PLEASE STOP COPYING FICS ‼️
I am by no means gatekeeping concepts or tropes. We all know that it’s normal to see the same tropes or AUs be used differently, and that is not plagiarism. However, I recently found a fic that was oddly similar to my old (and discontinued) Gojo x Reader series, Reckless. The CEO! Gojo is nothing new, and neither is an accidental pregnancy trope. The only reason I am concerned is because this Gojo series I found has the exact same themes as Reckless that consists of: a playboy CEO Gojo with a very notorious reputation, a poor reader who is an employee and asset to the company (someone who works closely with Gojo), reader getting knocked up from a one night stand with Gojo, reader with a seemingly dead/absent mother yet still in contact with her father, Gojo with a very traditional family who does not like reader, and Gojo with an ex he struggles to let go of - which are all elements of Reckless.
The first chapter of that Gojo fic is also eerily similar to my first chapter with the same flow of: YN finding out she’s pregnant and her friend being there for her, Gojo saying he’ll take responsibility because ‘they both made the baby’, YN having to move in with Gojo to take care of the baby, and both of them coming to a mutual agreement that their ‘relationship’ will be purely for the baby’s benefit. The flow of events and specific details about the characters’ backgrounds are too similar to mine.
Again, I am not gatekeeping concepts, just as how I’ve had other writers ask me if they could write their own stories or takes based off of the NAOYA’S TROPHY WIFE COLLECTION or the BONTEN HUSBANDS EXCLUSIVE, and I’m fine with that. I’m even happy people are inspired by what I write. But being inspired is completely different from taking someone’s story and posting it as yours. Please trust your own creativity and skills in writing. You can write amazing stories and have people love them without having to steal from others.
It’s sad to say this is not the first time I, and other writers, have been plagiarized. It’s even more upsetting to know that a friend of mine who has also written a Gojo series (that I’m sure you all know and dearly love) experiences the same issues with the same person. The fact that this is happening to many writers out there is disheartening. We work hard and pour a lot of love in the stories we create. None of us are getting paid for this, and we simply want to share our passions with others. So please, let us be kinder with one another and show love and support the right way. If you love a fic, you give feedback and rb/comment + show support to the writer. You don’t steal their ideas and play it off as your own because you liked it.
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List of Things in the Back to the Future Musical That Have Made Me Cry (for one reason or another)
First off: if the title alone doesn’t imply it, this post will contain some spoilers for the minutiae of the Back to the Future musical! If that doesn’t bother you, cruise right on ahead, but if it does then you’d best hit the brakes here!
As of writing this, I have been lucky enough to see the BTTF musical three times (!!)—once on Broadway and twice on the North American tour. Each show has been different, with little quirks and interactions changing night to night, which makes it even more enjoyable to rewatch. There’s so much heart to this show, and so many moments that add to each character. Some things have moved me to tears, and others have made me laugh so hard I’ve actually cried. Below is a collection of moments that have had me tearing up, in no particular order or organizational format:
(Musical spoilers below the cut!!)
Doc talking about how people took advantage of him and actually getting choked up
Doc holding up the model car at the end of For the Dreamers, like it’s flying amongst the stars
Marty handing Doc the ‘thank you note’, and Doc being incredibly touched and going on for several moments about how kind of Marty it was to write him a thank you note (to the point of sounding teary) before pausing and his expression dropping when he realizes it’s actually future information
Doc’s side table getting destroyed (unintentionally) at the tail end of Future Boy, and Doc only noticing it about thirty seconds later and staring at it before howling “THAT’S AN ANTIQUE! THAT WAS MY GRANDMOTHER’S!”
and then “I know times are hard on dancers, but there’s no need to steal furniture!”
in the same show, following the table’s untimely demise, Doc waking up (after 21st Century) and being startled by Marty’s presence and responding with “oh, hey, Marty, I—I was confused ‘cause there was a table there” to roaring audience laughter (plus Marty’s follow up of “you can buy a new one when I leave”)
Doc hugging Marty in the square after Marty returns to 1985, and Marty beginning to cry, and Doc comforting him and gently patting his back and holding onto him for a few moments longer than usual
Doc and Marty tapping their microphones together during Back in Time like a microphone fist bump
Doc and the flyswatter. Truly the only valid reaction to watching your (new) friend be hit on by his mother, retching and slapping a flyswatter back and forth and then managing a “there’s a—a bug, I’ll get it—“ while you continue to smack the flyswatter back and forth, and eventually going “got it” because ya gotta at least pretend there’s continuity and you can catch a bug
The fire extinguisher flavors!
“Doc!” “Aah!” “Whoa, whoa—are you all right?” “What?” “Are you all right?” “Left?” “What??”
George waving goodbye to the bird
Doc waking up startled and immediately calling for his mother 😭
“Sirius is the brightest star in the night sky, why are we talking about astronomy??”
“Profanity not necessary.” “The hell it isn’t!”
Doc on the clock tower genuinely panicking and hyperventilating but giving it his all (look I don’t blame him for wailing I would not want to be up on a collapsing edge especially with a fear of heights!)
“Safety first, Marty, it’s so important, I always say that!” “When do you say that?” “I say it every time!” “Do you?” “Remember the time you burned your eyebrows off…”
“We’ll put the red one here like Rudolph—aw, he’s so cute!!”
The entire fire extinguisher bit. Every time. The perfect cut into yelling and the cut back into the same exact word. Gold.
Doc revealing the model, Marty complimenting it, and Doc putting a hand to his chest and then leaning his head against Marty’s, clearly incredibly touched
“you’ll be fine, you’ve had coke” *incredibly loud sniff*
Doc struggling with the projector screen, turning (with one arm still up) to see Lorraine, extending a leg and bowing with an “enchanté”
Doc’s German accent!! Truly a moment
Every *single* time there’s a “you mean the future” type joke, the note of suspense from the brass section and the double fourth wall break look by Marty and Doc out at the audience (especially when they look back at each other and then look out again, often multiple times)
“Brown.” “Strickland.” “It’s…been a long time.” “Not long enough. BYE!” *featuring Doc well and truly sprinting away*
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can we talk about sukuna and rika and why the king and queen of curses having a dispute is also narratively fitting? if sukuna is an heian era sorcerer with an antipathy and disregard of human emotions and the weak's will to live, blind to love and unable to comprehend the value of relationships with others then rika, as his counterpart, works especially well. rika is just a kid, or was just a kid. an innocent young girl who ended up dying tragically and saw herself transform into a vengeful spirit after being cursed by love. not only does she represent the weak (remember when sukuna's slaughter of women and children was implied?), she represents love itself. with her feelings lingering after death, she clinged onto her existence with the sole wish of protecting yuuta. it counteracts so well with sukuna's selfish will to kill time before his final breathe, which he admitted to be his will and motivation.
before i move on to my next idea, which let me preface by saying that it might be a little out there and dives into theory territory, i'm going to contextualise it with some information on the symbolism of "king and queen" that might help understand why this thought may make - at least some - sense.
in alchemy the king usually appears in conjunction with the queen, representing the sun-and-moon duality. in accordance with the theory of sulfur and mercury, which together, after alchemist purification, form the philosopher’s stone (also called the elixir of life, associated with rejuvenation and immortality), usually represented by the crowned hermetic androgyne (the union of the complementary male and female, achieving perfection or completion in the human state). according to jung, the king and queen also signify the spiritual conjunction that takes place when the process of individuation is complete, with the harmonious union of the unconscious and consciousness. jungian psychology has subjected the alchemistic tradition to extensive analysis and views the king less as an image of paternal authority and more as an archetype of higher insight and wisdom.
with that in mind, i think it's easy to understand where i'm headed but i want to add something else. remember jjk 0? geto's plan at the time was to obtain rika so he could use her power and move forward with his plan to annihilate all no-sorcerers. he believed her to be the key to achieve his goal and was willing to risk his own life for it. furthermore, the story is highly based on buddhist concepts and one of the core aspects of jujutsu kaisen is the cycles of suffering the characters are subjected to. in buddhism the goal is to become free of the samsara (continuous cycle of life, death and rebirth), eliminate suffering and achieve nirvana (enlightment). this ties withe the name of the series as kaisen is comprised of the kanji 'kai', meaning cycle, and 'sen', meaning battle, which combined with jujutsu (which means magic/sorcery but contains the word curse) describe the story as an endless battle of curses. and in a sense, the story also repeats itself, between generations and storyline-wise with the events circling back to how it all began. yuuta managed to land a fatal strike on geto once again, but now rika is pointed to be in a direct confrontation with sukuna as the queen of curses. now that i went through all the context needed to understand this, is it possible rika is once again in danger of being taken away? the idea of achieving a state of perfection with the unity between king and queen is quite intriguing. sukuna finally addressing yuuji as a worthy rival because of his unshakable resolve and unbreakable soul, is almost directly implying yuuji to be the one with whom sukuna has his last battle. an ultimate power-up (or the equivalent to), would be veyy cathartic before a final fight where yuuji would have the opportunity to finally go all out and have his well awaited and deserved protagonism (in my eyes, at least).
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