulse quickening.

“You can say I know from experience.” Jaebum grins with a degree of shyness, as if reading into your thoughts.

You hold his gaze for a few beats. The familiar flush on his ears has returned, but his eyes are unwavering. For the first time tonight, you let out an unlabored breath. Your heart is still running a marathon, but this time, in a good way. Jaebum is still watching you as you let your eyes flutter shut.

“Thank you.”

“For what? The pleasure is mine.”

There’s mischief laced in Jaebum’s voice.

You crack an eye open.

“What do you mean?”

“Don’t tell me you didn’t know.” Jaebum says incredulously, lips quirking into a smile. “I’m actually one of your biggest fans.”

The world freezes for a second.

The distant camera flashes halt to a stop, the sound of screaming fans dim to an acute noise, and the cold air lifts from your skin, warming your body from inside out. Your vision blurs from the intoxication of Jaebum’s confession. His timid smile is all you can see.

“Why me?” you ask more to yourself than to Jaebum, recalling all the times you’ve quietly watched him with awe from behind the scenes, the charismatic leader of his team. Someone as occupied and charming as he wouldn’t have time to admire a rookie idol like you.

“Why not you?” Jaebum challenges, raising a brow.

“Because…” you struggle to reason with him. You’re not up to par with him. He’s several years your senior. You have not yet shown your full potential. “…because I’m me.”

“You’re being unfair, _______.” Jaebum chuckles, though his tone is bitter. “I didn’t come up here to get rejected.”

Your eyes shoot up to his in alarm.

“I wasn’t-“

“Rejecting me? I know, it’s hard not to.”

You barely manage to keep yourself from cringing.

Jaebum, on the other hand, completely fails to hide his horror. Even in the dark, the dim glow of the moon is enough to expose his flushed cheeks.

Vicissitude - Part 3 (Chanyeol)

“Care to tell me why you haven’t been to work for the past three days?”

Kyungsoo is scary.

He entered the kitchen twenty minutes ago without saying a word, silently tiptoeing around you and your laptop at the table to brew some coffee. You’d almost forgotten he was there until he cleared his throat, paused for a solid few seconds, then dropped the big question.

You were hoping he wouldn’t notice.

But his low profile tendencies have a reason behind it, which is being highly aware of his surroundings and noticing changes. Which you’ve clearly made.

You’re actually doing your homework.

A lot of it.

Along with other things.

“Oh, you know,” you say over the whirring of the coffee machine. “Places to be. People to meet.”

“In the middle of nowhere.”

You never knew Kyungsoo had so much sass in him. The quiet, deadly kind of sass that catches you off guard because he’s being so painfully casual for someone who’s about to pry for information.

And his back is still turned on you.

“I still haven’t gotten my paycheck, by the way.” you’re stalling, which is painfully obvious. “I’m going on strike.”

Kyungsoo finally shows his face after pressing a button on the coffee machine, the whirring immediately subsiding after he lifts the mug from the base of the machine. He studies you quietly without an ounce of emotion on his face, and you try to mimic the same neutral expression but you know you just probably look like you’re constipated.

“Paychecks come out every two weeks. And considering that you’ve also skipped out on the past few days…..” he doesn’t finish knowing that you understand the deal here.

No work, no pay.

You sigh, acknowledging defeat and turning back to your laptop to finish up that government paper you’re only halfway finished with because you didn’t actually start writing it until three days ago. Somewhere along the line, you’ve turned writing papers into a form of distraction.

In actuality, you hate writing. But it gives you something to do and think about other than the lingering touch of Yixing’s lips and the thin layer of guilt there that you’re still trying to figure out.

As usual, forgetting things isn’t as easy as it seems.

“Please tell me you’re going to go away soon.” you say without looking up from your laptop, because you know very well that Kyungsoo is still standing there with his coffee and he hasn’t shown any sign of movement.

He’s also making you think of things again which is bad. Very bad.

“I’m waiting.”

He wants answers.

He’s been hanging out with Baekhyun too much. He’s slowly getting just as annoying. And by annoying you mean being able to read right through you even with the façade you’re showing.

Are you really that readable?

“Then keep waiting.” you pull down your laptop screen and grab for your coat behind your chair, and only now does Kyungsoo set down his coffee in mild surprise.

“Where are you going?”

He sounds like your mom whenever you ask her if you can hang with some friends she doesn’t recognize the names of at any time past nine in the evening.

Mind you, it’s only three in the afternoon right now. Therefore, Kyungsoo can’t call you out on this.

“On a walk.” you offer him a salute, which he doesn’t take very well as he scrunches his brows in thought back at you.

Amazing how much character development he can show within only a week or so after meeting him for the first time. There’s also the fact that you’ve somewhat taken a liking to him during your time at the lounge whenever you’d exchange random pleasantries in between working breaks.

Or how he randomly takes care of the people around him without much thought through simple things. Such as waking Baekhyun up every morning without yelling at him about his alarm that wakes just about everyone in the cabin except for him. And how he’ll diligently listen to Chanyeol’s guitar playing and actually give feedback unlike Jongin who merely offers a nod of approval whenever Chanyeol asks for his opinion.

The way he’d wash Yixing’s favorite purple hoodie every night and run it through the dryer because that’s how often that boy wears it.

Now he’s trying to ease off some of the burden from you too.

Except this isn’t his fight.

And he must realize it too with the way he’s fallen silent again.

That is, until you reach the front door and he calls out for you right before you slip outside into the freezing temperatures. You can’t help but stop and wait for his word of advice.

“If you can’t tell me, tell someone who deserves to hear it.”

~~~

Your little ‘walk’ lasts about ten minutes tops until you decide to turn right around and come back to the comfort of the fireplace indoors. It must be below zero degrees today, with the fog making it nearly impossible to spot anything more than a foot away from you.

You’d only gone out about half a mile or so, but twenty minutes later you’re still walking and slowly beginning to panic as time continues to stretch and you fail to spot the cabin or the others that should be nearby.

Your vicinity isn’t exactly at its best given the circumstances.

To add on to the already dangerous situation, you hadn’t brought your cell phone with you either.

Brilliant, _________, just brilliant.

You wanted to drift far away from your problems but you didn’t actually want to be this far away.

Not even a sign of civilization.

You’ve never hated yourself more than you do now.

Another set of time passes, you have no idea how much, but by then your nose is frozen and you’re certain you’re only minutes away from getting frostbite on your toes. Along with that, you’re also left with some thinking time, and said thinking time encompasses just about everything odd and dramatic that has occurred throughout the course of this trip and what exactly you need to do to survive this and finally untangle the tangled affairs of your heart.

And just when you think you might die without clearing up your ongoing issues, salvation comes.

There’s a guy wearing a bright orange jacket walking in the opposite direction as you, and at first you think it’s Taemin because you’re very familiar with that jacket.

Though when you yell out and frantically flail your hands to catch his attention, you realize two things.

One, the guy is certainly not Taemin. His shoulders are too broad to be Taemin and he’s also a few inches taller than Taemin.

Two, Kyungsoo’s words of wisdom just slapped you in the face.

“_______? Are you okay? What are you doing out here? God, you’re freezing.”

There are hands on your cheeks. Warm ones. Warm hands in the middle of Arctic weather. And if you close your eyes long enough, you can almost picture home.

“Chanyeol, I’m cold.”

His hands slip from your cheeks and you hear the unzipping of his jacket, crunching of the snow, and then there’s fabric being wrapped around your neck.

You open your eyes, instantly regretting it after finding Chanyeol standing closer than before. While he’s focused on burrowing you underneath his scarf, you take in the bits of snow nestled in his bright hair and the urgency in his movements.

The deep line of worry across his forehead.

You don’t know what to make of this. You don’t know what to make of anything.

All you know is that you have to tell him something.

Anything.

“Let’s get you back inside.”

He’s tugging at your arm, and when you don’t respond, his hold slips to your wrist and he forces you to stumble after him.

He’s not asking any questions.

Which worries you more than the cold piercing into your skin.

“Chanyeol.”

“We’ve got about fifteen minutes before you start developing frost bite, but I don’t think we’re too far from the cabin. We’ll make it.”

That all sounds great and relieving but it’s not exactly why you called him in the first place.

“Chanyeol.”

“We should really pick up the pace, though. Just in case I’m wrong about where we are and we both end up-“

“Yeol.”

That seems to quiet him.

He slows his pace but doesn’t stop. You still consider it a small victory as his ears flare a hint of pink at his newly birthed nickname, and you feel yourself flush too. You aren’t concerned with that because your whole face is too frozen to show a hint of color anymore.

It’s just the embarrassed feeling that lingers.

That’s not stopping you.

You need to say this before you get back to the cabin and the magic of being alone and somewhat courageous out here begins to wear off.

“In sophomore year, my favorite instrument was the guitar.” you feel his grip on your wrist loosen which means he’s finally listening. You sniff and breathe out, watching your breathe puff out in a white cloud before disappearing into the fog surrounding the two of you like a heavy cloak. “And then I went out with Yixing.”

Chanyeol stops so suddenly you nearly walk straight into him.

He turns to face you, and as soon as he does you launch into an unpracticed narration of a story you haven’t told in a while and count down the minutes you have left before you really need to book it back indoors and possibly hide forever.

“I was ignorant to music until I heard him one day in the practice room, strumming some random song I wasn’t familiar with, and I don’t know why I stayed but I did until the very end of my lunch period and he looked up past the glass on the door straight into my eyes after the song ended. I knew I loved him the moment he sang to me that same song in front of the whole student council.”

Chanyeol’s eyes have gotten so wide his whole pupils are showing.

“People said things, of course. We broke the sacrilegious rule of seniors exclusively dating seniors. But that didn’t matter. I didn’t care as long as we were together. What really mattered was that he scored a scholarship in Europe and he was bound to leave the day after his graduation.”

You’ve started shaking and it isn’t from the cold.

Chanyeol reaches out towards your shivering fingers, hesitates, then stuffs his awkward hands in his pockets as a final resolution, and you mirror his position as you bite back tears.

“He gave me a note through his music player. Some sort of voice note on why he didn’t want to leave. But you see, I knew he had to. I wasn’t worth a promising future music career. There was so much waiting for him over there, but with me, he’d forever be stuck over here. I wanted to be selfish and that thought scared me.”

You’re almost done here. It’s obvious the ending sounds near and Chanyeol knows it too. He’s looking at you as if the world is falling. You’re glad the crisp, cruel air dries your eyes and snatches any chances of tears trickling down.

“The last thing I heard from him was that he loved me. And the last thing I told him was goodbye.”

There’s a hole in this story.

Not a fairytale ending or a solution, but an important puzzle piece that you’ve missed. One that’s been there all along, hidden, unknown until you heard the gentle strings of the guitar again two years later.

And that single piece throws you off kilter. Rearranging everything else in a whole different picture.

What terrifies you the most is that it’s standing right in front of you.

“Was it, though?” Chanyeol’s voice has gone quiet in a way that you recognize because that’s what people sound like when they’re shattered. “Was it really a goodbye?”

Yixing and Chanyeol are friends.

You weren’t aware of this and from the looks of it, neither was he, which means that Yixing has kept more secrets than you realize and maybe Chanyeol knows more than what you give him credit for.

You want to call it unfair that one day, you’re still stuck trying to get over the image of your first love and then in the next, he’s tugging at your heart again but it’s refusing to follow. Not anymore. There’s a new reason behind the pounding in your chest and you hadn’t expected to identify its source in the middle of nowhere.

Where it’s just you and the boy who’s asking if you’re willing to give the past a second chance.

“I don’t know.”

Chanyeol nods in slow motion, like he’s confirmed something scientifically. His feet are heavy when he turns, his boots driving deep into the snow, and you want to follow him and ask why he’s trying to solve a mystery that you feel is only a misunderstanding.

That would’ve been easier to do if you hadn’t seen him bite his lower lip before shutting you out.

He’s not the only one who’s made a breakthrough.

It doesn’t hit you suddenly, but it settles in as slowly as Chanyeol is trudging away. The image of Yixing trapping you that day against the shelves flashes through your memory, and you faintly remember closing your eyes, feeling tender lips that are certainly not Yixing’s.

You know how his mouth fits against yours already. You’ve always known.

The moment you closed your eyes and imagined someone else was a different story. Nowadays, you wish you never have to close them because there’s only one thing that enters your mind and it has nothing to do with Yixing.

Instead, it has everything to do with his friend, and what it would be like to melt against him.

Today - Jaebum

September 22, 2017

Contrary to what they say in trashy teen magazines, first love doesn’t always begin with a heart fluttering, innocent and graceful encounter. You feel obligated to correct that misleading piece of information. You almost mark it out with your pen, correcting the writer’s mistake, but then you remember that you’re not supposed to be the critic here.

You’re supposed to be searching for inspiration. Finding a subject for your next article. You’ve sat in this God-knows-where cafe for an hour, pouring over a pile of publications, desperate to find something. Blindly reaching for an unborn idea.

“Your stories have become bland.” Mark, your editor and usually kind companion, had delivered an uppercut punch before he even finished reading your last feature article. His blatant criticism shocked you. Not once has he ever complained about your writing. It quickly became a quest to please him again.

“This writing no longer sounds like you. Are you even enjoying this anymore?”

It’s not that you’ve lost interest. It’s just that sometimes, you find yourself holding back.

“Write me something compelling and don’t even think of that promotion until you win me over.”

You didn’t think he was cruel enough to hang the managing editor title over your head. Additionally, he had struck a chord by sneaking in several romance pieces in your resources pile.

You get the hint.

In fairness, there used to be a time when you would eagerly compose romantic writings and hold on to love stories as if they were your own. Your former self embraced romance and took any risk that came your way. That was before he taught you to think twice. He taught you the reality to false beliefs. He taught you everything you know today.

These days, you’ve learned to choose your battles. Today, you find yourself surrendering to the nearly forgotten memories. As you read further down the advice column on first loves, clearly written by a young and inexperienced writer, you’re brought back to the first time you ever gave your heart away.

The very first meeting. When it was nowhere near how the fairytales described it, or how you imagined the love of your life would come to you.

Because the weather is fair, because Mark is telling you to, because you don’t have much choice, you allow yourself to remember.

Just one last time.

~~~

September 21, 2013

The crash happens while you’re attempting to merge lanes.

You swear you made sure to look, not once but thrice, gauging the blurred lights on your side mirror and passing in front of the car that had seemed far away enough. You could say it was because of the rain. You could say that the pressure overcame you, that you were racing against the passing time that refused to wait for you.

A minute ago, you’d been accelerating without fear of the wet roads, pleading that you make it in time for your first internship. A minute later, you’re hearing the screech of metal and your body is being jolted forward. You don’t realize your car has lost control until you feel the wheels under you skidding sideways to a stop, just missing the guard rail, your life quite literally flashing before your eyes in an instant.

You find your hands shaking when you glance up at yourself through the crooked rearview mirror.

Except for your flushed cheeks, there are no signs of injury. No blood. All limbs intact.

The storm of honking behind you brings you back to your senses.

“Are you fucking crazy?”

The driver of the other car is knocking on your window.

Drenched in rain, he has his phone pressed against his ear, probably calling for the police. Instead of worry, anger lines his face like the crack of thunderbolt.

His rude shouting somehow dissolves your fear and aggravates you, while a part of you admits that you’re mostly at fault. But your swelled up pride wins out over admitting your faults. The idea of losing even such a trivial and obvious battle as this one is utterly humiliating and embarrassing for you.

Especially since you just made a rookie mistake by trying to rush to work.

At least you’re willing to admit that you’re about to do something incredibly stupid.

Instead of rolling down the window and apologizing profusely or trading insurance information like what you’re generally supposed to do after a crash, you unbuckle your seatbelt and step out into the rain.

The guy is in mid sentence on his phone--something about giving directions and reporting a crash caused by ‘a dumb bitch’--when you slam your door closed and look up at him with blazing eyes.

“I’m sorry, I wasn’t aware that the idea of courtesy died with the beginning of your very existence.” you shout over the roar of the storm, the cars whizzing by, and the driver’s angry conversation over the line.

He stops yelling into his phone for a moment, jaw dropping open at your brazenness. You can see that he’s pissed, absolutely insulted, and you can already tell what kind of response he has in store for you.

“What did you just say to me?”

He steps forward with a threatening glare, puncturing your personal bubble until your back hits the side of your car. From up close, you can tell that he’s young, maybe around the same age as you. The sharp angles on his face create an illusion of older age. You know better than to be fooled, because a proper adult wouldn’t choose to wear ripped jeans on a rainy day or drive at sixty miles in a forty zone. A proper adult wouldn’t stand in the rain long enough just to fight a reckless girl and get their clothes soaked.

You’re aware of all this, yet you’re still fanning the flames.

“It’s shitty enough that I’m late for my internship. But to get hit by a self absorbed asshole? I must’ve murdered a whole town in my past life.”

“Are you kidding?” the guy scoffs, pounding his hand against your car. “I think you’re forgetting who fucking swerved into my lane without even thinking about it!”

“If you care to know, I checked three full times and saw a clear road!”

“Well damn then, let me call an eye doctor for your blind ass while I’m at it!”

“My ‘blind ass’ happened to keep your speeding ass in check!”

“Fuck me, you’re one to talk!”

“I may have lost a very important job opportunity because of you!”

“And because of you, my boss is going to slit my throat once he finds out that I wrecked his company’s car!”

You’re close to throwing fists by the time the police and ambulance arrive. You only break apart when an officer threatens to arrest the both of you if you don’t stop disturbing the peace. This makes no sense to you as the thunderous sky and building traffic are nowhere close to peaceful, but you step back and allow yourself to get examined by the paramedics.

On the other hand, the driver that had hit you is preoccupied with inspecting his car, running his fingers over the dent on his hood somberly as if he’d just lost a precious member of his family. Obviously, he has more concern for his vehicle than an actual person.

“Insolent prick.” you mutter under your breath when he later joins you in the back of the towing truck.

“I heard that.” he hisses back, the driver next to you shifting uncomfortably at your exchange of hostilities.

It takes hours to settle your dispute and walk away as calmly as you can with your car totaled and many dollars to spend. You contact the internship (Mark)

You hadn’t even bothered to learn his name.

#honestly i feel so relieved #bye #exo scenario #got7 scenario

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