#but I'd like to write more

[angelsdean]

me whenever i see /pos and /hj: why are you calling me a piece of shit and what do handjobs have to do with any of this :/

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[you-were-meteowrong]

reblog for bigger sample size

[erinwantstowrite]

Dick and Tim would be REALLY good on reality tv,,, they're both charismatic (please do not forget that Tim makes friends/allies easily just like Dick can), handsome, CLEVER, and know how to play to a persona. i think they'd go on shows for fun and to de-stress. like one too many things piss them off in their daily lives and they could pretty much get a vacation from it just to go on these shows. no one in the family can talk to them and they get to annoy people, crack jokes, and get fun puzzles in the form of a literal puzzle or figuring out social dynamics of the other players.

sometimes they go on shows by themselves but mostly use it as a brotherly bonding activity. if it's a show where they can be a duo they're GOING to do it. and they're going in to play to a storyline, not to win. they don't need the money, they don't need the publicity, they just want to have fun. sometimes if they figure out that everyone on the show sucks and they get competitive, they'll win. but mostly their goal is "how can we make the funniest plot line look the most natural." or something like that. i know a producer LOVES to see them coming. i bet EVERYONE tunes in when they're on a show because they're fucking hilarious even if half of what they say are inside jokes. the rest of the family watches and they KNOW what those shits are pulling, they have betting pools where they guess what the two are gonna do next, they're the FIRST to make memes for both internet and for the family group chats.

one time they convinced Bruce to go (it's been many a years since he really had to play up the Brucie role, cause he's a dad now and the older he gets the more people expect him to mellow out, and even back when he was full Brucie, reality TV wasn't his thing). it was one of those survival based shows where you come is as a team and try to win together. Bruce got lost in the woods after going on a hike. The camera men literally lost him and Tim and Dick were playing it up for the camera. Dick cried and invited the other teams to a funeral. Tim had a speech that was basically "I think he's fine but this is my perfect opportunity to embarrass my dad with stories." The producers were like "we fucking killed Bruce Wayne oh my fucking god" and Bruce shows up at the funeral like "oh what a beautiful service my boys are so great." They won by pure luck and circumstances and they were actively TRYING to lose that game. They were gobsmacked at the end and everyone uses the moment they looked at each other in confusion and shock as reaction gifs

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[jayden-writes]

safe

pairing: Lucifer x gn!Reader

wordcount: ~3k

genre: hurt/comfort, angst, whump

cw: kidnapping, strangulation, threats, violence, murder

summary: Did it truly matter that the hands cradling your face so very gently were bloody?

other notes: no name, Y/N or MC used // AO3 // thanks again to @gravedwe11er for helping me so much with this fic

A piece of fabric pressing over your mouth and nose was all it took to plunge your world into darkness, a pungent smell being the last thing you could process. You’d been on your way back from a short trip, unsuspecting, unaware of who was lurking in the shadows. How much time had passed, you couldn’t possibly tell, but as you finally came to, all you could feel was a dull pain engulfing your entire body. Upon trying to check for any injuries, you realized your wrists were tied, bindings digging tightly into your skin. Slowly, your other senses started to return to you, and you registered that you were sitting, something around your chest keeping you upright.

Forcing your eyelids open, you blinked a few times, attempting to make sense of your surroundings. It was dark, the small, sparse room only dimly lit. If you had to guess, you'd say it was some sort of basement; the floor was unfinished, and the brick wall looked rough. “Mh-” you tried to speak, but all that you managed to get out was a muffled, quiet sound. You’ve been gagged. A heavy weight settled deep in your stomach. The cloth forced between your teeth tasted musty, already damp with your saliva. Looking down with wide eyes, you took in the multiple rows of rope wrapped around your upper body, restricting your breathing, arms bound behind you at an awkward, painful angle that made your shoulders ache. The edge of the metal chair you were sitting on cut into your thighs.

When you wiggled around to free yourself, or at least loosen the restraints, the legs scraped on the crude floor, making your ears hurt. But no matter how hard you fought, it was futile. Holding back tears, you let your head hang, closing your eyes. Deliberately keeping your inhales slow and steady, you tried to think of a solution despite your racing thoughts. Panicking wouldn’t save you, you knew that. Clearly, you would be unable to free yourself without outside assistance. And with your mouth gagged, you weren’t even able to invoke one of your pacts to call them for help. So, what should you do? What could you do?

Before you had any more time to reflect on your circumstances, you heard heavy footsteps above you, drawing your attention. Seconds later, a door was opened, the light momentarily blinding you, then it was cut off again. In the remaining light bleeding through the crack of the door, you saw feet, legs and after that, slowly, the rest of someone unknown to you entered your field of vision - though it was obvious that it was a demon. Her eyes were unnaturally bright, the pale blue piercing through you. A wolfish grin curled around her lips as she stepped closer. You wanted to shrink back, huddle into the furthest corner of the room. But you couldn’t.

“Ah, finally awake, are we? I bet you must have a lot of questions.” Her voice was casual, as if she was simply out for a stroll while she towered over you. “Well, too bad! You see, as much as I’d like to have what would undoubtedly be a very productive conversation with you, I know you’d just call upon one of those so-called Lords that grovel at your feet.”

“Mph…! Mn…!” you tried again, only earning an amused chuckle from her.

“I’m not particularly keen on having one of those brothers that practically fawn over you come to your rescue. Pathetic, really. Demons of their status acting like that around a human. They're supposed to be leaders, to be an example to us lowly demons. Ha, as if! Traitors, all of them, and they should be treated as such.” She gripped your chin roughly, her pointed fingernails scraping along your flesh as you glared at her defiantly despite the ice-cold sensation running through your veins.

“Don’t give me that fucking look, human, show me some respect,” she sneered. For a moment longer, she held your gaze, then her eyes wavered. Faster than you could comprehend, a sharp smack resounded in the small room, and your cheek stung. The force of the slap made your head spin. “You’ll lose that defiant look of yours soon enough and learn to grovel at our feet, just the way it should be. I’ll correct the mistake that fool of a prince made.”

Leaning even closer, she brought her hand down to your throat, closing her grip tightly around it. “I could kill you, just like this,” she whispered harshly into your ear as you struggled against her. Faintness quickly took you over, and your vision became frayed at the edges. Were you going to die like this? “Throw your decaying corpse at the feet of these pathetic weaklings and watch them become consumed by their emotions. And then, I’ll be the king.” You couldn’t die. Not now. Not like this. Not here. Not at her hands.

Finally, she let go of you, and you slumped forward. Blood rushed in your ears and you coughed into the cloth. “Tsk.” She spat on the ground right next to where you were trembling on the chair. “That was more boring than I’d expected. Thought you had more fight in you. But you'll see-”

Her speech was cut off when, suddenly, the door was thrown open, banging against the wall and making both you and your captor flinch. “And what exactly,” drawled a frigid voice as slow steps descended the stairs, “was ‘more boring than expected’? Enlighten me.”

You immediately recognized who it was - of course you did. But the softness that usually laced Lucifer's tone whenever he was talking to you was entirely gone, replaced by a sharpness you’d rarely heard from him. It wasn't directed toward you, you knew that, and yet you couldn't help the shiver running down your spine at the sound of his booming voice. Though he sounded composed, it was clear that he was anything but. The air felt electric, and the dangerous aura he exuded made your hair stand on end. Your heart skipped a beat, only to start pounding faster, a whimper escaping from behind the gag.

Lucifer came to a stop in front of the other demon, who had become virtually frozen in place, all color drained from her face. Gleaming red eyes glanced at you, swiftly assessing your state, before, whatever it was he saw, made his gaze harden even further. “Look away,” he instructed you in an oddly soft tone, and then his focus returned to your abductor, who was now visibly shaking.

“M-my lord,” she stammered, the quiver in her words unmistakable. “Please, you must understand-”

Within the blink of an eye, Lucifer had her pinned against the wall, a pained shriek filling the room. “What must I understand?” he asked, sounding deceptively calm, as his fingers dug into the throat of the other demon. She fought against the grip, trying to loosen the hold. To no avail. Lucifer was unmoving, unbothered by the nails scratching at his gloved hands. Clicking his tongue, he let go, and she collapsed to the ground.

“Please,” she tried, her voice strained as she coughed, attempting to gather herself. A hard kick was delivered to her stomach, causing her to cry out again and curl in on herself. When it was followed by Lucifer stepping on her hand, you knew you should have heeded his order and looked away. As it was, you were unable to avert your gaze as the bones of her fingers cracked beneath the force of his foot. She was pulled up to stand, though most of her weight was being held up by him, pinning her against the wall once more. “I-I'm sorry,” she choked out as he pressed his forearm into her throat.

“Are you truly sorry? Or are you merely trying to save your worthless skin?” Lucifer questioned in a dangerously low voice. He trailed a finger along her cheekbone. “Perhaps,” he mused, “I should rid your body of it. Find a better purpose for it. I believe some bookbinders still use demon skin for books. It would make a terrific present for your family, wouldn't you agree?” He paused, taking in the horror flickering across her face with an impassive expression. “Of course, that would be rather time-consuming. And, quite frankly, I have more important things to tend to than your worthless existence. Let's make this quick then, shall we?”

As if she weighed nothing, he slung her toward the opposite wall, a sickening crack audible as her head made contact with the bricks. She bonelessly fell to the floor, groaning in pain. Before she was able to regain her bearings, Lucifer was kneeling beside her prone body, not caring about the rapidly forming puddle of blood that was dirtying his pants. A dagger glinted in the dimly lit room, and only when blood spurted from her throat, her last, gurgling attempts at breathing filling the air, did you look away, your breaths coming in sharp gasps against the cloth. You felt sick.

With the mangled corpse of the demon lying at the feet of Lucifer, his gaze returned to your quivering form. The intense sheen in his eyes vanished as he took swift steps toward you, appraising your pale appearance. Crouching near you, he partially obscured the gruesome scene behind him. But now, with him finally by your side, he didn't need to. You didn't want to look at it, didn't care about the dead demon, the only thing your sight was drawn to was him. All that mattered was the man before you. The man who could easily kill you just like he killed her, who barely even batted an eye at the wounds he’d inflicted upon that woman. You knew that, rationally, you should be terrified of him, at least as much as you’d been terrified of her. And yet you weren't.

Those same hands that had just killed in cold blood, still stained red, were gently working on undoing the painful restraints keeping you in place. Those same eyes that had shone with ruthless indifference as he had taken a life now looked at you with carefully guarded concern and cautiousness. The crimson streaking his sharp features, dripping off his jaw in beads, complemented the eyes that were looking at you with a contradictory softness perfectly.

Once the cloth was removed from your mouth, all you could muster was a broken sob in the vague shape of his name. With a soft sigh that was probably shakier than Lucifer would have liked to admit, you were gathered into his arms. A hand gingerly pressed against the back of your head, guiding your face into the crook of his neck. The wet blood on his glove was undoubtedly staining your hair, but you couldn't find it in yourself to care; the warmth and safety you found in his embrace was all that mattered.

“Do you have any serious injuries?” he asked quietly, his breath brushing against your ear. Upon feeling you shake your head, he lifted you from the chair, carrying your weight with ease, and you instinctively wrapped your arms over his shoulders. As soon as he'd made it up the stairs, you could hear multiple sets of steps approaching in a hurry alongside several voices, yelling over each other. You recognized all of them, and they rushed around you, a few of them touching you.

Lucifer tightened his hold on you as the sudden onslaught of sensations made you whimper and burrow yourself further into him. “Stop it. This is not helping,” he reprimanded them sharply, and immediately, it grew quiet and the hands withdrew. “I will return home,” he continued. “Do with the body as you wish, though you ought to leave some remains. And don't dawdle too long.”

With that, he went outside, the fresh, cool air replacing the stuffy, metallic tang of the basement. The trip back was short - or was it long? You weren’t sure. It was silent, neither you nor him said anything. The tension in Lucifer was palpable, his posture rigid as he carried you. You mindlessly played with the fabric of his shirt, rubbing it between the tips of your fingers while your head rested on his shoulder.

“I'm okay,” you whispered, although it sounded hollow even to your own ears. He released a heavy sigh and hugged you closer to him.

“You're okay,” he simply echoed.

Next thing you knew, you were back inside. Lucifer's bloody hands were gentle as they worked on divesting your still-trembling form of your clothes, his gaze never lingering anywhere but his own fingers. Not that you would have noticed either way; you were blankly staring ahead, only vaguely aware of his actions. When he had finished, he spoke in a soft voice, as if afraid to startle you, “All done. Are you ready to get in?” Your attention snapped back to the present, to the warm bathroom you were standing in. The tiles beneath your bare feet were a little cold, just now starting to heat up. In the background, water was running, gradually filling the bathtub right next to you.

“Lucifer…?” you mumbled, receiving a squeeze to your hands in response. Looking down, you realized he was gently holding them in his own, ugly bruises and abrasions blooming across your wrists. His gloves were still damp, some of the blood staining your skin.

“Yes. I’m here. Let’s get you cleaned up now,” he responded patiently, directing you toward the tub. Your steps were mechanical as you followed his guidance, entering the warm water and submerging your body in it. Drawing your knees up to your chest, you hugged your legs to yourself, simply gazing at the rippling shapes around you.

“I will leave for a moment to change. Call for me if something is the matter.” For a beat, Lucifer waited for a reply, a reaction, anything from you. When he received none, he sighed wearily. “It will only be for a moment, I will be right back,” he said before stepping out. As you submerged your hands, you watched as the water surrounding you turned a light shade of pink. The pain radiating from your wrists was distant, detached from your being. You observed how you flexed your fingers, then curled them toward your palm, nails digging into the flesh. Had your hands always looked like that? Turning them around, you inspected them, spreading the fingers apart, pressing them together and-

“Does it hurt a lot?” a voice asked and you flinched hard, spinning toward the source. Lucifer was kneeling next to the tub, his brow creased in a frown. “I did not mean to startle you. You seemed very… absorbed in your thoughts. I suppose you didn’t hear me return.” His gloves were gone now, with no traces of the blood that had marred his skin just minutes ago. He had changed into clean, comfortable clothes as well. Upon your prolonged silence, he reached for a nearby cloth, dipping it into the water, then moving it over your body in slow, gentle circles.

“Is this real?” you muttered, the words leaving your mouth before you had even formed the thought.

“Yes, it is real,” he confirmed calmly, though his ministrations faltered briefly. “We are in my bathroom, back in the House of Lamentation. You are safe here.”

“Mhm…” you hummed noncommittally, your gaze drifting down to your submerged hands as you balled them into fists and stretched them out. The water rippled at the repetitive motion and you couldn’t help but stare at the patterns it created. The sensation of the cloth brushing over your skin faded into the background. Only when larger hands stopped your movements, grasping yours gently, did you glance at Lucifer again. You blinked at him blankly. Something in his expression was off, though you couldn’t tell what it was.

“I’m tired,” a voice said and you didn’t have the energy to think about whether it was your own or not.

“Let’s get you into bed then, hm?” he suggested softly, letting the water drain and carefully supporting you as you stood up and stepped out of the tub. A large towel was wrapped around you with which he patted you dry before he helped you into a set of clothes. They vaguely smelled like him. With an arm over your shoulders, he guided you out of the bathroom and back toward his room. Once at the bed, you lay down, sinking into the mattress. For a moment, Lucifer simply remained next to you, regarding you with an unreadable look on his face. Eventually, he knelt beside you and opened the drawer of the nightstand, pulling out a small container. Gingerly, he took one of your arms and scooped out some ointment to apply to the raw skin on your wrist, then he repeated it on the other side as well.

After stowing it away again, Lucifer turned off all the lights besides the candles and climbed into the bed next to you, cautiously gathering you into an embrace. A hand cupped the back of your head, hugging you into his chest as the fingers stroked your scalp. Aside from his even breaths and your slow, shallow ones, it was silent. An invisible weight was tugging on your limbs, the only thing holding you in place, holding you together, were the arms enveloping you.

“Can I let go?” you mumbled, not quite sure yourself what you were trying to ask, but he seemed to understand nonetheless.

“Yes, it’s alright to let go now,” he reassured you, squeezing you a little tighter. “I’m here and I’m not leaving.”

Humming in response, you nestled closer to him, feeling your breaths gradually synchronize with his as you surrendered yourself to the heavy warmth overcoming you. Soon, everything else slowly faded away until you finally drifted off to sleep, safe in Lucifer’s hold.

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[spicyvampire]

JES JESPIPAT TILAPORNPUTT as TYME THAMIN in

4 MINUTES (2024) EP. 3

+ Bonus :

[beanghostprincess]

A bit tired of people complaining about Sanji's principle of "not hitting women" being misogynistic when it has been clearly stated multiple times that he does not choose it and it's heavily tied to his trauma and admiration for his dad and respect for women and definitely not from seeing women as somehow weaker than him

[hedgehog-moss]

The story of my 3-year-long quest to identify a very rare bird

So I've been trying almost since I moved here to figure out what bird made this strange call that I sometimes heard near my house:

I tried to google "european bird that sounds like a laughing hyena?" and also to imitate the noise over the phone for a friend who once took an online bird course, but she had no idea. (Well, she said "that's a hyena." I said, "but I hear it all the time! Near my house!! Wait I'll do it better." She said, please stop making a hyena noise :(( and I stopped because the cats thought I was losing my mind)

Eventually I managed to record the actual bird call on my phone, and used a Shazam app for birds—but once again, no luck. The first app I tried just assumed it was being trolled and was like "it's you, isn't it? That's not a bird that's your stupid human laugh, you're making fun of me. I'm not an idiot"

The second birdsong app was more insecure and apologised a lot for failing to identify my bird. I thought it must be a rare bird! (The only uncommon bird I know of in this region is the vulture but it sounds less like a hyena and more like if elephants were birds.) Every time I heard the call (usually during the day) I opened the window trying to a) get a better recording so my app would finally have an epiphany, and b) see something flying off a tree.

At one point I was cutting brooms in the pasture and heard the call very loudly, as if the bird was just a few metres away, and it wasn't coming from the sky. I googled every possible version of "flightless (?) bird that nests in thorny bushes?" and found nothing, and started wondering if it was actually a mammal. But I couldn't think of any plausible local mammal that would make this sound—definitely not a fox or badger, who say WAOOHHH, and nothing like the polite whistle of marmots. We've got pine martens in the woods and I found a video called "mating pine marten scream bark" and thought oh!! that must be it! ... but then I listened to it and it sounded like yiiiaaaaaeeeeee, like if you stepped on a baby banshee's toe, nothing at all like the heheeheuruurhh of a hyena who just heard a good joke.

Anyway, this morning I was in the pasture and I once again heard the hyena laugh! I was standing by the moose butler tying up the hay net, away from any trees or shrubs and the call came from just behind me. I turned around thinking there was absolutely no way for the mystery bird to hide, it had landed on the ground behind me and this time I was going to see it!

And

it was HER:

Absolutely no doubt. I saw Pampy's throat vibrating along with the last echoes of the hyena laugh. All these years I've been saying that llamas are very quiet animals who just make cute little "hum-hum" sounds (I rarely hear adult llamas humming to one another, it's mostly for mother llamas to communicate with their baby and with me) and I had no idea that the shrieking hyena-bird I occasionally heard outside my house was Pampelune! I googled "llama alarm cry" and immediately found youtube videos featuring llamas making this exact sound. There was a stray dog nearby this morning that Pandolf eventually chased away, so maybe Pampy was the first to hear him and sounded the alarm. Maybe she uses this cry to tell Pan to go do his guard dog job, because he left the pasture and ran into the woods when she made the sound (while I was turning round like "aha! you can't run, hyena-bird!")

I wanted to share this discovery! I've had llamas for nearly 4 years and I'm only now finding out that they can laugh like hyenas when the situation calls for it. I feel bad for the poor birdsong app that I've repeatedly gaslighted feeding it a llama call and insisting that it identify this bird for me while it hung its head in shame like "I swear I don't have your bird in my database. I'm so sorry. I'm a bad app."

Llamas are fascinating creatures. Please experience their majestic alarm call again, and be alarmed:

[becca-e-barnes]

I've been way too into hot wife stuff at the minute, I blame Serenity Cox and it got me thinking about being Steve's wife but he's really into watching you with Bucky.

Most of the appeal for Steve is that you and Bucky really degrade him. He gets to watch his little wife cum on his best friend's cock while you both taunt him and he never thought he'd be into it the way that he is.

"Your girl's so fuckin' tight, Steve." Bucky pants, slowing his thrusts into you because if he keeps up his current pace, he'll cum faster than he wants to. "Does Stevie fill you the way I do? Bet he can't. He's not as big as me."

You shake your head, staring right at Steve. "Not even close. You're pathetic, aren't you Stevie? You'd rather watch me get fucked by your best friend."

You know it's mean but Steve fucking loves it. He's cum four times already and he's still jerking himself off. It's like he just can't stop and it's so thrilling to see him enjoy this as much as he is.

"I'm gonna cum in your girl, Steve. Gonna make you watch me stuff her so full. Just imagine your pretty little wife with my cum dripping out of her greedy cunt. If you're lucky, she might let you fuck her after I'm finished." Bucky's not usually so vulgar but God, it works wonders for both you and Steve.

"I don't know. I'm not sure if I'll ever want to fuck Steve again." Hearing you say that sends Steve over the edge, spilling a fresh load all over himself while he groans pathetically and even then, he doesn't stop.

"I can't blame you. Now you know how it feels to be fucked right. Felt you cum on me more times than I can count." Bucky's not wrong but his excitement is building and you feel his pace start to falter.

"Fuck, oh fuck." You whimper, feeling the first few pulses of his cock and the unmistakable feeling of his load splashing into your eager body. You've needed this. You were desperate for it and after a second you realise neither of you needed it more than Steve did.

"Good girl, fuckin' take it. I can't stop." Bucky groans, pressed as deep inside you as he can get, pumping his cum right to your cervix. He cums for what feels like an eternity and it's pure bliss.

By the time he's finished, Steve is trembling with need once more.

"If you don't want your wife knocked up with your best friend's baby, I suggest you get to work." You tease, pressing Steve back on the bed and repositioning yourself so you're sitting on his face, letting his best friend's cum drip out of you and into his eager, waiting mouth.

[jakeperalta]

one thing about taylor swift is she will have you going "god these lyrics 😭🥺🙌😪" and "god these lyrics 😬🤨🫣" in the same song