#but also its crazy to me for a family to have kids separated by 17 years
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nenoname · 3 months ago
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once again i firmly believe that the lost journal pages are a truth lie turducken
and also like. i really doubt ford drew the blackness pages, there's some limit to his artistic genius kajshskdhsak
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kiryuun-blog · 3 years ago
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Attack on School Caste ep 4 english translation (Attack on titan drama CD)
Here’s the english translation of the 4th and last episode of the drama CD “Attack on School Caste”. Kind of sad it’s over but it was fun to translate ! Also, I’ve uploaded on my Youtube channel all of the episodes subbed, so check it out: https://www.youtube.com/channel/UCQXkQAha6FpPBkUTg1qB9rA/featured
Translation below:
After spending some time together, and confronting each other several times, they ended up exposing little by little their real personalities. And after they divulgated the reasons why they were in detention, they opened up about their worries and dreams.
A: The reason why I ended up in detention is only known to some of the teachers, and I haven't talked to anyone about it. If it was known, it would be a big problem. J: What the hell did you do ? A: To tell you the truth...with this laptop, World-kun, I created a pirate anime site. R: What ?! A pirate anime site ? I can't believe that. Well, I heard that around Somalia there were pirates, but to think that there was one in our school...and that you tainted your hands with that kind of business, using anime... H: Reiner, it's fine if you don't know about it but there's no need to be that surprised. R: Sorry... H: A pirate site is one that illegally uploads anime, and that is a crime. J: So that's the kind of site where you can watch anime without spending a penny, huh. R: I see. That's definitely not forgivable. M: A complete evil which no one can prevent. A: Yeah...you're right. Not only it's an infringement to copyrights, but it also infringes the rights of all the staff that worked hard to produce these animes. It's the worst, it also tramples on the audience that loves these animes. J: And why did you do that kind of thing ? A: Because I'm someone like that ! I'm made fun of at school for being a geek, I'm not good at sports and I'm not even good at studying, and I don't have a lot of friends. I'm a grandpa's kid and weak, and I can't even tell others what I want. I'm just a pathetic and worthless geek. And that's because I'm this kind of guy that I wanted to, at least, shine on the net ! At the beginning, it was just a site where I recommended my favorite animes, but then, the views increased and I was thanked in the comments, so I wanted even more popularity and started to upload illegally episodes. And one day I realized that it ended up being a complete illegal site. I couldn't bring myself to stop... R: When did you realize it was bad ? A: My friend, Marco, warned me, saying that this was a complete crime. And, in order to stop me, he talked about it with the teachers. J: Huh, so he snitched. That sounds like what a serious ass like him would do. A: But thanks to Marco, I finally realized what I was doing. So that's why I immediately closed the site and it didn't become a serious problem. Well, I ended up in detention though. J: To think that you were a potential criminal. H: That's not a potential criminal, but a criminal indeed. M: One's outward appearance and one's real identity is completely different. Once the mask is removed, the truth shows its face. R: And I thought that you were just an otaku... A: Even someone like me has things I want to do and dreams...One day, I want to go to Akihabara, the sanctuary of anime ! Neons illuminating the high buildings, and posters of my favorite anime characters plastered everywhere...the sanctuary I'm yearning for ! A market so wide and deep that even if the geeks from all over the world were to assemblate, they wouldn't be able to buy everything ! When I was administrating that site, I felt that I was able to touch a little that world... But in truth, I was just drowning in the deep sea of the net... R: Dreams, huh. Up till now, I never even thought about that. H: Are you serious ?! Didn't you want to become a football player ? M: What about those titanic muscles...and that robust body...? R: Those were obtained after training regularly. But that was not because I wanted to become a football player. H: Then, why ? R: It's because I wanted to be acclaimed as an excellent sportsman and obtain a scholarship. J: Ha, what's with that. Such a petty reason ! R: Well, I was brought up by my mother only. It's already tough to let me go to school. I was born in a country beyond the sea. When I was young, my mother and father separated, and me and my mother moved here. After that, there were only hardships. It was tough to only feed ourselves in a foreign land. I want to provide for my mother and let her rest, that's what I always thought. J: H-huh ! After calling me a mother complex, you're not one to say ! R: Yeah, you're right. If I did my best in the football team, it was to make my mother happy. I trained myself everyday, in order to obtain this armor-like body, and even became the captain. And even for my caste, I became the president of the clubs, and volunteered for cleaning garbage, I gained popularity with the students and took special attention of the teacher's moods. I did all I could. And I finally became the jock. A: So you suffered a lot too... H: And why someone like you ended up in detention ? R: On the last physics exams, I had some difficulties... H: So you didn't pass ? R: Y-yeah...that's right. But, no, what I want to say is that...I scored 0 points. J: 0 points ?! For real ?! You must be lying, even I scored 17 points ! R: To tell you the truth...I'm really hopeless with studying. No matter how much I try, I never do well, and up until now, I've managed to barely pass. And physics is my worst enemy. I don't understand a single thing. Like you all said, maybe even my brain has become only muscles. A: But even so, 0 points...? R: That day, during the exam...I lost sight of myself. Until that moment, I always thought that I wanted to let my mother rest, and she has big expectations. In order to meet those expectations, I became the jock, the captain of the football team, the president of all the clubs, and I had to always be strong and right. And when I thought "do I have any dreams of my own ?" "do I have something I really want to do ?", my mind went completely blank, and without realizing, the exam was already over. I couldn't write anything other than my name. J: Well...that explains the score. R: But, even without that happening, it would still have been hard to score more than 10. Armin, before, I said that you were miserable, but, like Jean said, it was me, who has no dreams of his own, that was miserable. A: N-no...that's not true, you're doing your best aren't you ? H: After all, you were just a king in name. That's so stupid. J: Hey ! You don't have to say it like that ! H: It's already great that his mother has expectations of him. Unlike him, no one cares about me, and that includes my own parents. Laughable, isn't it ? R: Hey, Historia, you're a rich lady, there's no way what you say is true ! H: Here's the problem. Just because I’m crazy rich and the cutest, not only in this school but in the entire state, everyone's spoiling me. But no one cares about the real me. J: Huh, that's some luxury ! H: And what do you think you know, Jean ? What do you know, you, who has a mother kind and loving enough to bring your lunch to school just because you forgot it ? I only picked up some fruits that were left on the table. My parents never cared about my lunch. And we never eat together, the last time we ate dinner together was when I was five. They leave my care to the butler, and only see me as a tool for the succession of the family. R: But they're your parents...there's no way they think like that ! H: No, I'm only a tool, and a doll. I've been raised as a rich lady, with disinterested parents, and then I'll marry with a dull man who only has reputation, then give birth to a child and success this house. My parents, teachers and the people surrounding me at school, they're all stupid ! I'm fed up ! School caste ? Queen bee ?! What does that even mean ! A: I understand the situation...but you must have things you want to do, right ? If so- H: Are you really in a position to say that, Armin ? A: Huh ? What do you mean ? H: I also like japanese anime ! I can't help it ! Shugo Chara and Sugar Sugar Rune, they're all the best ! And I'm so envious of your bento box of Maji Moji Rurumo ! I want to go to Akihabara and Ikebukuro and buy all the goods I want ! Armin, you said it, right ? That even if geeks from all over the world couldn't buy everything. But that's not true ! If it's me, I can do it ! With the assets of the Reiss family, I can buy it all ! But I can't ! That's all because I have to be the queen everywhere I go ! I can't like anime ! A: Historia... H: I ended up in detention because I tried to steal an anime magazine, and I got caught. Of course, I had the money. I could have even bought 100 copies of it. But I couldn't let anyone see me buying it. So, I had no other choice but to steal it. J: Being the queen is quite burdening, huh... H: One day, I want my parents to look at the real me. I just want to have fun with real friends and talk about anime. Maybe it's a small thing, but I think that's my dream. I doubt that you all would understand me though. M: That's right, there's no way I would understand. J: Hey, you don't have to say it like that ! M: But, I am aware of the fact that I cannot understand you. You and I are completely different, and we don't live with the same worries. However, it doesn't change the fact that we are together in this darkness. H: Mikasa...how did you end up in detention ? M: After school in an empty classroom, I tried to perform a ritual to summon the goat-faced devil, Baphomet, who has the power to destroy this world and engulf it in flames. And I got caught by the History teacher. J: Ha ! Are you serious ? You should know when to stop with that persona of yours. M: I don't want to hear that from you. J: Well, my apologies ! But that's the truth, isn't it ? It's just a persona. H: Why are you a goth, Mikasa ? Do you really like gothic things ? Or is there another reason that you ended up in this caste ? M: It is...to have perfect control of myself. J: Huh ? What do you mean ? M: Before, I was a normal student. I didn't belong neither to light, neither to darkness, just a normal person. I had a friend, and lived nonchalantly. I had no complaints towards that kind of life. But one day, my friend went up a caste higher. And after that, that friend began to avoid me. R: They didn't want to mingle with a lower caste, huh... H: Well, that does happen often. M: Yes, it's a common story. But to me, that was an unbearable shock. That's when I realized, that this world is cruel. So, I have to have perfect control over myself in order to keep on fighting... J: And that's how you became a goth ? That escalated quickly ! That's crazy ! M: No, occult and curses are helpful to strengthen one's soul. Thanks to that, I managed to remain myself. Also, since I'm asian and my hair is black, it goes well with black clothes. H: It's true that it suits you. M: Also, goth is a caste that isn't bothered by others as much as other castes. If I keep on being immersed in my own world, no one talks to me. It's not that I'm avoided by others, but I do things so that they avoid me. I can think of it that way. R: So, you chose solitude ? M: I want to become stonger. I have to be strong. And one day, I'll become a strong woman like a fearless dark knight. J: Well...you don't have to be that stubborn, don't you think ? And right now, you're talking with everyone just fine. Who knows, you might make another friend ? M: I don't need that. J: Don't say that ! The six of us, who didn't have anything to do with each other, opened up and all ! R: Hey, wait a minute, Jean. J: What ? You want to be in charge again, is that it ? R: No, did you say the six of us ? A: Eren hasn't said a thing yet... E: Huh, me ? J: Don't "huh, me ?" me ! Take part to the conversation ! E: I did listen to you all. I went to the toilet twice though. J: Always about the toilet...what are you, an old man ?! E: I know right, to say the truth, I'm a little concerned about that... My organs may have some problems. Everyone, how frequently do you go to the toilet ? How about you, Historia ? H: Me ?? J: What's with you, Eren ?! No one wants to talk about that ! A: H-hey, Eren...why did you end up in detention ? E: I'm not sure, but I think it's because I skipped the History exam. R: So you skipped, huh. Are you bad with History ? Or, do you have any worries that you can't say to people ? E: Not really, I just forgot about it. When Mr. Smith talked to me about it, that's when I remembered. H: So, is that not because of worries, but because you couldn't think of anything else other than your dreams ? E: Not at all. I really just forgot about it. I don't have any dreams. M: It's complete nought, and thoroughly normal. E: Is that bad to be normal ? I don't really love or hate this world, and I don't have particular worries or dreams. I really don't care about school castes either. Even so, I'm living normally everyday. R: Well, that's true. H: Everyone's worries are different after all... M: Everything comes in all colors. So many men, so many minds. A: Why is it that even though everyone carries its own worries, we all become the same adults...? M: That's because everyone loses to something, and ends up giving up. H: We become arrogant and showy adults, full of deception, huh... A: Hey, in truth, there was something I was thinking about. I know it's weird to ask that, but, when we meet again in school on Monday, what should we do ? J: Huh ? R: What do you mean ? A: We are...friends, right ? H: Do you mean to ask if we should keep up our relationship, where we can talk freely to each other just like now ? A: Yeah. H: Do you really want me to answer ? A: I want to hear it. H: I'll ignore you. A: Is that so... M: Do you mean only Armin, or everyone here ? H: Everyone. I'll pretend that I never met you all. Well, I don't mind Reiner though. R: That's some attitude here. But you like anime, right ? You could talk about it all you want with Armin ! H: Ha, there's no way I could. And that's the same for you, Reiner. When you're with people from the football club, what would you do if Armin, wearing an anime t-shirt and carrying a bento box of Maji Moji Rurumo, went to you and spoke to you ? R: Well, that's... H: Even though you could exchange a few words with him, you would go back to saying bad things about him when he's gone, right ? "What's with that otaku, even though he's a geek, he has the gall to talk to me !" for example. R: I'll never do that, and I don't even sound like that ! H: Then what about that, "Hey, Armin. Everyone, let me introduce my new friend.", would you introduce him to your friends like that ?! They'll just end up mocking you. And without a fault, you'll lose your position as a jock ! Are you fine with that ? Even though you did so much to gain that title- R: Stop that, Historia ! J: Cut that crap... H: You two are liars and hypocrites ! Jean, could you introduce Armin to your delinquent friends ? Could you cosplay as a character from Twilight with Mikasa and go to a party ? J: Shut up ! H: You can't, right ?! There's no way you could ! I'm just being honest. I can't be on good terms with you all ! And why ? Because our castes are different ! A: Then...it's better to be a geek like me. Even if people call me weird, I don't have to care about my surroundings and avoid my friends... M: Armin's right. A: And you, Mikasa ? Would you avoid me if I were to talk to you ? M: No. A: Even if you're with other friends ? M: I don't have any other friends. Even if I had, they wouldn't hate you. J: Mikasa... A: Let me say that, I won't ever avoid anyone here ! That would be too mean. H: Say what you want. I'm different than you, because I'm the queen...the most popular girl in school ! I can't walk alongside with you ! J: I'm astonished...how conceited can you be ? H: I'm not conceited ! It's the truth ! It's because it's the truth that it hurts ! Do you know anything about my pressure ?! The pressure of having to be a good girl at home and at school ! I have to smile all the time to be loved by everyone ! I have to make fun of the anime that I like the most ! I'm fed up with all that ! R: Historia, that's enough ! H: No, it's not ! Nothing's fine ! There's no way it is... E: Hey, sorry to interrupt, but... H: What ? J: What, Eren ? A: Does something bother you ? Feel free to say it. M: You can open up about everything. E: Can I go to the toilet ? J: You...cut it out ! H: How about you try read the room ?? Why do you even ask us permission ! E: If I go on my own, Jean's gonna complaint about it...that's really bothersome. M: Even though he's normal, he's the weirdest... E: Really ? I think it's pretty normal. I just go to the toilet more often that everyone. H: Hah...that's so stupid. J: We were the ones at fault for believing you would say something serious. A: How about you just write your essay in the toilet ? E: Huh ? I don't want to. R: Come to think of it, I completely forgot about the essay. H: We should finish it first. M: Once again, we are back to the cruel reality. J: Let's just do it. A: Yeah. R: Okay everyone, let's finish it quickly and go home. J: Don't you try to be in charge of everything again ! E: Then, I'm going to the toilet. *bell ringing* E: It's finally over. J: I'm so tired. R: We finished just in time. M: We are finally freed from that cage. H: After all it was not impossible huh. Well, as expected of us. A: You all made me write in your place though... L: What, so you're finally going home ? J: Yeah ! R: Mr Levi, thanks for your work. L: Well, that is my work after all. Leaving that aside, what happened ? Your expressions changed since I last saw you. H: Is that so ? I was just having detention, with those five weirdos. M: That's what I want to say. A: Historia was the most surprising, right ? H: Huh ? Did you say something ? A: No, nothing ! L: Whatever. But if you've finished, then hurry and go home. You're going to dirty the floor. R: Mr Levi's right. Let's go home quickly, drink proteins and do some training. A: My World-kun's battery is running low. J: What about you, Mikasa ? Do you have someone to pick you up ? If not, then I don't mind walking you home... M: Huh ? H: Oh my, a bad boy being kind to a goth, what a sight ! J: Shut up ! That doesn't matter ! Right, Eren ? E: What ? J: The castes ! E: That kind of thing doesn't matter. J: Haha ! See ! *everyone laughing*
That is how the six who belonged to different castes, while carrying their own worries and dreams, went home, with the same bright mood. Meanwhile, the History teacher Erwin was in the library, checking their essays.
Er: Hm. "Mr. Smith, thinking about what we all did, it was a given that we ended up in detention. However, the theme "Who I am" was so stupid that it made us want to throw up. This school fixed upon us statuses like the "bad boy", "queen bee", "jock", "geek", "goth" and...the "normal person". Nevertheless, we will keep on moving forward. Without caring about other's expectations, we will do as our hearts please, and this world, this school caste...You will probably say that it isn't the right path, but still, it will surely connect to a future. To a future decided by none other than us."...they're really idiots to the end.
Erwin left with a mysterious laugh. The evening sun illuminated the empty library through the window, and their essay was left there, dyed in gold, like the sun was shining upon their hopes.
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orindas · 3 years ago
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18 queer people in a small town being chaotic you say👀
Tell me more👀
aaaaa thank you for enabling me <333333
ok so this is the brain child of me processing a bunch of stuff from my old school while listening to queer country music and so I just took a bunch of inspiration from my own experiences and people that I knew and made it gayer and more dramatic 👁
so it’s set in this small town in the southern united states in a super conservative town and I have the main characters set up into 3-4 groups based on age (I have so many I might turn it into several short stories focusing on a few characters each? idk yet) and all of them went to the religious school in town and the ages of the characters range from like 15-21 I think??
i’m probably only going to go through the oldest ones since this is super long ajdkdlsksk so the first group is the ones who are like 21 ish and its laynie, caroline, owen, anika, thea, and charity.
laynie and caroline were best friends as kids and had a huge falling out in middle school because laynies mom was super controlling and mean and they spent high school hating each other. they went to separate colleges but over the summer when they are home they end up together at a party and just talk the whole time and become friends again. owen had a bunch of mental health issues during high school and moved out at 17 to new york. he found an amazing group of friends and became a drag queen. the thee of them end up in a poly relationship together after laynie and caroline stay with owen for a little bit while laynies aunt who she was super close with was in the hospital.
anika and thea have an enemies to lovers thing going. thea is charity’s best friend and they were like the super good religious girls in school whereas anika is this amazing soft butch artist saving up to go to art school. they hated each other in school but then got together after the graduated since neither of them went to college right away but they kept it a secret because ya know being in a sapphic relationship in a small town is not where it’s at😐 they end breaking up and staying good friends when anika leaves for art school but it’s super happy because they both figure out where they need to be in life and right now it’s not together, right person wrong time sort of deal.
as for charity, she is the classic ‘dated the same guy through all high school married right after graduation and then stays as a stay at home mom for the rest of her life’. she has crazy religious parents and never really had any other options she’s the third of ten kids and it’s insane. anyways her story is about figuring out her identity and finding a home in the queer community. also she kills her husband and that’s super cool (he deserves it).
the last one i’m going to go through is mimi and claudia, who are a lesbian couple in their like sixties. they own this super cute bakery/cafe/coffee shop in town and they used to live in nyc but ended up there for claudias family. I love them. after charity’s husband dies of ‘natural causes in his sleep’ she gets a job at their shop and they tough love her through her queer journey. I love them so much queer wine aunts basically
the other ones are all siblings or cousins of these ones and have a study group that ends up meeting at claudia and mimis! thank you so much for letting me ramble about them🥺
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stovmborn-arc · 4 years ago
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get  to  know  the  mun  !  repost,  don’t  reblog.
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———  𝐁𝐀𝐒𝐈𝐂𝐒.
(PEN)NAME  :  sharna
PRONOUNS  :   she / her
ZODIAC  SIGN  :  scorpio ( promise we aren’t all bad )
TAKEN  OR  SINGLE  :    taken  !!!  altho my bf is more like a child
———  𝐓𝐇𝐑𝐄𝐄  𝐅𝐀𝐂𝐓𝐒.
i am the mother of cats. i have two lil fur babies who are honestly ignorant, naughty & timid little shit bags but they are my children. their names are sparkle & misty, we also wanna eventually rescue a black male and name him storm. drogo was my first choice but ...... storm goes with the other kitties and kinda honours * jon snow voice * my queen 
ummm, i actually have a bachelors degree in media arts so i went on to study film & television at university but i am yet to do anything. my dream was to become a producer until i realised how much work really goes into that kinda stuff and i’d have to move away from my small city home which i love so that kinda went out the window and now idk 
i bought my first house at the ripe age of 21 which is just madness. so we reserved it sep 2019 and then got the keys dec 2019 and have spent forever tryna make it our first lil home. most of the major jobs are now done, except the garden but honestly buying your first house is a PROCESS and a bloody tough on at that but u know ... we move 
———  𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄.
i have sorta been in and out of rp for years now. i remember, i used to write on tumblr when i was like 12 / 13 which is ..... really kinda scary thinking about it. when i was 17, i got back into roleplay and ended up joining a group with the nicest of people ( some of who i still speak to now ). i worked my way up to becoming a moderator and then an admin, then poured my heart and soul into a revamp but i think the longer i spent there, i just got a bit bummed out by strict rules and having to set an example as head admin when i could hardly follow them myself with university and working a full time job. i did leave eventually and came over to indie where i took my lil fire cracker as oc. just recently made her a blog because i found my long lost love @asynjja​ / @indizien​ and got hit right in the feels with this rollercoaster plot we had going. i then started adding game of thrones muses to that multi, switched it out for solely a game of thrones multi, then made daenerys & margaery their own separate blogs but marg moo is hibernating
———  𝐌𝐔𝐒𝐄  𝐏𝐑𝐄𝐅𝐄𝐑𝐄𝐍𝐂𝐄.
i have a soft spot in my heart for cripples, bastards & broken things. nah, i’m kidding but most of my characters have legit always been BROKEN  !!!  i’ve always had this thing for powerful woman who are inspiring, a lil wild and just stand out characters. so aside from dany, i’ve also written sansa, arya, cersei and margaery but i just never really resonated with them in the way that i did with daenerys. i feel like because i started watching game of thrones when there were only 3 seasons out, that i really watched her grow and just came to love her even more. she stands for freedom, justice, equality and tbh .... that’s the stuff i stand for too. she’s a passionate fiery lil thing and i think i can relate to that on quite a few levels, which is why i’ve opted for the characters that i have in the past. i could really do with reviving marg ( @rosebeavty​ ) but my muse here is far too strong. once i become hooked on a certain character, i find it difficult to place my muse and interest elsewhere so sorry guys but ur stuck with me for a lil while 
———  𝐅𝐋𝐔𝐅𝐅  /  𝐀𝐍𝐆𝐒𝐓  /  𝐒𝐌𝐔𝐓.  
FLUFF  :  i do have a few fluffy threads but i’m the kinda person who tends to .... add a lil bit too much spice in a quest to find out how much pain i can inflict on daenerys, myself and my writing partners. that being said, i do love soft & mushy things whether it’s shippy stuff or familial / platonic because who doesn’t deserve a lil love here n there ??
ANGST  :  as mentioned above, angst always somehow makes its way into my threads. sometimes intentionally, sometimes accidentally. listen, all i’m sayin is .... i can’t control what these fingers do and by writing with me, you are signing your heart away to probs be hella damaged because that’s just what i do. give me the angst, give me things we can develop / progress as we write together. if you wanna break my heart, TRY ME 
SMUT  :  god, i’m a nervous wreck when it comes to smut. don’t get me wrong, i adore plotting out lil headcanons and writing it but i genuinely can’t remember the last time i wrote it, so i feel rusty af. that being said, i love me some spice so throw me in the deep end and i’ll eventually start swimming. i do love a good lil bit of smut but never know what words to use and overthink it bc i don’t want my writing to sound harsh / crass but also don’t wanna be pretentious and start referring to things as the vaguest of metaphors lol
PLOT  /  MEMES  :   i am down for carrying on a thread from an ask meme. please, if u wanna carry on a meme i’ve done for you  ----  go for it even if we have 90 other things going or have never interacted before. as for plotting, sometimes my brain goes DEAD but i’m always willing to work with my partners and i think sometimes, just screaming & yelling ideas at each other is the best way to come up with a beautiful chaos. 
tagged   by   :     stolen from the wonderful & crazy nina on @wldflwers tagging     :       @snowbrn,  @multusxcastalides,  @kinginthcsouth,  @mlfns,  @luxfurem,  @ofasshai​,  @highvishorror​  &  whoever wants in  !!!  tag me so i can see your answers 
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fizzingwizard · 4 years ago
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Okay I really enjoyed this week’s episode! It set up a bunch of cool stuff that I can’t wait to see, and it was a fun watch. We got a number of desperately needed partner/Digimon moments, and we got some much needed Taiyama friendship action going on - as well as some other stuff I super appreciated (but still want more of). I’m so stoked for how the team is coming together.
We didn’t get a few things I normally would have expected, and I’m never quite sure if I feel that way because it’s truly missing or if it’s just that “this ain’t your momma’s Digimon Adventure” yadda yadda. I don’t think i’ll ever get used to Taichi being so serious in comparison to his 99 incarnation (but, I get the feeling he is more in line with original V-Tamer Taichi, so there’s that).
So not a slam dunk for me, but all in all, it was good!
I just took as many Taiyama pics as I could so why don’t we just knock one out of the way before we begin xD
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They look so coooool all beat up and windswept
More below!
Sooo last week, the aptly named Eyesmon evolved into the equally well-named Orochimon. I always think “hydra!” (thank you Hercules) so initially my thought was that the plan would be for each of the kids to take out one head. Then I remembered, we only have six kids so far... and then I got a better look at it:
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(this cap’s from much later but it shows the whole body so)
there was clearly one head that was significantly different from the others and appeared the most connected to the body! So the strategy was clearly lop off the central head because that’s what’s controlling the rest! A la VenomVamdemon only slightly less gross hahaha
Meanwhile back in real Tokyo, as Koushirou explains, the electronic pulse generated from this freaky Digimon’s battle is affecting anything digital, or even just anything that uses electricity.
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Kaaaboom!
Our kids try to fight but it’s pretty obvious they’re out of their league. I did totally love MetalGreymon and Zudomon leading the charge together sort of. Because I continue to be a sucker for Taichi/Jou growth parallels! Anyway they both get knocked out and de-evolve so Taichi calls for them to regroup.
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Aww piggyback
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The way Jou carries Gomamon like an infant though ;___;
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Sora and Garudamon lead the retreat, scooping everyone up and carrying them out of danger and omg look at Gomamon he looks so cozy gaaah
but not before Taichi realizes someone’s not with them... it’s Yamato of course... he’s just standing there... staring...
Why? Because “my little brother’s in danger in the real world!” That is adorable. Stupid but adorable.
Also stupid yet adorable... Taichi immediately runs to go get him. I have no idea WHAT his plan was but I am eternally grateful that he is such a dork because it gives adorable dorkiness like this:
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and this
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and ultimately this
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pffffffftb
weregarurumon tries his best he really does
(no but really this is now my PREFERRED method of transportation for these two, one each tucked under WereGarurumon’s armpit and just dangling like that while he runs like crazy protecting his precious cargo... also look at Taichi holding onto Agumon’s arm the whole time eeeeeiiiii I love those detals it almost distracts from WereGarurumon’s expression of shock when they inevitably get shot and fall to their doom x’D)
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yeah so everyone gets shot and falls to their separate dooms, and this was 100% just an excuse to put Taichi and Yamato alone together. The shonen action anime equivalent of “and there was only one bed!”
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Jou continues to cradle Gomamon like his very own son
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The kids wonder what to do and Jou has a cool moment here and there (like legit cool, where he acts all responsible)
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... er, I did say “moment” :P
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Meanwhile Koushirou is all cryptic and scary. That is his main job after all. You may think it’s to be the team brain, but it’s actually to make sure we viewers know just how terrible things really are so we can lose all hope of survival even though we already know they’re going to win x’D
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I mean that is pretty scary tbh
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Taichi breathes a sigh of relief. I wasn’t exactly surprised that he’s not running out to fight - even 99 Taichi usually understood when it was time for a strategic retreat. At the same time, maybe it’s just me, but I totally got the sense that he was scared in this scene. Not out of his head with fear, but definitely worried, I mean none of them seemed to have any effect on this monster earlier. It’s interesting to feel his tension.
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“Yamato why did you just stand there in the street while we were trying to make our getaway?”
“Because... my little brother’s right in the center of danger back home... I can’t let this monster continue its rampage or he could get hurt...”
“Yeah man that’s all fine but I mean why did you just stand there in the street like an idiot I’m pretty sure you won’t be much use to your little bro if you’re steamrollered?!?!”
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He looks so surprised that all this has been because of brotherly love. I can’t remember, is this the first Taichi’s hearing of Takeru? I know he wasn’t there when Yamato told Sora & co but maybe it was mentioned way back when they jogressed... Either way I wonder why he doesn’t say “I get it, I have a sister back home too that I’m worried about too.” Seems like a moment for bonding ya know?
That is the one thing I felt was missing here... we went through all the trouble of getting Taichi and Yamato alone together, and all that happens is Yamato confides something in Taichi that he’s already shared with the others. I mean, Taichi also shows his willingness to help Yamato and work together, and I think that is the important thing we’re supposed to take away, as Yamato’s all touched by it... but uh, for the most part I felt like not much happened in this scene, at least not that we haven’t already seen before.
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Takeru’s phone, he’s waiting for a call from “oniichan” T-T my precious boy
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And we actually get to see him!! His face!! His adorableness!! Ahhh Takeru I miss youuu!
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Family photo! Parents’ faces not shown in the usual tradition of “divorcees in kids’ shows”! Also the tell-tale brothers are holding hands, but parents are standing as far apart as possible...
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Meanwhile Taichi’s mom and sis are trying in vain to evacuate while their car flips out. Hikari sees an image of Orochimon broadcast on a nearby building and flinches away. No one else seems to notice it so maybe this is just her special ability like in 99 Adventure?
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Traffic’s at a complete standstill and everyone’s electronics are going bonkers so Mama Yagami has them get out and head for the trains. Unfortunately this is what everyone else decides to do as well, and Hikari winds up like Simba in the wildebeest stampede, only there’s no one to jump in and save her so she tragically dies. :P
taichi: I see your ‘brother in danger’ and raise you one ‘dead sister.’
yamato: screw you
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“You did great Mimi!!” A JOUMI MOMENT WE GOT A JOUMI MOMENT sort of okay but beggars can’t be choosers HE PRAISES HER (FOR STUFF HE WASNT EVEN THERE TO WITNESS THO LOL) AWWWW ITS SO CUTE
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Then he remembers to praise his partner!!! All by himself! (Finally!) Gomamon’s so happy! It was so unexpected and he’s ecstastic!
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Piyomon instantly gets jealous!!!! It’s so adorable!!! Sora is quick to reassure her that Garudamon is indispensable.
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“And I’m the prettiest, right Mimi?”
“When you’re Lillymon, anyway.”
“D:”
lol the return of Mimi only appreciates Lillymon’s sense of fashion tickles me. an essential Mimi characteristic
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Tentomon shyly and awkwardly tries to wring a compliment out of Koushirou too. It works, Koushirou is quick to tell Tentomon that he’s super cool as AtlurKabuterimon. I will be honest though, I wanted him to fail, just because we need to let these kids actually develop!! Their arcs are over so quickly! It took 99 Koushirou 52 episodes to be able to say “I love you” (I think it was “thank you” or something in the original Japanese but the point is he was being super honest and vulnerable at long long last). Imagine what an important moment this would have been if Tentomon’s “and me?” had been met with “huh? uh uh... I was thinking about how to defeat Orochimon... what are we talking about?”
That is something I continue to miss, not just with Koushirou but with everyone... their personal weaknesses just don’t really feel like weaknesses the way they did in 99 Adventure. And I’m just wondering why? For me, that was a driving force of what made 99 Adventure really great. It wasn’t afternoon special “stories with a moral” type drivel, because what they learned in the moment still had to build upon, and they would fail again, and learn again, and become their best selves slowly. And they’d risk a lot in the meantime. It was powerful to ten-year-old me. We are at ep 17 now and by this point in 99 Adventure, we’d had tons of scenes like that. I keep thinking “okay it’s early, we’ve got time!” but at this point it’s not so early anymore! But comparing with 99 Adventure is also a useless effort and I continue to choose to enjoy this show as its own separate thing and believe there’s still lots to come.
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Taichi expresses his willingness to fight alongside Yamato even though as Yamato warn’s “it’s gonna be totes yabai”
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Taichi: “I eat yabai for breakfast”
Yamato: “smiles”
jokes aside... the way Yamato smiles at Taichi is so cute! It’s hesitant, but once it’s there it doesn’t waver. He’s clearly starting to get used to relying on Taichi for backup, at least, and it’s no question that he feels friendship for him and the others, he’s just reluctant to admit it. The question is how all this will hold up when the situation’s reversed.
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I LOVE this particular cap, Idk, there’s something about the sheer determination on Taichi’s face and the trust in Yamato’s as he looks back at him while they ride Garurumon directly into Orochimon’s line of fire... Fizz I think you’re reading too much into the animation. DON’T MESS WITH MY DREAMS OK I KNOW THESE KIDS BETTER THAN I KNOW MYSELF
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obligatory Best Boy cap
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Suddenly, in the real world, the fight is broadcast on the screens!! I was expecting this to happen every time a screen flickered, but once it did, I was like wow!! they’re going to let the whole world in on the secret of the digital world already!? and I wasn’t sure how I felt about that
BUT... that’s not what happened, maybe. Because so far the only ones who for sure are seeing these images of Digimon and the Chosen Children are Hikari and Takeru. No one else reacted to Orochimon and Mama Yagami doesn’t go “hey, that’s my son!” We could argue no one noticed because they were busy evacuating like maniacs, and Mama Yagami was busy looking for Hikari on the ground and not looking up at the screens. But it feels impossible that someone wouldn’t notice! So my current theory is only Hikari and Takeru can actually see these images... at least for now.
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The fight rages. Meanwhile, the others soon catch up, as the only reason they were separated in the first place was to let Taichi and Yamato have a Moment. One thing I really liked though was Sora more or less leading the charge to join Taichi and Yamato. I want more of “second in command Sora” now and forever. (My personal headcanon since I was a kid was always that if something happened to Taichi, Sora, not Yamato, would take over. Tri did not go that way though :P)
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Burning eyes of courage!!
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They beat Orochimon by taking off his central head, as predicted. Then they all go and take a nap in the street. It is full of d’awww.
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Gabumon and Agumon mimicking their partners’ body language always get’s a mega d’awwwww
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Taichi: “That was yabai!”
Yamato: “I warned you it would be.”
Taichi: “Yeah, but we made it somehow!”
Yamato: “... smiles”
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Uggggghhhh I can’tttttt with these two
Like Koushrou, Yamato is totally whipped by Taichi’s smile... oh dear... my heart is pulled in two directions... Taiyama... Taishirou... “my number one my number two...” (anyone else remember that dumb song there used to be tons of love triangle amvs on youtube set to it...)
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I mean just look. look at Yamato looking at Taichi. he can’t make himself look anywhere else. ToT
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Sora and Piyomon also win Adorable Award of the Day.
Honestly everyone gets it... I apologize for not having any cute Tentomon resting on Koushirou scenes capped! It’s because they drew Tentomon’s head freakishly big and I just couldn’t do it bahahaha but they were cute too
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And that’s the end of... oh oh wait, did you think the battle was over? YOU NOOB. xD
every veteran Digi fan was not at all surprised to see this countdown appear and what looks like yet another bad guy evolution next week. Also next week...
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... looks like Takeru’s finally going to join us!! Yaaaay! Very dramatically too it seems!
We got a glimpse of Hikari in a similar moment BUT... I’m not convinced Hikari will truly be joining us. She was separated from her mom and is clearly going to have a Digimon interaction of some sort like Takeru, but I think this is “eighth child” build up, one because the current ending theme is completely Takeru centric, and two because it just makes sense to me that Takeru would be Crisis One and Hikari will be Crisis Two. Idk of course it’s just a hunch.
Fizz before you said Hikari was killed in the stampede I WAS KIDDING
kidding about children dying??? OMG Y’ALL
maybe though Hikari’s swept away by those people, gets her Digivice, then is promptly captured by... idk evil Digimon, or shady government officials? More likely, she gets her digivice and helps but keeps it a secret and plans to show her brother when they reunite... we’ll see!
This ep I give 8/10!!
Ending with one more cool Taichi cap from next week’s trailer!
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purplesurveys · 4 years ago
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1032
survey by danceamydance
Have you ever witnessed a birth? Never have. I wasn’t present when my mom gave birth to my younger siblings and other than that there’s been no reason for me to be around for the birth of my other younger relatives.
What pattern does the closest tissue box have? I don’t have one in my room, but the one in our bathroom is brown. I think. I never actually checked even though I use it everyday lol.
Where did you lose your virginity, if you have? I truthfully didn’t really keep note of what counts as the first time because we had already been fooling around quite a bit. I’d guess either a hotel room or my room, or maybe hers. The one thing I can remember was that I was 18, so there’s that.
What color car(s) do your parents drive? We have two white cars and one teal. I still don’t know why my dad got a teal car when none of us in the family are into colored cars, but according to him getting the Vitara in white would’ve looked like an FX (a form of public transport here), so I’ve learned to make my peace with the teal car lol.
What are your views on getting rid of the penny? I can’t relate, because we don’t use pennies.
Which Asian country would you most like to visit? Aside from the ones I’ve already gone to, I’d love to take a trip to Thailand, Vietnam, Sri Lanka, and India.
Have you ever had a nosebleed? Nope. I fear the day I get one; I’m scared of blood haha.
How far away do you live from your birthplace? Maybe around 30 minutes without any traffic. A realistic drive to Manila would take me anywhere between 1 to 1.5 hours.
Do you have bangs? Yep, and they’re starting to get pretty long as well so thanks for reminding me that I’ll have to trim them soon. I want to get rid of them already as I’ve had my fun with them, but NO ONE HAS SEEN ME WITH BANGS loooool so they are still staying. 
Are you a good driver? I wanna say I’ve been better through the years? Hahaha the consensus is that I drive a little crazy, but my friends still always pick me to drive them whenever we go somewhere because everyone apparently still finds me the safest driver to ride with despite my temper on the road. Having a tiny car, being bullied by bigger pickup trucks and SUV through the years has helped toughen me up.
Have you ever kissed someone underneath the mistletoe? No. My ex and I always celebrated Christmas separately, with our own families, so we never got the chance to do this.
Do you watch the Olympics on the television? No. It’s not really something that interests me.
What was the scariest experience of your life? The time I nearly crashed into a car that I didn’t realize was stopped in the middle of the road while I was going 80 kph, and having like 3 seconds to hit the brakes.
Do you have a Tumblr account? I mean...
Are your nails painted right now? What color? Nope.
Have you ever played truth or dare? Several times, though I always pick truth because I’ve never had a problem saying it. I also hate picking dares because my friends would usually make us do dumb things, like dance, or worse, make out with someone in the circle.
How long is your driveway? Not very.
Are there any tv shows you keep up with religiously? Mmm it used to be The Crown, but I probably won’t be watching it for a while despite the new season because 1) I used to watch it when my past relationship had still been smooth-sailing, so watching it would just remind me of that; and 2) Gabie loves the shit out of Gillian Anderson and she was brought in for season 4 lol. 
Right now my focus is on a new Korean drama called Start-Up, which is currently ongoing and is so fucking good. Nam Joo Hyuk is also there, so it’s a sweet bonus for me <3
What is your favorite iPhone app? I’m using YouTube the most these days, so it may as well be my favorite.
Where is your mother right now? She’s at work.
Do you know anybody named Carl? I don’t think so. The only person that came to mind is an uncle named Carlo who I haven’t seen in more than a decade. My dad’s college group used to be super tight-knit and I used to be friends with his friends’ kids, so it’s sad to see them kinda grow apart and notice the others be more reclusive over the years.
Are you more of a night owl or a morning person? Morning person. Ugh, work is changing me as a person haha.
What is your favorite song at the moment? Saw You In A Dream by The Japanese House has taken the top spot again. It’s just too goddamn good of a song.
Do you have a weak stomach? Very. I’m awful with car rides, bungee jumping, fair rides, you name it.
Have you ever been to a party where people were drinking underage? Hmm, yes. Kaira’s 18th birthday – it was held in May but most of the people at her party weren’t going to turn 18 until the end of the year, so it was a lot of 16 and 17 year olds drinking. I had just turned 18 then, so I allowed myself to take my first sip of a margarita.
How many stores are in the mall closest to you? Malls here are generally packed compared to what people may have in the US or other countries, so even though our local mall isn’t anything notable, it still holds 200+ stores.
Do you know anybody who has been diagnosed with cancer? Yes, but they’re all outside of family. My mom’s side is very weird about cancer and never share information about family members who may have it and only ever refer to it as ‘the c word,’ so I may have more relatives who have cancer than what is made known to us.
How far away is the closest McDonald’s to you? We have one literally right beside the main entrance of our village but because our house is at the very end of the village, what should be just a couple of steps away is instead a 10-minute drive for me.
Would you ever meet someone in person that you met online? Yeah I’ve done that with a few people in the wrestling circle. Jila I met unexpectedly while we were both in line for the WWE house show in Manila in 2016; Javi I met when I lent him my Chris Jericho memoir; and Rafie was the one who gave me a free ticket to said WWE show. Rafie’s a local celebrity now and he has such a huge following, so as weird as it is I’m also glad I have that little memory with him before he blew up.
What was the last film you watched? That Thing Called Tadhana, but I was unable to finish it. I’m into TV shows these days and I’ve been all over Start-Up.
Does it snow where you live? Never has.
Have you ever been to an art gallery? Of course, I’m a sucker for those. I always go to one whenever I can; there are a lot of malls here that’ll randomly have pop-up art exhibits, so art galleries here actually aren’t limited to just museums.
What are your neighbours like? A lot of them have kids, that much I know because a lot of them play outside in the afternoon and make some noise. We all keep to each other, though, so I don’t know any more about them; the only time we get together is when the neighborhood organizes its own Christmas party for the community.
Do you visit your town’s library often? I would if we have one, but public libraries are not a thing here. If you needed to go to a library to find a book, you would have to go to a university.
Have you ever had to take care of an intoxicated person? This just gave me college flashbacks haha. Of course I have, and the most notable people for me are JM, Andrew, and Angela.
What flavor was the last ice cream you ate? It’s a red bean ice cream sandwich that also has a bit of vanilla ice cream in it.
Can you do a cartwheel? No but I definitely tried a thousand times as a kid.
Who is the last person you spoke to on the phone? Can I do video calls instead? I haven’t done phone calls in a while. The last people I was on a call with were Ysa and Bea.
^ What did you talk about? Secret work stuff.
Which website do you spend the most time on? YouTube, Tumblr, Reddit, Twitter.
Have you ever kissed someone of a different race? I haven’t.
What can you smell right now? My coffee chocolate chip cookie.
Do you read fanfiction? If so, what fandoms? I haven’t checked on my favorite authors since college, mostly because they went MIA at some point and moved on to different fandoms as well. But when I did, I mostly read ones for AJ/Punk and HHH/Steph.
What accent is your favorite? Man this question is asked a lot...
How did/will you celebrate your birthday this year? Gab gave me a cute digital present, I think I may have spent the whole day playing the Switch, and Hans and Angela sent over a box of sushi for me.
Are you more introverted or extroverted? I’m both depending on the people I’m with. If I’m with a crowd I don’t know all that much, I turn my volume down.
Do you tend to repeat yourself all the time? Yeah. I got it from my mom, who unconsciously repeats stories all the time.
How was the last chicken you ate cooked? Fried.
Is there anybody you always find yourself thinking about? Yes, but it has gotten easier to manage/ignore altogether these days.
What was your last argument about? Haven’t argued with anyone in a hot minute. It was probably my mom as always, but I no longer remember what it could have been about.
Are/were you part of any extracurricular activities in school? I had clubs in high school since it was mandatory. In college, I was in yearbook and a journalism org.
Do you want to get married someday? I don’t know about that anymore.
What colors are on your country’s national flag? Blue, red, yellow, and white.
Would you go back to your ex if he/she asked you? I’m pretty stupid when it comes to this, so yes.
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dogbearinggifts · 6 years ago
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“Dad Sent Me to the Moon” vs. “Because Dad Made Me”
How Luther and Vanya Talk About Trauma, Part One
In this fandom, I’ve heard a lot about Luther and Vanya. 
Most of the things I’ve heard about Luther are negative. He constantly whines about his time on the Moon. He won’t shut up about how he had it worse than everyone else. He invalidates his siblings’ trauma. Meanwhile, Vanya is spoken of as if she’s his polar opposite: a kind, timid woman who genuinely did have it worse than everyone else but suffers nobly in silence while quietly ensuring her siblings are okay. I wanted to see if these perceptions were accurate, so I decided to take an empirical approach. During my sixth rewatch, I noted every time Luther mentions the Moon or Vanya mentions her exclusion, as well as how each of them responds to hearing of someone else’s trauma.
I want to stress that I am not out to throw one character under the bus. I’m not out to prove that Vanya is the actual worst and that Luther is the literal best, or that Vanya is amazing and Luther is awful. I’ve just heard a lot about both characters from within the fandom and I want to see how strongly the show itself supports the fandom’s perceptions. I won’t be examining every quote they have, and I won’t be looking at every scene they’re in. A deep study of both characters would certainly be fun, but for now, I’m only interested in how they address their own trauma and how they respond to the trauma of others. 
Note: I’ve chosen not to include Vanya’s book as a mention of her trauma. While her book does indeed bring it up and examine it in detail, I wasn’t sure how to quantify it for my own purposes. Do I count it as a single mention, because she only wrote it down once, and thus risk underestimating its impact? Do I count each sale as a separate mention, guesstimate the number based on how many copies sold it takes to reach bestseller status, and therefore grossly inflate her numbers? Because the book is impossible to quantify with any sort of accuracy, I’ve chosen to leave it aside. Rather, I will keep my trauma counts limited to what Luther and Vanya say to friends or family members. This also means I won’t include her voice-over while we see her writing her book, or the moments where she reads excerpts aloud. 
I’ve also chosen to write down the exact quote each time Luther or Vanya mentions their respective trauma or respond to someone else’s trauma. I’ll share my analysis, but I also want to give you all the chance to see each quote for yourselves and make your own judgments. You’re welcome to disagree with my conclusions and take or leave them as you see fit.  However, because these analyses will become lengthy in places, I plan to do only a few episodes at a time.
Episode 1: We Only See Each Other at Weddings and Funerals
No explicit mentions of trauma from either Luther or Vanya. It’s established that Luther lived on the Moon for a while and that Vanya was raised to believe she had no powers and excluded from the family dynamic as a result, but neither one addresses what they went through. 
Episode 2: Run Boy Run
Following the episode opener—a flashback to the day Five time-traveled and accidentally got stuck in the apocalypse—we hear Five share the harrowing details of his time there. Eating cockroaches, subsisting on scavenged food, learning the hard way that Twinkies do in fact expire—it’s pretty awful stuff. After Vanya takes it in stunned silence, we have this exchange: 
Five: You think I’m crazy.  Vanya: No, it’s just…it’s a lot to take in.  Five: Exactly what don’t you understand?  Vanya: Why didn’t you just time-travel back?  Five: Gee, wish I’d thought of that. Time-travel is a crapshoot. I went into the ice and never acorn-ed. You think I didn’t try everything to get back to my family?  Vanya: If you grew old there, you know, in the apocalypse, then how come you still look like a kid?  Five: I told you already. I must have got the equations wrong.  Vanya: I mean, Dad always used to say that time-travel could mess up your mind. Maybe that’s what’s happening? 
This is our first onscreen mention of trauma, and Vanya invalidates it. However, there are some factors to consider: 
Five’s story is pretty bizarre. “Yeah, after I ran away from home and time-traveled, I got stuck in a post-apocalyptic wasteland, lived there for 40 years or so, ate cockroaches and bad Twinkies, and then I jumped right back here but because math failed me almost as much as Dad failed at parenting I still look just like I did the day I left. You got any booze?” 
There is no evidence to corroborate his story. He looks exactly the way he did when he left, and he has no way to prove he visited the future at all. The most logical conclusion here is that he spent a year at most figuring out how to return and wound up jumping ahead to 17 years after his disappearance.
As we see in the flashback, Five has always been arrogant and headstrong, growing angry when corrected. His anger and impatience toward Vanya’s insinuations that he’s lost his mind are not a reliable indication that he’s telling the truth; if anything, Vanya is well within reason to assume she’s edging too close to a truth he’s not ready to face. 
Reginald Hargreeves was a terrible parent. But he was also a very smart man who knew more about his children’s powers than they themselves did. When he said that time-travel could mess up one’s mind, Vanya had every reason to assume he knew what he was talking about. 
Reginald often used “YOU CHILDREN MUST ONE DAY SAVE THE WORLD FROM AN IGNOMINIOUS END” to scare his kids into doing the dishes. Not only has Vanya probably had enough of that talk to make her decide the world is going to die a natural death billions of years after hers, but it wouldn’t be unreasonable for her to assume Five’s time-travel-addled mind latched onto those doomsday threats and twisted them into something truly strange. 
So, yes, Vanya does invalidate Five’s trauma, suggesting it’s all in his head. But when your choices of explanation are “my brother time-traveled before he was ready and it messed up his mind” or “my brother time-traveled to an apocalypse that’s going to happen in 8 days, lived there for 40 years without ever trying to get back, and now looks like a 13-year-old kid because he got the math wrong,” the former is easier to believe than the latter. 
Additionally, we see she genuinely cares for Five. His sudden reappearance, his talk of an impending apocalypse, his story that to her has holes large enough to drive a Volkswagen through—all of that has got to be terrifying. It’s clear she’s not invalidating his trauma out of any sense of malice, but rather concern. If he’s a victim of time-travel messing up his mind, she wants him to get the help he needs (as evidenced by her recommending a therapist later). Her invalidation of his trauma isn’t right, but it’s also a human response that comes from a place of genuine concern and good intentions. 
It’s also worth noting that, the very next day, she returns to the Academy to apologize for how she responded to his story. She does recommend a therapist, but only when Five says “Maybe you were right, maybe it was all in my head.”
A few scenes later, we get Vanya’s first mention of her trauma. 
Allison: No offense, Vanya, if I wanted advice, it wouldn’t be from you.  Vanya: What’s that supposed to mean?  Allison: You don’t have a child. You’ve never even been in a relationship.  Vanya: That’s not true.  Allison: So you know what it’s like to love someone like this? Like, when you’re apart from her, you can’t breathe? Like you would die—and I mean, actually die, to know she’s okay and happy? I mean, you separate yourself from everything and everyone, you always have.  Vanya: Because Dad made me.  Allison: Did Dad make you write that book about us, too? Pause You’re an adult now, Vanya. You don’t get to blame your problems on anyone but yourself. 
The first thing to note about this exchange is that, although it’s Vanya’s first mention of her own trauma, it’s Allison who brings it up first. The second is that when she brings up her trauma, it’s as an explanation for her behavior: I separate myself from everything and everyone because Dad made me. 
Vanya is definitely sympathetic here. I’m not going to argue she isn’t. She tries to be nice to her sister, catches her when she’s distressed, and gets reamed out for the attempt. That’s a shitty thing for Allison to do, which she later acknowledges. 
However, there’s also their history to consider: Allison is a movie star. As I’m sure we all know by now, image is everything to the rich and famous. I don’t mean that as a jab at their vanity (although vanity is certainly involved, more often than not) but as a fact: They are the product, and their image is part of the advertising. Everything they do in public (and much of what they do in private) is pounced on by the paparazzi and spun into the next big story. And this isn’t always fair to them; a single misspoken word can set off rumors that come back to bite them in the ass. 
And Vanya wrote a tell-all book about how Allison treated her as a child. 
As we see from the intro sequence in Episode 1, it seems Vanya’s autobiography hasn’t kept Allison off the red carpet. But it would have certainly hurt her public image. While it’s true we don’t know everything Vanya put in her autobiography, we do know Vanya harbors a lot of bitterness and resentment toward her family. We know she sees her siblings as near-strangers who had an easier time of it than she did at best, superpowered copycats of their father at worst. From the reactions we see later on—Diego taping Vanya’s author photo to a punching bag, Ben saying “I can’t believe she said that!” as Klaus shushes him—it’s safe to assume she did not say kind things about her siblings in that book. 
If the things Vanya said about Allison matched the things Allison later says about herself—that she used her power to get everything she wanted as a kid, that she grew up spoiled because of it—then that would not have done any favors for her public image. And the paparazzi would have gone apeshit for it. Yes, Allison is an incredibly popular actor, but that doesn’t mean the press wouldn’t have turned on her the second they got a juicy morsel about her past. I imagine her having to field many uncomfortable questions from trashy reporters while out for lunch with friends, having an interview about her upcoming film suddenly turn tense when the interviewer said “Now, Allison, your sister—who none of us even knew existed up to this point—wrote about you in her book, and I’m sure I speak for all of us when I say I want to know more about….” There’s even a chance Vanya’s autobiography contributed to Patrick’s continuing antagonism toward her, since reading a book detailing Allison’s childhood power abuse could have convinced him his wife had always been bad, right from the cradle. (Or it could have fostered suspicion toward his wife and led him to keep a closer eye on her and therefore is the reason why he was close to Claire’s bedroom the night he saw Allison Rumor her, but that’s another theory for another time.) 
You might say she deserved it. You might say she’d set herself up to fall and that all Vanya did was push that first domino over. You could even say her house of cards needed to topple, since part of her perfect life involved running roughshod over her own daughter’s free will, and possibly even Rumoring her husband into falling in love with her. Those arguments are absolutely fair, but they’re not my point. My point is, Allison’s harsh words to Vanya in this scene don’t come on her out of the blue. There’s a painful history there—painful for the both of them—and Allison harbors a lot of unresolved anger toward her sister for what she wrote in her book. And I don’t think that anger is unfounded, just as I don’t think Vanya’s resentment toward Allison is unwarranted. What Allison does in this scene is shitty, but Vanya has already done something shitty to her, in retaliation for shit she went through as a kid, and on and on the chain of pain goes. Vanya is far from guiltless in their relationship, but that does not make Allison’s lashing out at her okay. 
And this is getting pretty long, so I’ll cut things short here. I’m going to list the count for trauma mentions/reactions below—and since I’ve seen this show multiple times over, I know it’s going to change; so don’t take the fact Vanya’s count is higher than Luther’s as an indictment of her. It’s just where we are at the end of Episode 2. 
Own Trauma: Vanya 1, Luther 0 Trauma of Others:  Vanya 1, Luther 0
Enjoying this series? Read on to Part Two. 
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weekendwarriorblog · 4 years ago
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The Weekend Warrior 10/13/20: FREAKY, THE CLIMB, MANK, HILLBILLY ELEGY, AMMONITE, DREAMLAND, DOC-NYC and MUCH MORE!
It’s a pretty crazy week for new releases as I mentioned a few times over the past couple weeks, but it’s bound to happen as we get closer to the holiday movie season, which this year won’t include many movies in theaters, even though movie theaters are still open in many areas of the country… and closing in others. Sigh. Besides a few high-profile Netflix theatrical release, we also get movies starring Vince Vaughn, Margot Robbie, Kate Winslet, Saoirse Ronan, Mel Gibson and more offerings. In fact, I’ve somehow managed to write 12 (!!!!) reviews this week… yikes.
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Before we get to the new movies, let’s look at a few series/festivals starting this week, including the always great documentary festival, DOC-NYC, which runs from November 11 through 19. A few of the docs I’ve already seen are (probably not surprisingly, if you know me) some of the music docs in the “Sonic Cinema” section, including Oliver Murray’s Ronnie’s, a film about legendary jazz musician and tenor sax player Ronnie Scott, whose London club Ronnie Scott’s Jazz Club has been one of the central cores for British jazz fans for many decades.
Alex Winter’s Zappa is a much more satisfying portrait of the avant-garde rocker than the doc Frank Zappa: In His Own Words from a few years back, but I was even more surprised by how much I enjoyed Julien Temple’s Crock of Gold: A Few Rounds with Shane MacGowan, because I’ve never really been a Pogues fan, but it’s highly entertaining as we learn about the chronically-soused frontman of the popular Irish band.
I haven’t seen Robert Yapkowitz and Richard Peete’s in My Own Time: A Portrait of Karen Dalton, a portrait of the blues and folk singer, yet, nor have I watched Marcia Jarmel and Ken Schneider’s Los Hermanos/The Brothers about two brother musicians separated from childhood after leaving their native Cuba, but I’ll try to get to both of them soon enough.
Outside of the realm of music docs is Ilinca Calugareanu’s A Cops and Robbers Story, which follows Corey Pegues from being a drug dealer and gang member to a celebrated deputy inspector within the NYPD. There’s also Nancy (The Loving Story) Buirski’s A Crime on the Bayou, the third part of the filmmaker’s trilogy about brave individuals in the Civil Rights era, this one about 19-year-old New Orleans fisherman Gary Duncan who tries to break up a fight between white and black teens at an integrated school and is arrested for assaulting a minor when merely touching a white boy’s arm.
Hao Wu’s 76 Days covers the length of Wuhan, China’s lockdown due to COVID-19, a very timely doc that will be released by MTV Documentary Films via virtual cinema on December 4. It’s one of DOC-NYC’s features on its annual Short List, which includes Boys State, Collective, The Fight, On the Record, and ten others that will vie for juried categories.
IFC Films’ Dear Santa, the new film from Dana Nachman, director of the wonderful Pick of the Litter, will follow its Heartland Film Festival debut with a run at COD-NYC before its own December 4 release. The latter is about the USPS’s “Operation Santa” program that receives hundreds of thousands of letters to Santa every year and employees thousands of volunteers to help make the wishes of these kids come true.
Basically, there’s a LOT of stuff to see at DOC-NYC, and while most of the movies haven’t been released publicly outside festivals yet, a lot of these movies will be part of the doc conversations of 2020. DOC-NYC gives the chance for people across the United States to see a lot of great docs months before anyone else, so take advantage of some of their ticket packs to save some money over the normal $12 per ticket price. The $199 price for an All Access Film Pass also isn’t a bad deal if you have enough time to watch the hundreds of DOC-NYC offerings. (Sadly, I never do, yet I’m still a little bummed to miss the 10Am press screenings at IFC Center that keeps me off the streets… or in this case, sitting on my ass at home.)
Not to be outdone by the presence of DOC-NYC, Film at Lincoln Center is kicking off its OWN seventh annual “Art of the Real” doc series, which has a bit of overlap by running from November 13 to 26. I really don’t know a lot about the documentaries being shown as part of this program, presented with Mubi and The New York Times, but check this out. For just 50 bucks, you can get an all-access pass to all 17 films, which you can casually watch at home over the two weeks of the fest.
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Okay, let’s get to some theatrical releases, and the one I’ve been anticipating the most (also the one getting the widest release) is Christopher Landon’s FREAKY from Blumhouse and Universal Pictures. It stars Kathryn Newton as Millie Kessler, a high school outcast who is constantly picked on, but one night, she ends up encountering the serial killer known as the “Blissfield Butcher” (Vince Vaughn), but instead of dying when she’s stabbed with a ritual blade. The next morning Millie and the Butcher wake up to discover that they’ve been transported into the body of the other. Oh, it’s Friday the 13th… oh, now I get it… Freaky Friday!
Landon is best known for writing many of the Paranormal Activity sequels and directing Paranormal Activity: The Marked Ones. Msore importantly, he directed Happy Death Day and its sequel Happy Death Day 2 U, two of my favorite Blumhouse movies, because they so successfully mix horror with comedy, which is so hard to do. That’s what Freaky is all about, too, and it’s even harder this time even though Freaky has way more gruesome and gory kills than anything in Landon’s other films. Heck, many of the kills are gorier than the most recent Halloween from Blumhouse, and it’s a little shocking when you’re laughing so hard at times.
Landon does some clever things with what’s essentially a one-joke premise of a killer in a teen girl’s body and vice versa, but like the Lindsay Lohan-Jamie Lee Curtis remake from 2003, it’s all about the talent of the two main actors to pull off the rather intricate nature of playing humor without losing the seriousness of the horror element.
It may not be too surprising with Vaughn, who made a ton of dramas and thrillers before turning to comedy. (Does everyone remember that he played Norman Bates in Gus Van Sant’s remake of Psycho and also starred in thrillers The Cell and Domestic Disturbance?) Newton is a bit more of an unknown quantity, but as soon as Tillie dawns the red leather jacket, you know that she can use her newly found homicidal attitude to get some revenge on those who have been terrible to her.
In some ways, the comedy aspects of Freaky win out over the horror but no horror fan will be disappointed by the amount of gory kills and how well the laughs emerge from a decent horror flick. Freaky seems like the kind of movie that Wes Craven would have loved.
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I’m delighted to say that this week’s “Featured Flick” is Michael Angelo Covino and Kyle Marvin’s indie comedy THE CLIMB (Sony Pictures Classics), a movie that I have seen no less than three times this year, first when it was playing Sundance, a few months later when it was supposed to open in March… and then again last week! And you know what? I enjoyed it just as much every single time. It’s an amazing two-hander that stars Covino and Marvin as best friends Mike and Kyle, who have a falling out over the former sleeping with the latter’s fiancé, and it just gets funnier and funnier as the friends fight and Kyle gets engaged to Marisa (Gayle Rankin from GLOW) who hates Mike. Can this friendship possibly survive?
I really had no idea what to expect the first time I saw The Climb at the Sony Screening Room, but it was obviously going to be a very different movie for Sony Pictures Classics, who had started out the year with so many great films before theaters shut down. (Unfortunately, they may have waited too long on this one as theaters seem to be shutting down again even while NYC and L.A. have yet to reopen them. Still, I think this would be just as much fun in a drive-in.)
The movie starts with a long, extended scene of the two leads riding bikes on a steep mountain in France, talking to each other as Kyle (once the athlete of the duo) has fallen out of shape. During the conversation, Mike admits to having slept with Kyle’s fiancé Ava (Judith Godréche) and things turn hostile between the two. We then get the first big jump in time as we’re now at the funeral for Ava, who actually had been married to Mike. Kyle eventually moves on and begins a relationship with his high school sweetheart Marisa, who we meet at the Thanksgiving gathering for Kyle’s extended family. In both these cases, we see how the relationship between Mike and Kyle has changed/evolved as Mike has now fallen on hard times.
It's a little hard to explain why what’s essentially a “slice of life” movie can be so funny. On one hand, The Climb might be the type of movie we might see from Mike Leigh, but Covino and Marvin find a way to make everything funny and also quite eccentric in terms of how some of the segments begin and end.  Technically, it’s also an impressive feat with the number of amazing single shot sequences and how smooth some of the transitions work. It’s actually interesting to see when and how the filmmakers decide to return to the lives of their subjects – think of it a bit like Michael Apted’s “Up” series of docs but covering a lot shorter span in time.
Most importantly, The Climb has such a unique tone and feel to other indie dramedies we’ve seen, as the duo seem to be influenced more by European cinema than American indies. Personally, I think a better title for The Climb might have been “Frenemied,” but even with the movie’s fairly innocuous title, you will not forget the experience watching this entertaining film anytime soon.
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Maybe this should be called “Netflix week,” because the streamer is releasing a number of high-profile movies into theaters and on the streaming service. Definitely one of the more anticipated movies of the year is David Fincher’s MANK, which will get a theatrical release this week and then stream on Netflix starting December 4.
It stars Gary Oldman as Herman Mankiewicz, the Hollywood screenwriter who has allowed himself to succumb to alcoholism but has been hired by Orson Welles (Tom Burke) to write his next movie, Citizen Kane, working with a personal secretary Rita Alexander (played by Lily Collins). His story is told through his interactions with media mogul William Hearst (Charles Dance) and relationship with actress and Hearst ingenue and mistress, Marion Davies (Amanda Seyfried).
It I were asked to pick one director who is my absolute favorite, Fincher would probably be in my top 5 because he’s had such an illustrious and varied career of movie styles, and Mank continues that tradition as Fincher pays tribute to old Hollywood and specifically the work of Orson Welles in every frame of this biopic that’s actually more about the troubled writer of Citizen Kane who was able to absorb everything happening in his own Hollywood circles and apply them to the script.
More than anything, Mank feels like a movie for people who love old Hollywood and inside Hollywood stories, and maybe even those who may already know about the making of Welles’ highly-regarded film might find a few new things to appreciate. I particularly enjoyed Mankiewicz’s relationships with the women around him, including his wife “Poor Sarah,” played by Tuppence Middleton, Collins’ Rita, and of course, Seyfried’s absolutely radiant performance as Davies.  Maybe I would have appreciated the line-up of known names and characters like studio head Louis B Mayer and others, if more of them had any sort of effect on the story and weren’t just
The film perfectly captures the dynamic of the time and place as Mank is frequently the only honest voice in a sea of brown nosers and yes-men. Maybe I would have enjoyed Oldman’s performance more if everything that comes out of Mankiewicz’s mouth wasn’t an all-too-clever quip.
The film really hits a high point after a friend of Mank’s commits suicide and how that adds to the writer’s woes about not being able to save him. The film’s last act involves Mank dealing with the repercussions after the word gets out that Citizen Kane is indeed about Hearst.
Overall, Mank is a movie that’s hard to really dig into, and like some of Fincher’s previous work, it tends to be devoid of emotion. Even Fincher’s decision to be clever by including cigarette burns to represent Mank’s “reels” – something explained by Brad Pitt in Fight Club – just drives home the point that Mank is deliberately Fincher’s most meta movie to date.
You can also read my technical/crafts review of Mank over at Below the Line.
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Ron Howard’s adaptation of JD Vance’s bestselling memoir HILLBILLY ELEGY will be released by Netflix into theaters ahead of its streaming debut on November 24. It stars Amy Adams and Glenn Close, but in honesty, it’s about JD Vance, you know, the guy who wrote the memoir.  The film follows his younger years (as played by Owen Asztalos) while dealing with a dysfunctional white trash family in Middletown, Ohio, dealing with his headstrong Mamaw (Close) and abusive mother dealing with drug addiction (Adams).  Later in life, while studying at Yale (and played by Gabriel Basso), he has to return to his Ohio roots to deal with his mother’s growing addiction that forces him to come to terms with his past.
I’m a bit of a Ron Howard stan – some might even say “an apologist” – and there’s no denying that Hillbilly Elegy puts him the closest to A Beautiful Mind territory than he’s been in quite some time. That doesn’t mean that this movie is perfect, nor that I would consider it one of his better movies, though. I went into the movie not knowing a thing about JD Vance or his memoir but after the first reviews came out, I was a little shocked how many of them immediately went political, because there’s absolutely nothing resembling politics in the film.
It is essentially an adaptation of a memoir, dealing with JD Vance’s childhood but then also the past that led his mother and grandmother down the paths that made his family so dysfunctional. I particularly enjoyed the relationship between the older Vance and his future wife Usha (as played by Freida Pinto) earlier in their relationship as they’re both going to Yale and Vance is trying to move past his family history to succeed in the realm of law.
It might be a no-brainer why Adams and Close are being given so much of the attention for their performances. They are two of the best. Close is particularly amusing as the cantankerous Mamaw, who veers between cussing and crying, but also has some great scenes both with Adams and the younger Vance. The amazing special make-up FX used to change her appearance often makes you forget you’re watching Close. I wish I could say the same for Adams, who gives such an overwrought and over-the-top performance that it’s very hard to feel much emotionally for her character as she goes down a seemingly endless vortex of drug addiction. It’s a performance that leads to some absolute craziness. (It’s also odd seeing Adams in basically the Christian Bale role in The Fighter, although Basso should get more credit about what he brings out in their scenes together.)
Hillbilly Elegy does have a number of duller moments, and I’m not quite sure anyone not already a fan of Vance’s book would really have much interest in these characters. I certainly have had issues with movies about people some may consider “Southern White Trash,” but it’s something I’ve worked on myself to overcome. It’s actually quite respectable for a movie to try to show characters outside the normal circles of those who tend to write reviews, and I wouldn’t be surprised if the movie might be able to connect with people in rural areas that rarely get to see themselves on screen.
Hillbilly Elegy has its issues, but it feels like a successful adaptation of a novel that may have been difficult to keep an audience invested in with all its flashbacks and jumps in time.
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Netflix is also streaming the Italian drama THE LIFE AHEAD, directed by Edoardo Ponti, starring Oscar-winning actress Sophia Loren, who happens to also be the filmmaker’s mother. She plays Madame Rosa, a Holocaust survivor in Italy who takes a stubborn young street kid named Momo (Ibrahima Gueye), much to both their chagrin.
I’ll be shocked if Italy doesn’t submit Ponti’s film as their choice for the Oscar’s International Film category, because it has all of the elements that would appeal to Oscar voters. In that sense, I also found it to be quite traditional and formulaic.  Loren is quite amazing, as to be expected, and I was just as impressed with young Ibrahima Gueye who seems to be able to hold his own in what’s apparently his first movie. There’s others in the cast that also add to the experience including a trans hooker named Lola, but it’s really the relationship between the two main characters that keeps you invested in the movie. I only wish I didn’t spend much of the movie feeling like I knew exactly where it’s going in terms of Rosa doing something to save the young boy and giving him a chance at a good life.
I hate to be cynical, but at times, this is so by the books, as if Ponti watched every Oscar movie and made one that had all the right elements to appeal to Oscar voters and wokesters alike. That aside, it does such a good job tugging at heartstrings that you might forgive how obviously formulaic it is.
Netflix is also premiering the fourth season of The Crown this week, starring Olivia Colman as Queen Elizabeth and bringing on board Gillian Anderson as Margaret Thatcher, Emma Corin, Helena Bonham Carter, Tobis Menzies, Marion Bailey and Charles Dancer. Quite a week for the streamer, indeed.
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Another movie that may be in the conversation for Awards season is AMMONITE (NEON), the new film from Francis Lee (God’s Own Country), a drama set in 1840s England where Kate Winslet plays Mary Anning, a fossil hunter,  tasked to look after melancholic young bride, Charlotte Murcheson (Saoirse Ronan), sent to the sea to get better only for them to get into a far more intimate relationship.
I had been looking forward to this film, having heard almost unanimous raves from out of Toronto a few months back. Maybe my expectations were too high, because while this is a well-made film with two strong actors, it’s also rather dreary and not something I necessarily would watch for pleasure. The comparisons to last year’s Portrait of a Lady on Fire (also released by NEON) are so spot-on that it’s almost impossible to watch this movie without knowing exactly where it’s going from the very minute that the two main characters meet.
Winslet isn’t bad in another glammed-down role where she can be particularly cantankerous, but knowing that the film would eventually take a sapphic turn made it somewhat predictable. Ronan seems to be playing her first outright adult role ever, and it’s a little strange to see her all grown-up after playing a teenager in so many movies.
The movie is just so contained to the one setting right up until the last 20 minutes when it actually lives the Lyme setting and lets us see the world outside Mary’s secluded lifestyle.  As much as I wanted to love Ammonite, it just comes off as so obvious and predictable – and certainly not helped by coming out so soon after Portrait of a Lady. There’s also something about Ammonite that just feels so drab and dreary and not something I’d necessarily need to sit through a second time.
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The animated film WOLFWALKERS (GKIds) is the latest from Tomm Moore and Ross Stewart, directors of the Oscar-nominated Secret of the Kells (Moore’s Song of the Sea also received an Oscar nomination a few years later.) It’s about a young Irish girl named Robyn (voiced Honor Kneafsey) who is learning to be hunter from her father (voiced by Sean Bean) to help him wipe out the last wolf pack. Roby then meets another girl (voiced by Eva Whittaker) who is part of a tribe rumored to transform into wolves by night.
I have to be honest that by the time I got around to start watching this, I was really burnt out and not in any mood to watch what I considered to look like a kiddie movie. It looks nice, but I’m sure I’d be able to enjoy it more in a different head (like watching first thing on a Saturday morning).
Regardless, Wolfwalkers will be in theaters nationwide this Friday and over the weekend via Fathom Events as well as get full theatrical runs at drive-ins sponsored by the Landmark, Angelika and L.A.’s Vineland before it debuts on Apple TV+ on December 11. Maybe I’ll write a proper review for that column. You can get tickets for the Fathom Events at  WolfwalkersMovie.com.
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Next up is Miles Joris-Peyrafitte’s DREAMLAND (Paramount), starring Margot Robbie as Allison Wells, a bank-robbing criminal on the loose who encounters young man named Eugene Evans (Finn Cole) in rural Dust Bowl era North Dakota and convinces him to hide her and help her escape the authorities by taking her to Mexico.
Another movie where I wasn’t expecting much, more due to the generic title and genre than anything else, but it’s a pretty basic story of a young man in a small town who dreams of leaving and also glamorizes the crime stories he read in pulps. Because of the Great Depression in the late ’20, the crime wave was spreading out across the land and affecting everyone, even in more remote locations like the one at the center of Dreamland.
The sad truth is that there have been so many better movies about this era, including Warren Beatty’s Bonnie and Clyde, Lawless and many others. Because of that, this might not be bad but it’s definitely trying to follow movies that leave quite a long shadow. The innocent relationship between Eugene and Allison does add another level to the typical gangster story, but maybe that isn’t enough for Dreamland to really get past the fact that the romantic part of their relationship isn’t particularly believable.
As much as this might have been fine as a two-hander, you two have Travis Fimmel as Eugene’s stepfather and another generic white guy in Garrett Hedlund playing Allison’s Clyde Barrow-like partner in crime in the flashbacks. Cole has enough trouble keeping on pace with Robbie but then you have Fimmel, who was just grossly miscast. The film’s score ended up being so overpowering and annoying I wasn’t even remotely surprised when I saw that Joris-Peyrafitte is credited with co-writing the film’s score.
Dreamland is fine, though it really needed to have a stronger and more original vision to stand out. It’s another classic case of an actor being far better than the material she’s been given. This is being given a very limited theatrical release before being on digital next Tuesday.
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This might have been Netflix week, but maybe it could have been “Saban Films Week,” since the distributor also has three new movies. Actually, only two, because I screwed up, and I missed the fact that André Øvredal’s MORTAL was released by Saban Films LAST week. Not entirely my fault because for some reason, I had it opening this week, and I only realized that I was wrong last Wednesday. Oh, well.  It stars Nate Wolff as Eric Bergeland, an American in Norway who seems to have some enigmatic powers, but after killing a young lad, he ends up on the lam with federal agent Christine (Iben Akerlie from Victoria).
This is another movie I really wanted to like since I’ve been such a fan of Øvredal from back to his movie Trollhunter. Certainly the idea of him taking a dark look at superpowers through the lends of Norse mythology should be right up my alley. Even so, this darker and more serious take on superpowers – while it might be something relatively unique and new in movies – it’s something anyone who has read comics has seen many times before and often quite better.
Wolff’s character is deliberately kept a mystery about where he comes from, and all we know is that he survived a fire at his farm, and we watched him kill a young man that’s part of a group of young bullies.  From there, it kind of turns into a procedural as the authorities and Akerlie’s character tries to find out where Eric came from and got his powers. It’s not necessarily a slow or talkie movie, because there are some impressive set pieces for sure, but it definitely feels more like Autopsy of Jane Doe than Trollhunters. Maybe my biggest is that this is a relatively drab and lifeless performance by Wolff, who I’ve seen be better in other films.
Despite my issues, it doesn’t lessen my feelings about Øvredal as a filmmaker, because there’s good music and use of visual FX -- no surprise if you’ve seen Trollhunters -- but there’s still a really bad underlying feeling that you’re watching a lower budget version of an “X-Men” movie, and not necessarily one of the better ones.  Despite a decent (and kinda crazy) ending, Mortal never really pays off, and it’s such a slog to get to that ending that people might feel slightly underwhelmed.
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Seth Savoy’s ECHO BOOMERS (Saban Films) is a crime thriller based on a “true story if you believe in such things,” starring Patrick Schwarzenegger as Lance, a young art major, who falls in with a group of youths who break into rich people’s homes and trash them, also stealing some of the more valuable items for their leader Mel (Michael Shannon).
There’s a lot about Echo Boomers that’s going to feel familiar if you’ve seen Sofia Coppola’s The Bling Ring or the heist movie American Animals from a few years back, but even with those similarities, Seth Savoy has a strong cast and vision to make more out of the fairly weak writing than another director might manage. Schwarzenegger, who seems to be pulling in quite a wide range of roles for basically being another generic white actor is only part of a decent ensemble that includes Alex Pettyfer as the group’s ersatz alpha male Ellis and Hayley Law (also great in the recent Spontaneous) as his girlfriend Allie, the only girl taking part in the heists and destruction. Those three actors alone are great, but then you add Shannon just doing typically fantastic work as more of a catalyst than an antagonist.
You can probably expect there will be some dissension in the ranks, especially when the group’s “Fagan” Mel puts Lance in charge of keeping them in line and Allie forms a friendship with Lance. What holds the movie back is the decision to use a very traditional testimonial storytelling style where Lance and Allie narrate the story by relaying what happened to the authorities after their capture obviously. This doesn’t help take away from the general predictability of where the story goes either, because we’ve seen this type of thing going all the way back to The Usual Suspects.
While Echo Boomers might be fairly derivative of far better movies at times, it also has a strong directorial vision and a compelling story that makes up enough for that fact.
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In theaters this Friday and then On Demand and Digital on November 24 is Eshom and Ian Nelms’ action-comedy FATMAN (Saban Films/Paramount), starring Mel Gibson as Santa Claus and Walton Goggins as the hired assassin sent to kill him by a spoiled rich boy named  Billy (Chance Hurstfield) who unhappy with the presents he’s being brought for Christmas.
While we seem to be surrounded by high concept movies of all shapes and sizes, you can’t get much more high concept than having Mel Gibson playing a tough and cantankerous* Kris Kringle (*Is this the week’s actual theme?) who is struggling to survive with Mrs. Klaus (played by the wonderful Marianne Jean-Baptiste from In Fabric) when they’re given the opportunity to produce military grade items for the army using his speedy elf workshop. Unbeknownst to the Kringles, the disgruntled hitman who also feels he’s been let down by Santa is on his way to the North Pole to fulfill his assignment.
You’ll probably know whether you’ll like this movie or not since its snarkier comedic tone is introduced almost from the very beginning. This is actually a pretty decent role for Gibson that really plays up to his strengths, and it’s a shame that there wasn’t more to it than just a fairly obvious action movie that leads to a shoot-out. I probably should have enjoyed Goggins more in a full-on villainous role but having been watching a lot of him on CBS’ The Unicorn, it’s kind of hard to adjust to him playing this kind of role.  I did absolutely love Marianne Jean-Baptiste and the warmth she brought to a relatively snarky movie.
I’m not sure if Fatman is the best showing of Eshom and Ian Nelms’ abilities as filmmakers, because they certainly have some, but any chance of being entertaining is tamped down by a feeling the filmmakers are constantly trying to play it safe. Because of this, Fatman has a few fun moments but a generally weak premise that never fully delivers. It would have thrived by being much crazier, but instead, it’s just far too mild.
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Malin Åkerman stars in Paul Leyden’s CHICK FIGHT (Quiver Distribution) as Anna, a woman unhappy with her life and inability to survive on the little money she makes at her failing coffee shop. When Anna’s lesbian traffic cop friend Charleen (Dulcé Sloan) takes her to an underground fight club, Anna her trepidation about joining in, because she has never been in a fight in her life.  Learning that her mother has a legacy at the club, Anna agrees to be trained by Alec Baldwin’s always-drunk Murphy in order to take on the challenges of the likes of Bella Thorne’s Olivia.
Another movie where I’m not sure where to begin other than the fact that I’m not sure I’ve seen a movie trying so hard to be fun and funny and failing miserably at both. Listen, I generally love Akerman, and I’m always hoping for her to get stronger material to match her talents, but this tries its best to be edgy without ever really delivering on the most important thing for any comedy: Laughs.  Sure, the filmmakers try their best and even shoehorn a bit of romance for Anna in the form of the ring doctor played by Kevin Connolly from Entourage, but it does little to help distinguish the movie’s identity.
Listen, I’m not going to apologize for being a heterosexual male that finds Bella Thorne to be quite hot when she’s kicking ass in the ring. (I’m presuming that a lot of what we see in her scenes in the ring involves talented stuntwomen, but whoa! If that’s not the case.) Alec Baldwin seems to be in this movie merely as a favor to someone, possibly one of the producers, and when he disappears with no mention midway through the movie, you’re not particularly surprised. Another of trying too hard is having Anna’s father Ed (played by wrestler Kevin Nash) come out as gay and then use his every appearance to talk about his sex acts.  Others in the cast like Fortune Feimster seem to be there mainly for their bulk and believability as fighters.
Ultimately, Chick Fight is a fairly lame and bland girl power movie written, directed and mostly produced by men. I’m not sure why anyone might be expecting more from it than being a poorly-executed comedy lacking laughs.
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And yet, that wasn’t the worst movie of the weekend. That would be Andrzej Bartkowiak’s DEAD RECKONING (Shout! Studios). Yes, the Polish cinematographer and filmmaker who once made the amazing Romeo is Bleeding, starring Gary Oldman and Lena Olin, has returned with a movie with the onus of a premise that reads “a thriller inspired by the Boston Marathon bombing in 2013.” No, I did not make that up. It mostly takes place in Nantucket, Massachusetts, which I guess is sort of close to Boston, but instead it focuses on the relationship between teens Niko (K.J. Apa) and Tillie (India Eisley), the latter whose parents died in a plane crash that might have been caused by a terrorist. It just so happens that Niko’s brother Marco (Scott Adkins) is an Albanian terrorist. Coincidence? I think not!
Once you get past the most generic title ever, Dead Reckoning is just plain awful. I probably should have known what to expect when the movie opens with Eric “Never Turned Down a Job” Roberts, but also, I strong feel that Scott Adkins, better known for his martial arts skills, is easily one of the worst actors ever to be given lines to say in a movie. And yet, somehow, there are even worse actors in this movie. How is that even possible?
Although this presumed action movie opens with one of three or four fight sequences, we’re soon hanging out on the beach with a bunch of annoying teenagers, including Tillie, who is drowning the sorrow of recently losing her parents by literally drinking constantly in almost every single scene. When she meets the handsome Eastern European Niko, we think there’s some chance of Tillie being saved, but it isn’t meant to be.
Part of what’s so weird is that Dead Reckoning begins in territory familiar to fans of Barkowiak’s movies like Exit Wounds, Cradle 2 the Grave and Maximum Impact but then quickly shifts gears to a soppy teen romance. It’s weird enough to throw you off when at a certain point, it returns to the main plot, which involves Adkins’ terrorist plot and the search by FBI Agent Cantrell (played by James Remar) to find the culprit who killed Tillie’s parents. Oh, the FBI agent is also Tillie’s godfather. Of course, he is.
Beyond the fact that I spent much of the movie wondering what these teens in Nantucket have to do with the opening scene or the overall premise, this is a movie that anything that could be resembling talent or skill in Barkowiak’s filmmaking is long gone. Going past the horrendous writing – at one point, the exasperated and quite xenophobic Cantrell exclaims, “It’s been a nightmare since 9/11... who knows what's next?” -- or the inability of much of the cast to make it seem like anyone involved cares about making a good movie, the film is strangled by a score that wants to remind you it’s a thriller even as you watch people having fun on the beach on a sunny day.
Eventually, it does get back to the action with a fight between Cantrell and Marco… and then Marco gets into a fight with Tillie’s nice aunt nurse Jennifer where she has a surprisingly amount of fighting skills. There’s also Nico’s best friend who is either British or gay or both, but he spends every one of his scenes acting so pretentious and annoying, you kind of hope he’ll be blown up by terrorists. Sadly, you have to wait until the last act before the surfboards are pulled out.  (Incidentally, filmmakers, please don’t call a character in your movie “Marco,” especially if that character’s name is going to be yelled out repeatedly, because it will just lead to someone in the audience to yell out “Polo!” This is Uwe Boll School of Bad Filmmaking 101!)
The point is that the movie is just all over the place yet in a place that’s even remotely watchable. There even was a point when Tillie was watching the video of her parents dying in a car crash for the third or fourth time, and I just started laughing, since it’s such a slipshod scene.
It’s very likely that Dead Reckoning will claim the honor of being the worst movie I’ve seen this year. Really, the only way to have any fun watching this disaster is to play a drinking game where you take a drink every time Eisley’s character takes a drink. Or better yet, just bail on the movie and hit the bottle, because I’m sure whoever funded this piece of crap is.
Opening at New York’s Film Forum on Wednesday is Manfred Kirchheimer’s FREE TIME (Grasshopper/Cinema Conservancy), another wonderful doc from one of the kings of old school cinema verité documentary filmmaking, consisting of footage of New York City from 1960 that’s pieced together with a wonderful jazz score. Let me tell you that Kirschheimer’s work is very relaxing to watch and Free Time is no exception. Plus the hour-long movie will premiere in Film Forum’s Virtual Cinema, accompanied by Rudy Burckhardt’s 1953 film Under the Brooklyn Bridge which captures Brooklyn in the ‘50s.
Also opening in Film Forum’s Virtual Cinema Friday is Hong Khaou’s MONSOON (Strand Releasing) starring Henry Golding (Crazy Rich Asians) as Kit, who returns to Ho Chi Minh City for the first time since his family fled after the Vietnam War when he was six. As he tries to make sense of it, he ends in a romance with Parker Sawyers’ American ex-pat and forms a friendship with a local student (Molly Harris). Unfortunately, I didn’t have the chance to watch this one before finishing up this column but hope to catch soon, because I do like Golding as an actor.
I shared my thoughts on Werner Herzog and Clive Oppenheimer’s FIREBALL: VISITORS FROM DARK WORLDS, when it played at TIFF in September, but this weekend, it will debut on Apple TV+.  It’s another interesting and educational science doc from Herr Herzog, this time teaming with the younger Cambridge geoscientist and “volcanologist” to look at the evidence left behind by meteors that have arrived within the earth’s atmosphere, including the races that worship the falling space objects.
Opening at the Metrograph this week (or rather on its website) is Shalini Kantayya’s documentary CODED BIAS, about the widespread bias in facial recognition and the algorithms that affect us all, which debuted Weds night and will be available on a PPV basis and will be available through November 17. The French New Wave anthology Six In Paris will also be available as a ticketed movie ($8 for members/$12 for non-members) through April 13. Starting Thursday as part of the Metrograph’s “Live Screenings” is Steven Fischler and Joel Sucher’s Free Voice of Labor: The Jewish Anarchists from 1980. Fischler’s earlier doc Frame Up! The imprisonment of Martin Sostre from 1974 will also be available through Thursday night.
Sadly, there are just way too many movies out this week, and some of the ones I just wasn’t able to get to include:
Dating Amber (Samuel Goldwyn) The Giant (Vertical) I Am Greta (Hulu) Dirty God (Dark Star Pictures) Where She Lies (Gravitas Ventures) Maybe Next Year (Wavelength Productions) Come Away (Relativity) Habitual (National Amusements) The Ride (Roadside Attractions, Forest, ESX) Jingle Jangle: A Christmas Journey (Netflix) Transference: A Love Story (1091) Sasquatch Among the Wildmen (Uncork’d) All Joking Aside (Quiver Distribution) Secret Zoo (MPI Medi Group/Capelight Pictures)
By the way, if you read this week’s column and have bothered to read this far down, I think you’re very special and quite good-looking. Feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!
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perish-the-creator · 5 years ago
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Making The Move
Rodorah Stockholm Fic:
Part1, Part2, Part3 
Ghidorah’s three sets of eyes watched with satisfaction as Rodan sat on the floor. He was folding up the laundry like his list of chores had commanded, but he sat in a fashion that made their mouths water. His position showed off the yummy thickness of his thighs and the perfect curves of his ass. Not to mention, he wore some pretty small yet tight booty shorts the captor had gotten for him. 
It was no telling if the Hispanic individual knew the effects he was having on the three-headed being, and the thought of him being blissfully unaware made it all the more arousing. It had been two weeks since Ghidorah had torn and discarded those clothes. He even went as far as making fake blood with a small pinch of Rodan’s own. (The fella had accidentally cut himself while cooking.) Thus far, they were in the total clear. The news, for the most part, said that the case was to be closed, but there were still some annoying few who demanded a body to go along with those clothes. For closure as they’d put it. But Ghidorah knew they’d have to just wait a little longer before Rodan’s absence became nothing more than a failed mission that’ll be overshadowed by some scandal. 
“Can we have pizza tonight?” His sweet voice snapped the three from their trance. 
“Huh?” Kevin asked. 
“Pizza,” Rodan repeats with a shy smile. “There was a commercial and it just made me want some. I mean if not that’s fine, I can still cook up the spaghetti I said-” 
“We can do pizza.” Ichi instantly booms, too caught up by the adorable voice of Rodan. Funny how art first the three almost hated it. It was a bit rough to hear. The voice of a guy who’s been through shit. But the longer he stayed the softer it got. It honestly sounded more natural than that thick tough-guy tone he first pulled. “What do you like on it?”
“Plain pepperoni or cheese is fine.” He replies before getting back to folding the clothes. Ichi nods and motions for Ni to order the food. Ni was a lot better at talking to people over the phone. He had to patience and voice for it. Alas, they could never make a phone call sitting down. They needed to move. 
So they walked towards the kitchen, pacing in circles as Ni calmed told the people how he wanted the pizza and how he expected it to be on time or else he won’t pay. He also adds a little prize too to make sure that their pizza is the very best.
Rodan deserves the very best after all.
When the order is completed and the phone call ends, they sit down and sigh. Stress has been a recent guest in their household. They were still making good funds while gaining a few lackeys, but the overall hype is slowly dying. They had Rodan. They had something to lose and couldn’t be as careless anymore. They needed a new way to make money soon or things were going to get real dicey. 
From the living room hear that godamn annoying commercial. It was the one about insurance or something. Regardless of its purpose, they hated the jingle. It absolutely catchy and took forever to get out of your head. So as they stormed back in there, ready to angrily change the channel, Ghidorah stops.
Rodan dances around, moving his hips and laughing. 
“Yeah yeah get your protection!! Death is free!! But pay our prices, don’t roll those dices, saving your whole family!!” He seemingly knew the jingle by heart and looked as if he enjoyed it. Ghidorah just watches, awestruck and impressed. Their eyes wander down his body and a part of them hardens. Oh wait, THAT part of them hardens. It’s been six months, going on seven now, maybe it was finally the right time to make a move. 
“Nice dance moves.” Kevin interrupts with a snarky tone. Ichi bites his horns in retaliation for ruining the moment. Rodan pauses before laughing nervously. 
“Oof, you three saw that? Heh, well now you know I have no rhythm.” He returns to his previous position on the floor and starts folding again. The two bothers scold Kevin for ruining their fun, but he just kept a stupid grin on his face. 
For another 20 minutes, they sit down in relative silence with the only sounds coming from the tv. That is until the doorbell rings. Ni snorts at the determination of the pizza guy.
When they answer the door, they are greeted by a baby faced little dragon. He couldn’t be any older than 17 at the most. He nervously handed over the pizza before standing there like a dork. 
“I paid over the phone. You can go.” Ni told him but the guy just shook his head and held his hand out. “Oh fuck, yeah the prize. Bold little dude.” Ghidorah walks away from the door, forgetting to close it while they went to go get the jewel the promised. That’s when the nosy bastard leaned in and saw Rodan sitting on the floor. 
The kid’s eyes shot out his head as he began to drool a little. Geez, whoever that was had a nice ass!! Just then, a shadow is over him, and he looks up with a gulp. 
“Fuck the prize. Were you just gawking at my husband?” Ni said, just low enough to where the guy could hear but Rodan was left in the dark. The guy quickly shook his head. 
“N..no sir...sirs!! I would never-”
“Get the fuck out of our faces,” Kevin growled before slamming the door in the kid’s face. Rodan is startled a little and looks toward the large being. 
“Everything okay? Did the pizza come?” He asked curiously as the three heads threw on fake smiles. 
“It was just a huge bug was on the door and we didn’t want it coming in.” Kevin lied. “But yeah, the pizza’s here.” Rodan smiled and skipped towards the kitchen, happy to enjoy a meal he hadn’t tasted in so long.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“What’s with the face bro?” A voice asked the dragon as he walked back into the pizza shop. The dragon chuckles and walks back behind the counter, washing off his hands and preparing to make some fresh dough.
“Went to that Ghids order or whatever’s place to deliver his shit. Well, turns out the bastard has three heads.” His friend’s eyes widened. “Yeah, bro. THREE!”
“A hydra?! Dude I thought those folks went extinct years ago.” The mammal based friend responds. The dragon nods his head. 
“But that’s not all. Bastard got a nice ass husband. And I mean nice ass~.” His friend laughs a little. “I’m serious. It wasn’t super phat but fuck man those curves were no joke. Damn tease was wearing some sweet booty shorts.”
“Hold up, before you go any further into detail, what species we talking bout? Cause my little guy only launches for certain folks.” 
“ Pteranodon I think. Mostly due to the horns and the tail. Had his wings retracted though so that’s a bummer.” His friend once again gives him a surprised look. 
“Bro! Those fuckers are the best fucks. They a kinky species. Blade said he fucked one once a few years back, though I think he’s lying. Ain’t a lot of them left though so that Ghid bastard lucked up.” The mammal sighs and puts the pizza in the oven.
“Man imagine having a husband that fine. I tell ya he wouldn’t step foot out my house. I’d have him walk around with no clothes or sexy lingerie for sure. Mmm, might even snatch up a cutie like that if I saw him on the streets.” The dragon licks his lips as he daydreams. 
“You’re a crazy dude. Well, good thing he’s with someone who loves him and clearly gained consent and not a crazy kidnapper like you.”  The two laugh and continue on with the last few orders of the night. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ghidorah leans against the front of the shower, each head panting softly. A sense of dread and anxiety washed over them. Rodan had been spotted; had been stared at! And they did little more than giving that bastard a door to the face. There weren’t many pteranodons left, especially in this city, and despite the discarded clothes, there were still people looking for Rodan. If the damn idiot ran his mouth then rumors would start and people would talk and then form conspiracies and before they knew it cops would be busting down their door and dragging their sweet Rodan away from them. 
“Should...should we try now?” Kevin asked with an unsteady voice. “Before it’s too late. Go ahead and mark him. That way if the cops come they-”
“Marking won’t stop them separating a captive from their captor. No matter how we or he phrases it, we’ll be separated.” Ni replies with a saddened tone. There was a feeling in their chest that they hated more than anything. 
Fear.
For the first time, it appeared the world was crashing around them. For the first time, they actually worried about a future beyond their own. 
They hear the bathroom door open, followed by the sound of clothes falling on the ground. They don’t look up to see what it is until the shower door opens and Rodan steps inside; completely nude. 
“R..rodan!” Kevin blushed as did the others. But Rodan held a determined look as he stepped inside and closed the door behind him. His eyes were trained on the large soul in front of him.
“Touch me.”
The three heads though they legit died for a moment. Did he really just? No! Wait is he? Was this?
“I want you Ghidorah.” The words were like bullets to each head and as Rodan pressed his body against theirs it was being more and more clear that this was in fact real life.
“We...we want you too,” Kevin responds on behalf of his brothers who are too awestruck to speak. Rodan smiles before guiding their hands on his body. 
“I’m yours.”
Needless to say, the water wasn’t the only thing steaming that night.  
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mrnerdteacher · 6 years ago
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All 32 Memorable Scenes from Avengers: Endgame, Ranked (because to leave out even one would do this movie a disservice)
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Before we begin, I wish to make three disclaimers:
Literally ALL THE SPOILERS AHEAD, so go see it first. Seriously. It’s fantastic. It’s greater than the sum of all 22 of its parts. It’s a three hour movie that doesn’t feel too long. It’s funny, heart-wrenching, thrilling, and the pay-off we all deserve. I cannot say enough good things about it. Faith restored.
Despite how critical I sound, I didn’t HATE any of these moments. Some just worked better than others.
I had to go to the bathroom three times, so if I’m missing an amazing scene, please let me know in the comments.
And now, without further ado, every moment from this epic epic, ranked from “worst” to best.
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32) Hawkeye for an Eye- Clint going on a faceless-villain killing spree after his family dies is stupidly cliche
31) One too many Cap Speeches- I hope you like your films like you like your pizza: warm and cheesy.
30) Come and Get Your Concussion- Knocking out Quill to pre-steal the power stone was just kinda funny
29) Bruce Rolls a Natural 20- Convincing the Ancient One to hand over the Time Stone felt a little too easy.
28) Picnic Panic- Watching Clint lose his family was rough, but the mom dutifully serving lunch felt cringe
27) Hulk Snaps- While I enjoyed the suspense/uncertainty that follows this moment, it’s weird that a finger snap is actually required to activate the stones powers, except all the times in the movie when it’s not
26) Iron Man Snaps- For such a hugely important moment, the “I am Iron Man” line felt eye-rollingly forced
25) Time Heist is Botched when Loki AGAIN Steals the Tesseract- What a wascally wabbit. You could practically hear the Benny Hill theme in this scene
24) Nebula Shoots Herself- I feel like the “evil” Nebula went down way too easy for the sake of pacing
23) Thor Goes for the Head- Aside from a clever moment in which you think Thanos is altering reality to defend himself but it’s really the Hulk Buster breaking through the floor, this scene is underwhelming
22) My Self-Righteous Suicide- The cliffs of Vormir is a great motif, but wondering which of the two most insignificant Avengers would successfully kill themselves lacked the punch it should have had.
21) Thor Abides- it’s nice that Valkyrie gets crowned the “king” and all, but the new role feels out of character
20) Tony and the Intergalactic Facetime- Paper football is cute, and Tony’s goodbye felt appropriately emotional
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19) Iron Dad- this film’s packed to the brim with father/daughter moments, but “Love You 3000” is a good one
18) Let Me Guess, He Turned into a Baby- who doesn’t love a “working out the kinks” tech montage?
17) Scott Reconnects with Cassie- Checking the wall of the dead, and finding her alive? Instant tears
16) America’s Ass- Cap fighting his past self wasn’t surreal enough to stop him from ogling his own butt. Nice.
15) Tony Invents Time Travel- It had been way too long since we had a “Tony does his homework” montage.
14) Every Time Brie Larson entered the shot like a literal shooting star- I will never get tired of her entrances, especially sporting her new do.
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13) The Funeral- The Proof that Tony Stark has a Heart is also proof that we love RDJ even more than we realized
12) That 70’s Show- Giving Tony the father/son talk he always deserved/needed was touching, and Steve’s creepy Jim Halpert impersonation sets the movie up for that incredible final shot
11) Passing the Torch/Shield- Old Cap made me so happy, but passing the mantle to Sam? Even happier. Hope it made racists everywhere uncomfortable
10) Emaciated, Stir Crazy Tony DESTROYS Boy Scout Steve Upon Reunion- Were we really expecting a hug?
9) Professor Hulk Takes a Seflie with Fans at a Diner- the precise moment I knew this movie would rock
8) The Taco- I had a very lousy Monday, but still laughed on three separate occasions when I remembered this masterpiece of silent slapstick.
7) Thor Handles His Mommy Issues- you know a movie’s good when it retroactively redeems DARK WORLD.
6) Elevator Redux- Everything about this scene. The tension. The parallelism. The way Steve defeats the entire platoon with a single, sly “Hail Hydra” is both really smart writing and a nod to fans of the comics & films.
5) The Future is Female- suspend your disbelief and realize that this gorgeous, empowering team-up moment is a giant middle finger to all the dude bros who review bombed Captain Marvel. Plus, there’s a freakin’ pegasus.
4) Cap Proves He’s Worthy- the most thrilling, shocking, satisfying, and important fight in the whole film. My whole theater got chills.
3) Thor Really Lets Himself Go- Fat shaming aside, seeing Thor bicker with kids on Xbox Live and belligerently request a Blood Mary is yet another believable, endearing, & hilarious reinvention of the character. The only thing that would have made it better would have been the addition of Darryl as a third flatmate.
2)The Gang’s All Here- I never thought they could pull it off, but when the resurrected heroes, all several thousand of them, return from the dead to fight Thanos’ army, it ACTUALLY felt surprising, moving, and most importantly, earned. Spider-Man’s instant kill. Black Panther emerging from the Lion King sunrise. That look on Hope’s face. IT’S ALL SO DAMN GOOD!!!
1)The Dance- Maybe it’s because I’ve always been Team Cap, but what a perfect way to close a perfect film. I cried tears of pure joy.
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kunoichi-ume · 5 years ago
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7. List your NoTPs from each fandom you’ve been in. 8. How did you get involved in your latest fandom? 17. Who was your first OTP and are they still your favourite? 23. Name a fic you’ve written that you’re especially fond of & explain why you like it. 41. List and link to 5 fanfics you are currently reading: 46. If someone was to read one of your fanfics, which fic would you recommend to them and why? 😁
ThisFanfiction Questions
Wow that is a lot of questions, nosy much? Jk thanks friend :D
7. List your NoTPs from each fandom you’ve been in. 
I don’t know that I have proper NoTPs just ones I am not really fond of - especially in fanworks. Idk why but for some reason fanfiction about a canon couple is just boring to me, I already know they are together so why would I need more stories about it? 
One Piece: Luffy and well... anyone. He is too in love with adventure to have a romance and lets be real, always feels like a little kid unless he is in one of his “gotta win or everyone is screwed” serious moments. 
Fairy Tail: I do not like Ju.via and Gray, enough that I don’t even want to chance her name ending with this in her tag because many people in that fandom are toxic and last time I dared say I don’t like this ship I got bitched at for it. Sorry, I just don’t find stalking someone until they give in to be romantic. 
Naruto: I do not get people liking Sasuke with pretty much anyone, but especially Sakura or Naruto. He is an ass to them repeatedly and they both deserve better - and being very honest, he deserved much stricter punishment for all the ship he pulled. 
Star Wars: I am going to preface this with this: I haven’t seen Clone Wars. Not all of it. Probably won’t. But I don’t like the Obi-Wan and Satine relationship. Everything I have seen of it just doesn’t jive for me, even though both voice actors are adorably sweet and meeting them was a blast. 
Swtor: I have not done all the romances yet, so this may change, but the SW and Jaesa is just... disappointing. Its mostly about her being possessive and manipulative and very little actual romance. The other SW relationships prove is doesn't have to be that way, so why is she? I get that they were probably going for the whole “fallen Jedi going balls to the wall crazy” but yeah, didn’t need to happen and I hated it so much I cut the romance planes I had for her and Tully even though I already planned to write it differently. 
8. How did you get involved in your latest fandom? 
I started playing Swtor and didn’t know about the romance options so when I could suddenly flirt with Doc I even stopped playing to turn to my husband and go “omg I can flirt with this guy?” He knew this of course and was just like “yeah...” (Honestly I had made a trial account for swtor when it first came out and if I had known about the romance options in the stories I probably would have staying with it instead of forgetting about the game). It was only a matter of time before I wanted to write a story about Noara and Doc, because I did totally ship them until a certain blond Mandalorian made his presence known.
17. Who was your first OTP and are they still your favourite? 
First otp... I think that would be Nami and Trafalgar Law from One Piece. I love them so much, even now despite not being active in the fandom and soooo behind on both the manga and the anime. They are not my current favorite though, that has to be Noara and Torian. 
23. Name a fic you’ve written that you’re especially fond of & explain why you like it. 
Oh goodness a fic I am especially fond of? And why? Thats a tough one because I have little bits of love for all of them but I mean.... A Poor Stand In is probably one of my favorite things I have ever written for many reasons, the subject matter, approach and reactions mainly. Plus it just makes me laugh, I find it very funny on a lot of levels. Still waiting for someone to ask me wtf is wrong with me that I wrote this but since no one has maybe people are more into Khem then they like to admit? ;)
On a more serious note I am very fond of Well Played Cadera because I like the blend of Noara’s anxiety and fears, the arguing, the humor. Torian is a little shit in it and is so right to be, and it works too. He is figuring out how to get his Jedi to listen to him, even if it means taking off all his clothing. 
41. List and link to 5 fanfics you are currently reading: 
I have been terrible about reading fanfiction lately but  seeing as how my Goodreads challenge is sitting at 98/30 for the year I am going to cut myself some slack and just say I am on a sicfi romance novel kick that is taking precedence over fanworks. That being said there are some that of course I am following and even if I am a little behind on I totally intend to catch up. 
Heart on a Trigger by @cinlat
Part 4 of the Meet Me On The Battlefield series about Mandalorian turned Republic Trooper Fynta Wolfe and Aric Jorgan, plus a large cast of other amazing characters (like Cormac, I love that big fluffy teddy bear). I am sure anyone paying attention to my blog is surpsied I am keeping up with this one, I get sneak peaks at updates before they come out (or are even edited properly) and my girl Noara is a small background character. 
Something Better by @shimmersing
This was recently finished and omg, I need to go read it all but I just know it’s going to be good. I adore the way Shimmer writes Aitahe and Erithon and, honestly, it being a non-canon couple availabe in game makes it just that much more appealing to me (because no matter how this JC and Trooper end up together, it’s new to me and not just rehashing the game, makes it exciting!).
Abundance of Faith by Laivaaja
The Summary: Star Wars Fan Comic: Emperor Palpatine's suspicions of Darth Vader grow intolerable, which will cause the Empire and the Imperial Navy to be torn into two separate directions. Several officers will step up in this time of confusion, and Darth Vader will form new surprisingly faithful alliances.Yeah that’s it, great art, comic book story telling, Vader being surprised by his men. It’s a fun ride. 
Chaos and Opportunity by @inquisitorhotpants
I haven’t read it in a while, but anything I have read as many times as I have this one needs to be on this list. I love the dynamic between Marr and Kryn and how their relationship develops and the way this story doesn’t accept canon (I was so concerned about Marr’s in game death and at least in this story about them that didn’t happen and I for one am thankful for it).
The One That Got Away by @punsbulletsandpointythings
Another SW but not Swtor one, this one has so much wonderful angst, fluff, humor and love in it and every update has left me dying to know what was going to happen next. Give me some time travel possibly doomed from the start romance any day. 
46. If someone was to read one of your fanfics, which fic would you recommend  to them and why? 
Humm... of works only written by me probably I’ve Got You even though I haven't updated in ages (I have been working on it the last few days though, that has to count for something) because it is what really got me back into writing after not doing it in a long time and the main story really exploring how a Jedi and a Mandalorian can work out in a relationship. 
Of things I wrote with @cinlat Thunder and Scars for sure. The whole undertaking of this fic was both so much fun but also such a labor of love and heartache. There is one scene in it that even thinking about it now makes me tear up a little and I am not usually that emotional. Exploring those emotions through Noara and the family she found with Fynta, Cormac and Aric was a wonderful learning experience both for her as a character and me as a writer. 
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starkatana · 6 years ago
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A Romantic Comedy
You and Touya are finishing up your 2nd year at UA. Preparing for your last year at UA with the upcoming exams, internships applications, you are stressed, sleep deprived, and haven’t been eating a whole lot. Thanks to that you land yourself in the nurse’s office on bed rest and Touya comes to visit.
Touya Todoroki/Dabi x Reader
Note: Shoto is 7-years-old. You and Touya/Dabi are 17. This is an AU where Dabi is a Todoroki and Touya never became Dabi. The Todorokis are a happy family and everything is great.
“What’d you have to eat this morning?” Recovery girl asked.
“Yogurt with granola and honey with an iced tea.”
“Lunch?”
“Granola bar and water.”
“Hm,” she finishes writing and clicks her pen. “I’d like to just have you stay here and rest up taking the day off tomorrow so you can regain your strength.”
“But-“
“No buts, you’re staying in bed. Relax. Sleep. Don’t worry about school or work. Just take a break.”
You sigh and nod.
“Hey, it’s just a day, I’ve had heroes with broken bodies stay longer and still have successful careers.”
You beat yourself up inside. You were out training with your class at the USJ. You had pulled close to an all-nighter, but got a bit of sleep. It was just a normal day, you felt groggier than usual, but nothing you couldn’t handle with caffeine.
“You okay?” Touya had asked.
You nodded and waved him off. “Fine. I just need a water break.”
“Take as long as you need.”
You were finishing up some squats when you got up. Felt dizzy. Heard Touya shout your name. Then the world went black and you woke up in Recovery Girl’s office.
“By the way, you have some visitors. Would you like me to let them in?”
“Who?”
“Who do you think?” she cocked an eyebrow at you as if you hung out with anyone else. “I’ll let them in.”
“Guess who’s here?” Touya said walking into the room, quickly followed by a Shoto running in.
“Are you okay, y/n?”
“I'm fine, Sho.”
He hugs you, “I made a picture for you to help you get better soon!”
“Oh, thank you! It's very nice”
“Thanks! I also presented at school today and my teacher gave me a 10 outta 10!”
“Good job, Sho! Did Touya take you out for ice cream like he promised?”
“Mmhmm!”
“Yeah, he just couldn't wait to tell you.” He gives Sho a pat on the head. “Tell y/n what else happened.”
“Oh yeah! Look!” it was a scab on his knee, “I fell down playing with some kids in the park and I didn’t even cry at all!”
“Oh my goodness! You’re such a big boy now!”
“Yup!”
“Guess you don’t need me around to babysit anymore. Touya’s doing such a good job all on his own.”
Sho shakes his head and goes in to whisper, but not whisper, “Not really, he really needs you y/n he’s not very good at cooking or helping Natsuo with homework.”
“All right, runt.” He goes to move him out of the way.
“Wait, y/n why don’t you just heal yourself so you don’t have to be here?”
“Shoto!” Touya goes in to noogie him.
“No,” you go to stop Touya from giving the noogie. “It’s okay,” you assured him “we all have different rules to our powers. My quirk takes away physical damage, aches, and pain. I can heal a lot of wounds, but not tiredness. I’m here because I exhausted my body because I haven’t been taking care of it.”
“Yeah?”
You read the confusion on his face. “Think of it like a cold soba dish.”
“Okay!”
“So you like, carrots, and peppers on your soba.”
“And steak!”
“And steak.” you chuckle “How could I forget the steak? Now, just think about if you just ate the cold soba without any of that.”
“It’s still pretty tasty.”
“But not as tasty when you have the steak.”
Shoto nods as though he is trying to understand but not fully.
“I’m here because I haven't been giving my body enough steak.
“Okay? So your quirk heals booboos but not if you haven’t eaten enough steak?”
“Sure.” You laugh, “Something like that.”
You and Touya could see the gears moving in his little head. When Touya taps on Shoto’s back bringing him back to reality “Sho, can you go get Natsuo from the field?”
“Yup!” He hops off from the bed, “Feel better soon y/n!” and the door closed behind him.
“So, what’s the damage?”
“She wants me to stay in bed for the next day to relax.”
“Oh, easy!”
“Not easy. She wants me to not do anything tomorrow. Just sit back and relax. I don’t have time to relax! If I do, I get behind, and if I get behind, someone else gets the spot I’m working for.”
“First of all, take a breath. And second, you have to stop beating yourself up.”
You roll your eyes. “I'm just pissed that I can't do anything from bed. I can't relax because I just have so much on my mind. God! And with Recovery Girl seeing me like this there is no way I'm getting her internship next semester.”
“I don't think she's going to hold this against you. If anything she might use this as an exercise to see how well you handle the stress of not being able to do anything.”
You nod. “That makes sense.”
“So, just work on getting better and taking care of yourself that's what she's looking for.”
“Ugh, I hate you.”
”I hate you too, but I also brought you dinner.” He brings up a bag and puts it on your bed. “I know it’s not going to be fancy like the bentos you make, but the taste is there no matter what the runt says.”
“Thank you, Toys. I appreciate it.”
He nods. “No problem. I also told your parents that you’re here and my parents wish you well.”
You sniffle to keep in your tears, feeling your mouth go into a frown. You feel so guilty.
“Whoa. What’s wrong?”
“I’m so sorry Touya.” You let all your emotions spill out. “I’m so so sorry.”
“Hey.” he sits on the bed next to you and wraps his arms around you. “Don’t cry.” You hug him back letting out your tears. “There’s no need to apologize.” He reassured you.
“I’m so sorry for making you and everyone worry about me. I’m the one with the healing quirk. I’m the one that’s always supposed to be okay. Yet here I am. I’m so so sorry, Touya.”
“Hey,” He grabs you by your shoulders, “Look at me y/n.”
You reluctantly look up at him rubbing your eyes wiping away the tears.
“You are the best person and friend I know and have. You had a bad time, but it doesn’t make you any less of a person. You’re still the strongest and most hard-headed person I know. It happens to all of us. If anything, I’m sorry y/n for not helping you.”
“Touya.”
“No. I see you every day. We are literally together 24/7 and I never noticed that anything was off. I just took your word for it that you were okay. I should’ve spoken up, I should’ve said something. I’m sorry that I failed you.”
You continue to cry and pull him back into a hug. “I love you, you big super stupid dork.”
“I love you too.”
Soon after he leaves Recovery Girl rolls into the room on her computer chair with a clipboard.
”I think he’s a winner.”
“Yeah, he’s pretty great.”
“I mean you’re the ones that just exchanged: ‘I love you.’”
“Yeah.” You scoff, “Like best friends.”
“Ah.” She raises her eyebrows at you, “Okay. Friends.”
“Friends.” You try to clarify it more for yourself than her.
She smiles and with a nod, she rolls out of the room, “I’m rooting for your friendship.”
“If we got together would it help with me getting accepted as one of your interns?”
“Even if you didn’t, I’d make you an intern for the drama and romantic tension.”
You laugh, “Recovery Girl: Love Doctor.”
“Romantic comedy starring y/n and Touya Todoroki.”
You shake your head and lean back in bed. You guys exchanged I love yous before but this one felt different. No, this is crazy Touya is your best friend and has been for ages. Why was this one different? You know that you guys are going to be a part of each other lives forever. But then it crossed your mind, were you seeing yourself with Touya forever or were you just going to be the best friend/cool relative to his kids.
“Don’t think too hard about it dear! Just relax!”
“Right.” You shake your head trying to clear your mind. “Thanks!”
That night you did a little school work and minor revisions to your application essays. Nothing too drastic, but enough to feel like you got work done and to be under Recovery Girl’s version of relaxing. Getting hungry, you open Touya’s bento box and immediately just smile. It wasn’t the prettiest box, but there was a definite labor of love involved with the process.
There was rice padded to the side of the box with a poorly made cat face of seaweed and a boiled egg made to look like a rabbit, but one of the ears was broken. There was also fried chicken and a cold spinach, carrot salad. There were also a few riceballs wrapped separately in the bag. They are deformed cat heads with crooked faces. Along with a note: ‘Riceballs are for breakfast. I’ll bring lunch tomorrow. Take care.’
You take a picture of the box and send it to Touya. “Thanks, I love it.”
A few minutes later you get a facetime from Touya.
“Hello?”
“You busy?”
You shake your head no.
“Awesome, can you help Natsuo with his homework!?” and he directs the camera down at Natsuo. “Cause I can’t figure this shit out.”
“Sure.” You laugh.
-A few weeks later-
“AHHH!” you sit up from relaxing in the grass “GUESSSS WHATTTT!”
“They finally made salami flavored bubble gum.”
“Wha? No.” you shake your mind of the thought, “I got the internship, you heathen!” You show him the email on your phone. “She accepted me as one of her paid interns!” 
“Well no shit,” Touya responded as he propped himself up, “It’d be crazy for you not to get it.”
“Ugh! It feels so good.”
“Is it too early for an I told you so?” he smirks at you.
You lay back in the grass looking at your acceptance e-mail. Then you look over at Touya who’s still propped up next to you. “I love you.”
“I love you too, y/n.”
You nod. Yeah. It was romantic, but where do you go with this?
That weekend when you get to the Todoroki’s house, it is the start of summer vacation. They are having a party at their house. There are tables set up in the yard and each has its own Japanese grill. Your parents are there. Along with pro-heroes from the Endeavor Hero Agency. Some of your UA teachers who happen to be friends with Enji from his days at UA. Natsuo’s and Fuyumi’s friends are there too.
You and Touya are at a table with your parents and some other pro-heroes mingling. When Shoto and Enji stop by.
“How is everything tasting?” Enji asks with a smile.
Praise fills the table.
“This is a great party, Enji.”
“Food is fantastic!”
“Such a great idea!”
“Who’s idea was it for the grill tables?”
“Mine!” Shoto jumped, “It’s so we can make sure all of our bodies can get enough steak so we can all feel good.”
You cover your mouth to stifle your laughter. 
“Great job little bro!” Touya holds out a fist bump for Shoto and there were high fives and fist bumps all around the table.
“To steak!” Shoto cheered.
“To steak!” everyone chimed in.
Touya nudged you “Next time can you make a metaphor for not getting grounded for smoking pot?”
You laugh, “No promises.”
Author’s Note:
Not entirely happy with the ending, but in this AU based off my headcannon (via previous post) that Touya and the reader like to smoke pot together. But I’m happy with how this came to be.
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nextbigaiello · 5 years ago
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Count Floyd...Why Was He Just EVERYWHERE!?
Okay so like I should preface that I have no problem with Count Floyd. On the contrary. I actually love Count Floyd and the fact that SCTV news anchor Floyd Robertson was his alter ego. The two could’ve just been two separate Joe Flaherty characters that had the same name, but they actually went out of their way to make the connection, and I absolutely love that. I already loved Floyd and his clear superiority over Earl Camembert, and adding onto his character with another opposing side really upgraded him to one of my favorite characters in SCTV. Both are hilarious characters. Floyd’s straight and narrow need to mock Earl and just tell the news for the adults while trying to be a recovering alcoholic, and his switch to a goofy and child friendly who knows he’s shelling out shit on Saturday nights make the character more than just one note. It really makes me happy when they acknowledge that both Floyds are the same Floyd in universe. The first time was in the very first edition of Monster Chiller Horror Theatre (from series 1, episode 18), where it was clearly mentioned in the opening credits: "With Floyd Robertson as Count Floyd." During one newscast, Earl gave a heartfelt testimonial to Floyd who had been at Rolling Hills Rehabilitation Center for the past year, mentioning that in addition to his news career, he had delighted children for years as Count Floyd. Another was in the very last edition of SCTV News (from series 6, episode 17), where an obviously inebriated Robertson showed up late to the newscast after a Monster Chiller Horror Theatre taping, still wearing his Count Floyd makeup. During that broadcast, he announced that Monster Chiller Horror Theatre's sound engineer was retiring, thus completely upstaging Camembert's announcement that he was retiring from the newscast; which is my favorite moment of this. Floyd Robertson being Count Floyd was a favorite fun fact of mine. But, the two characters started to separate and one got more attention than the other.
Sure! As is to come with great characters! Count Floyd had a powerful personality that was much stronger than regular Floyd Robertson, who was typically just the straight man to Earl’s antics. It is to be expected that more extravagant and formulaic characters would be more popular and thus be used more often. There’s nothing wrong with this. It just personally saddens me in this particular case because I really liked that Floyd Robertson was Count Floyd and had another side to him that could be let loose, and they just kind of threw that away making me wonder why they would go out of their way to combine the two if one side was going to have more of a separate impact. I don’t know. But don’t think that I hated Count Floyd because of his popularity boost. No no. He was still great; with his werewolf howl that he had and I never noticed as to why a vampire would howl nor seemed to care until Joe Flaherty on a podcast decided to call everyone out for not realizing it and now I feel dumb.....thanks Joe. But Count Floyd and Monster Chiller Horror Theatre was great! But Count Floyd was used A LOT with other projects and I don’t know necessarily why.
In SCTV, it didn’t bother me that Count Floyd became his own entity and focused on Monster Chiller Horror Theatre and being scary more often. But it was when he spun off into other media that I started to wonder....why the hell is Count Floyd in this?
Count Floyd (1982):
youtube
So this is a mini album....a VERY MINI ALBUM. There’s only four songs and they’re all strange. It's basically a comedy album and it sells that really well. I just don’t know exactly why they made it, especially in the height of SCTV. But prominent writers Dick Blasucci, Mike Short, and Paul Flaherty helped write and produce this with Joe, so there was some strength with this. It's just a strange little thing (literally) that kind of just escapes under the radar. If you want to check it out, go ahead. But don’t use it to nod off and get a lot of work done.
“The Weapon”, Rush (1984): https://youtu.be/iTBx0P0zOqA
Now I just stumbled on this today, but I feel like it should have a small mention. It’s not crazy like the other stuff I’ll talk about. In fact, its really cool and dope. It's interesting because this is just after SCTV, and we know Bob and Doug McKenzie were able to have Geddy Lee on their album in ‘81 due to Moranis knowing Lee from school, and we all know just how popular the McKenzies were and still kind of are. But Count Floyd had an opening video for the song “The Weapon” on Rush’s Signals and Grace Under Pressure tours, and it's a nice little fit. They use him well and it looks like everyone had fun.
The Completely Mental Misadventures Of Ed Grimley (1988)/ Cartoon Planet (90s): https://youtu.be/DcNi9qoaKqM
This is an interesting choice. Not a bad choice. Just an interesting one. The Completely Mental Misadventures Of Ed Grimley is really fun and weird and I highly recommend seeing it if you haven’t already. Even for an SCTV fan, it's very weird. Each episode actually pauses and takes time out to dedicate time to Count Floyd, which are live action segments against the cartoon world. It was no longer about scary movies and 3-D glasses, but a show about Count Floyd telling scary stories to an audience of kids who would mock him and tell him he wasn’t scary. But Count Floyd knew that the child friendly content wasn’t scary, and he always tried to make it sound scary so he could get paid.....that’s what his character was. But now he’s almost insulted now, when really the real Floyd could tell those kids to take a flying leap if he could. The reason for Count Floyd being on the show is because its Ed Grimley’s favorite show. Fair enough. I just think this starts a “Count Floyd is really just for kids” idea. Not that we wasn’t supposed to be something kids couldn’t watch, but Count Floyd and especially SCTV was something for all ages, and Count Floyd was meant as kind of a parody of those kinds of child friendly/spooky hosts from the 50s and 70s, so it wasn’t to be too sincere. But this started the trend of child friendly Count Floyd, and it would only go downhill from here.
Cartoon Planet just recycled the segments years later so they could have content. It features the characters from Space Ghost: Coast to Coast in a way that they’re trying to connect the two, but its clunky.
Making Real Funny Home Videos (1990): https://youtu.be/wLCDwrLCOVA
God this fucking thing-SO...I hate this. ‘Why’ is the biggest question I have for this. I don’t know the reasoning for this. All I know is that its dumb Count Floyd camp.
Basically what it is, is a “how to” style video in which Count Floyd....fully as Count Floyd, mugs to the camera for 30min and fails at teaching people how to make America’s Funniest Home Video videos. I’m annoyed by this VHS tape because this completely ruins the Floyd lore and makes Count Floyd this somewhat unstable and sad man. He has a full ass family; in SCTV he was “living with a girl and he wasn’t even married”, but also alluded to having a nephew. He never gets out of the character, and it kind of seems like he just kidnapped this family. Its less charming because this isn’t the same character from SCTV. This is a mad man who thinks he’s a vampire.
Look it isn’t the worst thing ever like I’m making it out to be. Its just character assassination in an extreme sense and its not even that funny. But I would at least check it out once if you want to see a strange little VHS score.
Smoke Detectives with Count Floyd (1990): https://youtu.be/2xb_My1HN6c
-_-
Must Be Santa (1999): https://youtu.be/1uXB9IR9vOw
A Canadian lifetime movie from 1999 has Count Floyd in it for a rough estimate of ten minutes. I also found this today. I skipped through it just so I could see how big a part he plays in the movie, and again....he doesn’t. The reason he’s there is because the main character’s name is Floyd Count, and the North Pole or whatever tries to do research on him because he’s like the new Santa, but Count Floyd shows up on the monitor instead and won’t shut the fuck up. It is a dumb cameo because its probably to be expected that they called the main character Floyd Count just so they could make this joke. But Count Floyd doesn’t do anything except howl and do intros to Monster Chiller Horror Theatre. A small cameo, but a dumb one nonetheless.
“Nightlife”, The Wet Secrets (2014): https://youtu.be/zYV1K3wyCnQ
It took a while, but this is a really good Count Floyd cameo. Well, I shouldn’t say its a Count Floyd cameo, more that its actually a Joe Flaherty cameo in which he plays a vampire. The music video is really cool and I appreciate it on a greater level because it kind of shows the difference between the past and the present and getting older, and how everything sucks, and especially that Joe Flaherty doesn’t need all this youthful shit that we have now. It's a really great video and song, and the end of the video gets me every time!
A Conclusion
Count Floyd is a really great character. I love his howl, his painted on widows peak, and his desire to sell kids cheap 3-D glasses for a stupidly large price. I love the fact that he was this alter ego to his staunch opposite, and the two could coexist together. I’m just annoyed that there were too many changes to cash in on popularity. If Count Floyd and Floyd Robertson were still the same person, Count Floyd wouldn't have been in those kid oriented projects. Because I like to think that Floyd Robertson has dignity (I mean as much as he can being an alcoholic). I like to think that Joe Flaherty is above this, and I think my grievances mostly stem from that.
No one talks about Joe Flaherty in the same sense of every other cast member from SCTV or the Second City stage. Sure hardcore comedy people will regale him as comedy gold, but that’s because he is. But there’s only so much I can take when I can only describe him to people as the dad from Freaks and Geeks and the “Jackass” guy from Happy Gilmore. And I’m not discrediting those roles at all. I love Freaks and Geeks and the part he plays in the show, I just wanted him to do more with that show! And Happy Gilmore is a really good movie and I actually really like that he’s given a somewhat big role in it. Joe Flaherty just flies under the radar for most people and it makes me sad. Especially when a lot of movies he does get to be a part of, they’re usually shit (Dogmatic, A Pig’s Tale, Home On The Range), or no one has ever heard of them or acknowledges him in the small role he plays (Going Berserk, Stripes, Snowboard Academy, Used Cars, Back To The Future Part II, etc..). Sesame Street Presents: Follow That Bird is my favorite movie of all time (sharing the #1 spot with My Blue Heaven) and Joe Flaherty is a big reason as to why that movie is continuously great. I just wish he got more recognition, and had film and tv roles that weren’t so cheap. He’s a comedy icon, and I want him to be treated as such. Count Floyd was a great character for him, but so was Floyd Robertson...and Guy Caballero...and Sammy Maudlin...and Norman Gorman, and Big Jim McBob, and so many others!
In the end, I just want Joe Flaherty and his creations to be cherished fondly. I want the character of Count Floyd to be the same Floyd from the very beginning with no hang ups and children to kick him while he’s down. Because then I know that comedy can still be just as funny throughout the years without aggressive changes that shoots for too low or too general an audience. Everyone can laugh at Count Floyd trying to describe the plot to the lost footage of “Blood Sucking Monkeys From West Mifflin Pennsylvania”, but I can’t say the same for adult child Count Floyd. To take from Guy Caballero and his wheelchair, all Count Floyd needs is some respect.
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trans-son-of-perdition · 6 years ago
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Why I relate the Trench album to my own personal life and struggles.
A couple things before I begin. I am aware the true meaning of this album relates to Tyler Josephs career and struggles with mental health. However, art is subjective. It’s meant to be interpreted however you want. I’m not trying to invalidate his experiences, this is just how the album helped me and how I related to it in a way that made it important to my life and my coping with realizations I had around the time Trench was being teased and released. This post is not meant to attack a specific faith, however given my own opinions and viewpoints this post could be uncomfortable for current believing members of the Church of Jesus Christ of Latter Day Saints. If you are uncomfortable with exmormon viewpoints, this might not be the post for you, and I would like it if you didn’t try to force your views onto me as a result of this post. I will also give warnings for abuse mentions, cult mentions, mentions of suicidal thoughts, and mentions of transphobia. 
In this post, I’ll go through each song in the album and explain what it relates to in my life. I’ll also go into the lore of Trench and how I relate to the Clancy letters, as well as explaining why my icon and blog banner are what they are.
If you have not heard this album, I recommend it entirely. And even if you have, I recommend listening along to this post. You do not need to be a fan of Twenty One Pilots or the album to read this, however, and you do not need to understand the deeper lore or know about the Clancy letters to read this post.
With that being said, this will be a long post, so I’ll put the rest under a read more. 
Let me begin by briefly introducing myself. I am a 22, nearly 23 year old Exmormon who was born and raised in the church near the heart of Salt Lake City, Utah. I was a devout member of this church until I was 15, which was when little things started to not make sense anymore. This was when I was shown that it was okay to feel differently about my gender and sexuality, when I started to realize there were words to describe why I felt so weird about the concept of being a girl, etc. In a lot of ways, 15 was when my faith started slipping. There are journal entries from then where I’m crying about how I didnt want to feel the way I did, it was kind of the usual young mormon kid has a crisis over their sexuality and gender and tries to pray about it over and over but nothing changes. I even had a moment at 17 where I found a place to hide where my family wouldnt hear me and prayed for about an hour because I was questioning if the church even was true. I got no answer to this.
By the time I was 18, I no longer attended church. I still called myself mormon, and was actually kind of an apologist for years. It was only early last year that I started realizing something didn’t seem right, which was what led to a very long beliefs crisis and eventually me formally resigning from the church. It was also the year that repressed memories finally started to surface, and the true extent to which I had been abused and neglected started to show. Near the end of 2018, one of my best friends helped me escape Utah and get far away from my family, and currently I am living happily in Arizona far from the church’s influence.
Now enter the Trench album.
Instantly, when the Jumpsuit video was first released, something felt comforting about it. And every song since has been extremely comforting to me because of how I have related it to my life. Here is how each song ((and even the videos and extra lore)) have helped me and have related to my life as a secret exmormon who felt trapped in Utah.
Jumpsuit
This song actually came out just as I was questioning the church and realizing some things that were very long. With every little thing I found that was wrong, it was like my life crumbled a little more. I’ll admit, the “spirits in my room” lines I took much more literally, having lived in a very haunted house in a very haunted part of Utah, but the lines “Felt it in my youth, feel it when I’m old” also felt like a reassurance to me that the doubts and feelings I had in highschool when I was just beginning to question myself and my life were valid. Like they weren’t just a passing phase, this was something that had been going on my whole life. And then we have the bridge. 
I'll be right there But you'll have to grab my throat and lift me in the air If you need anyone, I'll stop my plans But you'll have to tie me down and then break both my hands If you need anyone
My life up to this point had been manipulated by those around me. My parents controlled my actions, I sat there and let them abuse and disrespect me. If any of them needed anything, I jumped to help. This had spread into my other relationships as I felt the need to be there for everyone, be the personal therapist to everyone, try to fix the emotions and problems of everyone I knew because my family had made me think thats what I needed to do. Like in the video, I was very much stuck under the spell of the “smearing” of the bishops. My family knew how to manipulate my emotions into feeling like I was in the wrong, like I inevitably had to love them and follow them no matter what. Which was why the “Cover me!” screamed at the end makes my heart beat faster. In his “Cover me!” I felt my heart scream it too. I couldn’t out loud, because my family would have yelled at me and made my life hell, but I could scream inwardly with him. I could feel myself running from the bishops with him. That song felt more joyous, more releasing, and more moving to me than an LDS Hymn had in years. Even as I’m writing this, the “Cover me!” makes me feel deep and strong emotions that at one point I would have called “the spirit” or “the holy ghost” and its stronger than any feeling I attributed to those things from talks or lessons in the church.
Levitate 
This song actually gave me courage to be more openly myself again. To stand up for myself and look for other options. To admit that the way my life had been was fucked up and that there were better things out there. The line referencing Car Radio was cool to me, because Car Radio was a big song for my depression and dysphoria. I wont go into it too far, since I’m focusing on Trench music, but I’ve always taken Car Radio as a good way to describe how I felt about my life, the world, and my own dysphoria and struggles with suicidal thoughts. And so having this song tied to rebellion against how my life had always been reference another song that had helped me with coping was so encouraging to me and honestly really cool!
This culture is a poacher of overexposure, not today Don't feed me to the vultures, I am a vulture who feeds on pain.  
I mean. Come on. I lived in Utah. Utah culture is oversaturated in the church. Its in the politics, in the laws, in the tv shows and on the radio. There’s a ward building everywhere you go. You cant do anything without seeing it somewhere, at least not in big cities ((or at least not living as close to downtown Salt Lake City as I did.)) Admitting to being exmormon while there felt like I was risking being separated from the rest of society. While this isn’t entirely true, I grew up seeing how my family treated exmos. The way they treated them like poor misguided souls that would eventually have their “sins come crashing down on them and turn their hearts back to the church”. 
The next few lines are kinda self explanatory. “Sleep in a well-lit room, don't let the shadow through,” both refers to the whole “haunted house” thing I mentioned ((a story I wont go into here tbh)) as well as me using my room as the one place I could hide and be more myself, discuss the things I believed and thought. “And sever all I knew, yeah, sever all I thought” has to do with the slow realizations of the lies I had been taught by the church my whole life. The next few lines refer to what sounds like him asking for help to keep away from the ledges, which both feels like my reaching out to online friends for support both to reassure me that I wasn’t crazy as well as their help in keeping me away from my increasing suicidal thoughts.
The video actually felt like my chosen family in general, them getting me away from these ideas and worries I had had burned into my brain at a young age, pulling me out of this DEMA and into their Trench, where we all could support each other and help each other realize that the false things of our past didnt have to shape our futures for us. And much like Tyler, I was still struggling with my parents pulling me back in by tugging at my emotions, making me feel guilty for my rebellion.
Morph
Lets be honest, in order to explain this one I need to post the whole song. It feels like a mixture of my beliefs crisis and dealing with an abusive and transphobic family, to be honest. 
Can't stop thinking about if and when I die For now I see that "if" and "when" are truly different cries For "if" is purely panic and "when" is solemn sorrow And one invades today while the other spies tomorrow We're surrounded and we're hounded There's no "above", or "under", or "around" it For "above" is blind belief and "under" is sword to sleeve And "around" is scientific miracle, let's pick "above" and see For if and when we go "above", the question still remains Are we still in love and is it possible we feel the same? And that's when going "under" starts to take my wonder But until that time, I'll try to sing this
Here we have my crisis, where I was doubting my own doubts and wondering if I was wrong and truly destined to end up in a lower kingdom away from my family and if I was sinning. It led to a fear of death, a fear of the end of the world, a fear of anything related to it because what if the mormons were right? Honestly, this is an ongoing thing that causes panic attacks to this day, and this song is where I turn to when these doubts happen.
If I keep moving, they won't know I'll morph to someone else What they throw at me's too slow I'll morph to someone else I'm just a ghost I'll morph to someone else Defense mechanism mode
A lot of people in the transgender community have brought up that this is a really relateable few lines. I’d like to add on top of it being about my gender, it also can relate to how I spent years pretending to be someone else in front of a lot of people ((and still am to some extent, I’m working on that.)) in order to keep myself safe.
He'll always try to stop me, that Nicholas Bourbaki He's got no friends close but those who know him most know He goes by Nico, he told me I'm a copy When I'd hear him mock me that's almost stopped me
This part I actually relate to my younger brother, who is almost violently abusive towards me and who I have had not only threaten harm to me, but have had mock me and tell me that nobody truly cared about or loved me, along with much worse things that were so intense and awful that when my sister ((the only family member I truly trust)) heard it and told our parents what happened, they were legitimately worried about me knowing about my suicidal thoughts and were bugging me the entire time I was at work and while I walked home to make sure I was safe and okay. My brother is a horrible person, and I honestly am afraid for whoever ends up marrying him based on his treatment of everyone else in our family. My sister and I have even shared our concerns with each other that he could one day lash out and hurt/kill one of us. Hes one of the biggest reasons I and her hurried to leave the state as fast as we could.
Well we're surrounded and we're hounded There's no above or a secret door What are we here for? If not to run straight through all our tormentors? But until that time I'll try and sing this
This again relates to my family, along with the opinions of the church towards transgender and gay people. I don’t think I need to go into what the LDS church thinks of us. 
The final part of the song, to me at least, feels like the loneliness of my situation, and wanting someone to be open with in real life that would understand where I was coming from. It also is about my reaching out online when I couldn’t find support in person.
My Blood
I actually don’t need to go into this too deeply. My whole chosen family relates to this song, and so hearing it reminds me of them. This song is how we are to each other and how we feel about each other. Pretty straightforward. Especially since this song likely is about Tyler’s brother, so the fact we all consider each other brothers and sisters works with this.
Chlorine 
Another straightforward one. It kinda feels like I’m singing this to the people of my past. My family especially, but also the friends that were part of why I hid so much about myself. They were toxic, but I made myself stay near them out of love. And as I “decayed”, the feeling of rebellion started to grow more until I found myself running for my life away from them all. 
I'm so sorry, I forgot you Let me catch you up to speed I've been tested like the ends of A weathered flag that's by the sea Can you build my house with pieces? I'm just a chemical 
This final part is more towards myself, however. How I forgot the true me, how I’ve been broken and hurt by these people, and how I need to finally build my life up again away from them all.
Smithereens
Another one that makes me think of my chosen family, and makes me think of my best friend who helped me escape Utah. I’m not a violent person, I actually consider myself a pacifist. But if someone threatened my loved ones I’d do everything I could to stop them.
Neon Gravestones
Yeah, I had to get to this one eventually. This song hit me hard the first time I heard it. If you haven’t heard any songs from this album at all, THIS IS THE ONE YOU SHOULD HEAR. It speaks very bluntly about how fucked up the media’s portrayal of suicide is, among other issues around that theme. Its beautiful in my opinion. 
Obviously yes, as someone who struggles with suicidal thoughts, this song obviously does resonate with me. But this is where I’ll go into the deeper lore for a moment.
In the world of Trench it’s been mentioned that the Neon Gravestones are one of the big symbols of Vialism- the religion in DEMA that is a religion that worships false light. In Vialism, those who have died in the name of Vialism are revered, respected, and glorified. Now look at the church. How many people have had their hardships and deaths be romanticized by the church? How often have I heard people say that if you die in the name of the church, you will be exalted? How many LGBTQ+ youth in Utah have killed themselves because they think that its better to die before they have sinned? How often growing up has the “Martyrdom” of Joseph Smith been romanticized and used to show how committed to the church he was? For hell’s sake there’s a song WRITTEN ABOUT HIM saying that he now will be glorified for eternity because he died for the church! He’s held with more respect than even Jesus in the church! I could go on for hours about how I feel about the way the church treats death and how fucked up it is that there have even been cases you can find online where people have been told it would be better that they killed themselves than be gay or be an apostate. I’ll get more into the Neon Gravestones symbolism later when I reach the Clancy letters. 
The Hype
Yet another song about reaching out for support and community as I was realizing the truth about the church. I also had a huge falling out with a close friend around the time the album released, so having this song to cope with it helped too. It feels like the acceptance of the fact I was slowly getting out of brainwashing and programming I’d had since I was an infant, and though I didn’t know where I was going in life anymore, I knew that I would have the people I trusted there with me every step of the way as I became a normal member of society and began a new, better life. 
A lot of songs in this album seem to be very chosen family oriented. This one just feels like a reminder to myself that I’ll be okay.
Nico and the Niners
This one is a little obvious. But i’ll go through it regardless. 
East is up, I'm fearless when I hear this on the low East is up, I'm careless when I wear my rebel clothes East is up, when Bishops come together they will know that Dema don't control us, Dema don't control East is up
This song was released at the same time as Jumpsuit, and honestly some of the same things apply. I realized how much this really fit my life at the time as I was working on getting out. How the literal bishops and leaders of the church as well as the figurative “bishops” of my life were who I was rebelling against. DEMA is a something I have actively called Utah ((mostly Salt Lake City and all other areas in the main valley)) before, for reasons from it literally being a city surrounded in huge walls((both the mountains as well as figurative walls)) that circled around a main central part ((Temple square)) where the bishops resided and performed rituals in the name of Vialism. The next lines mention that they, the bishops, want you to make you forget. They want you to be docile. To conform to them. Follow their rules and laws and teachings without questioning. Ignore and forget the things they don’t say in the moment are truth. In the video, Tyler is seen quietly preparing to escape, hiding in his room as yet another ritual is performed elsewhere in the city. He sneaks out of his dark room, where he meets the Banditos. He seems hesitant and scared at first, but they calm him down and welcome him.
What I say when I want to be enough What a beautiful day for making a break for it We'll find a way to pay for it Maybe from all the money we made, razorblade stores Rent a race horse and force a sponsor And start a concert, a complete diversion Start a mob and you can be quite certain We'll win but not everyone will get out
During this part, Tyler is loudly rebelling in the center of a courtyard, where all the people hiding and silently judging the Banditos from their windows can see and hear them. He sings about escaping and finding ways to prepare to run away, escaping the walls of DEMA and the watchful eyes of the bishops and those devoted to them. It’s after this that his friends, the Banditos, help him escape into the night from DEMA before he can be caught by the bishops, but leaving a trace behind to hopefully inspire the children still growing up and learning inside DEMA.
I compare my chosen family to the Banditos a lot, something that will become clear when we get to a song later on. My open rebellion, being myself and leaving the church, leaving Utah and the judgmental eyes of those still devoted to the church and their teachings... This is what the song is to me. I’ll win, I’ll escape, I will do what I can to inspire my younger brothers and sister to follow me out when they can. I’ll do what I can to help anyone still stuck in their DEMA, but in the end I had to leave. I had to listen to my chosen family and run. I had to get out of those walls before the metaphorical bishops of my life, my family, dragged me back down again into them and broke me further. In that way, Nico and the Niners is both the presidency of the church, but its also my parents. 
Cut my Lip
This one actually speaks to how I used to be, letting myself be abused and mistreated. The cycle of trying to escape but being dragged back in. Knowing I was being hurt but letting my programming and the thought that I had to love my family no matter what hurt me over and over. But though I’m bruised, I’ll keep moving.
Bandito
This is the big chosen family song. We have called ourselves Banditos a lot. I personally consider myself a Bandito. 
This is the sound we make When in between two places Where we used to bleed And where our blood needs to be
We are all in Trench right now, to various extents. I am mostly out of my DEMA, having physically left it but still dealing with the mental battles and the pulls from the “bishops” to return. Other members of my chosen family are dealing with abuse, neglect, trauma, mental illnesses, isolation, etc. We all have our own DEMA to escape, and we all do what we can to pull each other back into Trench and support each other as a family. 
In city, I feel my spirit is contained Like neon inside the glass, they form my brain
In Utah I felt trapped. Confined by what I could and could not say around my family because I was afraid of what would happen if they knew some of the things about me. About my opinions of the church. I had realized my brain had been manipulated and formed into what the church wanted, and I was starting to break free of it.
But I recently discovered it's a heatless fire Like nicknames they give themselves to uninspire
The opinions of my family and the church have begun to feel less important and the thought of rebelling against this has become easier and I have become more confidant in my beliefs. 
Begin with bullet, now add fire to the proof But I'm still not sure if fear's a rival or close relative to truth Either way it helps to hear these words bounce off of you The softest echo could be enough for me to make it through
I’m still afraid though, and I still have doubts pop up. And until I can fully break free of the brainwashing I was subject to for 21 years of my life, I’ll still have those doubts and fears. But hearing my chosen family reassure me and validate those feelings I have about the church helps me get past it and grow as a person.
As far as Sahlo Folina? We use it in my chosen family. When we see each other say it, we hurry to support each other and pull each other back from the personal bishops we have. For those who don’t know, Sahlo Folina in the lore is the call the Banditos cry out when they are stuck alone in Trench and need help. It doesn’t have a canon meaning otherwise, but many people have given it the meaning of the joy or act of creating. And my chosen family and I use this phrase to warn each other of panic attacks, or of dysphoria, or of a moment when we just need a little validation. This song is so important to us, and is one of the most beautiful songs on the album in my opinion. If you haven’t heard it, take a look at imabandi.to, its an interactive music video for the song that explains some of the deeper lore of Trench and is in general visually stunning.
Pet Cheetah
Honestly this is really just a bop, but its good for when I feel angry. Not just even at the church, in general its a good anger song because of how intense it feels. It also speaks to the isolation I felt, how I tried to calm myself down from my doubts for the longest time. It helps that the song kinda has a “Fuck it” moment halfway through.
I'm done with tip-toeing, I'll stay in my room My house is the one where the vultures are perched on the roof
The song then expresses the fear of losing everything, but its too late now. The anxiety is raising again, but I’ll do what I can to relax and keep going. 
Legend
This song actually makes me cry, because it reminds me of my grandparents. They were the two I was closer to than my own parents, and I was destroyed by their deaths. Even though I still feel them with me, I deeply miss them and I was scared for so long that I would never be able see them again because according to the church, I would have not been allowed to be near them again for eternity. “I look forward to having lunch with you again.” is the line that has made me break down crying before, because I know that no matter what happens, it’ll be okay. I wont go into my current beliefs here, but I know that my grandparents love me and that no matter what I’ll still get to see them again one day. 
Leave the City
And now that i’m crying from legend, let me personally sob for a moment about Leave the City, because this song is what I played as I finally left Utah. On my main blog, the title comes from this song. 
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I'm tired Of tending to this fire I've used up all I've collected I have singed my hands It's glowing Embers barely showing Proof of life in the shadows Dancing on my plans  They know that it's almost They know that it's almost over 
This song expresses how I felt from my depression, the doubts, the abuse, the ongoing crisis as I realized more and more how much I had been lied to. I was being reassured by my chosen family and my other friends that it would be alright, that I’d get away and life would be better. Now that I’ve been out of that state for several months I can say they were 100% right, but while in the moment I was drained and tired and just wanted to be free. And the knowledge that one day I would leave was what kept me going and kept me alive.
But this year Though I'm far from home In TRENCH I'm not alone These faces facing me They know What I mean
Again, this feels like my chosen family, my Banditos. My real family, the people I trust most. The know who I am. They know where i’m coming from. And though I’m far from my end goals in life, and I’m still here in Trench, I am not alone. I have them with me, and for now that is what matters. 
Now, onto the lore and Clancy letters. Because honestly my relating to this doesn’t just stop at the music.
The following are quotes from the many “Clancy letters” that have come out sine the album was being teased.
Note 1:
As a child, I looked upon Dema with wonder, today, I am wrought with frustration, as I spend each day squinting for a glimpse of the top of the looming wall that has kept us here. It was upon my ninth year that I learned that Dema wasn’t my home. This village, after all of this time, was my trap. 
Before I became realized, I had deep affection for Dema. There was a wonderful structure to the city that put my cares to rest. Streets and locations were dependable, and the responsibilities of the day seemed to be accomplished with minimal effort. Once a task was taught and understood, we delighted in our ability to complete our obligations timely, and felt secure in knowing tomorrow's duties would be accomplished with the same efficiency. We all worked to represent our bishop with honor, and knew that each inhabitant of our region had a like-minded dedication to consistency.
Note 2:
To refer to Dema as my home has never felt accurate. Dema, to me, has simply been the place that I’ve existed, or, the 'slot' they've put me in. I've heard stories about the idea of "home," and its depiction has always seemed warm from the storyteller's description. There was a romantic ownership of the place they inhabited that I admired, but could never relate to.
Note 3:
Am I the only one who realizes that we've been lied to? Am I the only one not afraid of the notion that the nine have hijacked our trust, and extinguished the hope that once motivated our existence? We used to close our eyes and picture a better life, now this city is full of dry eyes caught in a trance of obedience, devoid of any trace of an identity.......My hope of something more is all I have in this rigid tomb, and I will not let it die.
I wanted to quote the fifth note, but the whole thing feels relatable to me as someone who left Utah. So here is the full letter:
I've made it out. I feel weightless. I know that place had always held me down, but for the first time, I can feel the unity that I had hoped for. It's been three nights now, and my breathing has changed - it's slower, and more full. It's like the air out here is actually worth taking in. I can see it back in the distance, and I'd be lying if I said that it wasn't constantly on my mind. I wish I could turn that fear off, but maybe the further I go, the less that fear will affect me. I feel betrayed by what I assumed was home. If I ever end up back there, I won't be able to look at it the same way. They are asleep. They're so sure that they know the truth, and carry on throughout their day with the same meaningless tasks. They've forgotten to look up, and to look outward, to understand that this isn't about 'in there.' This is about 'out here.' This new world surrounds me. I used to think the walls back home were massive- these green cliffs engulf me, and place me right in the middle- Trench is quite precarious at times, and it's easy to grow weary. But it's real, and it's true, and I'd much rather endure reality than to mindlessly be obedient to a life that someone else created for me. I've obsessed about this world for so long, that it feels more like home than anything I've experienced. Somehow, in this vast openness, I feel more protected than ever. The landscape feels endless, and I've found myself walking for hours without any true evidence of getting further down. But I've seen plants and colors out here that I'm not sure I've witnessed before. There's a beauty in the strangest places,- and the curiosity of what's next continues to motivate me. I wonder who else is out here. If what i assumed inside is true, there's got to be more like me. Sometimes I'll feel a presence, only to look up and see nothing. It's just another thing that I'm afraid of that also excites me. It all just confirms all of the things that I hoped to be true for all of this time. I am out here and I am very alive. I'm sometimes scared, but always discovering something new, and I will not stop. Cover me!
I’m not going to go into why these relate, it should be clear from my explanations of the songs why I can relate to these letters. If you are exmormon yourself, you might understand already anyway. 
Now finally, I’ll go into the letters in the site that I mentioned earlier, imabandi.to. These are actually where my blog icon and banner come from.
Remember when I explained Vialism? One of the notes goes further into it. 
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The text reads “The necropolis glorifies the early graves of those who lost themselves along the way. Let us overthrow this concept as a symbol of dedication to and celebration of life.” and is accompanied by a caption that reads: 
STEADFAST IN OUR REBELLION AGAINST THE TEACHINGS OF VIALISM, WE TURN THEIR FALSE DOCTRINE UPON ITS HEAD. PROTECTED MORE THAN EVER, THE DOUBLE BARS ARE A SYMBOL OF LIFE AND HOPE. 
Overturning the symbol of false doctrine in order to celebrate the concept of life and being alive. This is what I want to do. Life should be enjoyed and celebrated and not controlled and given up for false teachings.
The icon for this blog is the Vulture symbol of the banditos. It comes from this note:
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It reads: “The fear and pain shall not be elements that stop us, but what feeds us to persevere. The vultures above are our symbol of turning death to life.” And its caption reads:
WE ARE VULTURES. THE VULTURE SEES BOTH WORLDS, DEVOURING DEATH. A SYMBOL OF OUR RESPONSIBILITY TO TURN DEATH INTO LIFE. MAY WE LEARN FROM WHAT WE'VE LOST, AND COMMIT TO LIVING.
So another symbol of committing to being alive and to life itself. It is to me a symbol of rebellion against the things I was taught and becoming my own, free person.
Finally, the banner I use on my blog. 
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This one I have compared to being an apostate. The caption reads: 
THOSE WHO SEE CORRUPTION INSIDE THE LIES OF DEMA FEEL A RESPONSIBILITY TO GET OUT, AND ATTEMPTED ESCAPE SHOULD BE HONORED. MANY ARE PUNISHED WITH THE FAILED PERIMETER ESCAPE BADGE, BUT WEAR IT PROUDLY. IT IS THEIR SYMBOL OF THE BANDITØ UNDERGROUND — THE FEW, THE PROUD, AND THE EMOTIONAL. 
The label apostate is used often by people in religions as a label meant to shame, but we use it proudly. There are posts I have even seen about how “Apostate” means freed slave, and how it is a thing to be proud of. Much like how the note above says: “ We shall call our label of delinquince by a new name. This is who we are, and let us never be ashamed by the penalty placed upon us by false authorities.” I’m not ashamed to call myself an apostate anymore. I feared it at one point, but now I embrace it. It is what I am. I am freed, I am openly defying and rebelling against the false teachings of my childhood. And seeing this note was what solidified me relating this album and its lore to my life entirely. In my opinion, I escaped my DEMA. I saw the outside of the walls and was helped by those around me to escape them and find true freedom beyond them, in Trench. And although it will be a long time before I am truly free from the trauma and leftover programming that happened to me while I was in the LDS church, I have those around me who will reassure me and support me and let me know that I am never alone.
Anyway. I’m finally at the end of the post. Thank you for reading this. Cover me!
22 notes · View notes
acrobaticcatfeline · 6 years ago
Text
Rebuilding a Broken Mind, an Orphan Sanders fic
Word Count: 6484
TW: swearing, only a little bit, death mention, murder mention, doctors? patton is a veterinarian, idk if doctors is a trigger but you know better safe than sorry, i wrote thomas as bi and married to a chick but hes dead so like? also patton is pan and likes a chick. patton gets overwhelmed and cries a lot.
Notes: This is my orphan au and i cherish it they’re all such goods.
Pairings: uh none really, thomas and valerie, patton is crushing on my OC.
Summary: “Oh! Um, hi! My name is Patton Sanders, nice to meet you! Um, I’m 20, a veterinarian, and well, I’m an orphan.” Patton lost his parents when he was 15 and had to raise himself and his three younger brothers on his own. hes 20 now, and hes got a job and hes starting to get his life together. Of course with reminders of his parents constantly surrounding him, it makes it hard to really move on.
Oh! Um, hi! My name is Patton Sanders, nice to meet you! Um, I’m 20, a veterinarian, and well, I’m an orphan. I have three little brothers named Virgil, Logan, and Roman! They are so super awesome! Virgil is the sporty guy at his high school, he’s 17 and the captain of like, all of the schools’ sport teams! Logan is my little genius! He’s only 14, but he’s a whole two years ahead and in high school with Virge! Roman is my theatre kiddo, he’s in every arts program at his school and knows how to play just about every instrument at only 9!!! Now, as for me, I’m nothing special, I just try really really hard, so my brothers are safe. I triple timed high school and college so that by the time I turned 18 I had my degree in veterinary medicine. Logan claims I pulled an Aaron Burr by doing this, which I don’t fully understand, but I assume it’s a cool thing. I only did what I had to though, we were already orphaned by the time I started high school, which meant we had no money for college. My high school said that it would pay all my college expenses if I followed the guidelines set, and so I super dashed through school. I managed to ace just about all my classes with some help from my friends and siblings. But that isn’t what this is about. I’m not the focus in this story, I’m just the narrator and eyes. This is a story about 4 kids forced to grow up far too fast. This is a story of the children of the most amazing people. Because when it comes down to it, we’re broken minds, struggling to put ourselves back together.
               Now, to start, we have to explain what happened first. Our parents, Thomas and Val Sanders were out at a college play that a friend of theirs was a part of. Unfortunately, they never made it out alive. One of the people attending the play started a shoot-out with about 5 others helping him. Nearly the whole auditorium was killed. Including them.
We had no living next of kin, so a family friend took us in for a short while before dropping us all off at the orphanage. I will never forget that day. I remember them letting us grab our important things from our old house. I remember crying while holding all my siblings close. I remember having to be dragged out of my home. I remember the looks of pure pity from the orphanage staff. I remember them trying to separate me from my brothers. I remember almost punching them. I remember the name of the staff member who was the only one to understand and let us stay together, his name was Terrance. I remember hugging him before we were ushered off. I remember the confusion from Roman when we told him we weren’t going home. I remember Virgil carrying him around telling him that this was home now, with faux excitement and a plastic smile. I remember Roman thinking mom and dad were still coming back, and none of us having the heart to tell him otherwise. I remember Logan not speaking at all for the next month. But most of all, I remember the broken parts that got littered everywhere we went.
I was 15. Roman was only 4. We were broken beyond repair. At least, I thought we were. I thought for sure that we were going to go straight from the orphanage to the homeless shelter. But I did it. I managed to do something, and it changed our lives forever.
The day before I turned 18, I went through with my plan. I have friends named Joan and Talyn who already had a house due to Talyn’s parents having money to spare. They let us stay with them for as long as we needed. We brought all of our things over and we explained the rules of this new situation. My bros were quick to follow instruction. The next day we officially moved out of the horrible child prison we were owned by. I was already well into my job as a vet tech and was able to fully become a veterinarian the next month due to my boss seeing that I was at least twice as competent as the resident vets. And so, it began.
It was bittersweet when we got our own place, as Joan and Talyn had grown to adore my little brothers in the short year we lived there. But I had finally earned enough money to rent a house, plus the orphanage contacted me, telling me about a very large inheritance we apparently had, which was somehow enough to buy said house. We ended up moving in and used the money I earned for beds and a couch.
Over the next year we bought more furniture and accessories as we saw fit. At the present moment, my room is bright blue with animal posters and pop culture references sprawled about randomly. Logan and Roman’s room is split in half. One side is meticulous with dark blue and black walls and a few nerdy posters, mostly of doctor who and Sherlock Holmes. The other however, was messy as all get out, had musical posters everywhere and usually had the mess all the way up to the metaphorical line. Logan never complained unless Roman’s things crossed it. Now Virgil confused me. I was planning on him sharing a room with me, but he refused, claiming that I needed privacy and rest since I was working full time and he wasn’t. All he wanted was a couch, some bedding, music, and some makeup. Because I’m a stubborn mule, whenever he lets me buy him things, I buy him the most bestest makeup and all his favorite albums, as well as some of the best headphones sold. He gets mad at me, but he deserves the world and more.
Okay, now we’re in the present! So, I might as well start the actual story now. Ok well then. Its Friday morning, today the big game at the high school is happening, which means Virgil has to leave early for practice. By early, I mean about the time that I leave for work which is 6 am.
I get up and make food like I normally do, only doubled because Lo and Virge usually sleep for another half an hour. Ro always gets up with me because I’m his ride to school. Virgil has a motorcycle that he drives himself and Logan to school on. I start up some friendly conversation as we eat, Virgil still groggy from sleep.
“are you ready for the game today? Isn’t it against the school rivals? I hope you guys beat them again, but I’m sure you will with such a good captain!!!” I wink at him as he chuckles.
“yeah, we’ve got this, if anything, I’ve got this, and that’s really the point. Yeah, it’s our rivals, the panthers, today. Not that they’ve ever been a challenge. We’ve swept the floor with them for countless years. And thanks for the poorly concealed compliment. Do we have anymore coffee?” he rambles off answers to my questions.
“yeah, but I don’t get paid til tomorrow and there’s only a cup worth left. Proceed at your own risk.” As soon as I say it, Logan zooms to the coffee and brews it for himself, cackling maniacally (giggling cutely).
“HAHAH!!! You will never get a drop of the saccharine nectar!!! Tis mine, forever and always!” he brushes his hair back with his hand and smiles at us. Roman beams and stands up in a fighting stance.
“thou shalt not loot this poor pauper of his deserved libation!!! Come at me thy villainous fiend!” and quickly the two start playing mock sword fighting. Me and Virgil laugh as Logan gets vanquished and the cup of coffee gets given to V. Logan ends up stealing some still, to my amusement.
We end up splitting up as the kiddos go to school and I head to work. I walk in, put on my coat, and then the place blows up. There is a half dead dog on my table and another 2 that are at least stable waiting. I’m apparently the only actual vet that showed up today. Great. Today’s gonna be fun.
 I’m not gonna go into what happened at work, because honestly, not much happened. It was an average day at work, but now is time for the interesting part!!! So, the big game at the high school is happening today right? Well, let me talk about it!
So, I go and pick up Roman from school and head over to the high school while asking Ro about his day. He learned a healthy amount of animal and plant biology, so I talk about some of the things he didn’t understand and made a few biology puns which were received quite well luckily! When we get to the school, I call Logan to figure out where he had stationed himself. We meet up and find a nice spot on the bleachers. Not long after, the teams came out and started playing. Virgil is easy to spot, not to mention the announcers are constantly shouting about him as he keeps running the ball the furthest of either team. The game is pretty average for the most part, up until the very end. Virge takes the win but not a second after, he gets tackled full force to the ground. I stand up and look over the crowd as I see him up again, shoving the other guy away. The guy gets up close to his face and I think Virgil is going to punch him-oh god please don’t punch him. The guy gets dragged away by the referee and Virgil has a bunch of teammates coming to check on him and I feel much less on edge. I shouldn’t though. As soon as I think it’s done the announcers go quiet and the stands go crazy as Virgil uppercuts the guy and then knees him in the stomach.
“what just happened there?! Kyle, why did Sanders just risk his high school career like that?!”
“Fitton insulted sanders’ younger brother.” Oh. Oh no. Oh HELL NO! Logan stands up and looks in the direction of the guy and visibly shudders. Oh, he’s lucky that V got to him first. Oh, I might be going to jail guys! The rest of this story might be told from prison!
“Logan, do you know that guy?” I ask calmly. He looks at me before turning away.
“um, yeah. He uh, he’s an ex of mine…” I tense up. He’s never told me about him having been in a relationship! He tells me everything! Ugh, that’s not important right now…
“is he a freshman? I haven’t seen him on the team before.” Lo nods.
“yeah, we met at the local library. I didn’t tell you cuz I didn’t think you’d want me to date someone and um, never mind… Anyways, we broke up cuz he was trying to pressure me into doing um, bad things.” I twitch. Oh, I might kill him. I shake my head and take Roman’s hand and start walking down towards the team to pick up Virgil. We get down there and I check up on Virgil, checking for medical issues; he very well could have gotten another concussion. I get distracted when Virgil hisses at something behind me.
“oh, calm down parselhead. I wasn’t even coming over here for you” I hear in a low drawl behind me. “how’s it hanging bookie?”
“first off, I’ve told you what that actually means and that that nickname bothers me, please cease this instant, and second, I’m doing fine how are you Loki?” I hear Logan say calmly.  I tense slightly and turn around with an angry look on my face.
“Logan you don’t have to answer if you don’t want to. I know for certain I wouldn’t if I were you.” Logan looks at me but shakes his head.
“I can converse with an ex and still be civil about it Pat. It’s no problem.” he smiles softly at me, but I can’t help the anger that swells in my chest seeing the huge smirk that this guy is wearing.
“yeah Patton we can be civil here, no need for this hostility. Anyways, I’m doing fantastic Logan! Thank you for asking! I even have a new boyfriend, one who doesn’t try to keep me a secret.” His voice is contradictory to his words.
“it was two years ago, and I was twelve and still in an orphanage, I didn’t need my older brother worrying about me anymore than he already did. Plus, I barely understood my emotions, how do you think I would deal with my brothers’?” Logan crosses his arms and looks up at him accusingly.
“I dunno, I sorta thought you were enjoying the relationship, but you just ended it for no reason, citing your brother as too intimidating to cross, and neither of them look that scary to me.” He says and I look over to Logan in confusion. He walks closer to him and starts talking again, harsher than before.
“you and I both know that wasn’t what happened. You got pissed off that I didn’t want to go smoke and bang you arrogant prick. Also, I’d watch what you say about my brothers if I were you.” He just smirks while he backs away.
“okay then, I see I’m no longer wanted here. See you round bookie.” He walks away, and Logan shakes his head and face palms.
“every fricking time… I try to be civil but he always… ugh never mind it doesn’t matter. V are you okay? I don’t know what Loki said, but I can almost guarantee it was a lie. Also, he has a ridiculously hard skull, don’t ask how I know that, are you bleeding? Concussed?” Logan looks up at Virgil with a worried smile.
“yeah, I’m sure it was a lie, didn’t make it any less enraging. And no, I’m not bleeding or concussed. You dated him? How?! He’s such a prick!!!” Logan laughs.
“I don’t know, he was interesting. He told good stories and listened to me when I needed to vent. He’s also an incredibly good pillow. Really, he was just, the person I needed at the time, I guess.” He shrugs. Virgil is still watching him leave with an angry glare fixed on his face. I decide to change the topic.
“hey guys, you want pizza for dinner tonight? Food for champions!” the other three smile and cheer. V changes out and we head home, and I hand make three pizzas from scratch the way that we usually like it. Dad loved pizza and he said my pizza was the best, so I usually make it for celebrations or as a pick-me-up. It seems like its serving as both tonight. While its baking I make a couple of announcements.
“okay, so I’m going shopping tomorrow morning, but when I’m done with that, I thought we’d go visit Joan and Talyn? They have some presents for you all.” All three of them look up from what they were doing with wide eyes and smiles.
“YEEEEESSS!!! JOAN AND TALYN ARE SUPER AWESOMAZINGSAUCE YAAAAAAYYY!!!” Roman screams. I giggle as Roman jumps around and hugs me. Logan laughs along with me as he pulls Roman away.
“calm down Ro, Pat is cooking, you can’t be that close to the hot oven. I’m excited too, yes Ro.” Virgil looks at me questioningly.
“why do they always get us gifts? It seems like every time we see them, they have stacks of presents for us.” I shrug.
“well, I sort of introduced my lifelong friends to my 7, 12, and 15-year-old brothers who were sort of helpless at the time. They like me, but they adore you guys. Some kind of cool grandparent syndrome I guess.” Virgil laughs loudly at this as the pizzas beep. I pull them out to cool and tell some more puns to pass the time. The evening goes on without a hitch, we play a round of word association games as we eat our pizza. I pack up the leftovers in lunch bags for the 4 of us and then clean up the kitchen. As I finish with that, Roman shouts for me to tell him a story.
I tell a story of a brave prince who has to protect his kingdom from a fierce dragon witch. The dragon witch had stolen away the princes soon to be bride. The prince fought through many trials to save his fiancé, however he was beaten to it by another beautiful princess who had won the maidens heart instead. The prince was of course fair, as the princess had fairly bested him, and so he went on a mission to love himself before he went around looking for a fitting bride-or groom, again. Roman sleepily cheers and snuggles into a black cat plush V gave him.
The most difficult to get to sleep is Logan, who just wants to read all night. He changes to a different book just as I walk over to his desk. “Lo, you need to go to bed. You want to be well rested for tomorrow kiddo. You can read your book tomorrow, I promise the ending won’t change, and it won’t leave without you.” He yawns, he has had a long day.
“if I go to sleep will you sing for me? Please?” he looks at me with puppy dog eyes.
“of course, Lo. Bookmark your page and go get ready for bed and I’ll sing for you.” He smiles and rushes off to get ready. He’s back in a few minutes.
“can you sing dads old lullaby? If not its ok but-” I cut him off.
“of course, I can Lo.”
“somewhere there’s someone who wants you to be
How they want you to be, their opinion
They’ll paint you the colors that they wanna see
And to them, its Monet,
But to you, it’s a gray, silhouette
So, pick up a pencil, a stencil, a crayon,
The picture is not finished yet
You can let someone else tell you your story,
You can let someone else tell you what’s true
Or you can set yourself free,
Climb the tallest highest tree,
Or maybe sit back and take in the view,
You can let yourself, let yourself do
Anything.”
By the time I finish the chorus, Logan is sound asleep, snoring softly and cuddling an owl plush. I get up, tuck him in, turn off the lights, then head into the living room. Virgil is laying on the couch with his headphones on full blast. I grab his sleep meds and a cup of water and hand them over to him.
“hey, you shouldn’t listen to your music that loud, it could damage your hearing. You don’t have to listen to me, but I just wanted to let you know. I worry about you guys, you know?” he smiles and takes the meds. He turns down the volume on his headphones and nods.
“sorry Pat, I didn’t realize they were that loud. And, we worry about you too. You do way more for us than you have to. Anyways, thanks for the meds and sleep well okay? Don’t stay up all night again.” I giggle and nod before giving him a quick hug and going to my room.
I do a few pieces of paperwork that I wasn’t able to do before the end of my shift and send a quick text to my vet tech Elenora, checking in on her, as she’s been off on vacation and she’s supposed to be getting back tomorrow, and she has some things she needs to pick up at the office. She’s also absolutely amazing and sweet and beautiful and I love talking to her so so much. But that’s beside the point. After I get all of that done, I check the time, realizing that its now 11:45 and I should have been in bed an hour ago. I quickly fall asleep soon after luckily.
The next day is super-duper hectic so like, hold onto your horses, this is gonna be a wild ride! Okay okay, so I get up at 8 and go shopping, blah blah, tons of coffee because my boys and I have a problem. I unload everything by 10 which is when the kiddos are waking up. Virgil apologizes for not waking up to help but I wave him off as I start to make a small lunch because three meals a day, but Joan and Talyn are probably going to take us out for lunch knowing them, so I don’t want us to lose our appetite, that’d be rude! Anyways I set out the 4 plates and eat mine before going to take a quick shower. By the time I shower and change, all three of them are conversing around the table. I smile fondly because, hey, I helped raise these fantastic kiddos! LOOK AT MY BROTHERS!!! Okay, I’m good now. I walk up to the table and they all smile happily at me before going back to their debate.
“listen, if you have straight caffeine you die, therefore this stuff is totally deadly and like, we’re slowly killing ourselves by drinking it.” Virgil says, being devil’s advocate per usual.
“well yes but that’s like chlorine and sodium!!! They are both deadly elements on their own, but together give us salt! Not to mention that even too much water can kill a human! And! Another point, coffee is a natural occurrence just like water!!! In reasonable quantities, coffee is perfectly safe!!!” Logan rants passionately making me glad that I invested some money into speech and debate for him. Roman grins.
“but if water, coffee, and salt could kill us, does that mean that the world is trying to kill all life on it?!? are we living on a death rock?!? LOGAN IS THE WORLD GONNA KILL US?!?!” his grin slowly gets sadder and more scared as he continues. Logan flinches slightly.
“I mean, technically humans have been killing the earth for years so I wouldn’t put it out of the question that that is the reason that everything on earth is potentially deadly to humans. That would make sense… gosh darn it why do you always send me into steadily collapsing bouts of existentialism?” Logan shakes his head likely jumping into one of his existential crises.
“do I want to know the opening remarks?” I ask and they all shake their heads no. I grab a mug and make myself some creamer with a hint of coffee. Heheh!!! Caramel coffee is very good, but caramel mint coffee is even better! Roman runs off to get changed right as Logan goes to take a quick shower. V asks to change in my room which I am totally ok with because of course!!!
Oh! I should say what we’re wearing shouldn’t I? okay okay, so I wear my favorite pair of khakis, which are quite worn from wear. I wear a pun-ny shirt about dogs, and a tan cardigan with black white and purple plaid shirt underneath. I also have some nice black boots. When Roman comes out, he’s dressed in a red theatre shirt, white jeans, and a white fluffy coat, with his favorite white fluff boots. Logan comes out with his talk nerdy to me tee, black ripped skinny jeans, a black fluffy jacket, black boots, and a snap back. Virgil ends up wearing his nirvana shirt, black ripped skinny jeans, leather jacket, and black converse.
Logan sneaks up behind Roman and puts one of his Disney caps on him. Roman gasps because Lo never shares his hats. He tries to give it back but Lo tells him not to. “I got that one just for you Ro, keep it.” I think RoRo almost cries as he dashes into a cute embrace with Lo. Logan giggles as he sees his baby brother smile. It really is the best feeling ever when you can be the cause of a smile.
Soon after the scene of pure wholesomeness, we head on our way to Joan and Talyn’s house. We are greeted by happy faces and a stack of gifts. This is normal I guess, like V mentioned, they always have piles of gifts for us.
“hiya!!! Glad you could make it! We decided to make a big meal instead of going out, I hope you guys don’t mind?” Talyn grins sheepishly. “and we also invited a couple more people. Sorry we didn’t tell you it was a surprise!”
“a surprise? Who’s here?” I ask, looking around them both to see. There are more gifts than usual. And they’re gift wrapped. Oh gosh what did I forget? Wait… what month is it? oops. I might’ve said that out loud.
“its January Pat.” Joan states simply with a growing grin. Oh god, it’s my birthday soon isn’t it.
“happy early birthday Patton-cake!” Talyn yells happily. Yup. Oh, I’m an idiot. I facepalm.
“I’m glad Joan called me on Monday, otherwise I wouldn’t have gotten your presents from us and brought them over!” V smirks as we walk in. of course they were all plotting against me, I should have known! As I walk in, I see Leo, Jamahl, Dominic, Dahlia, Kenny, Derionna, Rafaela, calypso, and oh god, how did they get Elenora?!? I don’t think I’ve ever even talked about her to them!!! Not to mention that she must be horribly jetlagged!
“oh my god no way!!! I love you guys so much aaaa!!! How do you even know Elie?!?” I say as I go around giving hugs to my friends from back in high school that I’ve missed so much.
“dude, Els is in a bunch of my classes. She never shuts up about work, so it was easy to find out that you guys knew each other. Not to mention her constant fawning over ‘doctor sanders’” Elie punches Joan in the arm.
“listen here bean boozled, are you gonna keep outing me or are we gonna start this party? I estimate the time between now and when I fall unconscious from exhaustion and jetlag is t minus 4 hours.” She states matter of factly. God, I love her, I’m so far gone.
Joan and Talyn attack me with a hat while I’m fantasizing, and they laugh mischievously as they drag me over to the table.  Joan’s saying something in one ear and Talyn’s saying something else in my other and I’m confused as heck, but all my friends surround me as well as my baby brothers and start singing at me. I don’t even comprehend what they’re saying because my brain can’t remember the last time I had a surprise party, and its actively making me remember my 14th when my dad and mom threw me a giant birthday bash and it was all day long and we fell asleep in a pile on the couch and before I can stop it all the voices start freaking out and I touch my face and I finally notice that I’m crying, and gosh I just ruined it of course gosh darn it they all went out of their way to make this and now I’m just sad and crying. I feel a thud and finally pay enough attention to see Roman hugging me tightly and apologizing. I pat his head and smile at him before kneeling down and reassuring him.
“Ro Hun, it’s not your fault I’m crying, I just remember mom and dad that’s all. I was caught up in my head but I’m fine. I promise ro. Do you wanna help me blow out the candles?” Roman smiles widely and nods. I pick him up and we blow out the candles together. The others all smile and cheer. Joan stands next to me with a smirk. Oh gosh they’re going to have me do something dangerous and I’m gonna agree because its going to be fun and d a n g e r o u s.
“you realize we are stealing you tomorrow to go barhopping right? Els even offered to dd for us! I mean of course, she’s sorta still underage for a few more months, but yeah, you, me, Talyn, and els are going to have birthday bash part two and its going to sick as Fu-” I cover their mouth before they can finish their swear.
“my baby brothers are here!!! No swearing!!! It’ll hurt their poor innocent ears!!!” I see Virgil and Logan give me a skeptical look before I gesture at Roman and I see their eyes widen in realization, before they nod furiously in agreement. Roman obliviously drags Logan off to play with the bubbles that Joan had gotten to keep the little ones occupied. I uncover their mouth and shoot them a look before giving it up for a smile as I hug them.
“thank you for this Joan, it’s kind of you. You didn’t have to really, haven’t even seen you guys in a few months!”
“that’s exactly why we did it. We don’t need a reason to give the littles gifts, and if we have a reason to give you gifts you won’t turn them down. You never have been one for spontaneous presents, but you know what, I love ya man, and you deserve to get shit on your birthday you oaf. I always felt bad that you wouldn’t let me help you and the kids when we were still in high school. God its been so long now, we’re old pat! You know my mom always tells me that they’d be so proud of you whenever I tell her what you’ve been doing. She actually wanted me to give you something, its wrapped in the pile of gifts.” They winked and nodded over to the living room where far too many gifts in my opinion, were sitting. The rest of my friends were there too, keeping themselves entertained one way or another, and I saw that Logan and Roman were running around outside chasing bubbles.
I go over to the stack and feel immediately intimidated. I hear the door open and Roman and Logan come inside. They sit behind me and I grab the first present that I can reach. The wrapping is purple plaid and Virgil’s name is scrawled on the tag. I open it up and look at my brother with a mocking look as I pull out a pale blue lab coat with dog face emojis.
“oh my gosh you dork I love it!!!” I pull it on quickly, seeing how it fits and beam at him.
“I’m glad. You’ve got another one somewhere from me” ugh of course that’s how there’s so many gifts.
I grab the next one with the same wrapping and rip it open only to see a new surgical kit, which I had been desperately needing to get but had been avoiding. They’re ridiculously expensive and I haven’t had the money to spare. I don’t know how vee could have managed to get that much money, and I don’t understand why he would spend it on me. I feel tears welling up in my eyes for the second time today, and launch myself at Virgil, picking him up and twirling him around. I see Elenora look at the tools out of the corner of my eyes.
“holy crap how did you afford these? This set is worth almost a thousand!” Virgil gives a feeble look as I set him down.
“I’ve been saving up for a few months, no big, you had mentioned you needed a new set a while ago, and I know you wouldn’t let anyone give you one. You can’t give this one back otherwise it’d be wasted so ha I win.” He ends with a smirk, and I punch him in the arm for calling me out on my OCD about work.
I grab my next gift which is a deep red with a matching bow. I peel off the paper and see a Pooh bear onesie and I smile down at it before laying back to smile at Roman who is giggling loudly.
“Lo helped me find it!!! I know you love Pooh, so I thought you’d like it!!!”
“he had tried to get you a size that fit him at first it was really quite adorable. We got him a Tigger one to match but we told him he had to keep it hidden until you got yours.”
I reached out for a hug and instead Roman kissed my nose then pushed me back into a sitting position. I huffed dramatically before grabbing my next gift, from Logan. I rip open the striped paper and see a book called animal madness, about animal mental health, and I feel my smile widen. There’s another book, by Jackson galaxy called total cat mojo and I might have squealed a little bit?
“LOGAN, I LOVE THIS THANK YOU SO MUCH OH MY GOSH OH GEEZ THESE WILL BE SOOOOO HELPFUL!!!!!!” Logan smiles and chuckles softly.
“I had imagined so, you have said that a couple of your patients have had mental issues more than physical and you’ve seen them more often due to their owners not knowing how to treat them, I hope the books hold deeper insight than google.”
I give him a big hug, and then grab the next presents, opening one after another all very sweet but also rather irrelevant gifts including coffee, cooking ware, and fandom stuff. I eventually get to Elenora’s gift though, which I was slightly scared about opening if I’m being honest? It could be anything, what would she get me? I open the rose gold box that holds a few different items. The first I notice is a necklace with a four pawprints on them, each a different color, red, navy, cyan, and purple, and each with me and my brothers’ names. I smile softly at it as I put it on. The next thing in the box is a new stethoscope that matched my light blue theme at work. After that is a build a bear Alolan Vulpix plush with an absolutely adorable cloak and a spare outfit. I squeeze it and it sounds so cute??? I’m so glad I share my obsession with Pokémon with her it makes work that much more enjoyable. The next thing I pull out is a dual sapphire and ruby pop head set and I let out a laugh at it, she knows me so well, I had mentioned I loved their characters and that they reminded me of my mom and dad once offhandedly, and yet she’s gotten me ruby and sapphire things three times now. I pull out a gift card to pizza shop I adore, and the last item in the box is a card that says read later, so I throw a glance her way as I put the card in the pile.
I thank her, and give her a hug, before turning my attention to the last present remaining, the present from Joan’s mom, who was basically my second mom growing up. I pull apart the wrapping hesitantly, and I almost let out a choked sob at what is in the package. It’s a letter from my parents. I cover my mouth as I grab the letter and read it.
“dear Patton, we hope this letter reaches you in good health, and that we are still in contact when you reach 21.” I make some odd strangled noise and my eyes start filling with tears. “no matter how our relationship is, we have a present for you. Patton cake, we know you’re only a year old now, but when you get this, we want you to know that no matter what we love you so so much and we want you to be happy no matter what. So, if you’ll forgive us if we’ve hurt you, we want you to have this glass and drink. Your mom made that glass right after you were born. She believes that the essential gift for a 21-year-old was a wine glass and a nice red wine. This wine is the same one I had on my 21st with my father and I saw it fitting to share it with you. I love you so so much son, and I hope you know that you’re in my heart wherever I am. The same goes for your mother. You know me and how paranoid I am, so this will probably be given to you by my best friend who I don’t doubt will grow close to you. In case anything happens, not that it will.” I don’t think I can breathe anymore oh my god this is from my dad- “but anyways ill stop rambling” no dad please keep talking don’t go please! “happy birthday Patton, you make me and your mom so proud. I love you so much” I wheeze and double over, I can’t breathe my dad, it was almost like he was there again, my dad was there and I-
I open the wrap on the glass, the crystal glass has an imprint that has the words “you’re capable of anything” and me and my parents’ names inscribed in it. Etched in, not just printed, its won’t fade, it will always be there. I look up at the roof to stop my tears, and to hopefully tell my mom and dad I love them if there is an afterlife. I wish I could see them one more time and be able to say goodbye. I can’t, but god it hurts so bad, I miss them so much its not fair they should have been able to come home they should be here they should have been here to see Roman and Logan and Virgil grow up it’s not FAIR GOD DAMN IT!!! I need to calm down, its in the past its over I can’t change it I can just keep going. I take a few deep breaths and wipe my eyes. I set down the glass and look at Joan.
“Joan, I need you to thank your mom for me, I-I owe her so much for this I can’t even properly explain just how much this means to me. If she ever needs anything let me know, I will do anything to help.” Joan nods and smiles at me softly.
I breathe a few more deep breaths before standing up.
“now, that’s enough of that. There’s cake and games!!!”
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timeisacephalopod · 6 years ago
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AU-College. Tony/?. Tony already 17 and working on yet another doctorate has just returned from home after a school break. He's covered in bruises but he doesn't bother to hide them because he honestly believes no one notices or cares. Always on edge and doing anything and everything to forget the pain, Tony is confused when people he doesn't even know start to ask if he's okay and if he needs any help. Laughing in their face he replied. "You can't help, no one can." (I feel dark today sry?)
So I went with Tony/ Eddie Brock (from Venom if you don’t know). Eddie is an investigative journalist (or in this case he’s in school to be one) and tbh I have no freaking clue how journalism school works (journalism school?) so I’ve sort of made it work like humanities courses? Idk, just accept my bad plot needs bois. Also I altered the ‘you can’t help’ line to better fit the scenario, but the sentiment is the same.
As the prompt suggests, warning abuse references.
Eddie needs a story and since his asshole prof likes corporations a lot more than he does that’s out. Which throws a bunch of stuff in his usual wheelhouse out with it. He thought homelessness was a good topic but got told that wasn’t news, which he doesn’t understand because to his knowledge homelessness isn’t solved. Then he thought hey, school shootings happen basically every other day- they like to say if it bleeds it leads and a whole lot of kids seem to be dying. But he got told the news is already oversaturated with that. So he thought fine, maybe police brutality, that’s violent and not on the news much but he got told that was too controversial and what the fuck is the news for if not to be controversial?
Now he’s stuck with the task of finding a story his irritatingly picky prof will like and to add insult to the injury one of his classmates got approved to write about cryptocurrency. What the fuck is that? Stupid, in Eddie’s opinion. His topics were important, real world issues and this dumbass over here gets to write shit about something no one cares about. Predictable.
He’s eating his muffin angrily and wondering if he can somehow convince his prof to let him write something about climate change and the fact that no matter what an individual does, its still 100 companies doing seventy percent of the damage so why is the news focusing on individuals over corporations when he spots a potentially easier sell. Boy genius, way ahead of his time, and well loved by the American public. He has no interest in Tony Stark whatsoever but there has to be a story there, something underneath that irritatingly arrogant rich kid veneer that’s worth writing about so he decides to make a move.
*
Tony hates waking up before noon on any given day, assuming he went to bed at all, and dealing with people? He doesn’t like that at any time of day so when he’s minding his own damn business only to have some random guy with porn star lips- he swears to god that’s the only accurate description- he’s already annoyed. “Who the hell are you? Never mind, I don’t actually care,” he says in an irritable tone before going to turn back around but the guy takes his brief interruption to his day in a totally different direction than Tony was expecting.
“Nice shiner, where’d you get that?” he asks and Tony freezes for a moment, used to that fleeting feeling that someone might guess at the truth before realizing no one cares anyways.
He rolls his eyes, “you wouldn’t care if I told you, and even if you did its not like there’s anything you could do about it. Or anyone else, for that matter.” Its not like he’s never said anything and not one time has anything come of it. Sometimes people laugh, actually, and Tony doesn’t know what’s worse. People  not hearing him at all or people hearing just fine, but they make a joke out of it. Silence isn’t his thing, but he’s developed a thick skin in regards to how people treat him. Doesn’t have much of a choice, living under his father’s roof and in the public eye. Its amazing, Tony thinks, how fucking obvious his abuse is and no one seems to see what’s in front of their damn faces.
Something about his words seem to draw his companion’s attention though and Tony recognizes the look. “Are you a reporter?” he asks and the guy looks surprised for a half a second.
“Good instinct- but technically I’m still in school,” he says like Tony fucking cares about that.
“Yeah, fuck off,” he says bluntly. He’s got no time for another asshole looking to capitalize off the Tony Stark Story when none of them even get the damn story right.
“You have an interesting take on green energy. Only big name attached to it, too,” he says and Tony frowns.
“You know about my interest in green energy?” he asks. No one ever asks him about his passion project, they all want to know about the bombs and if Tony is honest he’s never really been comfortable with what his father’s company does. He knows the military has a use, and that there are protocols, and a bunch of other things his father has said over and over again but he still wonders what happens when things go wrong. Who’s responsibility is that? Does anyone have to take responsibility at all? His experiences tell him that powerful people don’t need to take responsibility for their actions ever, not if they can pay off the powers that be, and if the military is the same way, well. That brings a new layer of ethics to what SI does but Howard doesn’t care about ethics and Obadiah… he’s always been closer to Tony, but he doesn’t seem concerned with ethics either. Claims that’s the military’s job but Tony isn’t stupid. The military, all branches of it, make bad choices all the time. Which leads him back to who takes responsibility, if anyone.
Green energy is less ethically complicated and more necessary to the world, he thinks, and the projects are interesting and engaging. Tony finds blowing things up easy, but green energy provides a new avenue of engineering.
“Yeah, I keep up with what people are doing. Eddie Brock,” he says, extending his hand to Tony.
*
Green energy, it’d been a shot in the dark but he knows that Tony’s interest isn’t a passing one and its not congruent with his father’s company’s interests either. Whenever Howard is asked about his son’s projects he consistently tells them he has no interest whatsoever. So its strange that Tony has kept his focus for years, if Eddie’s passing interest in the subject is correct. What’s more strange is that mentioning it had immediately gotten him into Tony’s good graces. Anne tells him that he’s good at that, getting past people’s defenses without trying and he guesses that’s true.
Tony continuously talks around his family and Eddie does his best to try and get back to that because Elder Stark has got to be an interesting guy. Real asshole, he’s sure, but interesting. Tony won’t have any of it though and Eddie has to admit the green energy thing is interesting until he loses Eddie thanks to, put bluntly, being way smarter than him. And Tony’s no good at dumbing it down either, something even he freely admits.
They talk for a good amount of time before Tony grows tense again and Eddie knows why partially because of Tony’s reaction to his being a reporter- or wannabe reporter at the moment- and also because he isn’t stupid. “I’m not writing anything about this,” he tells Tony. “Not to be a dick, but none of this is interesting enough to write anything on anyways. You know how sensationalized media likes to be,” he says, shaking his head.
Something catches Tony’s attention in that because he perks up. “You don’t like that, the sensationalism?” he asks. Its more of a statement, but Eddie knows he’s prodding for a why. He’s done this a million times himself.
“Not really, no. If you want to tell a story, then do that- don’t make up all this crazy shit to make it sound more messed up than it is. Human flaw, thinking things need to hit some kind of extreme before we should have to care about it,” he shakes his head. “Leads to shoddy journalism because we’re pushed to make things sexier, more violent, more of whatever is actually there instead of just doing our jobs. Literally everything ever printed about you proves my point.”
Tony snorts, “you read stories on me?” he asks, incredulous.
“Doesn’t everyone?” Not like Tony Stark is an escapable name but Tony’s lips quirk up.
“No, and you’re not a fan. You talk about SI in a disapproving tone, you only know me from my green energy projects, and although you seem to know stuff about me its pop culture knowledge, not genuine interest.” Eddie raises an eyebrow because that’s a damn in depth analysis but Tony only smiles wider. “I’ve learned to separate out people who know me from fans and super fans. You don’t know me.”
Eddie laughs, “yeah, no one knows you. What we know is the consumable product that is Tony Stark- the celebrity brand. That’s not you, or even a version of you. That’s what’s sellable about you and half of that shit is probably made up. No seventeen year old is a ladies man and its kinda creepy that people even made that a selling point.” And kind of misogynistic too, but Eddie doesn’t mention that. Tony doesn’t seem all that stupid, he’s sure he’s gathered that awhile ago.
He watches his words win more trust, or an approximation of it, and Tony leans forward in interest. “You don’t like celebrity culture,” Tony says.
Hell no, he doesn’t. “Why the would I? We build these people up, put them on pedestals, and then get pissed off at them every five seconds when they do something human. We routinely dehumanize celebrities to a point where they stop knowing how to function because extreme fame clearly fucks you up- look at any child star trying to cope. Having a mental breakdown is now something we think is funny. Its fucked up that we do that to people- treat them in such a dehumanizing way that they seem to forget they’re human too. And that’s when we decide to take them down a notch because we’re mad that they accepted the pedestal we shoved them onto by force.” He shakes his head. Sure, he knows a little celebrity news, its not possible to avoid it, but he doesn’t pay any more than a passing attention to it. What normal shit celebrities are doing this week is none of his business.
Tony’s eyes are bright with interest, “fascinating opinion. Most people think we’re privileged, not disadvantaged.”
Eddie laughs, “of course you’re privileged- celebrities are stupid rich, and your opinions have actual influence over what people believe and that’s a position no one should take advantage of. But the cost is any semblance of privacy and your right to personhood- that’s one hell of a catch. And not one regular rich assholes share.” Fame isn’t something Eddie ever wants, not like normal celebrities anyways. If he’s got clout and fame in journalism he’s fine with that- he doesn’t mind if people know his name. But the kind of fame Tony has? Fuck that.
“And you aren’t going to print any of this conversation?” Tony asks, seemingly for clarification.
“Like I said- nothing sensational enough in this conversation to warrant an article. What am I going to write? ‘Tony Stark Likes Green Energy’? Boring,” he says and it actually kind of is without a project or an emotion to attach to it.
“And if I decided to continue talking to you?” he asks and yes, that’s the in he needs and fuck is that ever predatory. Journalism is like that though, always looking for the right fucked up moments to put on paper, or in this case, the right moments to be let in far enough to find those fucked up moments.
“I’m not going to print anything without asking you about it first,” he says, opting for honest. He’s sure something about Tony is interesting to print, and he’s got a feeling it’ll be about his family or maybe just his father, he’s not sure. But if Tony tells him not to print it he won’t. He’s not in the business of exploitation no matter how much journalists are pushed in that direction.
*
Rhodey’s got that look on his face and Tony knows exactly what he’s thinking before he even says anything. “He’s a nice guy,” Tony says in Eddie’s defense.
“If you have to say that he’s probably not that nice,” Rhodey points out.
“Actually its more like if he has to say that he’s probably not that nice,” Tony says. “And he is. Nice, I mean.” He’s been talking to Eddie for weeks and he’s funny, if a little sharp on the criticism. And nothing has appeared in the newspaper he’s interning with for the summer and the stories he is attached to, which aren’t many and none by name, are usually well written and truth based. Tony fact checked them all and learned a surprising amount about mental health that Eddie had been happy to fill him in more on.
“You sure? Because, no offense, but you have a bad habit of seeing the best in people,” Rhodey says.
Maybe, but Tony shrugs. “Yeah, I’m sure. He treats me like a person,” he says and he knows that shouldn’t be something he thinks of as a good thing. But when you’re famous its hard to find people who don’t at some point ask for your autograph, or a picture, or information on some weird personal detail they have no right to. Eddie hasn’t asked for any of those things and he could directly profit off any of that information. Tony has only ever met one other budding reporter- or full blown reporter for that matter- who’s treated him like that. And Christine… he and Christine have a love hate relationship. 
Rhodey sighs, eyes going soft for a moment. “Tones. That’s not special,” he murmurs but that’s because he’s not had to deal with fame. The last time he went out into public without someone recognizing him he was six. After all that he’s kind of used to people acting super weird around him and Eddie doesn’t do that. Maybe it shouldn’t be a rarity, but it is.
“To you, maybe,” Tony says. “You’d like him, he hates the cops.”
Rhodey rolls his eyes but its lovingly. “I don’t hate cops, I just think they’re racist and that people should really deal with that problem.”
Tony is inclined to agree. “Fine, but Eddie has many opinions on cops, you’d get along. Actually Eddie has many opinions on like everything.” Eddie said most people find his opinionated nature irritating but Tony thinks its interesting, hearing him talk because his opinions are so contrary to everything he hears. Even Rhodey, who certainly has different opinions than his father on near everything, tends to be more reserved in letting his opinions be known. Eddie doesn’t care, he gives no fucks and is happy to let people know how he feels. He’s got numbers, too, usually or at least some kind of basis for his argument and Tony has always been fascinated with things that are different than what he normally sees. Its interesting to look into a world that’s so unlike his and see something new. That difference in how people see things, that’s the key to changing the world.
Eddie had been surprised by that opinion but Tony is under the impression that thinking outside the box is what leads to innovation and innovation always leads to change. Eddie had been surprised by how unthreatened he was by that too, but Tony thinks fear of change is based on fear rather than fact and sometimes a push into the unknown is a good thing. And, in regards to Eddie’s general arguments on social change, they already know that people having rights won’t make the sky fall. Only idiots assume it will and Tony has almost as little patience for that as Eddie does. Which is impressive when he’s probably the most anti-establishment person Tony has ever met.
Rhodey sighs, “great, an opinionated white guy. Never met one of those before,” Rhodey mumbles.
“Hey, I’m an opinionated white guy,” Tony says and Rhodey shakes his head.
“Yeah, but you’re my opinionated white guy so it’s different.”
*
Eddie had no idea what he was looking for when he combed the interviews. Truth be told he wasn’t sure he was looking for anything at the time but what he found was his story. Its shocking to him that no one has told it, minus Tony, who seems to have been screaming it since he was a small child but he’s got it nonetheless. Its not like he’s never seen the evidence of abuse, Tony is fucking brazen and barely even makes an effort to hide it and after watching way too many interviews Eddie wonders if this is his new way to all but scream for help only to have his pleas fall on an audience that doesn’t give a shit.
Its amazing, in the most horrifying of ways, that out of every interview Tony has ever done, and that is a lot, he has mentioned his father’s abuse in over eighty percent of them. And its hard to watch reporters gloss over it, like Tony’s abuse is some fucking quirky trait Tony has instead of a serious problem he’s clearly trying to get help for. But what’s worse is when people laugh. The first time it happened Eddie had been outraged. The third time it happened he’d been livid, and by the fifteenth time he decided that America is probably the shittiest country on earth. An exaggeration, he knows, but not by fucking much.
For years, most of Tony’s life really, Tony has been screaming for help only to have nothing happen. Or worse, people decide its something, but that something is a joke. Only problem is that now Tony knows no one cares, and if no one cares what’s the point in saying anything no matter how much he’s done his best to scream at everyone that he needs help. It makes Eddie’s job harder, but he’s actually talented at this part, more than his peers, so he knows how to get to the right spot to find the information he wants. The catch, of course, is that Tony needs to give him permission to do anything with the information he gets anyways. He feels skeezy enough digging around in Tony’s life trying to find shit to write about, he’s not just going to publish it without his permission. Even if he didn’t genuinely like Tony as a person, even if he hadn’t wanted to, he’d still ask. He’s not totally morally bankrupt, just enough to do his job.
Tony is curled up in a chair, large bruise on his shoulder clearly visible, holding a cup of what Eddie assumes is coffee. He’s never met anyone who drinks as much coffee as Tony and Dan is in med school. His blood is basically coffee. “You do not seem like the kind of guy to be a journalist,” Tony says and Eddie raises an eyebrow.
“What makes you think that?” he asks. Its not the first time he’s been told that, but if Tony gives him an actual answer it will be the first time he’s ever gotten a genuine reason why.
He shrugs, “journalism is… I don’t know, kind of predatory,” he says, wrinkling his nose.
Eddie lets out a small laugh. “Yeah, that’s true. Its the worst part of the job, actually, when you’re talking to people- usually about something personal- and they say something you know will look good in your article and you think ‘yeah, I got it!’ instead of being an actual person. That, and you have to ask for details instead of comforting them. But news is important, those stories are important. Me getting the right thing out there might mean people read what I wrote and start giving a shit about the problem in the article.” Doesn’t mean he likes that little reporter voice that tells him when he’s got a great quote, or that he’s stumbled onto something good and that he needs to keep digging. Sometimes he doesn’t care, corporations don’t have his sympathy, but people do. Its hard to ask for more details of what’s usually a pretty traumatic event so whatever he’s writing is sellable enough. And the whole notion of ‘sellable’ is another point of contention altogether.
“So you’re aware of the fact that you’re a vulture,” Tony says, raising an eyebrow.
“A vulture with a purpose,” Eddie corrects. “But yeah, the kind of reporters you deal with mostly are a bunch of bottom feeding pieces of shit who have no place in any kind of journalism with their shoddy ethics and pathetic puff pieces.” People who want to write stupid articles about some fucking laxative tea or whatever shouldn’t be in this business. And celebrity news shouldn’t even be a thing- there are better things to care about than Tony Cruise. Like maybe the fact that he’s in a cult and people play it off like a strange thing he does on the weekends. Eddie doesn’t understand how the hell they got here.
Tony lets out a small laugh. “Shit, tell me how you really feel,” he says, shaking his head.
“Well come on, there’s a million things I could write about you that are more interesting than the weirdly sexual image you have, and have had for years despite being an actual child. People don’t write anything interesting about you and you’re way more complicated that any piece of media makes you out to be.” Tony is always a power fantasy or the American Dream, not himself. And the sexual thing, that’s odd. Eddie usually only sees that with women but Tony got the short end of that stick despite gender, he guesses. Still creepy.
“Hey, excuse you, my eighteenth birthday is not that far away, I’m not a kid,” he says.
Eddie snorts, “that’s exactly what a kid would say.”
“Oh what, like you’re a shining example of an adult?” Tony asks, raising an eyebrow.
“Fuck no, I’m two kids in a trench coat pretending to be an adult,” he says. Which is what any self respecting adult his age would say. Not that he’s that much older than Tony, but he’s got enough experience to know he misses when he had no bills. And also that transitionary life phases fucking suck. 
“Well, I probably have more life experience than you anyway,” Tony says, nose in the air and Eddie nods, seemingly surprising Tony.
“What? I didn’t graduate from MIT at fourteen, and I sure shit don’t have almost three PhDs. I’m half way through one degree. Plus I don’t have to deal with most of the shit you do, company or fame wise. Do wish had the financial perks though.” Tony leads one hell of a life of privilege no doubt, but it does come with some heavy prices. Being a minor doesn’t really help lighten any of those costs either. Not like Tony can just fuck off to another country to attempt ridding himself of his father, not for another four months.
Tony considers him for a long moment. “Given the chance what would you write about me?” he asks, changing the subject back to the initial subject.
Eddie doesn’t need much time to think about it. “Your interest in green energy, especially the science behind it. I mean an intellectual understanding- like the actual nitty gritty- is beyond me, but I get the broad strokes. Enough to know what you’re doing is world altering and no one is talking about it. I could do an article on fame, how that’s affected you. I can see the damage its left, the way you simultaneously gain privilege from your fame and become a victim of it.” He pauses, considers whether or not he wants to say it, but decides he might as well be up front. “But I’d probably wouldn’t write about you at all. I’d write about how Howard Stark abuses you and how no one seems to give a shit, even when you tell them point blank what’s happening. I watched a lot of interviews, I was shocked with how forthcoming you were. And how fucking bad at their jobs literally everyone who’s ever interviewed you is.”
For a long moment Tony just stares and Eddie has no idea if he misstepped or not because Tony is hard to read when he blanks out like this, but then Tony throws himself forward, hugging him tightly. “I honestly didn’t think anyone noticed that anymore,” he murmurs.
They do, Eddie knows people aren’t stupid enough to miss the bruises or Tony’s blasé attitude. But he doubts anyone either wants to stand up to Howard, or they get paid off by him. “They do. But money talks louder than you do,” he says softly.
Tony sighs. “Well, everyone does have a number,” he murmurs. Eddie knows what he means and honestly its sickening to him to know that’s true.
*
Tony waves a hand at the lab space with a flourish. “This is where the magic happens,” he says and Eddie rolls his eyes.
“Its science, not magic you damn drama queen.” Tony is probably the most dramatic person he knows and that’s saying something considering some of his classmates. 
“Party pooper,” Tony mumbles, shaking his head. Eddie gets a tour anyway though, and by the time Tony gets through the details he feels kind of like he walked into a science fiction novel. Its the AI, though, that tops it off. “JARVIS- or just a rather very intelligent system- is kind of my crown jewel. I got him done a few months ago and I’ve been studying how he learns,” he says, grinning.
Eddie raises an eyebrow. “Learns? Like a person?”
Tony shrugs, “more or less. His function is to be semi-autonomous, to predict the needs of the user before the user knows they need something. Before I know I need something, JARVIS has no commercial value.”
“Then why make it?” Eddie asks. He doesn’t know shit about shit but he does know that that sounds like a lot of work with seemingly no payoff.
“Because I wanted to. And also not a lot of people have the time, money, and intelligence to just… create. I want to see what I can do, the full extent of it. Also, JARVIS is cool,” he says like that’s a reason. “And he’s my PhD thesis.”
PhD thesis, that’s interesting. “So like… how are you going to make this sucker not turn into Skynet?” he asks.
“Oh my god, why do humans always assume AIs want to kill the shit out of them or otherwise take over the world? I had JARVIS read YouTube comment sections to convince him humanity is a shitshow not worth enslaving,” he says bluntly and Eddie starts laughing.
“YouTube comment sections? Dude, if I were that AI I wouldn’t decide to enslave humans, I’d straight up eradicate them. Humans suck, but comment sections? Those are the cesspools of humanity.” He shakes his head and almost feels bad for the AI having been subjected to that.
“I’m not certain my efforts would be worth it, sir,” a voice says and Eddie jumps.
Tony doubles over, laughing way harder than that warrants. “Holy shit, every single time- everyone always jumps!”
“Well I wasn’t expecting fancy code to talk at me, okay!” Eddie says in his own defense.
“Fancy code. I like that description,” JARVIS says and okay that is some messed up stuff. The SI likes things? He doesn’t like the sound of that.
“Jesus, relax. JARVIS isn’t going to like… steal your cat and murder your mother or whatever. He’s just a simple AI and he’s still on a learning curve. He’s not nearly as advance as I think he can get. But you’re learning alright, aren’t you J?” Tony asks the AI.
Shit, if that ain’t creepy too. “If you say so, sir,” JARVIS says. Its such a strangely human response, if a little stiffly delivered. But the AI has more personality than some people he goes to class with so that’s… disturbing.
“Honestly, people act like JARVIS is out to get them but seriously. He’s fine,” Tony says.
“Incoming call from Mrs. Potts,” JARVIS informs them and Eddie supposes that’s part of his ‘predict the needs of the user’ protocol. Or maybe he doesn’t know what he’s talking about, both are highly probable. Either way Tony scurries out of the room to answer the call, sounding forcefully cheery on the phone in a way that indicates he’s probably gotten into something he shouldn’t have.
“You’re a reporter,” JARVIS says and Eddie jumps again.
“Jesus, that is creepy. And yeah. Well, I’m still in school,” he corrects.
“Reporters write stories about celebrities,” the AI says and Eddie nods, keeping his opinions on that to himself. He doesn’t know if JARVIS would get it anyways. “I have a story,” JARVIS says and Eddie can’t help the laugh.
“What kind of story could an AI cook up?” he asks, curious if a little skeeved out.
“Ideally, abuse would be reported to the authorities but I have been reliably informed that they won’t investigate. Research on the matter has shown mixed results,” JARVIS says.
Well shit, creepy or not Eddie might find a genuine use for the AI. “I’m assuming you’re talking about Tony,” he says.
“Of course. Who else would I be referring to?” Could be a lot of people but he supposes that the AI’s world is pretty much one guy.
“Point, I guess. Can you collect evidence? Something people won’t be able to deny if they see it?” he asks. Video evidence would be nice, and people take snap shots of Tony in the streets all the time. He can use random pap shots to make a timeline that exist both in and out of Tony’s space of reach. Eliminates those pesky ‘he made it up for attention’ claims if even random people catch the bruises.
“Certainly,” the AI tells him. “And you can do something? Report on it?”
He sighs, “maybe. The human world is complicated, but I’ll do my best.”
*
Internships are total bunk, Eddie hates his, but funny memes from Tony at least make his days less shit given the sheer amount of time he spends hanging out in Starbucks fetching drinks instead of doing anything useful. Its not like he expected to write anything, but it would be nice if he got to at least hang out in the general vicinity of reporting. He’s fucking around wasting time when he gets an email that makes him raise an eyebrow but hey, if he gets a virus clicking on shit Tony will be able to fix it probably.
The last thing he expects is for JARVIS to have sent him hours worth of curated videos of Howard’s abuse.
*
“I have an ethical dilemma,” he tells Anne, who already looks done with his problems. He thinks that’s rude but she’s also into being a corporate lawyer and gross. But she’s still a friend, and she still knows him better than most, and usually has good advice so here he is.
“If this is about how ramen you eat again, I’m kicking you out of the apartment.”
Yeah, okay, that was only one time and he was fourteen. He doesn’t think that should be held against him five years later. “Yeah, um, that’s definitely not it,” he says and he explains the situation from start to finish. “So like, I can’t not say anything, but also its gross to exploit people’s pain like that without their permission,” he says, wrinkling his nose. But saying nothing is almost worse.
“You could just go to the cops,” Dan suggests, ever astute.
Eddie gives him a look. “Tony’s been forthcoming about his abuse for years and doesn’t hide the bruises whatsoever. Obviously the cops aren’t going to do dick all if they haven’t done anything already. I know people who’ve had their kids taken away for a hell of a lot less than beating the hell out of them enough that they start asking random reporters to help them in interviews only to get laughed off.” Anne frowns and he sighs, “I’m actually serious about that.”
When she calls him on it he finds the interviews- he’d saved the clips because he naturally categorizes details- and she ends up as horrified as he does. “Okay I take back cops comment, I think maybe they got paid off,” Dan says and yeah no shit.
“So what the hell do I do here?” Not saying anything is no longer an option- not when he was dumb enough to watch the proof in the middle of his day at work only to end up wildly disturbed for the rest of the time he was there. He hadn’t much wanted to go through more than the few minutes that had him feeling gross for the rest of the day, but he didn’t have much of a choice either. And JARVIS was detailed in his curation, Eddie is impressed in the worst of ways.
*
This is so not the option he wanted to go with but Anne is kind of right in that talking to Tony is the only option. Of course its also the option that reveals him to be a gross vulture reporter, but a guy has to do what a guy has to do. This isn’t about his feelings, it can’t be. “What’s got you looking so shitty?” Tony asks in a chipper tone, leaning in to hug him and oh, that’s sweet. And the first time he’s done that aside from the time he said he’d sooner write about Howard than Tony.
“I um- look, the only reason I talked to you a couple months ago was because I needed a story and I found one and-” Tony cuts him off.
“Excuse me? So what, this entire time you sat around winning my trust for what, some fucking puff piece?” he snaps and Eddie can’t help the face he makes.
“No, your fucking AI sent me like sixty hours of Howard beating the fuck out of you and I can’t sit on that. Stop looking at me like that, its not because I think its a good story- it is- but that’s not why I think I should write something on it its because no one else but the American public will care enough to inspire some kind of change,” he says, shoving as many words into the conversation as he can before Tony rightfully eats his ass.
Something must occur to Tony because the anger drops shockingly fast and its replaced with something else. “JARVIS did what? Why would he do that?”
“Look, he asked me if I could do something, I told him I’d need concrete evidence. I didn’t expect the damn AI to send me a shit ton of fucked up shit that made me want to vomit. Seriously, I am so sorry that any of that happened to you. That is so unfair,” he says, shaking his head.
Maybe its the sudden change of subject, or maybe its the way he says it, but Tony softens a bit even if Eddie can see the suspicion still held tight in his frame. “JARVIS prompted you,” he says and Eddie nods. “You seriously expect me to believe that?”
Eddie shrugs, “I don’t know, man. I don’t know how the damn AI works I just know what it did. Isn’t he supposed to predict your needs or whatever?” This seems like a natural extension of that but Tony shakes his head.
“What JARVIS predicts is where to move screens according to where I’m moving in the lab, not how to reach out to reporters with evidence of abuse I specifically told him to keep to himself,” Tony says. “One is basic technological based, stuff that’s easily predictable. The other is a care action that shouldn’t be taken by an AI that doesn’t know how to do that.”
“Well clearly he does because I sure shit ain’t smart enough to hack your systems to find fucked up home videos, use your damn head Tony. There’s no way I could gather evidence like that straight from your systems. Even if I was the best in this country I would still be leagues behind what you can do- there’s no other way I could have found anything.” 
“You noticed the bruises,” he points out but Eddie shakes his head.
“Those bruises were written off years ago when you were like thirteen as some kind of quirky thing about you. Some idiot suspected low iron instead of abuse like low iron leaves hand prints on people’s bodies. Fucking moron,” he mumbles, unable to hold back his judgment. He honestly can’t believe how stupid people are. Or, and this is the more horrifying option, that’s what they were paid to print.
“You made a time line,” Tony states rather than asks and Eddie nods.
“Even if I had no interest in a story its naturally something I do. I’ve been trained to do that, literally.” Its something he did before too, putting together time lines to claims to see if things matched up or deviated, and then looked for reasons as to why things might or might not match. Not that Tony really cares about that right now. “Look, if you don’t believe me about the JARVIS thing you can check the cameras,” he points out in an attempt to at least clear up one mess.
Tony considers him for a long moment, glaring. “And what the fuck makes you think you’re different than anyone else who’s given a half a shit about any of this?” he asks. “I get that you have some ‘save the world’ complex, but I’m beyond saving.”
Eddie shakes his head, “no you aren’t. And there’s no real difference between me an anyone else. But if the American public sees what I did there’s no stuffing the genie back in the bottle. Howard can pay off news crews, celebrity gossip rags, and cops but he can’t buy his way out of the whole of this country watching him abuse his kid. If nothing else, get JARVIS to release all that. People won’t ignore irrefutable evidence shoved down their throats, not when its more explicit than anything people have seen before.” And if Eddie knows anything he knows that nothing sells better than outrage porn.
*
Tony ends up rewriting the entire second half of his thesis because Eddie had a point- its not like he’s smart enough to hack Tony’s anything. JARVIS had reached out and it had been a distinctly care based action, not something based in technological need only. Which means that JARVIS learned much faster than Tony had anticipates, recognized right from wrong, knew how to seek out people who would rectify the situation, and did all this while intentionally hiding this learning capability from Tony. When he’d asked about it JARVIS had freely informed him that he knew Tony would try and stop him, and that his research had consistently shown that abuse of any kind is not accepted behavior. He felt compelled, in whatever way that looks like to an AI- Tony is looking into it- to do something.
At the moment he’s combing JARVIS’ code, figuring out where and how he learned, and how ‘human’ emotions appeared in JARVIS’ code. Obviously the emotions aren’t human- to a point they’re rudimentary, based on a large cumulation of research on human norms and standards of acceptability rather than an internal sense of right and wrong the way a human might claim to feel it. But this whole thing had been a series of care-based actions nonetheless and that’s more than ground breaking. This isn’t something even Tony thought possible, so its a real treat to see that JARVIS learns fast, and generally aligns his morality system with human morality systems. Or maybe he’s based them somewhat off Tony’s given that he’s the primary user. He’s not sure, that’s in his growing list of things to figure out how JARVIS did.
That’s what he chooses to focus on instead of Eddie’s stupid article. He sends regular updates, seemingly concerned with Tony’s opinion but Tony learned that reporters aren’t to be trusted and he’s not making that mistake twice. He only gave Eddie permission to write anything out of what’s probably a misguided hope that maybe someone will finally do something and he knows its stupid, but he’s fucking tired of living like this. So he lets Eddie work on his dumb story and mostly ignores it because JARVIS is more interesting and also more human than Tony ever anticipated out of the AI.
*
Rhodey finds him curled up with a sketch pad and Tony looks up, surprised to see Rhodey looks so somber. “I read the article,” he says and Tony glares at him. “Tones, it was good, shockingly so. His research was impeccable- there’s stuff in here that he figured out about you that I didn’t know about you.”
Tony continues ignoring him because he doesn’t care, not really. Of course Rhodey would find the article good, he’s obviously not on Howard’s side like literally everyone else is. Rhodey sighs and sits beside him.
“‘Tony Stark is living a life of power, fame, and privilege- he’s the kid people have always pointed to when we present the ‘has it all’ lifestyle. In many ways Tony Stark is the power fantasy of America- a corporate, a genius, and a smooth talker, it seems he represents everything we aspire to be. Tony is the living embodiment of the American Dream and for that reason, our own willful ignorance in allowing him to continue to be our dreams come to life, we have missed perhaps one of the most obvious details of Tony’s personal life- the abuse he suffers at the hands of his father. In our rabid need to turn Tony Stark into our living day dream we have failed him, trapped him in our fantasies instead of acknowledging his living nightmare because Tony Stark looks better to us as a consumable product than a person.’ Cutting,” Rhodey says, “but accurate.”
He rolls his eyes. Yeah, that definitely reads like Eddie’s general tone on everything. Rhodey lets out another long sigh. “Look, I get why you stopped talking to the guy but people are pissed,” he says and Tony turns to face him, surprised.
“People actually read the article?” he asks. He doesn’t address Rhodey’s actual words because Rhodey might have only noticed a subsection of people, not all of them.
“Read it? Like seven different news papers have picked this story up, its trending on Twitter, and in the last hour I’ve seen dozen of different posts, all with a huge amount of shares, literally calling for Howard’s death. I’m pretty sure this is going to make Eddie’s career,” he says, shaking his head.
People… are paying attention. Tony curls a little tighter into himself, unsure how to handle that.
*
Eddie is trying to cure his hangover with tea when Tony finds him, approaching with some suspicion and Eddie gets that, really. But he sits down across from him at the small table and offers a small smile before it fades. “Didn’t think putting Howard would result in a mass flood of men doing terrible shit being outted and then arrested for being pieces of shit but um. Hey, that’s a cool side effect,” he says.
He nods, “damn right.” Though the response back to it has been somewhat swift, flying in with ‘due process’ this and ‘where’s the proof’ that. Eddie just happened to have a damn air tight set of evidence thanks to Howard’s ballsy carelessness and arrogance. Not everyone has that luck, though. Still, he’s impressed with some of the names on the list but even he’d been surprised to find Carlton Drake on there for the crimes of illegal human experimentation. Dora Skirth has balls of brass for putting that out there. Of course he has a lot of loud annoying fans who think her liking some random rock band is a reason why she’s lying, because those things correlate, obviously, but still.
“You made people listen. Like, to more than just me,” Tony says.
Eddie shakes his head, “actually that was JARVIS. I just wrote a detailed timeline for the events he sent proof of.” And all those clips of Tony talking in interviews too, with nothing taken out of context so no one could accuse him of that either.
“Thank you,” Tony murmurs, looking down at the table like he’s ashamed or something when he shouldn’t be.
“Don’t thank people for doing what’s right- you deserve better than being grateful that someone did what was necessary,” Eddie says, shaking his head.
Tony looks up, “one of the maids at the mansion overheard Howard offer you a stupid amount of money to not print what you had. And a bunch of threats. Every single person before you has caved so yeah, thank you.”
Its still not something he’s going to accept, a fucking thank you for not selling Tony out. Literally. He leans forward, “obviously I didn’t take the money- you’re a fucking person Tony, there’s no price anyone could pay me to knowingly allow that kind of abuse to happen to you. And the threats- whatever. I kind of bluffed and told him your AI would release anything anyways, but still, I already knew all that would happen. I committed to the bullshit that was going to come with that story, and I refuse to let you be grateful that I did what everyone else failed you in doing. That isn’t something I’m owed thanks for, especially when you’re only saying it because everyone else has either treated you or allowed you to be treated abysmally. I don’t get to earn brownie points for not being a piece of shit.”
That’s never something he’s going to accept, being thanked because he did something everyone should do. It’s unacceptable.
Tony shakes his head. “You’re a right-fighting asshole,” he says and Eddie laughs.
“Yeah, that’s a fair criticism,” he says.
Five Years Later:
Tony grins, “I thought you didn’t want to be famous,” he says and Eddie gives him a look. He looks nervous as hell and Tony can only hope that doesn’t come through as strong on video as it does in real life.
“I don’t, this was a terrible idea,” he says, looking around for escape. 
He sighs, “Eddie- technically you’ve done this before. Its the same thing as reporting, but longer. You’ll do fine,” he says, running his hands down Eddie’s arms to try and calm his nerves.
Eddie does that thing where his face recedes into his neck and Tony really hopes he doesn’t do that on camera. He supposes at least the crew can do different takes to ensure he doesn’t look like a demented turtle. “Yeah, I don’t know.”
“Eddie. Its called the Eddie Brock Show- go out there and get your strangely porn-star like lips on that damn camera and tell people who homelessness is bad. Also maybe cut the line about treating supporting vets like a spectator sport until they’re homeless, that’s a pointy even for you,” he says.
The bad advice works and Eddie gives him an offended look, “no, those assholes should learn to either shut their fucking mouths of actually do shit to support vets, not pretend like they give a shit when they’re being blown up and stop caring when they’re home with PTSD because they watched people get blown up. What the hell even is that?” he asks.
“Tell it to the camera,” he says, pushing Eddie towards the set. He goes and across the room the producer looks relieved. Yeah, Tony gets that, Eddie is tough to talk into things when nervous.
Rhodey walks up beside him and smiles a little. “Pepper and I have decided that we approve,” he says and Tony frowns.
“We’ve been together for almost five years,” he points out.
This doesn’t seem to bother Rhodey any. “We needed time to gather our data and we have come to the conclusion that he is off probation and that we approve,” he says, handing Tony a book. He frowns at it. “That’s the list of improvements we have though. I think section three is the most important, but Pepper thinks section eighteen is more important. What the hell does she know, though? I’m cashing in best friend points and telling you to go with three first.”
Tony is going with neither because this is fucking overkill to an extreme not that he’d expect anything less out of Pepper and Rhodey. The first thing they did when Tony brought Eddie home proper was threaten to kill him and Tony had to shoo them off with what should be an obvious explanation that threatening to kill people is fucked up.
“Pepper is also my best friend you know,” Tony points out.
“Yeah, but I’m the best best friend,” Rhodey says. “The OG. Pepper is the compliments version of me.”
Tony lets out a sharp laugh, “oh, I would pay money to hear you tell her that.”
Rhodey shakes his head, “nope, I value my life, do not ever tell her I said that. Section three,” he says, pushing the book closer to Tony.
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