#but also I like how it's realistic in terms of people here

[darkfictionjude]

Okay so I know this is a touchy subject already especially since certain people have already been bitchy about it before, but sometimes Crowny is genuinely difficult to play as. I feel super conflicted about them since they're the literal personification of "damn bitch you live like this?"

Realistically, progress isn't linear and different people get different results even if they do the exact same thing, but as of now it feels like they aren't really allowed to improve at all. If you study you're still mediocre leaning towards bad in terms of understanding. You try to workout you see absolutely no results, not even the tiniest bit. When it comes to the other characters, it's always one step forward and two steps back. When you give them a hobby or try to get them to pick up a skill they find little enjoyment. When people bother them they barely fight back or even argue, and when they do it's like a sarcastic quip or a grumble at most. By the end, they haven't even made a dent. These don't make them less of a person and it doesn't make them a failure since the world is quite literally out to get them, but it's like they aren't allowed any satisfaction in their life. (Yeah it's been like a month, maybe barely scratching two in the current timeline so maybe this contradicts what I first said about progress but I'm dumb as hell)

It's wild to go from the side quests, backstory segments, interactions with the ROs and then Crown family just for all the hype to fade when there's a segment with just Crowny all alone. I know that there's a reason for why they are the way they are, but I literally have to take breaks from reading their solitary moments sometimes because it seems to drag on. I know things aren't easy in this universe, I know the world is supposed to be cruel and unfair, but like can they at least get a cake for their efforts? Or a hug? Or be able to sleep through one night and wake up well rested?

I hope I'm not sounding like an asshole or a insane here. Personally, they're relatable in a lot of aspects. I may not have had supernatural shit going after me, but I had a lot of issues that many of their experiences brush way too close to. It's just the way it's presented that makes them feel like they're like the random piece of chewy cartilage in an otherwise perfectly cooked steak, unpleasant but I'm gonna eat it anyway.

I literally just wrote a whole ass book complaining, but I at least wanna say I do love your work, Crowny included even if my words seem to say otherwise, and I'm super excited to see what happens in the timeskip since i know this is like JUST the beginning. I'm like seriously praying my tone is coming off the right way if that's even possible. If you read through all this thanks. I'm not gonna hide behind anon because I at least wanna be able to explain myself if this comes across wrong.

but like can they at least get a cake for their efforts? Or a hug? Or be able to sleep through one night and wake up well rested?

Well no 😭😭

And that comes from the fact that they are self loathing, depressed as hell and have virtually no support system while dealing with things that they aren’t mature enough to handle, actually their mental health is getting far worse which is by design

I feel like perhaps some readers have not realized just how depressed crowny is. All the things you described about them finding little enjoyment, etc., are key markers of major clinical depression

I feel also people did miss the fact that crowny kind of exploded in the library they didn’t shut up, they didn’t let it go which I think is a positive because this is the first time they’ve have enough to say “enough”

Sorry but I like my things slow burn 💀 that Halloween party is meant to be a breakthrough for them and I think perhaps it’s been glossed over by some because what happened to James has gotten the most attention and the final moment in the woods. Crowny outed their “friends” for the first ever and fought back against their tormentor in only one single night. James for all his issues did the one thing that broke the camel’s back and pushed Crowny over the edge, all 7 episodes have led to this

Crowny is meant to fall before they come up that’s how I wanted it because realistically someone could not handle all of this without losing their mind. It has barely been two months, Crowny has only seriously hit the main plot in episode 4 which in the current timeline was about 3 weeks ago (from episode 7)

Truly the progress that crowny did make in episode 7 should have taken longer, people with crowny’s issues spend years in therapy before they feel they have the right to fight back.

There’s a reason episode 7 is the midseason finale. It’s not only about the plot but about crowny themself….

Dw you’re tune is fine I can usually tell when someone doesn’t think before they write 😭

[atlasisntdead]

Eww had a dream that I gave some girl IRL my tumblr and she was standing there inspecting it like "uhh trans guy...really???" then I was like "keep it down cmon not here, but yeah" and she apparently saw something about me being against ableism and went "what lol you care about that just cuz you were temporarily physically disabled" and I said "no like, for mental disabilities, tho yeah physical too". Then she messaged me and apparently we texted before where she sent me some pics of us bcz we've known each other since childhood??? And when she texted in the present she still misgendered me lol. This wins 'Most mortifying, uncomfortable and awkward dream ever' reward

[autism-disco]

the unending cosmic horrors of the universe versus A Song

[dulcewrites]

Idk…. there’s something so weirdly misguided imo about people thinking boderline comically evil, vicious women = always complex or well written. Most women aren’t… honestly most PEOPLE aren’t like that regardless of the time period or setting.

It’s why I’ll never get the people who say book Alicent (who honestly is not even as awful as make her out to be but I digress) is more complex or well written than show Alicent. It’s one thing to have a preference, but to pretend what George wrote for basically all the women in f&b is just so deep is fallacy lmao

[rebelfell]

for your viewing pleasure┃vol. 1

pornstar!eddie x director!reader

all my pornstar!eddie blurbs together at last b/c I hated how I published them originally. the og posts are still here, but they have been edited/expanded somewhat, and I’ve included a “finale” of sorts that is new! index for this story is here.

cw: pornstar!au, so…porn. but it’s also a kind of fantasy porn company/industry, so not really at all based in reality or fact. sex work, oral sex (f & m rec), public-ish sex, piv sex.

18+, MDNI┃8.7k

special thanks to @urhoneycombwitch for helping come up with like 90% of this via mutual flailing in my inbox 🥰 ilyaaf

After dark thoughts about pornstar!eddie…who gets fired from his first job.

Because he’s great at sex, but bad at porn.

So, so, so bad. Like, he’s incredible at eating pussy, but incredible because he does it with his whole face completely buried in his co-star. We’re talking fully and wholly submerged in her folds, as though she’s his breathing apparatus.

And that’s great for her, but terrible for camera.

They keep stopping him, telling him he has to pull it back, that they have to see her pussy and they can’t with his big head and bigger hair blocking their view. But much like a dog that’s been told to leave a treat where it is, he keeps edging closer and moving back in little by little until he’s right back where he wants to be—and they’re yelling “CUT” and scolding him all over again.

And the girl is getting frustrated because, like, she’s about to actually come and she looks at the director with this look of pure desperation and ‘just do me this solid—please?’ in her eyes.

So he finally lets Eddie get her off and just films super tight on her face and her trembling legs so it’s really obvious how real it really is.

And so they can move the fuck on already.

Then they’re filming the fucking, and once again Eddie is fucking like he would fuck in real life and the way he fucks in real life is Not. Good. Porn.

He’s not just slamming into her without any care; he’s not using her to get off; he’s trying to make it good for her. And it is very, very good for her.

Like so good, she’s this close to giving him her number once they wrap for the day.

Her boyfriend of six years be damned.

And once they wrap, Eddie’s not exactly “fired” but he’s pretty sure he’s not getting called back.

Except then the movie comes out and BLOWS UP. People are obsessed. Women are buying it in droves (who knew women even watched porn??) and the VHS is back-ordered to shit.

So the production company is like, “We gotta lock this kid into a contract. Now.”

And just so we’re clear, he gets that contract. 

But he (rightfully) feels like he has a bit of juice behind him and refuses to work with that director ever again. And they agree to his terms, but that first guy is hardly an anomaly and Eddie is still butting heads with these other ass hats who keep trying to force him to do it their way.

“My buddy, my guy, my man, you’re fucking her like she’s a person and that’s not gonna sell. It may have worked for you before, but no way does lightning strike the same dick twice.”

So Eddie walks. And he’s ready to call it quits entirely…until you approach him.

Because you are former talent, trying to branch out and direct, but no one will take you seriously. So you went to the heads of production and told them even if all they gave you was a shoestring budget and one Eddie Munson, you can spin some gold. Spoiler alert—you do.

You come to Eddie with your vision of porn for women: story-based, more realistic dialogue, and real orgasms. Some of the same tropes, but done in a way that doesn’t feel so tired and gross and vapid and soulless. Something new.

Something different. Something special.

And, oh. He is so on board with that.

Meanwhile, back in Hawkins, the rumor mill is milling. Because how in the hell did Eddie “The Freak” Munson become a sex symbol overnight? It has to be a deal with the devil—that’s the only possible explanation, right? He clearly sold his soul for a magic cock and a porn career.

And Steve Harrington is LIVID.

He would have bet his entire college tuition Eddie was a virgin, but now every babe who comes into Family Video is renting that damn tape.

They’re literally pouring in looking for it, marching straight to the back, going behind that red curtain where normally only the creepers go. And they don’t so much as blush when Steve scans it.

Robin teases him about it mercilessly. Tells him maybe if he watches it, he’ll pick up some new moves. And, like, Steve has watched plenty of porn. He can’t imagine Eddie is doing anything that earth-shattering. There’s only so much to it, you know? People must just be caught up in the novelty of it being someone that they kind-of sort-of know. It will wear off, it has to.

Then he watches it.

And, oh…Steve has been doing sex all wrong.

For one, he wasn’t going down on girls. He just wasn’t. He’s not like…against it, or anything. But he sort of didn’t realize that was a thing? He lost his virginity in high-school for fuck’s sake—what did he know besides porn and magazines? And that was all the same, so wasn’t that what girls wanted? (Oh, you sweet summer dingus, Robin would shake her head and lament later.)

Secondly…the girls he was with never sounded like that. And he never realized just how fake all those other “orgasms” in porn sounded until he heard the real deal. Now he can’t un-hear it.

From that day forward, for almost two months, they are short one copy of Eddie’s tape because Steve snuck it home in his bag one night after closing. For research purposes only.

No, seriously.

Eddie is a fucking star. Literally.

The second you and he get together, (in a, ahem, professional sense) something shifts. It feels like a long-laid plan plotted from a distant corner of the vast universe has finally come to fruition.

Your first tape is a smash. The camera you get is barely a step up from a hand-held camcorder, but it doesn’t matter in the slightest. Even with a bare bones crew (you wind up doing a lot of the sound, the lighting, the editing yourself) and everyone doubting you from the jump, it’s a hit.

The concept isn’t anything crazy—Eddie shows up to deliver a pizza, and instead the girl accepts his delivery. But you add a twist: the pizza is for a poker game her boyfriend is hosting. He canceled date night for it and she’s been sitting out here all alone while they play in the other room.

Not on Eddie’s watch.

He goes to town on her, bringing her to the brink three or four times while her boyfriend’s pizzas go cold on the countertop. You push the camera in close on both of them, really trying to give the sense of Eddie as a person. So he’s not just another disembodied guy with a nice dick.

Although his is very, very nice.

His personality shines through when he does things like hike her leg up to fuck into her pussy deeper, chasing her pleasure like her high is his own; and when he grins down at her all devilishly as she tries to stifle her sounds so her “boyfriend” won’t hear; or when Eddie mocks her, making her own little whines and huffs and squeals right back at her in a way that is so infuriatingly hot.

He talks her through it, locking those big brown eyes of his on her, clutching the back of her neck while she tries to block her moans, until at last she can’t hold it back any longer and explodes.

And you have the sound guy stand off to the side and call out, “Everything okay in there, babe?” after she’s done. Nothing but a shuddering, trembling mess on a black leather sofa.

Cut. Print. That’s a wrap, folks.

Eddie is a dream to work with. He’s collaborative and creative; he communicates effectively and often. You guys are like two halves of the same brain, often anticipating what the other wants before they even know it themselves.

It’s alarming, almost. To be seen so clearly.

Even short on crew, equipment, time, money—you can’t seem to fail when you’re together.

The one thing you’re never short on is actresses. Ever since Eddie’s first tape came out, word of mouth (pun intended) has spread. Rapidly. And since you know most of them, you know who to hire. You know which ones are the flakes, which ones are divas, which ones will vibe best with the kind of set experience you’re trying to create. So Eddie trusts your judgment, completely.

He just waits for you to tell him who he’s fucking and then he does it. And he does it so well.

The fucker has chemistry with everyone—down to the guy who brings the sandwiches when you break for lunch. He’s so charming and funny and considerate practically to a fault. He’s fully dialed in from the moment he steps on set to when you wrap for the day. And afterwards, he’s checking in with you, making sure you got exactly what you wanted, asking if you want anything else, if you need him to stay because he’ll be happy to.

It’s…completely and utterly disarming.

He has every right to be a full blown asshole. This entire venture hinges on him and his magic dick, so his head should be as big as a hot air balloon. But he doesn’t ever stray from that unflagging decency that’s so rare in this industry. 

And you pray he never will.

It’s Eddie who pitches your next film.

He’s got this notion of a good girl—a cheerleader—who’s having a hard time and goes looking for weed from the mean and scary tattooed dealer.

(One guess who’s playing him.)

Except he’s not so mean and scary. He’s actually kind of a goof, mock-stabbing himself in the heart and flailing around like a clown, throwing himself off the picnic bench you and he dragged out to this clearing at the ass crack of dawn.

All part of the vision, he assured you.

They look great on camera. His dark, wild hair and clothes and everything in direct contrast to her sweet, round face and bright pastel hues and soft waves. Chemistry’s off the charts, as usual. She starts out really nervous and fidgety, but he makes her comfortable and flirts, offers the bud at a discount. And then her brow cocks daringly and she asks if he has anything…stronger.

Cut to her being eaten out like a banquet spread out on this table in the middle of the forest.

It’s oddly lush and romantic with the rich color of the leaves and the dappled sunlight that filters in through the branches—a foil to the lewdness of their acts and their wanton sounds. 

And when they’re dressed down to nothing, bare skin on bare skin on gray weathered wood, they look almost like forest nymphs or elves caught up in the throes of passion, secluded in the trees.

Especially with the leaves still clinging to Eddie’s hair from when he fell off the table.

Not for the first time, you feel a certain twinge of something that squirms low in the pit of your stomach while you watch them.

Except you’re not watching them…because you can’t take your eyes off of him.

After you wrap, he hangs back. Asks what you thought of the shoot while he helps break down the equipment. Blushes when you tell him you loved it and how good he looked. Explains how it was inspired by these daydreams he used to have about this one girl he knew in high-school.

And you almost, almost, ask him about her—but you’re cut off by a PA who runs up in a panic.

The studio is calling, and they’re pissed.

They’ve just gotten a look at the contract you had drawn up. Rights to a boutique company under their banner, unlimited use of their distribution channels. Full creative control and intellectual property rights to anything and everything.

Plus exclusive use of Eddie.

(Effectively nullifying that horseshit deal they originally gave him for a much, much better one.)

You know they’re gonna fight you on a lot of it—you swung big so you’d have plenty of room to negotiate—but it will all be worth it when they fold. Because you and Eddie have big plans.

You both know you’re onto something special and you’re in it together, to the end of the line.

Apparently, Eddie is also interested in editing.

He shows up to the production offices on a day he’s supposed to be off, but knows you have the editing bay reserved. Brings you coffee and an egg sandwich like a literal angel on earth.

An angel dressed like the devil, maybe. Because he’s got on this tank top with arm holes that’ve been stretched way, way beyond their natural elasticity, drooping down around his ribs and flashing glimpses of his tattoos and the tops of his obliques. And you aren’t entirely sure why you’re getting all hot and bothered over a tank top when there’s not a single intimate inch of his        body you haven’t already seen up close and personal through your viewfinder.

In fact, it’s the same body you’re watching fuck the shit out of that girl on the picnic table from a few days ago. And he’s wearing a whole lot less than a tank top.

You share a brief chuckle over it—the fact that his bare ass is flickering on three screens while you scroll through footage. And it’s not so much that it’s awkward, more like you’re mutually tickled by the fact that it’s not? There’s not an ounce of self-consciousness left between you two.

In a way, it’s like there never was.

He asks if you want any help, or if you mind him sitting in. He’s interested in the process, thinks it might help him on set too. There’s such a rich vein of enthusiasm and curiosity in him, a real thirst to be better and to learn. It’s ridiculous it took him three tries to graduate.

You think it’s a great idea…at first.

But then you’re watching him on the screen with him sitting right next to you. His earthy, woodsy scent layered with the smell of his soap in your nose; his recorded grunts and groans of pleasure in your ears coming through your headphones that are starting to slicken with the sweat.

It’s all wildly distracting. And you must be some kind of masochist, because (not for the first time) you can’t help but wonder how he makes all these women come the way they do.

“So, uh, what…what exactly are you doing here?”

You clear your throat, trying to cover the tremor in your voice as you ask. Eddie scoots in closer, his eyes darting between yours and the screen as he describes the way he’s using his tongue, swirling it around the edges of her entrance, plunging it deep inside her while his nose pushes firmly on her clit. Pretending not to notice your chest heaving with his every word.

“How do you even breathe?” you chuckle.

“I find my moments,” he says.

Smirks back. Winks.

And uh-oh. When did his hand touch your knee? When did he start to rub his thumb over your bare skin through the hole in your jeans? When did his long, ringed fingers start to curl under your thigh to squeeze it? When did he start to lean further into your space? When did you get so wet?

He’s close now. It wouldn’t take anything for you to bridge the gap and let your lips meet his. You can’t, though. You don’t. Because it would be so…stupid. It would be wrong and bad, and it could jeopardize both of your careers. Everything you’re working towards, totally gone.

You’re starting the porn for women movement, here. You can’t fuck your first star!

And you don’t. You keep it professional. You tell him you’re going to call it a day and head home so he’ll do the same. But later that night, when he calls with some new ideas for a script, asking if he can run a few lines by you (just to know how it sounds out loud, you know?), and you wind up having the most insane, mind-blowing phone sex of your entire life…Well, that’s different.

That’s totally and completely different.

The next time you see him, it’s business as usual.

You knew it would be. You two are nothing if not consummate professionals, fully committed to this endeavor. Neither of you would dare let your goals be derailed by a silly little crush.

And it is just a crush. It has to be.

Just the natural result of working so closely with him; of seeing him so completely in his element; appreciating his work ethic and his creativity.

Not to mention the fact that you are consistently watching him have the hottest sex you’ve ever seen in your life. But that’s unrelated.

The next shoot is your biggest yet. It’s at this massive mansion that you’re dressing to look like a spa with two massage tables set up by the pool that looks like something straight out of a resort.  Eddie is playing a masseur who offers a lonely, neglected housewife consolation in the form of his cock after her husband chooses work over their couples massage.

After the success of the pizza delivery tape, you think it’s best you lean hard into the “Eddie fucks it better” sort of storylines.

Because why not play to your strengths?

Except that the call time of your female lead has come and gone and she’s nowhere to be found. You know Trina, this isn’t like her, she’s never late. But you called and got no answer. Twice.

The light is perfect, everyone’s in place…but there’s no one for Eddie to fuck.

Even if you could get a replacement, it would take at least an hour for anyone to get out here and that was being generous. By then, the shoot would be way behind and you’ve literally only got today in this stupid model home before some fucking billionaire moves in tomorrow.

It’s gonna be a massive loss of time and money if you don’t think of something. Like, right now.

Eddie can see you’re stressed. He comes over and you huddle by your storyboards. And neither of you has to say it, but you both are thinking the exact same thing. As per usual.

You could do it.

You’re here, for one. And you’ve done this plenty of times. It just makes good business sense.

It’s been a while, and you’re not quite “camera-ready” after not having to be for the past couple of months, but you and Eddie have been talking about using more normal-looking bodies; bodies that jiggled and had hair where it grew naturally and are authentically real, regular bodies.

The camera guys know what sort of shots you want and you’ve got a bigger crew now—people who know your vision and can help bring it forth.

Plus, you’ll be with Eddie. You know he’ll take care of you. He’ll be sure that you get exactly what you need, no matter what. You’d bet your life on it.And, well…you and he did just rehearse your lines the other night.

The shoot is…interesting.

From the outside, it goes great. Perfect, even. Eddie looks all kinds of cute in his white polo and white pants. He’s got his long hair twisted up off his neck, a few loose tendrils framing his face. 

And you somehow forgot until he puts his hands on you the first time that the whole concept for this shoot was born out of the fact that he actually went to massage school for real.

Before you even get to the sex stuff, you’re putty in his hands. He moves them up and down your calves, slides his thumbs over your muscles in a dizzying pattern en route to your thighs. 

You’re not even faking the deep moans of relief you let out as he moves up higher and higher… arousal promptly pooling between your legs.

He starts going through his lines, striking that perfect balance between his casual, trying-to-be professional voice, while slowly getting more and more desperate and possessive. 

As if he’s constantly fighting the urge to take you right then. Right now.

Telling you how awful it is your husband chose work over you like this; how you should always be his number one priority; how Eddie would never let you out of his sight if you were his…

His hands reach your ass and he grips one round globe in each, spreading you apart so he (and the camera) can see how you glisten, the sunlight reflecting like it does off the water in the pool.

You wait for his next line—when he offers you a very ‘special’ massage with a ‘special’ technique he ‘doesn’t use on just anyone.’ 

But Eddie goes off script.

He licks a fat, wide stripe directly through your folds and your head pops out of the little headrest at the end of the table, the pure shock and delight on your face captured instantly by the camera.

“I’m sorry, I’m sorry, I’m sorry,” he pleads, his tongue still swirling in between the words muffled by your ass cheeks, like he can’t stand to take it away, even to speak. “I had to taste you…”

“It’s okay,” you moan, voice nearly cracking in a dry sob, “It’s okay, just please don’t stop—”

And he doesn’t. He keeps going until you come, until you’re reaching back behind you to grip his hair as you push your hips back to meet every thrust of his perfect tongue. From there, it’s back to regularly scheduled fucking. He stays on script, peppering in the sort of ad-libs he knows from experience get a good reaction every time—

That’s it sweetheart, you’re doing so well for me.

Your husband doesn’t know what he’s missing.

This pussy is all mine now, you understand?

And, yeah, that stuff gets you off, no problem. But it’s the other stuff he does—the quieter, subtle things you aren’t expecting—that really push you over the edge again and again. And again.

It’s the things he whispers (actually whispers, not stage whispers) low in your ear so you’re the only one who can hear. You feel way too good/I gotta slow down or I’m gonna come/I know you faked that last one, gimme a real one now—

It’s…it’s almost too much. You knew he’d be good, you just didn’t expect how good. 

And you definitely didn’t expect to feel the way you do when he checks in between takes: asking if you want more or less of anything, making sure he’s not being too rough, telling you how great you’re doing, apologizing again for that initial snafu. It makes you all…fluttery.

But it’s not until after you wrap for the day, after you’ve gotten in the shower at home and start to wash off the massage oil spread all over your skin, that you realize Eddie never kissed you.

Not once.

When Eddie calls later that week, it’s to ask you out. Not on a date, though. 

Which is good. Really, it is. A relief, even. Because contrary to the way your heart leapt into your throat when he asked if you were busy this weekend, you absolutely cannot date him.

It doesn’t matter that you’re attracted to him. Or that you came out of your eyeballs multiple times with him the other day. Or that you haven’t been able to think about anything besides him since.

You. Can’t. Date.

You’re pretty much his boss, don’t forget. Maybe not technically, maybe not on paper—but if you start something up with him, it will be messy and complicated and it could put everything you and he have worked for in jeopardy. More than that, you don’t want anyone thinking he got where he is by any other means besides his hard work (pun intended). He’s earned everything he’s gotten.

And now that includes an award.

That’s what he’s calling about. He’s been nominated for what is essentially the porn equivalent of an Oscar for that first tape he made. And now he has to go to this ceremony, except he’s sort of freaking out because he’s never done anything like this before and he’s really nervous and he kind of needs you there because ‘you’re the only one I’m always comfortable with.’

So he asks if you’ll go with him. As friends.

And you say you will. And it’s fine. You can do this, you can do this, you can do this—FUCK. 

Why does he have to be so hot? Showing up in a black Prada suit with a sheer shirt underneath? Almost as bad as wearing nothing under it at all. Worse, maybe.

It’s unbuttoned nearly to the middle of his torso, layered chains dangling low, hanging around that tree trunk of a neck you can’t stop wishing you could sink your teeth into, wrap a hand around—

Nope. Nope. You’re not going there. The only place you’re going tonight is these awards.

Except when you get there, the organizers don’t want you photographed with Eddie. At least not arriving together. People still aren’t familiar with you as a director, and you haven’t starred in a project in months. That’s practically a century in porn time.

Plus, the tape Eddie is nominated for you didn’t even work on. It wouldn’t make any sense.

Eddie is immediately poised to protest, but neither of you is given much of an opportunity. While you’re shuffled into the long line of people already being photographed in front of the venue, he’s being whisked away so he can walk with the girl he starred in that very first film with.

You know her, sort of. You did a group scene once upon a time. She’s a biter.

They even sneak him into her limo so it looks like they came together. He gets out first and then holds out a hand to help her, a storm of flash bulbs going off, making her jumpsuit sparkle.

And you tell yourself not to watch. You try to smile pretty for your own pictures and look like you are having a good time. Or at least not look like you’re chewing on glass. But it’s…difficult.

Especially when you look up at the worst possible time—the exact moment she places a dainty hand on his chest and he turns his face toward hers, their lips meeting for a long kiss. 

Long enough for every camera there to capture it.And the very last shot they get of you that night is one of your back as you head inside to get a drink. Or ten. Trying not to think about this sour, putrid, inconvenient feeling in your chest.

Eddie should have walked with you. 

He should have done a lot of things, actually.

He should have told those uppity event coordinators to fuck off. He should have ignored that girl from his first film when she whispered under her breath for him to look at her. He should have dodged that sticky, tacky kiss she planted on his lips without any kind of warning.

He should have asked you out for real instead of hiding behind this ‘as friends’ bullshit.

Maybe if he had, he’d be tasting your lipgloss instead of the glittery mess he was wiping off his chin. Maybe it would be your hand in his as you walked the carpet. And maybe it would be him getting you a drink and clinking his glass with yours instead of the guy you’re with right now.

Eddie knows him. Well, he doesn’t know him, he recognizes him from a tape with some absurd name like Sex Kittens 4 that featured a surprising amount of doggy style, considering the title.

Plus you in a never-ending stream of animal-print bikinis.

(He definitely did NOT go looking for every movie you’d ever made. No, that would be ridiculous. He just sort of…happened across one. Or five.)

And it’s not that he’s jealous—because there’s nothing to be jealous of. You met him doing a job. A job very much like the one you did with Eddie. You’re just catching up with an old coworker.

It’s fine. Totally fine. Did he mention it’s fine?

But then Tom Wanks put his hand on your hip, and before Eddie can take even a second to think, or to rationalize his actions, he’s striding up to you and taking your hand to drag you away.

The beaded fringe on your dress swishes noisily as he brings you with him behind a curtain that was set up as a backdrop for more photos. In the shadows behind it, your eyes glint a little meanly and your voice is barbed when you ask what the hell is the matter with him.

And he’s really not sure.

Because much like you, he’s not used to this; he’s not used to not saying exactly what is on his mind at any given time; he’s not used to holding anything back—not when it comes to you.

“I should have stayed with you,” he blurted out at last. “That was messed up, I—”

Your face falls and you dodge his gaze. “It’s fine, Eddie. Don’t worry about it.”

“But I am worried about it,” he shot back. “I could have said something, I could have told them—”

“What for?” you mutter, arms crossing in front of your chest. You look at the floor, hurt. Not just hurt, disappointed. “I mean, what…what would be the point? It’s not like we’re…or that you’re…”

He watches the words stall behind your lips, all of them trying to fight their way out like people on a crowded bus. But in their efforts, they only wind up clogging the exit so nothing gets through.

“God, listen to me!” you laugh bitterly. “I sound like some crazy, jealous…something, and I don’t know why I’m getting this upset when you don’t even like me—”

“Wait, what? Who the fuck said that?”

He can tell you’re shocked by the panic that rises in his voice, staring back at him wide-eyed.

“Wh-when we were filming, you never kissed me. So I thought…”

You fell silent as Eddie’s hands covered the sides of your face. Softly cradling your jaw, his thumbs brushing over your cheeks, he stares straight into your eyes and determinedly holds your gaze. 

Your breath stuttered, so lost in those deep brown pools you could hardly recall your own name. And even if you could speak, you weren’t entirely sure what you wanted to say.

Luckily, Eddie gave you something better to do with your mouth.

His lips meet yours in a gentle brush. His hold on your face never tightens, but you can feel the way his fingers flex like he’s resisting the urge to grip you harder. There’s a tenacity in his kiss, as if he’s trying to savor the taste of you, but struggling not to devour you whole.

You break apart too soon for his liking. He easily would have stayed there forever. And he braces himself for whatever might be coming—a slap across his face, a knee straight to his balls.

He might deserve both, but receives neither.

You don’t pull back so much as an inch, happy to let him keep your face close to his. He inhales shakily, still breathing you in, “I didn’t want the first time I did that to be on camera.”

You chuckle at him, dazed and grinning, trying to decide if this is a dream or not. If it is, you don’t ever want to wake up. You want to live in it. Your own hands creep up his stomach, tugging on his silky shirt, feeling the way he shivers in it when he feels the caress of your fingertips.

“What about the second?” you whisper.

And then he’s kissing you again.

Deeper. Hungrier. Messier.

He’s not kissing you like it’s his job; like he’s just doing what was written for him in a script—he’s doing it like it’s the only thing he’s ever wanted, desired, chosen to do. Like it’s all he needs.

Your bare back meets the cool wall as he pushes you up against it, sliding his hand inside the slit of your dress, hooking it under your knee to hitch your leg over his hip. He presses every single inch of himself against your seam, harder than he’s ever been in his whole fucking life.

The closest second being when you and he filmed just a few days ago.

You claw at him, pushing his suit jacket off his shoulders, pulling open more buttons on his shirt until the gossamer fabric tears and unravels.

“More,” he begs, kisses trailing down your neck. “Fucking please, sweetheart, I need more—”

Your hand takes on a life of its own, sliding down to cup his length through the luxurious suiting. It causes him to release a deep, desperate moan you can feel his lips spreading apart to let out. The sound of it ripples through your body like an electric shock in every extremity.

The dull roar of the crowd right on the other side of that curtain is only barely enough to cover the sound of you and Eddie’s passions. His touch is so enthralling, so engrossing, you are this close to letting him fuck you right there.

Room full of people be damned.

Eddie seems to have the same idea, his mouth blazing a trail down the middle of your chest and stomach as he drops to one knee, his other foot planted to support himself as he drapes your leg over his shoulder. A rush of excitement floods your body as you realize his intentions, fingers sliding into his unruly curls to grip them at the crown of his head.

But the very second his fingers pull your panties to the side and his tongue finds its home in your folds, a commotion breaks through your bliss.

There’s a loud crash as a cater waiter stumbles into the curtain obscuring your entangled bodies and drags it down with them as they fall.

Light floods the darkened space and a sound of collective amusement ripples through the crowd. No one is exactly surprised to see people hooking up—but it’s usually not until the afterparty.

Cocktail hour isn’t even over, for crying out loud.

Then they realize who it is.

The shutters of opportunistic photographers snap as you give Eddie’s hair a sharp tug. But he just moans loudly—too absorbed in what he’s doing to even realize what’s happened.

Finally, you pull him off your clit and he looks over his shoulder at the rest of the room.

Another round of snaps and flashes go off and his eyes return to yours, brightening when he sees the way you’re covering your mouth, fighting back laughter. His own lips, still shiny with your arousal, spread into a wide grin. His gaze lands on an emergency exit and he jumps to his feet, taking your hand in his and pulling you towards it tucked securely under his arm.

Flipping off the room behind him as you leave.

Together.

The trip back to your apartment is the longest cab ride of your life.

Whereas on the way to the convention center, you’d ridden mashed against your door trying to leave a respectable distance across the middle seat, Eddie practically has you in his lap on the way back. It’s like he thinks he’ll die if he stops touching you for even a second—lips on your neck, his hands roaming hungrily, whispering filth in your ear under the cover of the radio.

You do your best to catch the driver’s eye in the rearview, trying to shoot him an apologetic look or at least mouth a wholly insincere ‘sorry’ for the display. But he seems unphased.

Still, you stuff a wad of extra bills in his hand as you scramble out of his car. Unceremoniously crashing through the front door, you’re lucky not to break it down in your haste to get Eddie inside.

Of your apartment, that is.

Lips locked for every step across your cramped studio, you tumble to the bed and let out a soft grunt when a plastic hanger digs into your back. Hearing you yelp, Eddie pulls back and can see you’re lying on top of the ten or so discarded outfits you went through trying to decide on what to wear tonight. Sequins rustle under your bodies as the bed shakes with your gentle laughter, and Eddie drops a kiss to the tip of your nose before he climbs off you. Reluctantly.

He watches while you gather the dresses strewn across the bed, smiling when you try and stuff them back in your closet, fumbling with only the amber street light filtering through your blinds to see by. When you finally turn back to face him, he’s still smiling. Head tilted at you, eyes slowly raking over your form, heart rate picking up in his chest when yours do the same to him.

The pause is nice. It gives you both a minute to catch your breaths, for your brains to catch up with your bodies. Your steps turn careful and slow as you move towards him. With trembling fingers, he pulls open the last remaining buttons of his sheer shirt and lets it fall to his feet.

Remembering only just now that his jacket is still on the floor of that hotel ballroom.

You come to a stop in front of him and he closes the distance left. He reaches around you and pulls down the zipper of your dress, fingertips dragging lightly along your spine as he reveals it.

It’s the closest you’ve ever come to feeling like a gift someone is unwrapping.

With your dress pooled around your ankles, Eddie’s hands are free to wander. He runs them up and down your arms, sweeping them along the inside of your wrists to twine your fingers with his. He brings them to his lips to kiss and the sight of plush pink brushing your knuckles is bordering on being too much to handle—more erotic than anything you’ve ever filmed.

He’s going slow because it’s slowly dawning on him what you’re about to do. 

And how this time it’s not going to be for work or for a camera. It’s going to be real. 

Except…is it going to be real?

Should he do something different than what he did when you filmed? How can he, when he used all his best moves during the shoot? Shit…

He doesn’t want you thinking he’s just doing with you the same thing he does with everyone else; that this—that you—aren’t special to him.

Then suddenly, he’s not going slow anymore.

He’s stopped completely.

“You okay?” you whisper.

“Y-yeah,” he chokes out, like the word is made of sawdust. “I just, ahhh…I don’t know, I think I’m psyching myself out? Thinking too hard.”

“Thinking about what?” you whisper, your teeth tugging back your bottom lip.

His head just shakes, eyes still scanning your face while his thumb lightly strokes your jaw, until he lets out a sigh that’s heavy with fondness and whispers, “How I don’t want to mess this up.”

He takes another deep breath, letting his forehead rest against your own as his chest shudders. Confounded as to how something he’s done in front of a whole-ass camera crew could make him feel so self-conscious when it’s just you here with him. A few seconds of silence pass until his lips part in a smirk and his gaze cuts to the side, right to where a camera would be.

“Is it just me…or does it feel like something is missing?”

It takes a few minutes of digging to find your old camcorder buried in the depths of your closet. 

Eddie chuckles when you emerge, brandishing it with a flourish and a little ta-da! before you set it on top of your dresser pointed at the bed, angling it slightly to properly frame the shot.

The red light blinks as you hit ‘record,’ barely taking a second to check if there’s a tape inside. You let it run, capturing your figures half in shadows as he sits on the bed and pulls you into his lap. He helps you settle on his thighs, runs his hands up the backs of yours, slips his long fingers under the elastic band of your panties to rest on your hip. He pulls them back and snaps them softly on your skin, earning a hum of approval from behind your pressed lips.

You wriggle on top of him and delight in how it makes his chest reverberate with a low groan.

“That better?” you whisper, the answer to your question immediately stiffening underneath you. He nods fervently, his voice tight and strained as he struggles to keep his cool.

“Wanna taste you,” he grunts out roughly.

He moves his hands to grip your waist so he can flip you underneath him, but your hands find his shoulders and stop him before he can.

Big, doleful eyes look up at yours, his face etched with concern as you shake your head. His bottom lip wobbles as he searches your face for why.

In a reassuring press, you mash your lips to his and lace your fingers behind his neck. You kiss all the air out of his lungs, until his fingertips are digging into your flesh hard enough to leave ten tiny bruises. You kiss him like you’re trying to take the weight of the world off his shoulders, like you’re going to accept his every burden as your own so he doesn’t have to carry them alone.

There’s a quiet pop as your mouths separate and you press your chest flush with his, wrapping your arms around his neck so your lips find his ear as your nose nudges through his curls.

“Tell me you want me,” you whisper. “Tell me how much you want this.”

“I don’t want it,” he groans back, “I need it. I’ve needed it since I fucking met you.”

The heat in his voice, the rumble of it in your ear, causes a wave of arousal to rush through your body. You unwind your arms from around his neck and slip slowly, painfully slowly, from his lap to stand between his legs. You place a finger under his chin and tip his face up for him to look at you, your thumb settling in the tiny dip at its center. Too small to see, it could only be felt.

“Everyone always uses you,” you tell him softly, almost mournfully.

His eyes stay wide and hopeful, never leaving yours as you sink down to your knees. His long, dark lashes flutter as your hands run up his muscled thighs, the edges of your thumbs grazing the outline of his cock. He hisses through his teeth and you grin devilishly at the sound.

“I want you to use me,” you instruct him. “Take whatever you need, as much as you want.”

And you can literally see how your words affect him, his eyes bugging wide as the wheels in his head are turning behind them. He reaches out to touch your face and you turn it to kiss his palm.

“Sweetheart, I—oh, fuck,” he gasps, cut off with your sudden squeeze of his clothed cock.

“I’ll stop you if I need a break,” you reply firmly.

The muscles in his neck pull taught as he nods. He leans back on one elbow, reluctant to let his other hand leave your face. You kiss his bare stomach along the top of his waistband and he curls his hand around the back of your head, gripping it tighter when you tug down his fly.

And you knew Eddie’s dick well by now. You knew it inside of you as well as out. But there was nothing that could have prepared you for the sight of it tonight. Thick, and veiny, and weeping with pre that dribbles down its sides. He’s almost ashamed of it, almost embarrassed by how hard he is for you; by how close he is to blowing his load when you’ve not even gotten started.

It was practically a miracle he didn’t soil the inside of his suit when you pulled his hair earlier.

His pupils are blown out when your eyes meet his, your lips hovering so close to his cock he can feel your breath on it. Saliva pools under your tongue so rapidly, you almost feel like you’re at risk of it spilling out of your mouth and running down your chin when you speak.

“Fuck my throat, Eddie. Please.”

And he does. He lets you set the pace at first, still holding fast on the back of your head he watches your lips surround his tip. His chest heaves with deep, gasping breaths as you take him fully into your mouth and start to bob on his perfect cock. It’s almost too much, too perfect, the feeling of your warm, wet mouth and your soft tongue and, fuck, your hand—

He pants wildly as you cradle his sack, your fingertips stroking them and spreading the spit from your mouth that’s dribbling down his shaft to his balls. They tense in your palm and his stomach tightens the faster your mouth moves, the more your throat relaxes to take him in deep.

The man who gives the best head imaginable finally having the favor returned.

“Jesus Christ…”

Eddie's words are whispered like a prayer and you look up to take in the sight of him.

Eyes pinched shut, his brows drawn like he’s in pain even though the sounds he’s releasing are nothing short of euphoric. You tease all the most sensitive nooks and crannies of his cock, all the places that make his eyes roll back and his head loll on his shoulders and his chest heave. Every ridge, every vein, every muscle that twitches under the attention of your tongue.

“Oh, pl…p-please,” he gasps, tightening his hold on your hair to still your movements as his hips start to move in an instinctive and primal thrust.

He hits the back of your throat and you swallow more of him down, taking him deeper, deeper until your nose brushes the wiry hair at his base.

You groan around his length, enthralled by the exquisite ache of him hitting your soft palate, and the sound is Eddie’s undoing. He lets out a long, low moan and spills hot and thick down your throat. His arm trembles as he fights his own iron grip on the back of your head, forbidding himself from pulling your hair. You can feel the tremors of his fingers against your scalp.

His abdomen spasms as you stroke him through the aftershocks, flirting with overstimulation. Fucked-out eyes, heavy-lidded and sleepy, but nothing short of reverent, find yours and they’re wet—shiny, shimmering with tears that crowd their rims and threaten to spill down his cheeks.

Quick as you can, you’re on your feet cradling his jaw to ask if he’s okay. And Eddie can’t answer, can only nod as he kisses, kisses, kisses your palm, the heel of your hand, your wrist, down the inside of your arm all the way to your elbow.

He can’t kiss you enough, it seems. 

You giggle softly as you sit beside him and reach out to ruffle his bangs, tucking some of his hair behind his ear and letting your touch linger on his neck. With the pad of your thumb, you brush a tear that has leaked out of the corner of his eye. He looks back at you with a smile and swipes the pad of his thumb along the corner of your mouth to wipe away a drop of his spend.

And you know there’s still a lot left to figure out—damage control that will have to be done, difficult conversations that will have to be had. There will be whispers and rumors and sidelong glances.

Not to mention the firestorm those pictures of you two at the ceremony will undoubtedly stir up.

But none of that matters right now. Nothing does, beyond this bed and this night. Nothing else even exists outside the confines of this room.

All that matters is you and him.

You lay there for a while, just…being. Your fingers tracing his tattoos and the soft planes of his chest and stomach; his, the slope of your shoulders and the lines of your body he’s always wanted to know better. Quiet words pass back and forth, teasing jokes and soft confessions. Admissions of fears that held you both back and don’t seem so daunting anymore. Don’t seem so scary.

When he’s hard again, you pick up the camera and point it at him as you guide him to lay on his back. You push in close on his face when you sink down fully onto his length and start to ride him at an egregiously slow pace just so your shot holds steady. And because he looks so pretty taking it.

“Something wrong, Ed?” you goad him a smidge, toying with him in more ways than one when your pussy squeezes so tight around his cock it makes him lose his breath and pant out of control.

“F-fu…fuuuuuck meeee…” he whines and writhes, throwing his head back into the mattress.

“Oh,” you chuckle at him, speeding up just a hair, “I’m sorry, is that not what I was doing?”

His head jerks up, eyes ablaze as he stares you down through the camera lens. You peer at him over the top of the viewfinder and shiver despite the thin layer of sweat building on your skin.

Okay, yeah, that might have been a little too far. Or just far enough, you think, almost giddy.

“Nah,” he growls, the corner of his mouth curling up in a smirk. “Sorry is what you’re gonna be.”

A loud squeal bursts out of you as he rolls your bodies to the side and pins you underneath him, somehow managing to keep himself seated inside you the whole time. Breathless, you watch as he takes the camera from you and practically tosses it away so he can hold your arms over your head. For a while, all it captures is a blurry close-up of your duvet cover, the frame shaking in time with every deep, solid thrust of Eddie’s hips that rattles the entire bed and you in it when he gets going.

Your moans and his grunts mix in a symphony that will surely earn you some side-eyeing from your neighbors tomorrow, but you can’t bring yourself to give a single ounce of a shit.

The song that you make together swells to a crescendo as you topple over the precipice you’ve been dangling off the edge of practically from the moment you met him. Eddie fumbles like mad for the camera and picks it up, recording your blissful expression before he swoops in to press his lips back to yours. Kissing you like he’s trying to eat you, like he’s trying to fuse your faces.

You’re certainly not complaining.

And now that he’s the one with the camera, he’s eager to keep going. He pans it up and down your whole body, guiding you into every filthy position he’s been imagining all those long nights alone in his bed. Through his eyes behind the lens, there’s not a single angle on you that isn’t pristine. 

He gets you up on all fours, films tight on your ass as he squeezes it and cracks his palm down on it when he lets go. The sting makes you keen, your back arching as your hips thrust back—seeking more, more. His hand then smooths over your buzzing flesh, soothes the ache he’s made.

And even as you’re making it, you can tell this is not just another sex tape.

It’s a love tape.

thank you for reading — love you, mean it! 🏝️

[deeplyshalllow]

Classic Fiyeraba fic recommendations

So, with the new movie coming out, I've seen a lot of requests here for people to write Fiyeraba particularly happy Shiz era stuff, and like guys, guys, I did not spend my formative teen years in the Wicked fanfiction.net section for people to act like the amazing fics there don't even exist.

So here is my list of the fics and authors so great that I remember it over a decade later

Obviously, given we have never had a situation before where people know act 1 but not act 2, there will be spoilers and act 2 stuff in a bunch of these, but please check them out.

(a few of the authors I know are still around tumblr I've tagged, but feel free to tell me if you want me to take it off).

Authors in no particular order:

Tiggy the Hopeless Romantic - Honestly just read anything this woman wrote, I think if anyone said Fiyeraba fanfic this would be the first name I think of - bonus that a lot of the stuff is easily digestible fluffy oneshots

Merina Thropp @merinathropp on Tumblr - Writes beautifully, I remember getting very excited when she uploaded new fic. I particularly remember her Fiyero's Shiz era twitter fic and her extended As Long As You're Mine fic

HC247 @a-partofthenarrative on Tumblr - Writes such lovely fluff and I think double digits on alaym fics! Particularly remember her Once Upon a Kiss series and Masquerade. She mostly writes POTO stuff now but I see occasionally get an alert in my inbox from her.

alinaandalion - another fantastic Fiyeraba writer (god there are so many) I particularly remember her for her A Drop in the Bucket series, which are a lovely series of Fiyeraba oneshots.

CrazyBeagle - one of the people on the Wicked section who has made the transition to real life friend. But I knew her for her fics before we became friends. To Feel is post musical fic which is a lovely realistic continuation of Fiyeraba's journey. Unlimited is a modern retelling of Wicked which I really enjoy though I have been told multiple times it will never be updated no matter how much I threaten.

Scandalacious Intentions @scandalaciousintentions on Tumblr - Candy is the other Wicked friend who has become an irl friend (and I am most certainly the only person who still calls her Candy). She is much better known for her Tonks/Lupin stuff, but I always loved what she wrote for Wicked. Witchy Woman was her first Wicked fic I still very much enjoy it.

Girlscout4ever wrote ever so beautifully. Cheap Rented Room is such a fantastic expanded ALAYM.

ElphabaROCKS - wrote a lot of very good Fiyeraba fluff

Vinkanwildflowerqueen @vinkunwildflowerqueen on Tumblr - I imagine a lot of you know her already as she is still writing! She writes a lot of very good Fiyeraba au fics

Fermantoso - one of the funniest writers in the section! Chasing Elphie is the one I remember best, au but funny and sweet.

Danderson - slightly more bookverse than a lot of the other writers here but still great fics!

Kaylle - There are Nights, is always the one people (including me) remember as it's one of the most beautiful pieces of fanfiction on the Wicked section, but all of her work is lovely.

Lost Ozian - Well known for her humour, The Fiyero User Manual springs immediately to mind, my favourite is actually her serious au fic Different

Me - debated whether to add this, but I was also part of the section back in the day, and I know people enjoyed my fics too, though God knows I've improve my writing in the last decade and a half - in terms of Fiyeraba my strongest were probably A Moment and Living. Perfect Together is unquestionably the best fic I wrote for Wicked, although it's more Flinda.

Individual Fics:

Like a Swan on a Lake - this fic was actually well after my time but I happened to read it and I love love love it! AU of Fiyero if both girls defied gravity together and it does such a good job of showing his intelligence

Broccoli - I remember this one being very sweet Shiz era Fiyeraba

According to Plan - funny fic, fun twist ending

Sincerely, an annoyed Shiz student - not strickly Fiyeraba but you should read it. It is a very fun parody.

It's a long way to fall - This was actually the fic I created a fanfic account for, because I hadn't realised you could anonymous review! A fun arranged marriage AU

Please, please add to this list if you have other recs, mine are about 10 years out of date. Also apologies if I've missed any out as there's so many good ones and it is 2am.

[project-sekai-facts]

i'm curious why you feel confident in saying that mizuki was trans, it feels like the story itself only explicitly stated that she's amab - i would really like for it to be confirmed but it feels a bit like jumping the gun

If I'm wrong, I'm wrong, but considering how uncomfortable Mizuki is with classmates calling her a boy, and how she's gone out of her way to not have N25 know this, and how she reacted to Ena being asked "If you're friends with Mizuki, are you [a cis girl] a boy too?", idk man I think I can jump the gun.

Plus everything in the trans Mizuki post. The blatant use of the trans flag colors, people calling younger Mizuki "weird" and asking "isn't it odd for you to wear that" when she goes into school in typically girly clothes for the first time, Mizuki having short hair and boys clothes in middle school but long hair and girls clothes in high school, her sister encouraging her to stop repressing and live her life on her own terms.

Like. This is Mizuki's reaction to classmates telling Ena that Mizuki is a guy. It's the fact they asked a cis girl if she was a boy to try and justify why she was friends with Mizuki. Like there's some sort of implication there that they think Mizuki is pretending to be a girl. Yeah sure maybe they'll turn around and say Mizuki is a crossdresser despite everything, but Mizuki being told "isn't it weird for you to dress [like a girl]", "it's just for attention" "it's just a phase". It resonates so much with the trans experience, these are word for word things that trans people hear, and then you can couple that with clpl saying they aim to portray their character's struggles realistically.

Like. Let's get this straight. The boys who ask Ena if "[she's] a guy too" are presumably the same ones who have been showing up in the story since the beginning, being portrayed as bullies. Them calling Mizuki a boy, and making fun of her for dressing in a feminine way, is presented as bullying. Going off that translation doc since sekaibest still doesn't have the script, they follow up that scene by saying that Ena is a "normal girl". Normal is the key word here. Ena is a "normal" (cis) girl to them which implies they view Mizuki as an "abnormal girl" (trans girl), or they outright just call her a guy. Yikes.

Again. Mizuki's reaction to the bullying speaks volumes. Mizuki had gone through such lengths to hide this from her friends. It feels way too much for them to just say she's a gnc cis boy at the end of it. Listen, if gender wasn't related here, she wouldn't have nearly this much issue with her friend being told she's a gender the story has repeatedly proven that she doesn't want to identify as and have other people identify her with. Simply from the perspective of a screenwriter.

...also mizuki is literally grouped as a girl for gameplay purposes and always has been? And ensekai at least at launch made the executive decision to use she/her for Mizuki.

But if I'm wrong, I'm wrong.

[taliabhattwrites]

Is "hijra" a slur? Contextualizing South Asian (trans)misogyny

A note on the sheer cultural diversity of the subcontinent

There is no realistic way for me to exhaustively examine the context of every South Asian transfeminized population (though believe me, I’d like to). As such, I’m going to limit my scope to India, but make a quick initial note about Pakistan and Bangladesh.

Pakistani transfeminized communities, according to my partner’s sisters who are in the community, do consider ‘hijra’ more derogatory than their Indian counterparts necessarily do and refer to themselves as part of the ‘khwaja sira’ community.

I have sadly not been able to speak to any transfeminine people from Bangladesh, but I have spoken to cis queers who have told me that they use ‘hijra’ in a manner similar to India.

If there are desi queers from those communities who would like to add their perspectives, please feel free to reblog. And for the South Asian communities I haven't mentioned (such as Sri Lanka), please feel free to add your perspectives too! I'm curious to hear from you all.

Etymology and Usage

‘Hijra’ in its meaning and usage amongst the cis is most similar to the word ‘naamard’ (NAH-murd). The ‘naa’ is prefixal, a negation akin to ‘non’, while ‘mard’ is the word for ‘man’. It is a way of unmanning a man, of calling him lacking in the essential quality of manhood, of labelling him, in spirit if not in body, impotent.

As such, you can see how it’s an implicitly third-sexing construction (even before you account for how these communities are explicitly third-sexed, denied the epistemic autonomy to be recognized as women and now third-sexed by law). When Nanda called them emasculated homosexuals, it was not far off from how Indian culture forcibly categorizes and marginalizes them.

Members of the community have told me about their frustration and anger at being referred to as such, even though the word has now become a term through which they organize the community and sometimes advocate for themselves, a political reality that does not inherently contradict their campaigns to be recognized as women, and allowed to self-ID as such. (Recall, the Indian government currently mandates legal third-sexing of the hijra: they must first obtain a “Trans Certificate” and be documented as a third sex before they initiate the process of being recognized as women—a process that is contingent on subjecting themselves to transmedicalist scrutiny and gatekeeping!)

Others, however, have pointed out to me that the term is undergoing a process of reclamation. The term ‘hijra’ has a certain degree of legibility in Indian society even as it is a pejorative with degendering and dehumanizing connotations. It is being reclaimed intracommunally, but also by allies who speak of them without the usual stigmatizing connotations that cis society has saddled the term with.

Even still, I have also been told that the manner in which cis and especially Western academics use the term in scholarship—and I’m quoting here—"makes me want to tear my skin out". The fictions of “recognized gender role in Indian society” and “oppressed only after colonialism” are further simplifications and fabrications that obfuscate the role South Asian ruling-class collaborators eagerly played in petitioning for those colonial-era laws, and ignore such easily available empirical evidence as the Manusmriti mandating punishments for anyone who sleeps with—ugh—“eunuchs”.

Conclusion

In sum, I’d liken the use of the word “hijra” as analogous to the usage of “queer” in the 90s, as a slur in the contentious, contextual process of being reclaimed. As Aruvi put it to me on Bluesky:

We cannot allow cis people to dictate the discursive and epistemic terms of transfeminine culture. At the same time, the term “hijra” still carries with it heavy baggage due to South Asian transmisogyny as well as the academic misrepresentations and epistemic extractivism that Western scholarship has subjected South Asian transfeminized demographics to.

If you want to know how best to use the term, try to do so without third-sexing, and without promulgating fictive ideas of South Asian cultures being “gender-expansive” and “recognizing more than two genders”. Erasing the marginalization of the hijra is endemic to the way the term is used in the West, and that must absolutely be combatted.

On a final, personal note, I also wish to clearly state that I do not reject the label ‘hijra’ because I consider myself essentially different from them. Many Indian (usually upper-caste) trans women wish to distance themselves from the hijra, as though reproducing our society’s disgust for them will spare them from the same fate. That is not an attitude I share, or wish to normalize. The hijra—both those who affirmatively identify with the term, and those who wish to distance themselves from it—are my sisters.

I have simply not been granted the honor of being part of the communities and kin structures, and I do not wish to appropriate their struggles out of respect. Even still, their struggles are and will always be mine.

[dostoyevsky-official]

I was a bit sad to hear that I'm assumed to be fascist, as a tech worker who has no major issues with slate star codex. But I guess the culture war stuff can wait until after the US has sorted out its constitutional crisis.

If you have no major issues with Scott Alexander Siskind Slate Star Codex, you have no major issues with his ongoing discussion of race science, racial IQ differences and "human biodiversity". This has been known and litigated for years. It keeps cropping up. The most recent example is from January 15, 2025: How To Stop Worrying And Learn To Love Lynn's National IQ Estimates is entirely based on the work of an infamous racial scientist:

Richard Lynn was a scientist who infamously tried to estimate the average IQ of every country. Typical of his results is this paper, which ranged from 60 (Malawi) to 108 (Singapore). People obviously objected to this, and Lynn spent his life embroiled in controversy, with activists constantly trying to get him canceled/fired and his papers retracted/condemned. His opponents pointed out both his personal racist opinions/activities and his somewhat opportunistic methodology.

Those horrible activists. Must've been more "culture war stuff" from woke moralists who don't understand science.

For 50 years, Richard Lynn has been at the forefront of scientific racism. An unapologetic eugenicist, Lynn uses his authority as professor (emeritus) of psychology at the University of Ulster to argue for the genetic inferiority of non-white people. Lynn believes that IQ tests can be used to determine the worth of groups of people, especially racial groups and nations. The wealth and power of nations, according to Lynn, is due to their racial intelligence and “homogeneity” (or “purity”). He argues that the nations with the highest IQs must subjugate or eliminate the lower-IQ groups within their borders in order to preserve their dominance. Since the 1970s, Richard Lynn has been working tirelessly to place race, genes, and IQ at the center of discussions surrounding inequality. [...] Lynn also recycles Nazi-era arguments for Nordic superiority within the “Caucasoid” group, claiming that a “north-south continuum” exists, with people from northern Europe having evolved to be more intelligent than their southern neighbors. [...] Lynn is referring to his belief that racial groups have genetically determined behavioral patterns, and that crime, disruptiveness, and antisocial behavior are part of minorities’ genetic makeup. In this way, Lynn has provided a veneer of scientific respectability to long-discredited racist theories like those popularized by Charles Murray and Richard Herrnstein in The Bell Curve. [...] Lynn is one of the few remaining “race scientists” who is willing to explicitly endorse addressing these supposed problems through eugenic policies. [...] Lynn unabashedly suggests just that, favoring a “parental licensing scheme” in which “couples would have to apply for and obtain a license to have children.” He also believes that there is “a good case for reviving the sterilization of the mentally retarded and criminals,” and has promoted a “commendable scheme” targeting poor mothers which “would require sterilization as a condition of receiving welfare.” (x)

In his own words,

“If the evolutionary process is to bring its benefits, it has to be allowed to operate effectively. This means that incompetent societies have to be allowed to go to the wall… . What is called for here is not genocide, the killing off of the populations of incompetent cultures. But we do need to think realistically in terms of “phasing out” of such peoples. If the world is to evolve more better humans, then obviously someone has to make way for them otherwise we shall all be overcrowded. After all, ninety-eight per cent of the species known to zoologists are extinct. Evolutionary progress means the extinction of the less competent. To think otherwise is mere sentimentality.”

This brief summary is the political project that writing these blog posts advance and reflects who Slate Star is as a person. You have to be profoundly stupid or profoundly racist (but I repeat myself) to think these fascist worldviews don't affect someone's research—indeed, that someone's research isn't a product of, in service of those views—and here I mean both Lynn and Slate Star. To overlook all this and go on favorably citing Lynn is damning. You shouldn't be able to show your face in polite society after this.

Speaking of the political project in question, Lynn funded, and was funded by, neonazis, white supremacists, and hate groups, some violent, throughout his life. He served on the editorial board of Mankind Quarterly, a pseudoscientific racialist journal once described as "written by racists for racists," founded in 1960 by segregationists to advance their cause, and funded by notorious segregationist, anti-semitic, pro-apartheid groups. The people involved in its founding, publication, and articles, including Lynn, were complete pariahs, too racist for what was a racist society—but one that had beaten a blow to nazism and pulled back from those levels of explicit extermination, able to see the link between racial science and the logical teleological end of genocide. The chief founders were Reginald Gates, Henry Garett, G.r. Gayre and Otmar Freiherr von Verschuer. The last was a prominent, famous German-Dutch racial scientist and member of the nazi party, who was not only Mengele's PhD supervisor but who encouraged him to go further with his experiments during the Holocaust; he was able to launder his reputation as a "genetics researcher" postwar, though he was unrepentant. Henry Garett was a lawyer who testified against integration in Brown v Board of Ed. Gates was also a famous scientist fired from Howard University for opposing segregation:

Note the language they (Gates) use to carefully disguise their political goals under a mask of detached, clinical, objective science:

The journal was immediately attacked by legitimate scientists who saw through their obvious machinations. The political goals were evident (x):

Mankind Quarterly never disappeared. It remained closely connected to shadow networks of white supremacist organizations and funding called the Pioneer Foundation, partially a trust for Draper's money. Currently, the journal is published through the Human Diversity Foundation (HFD) by the German white nationalist and AfD social media manager Erik Ahrens and Danish neonazi Emil Kirkegaard, who perhaps plays the most important role in organizing HFD, Mankind Quarterly, Aporia Magazine (another online scientific racism rag), and connecting and bringing to prominence white nationalists, racialists, and hygienists worldwide. Both have defended nazis and the Waffen SS.

Kirkegaard is a named author on more than 40 papers published in the journal Mankind Quarterly, a longstanding outlet for race science theories. The topics of Kirkegaard’s inquiries have included whether black Americans earn less than white Americans because of “average intelligence differences”, comparing penis size, testicle size and “breast-buttock preference” by race, and an attempt to show that in Denmark those with “Muslim names” have lower IQs. The geneticist Adam Rutherford told the Guardian that Mankind Quarterly and similar periodicals were so discredited that it would be “career suicide” for a genuine academic to publish in them. Kirkegaard’s positions appear closer to racism than science. “Africans,” Kirkegaard wrote on his blog in July, “are prone to violence everywhere.” [...] Nonetheless, Kirkegaard enjoys some influential connections. The recordings show him claiming that in 2019 he was among the “online dissidents” that the tech billionaire and rightwing donor Peter Thiel flew to Silicon Valley for discussions. (x)

Kirkegaard is also a pedophile:

In a 2012 blog post, Kirkegaard wrote that it would be a "good idea to legalize child porn" because he thinks viewing this content would reduce the number of rapes committed by pedophiles. He’s also stated that he would support lowering the age of consent to 13 or lower if puberty begins earlier. Despite his own views on child porn and age of consent, Kirkegaard has tried to link homosexuality to pedophilia and categorized all left-wing people as pedophiles on his blog. (x)

We've established how these people operate, how they lie, what rhetorical tricks they pull, what their real goals are, what their history is—the holocaust, apartheid, segregation—and what their political project is—AfD, Trump, Thiel, remigration, eugenics. Going back to Slate Star's blog post:

Thanks to Emil Kirkegaard for the blog post that finally cleared this up for me.

Kirkegaard and Slate Star communicated and collaborated on this. You'll find Kirkegaard in the post comments, along with Steve Sailer, yet another prominent American white supremacist. Kirkegaard retweeted this post when it came out, as did dozens of decrepit, committed, hardcore neonazis and white supremacists. Why are they all cropping up here? Why does he keep talking to them? The answer is clear:

Slate star codex is a white supremacist espousing race science. He is in conversation with other white supremacists, he gets published by them, he cites them. They're his friends, colleagues, patrons because he's a fascist neoreactionary. The people retweeting this stuff are among the most vile, despicable creep freaks raising up the spectre of genocidal racial war, segregation, and apartheid—and they are exactly the ones sponsoring or carrying out the constitutional crisis. Chris Rufo, an unhinged nazi DeSantis ally currently ransacking the Department of Education, is friends with Kirkegaard; he's published in Aporia, cited by SSC. SSC is in league with them, but he keeps a winking distance—look at these ideas, look at these studies, I have so much data—of plausible deniability. Not plausible to me.

This isn't new, either. @vilestviolist kindly provided a link to leaked emails from years ago where SSC revealed he agrees with HBD (human biodiversity, a euphemism for race science) and their conclusions, but just like the original editors of Mankind Quarterly, he knows he couldn't say it openly (then):

He does the exact same thing as the founders of Mankind Quarterly in the exact same way. You can't incorporate ideas from neoreactionaries in your worldview and not wind up one yourself. Don't play coy.

In the post I linked at the beginning, he makes the argument—while citing bunk data—that substandard African IQs, around 60-80, can be improved with development. Ostensibly, the argument is for development. In reality, what he's doing is peddling the idea of racial IQ disparities wrapped in the acceptable idea of development and his blundering, bloviating prose. I am not citing anything further from his rank filth post because race science is a pseudoscience; none of this is legitimate. These people have been completely shunned, banned, and cast aside for decades because the political ends of these nonsensical arguments are patently clear.

This is not "culture war stuff." Saying so deliberately obfuscates and minimizes explicit white supremacy, eugenics, and racial hygenism through a pathetic euphemism. It's the same cloaking mechanism that the original racial scientists used. It doesn't get more explicit than that: this is original, old school, classic fascism. In part or in whole, you're constructing a world that entirely excludes non-white people on the basis of pseudoscientific studies on "human biodiversity" falsely alleging innate, biological differences in intellect and capability. If not, you're engaging and taking in the work of someone who dines with fascists, takes their money, and spreads their views. You're being amoral, context-blind, so open to ideas that you're damaging everyone. This isn't a "discussion," there's no legitimate research here; these ideas have real, tangible consequences. You enjoy reading this drivel while pointing, or being pointed towards white supremacy and debunked racist propaganda. There's no coming back from this. At best, you're a complete dupe. Otherwise, you are a fascist.

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[shanastoryteller]

Meg is the first choice, of course, but she’s not suited to this type of long term mission and they all know it. The problem is, almost none of them are. The nature of the beast, she supposes.

That’s why it ends up being her, in the end. Well, it’s almost Ruby, but there’s one thing she has that Ruby doesn’t.

How she ended up here in the first place.

She thought Clyde loved her. She thought he’d take her away, from her father and her terrible life, and so when he died too young, before he could fulfill any of his promises, she’d sold her soul to bring him back.

But he hadn’t kept a single promise. She’d died in her father’s house.

“You remember being in love, don’t you?” he asks, cruel in his callousness, which is different than his other types of cruelty. It’s all he has, shining out in a thousand different ways. “You’ll be better at faking it.”

All she does is fake it.

“Yes,” she says.

This mission gets her topside. It’s worth it for that alone.

~

She slips into a pretty blonde named Rebecca first but by the end of the day, the girl’s screaming has given her a headache, and she slips right back out. She’ll probably just think she had a bad trip.

He’d offered to arrange something for her, but she wanted to pick herself, and she’s not interested in having someone crying and moaning in the back of her mind. But it’s not like there are a lot of options.

She could kill one, of course. But she’s never – she hasn’t been topside, before. Everything she’s killed before had already been dead. So she hovers for the next week, looking for some sort of opportunity, for something she can use that’s not going to scream at her.

The day before she’s going to have to either pick someone or risk being sent back, there’s a car accident.

The girl’s heart is still and her body’s warm, blood pooling down her head, but that’s nothing she can’t fix. She settles into the body, jumpstarting the heart and can feel the skin on her head knitting back together. It’s also blessedly, thankfully silent, with her the only one inside this body. The driver who hit her is dead and people are crowding in, a crying girl pulling her free. “Anne! Anne, are you okay, oh my god, I can’t believe that happened-”

She wrinkles her nose before smoothing out her expression.

The name will have to go. She’ll say she’s reinventing herself after tragedy, or something, but she’s not going to walk around responding to Anne. That’s not her name.

Anne’s a sophomore, which isn’t ideal, but she’s beautiful and doesn’t have that many friends and barely talks to her family, so she’s actually perfect.

She’s also blonde.

She’d been blonde before too.

~

All the demons who had run these sort of missions before give her advice, tell her things that will help her. Some of their assignments had lasted months, but no one’s tried to do it for as long as she’s supposed to.

He likes smart girls.

Be confident. Be flirty. He’s shyer than he looks.

He never had a mother. He likes it when girls take care of him.

He likes to take care of girls too. He wants to feel useful.

She’d had dreams, before, of all the ways she’d could escape her father. It wasn’t common for girls to get more than a basic education, but she’d been smart. She could read and do complicated sums and enjoyed the quiet evenings when she balanced her father’s books. She’d thought she might like an advanced education, thought it could get her out of her life, but hadn’t known how to manage it.

Clyde had seemed easier. More attainable. More realistic.

She’d sold her soul for nothing in the end. She hadn’t even got the full ten years of her bargain.

She doesn’t know how much of their advice she can take.

She can be smart, but considering the school they’re at, all the girls will be smart. She hadn’t been confident or flirty, which is maybe why she’d latched onto the first boy who smiled at her. She never had a mother herself and doesn’t know to act like one.

She’s never been taken care of and doesn’t know how to do that either.

There’s no way for her to do this. She’s going to be replaced and sent back below and he’ll be angry at her and she hates hates hates when he’s angry at her, what he does to her.

“Are you okay?”

She looks up, something cold on her tongue, but falters.

He’s standing there, warm hazel eyes and long dark hair, hunching to try and make himself smaller, and a smile on his face that does nothing to hide his concern.

“Do you ever feel like,” she starts, her dead stolen heart beating too quickly, “everything is falling apart around you and you have no idea what you’re doing and like maybe your whole life is one huge mistake?”

Well, fuck. She’s definitely being replaced now.

Except Azazel’s favorite throws back his head and laughs, smile stretching into a grin. “Every day of my life, more or less.”

“How do you deal with it?” she asks, scrubbing a hand over her face.

He shrugs. “Well, my brother would say women and liquor.” He seems to realize how that sounds a moment later and he pales, “Um, not that I’m – I’m not saying, I wasn’t trying to. He’s just sort of a cad, and – I wasn’t trying to, with you, uh.”

She feels herself softening in spite of herself. “So you’re not one to apply that method yourself?”

“No,” he says firmly, eyes wide. “God, I’m just – I’m sorry. I – I’m Sam.”

“Hi Sam,” she returns, with a smile she doesn’t have to fake. “I’m Jess.”

~

She’s not supposed to fall in love with him.

She’s to worm his way to his side. She’s to keep him from running back to his family, to keep him from rebuilding the bridges he’s burned. She’s to keep him distracted and focused on her until his powers activate and then she’s to guide him into using them, to be supportive and loving and to push him straight into Azazel’s arms.

Sam loves his family so much.

He talks of his brother all the time. His father less, the emotions there more tangled, but love no less fierce.

She nudges him away from it, talks to him about how it’s normal for families to grow apart, to say that they’ll understand when he graduates, that he’ll show them they type of man that he is.

By the time he graduates, his powers will start manifesting, and he’ll avoid his family without her prodding. He knows what they’ll think of him, then, and Jess tells herself that she’s helping him. That this is for Sam’s own good.

If he’s with her, then he’s safe. His father won’t kill him while he’s safe at school. He can’t kill Sam for powers that he’ll never know about.

It’s easy to dig into the anger for his father, to use his last words to Sam as a way to hold him at her side. His brother is more difficult. Jess doesn’t do much with that, in the end, tells herself that it would be too complicated, too suspicious, and as long Dean is sticking with their father it amounts to same thing anyway.

The truth is more complicated.

His father will kill Sam if he has to.

She doesn’t think that his brother will. She thinks that maybe he’d choose to protect Sam, over their father’s wishes, over everything he’d been taught, no matter the consequences.

She fears that she and Dean have a lot in common.

She invites Sam over for holidays, makes summer plans with him, holds as much of his attention as she can manage.

She studies and makes friends and laughs and spends so much time with him, but not all of it. It has to be believable after all, has to be constant, in a way that it didn’t have to be with all the other demons sent to take care of him.

Jess lives a life that had been denied to her and tries to do what she was sent to do and does the one thing she was definitely not supposed to do, which is fall in love with Sam Winchester.

~

His brother shows up in their apartment and she knows that she’s going to lose him.

Sam tries to act angry, but she knows him too well. He’s moving around his brother like a flower following the sun and she asks him not to go, tries to find the words to keep him here, but they all get caught in her throat. If she begged, if she threw a fit, if she demanded it of him, he would stay. He’d tell his brother he’s sorry but he’d stay with her and not help him and burn their relationship for good. He loves her enough to do that for her. She knows it.

She loves him enough not to make him.

He kisses her and she knows it’ll be the last time. He doesn’t.

“What did that take, five minutes?” Azazel is right there, breath on the back of her neck, and his anger fury rage pressing down on her even closer. “Over three years at his side and you lost him in five minutes. What a waste.”

“I kept him for over three years,” she says, tries to keep her voice steady, but knows she fails.

She had him for over three years.

“Not good enough,” he whispers, lips on the shell of her ear. “Guess I’ll have to send Meg in after all.”

Pain erupts hot across her stomach and her screams mix with his laughter.

~

Love always burns her in the end.

[writingwithfolklore]

I Cut Out Social Media for 30 Days and It Changed My Life

Okay hefty title, but I mean every word of it.

Over January I followed a book called Digital Minimalism by Cal Newport. I'm sure you've already been lectured to death about how bad technology and social media is for you, so I won't repeat the statistics here. What I will say is that Newport suggests that there are also positives to technology and that abandoning it altogether is not realistic. Instead, he proposes that we define our values, and then use technology to attain them--rather than allowing technology to define what values we should hold.

To do this, Newport suggests a complete "detox" of non-essential technologies for 30 days. That means abstaining from social media, netflix and other streaming services, videogames, etc. But of course still being able to phone loved ones, email for work, and use google maps if you're going somewhere new, etc. In doing this detox, he proposes that we will be able to better understand what values we hold as people, not just as consumers of technology.

He was right.

At first I found it really hard. Right away I noticed that any activity other than doomscrolling and watching endless hours of Youtube took a lot more brain power. I started doing puzzles, reading, writing (a lot!), cooking and baking, and taking many walks with my dog. By the end of the day I'd be fuzzy and exhausted, and all I wanted to do was curl up on the couch and watch my favourite shows. I didn't, but I wanted to.

But then I started to notice my "brain stamina" (I'm sure there's a better term for it but oh well) started to improve. Instead of writing for two hours before getting fuzzy, I could write for four. And then six. And then eight. Slowly, I found myself being able to do more in a day, to focus for longer on one task, and I didn't feel as drained by the end of it. I had a clearer mind, I could remember things a lot better, I was no longer struggling to find really easy words--they just came to me.

This all also resulted in me spending so much more time with my friends and family. I realized that I really valued this time--and that it wasn't something I could replace by hitting 'like' on an instagram post from them. I rediscovered community, passion, and in many ways, humanity.

It was like I was looking at the world in a new way. I started to notice more, be curious about more. I kind of remember being this way as a kid, and I couldn't believe how I had ever let that go. Now, the idea of sitting on my couch and watching hours and hours of Youtube in every moment of my free time feels inconceivable.

However, my 30 days are up, and so Newport suggests setting some rules to reintroduce what technology I believe supports my values. I've decided not to return to Instagram, but that I do value keeping up to date with the gaming community and pop culture, which I do on Youtube. Now, Youtube is something that I watch for a couple hours on weekends, instead of eating up every bit of free time I have. I also value interacting with other writers and the writing community, so I've created a couple hours in my schedule to check Tumblr and my Discord and keep up to date with you guys here.

But now most of my free time is spent reading or writing, or being with my family and friends, and I value that most of all. To demonstrate how much has changed, in the months before my detox, I wrote maybe 2500 words. Since my detox, I've written 40 000. Last year, I read about four books. In just one month during my detox, I read 10.

If this sounds like something you'd be interested in trying for yourself, feel free to reach out to me! I'd love to talk more about my experience and things that worked or didn't work for me. I'd also really recommend the book, it was incredibly helpful in determining what rules were healthy to set and how to get out of technology and then back in with success.

Back to usual content soon :-)

[pamillie]

I feel like the more I surf the Dandandan tag, the more I come across people grossly misusing the term “fan-service”.

Here’s my take no one asked for.

(A read-more for descriptions of SA, etc)

The depiction of nudity, the SA, and the bodily violation shown in Dandadan are meant to make viewers uncomfortable at times, but are also meant to convey humor or terror or to be relatable.

I think the story exists in this balance between being whacky and goofy and not taking itself seriously while also having these very mature moments with depth.

The murdered girls in the bound spirit that Turbo Granny was guarding. The exploitation and violence that Acro Silky experienced as a woman- just as the two most prominent examples in the anime so far (there are so many more in the manga).

But time and time again, the teenage characters themselves are not being overtly sexual. Sure, there’s ball jokes and awkwardness and the like. But it’s never escalated to the point of making the characters seem horny or perverted.

I think Dandadan is a lot of things. It’s wrong to say that it’s totally and intentionally a gritty and symbolic metaphor for sexual violence just as it’s wrong to say it’s nothing more than a stylish battle shonen or a raunchy romantic comedy.

What I think it does strive to be though is universally relatable. Women and girls can (unfortunately) relate to the depictions of SA we see through Momo. Young men and teenage boys can relate to feeling worthless or useless based on a perceived lack of masculine traits like Okuran does. Or the feeling that they have to craft a likeable or palatable persona just for others to value them- despite the grief or loneliness they’re experiencing privately- as Aira and Jiji experience.

And not for nothing- I think the point I keep coming back to when I try to explain the appeal of Dandadan to other people is how it captures how SIMULTANEOUSLY traumatizing and precious being a teenager is.

Puberty is inherently traumatic. Going about life as a child only to suddenly be ogled like an adult, when all the while you haven’t even come to terms with the changes going on with your body? It’s terrifying. It’s vulnerable!

Is Momo still ‘valuable’ after being called a slut or being pursued by older men? Is Okuran still a ‘man’ even if he lost his junk?

People keep saying that ‘the story could be exactly the same with aged-up characters and then it wouldn’t be gross’ but I disagree. The story would NOT be the same.

Because something else you gain with puberty and growing up is a radical and empowering acceptance of yourself. It’s this scary uncharted territory of deciding who you are and how you want to be perceived by the world. It can be a rejection of who you were before or boldly asserting who you’ve always been. There are other times in your life where you will change or develop but there’s a reason coming of age stories set from around 12 to 17 are so timeless and universal.

The fact that Tatsu is telling this genre-bending subversion of a story in a generic high school setting is actually the most genius part about it in my opinion.

It takes itself just seriously enough to be emotionally gripping and realistic while also reminding you that the most embarrassing thing that ever happened to you probably wasn’t even that bad- you were just fifteen.

So anyway- stop calling it fan service. And just accept that stories about puberty deserve to exist. Especially if they can accurately portray both how hilarious and traumatic it actually is.

[necroromantics]

How To Write ASPD / Psychopathy

half educational, half ramble. dedicated to the creepypasta fandom.

(check out my how-to-write bipolar + ticci toby here)

What is ASPD?

Antisocial Personality Disorder (ASPD) is characterized by a disregard for others rights and feelings. It's a personality disorder, which means the mindsets and behaviours associated with this condition are deeply ingrained and maladaptive.

The current DSM-5 diagnostic criteria states that to be diagnosed with ASPD, a patient needs to have a long-term (occurring since at least age 15), consistent, and persistent history of three or more of the following:

failure to conform to social norms; repeatedly breaking rules/laws that may be grounds for arrest

deceitfulness; lying, tricking others for personal gain

impulsivity or a failure to plan ahead

irritability and aggression; fighting, hostility, outbursts

reckless disregard for the safety of self or others

irresponsibility; repeated failure to comply to work or financial obligations

lack of remorse; being indifferent to or rationalizing having mistreated or hurt others

ASPD, by definition, can only be diagnosed in people who are 18+. Minors cannot have ASPD due to treatment and intervention reasons. A minor who exhibits traits of ASPD will be diagnosed with Conduct Disorder.

At it's core, though it may seem like people with ASPD are just hostile and insensitive and rude, is a defense mechanism formed in childhood, typically in response to an abusive environment. Self-preservation and a "dog eat dog world" mindset are very common in those with ASPD. Everything is about doing what it takes to retain social dominance, control, and ultimately safety. Boredom and risk-taking is also very common in people with ASPD, and many people with this condition have never had proper, healthy influences in childhood to teach them proper manners, social norms, morals, or how to regulate their emotions and aggression.

It is a chronic condition that affects about 1-3% of the population. Its very prevalent in the prison population as well. ASPD not only causes a person to potentially cause harm to others, but is a condition that very negatively impacts the patients themselves.

(Note: The term "sociopathy" is typically used to refer to an extreme presentation of ASPD. "Psychopathy" may sometimes be seem as a very very extreme presentation of ASPD)

What is Psychopathy?

Psychopathy refers to a set of traits/issues that might be seen in patients. It is NOT a diagnosis. If psychopathic traits cause dysfunctional behaviour in an individual, they will most likely be diagnosed with ASPD.

Psychopathy is now most commonly used in research settings to use it as a term that describes certain patterns and behaviours. It is something professionals study, not diagnose.

The traits related to psychopathy are:

manipulative behaviour; superficial charm, persistent lying, deceiving others

grandiose sense of self

lack of remorse or guilt; lack of empathy, callousness, shallow emotional expressions

reckless lifestyle; need for stimulation, parasitic (constantly takes from others), lack of realistic long-term goals, impulsivity

antisocial behaviour; poor behavioural control, early behavioural problems, trouble with the law in youth

Not all psychopathic people fit the criteria for ASPD, not all are disordered by their traits, and not all people with ASPD are considered psychopathic. But there is a very big overlap.

Psychopathy is typically only recognized in a forensic or research setting. It is often wrongfully used in the media to describe people who are serial killers, abusive, or used to dehumanize others.

Personally, I believe that media and creators need to move away from the terms psychopath/sociopath. They have far too much negative connotation that only exists to demonize people who suffer with unconventional traits. If you want to write psychopathy correctly, do your research on what it looks like in its presentation, and just drop the label.

What are some harmful tropes with ASPD/Psychopathy in media?

ASPD and Psychopathy have been tossed around in many different settings as ways to cheaply create an evil villain, or a cold calculated monster, or a reckless criminal. There has been only one instance in my lifetime of watching hundreds of movies and shows that I have seen an accurate, humanizing portrayal of ASPD. (That show is House MD by the way, I highly recommend if you want to see good representation).

So what are some of the tropes to acknowledge and avoid?

1. Psychopathic serial killer

Have you seen American Psycho? Great movie. Don't do that. While the character Patrick Bateman is commonly associated with the terms "narcissist" and "psychopath", he also is a satirical character who is a very dramatized and exaggerated presentation of some psychopathic traits.

I will be honest. A lot of real-life serial killers do suffer from various mental health conditions, but correlation is not causation. In the Creepypasta fandom we are surrounded by different characters who are almost all serial killers, and people like to make things easy and just throw the label of "psychopath" onto them and call it realistic. This is very cheap, and very harmful.

If you want to write a psychopathic serial killer character, then acknowledge how harmful, fear-mongering, and dehumanizing this trope is towards people who actually suffer from these traits.

2. ASPD synonymous with abusive behaviour

ASPD is a disorder that does cause people to do and say things that will harm others in some way. Cluster B personality disorders are commonly seen as 'social disorders', as in they cause dis-order in interpersonal relationships, and in response to society. Borderline personality disorder (BPD) for example may cause somebody to threaten harm to themselves in response to percieved abandonment, or to have intense fights due to emotional dysregulation.

ASPD in particular may cause someone to be insensitive towards others problems, lack morality, be aggressive or hostile, put others down, or get into reckless situations. This is why they are disorders. Because they cause significant and serious problems in the persons life.

It is not pretty, and it's not fair, and yes, people with disorders may cause harm to others due to behaviours associated with their condition. But there is a difference between causing harm, and abusing another person.

Lying to someone is not inherently abusive. Being reckless is not inherently abusive. Being an insensitive asshole is not inherently abusive. To not understand the nuance and the complexity of these situations is to completely demonize and stigmatize a serious mental health condition. You don't call people with BPD abusive for their actions inherently, because you acknowledge they are hurting and only doing what they know to cope with this hurt. Of course it's unhealthy. That's what a disorder is. That does not make someone abusive by default. Anyone with any condition, even neurotypical people can be abusive.

3. Cold, emotionless robot

People with ASPD can and do feel emotion. People with psychopathic traits can and do feel emotion. They get sad, disappointed, disgusted, happy, excited, jealous, hurt, angry. There is nothing in the ASPD criteria that states anything about emotional presentation or experience.

In psychopathy, it is mentioned that there may be a shallow emotional expression. This may also be present in ASPD. This means that while a person will feel emotions, it is either beat down or brushed off, or completely repressed. The emotional repression may come from childhood abuse where they were punished for expressing emotions, or expressing emotions had caused them harm.

Lacking emotions/emotional expression is instead highly linked to Schizoid Personality Disorder, and is apart of the criteria for said disorder.

Media protraying people with ASPD/psychopathy as cold, emotionless, calculating robots is another trope used to dehumanize people with mental health issues. It's used to make people with ASPD seem evil or not having feelings that could be hurt. In reality, nearly everything a person with ASPD does, is their dysfunctional way of protecting themselves from being hurt.

People with ASPD may lack the emotional capacity for things such as empathy and remorse, though. Its common that they are unable to care for, or feel upset for others suffering. They may also be unable to feel guilt. This criteria is seen in about 51% of people with ASPD and is associated with more extreme presentations.

Do you headcanon anyone to have ASPD?

Yes, but I don't like to use the label on them. I do write a lot of antisocial mindsets into my headcanons for Ticci Toby, and I heavily write ASPD into my OC, Tobin.

For Toby, his presentation of ASPD comes in the form of rebellion, not understanding/following social norms, recklessness, and a strong desire for power, dominance, and control. I write this as his subconscious response to the trauma he faced in childhood. As a child Toby was constantly put down and made to feel small and powerless at the hands of his father. In order to make sure his father abused only him and not his mother and sister, Toby would act out and be a troublemaker. I think that he would have a lot of ASPD behaviours and views on the world.

For my OC Tobin, he's pretty similar in presentation in regards to power/control, and not following social norms. He is very prone to justifying and rationalizing his behaviours to the point he doesn't feel remorse for the harm he causes. Tobin grew up in a very unstable and abusive environment where, like Toby, he did what he needed to do to get by. He never learned proper morals, norms, regulation, etc. But Tobin does care about others. He takes care of his little sister, and loves his girlfriend, and is very protective. Tobin is still a complex human being with more to him than just being an antisocial insensitive prick.

How can I write a character with ASPD?

Do proper research. Not on Reddit, or Quora, or WebMD. I mean go find trusted, scholarly articles and read real scientific papers and studies on ASPD. Do research into how/why it forms, the mindsets, the symptoms and their presentation, the neuroscience even.

Humanize your characters. While it's fun to throw around a bunch of negative and toxic traits to a character you want people to see as 'bad', it's lazy character development. Give them good, positive traits as well. People are very complex, and nobody will fit in to the mold of good or bad. Make them human enough where someone wont look at your character with ASPD and assume everyone with ASPD are monsters.

But also, don't water down the disorder. ASPD does cause harm to the patient and the people in their life. I've seen it a lot where people will try to fight against stigmatization by completely glamorizing the disorder. "People with ASPD aren't inherently bad! They don't actually hurt others or act hostile or say insensitive things"... Yes we do. And it causes many problems. And that is why its a disorder.

Personally I don't like to throw the ASPD label onto my characters even if I do write them to have ASPD because I feel like it just boxes them in. If you write a character with ASPD, try doing it in a way where a professional would be able to tell they have ASPD without you even mentioning the label.

Remember that ASPD is COMPLEX. It varies vastly in its presentation, its a disorder that is life-consuming and the dysfunctional beliefs and behavioural patterns are deeply ingrained and consistent throughout many different areas in someones life. It's a label to describe preexisting issues. It's something that is highly associated with childhood trauma, and drug addiction, and general suffering for the person dealing with their own chaotic mind.

The biggest problem I see that frustrates me is the way people throw around the terms "psychopath" and "sociopath", especially when someone just wants to add a layer of edginess onto their character. Remember that you are dealing with a condition that real people suffer from every day. If you can't handle it respectfully, and if you would demonize someone with ASPD in real life for acting as your character does, just don't write it in. Keep the label separate. We don't need any more stigmatization and misinformation.

I know this was very long, but it's such a multifaceted and complex issue and I've seen it enough times in the fandom to be frustrated enough to write this. If you have any questions, want more advice or information, please feel free to ask away in my ask box 🔥

[tiamathh]

Your Next Friendship <3

Note: it's been a while, this is a repost but I have the same audience I had like 4 years ago so bear with me, new pac being worked on love you stay hydrated stay healthy muah <33 like and rb if you can!

Do not plagiarise, reword, steal, repost my work!

✧ Masterlist

Pile 1

Oh, this is cute, this will be a very new beginning for both parties!! There will be a lot of innocence here, it's playful and will help heal your inner child. This person may even help you feel freer, you could help them back by making them be more careful and grounded with their decisions. You may be manifesting this friendship!! It will definitely be some sort of wish fulfilment for you. They would be someone who's really accomplished and successful in whatever they do, they could have Aries or Capricorn in their chart as well. They'll teach you how to be more confident and open to accepting love and affection. Your relationship dynamic is very given and take, however you may find yourself too absorbed in this friendship at one point where you could miss out on meeting new people and making more friends, so beware of that.

Ah there's so much cheerful and extroverted energy here! The person coming in is definitely a people person, they may love socialising and something about their laugh will stand out, they could like accessorising as well. They're someone who looks towards the brighter side of life, but they may have problems with facing negative emotions, which could lead to toxic positivity to a certain extent. They may also like spoiling their loved ones with gifts, you may work on a project together as well.

Keywords: close, build, seeking answers, paying attention, curiosity, money, status, complacency, love you as a friend, anger, define, allowed, everything, dreams, smooth, why? Far away

Song: Manta Rays - Chloe Moriondo

Pile 2

Ah, okay so this person is probably someone who is mysterious and can come off as deceptive at times. The kind of person you may think is shady or brooding, someone who could be a little more pessimistic. They could be struggling with their mental health and could get stuck in their own head quite a bit, and may have issues with feelings of inadequacy. This friendship may be more for them and less for you, it's giving karmic relationship where you'll help heal them and they'll teach you important lessons. They could be extremely wise beyond their years, but they could have trouble expressing it in a way that doesn't come off as slightly argumentative.

However, your relationship dynamic would be very sweet and promote a lot of growth for the both of you. They may teach you how to stand up for yourself more and take a more realistic approach, maybe you're someone who is more idealistic, they'll help ground you whereas you can teach them how to take it easy and not be very hard on themselves. This would be a very strong bond, they may be someone who believe actions speak louder than words and their love language could be acts of service and physical touch, they would be the kind to ensure your comfort over anything else and could remember small details about you.

Keywords: angry, forgive, camp, dirty shoes, first choice, night conversations, strangers, doubts, imagine, almonds, loneliest, accept myself, worship, passion, devotion, planning.

Song: Wish on the same sky - Monsta X

Pile 3

Oh, this could be someone who you could meet either while travelling or online. They may be different than you in terms of your ideologies, ethnicity, country, etc. They could also be someone who has different ideologies from you and could teach you how to look at things from different perspectives especially if you're more stubborn and set in your own ways. There could be some argumentative energy here, initially there could be a bit of conflict however the both of you will bring balance into each other's lives. They may teach you how to balance your masculine and feminine energies and make them work together rather than focusing on one at a time.

This could prove to be a perfect partnership, probably a long-term friendship as well, this person will be charming and fearless, they could be someone who thinks about consequences after an action been completed, a bit impulsive but it works for them either way. You could think they're really lucky and generous, something about their hair would stand out as well, they could attract big crowds too. Your dynamic would rely a lot on words and communication, maybe you text more than call but they would be big on words of affirmation, the kind to stop you from continuing negative self-talk (if you do talk negatively about yourself).

Keywords: power, universe at play, timing, patience, repression, hunger, senses, hands, drink, forever, exploring, learning, protection, in love, believe, trying, dream girl, boring clothes.

Song: Suburban Wonderland - BETWEEN FRIENDS