#but I wouldn't be able to do so because of timing issues

[kryptznnn]

♛- Could've fooled me

─── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ──

─── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ──

➸ INTERESTS; -timeskip/pro-hero!katsuki bakugo x f!reader

➸ BACKGROUND; - Little drabble/blurb about Bakugo, and how much he claims to hate you. Considering you as someone who's nothing, but an obstacle for him, but like all obstacles you constantly get in his way, and he loves it.

➸ WARNINGS; - wc.1k, mentions of hatred/dislike, indecisiveness, romantic and sexual tension, smut, p in v, oral sex f!recieving, masturbation m!engaging, kissing, orgasms (both f and m engaging), mentions of arguing, hating/disliking to liking/loving relations.

➸a.i; - omg new blurb everyone wake up eek, working on 3 masterlists rn so sad eugh, but i hope u guys enjoy.

༊࿐ ͎. ｡˚ ° ⊹ ˚. ༊࿐ ͎. ｡˚ ° ⊹ ˚.

Katsuki hates how much you tail or tag around him, no matter how many times he's told you to leave him alone you just keep coming back.

Katsuki also hates the amount of attention you attract whenever you're out, whether a small story the girls are bringing up about random people approaching you, or even if he's stuck in a situation with you himself. He knew better than to bring it up to your attention through an argument though, you can't help who you attract. He just considers you lucky that he's always there at the right times.

He despises how kind you are, it almost seems as if you do it to mock him. You're not nice, but kind, kind to random people you've met, people you've had issues with and even him. It bothers him more like anything before, maybe it's because he believes he's the only person that should be getting that attention.

He isn't fond of how much you two share in common aside from your opposite attitudes. It's almost as if you two were meant to clash with one another. Arguments would always disperse between the two of you, and honestly, it fired him up in a way even he wouldn't expect.

He hates how he's back at his place now, his sweatpants pulled down to his thighs as his wifebeater was now rolled up over his belly button. His breath hitched as he was 'relieving himself of his anger' from your argument prior. He wasn't sure if he was going crazy or was just too caught up in the moment, but when he pictured you on your knees with your mouth wide open it sent him straight to climax, huffing and grunting softly to himself.

Don't get Katsuki started on the entire phrase others repeat to him. 'Opposites attract', he finds it a bunch of bullshit, he hates how often he hears it. Even if whatever he felt for you was what everyone else thought there's no way it was reciprocated. From all of his messes he had to clean up (like last night's mess) there was no way he'd take the risk.

He hates how he wasn't able to realize it sooner, your small remarks and subtle comments were pointers. You did reciprocate whatever he was feeling towards you, and he knew that by how much you were babbling underneath him while he fucked you.

Katsuki loves how you feel around his cock, it's like you're trying to suck him in any deeper from the inside. There wasn't any deeper, his breath was ragged as you were a moaning mess by how his tip kissed your cervix with every thrust.

"Katsuki please, I- ah, I can't" you cry. Oh, he loves how much you try to fight him over it, it's practically making him harder than he was. He could tell you were close; no one just denies their pleasure if an orgasm isn't close.

He's quick to lift up one of your legs, pressing down on the back of your thigh as he pistols himself within you now, your cries getting louder as your clawing at his shoulders and back now. He hates how easily whipped you are for him, one minute you invite him into your place and the next your spread out on your couch.

He hates that you attempt to cover your mouth while he's drilling you so quickly, you're sure that the condom he has on will either snap or come off. He's quick to grab your hands and hold them over your head with his much larger one.

He doesn't like how good you feel now, because now he's getting vocal. He hates being vocal more than anything, and with the other girls he's fucked it hadn't been a problem until right now with you. The way you were biting and clawing at him made something in the pit of his stomach flutter, maybe it was something he ate.

He loves how you kiss him when you come undone, biting his lip softly as you whine and twitch through your orgasm. His thrusts becoming sloppy after your orgasm. You now applied pressure and spoke him through his own orgasm, and even clamped down on him, and it wasn't helping.

He likes the fact that he's doing this to you, that this moment is being shared between the two of you. At first when you two started you admitted out of shame this was your first time, he only looked at you in awe, to him this was an honor.

He hated how much you squirmed and moved around when he ate you out when you started. His tongue never leaving your clit as he dug his fingers deep into you, one by one. He wanted to keep you still, he didn't like how you pushed and turned, but it was all worth it when he made you cum, the first time out of many for the night.

"Ha, are you close? Your- mmm, you're going faster" you moan into him, as he buries his head within your neck and nods slightly. He isn't a man of many words, the two of you knew this already, but for you he wanted to. Maybe the thought was stupid or funny to ridicule him for, but he wishes for this moment to never end, and he hates that.

Katsuki was just on the edge, no words were shared between you two, more importantly him, as he climaxed. His grunts and breathing were as heavy as ever as he cradled into your shoulder, you only rubbed his back and moaned along with him, easing him through it. He hated how you babied him, even though you were younger than him.

Maybe he hated the fact that he secretly loved what you were doing, you weren't able to see it, but after the high faded he smiled. Katsuki smiled at the fact of how happy he was to share such a moment like this with you, but yet again it was going to take a lot to even get a confession from him.

As of now, not even Katsuki Bakugo himself could tell you whether or not he still hated you. Hating someone for who they are and hating someone for what they do are two different things, but maybe it wasn't even you. Katsuki hates how he feels for you because it drives him off in such an animalistic way, he just can't ever get enough of you.

And he loves it.

༊࿐ ͎. ｡˚ ° ⊹ ˚. ༊࿐ ͎. ｡˚ ° ⊹ ˚.

✴🕷 please do not copy, plagiarize, edit, or translate any works submitted by me. all works are originated and all other pictures used within those works are online images. thank you!! @kryptznnn

[sunflowerdigs]

I'm wondering if the next few episodes are going to parallel the lawsuit arc in S3, only this time it's Eddie who focuses so hard on dealing with his own issues that he loses sight of what's going on with Buck emotionally. I love that neither Buck nor Eddie is in the story just to serve the other, so there can be these periods where they're each dealing with their own shit and they struggle and sometimes fail to be as attentive to the other as they would be if nothing was going on. By setting up these plots where Buck and Eddie aren't there for each other because their lives are separate, the show strengthens the argument that it would be better for both of them if their lives were more officially intertwined (in, say, a queer platonic or romantic relationship).

Like in S3, I could see this issue of attentiveness blowing up in another supermarket divorce showdown, only this time Buck would be the one yelling at Eddie. And, crucially, unlike Eddie in S3, Buck wouldn't have a child to hide behind, so he'd have to say that Eddie is neglecting him and their relationship. And that would finally bring up the unspoken thing between them, the way they do things for each other that friends don't necessarily do. And unlike in S3 where Christopher allowed the unspoken stuff to remain that way and they were able to hug it out, this time it may have to end ugly because Eddie still thinks he's straight (this could explain why Ryan and Oliver have been emphasizing that in interviews) and is afraid to think otherwise and Buck is afraid to think that Eddie could ever want him that way.

And it could be that we then get the Lighting Strike II: Tim's version, in the form of a Buck nde. It would be a nice parallel to Shannon, especially if it happens while Buck and Eddie are still fighting. As with Eddie's fight club stuff in s3, the nde could happen because of Buck's own self-destructive behavior that Eddie is unaware of (but that would no-doubt be exacerbated by feeling like Eddie is no longer a safe place for him). That would force Eddie to really, really consider what Buck means to him. But unlike the situation with Shannon, Eddie would be able to fix the relationship once Buck woke up.

[zvtara-was-never-canon]

I'm not a zutarian, but does it make sense for Katara to end with a nomad when she wants to go back home to be with her family?

Yes, because:

1 - While they obviously traveled around, the air-nomads literally have temples to settle in for at least a few months. They're not on the move 24/7. Aang clearly thought of the Southern Air Temple as his home. And with him no longer being hunted down post-war, he'd be free to spend a bit more time in whatever place he likes instead of leaving as soon as possible to avoid trouble.

2 - Aang is not just ANY nomad. He's a nomad that lost his community and he explicitly sees Katara and Sokka as family. He lives traveling around, but he wouldn't want to be alone, so he's likely to just go where they are.

3 - While Katara loves her tribe and wants to be with her family, she also likes adventure and would miss the friends they met in their travels during the war.

4 - Katara is heavily involved in Aang's role as the Avatar - she's his supportive friend, his waterbending master, and one of his most powerful allies. If he had some important mission to deal with and wants/needs someone to come along, Katara is likely the first person he will turn to.

5 - Katara is a hero in her own right and she helped out literal kings that gained a ton of respect for her. She'd also be asked for help just like Aang would, and knowing her, she's likely to jump at the chance to do it.

They'd likely spend part of the year on the South Pole, and the other part traveling around, either for fun or for "work" stuff - and by "they" I don't just mean Aang and Katara, but possibly Sokka, Hakoda, Bato, literally anyone from Katara's tribe that is able/willing to come along. Maybe they'd stay put a little longer when Katara is heavily pregnant or their children are still very young, but that's it.

Nothing about Aang being a nomad raises some kind of issue for the Kataang relationship. The writers clearly thought this through, hence Katara being so fascinated by Aang right away exactly because he knows so much about the world and was willing to bring her along on the journey even before he knew of his mission.

[zeldatourney]

Polls and Explanations

The tourney is over, and it's been a lot of fun! Especially for me, who got to see all the comments everyone left.

One recurring question I got (other than "Why would you pit two bad bitches against each other;" sir, this is the "pitting two bad bitches against each other" blog) was why I matched things up as they did. For example, putting Wind Waker up against Breath of the Wild in round one, when that seems like a final battle sort of deal.

There are two things that have always bothered me about poll tourneys.

Overwhelmingly, the results are dominated by "which is more recognizable" rather than "which is better." Just about everyone in the Zelda fandom has played Breath of the Wild, so it would outcompete almost everything based on sale numbers, which was boring and predictable.

The first few rounds never seemed to MEAN anything.

Number 1 was easy enough to fix: just add in options for "I haven't played these" and specify that you want answers from someone who's played both, and boom! You get informed opinions on which is better.

2, though, was more of a problem.

See, the way most brackets are engineered is to build up FOR that final battle. You want a clash of the titans as your finale! You want the biggest and baddest to have to claw their way to victory! You want your favorite game to have the highest kill count!

Which means your first round pits those titans against small competitors that never stood a chance, just to get them out of the way. With the exception of meme entries, nothing ever comes from that.

Of course Breath of the Wild would blow Cadence of Hyrule out of the water.

Of course the Oracles games wouldn't stand up to something like Skyward Sword.

None of these polls answer any questions. They're just obligatory so the match can get to that final battle without complaints.

Wanting to avoid that, the way I approached this bracket was a bit different. Instead of guessing at which would be the most popular and reverse-engineering that epic showdown, I wanted to match like with like.

So I made something to test the waters:

Without an explanation attached, this one made a lot of people mad! Why was I separating Breath of the Wild and Tears of the Kingdom, which shared a map, but not Ocarina of Time and Majora's Mask, which were vastly different games?

I didn't have enough poll options to do every single game, so I had to mix. And the mix was strategic:

Most games on here that are paired together share fans. For example, the majority of Ocarina of Time players either like or are ambivalent towards Majora's Mask, while a VAST majority of Breath of the Wild players take issue with the story of Tears of the Kingdom. If I grouped BotW with TotK, I wouldn't be able to get a read on how many people loved TotK, because BotW would be so overwhelming.

I'd seen about equal fandom obsession with Twilight Princess and Skyward Sword, or with Phantom Hourglass and Spirit Tracks, so I could take their result and divide it by half.

Anyone who didn't fit either of these criteria got grouped together as best as I knew how. Wind Waker and Minish Cap are both full of whimsy. Tri Force Heroes, Cadence of Hyrule, and Hyrule Warriors are all different gameplay loops than the standard Zelda, and are (at least honorary, in TFH's case) spin-offs.

This poll gave me good data. There was about an equal level of interest between Four Swords and Echoes of Wisdom. Minish Cap probably made up a very small percentage of Wind Waker votes, so it would have to fight its way up through smaller guys. Something BIG would have to go up against Breath of the Wild to have a fighting chance.

With all that in mind, I started hammering out what the polls would be. I wanted each one to

Be paired with something that had a similar level of interest

Answer a question or sate a curiosity

That way, hopefully, they'd be neck-and-neck, and I'd get some good opinions out of the people who voted one or the other.

So, with all that in mind: here's my thought process when making this tourney, step by step. You might have to click to be able to read it all.

So...what now? A loser's bracket? A re-do with different matchups?

Not exactly.

I'm going to make a separate post on that. Rest assured, though, this tournament is far from over.

This was just the first run.

[randomfoggytiger]

So, ehat was your take of the podcast of these two old friends? I thought it was lovely and different than his other podcasts. She gets him to relax.

Now, what about the recreation of the picture they said they would do?:) I think they might have talked about the picture but not when the photoshoot would happen. Xmas is around the corner. Come on guys, give the Fandom a merry David-Gillian gift of all time! It's been a dry spell without your loving craziness. Hike up those stockings on your little legs, G, and hop onto those DD shoulders.

It'd be funny if they did, wouldn't it? It'd also be funny if they recreated it in a way that wouldn't hurt either of their backs, shoulders, or knees, too. XDDD

I had an excellent time with the podcast! It confirmed every single one of my suspicions, theories, and guestimations of their friendship: their personalities, their focuses, their dynamic then, their dynamic now, etc. It was refreshing. It was, for lack of a better word, simple: the facts were the facts were the facts, and there wasn't anything big or grand to be made of their interactions, past or present.

I liked hearing them talk over each other. I liked that both admitted to already butting heads in Season 1. I liked that both admitted they'd never thought to trade childhood stories, or cross their personal lives over.

Most of all, I loved their candor: David admitting he felt dumped in the Revival, and that Gillian didn't know and felt sorry in retrospect. That Gillian didn't feel dumped during the first run. That Gillian thought the Revival's story line reduced her character, especially the ending. That David felt trapped and villainized over the pay gap issue; and only later learned his pay wasn't due to his merit so much as internal favoritism. That Gillian now understands and feels for his pain. That David still feels the sting of Vancouver hating him and being forced out of rehab anonymity, and all the pain he gathered from both incidences. That Gillian admitted she doesn't process shame, just stays too busy to have to face it. That David felt comfortable to say that was unhealthy, and that she felt comfortable enough to hum in agreement. That both know their children have to fail, because they would fail their own children if they stopped those failures. That David tried to drill into his son that he's a miserable person and nothing is as it seems; but that that perspective hadn't worked. That Gillian feels motherhood is the most fulfilling thing for her, yet chooses her work over and over (again, staying too busy to feel shame.) That DD knew as early as Season 1 that Chris intended for Mulder and Scully to be an end goal-- asking CC if he wanted to send GA and himself to couples' counseling as their characters. That GA forgot and laughed over the memory. That Gillian arrived late after he offered her a ride on his private aircraft; then wrote him a beautiful letter, on the plane, instead of saying those words in person. That he marveled she hadn't gone insane from the pressure. That she no longer feels the need to run from Scully's legacy. That both admitted that communication, though important, was non-existent during that time in their lives.

There are so many good bits. But I have two takeaways:

They have the same frenetic drive, the same "crazy" as David calls it; but I can see why it drove a wedge between them (and could, now): they wouldn't be able to tolerate that same freneticism in each other in large doses. (Hence, why they didn't speak for weeks while on set, and were already exchanging "blows" in Season 1.)

Most importantly, they were two old friends who purposefully dug in and rediscovered new things about each other. The camaraderie was different: settled, more "in-character" to how I think they talk when David doesn't feel like he has to perform (though there was a bit of that) and Gillian doesn't feel uneasy, or anxious, or "watched."

In short: they felt wholly the same, but in a new way. :DDDDD

[breadvidence]

Using this space to reply to both @blatherby and @fluentisonus!

@blatherby: right right right, "The time has come to journey on/And from this day he must be gone"—and I do think you're correct that standard fanon is he's going into this encounter with the intent to leave, though I suppose I don't know how much by percentage Valvert fic is actually based on the musical vs the Brick, and for the former it's not a misreading per se. I'm thrown, in any case! Really having to recalibrate my sense of the level of his self-harm and suicidality (which still sits at "very nonzero", but slightly lower than "dialed up to eleven", I guess—I think that the line "He was at his own request and through his own complicity driven out of all his happinesses one after the other; and he had this sorrow, that after having lost Cosette wholly in one day, he was afterwards obliged to lose her again in detail" signals that he wouldn't have been able to sustain himself on this course regardless of Marius' part in things).

@fluentisonus said in tags:

#yes!!!! this was something i was thinking abt a lot when i just got here on this last read#& i think contributed to my being more frustrated with/upset by marius this time around than before#i think the other line here is that really stood out to me is 5.8.2:#''He came every day because he had not the strength to take Marius’ words otherwise than literally''#<- which to me does Not speak to someone who is planning to stop visiting.#or at least to actually go through with not visiting#he's in fact willfully taking marius at his literal word re visiting rather than what i think he knows derp down marius would prefer#like he gave marius incomplete reasons & scared him badly (his (jvj's) fault!) but the m jean stuff is i think just intended as a layer of#separation to visiting & that last horrible wrench is all marius. & while not quite unexpected it's not what he (ivj) would have done#naturally if given the choice. in fact as we see it's incredibly hard to prevent himself from going#anyways really good post!#les mis#i think another thing though is that he asks marius to visit when he's quite literally at the door. like. he knows he can't bear#to not have this one thing. like he says all that & asks marius if he should see her again; takes his 'cold' no; gets to the door; & then#closes the door again & turns around to beg to see her <- tbc this is not a disagreement with your point that he always intends to visit#cosette just that both in-book & out of book it's easy to mistake bc it being at the end there makes it almost Seem like an afterthought#rather than i think one of the most genuinely earnest parts of his confession because to him he's been building up to something#he's not convinced he deserves & is asking against his better judgement#But i think this doesn't look good particularly to marius#it looks like he's backtracking on what he's set up#& marius gives in in the moment but it's one of the things he specifically regrets caving to in the next chapter#& i think is frustrated jvj couldn't fully follow through so he decides to force the issue#if that makes sense#hmm also (<- sorry op to come back & add more tags hours later) speaking of the m jean/vouvoyer thing i think you can very much read that#as being not a step towards a final separation but rather a way (to his mind) he can safely & perhaps even more honestly (?) Continue to#visit cosette. he can still see her without being connected to her in sn incriminating way . like you say#<- ofc this is not at all how it comes across to cosette

Yes!!! The level of my "jesus, you murdered that man" feelings towards Marius definitely dialed up a notch by reading the scene through this lens. As I said in responding above: re-reading further, I think it's a misjudgment on Valjean's part—that he can survive on black bread, but not on so little of Cosette—but I do wonder if, in the long run, as she once convinced him to have a fire and better food for her sake, whether she would've rekindled their bond and said to hell with this to the M. Jean and vouvoyer and cellar. Like, she's caught up in a new marriage, in learning what it means to love openly and fuck a man and live in the world, but I like to think given a few more months to settle into things she would've come back around to her papa—because she might not need him like she did when she was alone in the woods, but there's more in love than needing.

Which sidetracks me from "what did Jean Valjean mean to do?" to "what did Jean Valjean actually do?", and in the context of Cosette's happiness—it's always fraught! always makes me holler. Poor old man, and poor child.

I've dithered over making this post because I will feel incredibly silly if everyone else got this on the first go-through rather than the—Lord alone knows how many times I've read this particular scene, actually—but there I was, me and "The Seventh Circle and the Eighth Heaven"—as you do, for idle and entertainment, and I reach

If you will allow it, I will come to see her. I assure you that I desire it greatly. If I had not cared to see Cosette, I should not have made to you the confession that I have made, I should have gone away; but, as I desired to remain in the place where Cosette is, and to continue to see her, I had to tell you about it honestly. You follow my reasoning, do you not? it is a matter easily understood.

And realized that despite the character stating his reason right there in the text I have misunderstood badly. I took Valjean's intent with this confession and in his behavior afterwards to be separation from Cosette, that his desired outcome is to die alone, that he struggles against his love of her to reach that solitude, but it's—not. He says earlier that it's not, as well.

Stay, the unfortunate point is that I have a thread in my heart, which keeps me fast. It is when one is old that that sort of thread is particularly solid. All life falls in ruin around one; one resists. Had I been able to tear out that thread, to break it, to undo the knot or to cut it, to go far away, I should have been safe. I had only to go away; there are diligences in the Rue Bouloy; you are happy; I am going. I have tried to break that thread, I have jerked at it, it would not break, I tore my heart with it.

The thread—to Cosette. He can't separate himself. He would not have to make this confession if he could simply leave her. Therefore he has to confess to Marius for two reasons, as I see it: (1) a big dramatic compulsion to honesty about his symbolic status as one who cannot live in the family of men, sure, but (2) like, real literally, he cannot live in the house. Valjean is practical, he makes arrangements, he's smart, his confession draws from the saint but I think it's also the thief, and what does the thief need? A co-conspirator. Both morally and practically he's averse to living at the Rue des Filles-du-Calvaire, and with both Cosette and her "master" Marius pushing him to move in, he'd have to move totally away, as he's certainly not going to give in—but now he's got Marius' backing to allow him to stay at the Rue de l'Homme-Armé, and he can exist in the in-between space he's always occupied, there in the back courtyard of Cosette's life.

I always wondered at Valjean's vacillation—that he says "To-day, Cosette passes out of my life; our two roads part. Henceforth, I can do nothing for her.", then begs Marius for the right to visit her. But he didn't change his intent at all; he was always keen to visit, to live on the crumbs that scatter from the table. He simply can't pull up a chair.

Marius' passive-aggressive attack on that thread, the destruction of Valjean's heart, Valjean is complicit in accepting that, yes. But he did not come into this parlor looking for that outcome.

🤦‍♂️

[askfairyromano]

i cant tell if you're joking or not about that curl, but, uh, yes, babe, it's pretty distinct. everything else can mostly be covered, but that curl is kind of a give away. not that you dont look nice of course! but we're trying to go for subtlety here, yeah? dont you have, i dont know, jeans or something? normal street wear? something less red and gold and more... beige? or whatever it is merchants and shoppers wear? if not, i suppoooooose this will have to do. we'll just have to make sure you stay out of too much trouble ;)

(you've posted so much art lately!!! your hungary is the prettiest thing! how long does it usually take you to draw full pieces like that? and the three itabros! you always have such cool concepts when it comes to character design! and your little baby roma!!!! i want to nibble his cheeks he's so tiny! your art has only improved and its so cool to see your older stuff!)

//link to the answer of how long stuff takes me

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[sarah-yyy]

the worst part of this job is client interaction because i can really be out here asking y/n questions and my client will literally tell me every single thing EXCEPT the answer to my question

[justsomekpopstuff]

Thanks @vesvosmozhno i put an unhealthy amount of thought into this as per usual

Seonghwa: This one could be a draw, with him slightly more victorious. We are both coming into this fight with what I have called "Caretaker Rage", meaning we both have to be Responsible Adults and so a lot of feelings that have built up are ready to explode out through this fight. However, he may be slightly more victorious because if I can't even find the confidence to look him in the eye, then there's a good chance I wouldn't be able to fight him properly either...

Hongjoong: I am 100% winning this fight. No questions. We may both bring the Scorpio Crazy Gene into this fight, but I am coming from a Trauma/Rage Issues background, while he is coming from No Survival Instinct Whatsoever background (in the most affectionate way possible). I will absolutely be destroying him.

Yunho: absolutely fucking not he is over a foot taller than me and lowkey scary as fuck he could step on me and easily win. I wouldn't stand a chance.

Yeosang: If he stays in regular "Yeosang" mode, I think I have it in the bag bc we know he absolutely does not fight back. However, if given the motivation to fight back, I truly fear for my safety. I think in the end, I may take this one.

San: we have all collectively forgotten that he has a background in martial arts so there is absolutely no way I am winning this fight should he actually chose to engage. He could easily crane kick me in the head and I am DONE FOR. However, he would probably be too nice not to do that in the first place. Either way, I WILL be losing this fight.

Mingi: I am absolutely winning this fight. He is canonically scared of everything. Will come in with all the Leo Confidence in the world, but I will be going for the kneecaps. It will be a short matchup.

Wooyoung: This is the most feral evil fight you will ever watch. We both fight dirty, and he would enjoy every second of it (maybe a little too much???). Will smile the entire time as we just end up in a mutual draw of a bloodbath. Feral Energy meets Feral Energy.

Jongho: absolutely the fuck not. I have literally described him as Hockey One Punch Man. The man is built like a brick wall. I don't stand a chance. Worst part is, he'd probably let me get a few hits in with a smile before absolutely decimating me. Like that fight in The Princess Bride between Wesley and Andre the Giant, only this time Andre the Giant wins in a landslide.

I tag (if you want): @itstheghostofmypast @03jyh23 and anyone else who wants to do this if you stan Ateez!

who i could stomp in a fight ateez edition

seonghwa: yes

hongjoong: no

yunho: hesitant no

yeosang: … be so serious u already know the answer

san: hesitant yes

mingi: he should win but won’t

wooyoung: no fights dirty

jongho: no

[girlthativealwaysbeen]

i think growing up is just life repeatedly sucker punching you and saying bitch you thought things were gonna better lmao no you're so naive and stupid for having hope in 20 years the world will be flaming bag of garbage and no matter how hard you work you'll get eliminated at some point

[hollyhomburg]

Where do you shop for your clothes? Are there any particular brands you look out for?

OH SO- this is kinda gonna be a frustrating answer.

i shop almost exclusively at this re-sale/second chance/excess store that puts together the unsold clothing from places like free-people and anthropology and the indy brands that they carry. It's INCREDIBLY local to my stretch of the woods- it's called retail 101 in naugatuck connecticut. i got a 350$ dress new with tags for 30$ and that was the most expensive clothing item listed in the store. it's definitely worthwhile to make the drive. it's about an hour for me, at least two if you're in nyc.

shopping there helps me feel better about getting clothes- because they're generally a lot bit better quality than like h and m or primark (which is what i can reasonably afford). it's also not directly supporting like- all those big businesses and keeps unsold clothes out of the landfill ect. It's helped me get some very very nice clothing for very cheap. it's a very overstimulating experience because it's basically just a football field sized warehouse filled with clothing.

i greatly recommend it if you're overly small or overly large because their greatest selection is in the Xs and Xl range like- I think i saw a size 14 jeans that were originally 400$ on sale for 14$ so- if you're more middle sized it definitely requires some hunting.

but tbh i also hit up the target clearance section for most of my jeans because they have really reasonable sales. i got my favorite pair of ripped jeans there for 6.50$. Target just for some reason happens to fit me pretty reliably- which is honestly rare because i have a 28 inch waist but a 40 inch booty.

[tempestmothstorm]

"I think I would have just deleted myself if you didn't show up."

Yeah this is just straight up canon. But i have more thoughts though. So.

Like if you look into her dialogue is like abundantly clear that she’s just suicidal. It’s different from someone like Sayori who’s actively suicidal because she feels she is worse than everyone else, or Yuri who I don’t know is suicidal but has self harming tendencies she takes too far in act 2, or Natsuki who isn’t at all and is like “wtf are you guys ok”. The answer is no btw.

Monika’s whole outlook on it is that she has a lot of passive suicidal ideation that she pushes aside because she has to be the best. Her issue isn’t centered around her specifically being bad but instead a feeling of pointlessness with existing and the fact that the act existing itself puts burden on the world.

She’s also the type to make jokes about it, which I think is telling about her attitude about death, especially when compared to the others where the idea of dying is still terrifying and scary and something to hide. Meanwhile Monika acts casually as if people’s lives actually don’t matter. We all know her “left her hanging joke” and her general nonchalance with the other girls’ deaths, but the secret poem “A Joke” is probably written by Monika too, and the punchline is another reference to sayori’s death. The special poem about cutting is also by Monika, which shows that she would self harm if it weren’t for her needing to be the ‘responsible one’, and that she’d only do it again if she killed herself. She writes it as if it was a quirky relatable diary entry and not something deeply concerning, which in of itself is also deeply concerning.

There’s also the iiiiiiiiiiii.txt file that has her say that it would be “really easy to kill (herself) right now”. Reasonably the easiest way to do it would be to delete herself. While her constantly reminding the player how easy it would be to delete her is supposed to be a hint on what to do next, it does say something about her when she constantly fixates on it, almost as if she’d thought about it. Like a lot. She thinks about suicide and mental illness just as much too. Also a lot. And existential philosophy a lot. And death too. Again. A lot.

Her friends aside, she clearly just thinks about these things on her own, which implies some real bad things about her mental health considering literally everything else we know about her. Like it’s pretty obvious she’s not ok base game. And yet she doesn’t go through, in fact actively avoiding getting deleted because she still wants to see you. Because you are her only hope.

While her attachment to the player has like a dozen factors influencing it, I think a lot of it is also connected to her more suicidal ideas. She does emphasize that you “saved her” a lot in act 3 and while it mean saving her from her reality, knowing some of the other talks, it also could have saved her from giving up entirely.

Not to get too repetitive about how her life sucks, but like she really has no reason to exist in her eyes post epiphany. Nothing outside the literature club exists, there’s no past or future, everything is fake and has no consequence on the real world, and worst of all she’s completely alone with whatever connections she could have being fake. I think this one quote from her “introverts” talk basically sums up her situation:

"You know, I really do think you literally saved my life by being here with me, [player]."

"I can't imagine having been able to keep myself mentally stable, knowing that nothing here is real."

"I think I would have just deleted myself if you didn't show up."

"Sorry, i don't mean to sound dramatic or anything."

"Ahaha!"

"But I'm sure you understand yourself after spending so much time in the club."

"I mean, if you were forced to abandon everything in your life and spend your eternity with a few game characters..."

"...You'd probably find some way of killing yourself, wouldn't you?"

But yeah something something the connections you have with others gives life meaning and when the relationships she did have turned out to be false, she reached out to you, whose love could be real and whose existence as a real person is the only thing that could give her life meaning.

Another Monika talk that’s relevant would be the “No reason to be alive” talk. I’m not posting the entire thing here because it’s too long but the entire thing is pretty relevant. In it she talks about how living is pointless because you probably aren’t special and your existence alone takes up dozens of resources that isn’t worth wasting.

This highlights two factors that I think influence her thought process. One is that she feels like existence is worthless and likely won’t affect society at large, and with the whole being a video game thing the connection is obvious. The other is that she worries about how much of a burden she is on society. She wants to earn her right to exist in this world. When her reality doesn’t exist, this specific framework doesn’t seem that relevant, but when it comes to being a burden to others this ends up becoming a lot more alarming (and also creates another Sayori parallel yayyyyyyy)

Notably she mentions the key to happiness is to live selfishly and just look out for yourself and your friends. This can’t really apply in her own reality when she can’t see her friends as sentient, but when it comes to you, she can deliver just fine. She says she want to “live (her) life desperately striving to pay back (her) lifetime's worth of consumption” and with her own reality being pointless, paying back the people around her (you) is the next best thing.

But what if she failed to

"Of course, even if I fail to do that..."

"I think I would be too selfish to kill myself anyway."

"So much for being a good person, right?"

Sure thing buddy.

Another thing i want to mention is that it’s implied that these thoughts aren’t new. Like with some of these talks it’s ambiguous whether these ideas came pre or post epiphany. With her whole nihilistic thinking in base game contrasting side stories, it wouldn’t be that surprising if her thoughts got a whole lot more cynical over time. But she does seem to talk as if she’s thought about them for a while, while the epiphany was apparently recent in her memory.

For example in the “Dying” talk:

“It's something I used to think about pretty often..."

And in the “No reason to be alive” talk

"But the older I get, the more I realize that it's an immature frame of thinking."

Uh yeah these ideas aren’t new.

Of course it was probably taken to an extreme post epiphany and thinking about existential topics is normal. By itself it’s probably not some secret sign of mental illness, or at least not anything severe. (Sure she talks about a lot of stuff like mental health issues but it doesn’t really reflect on her, it just shows she can understand others perspective. Like she can talk about the introvert experience without being an introvert. Idk she’s just very empathetic and reflects a lot on the world. Makes her epiphany a lot more ironic though. So.)

But her post epiphany persona was very much built on preexisting ideas she had before that. It might not be that serious, but the fact that it’s there at all is concerning knowing what we do. The implications that come if this is all true is facilitating tbh and it honestly makes the side stories more interesting too. Like her whole “i have to be the best” attitude is probably connected to all her worries about being a burden or worthless.

And her whole thing in trust becomes a lot more layered too. The standard she holds for herself are not carried over to Sayori, who she sees as deserving of life just by being herself. She doesn’t want to be a burden or distract from Sayori’s problems, because her own true self isn’t good enough. Sayori is reassured that her existence is valuable and that she isn’t being a burden, something that goes against Monika’s entire act 3 talk yet is some she believes wholeheartedly.

This is also contrasted by base game where she straight up jokes about her death because death barely matters to her either. In base game, Sayori doesn’t matter, she isn’t special or even sentient, just a pile of code that gets in the way of Monika’s plans to reach the player. In base game Sayori is worthless and a burden, where Monika’s worldview has extended to everyone else. Yet in side stories she doesn’t think that, her standards only applies to herself because she loves her friends, they are what give her life meaning. Of course they deserve to live. They don’t need to prove their worth.

She’s a hypocrite because she values her friends more than anything. Again, the Sayori parallels are obvious from this angle, she has these exact same thoughts, with the only difference being that base game Monika projects her fears of worthlessness onto everything else while sides stories has her a lot more similar to Sayori.

Now the difference between side stories Monika and base game is really just how far their ideals reach, because normally Monika is like ok mentally , while in base game she’s suicidal along with everything else. Forget her saying she’s too selfish to do it cause it’s heavily implied she does do it in other universes.

Speaking of which I never hear people mention the MES emails in this cause a singular line puts into perspective how influential the player’s presence is on Monika and just how bad her mental health is. She is the MES’ guinea pig that everyone wants to see suffer (actually I don’t know how common knowledge this is I just got here and mostly stick to tumblr so idk)

So with the Side Stories MES email i think with all the lore drops we sorta forgot some of the more self explanatory info, including the fact that they have multiple VMs of ddlc and that there were “3 or 4 of them created and then destroyed by Monika”

While most people conclude this is just a reference to base game i think a lot of people dismiss that fact that these aren’t the game VMs, these VMs have no access to a player. Yknow. The player she relies on that supposedly saved her life.

Yeah i think she just deletes everything including her in apparently 4 separate universes. She kills her self in 4 universes.

She deletes everything in act 3 too but specifically because they get in her way between you, and the only reason she doesn’t delete herself there is that she still wants to see you. When the idea of reaching you is crushed, she gives in. By act 4 she ends up like all the other VMs, deleting everything knowing she can’t have you, can’t have reality. I mean the only thing keeping her going is the dream of reaching reality and finding real connections to people, and the idea that her existence will forever be meaningless probably pushed her to the extreme.

The player is the only real person who can give her life meaning and value, and in a world where the rest are seemingly fake, you’re also the only human connection she has. Again, the things that keep her going is her life being valuable in some way and the people around her. Post epiphany she only has you to care for with everyone else being thrown to the wayside without consideration of their own wellbeing.

So of course in act 4, where her connect to you is severed and she is suddenly aware of the harm she’s caused, she’s the lowest she’s ever been. Her reason for living is to be there for her friends and somehow pay back reality for how much she’s taken. And yet she let her friends die and let herself use them for her own selfish gain. She failed them, and has therefore become someone she see as not deserving of life. And with her last hope of the player rejecting her reach, she has no reason to keep going. So in the Easter egg where the player tries to bring her file back after deletion, she refuses to follow. She doesn’t deserve to intrude on their happy ending. She doesn’t deserve to come back.

And she doesn’t.

In future games she’ll probably return though, and with all the secret files and her motivations in the normal ending, I feel like it’s going to be for redemption by finally being there for her club.

She sticks around because no matter how much guilt she feels about just existing, she still wants to be there for her friends. Because while a lot of the act 3 dialogue was not meant to be something people agree with, there was one thing that I feel like is good if you look at it in the right way. Maybe people can’t pay back for the lifetime of consumption they’ve done just by living, but people can pay back and be worth existing just by looking out for their friends and those closest to them. Even if there can be doubts about life and existence as a whole, it doesn’t matter in the end when there’s joy to be found in the people you care about. Even if you make mistakes or hurt them, you can still find a way to make it up to them, to still deserve happiness in the end. The one thing that makes life worth it is the bonds you form with others. Because the people around you are what give life meaning.

She can’t let go and she can’t give up because she still has people she loves and wants to protect. So she’ll keep living for the people she loves. That’s all she needs to do in this world to make it worth living.

I hope she succeeds.

(Side note i took a lot of the Monika talk examples from this post. I did have my own ideas even before i read the doc and I already knew about this stuff anyways i just don’t wanna scroll through the entire wiki again to see all the Monika talks and this is pretty comprehensive. The extra imput is also useful so yeah)(anyways thanks for reading this really long tumblr essay. Good job and drink water ;D)

i would like to bring up that monika has probably considered deleting herself before

like staring at a high cliffside and getting the urge to jump

[britneyshakespeare]

I feel like certain people on Tumblr have really been fighting for backwards progress when it comes to how we talk about mental illness and abuse. I see posts at least several times a week on my dash that seem to have the purpose of implying people with insert-mental-illness and/or insert-symptom are not abusive when they do insert-action-that-makes-people-uncomfortable, often times meaning to promote a more positive image of people with particularly stigmatized conditions, like personality disorders, mood disorders, psychosis, addiction, or neurodivergence. And I really really hate it because these posts almost always have the ultimate purpose of telling people not just "This thing is not inherently abusive," but often it comes across as "You were not abused."

I just find that to be really unhelpful and unintentionally hurtful, and for what? I believe that destigmatizing various mental conditions is a worthy cause, but at the same time this type of rhetoric seems to be so protective of people in whichever stigmatized group they're trying to advocate for, that it comes back around to a sort of respectability politics. Anybody can be an abuser. And someone's means and methods of abusing can very much be influenced by a condition they have. Why wouldn't it be? Their conditions will affect every aspect of their life and their interpersonal relationships. Especially if these issues are going untreated or being insufficiently managed. I don't understand why anyone would want to make it appear as if abusers are mostly neurotypical and mentally well people, or that if they aren't, then their conditions have nothing to do with it and the overlap is merely incidental. What? It makes it so hard for anyone who is a victim to come to terms and identify the dynamics of what they've gone through.

Addicts and mentally ill people don't have to be unproblematic in order to be humanized and accepted. And nobody profits from writing hard and fast rules about how abuse apparently works, drawing clear lines between which behaviors can, and cannot, ever be abuse.

[stillfruit]

i love not knowing if i'll ever be healthy again i love all of the time i've used to move my body become nothing i love spending my adulthood wasting away year after year for various reasons baby!

[vraska-theunseen]

aughhhh. aughhhhhjhhhh