#but also I like how it's realistic in terms of people here

[sunflower1experiment]

I believe that is what is scary about the fandom

I’ve seen Jimmy fans despise him and enjoy tormenting his character and also like him design wise.

Yet I’ve seen people hate them more than Jimmy, which is odd because you are both on the same team but I think they mix those fans up with some people who idolize him which is worrisome.

And then there’s the fact that some people tend to confuse the idea of relating to him, no one wants to relate to him because they look at it through a black and white perspective. Which I get, yet we gotta discuss beyond that and accept that sometimes folks act like Jimmy in terms of how they perceive others.

With Curly they truly believe he should’ve done all of this stuff but realistically, would they be able to confront a long time friend who verbally abuses/manipulates and then blames them for the actions they caused?

With Daisuke, some infantalized him and saw him as stupid and innocent, thats how Jimmy perceives him.

Then people see Anya at her worst instead of how Curly sees her.

I’m saying is Jimmy’s perspective gets skewed with our views and we accidentally pull a what Jimmy does towards the other crewmates. Or we pull a Jimmy and Curly where we hate on Curly specifically instead of just disliking all three and Pony Express.

Least that’s my perspective, I wanna discuss it more but it’s really difficult.

None of the stuff here justifies anything Jimmy and Curly did, just explains it.

really good piece on mouthwashing in the washington post today

[bengiyo]

The Uncertain Melancholy of Our Youth

I’ve been sorting out how I feel about the end of Our Youth, and I’ve yet to arrive at something concrete that I want to say. I’ve been reading reactions from others to see if someone else could vocalize what I’m feeling, and in the process realized I wanted to talk about Our Dating Sim again. 

Like many others, I’m left with a feeling of melancholy from this show. I feel a lot like @small-dark-and-delicious in that I think this ending felt very realistic for them, because Minase has never had friends he can count on, especially the “bespectacled demon” (@chicademartinica). I find myself empathizing a lot with @asiandramas-takeover about how bleak the future feels for them.

With this series overall, I’m a bit frustrated thematically. I was glad to have @wen-kexing-apologist offering insights about the manhwa while we were watching, because, like @worm-priest, I don’t think we did much with the different kinds of people theme. 

However, I am left with some genuinely warm feelings for the characters and the actors. I loved mj’s post reflecting on how Hirukawa connects for people who dread becoming like their parents (@forcebook). Like @memiaatanonymous, I really enjoyed Motojima Junsei in this; I especially loved the way he managed his physicality and expressions when Minase had to flee Hirukawa’s house before the dad began beating Hirukawa again. 

I also agree with @delasaria-blog that Minase in the special does a lot to close out this story; I don’t think I’d feel as positively as I do at the end of this without the effectiveness of the special episode. The implied growth of these two into a relatively stable couple (@incandescentflower) worked well for, especially because Minase was left with separation anxiety (@lurkingshan). I also really liked the way the show approached a closeted couple’s feelings about marriage as an inevitability (@jemmo).

I think it was @theside-b comparing this to the disappointment I know I felt at the end of Love is Better the Second Time Around that got me thinking about Our Dating Sim. In that show, we spend the majority of our time in the present with Shin Ki Tae pursuing Lee Wan again after Lee Wan abandoned him at the end of high school. Our journey with them is about how Lee Wan hurt Ki Tae and himself, and the consequences of Lee Wan's decision. We focus there on how Lee Wan has to grapple with the fact that Ki Tae was open to his feelings.

I think most of why I’m feeling a bit unfulfilled by this project is that I had hoped we’d spend more time in the present. The opening sequence had me waiting in anticipation for their eventual reunion and reconciliation. I had hoped we’d spend the bulk of the show on that, like in Our Dating Sim, rather than on the events leading to their separation. I think I set myself up for this because I brought too much of that to the table. 

Reflecting on what the show did or didn’t do, I don’t think there was much for me to gain from seeing Hirukawa and Minase’s separate montages, though I think it would have been interesting to see Minase getting lonelier and see where he and Hirukawa lost touch over the phone incident. I personally feel like I’d have liked to see more of them getting back together and rebuilding trust, because I felt myself pulling away from this show as it spiraled over Hirukawa’s life getting worse in the middle. There was almost a really great moment of Minase trying to step forward and use his voice only to be silenced by the adults and friends in his life. 

Final Verdict: 8, Recommended With Reservations. I’m not sure how I will feel about this show in the long term, and I want to thank everyone linked above for sharing their thoughts, and all the gifmakers included for their creations. There is a useful kind of melancholy here that I personally enjoy as a person who absolutely loved All of Us Strangers (2023) last year. I am always the type who, even though I know we’re seeing marked improvement in many categories, cannot erase the scars I carry from what I survived. I struggle to find a solid coherent thought I feel coming from this one, and I hope to read more compelling reflections in the weeks to come. 

[pyramid-of-starrs]

Saturn pt 1

“Life’s better on Saturn, got to break this pattern” -SZA

Pairing: Ex Situationship San x Black reader (reader has locs as well :3)x Maddox

Submission from: @reosbabygurl

Summary: You and San were in a long term situationship that ultimately led nowhere. Time goes by and you're in a new relationship, but how will San take that?

Word Count: 4.2Kish?

Warning: Cheating, toxic behavior, manipulation, gas lighting, rude/mean behavior, clingy, possessive, cursing, arguing, bad relationship, pregnancy mentioned

Smut warning: This chapter  there will be a small smut scene with Maddox, kissing, boob play Eventual - Breeding, kissing, pussy drunk, body worship, needy boy San, Dom San, a bit subby San, dry humping, some anal (Just fingers), phone sex, masturbation,

A/N: I had to tweak it a bit and I don't mention the reader being black with locs until a bit deeper into the story. This story has such a good plot and dialog imo so please give me lots of feedback.

Also, this is not at ALL what I think Maddox acts like T-T, I actually love and adore that man so much but wanted to switch it up with who I added into the story. This is not a representation of how anyone acts, just fun :3

Minors dni

All you ever craved was love, you just wanted to be loved properly, thoroughly, genuinely. Nothing more, nothing less. You spent a good chunk of your 20s in a situationship that ultimately led nowhere. You and San were a perfect example of “right person, wrong time”. You both wanted more from the relationship but in the end you both could never find the right time to commit. It started with you wanting to date him first but he “wanted to get to know each other more” then when he was ready you needed to focus on school. There were times when you both were ready, you both wanted to ask, but the fear of rejection held heavy on both your hearts so ultimately you both decided to fuck your feelings away. Spending endless time with each other, going on dates, kissing, hugging, having sex like any couple would. Just no real title.

But now, you were 24, he was 25 and you wanted more. You wanted to openly and happily be someone’s girlfriend. San had just started his small business, a local toy shop, something you found adorable and admirable. He had finally turned his hobby of collecting plushies and other trinkets into a business, you were proud, but still hurt when he told you he didn’t have time for a relationship at that point. You tried to understand, you wanted to convince yourself that you could wait but realistically, you couldn’t.

His friends threw him a celebratory party, that’s where you met his friend's friend, Maddox. A sweet long haired man, he was 2 years older than San and honestly didn’t even know him. He only came because his friends wanted him out of the house. You spent hours of the party just talking, you could admit, finding a replacement at your situationships probably wasn’t the best idea, but it’s not like you were doing it on purpose. San noticed, how couldn’t he. Even with the many other people begging for his attention, his eyes were fixated on you and the man that got your attention. He had enough of watching and waiting for you to be done and stormed over to you and asked for you to speak to him privately.

You argued. You argued loud enough for the party to start to hear. At that point Wooyoung thought it would be best to end it on Sans behalf. After some hours you broke things off with San, screaming that you never wanted to see him again and that you were done. And you were, you were fed up.

It took time to get over San, it was hard but Maddox really made it better. So now here you are, 2 years later, and you got what you wanted. You got someone who would be serious about you. Maddox was so serious about you that after the first year he proposed. You were not only someone’s girlfriend but now someone’s fiancé.

You stood over the stove in your shared apartment, you were cooking dinner for you and your fiancé. A firm ringed hand snaked its way around your waist.

“Mmm, it smells so good baby.” Maddox said as he planted a kiss on your cheek, his curly bang pieces tickling your face as you giggled.

“You’re actually home, I had to go all out for dinner!” You said with a big smile on your face. Maddox spent a large portion of his time working, he was a producer at an up and coming music company. You loved his passion but hated that that meant less time together, but you stayed understanding.

Maddox nervously released your waist, a weak smile painted on his face. You looked out of the corner of your eye and noticed his strange expression.

“What is it?”

“Well… about that…”

Your expression of comforted happiness immediately changes to disappointment.

“Maddox… you’re kidding right?” You had really hoped he would say he was just messing with you.

“Baby I’m sorry. I swear it’s not on purpose, I promise.”

You fully turned to face him.

“But I was really hoping to spend some time with you, we have so much planning to do, we have so much that needs to be picked out-“

“I know Y/N, I know. I just have to finish this project and I promise my attention will be all yours.” He grabbed you by your shoulders and gave you a reassuring smile. “I promise.”

“I keep hearing promises and not seeing action behind it, Maddox. You promised with your last project that you would help me plan. Our wedding is at the end of the year and it’s already March.”

“Y/N I know when our wedding is.”

“Then act like it.” you shot back.

“If you would just let me focus on getting things done then I could do that, I have to work Y/N, I have things I want to do with my life. You knew what this was when we started dating.” He released you, the tension started to build in the room.

“Whatever, hopefully marrying me is one of the things you want to do in your life eventually.” You turned away from him, returning your attention back to cooking.

“Don’t do that Y/N, don’t act like you’re not my priority. I’m not San-“ Maddox stopped in his tracks. Yes, you told Maddox all about you and San, he wondered why your were at his party that day, so you told him. He knew how much San had hurt you, he knew the situation was hard to move on from, yet every argument San was being mentioned.

“Wait, I’m sorry Y/N.”

“Just go do your project Maddox.”

“Whatever.” He scoffed. Maddox said no more, he left. No fight back, no continued apology. He packed a bag quietly. “I’m going to stay at Eden’s, call me when you’re over it.”

You hated that this wasn’t the first time this had happened. Maddox had a tendency of being hurtful but you were understanding. You knew he was just under a lot of pressure and stress with work. He put up with a lot of your baggage and you wanted to do the same for him, so you did.

The next morning you sent him a text apologizing and asking him to come home, to which you got no reply. You sighed and looked at your laptop to continue your wedding planning. You checked your emails and at least got some good news. You and Maddox had custom ordered small bears with your last name on their bows as wedding favors for your guest and they were done. You were even lucky enough to find a local toy store that sold them. “Mountain of Plush.” They were ready for pick up as soon as 12pm. Since you worked from home that day you figured you mightiest we’ll make the trip. It wasn’t a far drive, only 15 minutes, it would take your mind off things.

You got in your car and headed over, on the way you tried to call Maddox and your call was sent to voicemail on the 3rd ring.

“Give me space Y/N.” Was all Maddox texted you. You sighed. You wanted so badly to be upset but you knew what you signed up for.

You arrived at the store and parked. You walked up to the entrance and looked over the store name again. “Why does this name sound so familiar?” You said to yourself. You ignored it and walked in anyways. You looked around, the store was adorable, various toys and plushies decorated the walls and shelves. There were even some anime and cartoon figures. Just as you were looking around, a voice could be heard.

“Can I help you?” That voice. That voice made your heart stop, it made your palms sweat, it made time move in slow motion. Your eyes followed the voice and there he was.

Choi San.

You both locked into place for a moment, feeling like you saw a ghost. You hadn’t seen San since a month after you broke things off with him. He would invite you over to try to fix things, you would talk, then yell, then have sex, then leave before he woke up. One night when he tried to contact you he found himself blocked on everything.

“I-, Y/N? What- What are you doing here?” He asked.

“Uh. I’m picking up an order I placed. San, is this your shop?”

“Yeah, you don’t remember the name I picked?”

“Well yeah I remember talking about it but I was hoping you would pick something else.”

That’s when the tension was cut with San laughing, you couldn’t help but laugh with him.

“Well everyone loves my name thank you very much.”

“Yeah, sure.” You playfully rolled your eyes. You both smiled at each other, you felt warm. Even with the colder spring air outside, you felt warm at this moment. “So, how have you been San ? I see your business well.”

He returned your smile. “Yeah, I’m really lucky, business is good and this place keeps me kinda happy.”

You wanted to question the kinda part but you felt like it wasn’t your place anymore.

“Here, follow me, I’ll take you to the counter to pick up your order.” You followed him to the front of the store. He got behind the counter and looked through the orders on an iPad. “It’s funny I didn’t even see an order under your last name at all.”

That’s when you remembered why you were there. “Right… it’s actually under Moon.” You said softly.

“Moon?” San chuckled while scrolling through order names. “That’s funny, what is that a fake name you use no-“

Before he could finish that’s when he saw the reason line, he gulped, his breathing picking up.

“It’s… it’s my fiancés name… I’m getting married.” You said, chewing on your lip and keeping your eyes on the ground. Why did you feel so nervous telling him that? Why was this awkward?

“I see…” he licked his lips. “Couldn’t go to any other toy shop huh? Had to rub it in?” He nervously chuckled.

“N-no! I swear I wasn’t trying to be like that! I genuinely forgot-“ you nervously tried to respond.

“Y/n, relax it’s a joke.” He smiled, he found your reaction cute. “Hey they don’t call it “the one that got away” for nothing amiright?”

“San… I… I don’t know what to say.” You felt bad for some reason. Why did this make you feel so terrible? You broke things off with San, why did you feel like you were hurting him? It had been 2 years.

“It’s okay Y/N, I’m happy for you. I swear, I’m glad you finally found the person who could do what I couldn’t.” San was genuinely happy that someone was making you happy. Even after being blocked, being angry, being heartbroken that he lost his chance with you. All he ever wanted was for you to be happy. He was hurt that he couldn’t be the one to do it but was happy it was getting done.

You smiled. “Thank you Sannie.”

“Anyways, this order is heavy, where is the lucky so and so? You’re definitely gonna need help carrying this out.” He said tapping away on the screen then walking to the back room.

“Oh, he’s working right now. I’m sure I can handle it.” You said as he placed 2 large boxes on the counter.

“He’s making you do this by yourself? You always told me if I didn’t help with wedding stuff you would push me into the ocean.” San said with a questioning look.

“Haha, what can I say, things change.” You smiled. You were lying. Of course Maddox should be here but you were currently getting the silent treatment so there wasn’t much you could do. “Like I said I’m sure I’ll manage.”

You attempted to pick the rectangular boxes up and San lightly smacked your hands away.

“No way, here I’ll carry it for you.” San stacked the boxes and picked them up with ease.

“No, I can't ask you to do that!”

“You didn’t ask, I offered. Come on, show me to your car.”

You wanted to stop him but you knew San, he has always been chivalrous and nothing was going to stop him at that moment.

You showed him to your car and popped your trunk, he placed the boxes in.

“Ooh, fancy car. Still doing math professionally?”

You laughed.

“Yes, San, I’m still an accountant.”

“You’re better than me, I could never willingly do math.”

“You run a business San.”

“Yeah but I just assume everything’s okay, I pay rent and all that on time and can afford stock.”

“San! That’s irresponsible!”

“I’m kidding, I have a math guy too. But if you ever want a new customer let me know.” He winked. “I’ll leave him with no remorse.”

Something about that dimpled smile and wink made your heart drop a bit.

“Well, thank you for helping me San.”

He shut your trunk. “The pleasure is all mine Y/N.”

“And thank you for the bears, I saw the progress pictures and they are beautiful. The Moon symbol for free was so sweet.”

“Yeah well you know me, I’m a sweet guy.” He smiled as he shrugged.

“Well sweet guy as a thank you, how about you come to my engagement party Seonghwa is FINALLY throwing for me.”

“Oh god, he’s that mean gay guy that hates me.”

“He only hates you because he knew how much I wanted to be with you and that we never dated.”

“Yeah, guess I really blew that.” There was a brief awkward silence.

“I’m sure you two are fine now though, right? Since he’s dating your friend Hongjoongs friend Christian?”

“Oh… well. I kinda don’t talk to Hongjoong anymore.” He awkwardly scratched his head.

“Woah, what? You and Wooyoung and Hongjoong were inseparable in College. What happened?”

“Well, it’s kinda embarrassing.” He avoided your gaze.

“Try me.”

“I kinda… blamed him for introducing you to Maddox that night…”

Silence. Again.

“Oh…”

“But it’s fine I swear.”

“Well now I feel like shit.”

“Y/n don’t! It’s pretty sure you were bound to dump me anyways.” San tried consoling you.

“Um… well if you want to come I can text you the address.” You quickly changed the subject.

“Yeah, sure.” He pulled his phone out of his pocket and as you watched him that’s when you noticed his body. He had on a pair of jeans and a grey fuzzy sweater with a purple apron that had his business name across it. He was much larger now, the sweater looks comically huge and cute on him.

“Actually I have the same number.” He said.

“Oh okay, I’ll text it now then.” You smiled and pulled out your phone. You texted him over the invite. His name read. “Do not text”. “Did you get it?”

“Um… you still have me blocked y/n.” He said awkwardly.

“Oh my god! I’m sorry.” You unblocked him and resent it.

“Got it.”

“Well that’s about enough awkwardness I can handle so I’ll see you there. It’s this Saturday!” You awkwardly smiled then raised your eyebrows.

San chuckled again. “Guess you’re right. I’ll see you Saturday if I’m free.”

You and San waved each other goodbye and you hated the butterflies that filled your stomach. You dropped your head on your steering wheel with your hands gripping.

“Why, why, WHY DOES HE LOOK SO DAMN GOOD?” You shouted to yourself as you lightly banged your head on the wheel. You connected your phone to your car then began to drive. “What the hell happened to karma, why did the break up make him so hot? I jus-“ Just when you were about to continue to curse the world your phone rang. Your face lit up hoping it was Maddox but instead Seonghwa’s name was plastered across your radio screen, you tapped to pick up the call.

“Hey Hwa what’s up?”

“Don’t what’s up me y/n, why did I just get an rsvp by the name “S. Choi”, this better not be who I think it is.”

You made a face, you knew he would kill you but you just wanted to be nice, you didn’t think San would actually come.

“Yeah, so remember the teddy bear thing? Turns out they came from Sans Shop.” You sighed.

“Ian… Ian…CHRISTIAN!” You could hear Seonghwa yelling for Christian to get his attention as if you weren’t on the phone anymore.

“Yes my love?” You could hear Christian reply vaguely.

“Remind me to fucking kill Hongjoong with my bare hands.” Seonghwa said.

“Of course my love.”

“Wait, why are you killing Hongjoong?” You asked, confused about what this meant.

“Hongjoong is the one that told me to tell you about that shop, I’ll never trust that sneaky bastard again.” You could hear the irritation in his voice.

“Oh calm down Hwa, it’s one night with him.”

“And I’m expected to believe he’s going to behave?”

“He’s changed Seonghwa, I talked to him for a while, he’s mature and sweet and… and-“

“And fine as hell and buff.” Seonghwa said, finishing your sentence.

“Th-that’s not what I was going to say!” You started to feel hot.

“Mhm, yeah, well I follow the son of a bitch on Instagram and I’ve seen him. He’s a sculpted, tan beauty.”

“Just gonna say that in front of Ian huh?”

“Oh I agree.” Ian said faintly.

“And Christian knows I would never leave him for that ass. Anyways, I don’t need that Greek god coming around and breaking up the engagement I worked- I mean you and Maddox worked so hard for.” He softened his voice towards the end.

“I’m not going to leave Doxxie for San, Jesus have some faith! San will come, see how happy and in love I am and then admit defeat for himself and go about his day.”

A deep and soulful sigh left Seonghwa. “Listen, if you want to trust that weasel that’s on you and your simple brain.”

“Hey!”

“But stop candy coating the past and trying to always find the good. You and San never technically dated and yet he broke your heart so bad. Not to mention the possessive nature he had. Me and you could barely talk without him wanting you home. The guy isn’t great!”

Right… you tried to ignore those things about San. Like Seonghwa said you two never dated but towards the end of your situationship San could feel you becoming more and more dissatisfied. The resolution to that in his mind? Love bombing. He would buy you random gifts, take you out more, go the whole 9 yards. But over time, it developed into something else. You would tell people you were single, because that was the truth right? But San would hold your hand and kiss you in public or at parties just to… assert dominance? He would get mad at you talking to other men, he would cling to you everywhere you went. It became suffocating after so long.

“I know Seonghwa…” you sounded like a child being scolded.

“…he can come. Just please don’t do anything irrational. I know you’re weak for him.”

When you finally arrived at your apartment, you saw Maddox’s car in its designated space.

“Ah! Sorry Hwa I gotta go, love you bye!”

You could hear Seonghwa try to tell to hold on but you hung up. You didn’t bother trying to get the box from the car and immediately rushed into the house. Upon opening the door you saw a large bouquet of flowers on the kitchen island.

“Hello beautiful.” Maddox said as he appeared from the bedroom.

“Oh Doxxie, thank you.” You met him half way and welcomed him into a big hug.

“Anything for you my love." He pecked your lips. "Are you excited for Sunday?"

You raised your eyebrow in confusion. "You mean Saturday?"

"Oh fuck, right Saturday!" He finally released you. "I have a little work to do then I'll head home and meet you there when I'm dressed."

You folded your arms. "Maddox... we were supposed to be riding together..."

"Oh shit, sorry, yeah we'll ride together, sure."

"...are you sure?"

"Yes, Of course baby." He gave you another kiss to get your mind off things, this one lingered. He held your waist as the kiss got deeper.

"Mmm, Doxxie, hah, wait." You said as his kisses traveled down your neck.

"Why? We have to make up, don't we?" He said as he sucked your brown skin on your neck, his hands were already moving your locs to the side so he could have more access.

You giggle and take his hands off your neck to hold one and lead him to the bedroom. "Come on, let's go to our room."

He laid you down softly, the soft blanket against your skin. He crawled on top of you and before chasing you down he looked over you.

"My beautiful girlfriend."

Girlfriend? Your arms reached up to wrap around his neck. "You mean fiancé and soon to be wife."

"Oh I know, just wanted to hear you say it." He smiled before finally kissing your lips again.

Your lips both passionately danced on each other, you could feel Maddox's hand coast the side of your torso until he found the end of your shirt then slid it inside. The feeling of lace met his fingertips as he cupped one of your boobs. He began to massage the pillow like mound of fat while his lips made their way down your neck. In a swift movement he released your chest to remove your shirt and helped take off your bra as well. He gave one of your nipples a few kisses before he latched on to it with his mouth, his other hand gripping the other. Soft moans continued to escape your lips while your hips mindlessly moved, wanting more.

His hand made its way into your leggings to begin to rub your clothed heat, wetness already building up.

"Already ready for me baby?"

"Always."

You two exchange the few words then lock lips again. You both rushed to remove the remainder of your clothes. You laid on your back, bare, in front of a naked Maddox while he lined himself up with your entrance. Just as he was about to begin pushing inside of you his phone began to ring. The loud default ringer going off on the bed while it shook due to the vibrations, his eyes darted to it.

"oh fuck." He whispered to him.

"Doxxie..."

Maddox looked between you and his phone.

"Could you just give me one-"

"Maddox!" You shouted as he winced while grabbing the phone.

"I swear I'll just be a second!"

He saw the look in your eyes, the look of sadness and disappointment, all you wanted was a moment with him. You just wanted to feel prioritized.

He swiped the bar to answer the call while mouthing an apology.

"Hello?" He said while taking his stance, you swiftly grabbed his arm.

"At least stay with me."

"Y/n, let go." He whispered away from the phone.

You deeply sighed and let him walk away, like a kid throwing a temper tantrum you decided to pull the covers over your head and pout.

After about 30 minutes he finally came back looking satisfied.

"Alright sorry about that-"

He found you still balled up under the covers.

"Just go Maddox..." Your voice filled with sadness as you knew what was next.

"I haven't even said anything."

"What are you going to say then?" You continued to keep your head under the cover.

"...I have about 15 minutes, do you maybe wanna-"

"It's fine Doxxie, just go to work." You kept telling yourself that you knew what this was, you knew what Maddox's job was. But how much more could you really take?

"...fine." He began to gather the rest of his clothes, you were going to just let him go but you would be doing yourself a disservice if you didn't speak up.

"When are we going to have time for us Maddox?" your voice is weak and unstable.

Silence, he opted to not respond and left.

Part 2 is coming very soon...

[atlasisntdead]

Eww had a dream that I gave some girl IRL my tumblr and she was standing there inspecting it like "uhh trans guy...really???" then I was like "keep it down cmon not here, but yeah" and she apparently saw something about me being against ableism and went "what lol you care about that just cuz you were temporarily physically disabled" and I said "no like, for mental disabilities, tho yeah physical too". Then she messaged me and apparently we texted before where she sent me some pics of us bcz we've known each other since childhood??? And when she texted in the present she still misgendered me lol. This wins 'Most mortifying, uncomfortable and awkward dream ever' reward

[autism-disco]

the unending cosmic horrors of the universe versus A Song

[dulcewrites]

Idk…. there’s something so weirdly misguided imo about people thinking boderline comically evil, vicious women = always complex or well written. Most women aren’t… honestly most PEOPLE aren’t like that regardless of the time period or setting.

It’s why I’ll never get the people who say book Alicent (who honestly is not even as awful as make her out to be but I digress) is more complex or well written than show Alicent. It’s one thing to have a preference, but to pretend what George wrote for basically all the women in f&b is just so deep is fallacy lmao

[deeplyshalllow]

Classic Fiyeraba fic recommendations

So, with the new movie coming out, I've seen a lot of requests here for people to write Fiyeraba particularly happy Shiz era stuff, and like guys, guys, I did not spend my formative teen years in the Wicked fanfiction.net section for people to act like the amazing fics there don't even exist.

So here is my list of the fics and authors so great that I remember it over a decade later

Obviously, given we have never had a situation before where people know act 1 but not act 2, there will be spoilers and act 2 stuff in a bunch of these, but please check them out.

(a few of the authors I know are still around tumblr I've tagged, but feel free to tell me if you want me to take it off).

Authors in no particular order:

Tiggy the Hopeless Romantic - Honestly just read anything this woman wrote, I think if anyone said Fiyeraba fanfic this would be the first name I think of - bonus that a lot of the stuff is easily digestible fluffy oneshots

Merina Thropp @merinathropp on Tumblr - Writes beautifully, I remember getting very excited when she uploaded new fic. I particularly remember her Fiyero's Shiz era twitter fic and her extended As Long As You're Mine fic

HC247 @a-partofthenarrative on Tumblr - Writes such lovely fluff and I think double digits on alaym fics! Particularly remember her Once Upon a Kiss series and Masquerade. She mostly writes POTO stuff now but I see occasionally get an alert in my inbox from her.

alinaandalion - another fantastic Fiyeraba writer (god there are so many) I particularly remember her for her A Drop in the Bucket series, which are a lovely series of Fiyeraba oneshots.

CrazyBeagle - one of the people on the Wicked section who has made the transition to real life friend. But I knew her for her fics before we became friends. To Feel is post musical fic which is a lovely realistic continuation of Fiyeraba's journey. Unlimited is a modern retelling of Wicked which I really enjoy though I have been told multiple times it will never be updated no matter how much I threaten.

Scandalacious Intentions @scandalaciousintentions on Tumblr - Candy is the other Wicked friend who has become an irl friend (and I am most certainly the only person who still calls her Candy). She is much better known for her Tonks/Lupin stuff, but I always loved what she wrote for Wicked. Witchy Woman was her first Wicked fic I still very much enjoy it.

Girlscout4ever wrote ever so beautifully. Cheap Rented Room is such a fantastic expanded ALAYM.

ElphabaROCKS - wrote a lot of very good Fiyeraba fluff

Vinkanwildflowerqueen @vinkunwildflowerqueen on Tumblr - I imagine a lot of you know her already as she is still writing! She writes a lot of very good Fiyeraba au fics

Fermantoso - one of the funniest writers in the section! Chasing Elphie is the one I remember best, au but funny and sweet.

Danderson - slightly more bookverse than a lot of the other writers here but still great fics!

Kaylle - There are Nights, is always the one people (including me) remember as it's one of the most beautiful pieces of fanfiction on the Wicked section, but all of her work is lovely.

Lost Ozian - Well known for her humour, The Fiyero User Manual springs immediately to mind, my favourite is actually her serious au fic Different

Me - debated whether to add this, but I was also part of the section back in the day, and I know people enjoyed my fics too, though God knows I've improve my writing in the last decade and a half - in terms of Fiyeraba my strongest were probably A Moment and Living. Perfect Together is unquestionably the best fic I wrote for Wicked, although it's more Flinda.

Individual Fics:

Like a Swan on a Lake - this fic was actually well after my time but I happened to read it and I love love love it! AU of Fiyero if both girls defied gravity together and it does such a good job of showing his intelligence

Broccoli - I remember this one being very sweet Shiz era Fiyeraba

According to Plan - funny fic, fun twist ending

Sincerely, an annoyed Shiz student - not strickly Fiyeraba but you should read it. It is a very fun parody.

It's a long way to fall - This was actually the fic I created a fanfic account for, because I hadn't realised you could anonymous review! A fun arranged marriage AU

Please, please add to this list if you have other recs, mine are about 10 years out of date. Also apologies if I've missed any out as there's so many good ones and it is 2am.

[project-sekai-facts]

i'm curious why you feel confident in saying that mizuki was trans, it feels like the story itself only explicitly stated that she's amab - i would really like for it to be confirmed but it feels a bit like jumping the gun

If I'm wrong, I'm wrong, but considering how uncomfortable Mizuki is with classmates calling her a boy, and how she's gone out of her way to not have N25 know this, and how she reacted to Ena being asked "If you're friends with Mizuki, are you [a cis girl] a boy too?", idk man I think I can jump the gun.

Plus everything in the trans Mizuki post. The blatant use of the trans flag colors, people calling younger Mizuki "weird" and asking "isn't it odd for you to wear that" when she goes into school in typically girly clothes for the first time, Mizuki having short hair and boys clothes in middle school but long hair and girls clothes in high school, her sister encouraging her to stop repressing and live her life on her own terms.

Like. This is Mizuki's reaction to classmates telling Ena that Mizuki is a guy. It's the fact they asked a cis girl if she was a boy to try and justify why she was friends with Mizuki. Like there's some sort of implication there that they think Mizuki is pretending to be a girl. Yeah sure maybe they'll turn around and say Mizuki is a crossdresser despite everything, but Mizuki being told "isn't it weird for you to dress [like a girl]", "it's just for attention" "it's just a phase". It resonates so much with the trans experience, these are word for word things that trans people hear, and then you can couple that with clpl saying they aim to portray their character's struggles realistically.

Like. Let's get this straight. The boys who ask Ena if "[she's] a guy too" are presumably the same ones who have been showing up in the story since the beginning, being portrayed as bullies. Them calling Mizuki a boy, and making fun of her for dressing in a feminine way, is presented as bullying. Going off that translation doc since sekaibest still doesn't have the script, they follow up that scene by saying that Ena is a "normal girl". Normal is the key word here. Ena is a "normal" (cis) girl to them which implies they view Mizuki as an "abnormal girl" (trans girl), or they outright just call her a guy. Yikes.

Again. Mizuki's reaction to the bullying speaks volumes. Mizuki had gone through such lengths to hide this from her friends. It feels way too much for them to just say she's a gnc cis boy at the end of it. Listen, if gender wasn't related here, she wouldn't have nearly this much issue with her friend being told she's a gender the story has repeatedly proven that she doesn't want to identify as and have other people identify her with. Simply from the perspective of a screenwriter.

...also mizuki is literally grouped as a girl for gameplay purposes and always has been? And ensekai at least at launch made the executive decision to use she/her for Mizuki.

But if I'm wrong, I'm wrong.

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[shanastoryteller]

Meg is the first choice, of course, but she’s not suited to this type of long term mission and they all know it. The problem is, almost none of them are. The nature of the beast, she supposes.

That’s why it ends up being her, in the end. Well, it’s almost Ruby, but there’s one thing she has that Ruby doesn’t.

How she ended up here in the first place.

She thought Clyde loved her. She thought he’d take her away, from her father and her terrible life, and so when he died too young, before he could fulfill any of his promises, she’d sold her soul to bring him back.

But he hadn’t kept a single promise. She’d died in her father’s house.

“You remember being in love, don’t you?” he asks, cruel in his callousness, which is different than his other types of cruelty. It’s all he has, shining out in a thousand different ways. “You’ll be better at faking it.”

All she does is fake it.

“Yes,” she says.

This mission gets her topside. It’s worth it for that alone.

~

She slips into a pretty blonde named Rebecca first but by the end of the day, the girl’s screaming has given her a headache, and she slips right back out. She’ll probably just think she had a bad trip.

He’d offered to arrange something for her, but she wanted to pick herself, and she’s not interested in having someone crying and moaning in the back of her mind. But it’s not like there are a lot of options.

She could kill one, of course. But she’s never – she hasn’t been topside, before. Everything she’s killed before had already been dead. So she hovers for the next week, looking for some sort of opportunity, for something she can use that’s not going to scream at her.

The day before she’s going to have to either pick someone or risk being sent back, there’s a car accident.

The girl’s heart is still and her body’s warm, blood pooling down her head, but that’s nothing she can’t fix. She settles into the body, jumpstarting the heart and can feel the skin on her head knitting back together. It’s also blessedly, thankfully silent, with her the only one inside this body. The driver who hit her is dead and people are crowding in, a crying girl pulling her free. “Anne! Anne, are you okay, oh my god, I can’t believe that happened-”

She wrinkles her nose before smoothing out her expression.

The name will have to go. She’ll say she’s reinventing herself after tragedy, or something, but she’s not going to walk around responding to Anne. That’s not her name.

Anne’s a sophomore, which isn’t ideal, but she’s beautiful and doesn’t have that many friends and barely talks to her family, so she’s actually perfect.

She’s also blonde.

She’d been blonde before too.

~

All the demons who had run these sort of missions before give her advice, tell her things that will help her. Some of their assignments had lasted months, but no one’s tried to do it for as long as she’s supposed to.

He likes smart girls.

Be confident. Be flirty. He’s shyer than he looks.

He never had a mother. He likes it when girls take care of him.

He likes to take care of girls too. He wants to feel useful.

She’d had dreams, before, of all the ways she’d could escape her father. It wasn’t common for girls to get more than a basic education, but she’d been smart. She could read and do complicated sums and enjoyed the quiet evenings when she balanced her father’s books. She’d thought she might like an advanced education, thought it could get her out of her life, but hadn’t known how to manage it.

Clyde had seemed easier. More attainable. More realistic.

She’d sold her soul for nothing in the end. She hadn’t even got the full ten years of her bargain.

She doesn’t know how much of their advice she can take.

She can be smart, but considering the school they’re at, all the girls will be smart. She hadn’t been confident or flirty, which is maybe why she’d latched onto the first boy who smiled at her. She never had a mother herself and doesn’t know to act like one.

She’s never been taken care of and doesn’t know how to do that either.

There’s no way for her to do this. She’s going to be replaced and sent back below and he’ll be angry at her and she hates hates hates when he’s angry at her, what he does to her.

“Are you okay?”

She looks up, something cold on her tongue, but falters.

He’s standing there, warm hazel eyes and long dark hair, hunching to try and make himself smaller, and a smile on his face that does nothing to hide his concern.

“Do you ever feel like,” she starts, her dead stolen heart beating too quickly, “everything is falling apart around you and you have no idea what you’re doing and like maybe your whole life is one huge mistake?”

Well, fuck. She’s definitely being replaced now.

Except Azazel’s favorite throws back his head and laughs, smile stretching into a grin. “Every day of my life, more or less.”

“How do you deal with it?” she asks, scrubbing a hand over her face.

He shrugs. “Well, my brother would say women and liquor.” He seems to realize how that sounds a moment later and he pales, “Um, not that I’m – I’m not saying, I wasn’t trying to. He’s just sort of a cad, and – I wasn’t trying to, with you, uh.”

She feels herself softening in spite of herself. “So you’re not one to apply that method yourself?”

“No,” he says firmly, eyes wide. “God, I’m just – I’m sorry. I – I’m Sam.”

“Hi Sam,” she returns, with a smile she doesn’t have to fake. “I’m Jess.”

~

She’s not supposed to fall in love with him.

She’s to worm his way to his side. She’s to keep him from running back to his family, to keep him from rebuilding the bridges he’s burned. She’s to keep him distracted and focused on her until his powers activate and then she’s to guide him into using them, to be supportive and loving and to push him straight into Azazel’s arms.

Sam loves his family so much.

He talks of his brother all the time. His father less, the emotions there more tangled, but love no less fierce.

She nudges him away from it, talks to him about how it’s normal for families to grow apart, to say that they’ll understand when he graduates, that he’ll show them they type of man that he is.

By the time he graduates, his powers will start manifesting, and he’ll avoid his family without her prodding. He knows what they’ll think of him, then, and Jess tells herself that she’s helping him. That this is for Sam’s own good.

If he’s with her, then he’s safe. His father won’t kill him while he’s safe at school. He can’t kill Sam for powers that he’ll never know about.

It’s easy to dig into the anger for his father, to use his last words to Sam as a way to hold him at her side. His brother is more difficult. Jess doesn’t do much with that, in the end, tells herself that it would be too complicated, too suspicious, and as long Dean is sticking with their father it amounts to same thing anyway.

The truth is more complicated.

His father will kill Sam if he has to.

She doesn’t think that his brother will. She thinks that maybe he’d choose to protect Sam, over their father’s wishes, over everything he’d been taught, no matter the consequences.

She fears that she and Dean have a lot in common.

She invites Sam over for holidays, makes summer plans with him, holds as much of his attention as she can manage.

She studies and makes friends and laughs and spends so much time with him, but not all of it. It has to be believable after all, has to be constant, in a way that it didn’t have to be with all the other demons sent to take care of him.

Jess lives a life that had been denied to her and tries to do what she was sent to do and does the one thing she was definitely not supposed to do, which is fall in love with Sam Winchester.

~

His brother shows up in their apartment and she knows that she’s going to lose him.

Sam tries to act angry, but she knows him too well. He’s moving around his brother like a flower following the sun and she asks him not to go, tries to find the words to keep him here, but they all get caught in her throat. If she begged, if she threw a fit, if she demanded it of him, he would stay. He’d tell his brother he’s sorry but he’d stay with her and not help him and burn their relationship for good. He loves her enough to do that for her. She knows it.

She loves him enough not to make him.

He kisses her and she knows it’ll be the last time. He doesn’t.

“What did that take, five minutes?” Azazel is right there, breath on the back of her neck, and his anger fury rage pressing down on her even closer. “Over three years at his side and you lost him in five minutes. What a waste.”

“I kept him for over three years,” she says, tries to keep her voice steady, but knows she fails.

She had him for over three years.

“Not good enough,” he whispers, lips on the shell of her ear. “Guess I’ll have to send Meg in after all.”

Pain erupts hot across her stomach and her screams mix with his laughter.

~

Love always burns her in the end.

[pamillie]

I feel like the more I surf the Dandandan tag, the more I come across people grossly misusing the term “fan-service”.

Here’s my take no one asked for.

(A read-more for descriptions of SA, etc)

The depiction of nudity, the SA, and the bodily violation shown in Dandadan are meant to make viewers uncomfortable at times, but are also meant to convey humor or terror or to be relatable.

I think the story exists in this balance between being whacky and goofy and not taking itself seriously while also having these very mature moments with depth.

The murdered girls in the bound spirit that Turbo Granny was guarding. The exploitation and violence that Acro Silky experienced as a woman- just as the two most prominent examples in the anime so far (there are so many more in the manga).

But time and time again, the teenage characters themselves are not being overtly sexual. Sure, there’s ball jokes and awkwardness and the like. But it’s never escalated to the point of making the characters seem horny or perverted.

I think Dandadan is a lot of things. It’s wrong to say that it’s totally and intentionally a gritty and symbolic metaphor for sexual violence just as it’s wrong to say it’s nothing more than a stylish battle shonen or a raunchy romantic comedy.

What I think it does strive to be though is universally relatable. Women and girls can (unfortunately) relate to the depictions of SA we see through Momo. Young men and teenage boys can relate to feeling worthless or useless based on a perceived lack of masculine traits like Okuran does. Or the feeling that they have to craft a likeable or palatable persona just for others to value them- despite the grief or loneliness they’re experiencing privately- as Aira and Jiji experience.

And not for nothing- I think the point I keep coming back to when I try to explain the appeal of Dandadan to other people is how it captures how SIMULTANEOUSLY traumatizing and precious being a teenager is.

Puberty is inherently traumatic. Going about life as a child only to suddenly be ogled like an adult, when all the while you haven’t even come to terms with the changes going on with your body? It’s terrifying. It’s vulnerable!

Is Momo still ‘valuable’ after being called a slut or being pursued by older men? Is Okuran still a ‘man’ even if he lost his junk?

People keep saying that ‘the story could be exactly the same with aged-up characters and then it wouldn’t be gross’ but I disagree. The story would NOT be the same.

Because something else you gain with puberty and growing up is a radical and empowering acceptance of yourself. It’s this scary uncharted territory of deciding who you are and how you want to be perceived by the world. It can be a rejection of who you were before or boldly asserting who you’ve always been. There are other times in your life where you will change or develop but there’s a reason coming of age stories set from around 12 to 17 are so timeless and universal.

The fact that Tatsu is telling this genre-bending subversion of a story in a generic high school setting is actually the most genius part about it in my opinion.

It takes itself just seriously enough to be emotionally gripping and realistic while also reminding you that the most embarrassing thing that ever happened to you probably wasn’t even that bad- you were just fifteen.

So anyway- stop calling it fan service. And just accept that stories about puberty deserve to exist. Especially if they can accurately portray both how hilarious and traumatic it actually is.

[necroromantics]

How To Write ASPD / Psychopathy

half educational, half ramble. dedicated to the creepypasta fandom.

(check out my how-to-write bipolar + ticci toby here)

What is ASPD?

Antisocial Personality Disorder (ASPD) is characterized by a disregard for others rights and feelings. It's a personality disorder, which means the mindsets and behaviours associated with this condition are deeply ingrained and maladaptive.

The current DSM-5 diagnostic criteria states that to be diagnosed with ASPD, a patient needs to have a long-term (occurring since at least age 15), consistent, and persistent history of three or more of the following:

failure to conform to social norms; repeatedly breaking rules/laws that may be grounds for arrest

deceitfulness; lying, tricking others for personal gain

impulsivity or a failure to plan ahead

irritability and aggression; fighting, hostility, outbursts

reckless disregard for the safety of self or others

irresponsibility; repeated failure to comply to work or financial obligations

lack of remorse; being indifferent to or rationalizing having mistreated or hurt others

ASPD, by definition, can only be diagnosed in people who are 18+. Minors cannot have ASPD due to treatment and intervention reasons. A minor who exhibits traits of ASPD will be diagnosed with Conduct Disorder.

At it's core, though it may seem like people with ASPD are just hostile and insensitive and rude, is a defense mechanism formed in childhood, typically in response to an abusive environment. Self-preservation and a "dog eat dog world" mindset are very common in those with ASPD. Everything is about doing what it takes to retain social dominance, control, and ultimately safety. Boredom and risk-taking is also very common in people with ASPD, and many people with this condition have never had proper, healthy influences in childhood to teach them proper manners, social norms, morals, or how to regulate their emotions and aggression.

It is a chronic condition that affects about 1-3% of the population. Its very prevalent in the prison population as well. ASPD not only causes a person to potentially cause harm to others, but is a condition that very negatively impacts the patients themselves.

(Note: The term "sociopathy" is typically used to refer to an extreme presentation of ASPD. "Psychopathy" may sometimes be seem as a very very extreme presentation of ASPD)

What is Psychopathy?

Psychopathy refers to a set of traits/issues that might be seen in patients. It is NOT a diagnosis. If psychopathic traits cause dysfunctional behaviour in an individual, they will most likely be diagnosed with ASPD.

Psychopathy is now most commonly used in research settings to use it as a term that describes certain patterns and behaviours. It is something professionals study, not diagnose.

The traits related to psychopathy are:

manipulative behaviour; superficial charm, persistent lying, deceiving others

grandiose sense of self

lack of remorse or guilt; lack of empathy, callousness, shallow emotional expressions

reckless lifestyle; need for stimulation, parasitic (constantly takes from others), lack of realistic long-term goals, impulsivity

antisocial behaviour; poor behavioural control, early behavioural problems, trouble with the law in youth

Not all psychopathic people fit the criteria for ASPD, not all are disordered by their traits, and not all people with ASPD are considered psychopathic. But there is a very big overlap.

Psychopathy is typically only recognized in a forensic or research setting. It is often wrongfully used in the media to describe people who are serial killers, abusive, or used to dehumanize others.

Personally, I believe that media and creators need to move away from the terms psychopath/sociopath. They have far too much negative connotation that only exists to demonize people who suffer with unconventional traits. If you want to write psychopathy correctly, do your research on what it looks like in its presentation, and just drop the label.

What are some harmful tropes with ASPD/Psychopathy in media?

ASPD and Psychopathy have been tossed around in many different settings as ways to cheaply create an evil villain, or a cold calculated monster, or a reckless criminal. There has been only one instance in my lifetime of watching hundreds of movies and shows that I have seen an accurate, humanizing portrayal of ASPD. (That show is House MD by the way, I highly recommend if you want to see good representation).

So what are some of the tropes to acknowledge and avoid?

1. Psychopathic serial killer

Have you seen American Psycho? Great movie. Don't do that. While the character Patrick Bateman is commonly associated with the terms "narcissist" and "psychopath", he also is a satirical character who is a very dramatized and exaggerated presentation of some psychopathic traits.

I will be honest. A lot of real-life serial killers do suffer from various mental health conditions, but correlation is not causation. In the Creepypasta fandom we are surrounded by different characters who are almost all serial killers, and people like to make things easy and just throw the label of "psychopath" onto them and call it realistic. This is very cheap, and very harmful.

If you want to write a psychopathic serial killer character, then acknowledge how harmful, fear-mongering, and dehumanizing this trope is towards people who actually suffer from these traits.

2. ASPD synonymous with abusive behaviour

ASPD is a disorder that does cause people to do and say things that will harm others in some way. Cluster B personality disorders are commonly seen as 'social disorders', as in they cause dis-order in interpersonal relationships, and in response to society. Borderline personality disorder (BPD) for example may cause somebody to threaten harm to themselves in response to percieved abandonment, or to have intense fights due to emotional dysregulation.

ASPD in particular may cause someone to be insensitive towards others problems, lack morality, be aggressive or hostile, put others down, or get into reckless situations. This is why they are disorders. Because they cause significant and serious problems in the persons life.

It is not pretty, and it's not fair, and yes, people with disorders may cause harm to others due to behaviours associated with their condition. But there is a difference between causing harm, and abusing another person.

Lying to someone is not inherently abusive. Being reckless is not inherently abusive. Being an insensitive asshole is not inherently abusive. To not understand the nuance and the complexity of these situations is to completely demonize and stigmatize a serious mental health condition. You don't call people with BPD abusive for their actions inherently, because you acknowledge they are hurting and only doing what they know to cope with this hurt. Of course it's unhealthy. That's what a disorder is. That does not make someone abusive by default. Anyone with any condition, even neurotypical people can be abusive.

3. Cold, emotionless robot

People with ASPD can and do feel emotion. People with psychopathic traits can and do feel emotion. They get sad, disappointed, disgusted, happy, excited, jealous, hurt, angry. There is nothing in the ASPD criteria that states anything about emotional presentation or experience.

In psychopathy, it is mentioned that there may be a shallow emotional expression. This may also be present in ASPD. This means that while a person will feel emotions, it is either beat down or brushed off, or completely repressed. The emotional repression may come from childhood abuse where they were punished for expressing emotions, or expressing emotions had caused them harm.

Lacking emotions/emotional expression is instead highly linked to Schizoid Personality Disorder, and is apart of the criteria for said disorder.

Media protraying people with ASPD/psychopathy as cold, emotionless, calculating robots is another trope used to dehumanize people with mental health issues. It's used to make people with ASPD seem evil or not having feelings that could be hurt. In reality, nearly everything a person with ASPD does, is their dysfunctional way of protecting themselves from being hurt.

People with ASPD may lack the emotional capacity for things such as empathy and remorse, though. Its common that they are unable to care for, or feel upset for others suffering. They may also be unable to feel guilt. This criteria is seen in about 51% of people with ASPD and is associated with more extreme presentations.

Do you headcanon anyone to have ASPD?

Yes, but I don't like to use the label on them. I do write a lot of antisocial mindsets into my headcanons for Ticci Toby, and I heavily write ASPD into my OC, Tobin.

For Toby, his presentation of ASPD comes in the form of rebellion, not understanding/following social norms, recklessness, and a strong desire for power, dominance, and control. I write this as his subconscious response to the trauma he faced in childhood. As a child Toby was constantly put down and made to feel small and powerless at the hands of his father. In order to make sure his father abused only him and not his mother and sister, Toby would act out and be a troublemaker. I think that he would have a lot of ASPD behaviours and views on the world.

For my OC Tobin, he's pretty similar in presentation in regards to power/control, and not following social norms. He is very prone to justifying and rationalizing his behaviours to the point he doesn't feel remorse for the harm he causes. Tobin grew up in a very unstable and abusive environment where, like Toby, he did what he needed to do to get by. He never learned proper morals, norms, regulation, etc. But Tobin does care about others. He takes care of his little sister, and loves his girlfriend, and is very protective. Tobin is still a complex human being with more to him than just being an antisocial insensitive prick.

How can I write a character with ASPD?

Do proper research. Not on Reddit, or Quora, or WebMD. I mean go find trusted, scholarly articles and read real scientific papers and studies on ASPD. Do research into how/why it forms, the mindsets, the symptoms and their presentation, the neuroscience even.

Humanize your characters. While it's fun to throw around a bunch of negative and toxic traits to a character you want people to see as 'bad', it's lazy character development. Give them good, positive traits as well. People are very complex, and nobody will fit in to the mold of good or bad. Make them human enough where someone wont look at your character with ASPD and assume everyone with ASPD are monsters.

But also, don't water down the disorder. ASPD does cause harm to the patient and the people in their life. I've seen it a lot where people will try to fight against stigmatization by completely glamorizing the disorder. "People with ASPD aren't inherently bad! They don't actually hurt others or act hostile or say insensitive things"... Yes we do. And it causes many problems. And that is why its a disorder.

Personally I don't like to throw the ASPD label onto my characters even if I do write them to have ASPD because I feel like it just boxes them in. If you write a character with ASPD, try doing it in a way where a professional would be able to tell they have ASPD without you even mentioning the label.

Remember that ASPD is COMPLEX. It varies vastly in its presentation, its a disorder that is life-consuming and the dysfunctional beliefs and behavioural patterns are deeply ingrained and consistent throughout many different areas in someones life. It's a label to describe preexisting issues. It's something that is highly associated with childhood trauma, and drug addiction, and general suffering for the person dealing with their own chaotic mind.

The biggest problem I see that frustrates me is the way people throw around the terms "psychopath" and "sociopath", especially when someone just wants to add a layer of edginess onto their character. Remember that you are dealing with a condition that real people suffer from every day. If you can't handle it respectfully, and if you would demonize someone with ASPD in real life for acting as your character does, just don't write it in. Keep the label separate. We don't need any more stigmatization and misinformation.

I know this was very long, but it's such a multifaceted and complex issue and I've seen it enough times in the fandom to be frustrated enough to write this. If you have any questions, want more advice or information, please feel free to ask away in my ask box 🔥

[tiamathh]

Your Next Friendship <3

Note: it's been a while, this is a repost but I have the same audience I had like 4 years ago so bear with me, new pac being worked on love you stay hydrated stay healthy muah <33 like and rb if you can!

Do not plagiarise, reword, steal, repost my work!

✧ Masterlist

Pile 1

Oh, this is cute, this will be a very new beginning for both parties!! There will be a lot of innocence here, it's playful and will help heal your inner child. This person may even help you feel freer, you could help them back by making them be more careful and grounded with their decisions. You may be manifesting this friendship!! It will definitely be some sort of wish fulfilment for you. They would be someone who's really accomplished and successful in whatever they do, they could have Aries or Capricorn in their chart as well. They'll teach you how to be more confident and open to accepting love and affection. Your relationship dynamic is very given and take, however you may find yourself too absorbed in this friendship at one point where you could miss out on meeting new people and making more friends, so beware of that.

Ah there's so much cheerful and extroverted energy here! The person coming in is definitely a people person, they may love socialising and something about their laugh will stand out, they could like accessorising as well. They're someone who looks towards the brighter side of life, but they may have problems with facing negative emotions, which could lead to toxic positivity to a certain extent. They may also like spoiling their loved ones with gifts, you may work on a project together as well.

Keywords: close, build, seeking answers, paying attention, curiosity, money, status, complacency, love you as a friend, anger, define, allowed, everything, dreams, smooth, why? Far away

Song: Manta Rays - Chloe Moriondo

Pile 2

Ah, okay so this person is probably someone who is mysterious and can come off as deceptive at times. The kind of person you may think is shady or brooding, someone who could be a little more pessimistic. They could be struggling with their mental health and could get stuck in their own head quite a bit, and may have issues with feelings of inadequacy. This friendship may be more for them and less for you, it's giving karmic relationship where you'll help heal them and they'll teach you important lessons. They could be extremely wise beyond their years, but they could have trouble expressing it in a way that doesn't come off as slightly argumentative.

However, your relationship dynamic would be very sweet and promote a lot of growth for the both of you. They may teach you how to stand up for yourself more and take a more realistic approach, maybe you're someone who is more idealistic, they'll help ground you whereas you can teach them how to take it easy and not be very hard on themselves. This would be a very strong bond, they may be someone who believe actions speak louder than words and their love language could be acts of service and physical touch, they would be the kind to ensure your comfort over anything else and could remember small details about you.

Keywords: angry, forgive, camp, dirty shoes, first choice, night conversations, strangers, doubts, imagine, almonds, loneliest, accept myself, worship, passion, devotion, planning.

Song: Wish on the same sky - Monsta X

Pile 3

Oh, this could be someone who you could meet either while travelling or online. They may be different than you in terms of your ideologies, ethnicity, country, etc. They could also be someone who has different ideologies from you and could teach you how to look at things from different perspectives especially if you're more stubborn and set in your own ways. There could be some argumentative energy here, initially there could be a bit of conflict however the both of you will bring balance into each other's lives. They may teach you how to balance your masculine and feminine energies and make them work together rather than focusing on one at a time.

This could prove to be a perfect partnership, probably a long-term friendship as well, this person will be charming and fearless, they could be someone who thinks about consequences after an action been completed, a bit impulsive but it works for them either way. You could think they're really lucky and generous, something about their hair would stand out as well, they could attract big crowds too. Your dynamic would rely a lot on words and communication, maybe you text more than call but they would be big on words of affirmation, the kind to stop you from continuing negative self-talk (if you do talk negatively about yourself).

Keywords: power, universe at play, timing, patience, repression, hunger, senses, hands, drink, forever, exploring, learning, protection, in love, believe, trying, dream girl, boring clothes.

Song: Suburban Wonderland - BETWEEN FRIENDS

[lesbomaticlove]

ive talked about it before but i wanna talk about it again and that's

body types in drawing especially in terms of one piece characters

and i know its because official art presents them all the same but it just does not feel right to me, y'know? especially when i look at fanart and it looks like they just drew the same body multiple times with different faces (talent in that yes but god change it up a bit PLEASE)

like with my style i like to draw semi-realistic cartoon type beat, and that means im thinking about an abstract of shape language in the way that i present the characters. i consider their fighting styles and workouts when i think about what their body type would be, not just for op ive done this with mha and jjk characters too because god dammit gege, maki deserves bulkier muscles for her efforts

so here it is. my analysis of more semi-realistic designs for these characters. all my opinion and not meant to be a call out to anyone.

also, not including the women because we all know how unrealistic they look and i dont need to explain that to you im begging just use reference.

LUFFY

rubberhose arms are ESSENTIAL in his design so when i draw him, i never put too much definition in his muscles. real definition should be reserved for gears that alter his muscles

noodly arms and stick ass legs that is his Charm thank you i dont need super definition

ZORO

on the opposite end of the spectrum, zoro.

though, i see many people draw him more bodybuilder silhouette when he should be powerlifter silhouette, youve SEEN how this man works out. stereotypical bodybuilder physique that's all muscle and no fat is EXTREMELY UNHEALTHY TO MAINTAIN and you know theres no damn way sanjis letting someone on the ship watch their weight for the sake of visuals. he should be defined and bulky, but softer edges on the abs.

USOPP

Speaking first on pre ts, what does he excel at most? long range weapons and running.

obviously he gets proper strength training during timeskip, but i really think the best representative for him is olympic sprinters

muscular, but still pretty skinny

SANJI

hear me out. ballet physique.

i see him drawn w the same physique as Zoro and it just feels so wrong. he doesnt train his upper body, so most of his definition would be in his core and legs. not to mention his flexibility tracks with that.

maybe ill come back with a figure study on these later to fully show how it translates into my drawings but. for now. tumblr wont let me add any more images to this post

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

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