#but I hope these will help somehow

[polarisbibliotheque]

So like, less of a suggestion and more of a question - I recently found your works and have just been blown away by the details (like, seriously, you're on the top of my favorite writers list) and just how... perfect you craft everything? I genuinely inspire to be like you, but the problem is that I've hit a rut - I'm super unsatisfied with my writing, and whenever I try to get back into the writing zone, I just fall flat. Is there any advice you could give on how to improve one's writing? What would be your tips and tricks at getting into that writing zone?

(Do apologize me taking SO LONG to answer, but I had some health emergencies the last couple of weeks and ended up in the hospital – I’m doing better now, chilling at home and trying to recover. My doctor is 90% sure I have Crohn’s Disease and I’m having many ups and downs trying to find a proper treatment that I seem to respond to. BUT…)

…I hope you are aware of how much you made me smile, blush and almost indulge into my teary eyes upon reading this. Hahahaha seriously, thank you SO much!! I can’t even thank you enough, I’m just in pure awe that another being in this big ol’ world we live in thinks so highly of my writing!!

I mean, not even I think that highly of my writing. Notice a pattern? ;)

One thing I learned being an artist – not only writing, I also draw, play the piano, write music on my free time/when inspiration hits, everything creative, I’m there, doing it – is that we’re never really satisfied with our work. We will always think we could’ve done something better, and we’re definitely going to be pretty “meh” about a lot of things we do – even when other people think it’s a masterpiece.

And that is good! We’ll always strive to perfect our skills! You just have to remember to appreciate the work you do even when you’re not completely satisfied with it. You will get to where you want to – but then, you’ll wish to improve even more! And that is awesome!

But hey, I do have some tips and tricks on improving and getting into that writing vibe!

For the people getting to the party now, my main tip on improving is here, in the first part of the answer for this ask! Now, now…

(long post below, as expected YEE BEEN WARNED!)

Regarding improving:

Read. A. Lot. Hahaha I know that’s quite an obvious one, but it’s really important. Personally, I think reading mindlessly just to fill a quota of “I read 25 books a month” doesn’t work. It works when you absorb it – when you allow yourself to plunge into the world of the book you’re reading, feeling the characters, the emotions, the settings… That helps you build your “mental library” so to speak! And sometimes you’ll find things and expressions you like that you might use both on your daily speech and while writing – for instance, I have this awful thing of saying “there’s a lack of wings to my words” whenever I’m speechless, because of Homer’s Odyssey. I freaking LOVE that book, I loved that expression, I use it all the time, and it has definitely bled into my writing.

WRITE! A LOT! Write bad stuff, good stuff, short 2 pages thing-ys that you go “hey that’s a good idea!” but you’ll never actually turn into a full story, random scenes, fanfiction, stupid fanfiction, serious fanfiction, self-indulgent stories, stories for your family, stories for yourself, stories for whoever wants to read or not, dreams that could be great stories… The point is to write. It’s much like drawing or playing the piano: if you don’t practice, you won’t get better and you won’t develop your style. The more you practice, the better you get! So don’t be afraid to write bad stuff, cringy stuff, or ridiculous stuff – or even stuff you thought would be awesome and turns out bad, or stuff you think will never turn into anything that turn amazing! One way or another, you’ll be refining your craft!

Identify what you like on writers you admire. I started noticing that while reading The Silmarillion. The Lord of the Rings is my favorite book since I read it for the first time when I was 15, but I didn’t pick up The Silmarillion until I was around 22 – and by then, I started underlining with a light pencil all the phrases I liked most, something my mom did on her old books when she was around my age. I then started taking a look at what I liked about Tolkien’s writing so much – and in other books too: what kind of phrases seemed to resonate more with my soul. Which ones brought tears to my eyes and a smile to my face. And then I notice I tend more to the unconventional ways of describing things.

For instance, instead of going like “she was beautiful, with pale skin under raven dark hair, blue eyes shining on her fair face” I tend to go for the unconventional, sort of eerie, not so much taken for granted kind of describing “her beauty glowed like the first pale star to glisten in the evening sky, under a deep sea of dark, velvety hair, making her eyes twinkle like sapphires with a smart look while carrying the light she kept in her soul”. If I had to, the second one would be how I’d describe Arwen or Lúthien, giving them that ethereal otherworldly beauty they have. It's also the one that evokes more feelings inside of me rather than just a mental image.

That’s why I try to describe some things in a different light. When I’m writing, I want people to feel something – but how can you describe that feeling of joy when you hug someone you love and the whole world fades for a minute? That’s when I go for the “his heart bled with gold while his hands never wanted to let them go. For a minute, time seemed to stop and there was nothing else but his heartbeat intertwining with theirs, beating as the same song – even if theirs was more melodic while his was more melancholic. It was that kind of tune that made his lungs not remember how to breathe and his eyes pour – while his lips reflected all the gold that cascaded from his heart.” It’s a quick (rather ridiculous) example, but I do think about some things: how when I feel like that, I tend to have a hard time breathing and I do cry, but it’s because I want to smile so much I cannot contain it. Then I try to describe those feelings with metaphors and poetic stuff because I’m a melodramatic bitch.

Jokes aside, it’s because I like that sort of writing that has that beauty behind it – or more of a melancholic approach. It’s what resonates the most with me and I adopted it, even if sometimes it feels too… Abstract. I like that ability of people piecing the abstractness together and having their own interpretation – and that’s what makes people have different feelings while reading the same thing.

Is this for everyone? Absolutely not. I bet some people despise all that poeticness I like to put on words to lace them like a painting, you know? So, the more you re-read the things you like, you’ll start identifying what resonates with you and you can apply that to your own writing!

And that doesn’t mean you’ll have to be locked on that writing style as well. I’m currently trying to finish a book (I hope someday I can publish it) which is a cyberpunk style story, with lots of inspiration from Cyberpunk 2077, Blade Runner, John Wick (yes, Keanu Reeves sends his regards) and all that poetic writing doesn’t quite fit there. I’m using more of a direct approach, but there’s a lot of existentialism and reflecting on overcoming grief, trauma, owning your own life and contemplating one’s own mortality – and that’s where that poetic, metaphoric, melancholic, bittersweet characteristic of my writing style comes into play. And then everyone starts cursing and shooting each other again :)

Having a style doesn’t mean getting stuck in it – it means knowing when and where to use it!

Now regarding getting into the writing zone:

I freaking ADORE music and it helps me A TON while I’m writing. It’s like setting the mood. I’m trying to be sexy, or mysterious, or having that vampire-y vibe? Depeche Mode playlist it is. Fight scenes? Metal and Electronic. I need to freaking focus and get to work without thinking too much about the music (or start dancing like crazy whenever a song I love comes in and there I am, dancing and singing in my room at 3 a.m)? Piano playlists – classic, modern, everything and anything, as long as it is piano.

Playing music that goes with what I’m writing also helps. For my cyberpunk book, for instance, I put on the Cyberpunk 2077 OST playlist/radio on, or I search for “Cyberpunk Ambience/Playlist” on Youtube and let it roll while I write. For my King Arthur stories (yes, still working on them), I put on Celtic music compilations, Enya, Loreena McKennitt or the piano playlists. For my vampire stories, be the medieval or the near-future one, dark piano, Dark Wave, etc. Perhaps searching for that one playlist that has to do with your story setting and listening to it for some time might get you in the zone!

I also usually write deep in the night. Because I’m a spawn of Dracula. After everyone at home has gone to sleep, I make myself some hot tea, sit on my computer, start listening to music and write. That’s because I know I won’t be interrupted, and I can do just that. Sometimes, I start writing at 1 a.m, other times earlier, other times later. Try to notice when your ideas seem to flow better and when you get more into the zone – but please, don’t be unhealthy as I am and go to sleep at a decent hour. I’m not an example here with my sleeping schedule hahahaha

Cringy moment: when I’m stuck, I act the last scene I wrote as one of my characters in the shower and, usually, ideas start to come in (and I have to get off the shower). Hahahaha now that’s just a weird one, but I have NO idea why, my best ideas arise in the shower. Water has a weird effect on me, so sometimes I just stand there with warm water pouring over my head and, lo and behold, I’m exiting the shower in a hurry because I just got my writer mood back HAHAHA so maybe some very mundane activity – like cooking, taking the trash out, cleaning the room – might be where your writer brain will come to life. You never know.

Needless to say, I talk to myself a lot, sometimes as if I’m talking to the characters. That is a very bad coping mechanism I developed when I was being bullied at school – I used to pretend Dante was with me when I was alone or something had happened and I needed someone by my side, so nowadays I have a very easy time writing this man. I started doing that with some of my characters, and that goes for repeating lines or part of the stories I’m writing to see if I can get un-stuck. It’s not the greatest of things, but it works. My neighbors might think I’m crazy, though xD

When I’m completely unmotivated or I keep staring at the blank page without being able to write, I try to immerse myself in what I’m writing about. So, if I’m stuck on my cyberpunk book, I watch some Cyberpunk 2077 let’s plays, I re-watch the Edgerunners anime, I re-watch Blade Runner, I re-read some parts of Do Androids Dream of Electrical Sheep? or I, Robot, I listen to Blade Runner’s soundtrack, I even try to play Cyberpunk 2077 (while praying not to get motion sickness or not having my pc exploding from overworking). If I’m stuck on my King Arthur works, then I re-watch the 2004 movie (may the gods bless Ioan Gruffudd and his wonderful Lancelot and Mads Mikkelsen as my beloved Tristan), re-read the 3 books on the Chronicles of Arthur series, listen to some Celtic music, research Arthurian stories for hours on the internet, search for my encyclopedias at home to see if they have something on King Arthur, read obscure translated manuscripts from ancient times on it … So, immersing yourself on reading, researching, listening to music, watching movies, playing videogames, listening to stories, watching series, reading mangas, watching anime, documentaries, going to the movies, basically doing anything that has to do with the theme you’re writing, may get you in the mood. Next time you sit down to write, it might flow wonderfully!

I don’t force myself to write, though. If I do, I usually can’t write a single decent word and I’ll hate it. If things aren’t flowing – and this I learned with my mom, who also draws – I leave it for a while and go do something else. Maybe I’ll have some warm tea, or watch a completely unrelated movie, or read my current book, or talk to my parrot in the kitchen, play some piano, draw a little, or just take a good nap. My mom says it refreshes the head and the eyes, and when you come back to it, you’ll be a lot more inclined to find things that weren’t working and let those creative juices flow.

I also have a very weird search history and I’m not ashamed of it. All writers do, and it’s better to have a weird search history than not knowing what you’re talking about, honestly. And sometimes, researching takes a lot more time than writing and might get you motivated – time spent learning is never wasted. Even if you’re learning what kind of dates grow in Greece and are offered to Apollo (bless his heart).

Sometimes, I write something completely unrelated, with a very different theme, and stupidly goofy – and that gets me back to the writing vibes. Sometimes there’s just this need of writing something for the sake of writing, and you just want something foolish to make you smile like a goof. It’s valid and it might be your ticket out of writing-rut-land.

Now some little uncalled for advices:

I spent too long being self-conscious and too serious about it. If it’s not your style, don’t force it. Some people need structure, other people thrive in chaos – know what’s your style and go for it. I hate planning novels, for example. But I will outline the main points of the story and the ending – the rest, well, the characters have to show me whatever else they’re doing, and I have to go with it. Sometimes there are huge arcs I didn’t plan as a main point of the story, but they pop up in the middle of it and they are important – I like leaving that room for impromptu writing/creating. So, find out how it works for you, not how it works for everyone else.

You don’t have to create masterpieces right at the first time you’re writing. Take my King Arthur thing-y for example. I wrote the full story when I was 15. When I was in college, I decided to re-write it. And then, when I was at work, I decided to re-write the re-write. And now, I just took all my files, read them, thought about it all, outlined a whole new story and decided to write anew. Not re-write, but take all that work and write as if I had never written anything before – in the original file, the main characters were 15 years old and in school, now they have their jobs at Universities and work on the secret society that is now a lot more fleshed out and built with loads of new characters around (including a new one I created yesterday after months not thinking about it).

If I hadn’t written the Twilight-sort of embarrassing thing when I was 15, I wouldn’t have this whole universe, characters and story to build upon nowadays. It wasn’t a masterpiece, but it was a good idea – and I’ll keep working on it until I’m happy with it. It’s been 13 years I’m working on it now, maybe when it reaches its 15th anniversary, I’ll be able to finally let it see the light of day!

Don’t listen to the “NEVER DO THIS!!” advices. Seriously. Writing is a form of art – and, as in all art, there isn’t a right or wrong. By all means, see what people are saying it’s bad and you should never do – I watch and read those advices so I can learn to be better too! – but don’t take it to heart. As Captain Barbossa would say, it’s more of a guideline than rules set in stone. Sometimes, something people say you should NEVER EVER do is something that works perfectly fine for you and your style of writing. Learn to make up your own mind: learn new things, listen to advices, but absorb those that resonate with you and leave those that don’t. That’s how you create your own opinion about things and how you find your writing style!

One fun thing to point out on this as an example: me, my mom, my sister and my dad ADORE reading. My sister loves Jane Austen, my mom is a super fan of Dostoyevsky and Russian literature, while my dad lives for Isaac Asimov and all things sci-fi. I love sci-fi, my mom can’t stand it. I read Dante’s Inferno in a week and my mom couldn’t get past the first verses. My sister can’t read poetry at all and is terribly bored by Lord of the Rings. My dad read my Chronicles of Arthur books and even told me to buy the complete the series. Me and my sister enjoyed Khaled Hosseini’s books a lot, but my mom never felt like reading them.

All of this to say: it’s not a matter of who’s more intellectual than the other, it’s a matter of who likes which kind of literature and writing styles. Some people are more comfortable with one way of writing or a certain kind of literature and can’t stand others – and that’s ok. Writing is pretty much the same. THERE ARE NO FIXED RULES! BE A REBEL!

If it helps you: character sheets. Around 8 years ago – or more – I searched and searched online for the character sheet that could help me the best. I had never done it before and thought it was quite useless, until I downloaded one and started filling the infos on my main characters of my Arthurian sort of story. Lo and behold, they became SO MUCH BETTER and that’s when I started rewriting everything: I understood all characters a LOT better and made better decisions when writing them. It doesn’t work for everyone, though, but it’s a lot of fun for me. Currently, I don’t use it much because I now know what are the main things I need for my characters to seem alive, but it’s always nice to have a reference when you’re writing.

My cyberpunk story, for instance, it has A BUNCH of characters with scars, different hair colours, different eye colours, the way they dress, birthmarks, cyber-implants, cyber-prothesis, dressing styles… And sometimes I get lost in it. So it’s nice keeping a character sheet when I go like “wait, she has burn marks on the left arm or the right arm…?”

And keeping a file on worldbuilding might be helpful as well. I noticed that writing my cyberpunk thing. The first thing I wrote was a huge file explaining the city, the factions, the districts, people’s styles, who are the viruses, the sub-types of viruses, the political parties, the police and secret police, the difference between artificials and organics, how does access to the world works, what is the Ocularis system, the most important corporations, their names, their owners… And all those things will probably never appear on this story.

But I felt a HUGE difference. Instead of info-dumping right at the beginning to make the reader understand how the world is built and how it works, I started it right at an important point in the story. No one knows anything about how things work, but, as the characters speak to each other, they talk about so many things that the reader catches things and pieces together how all things are organized.

Don’t try to explain everything. Tying with I said before, if you have a very good idea of how things work, how the characters relate to each other, how they react and how they think, you won’t need to info-dump. I usually think I’m seeing my characters going about their day and that is ALL I’m describing: what they are saying, feeling, thinking and doing. If I feel something is missing for people to fully understand, then I add something quite minimal to help. But I don’t overexplain: people are intelligent and they can piece things together.

Don’t go full Marvel movies and explain everything as if no one can understand unless you say it. Go Nolan and try to make people understand with images, feelings, glances, metaphors and such. It’s very effective in writing! (Don’t get me wrong, I do like Marvel movies, but they have become those kinds of movies that require little mental effort because literally everything will be explained in a huge monologue or through dialogue. You don’t always need dialogues – and if you say “oh that’s too ambiguous and people won’t be certain about it” that’s the beauty of art: it’s always up to interpretation)

Having someone to read and give you feedback might be very helpful too. I have a few friends every now and then I send some of my stories so they’ll read and give me an honest feedback. I try to listen to their opinions and refine my work – but if I think they critique doesn’t make sense, I thank them anyway and keep on doing my thing. Like I said, know when to take what makes sense and when let go of something that doesn’t. Also: feedback is NOT a personal attack. DON’T TAKE IT TO HEART. See it always as something you may need to improve – and you’ll improve quicker.

At the end of the day, writing is art. And all art is relative.

Your art will be great to some and horrible to others – and that’s ok! Again, learn to NOT make it personal (the critiques, I mean, because art is always personal and that’s wonderful, I think).

And repeat after me: you will not please everyone. The point is to make yourself proud. You’ll find your people along the way.

Do it because you love. Do it because it comes from your heart, from your soul. The world has become so filled with content, mindlessly created by artificial intelligence so we will keep consuming, that things have lost so much of their soul.

To make art, to write, is to have soul. If you have that heart, that passion in your work, it will show – and people will follow. When you sit to write, don’t make it a chore, don’t make it an aesthetic tiktok post, don’t follow the routine of this or that famous artist – do what you have to do and let your heart flow. Do it for you.

I think that’s the main advice I can give. Don’t do content to post on social media and look good, do your art. Push your boundaries, test new things, write in ways you never did before, but do your thing.

When everyone is doing the same thing over and over again, you’ll realize your words will stand out by doing what you want to do.

Again thanks for attending my TED Talk xD

[brucie-baby]

the fact that alfred was the one to put up jason's memorial is so important to me

[liauditore]

how many belts and buckles does she need someone save me.

[the-magpie-archives]

Tips for writing London as a setting if you've never been there

London's a popular place to set a story! It's often imagined as sexy, cool, and suave. Whilst this is sometimes true, the thing that it predominantly is, is absolutely and entirely chaotic! So here are some aspects that you may not know about:

-Public transport is absolutely crucial to the infrastructure! Few people drive in London because of how well connected it is, and bus stops and train stations are often used as meeting points or details in directions.

-There's a LOT of crime, like, a lot. All cities have it, but London has a lot of variety. Stabbings are incredibly common (to the extent where it becomes a bit of a joke), almost everyone has a story where they've found or seen a dead body, and there are many money laundering/drug den fronts under the guise of highstreet shops (they're not well hidden).

-Despite it's chaos there's a strong code of etiquette most people hold themselves too. Some are actual rules (stand on the right side of escalators, don't queue jump) but some are simply social expectations (don't stop in the middle of the pavement, keep your bags close to your body, don't take up multiple seats.)

-A lot of tourists to the city are COMPLETELY FERAL and widely hated. They'll stand in the middle of the road, block up bridges, swing around cameras and selfie sticks in busy places, and completely ignore the social standards of polite society. People Do Not Like This. (also American tourists have a tendancy to just randomly start conversation with people? It's a bit weird and generally not done but it's not strictly a bad thing.)

-Rush hour is INSANE. We're talking almost static traffic, trains so packed that you're pressed into people on every side, buses that are so full they can't stop to let more people on. Some days it's better some days it's worse, but if you can avoid travelling at those times YOU DO.

-There are a lot of scam artists on the streets. Most major cities have these, they suck, they're aggressive, and they'll take your money! Some give you flowers and then force you to pay, some take photos of you and boost up the price to get them, there's always new ones, they're relentless, and you've gotta tell them to fuck off.

-Black cabs are not at all popular for normal people! They cater to tourists, rich people, and old people. They're great, the cab drivers are hard working and very knowledgeable, but they're also very expensive. Awful as it is, uber's cheaper if you're desperate, but buses go everywhere so it's just not really worth it.

[h20milk]

wtfrick!

[canisalbus]

Hey, I’m new to Tumblr, but I’ve seen your characters around the internet and I love them so much!! Everyone has so much love for Machete and Vasco and your art is so cool to see! Do you have any tips for an aspiring artist and creative writer?

Hi! Welcome to tumblr! I'm glad to hear you like my dogs :]

I'm not really a writer, and I also completely lose my confidence when I'm trying to explain my art processes. So this is probably an obvious, unhelpful platitude at best, but one thing I've realized is that you should allow yourself to be self-indulgent. If you're the primary target audience of your own work, it generates passion and keeps you inspired and motivated. I like to believe that people who see your creations are more likely to respond to them positively if they can sense that you're putting your heart and soul to them.

[blooodymoon]

A "RETURN of the Number of PERSONS FLOGGED in the BRITISH NAVY, in each of the Years 1845 and 1846; specifying the Name of the Ship, the Offence, the Sentence and the Number of Lashes Infficted." Parlamentary Paper, Number 661 of Session 1847

So after reading the Post about Jopsons Flogging by @handfuloftime I went down a research rabbit hole because I wanted to see if their exist sufficient & specific enough Data to accuratly compare his punishment and put it in the historical context.

I found this Website, which features the two tables from the Parlamentary Papers and their Source.

(Note: The tables on the website are incomplete and inaccurate in certain places. I compared it from top to bottom to the original source and corrected/added the informations in my table.)

I used that as a basis for my own table, where I also added Averages and Sliders so people can search the Informations!

(Apparently Sliders don't work on Mobil, and I don't know enough about Google Sheets how to fix it :/

If anyone knows or if you find a some kind mistake please let me know.)

This week I visited the University Libary, which has access to the Parlamentary Papers Online, to see if such tables also exist for earlier years but sadly 1845 was the first year where they went into such Specifics.

(I hope to add some of the Years after 1846 to the table, when I can.)

Earlier years only had these Informations per Year:

Total Number of Punishments

Total Number of Lashes

Highest Number of Lashes Inflicted at One Time

Lowest Numper of Lashes Inflicted at One Time

This Information for 1839 - 1846 under the Cut.

Also under the Read More are some Graphs, Medians & Averages about Flogging for Drunkenness Alone, seperated by Seamen, Marines, Boys and Everyone!

Hope that someone find this useful/interesting !

Corporal Punishment for Drunkenness Alone

Everyone:

Lashes Sentenced Median: 32,75 (1845: 33,5 | 1846: 31,4)

Lashes Sentenced Average: 31,07 (1845: 31,13 | 1846: 31,02)

Lashes Inflicted Average: 30,8 (1845: 31,02 | 1846: 30,58)

Seamen:

Lashes Sentenced Median: 36 (1845: 36 | 1846: 36)

Lashes Sentenced Average: 34,37 (1845: 34,62 | 1846: 33,86)

Lashes Inflicted Average: 34,33 (1845: 34,41 | 1846: 33,86)

Marines:

Lashes Sentenced Median: 31,4 (1845: 32 | 1846: 31,4)

Lashes Sentenced Average: 30,8 (1845: 31,09 | 1846: 31,09)

Lashes Inflicted Average: 30,8 (1845: 31,09 | 1846: 30,69)

Boys:

Lashes Sentenced Median: 24 (1845: 24 | 1846: 33)

Lashes Sentenced Average: 26,22 (1845: 24,4 | 1846: 28,5)

Lashes Inflicted Average: 25,33 (1845: 24,4 | 1846: 26,5)

Years

1839:

Number of Punishments: 2,007

Number of Lashes: 59,341

Highest: 60 | Lowest: 3

1840:

Number of Punishments: 2,026

Number of Lashes: 60,302

Highest: 48 | Lowest: 1

1841:

Number of Punishments: 2,066

Number of Lashes: 61,669

Highest: 50 | Lowest: 2

1842:

Number of Punishments: 2,472

Number of Lashes: 71,024

Highest: 100* | Lowest: 1

1843:

Number of Punishments: 2,170

Number of Lashes: 63,985

Highest: 60 | Lowest: 3

1844:

Number of Punishments: 1,411

Number of Lashes: 42,352

Highest: 72+ | Lowest: 6

1845:

Number of Punishments: 1,070

Number of Lashes: 33,511

Highest: 48 | Lowest: 3

1846:

Number of Punishments: 1,077

Number of Lashes: 32,360

Highest: 50* | Lowest: 3

*By sentence of a Court Martial.

+By order of the Commander-in-Chief for theft, in a shop at Chusan, and violence to the natives.

Sources: A "RETURN of the CORPORAL PUNISHMENTS inflicted in the ROYAL NAVY, in each of the Years 1839 to 1843, both inclusive, stating the highest and lowest Number of Lashes at each Time, and the aggregate Number of Lashes in each Year [ ]" Parlamentary Paper, Number 308, of Session 1845 + ABSTRACT of Total Numbers of CORPORAL PUNISHMENTS inflicted in the NAVY, and the Total Number of LASHES Inflicted, in each Year up to the 31st December 1846 [ ]. Parlamentary Paper, Number 661, of Session 1847

[whiteboardartstudios]

wanted to draw the grian from my stupid (/affectionate) car comic again lol

Timestamp is the Imp and Skizz podcast wild life recap episode around 32 minutes in

if you couldn't read my handwriting there's image descriptions in the alt text :>

[does-it-introject]

QUEUE CHECKLIST

[pt: Queue Checklist /end pt]

... will get updated every once in a while! Also hidden below the cut due to the amount of requests!

In the queue waiting is:

Spider Gang (Music Collective)

Silent Hill (Universe)

Helldivers 2

The Magnus Archives

Marvel Cinematic Universe (MCU)

DC Cinematic Universe

My Demon (Kdrama)

Needy Streamer Overload

Stardew Valley

Honkai Star Rail

Hellpoint

Alien vs. Predators

Cookie Run (Franchise)

OneShot

Critical Role

Castlevania

Markiplier Cinematic Universe

Gravity Falls

Palworld

Stray Kids (Kpop)

Soul Eater

Bendy And The Ink Machine (Universe)

Shakespeare

Ace Attorney

Kid Icarus

Slimecicle Cinematic Universe

Signalis

LGBTQ+

Kancolle

Loop SMP

Parkour Civilization

Warframe

Jacksepticeye Cinematic Universe

Sherlock BBC

Dimension 20

Friends (/factives, not the show)

Teenage Mutant Ninja Turtles (2012)

Tiger X Bunny

Just Shapes And Beats

Puyo Puyo

Tale Of The Nine Tailed

Wuthering Waves

Alter Ego (Mobile Game)

Warhammer

What Remains Of Edith Finch

My Little Pony

Rabbit And Steel

GrayStillPlays

Magic The Gathering

Epic The Musical

Azur Lane

Magical Girl Raising Project

Nevermore (Webtoon)

Destiny 2

Numbers

Remnant II

Vermintide I and II

Mr. Robot

Severance

Sailor Moon

Eddsworld

Kingdom Hearts

Dead By Daylight

Arknights

Kamen Rider

Ni No Kuni

Arrow (TV Show)

Nimona

RWBY

I'm The Grim Reaper (Webtoon)

Welcome To Demon School Iruma-kun! (Mairimashita Iruma-kun)

Call Of Duty

Plants Vs Zombies (Original Game)

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[mrmeepsmadmind]

rewatching this over and over again.. mainly bcs tarn makes soundwave into a manlet but also bcs it's hilarious

[snivel1]

Kinito in the computer of a person in an abusive family.

Horror&blood warning under the cut!

Transcript of the intentionally hard to read text:

"Friend! I made sure to give them a good talking to! They won't bother you ever again!"

[pwouted]

going to keep this short .. but my family and i are currently in need of groceries ;w; anything would help and would be vv much appreciated :

my ko-fi & my paypal !

[nikysavi]

daughter's/father's found hope

[mipexch]

stupid sexy minos.....

[k0re-drawings]

[stabbyfoxandrew]

i dont know if you are still doing these but!! id love a kiss on the hip for kandrew :) <3

Kevin Day is not a virgin. He understands sex and most of its mechanics. He's slept with a few people in his life, he's also sampled plenty of porn genres.

But none of that compares to this. To having Andrew's full and complete attention. To having Andrew on his back in his bedroom in Columbia. He's not quite sure how they ended up here. Of course, he understands the logistics of getting to Columbia from Palmetto State.

He knows the route they always take, he knows the right exit, he knows how to find Nicky's house.

How he got to this point he's not sure.

All he knows is Andrew and Neil were planning to come here this weekend for a bit of alone time. Just the two of them, no one else to bother them. That's what Kevin thought at least. Until Neil knocked his shoulder into Kevin's side at practice earlier and told him to pack a bag. When Kevin asked why, Neil merely shrugged. "Andrew said to."

Andrew said to. So Kevin did.

Kevin always does what Andrew says. That's how the three of them happened. Six months ago Andrew told Kevin that Neil wanted to kiss him, Kevin kissed him. Andrew watched them make out then announced that he wanted to kiss Kevin, Kevin kissed him.

And now here they all are, spread across Andrew's bed. Neil is sitting cross-legged against the headboard, wearing only his boxers and a tank top. Kevin has been stripped down to his shorts. And Andrew is fully clothed, except for the jacket he shed upon coming into the house, with his head on Neil's thigh. Kevin is hovering over Andrew, not touching him anywhere below the waist. Never touching him below the waist. Never touching him anywhere Andrew doesn't want him to.

"What am I doing now?" Kevin finally asks. Andrew had pulled Kevin over top of him like this a couple minutes ago and Kevin's been sort of frozen since. Because he's not a virgin, but Andrew makes him feel like one. A pair of hazel eyes stares up at him, seemingly bored. The flush on Andrew's cheeks is the only thing that gives him away.

"Whatever you want."

"That's not how it works—"

"It is now. You've graduated, Day. Touch me," Andrew commands. Kevin's hands twitch against the mattress, but he doesn't move them. Not yet.

"Where?"

"Anywhere." Andrew says, the want in his voice making Kevin's breathing catch. It takes a moment for him to process the word. And when he does, he throws himself off the bed. Andrew just stares after him. "Where are you going?"

Kevin sputters and puts his hands in the air. "You can't just change the rules on me like this."

"What rules?" Neil asks.

"The—" Kevin can't believe the question. "Oh, goddamn it, Neil. You know exactly what I'm talking about! I can't go from nothing to something to everything. Not like this. You have to tell me, Andrew. I don't know what—"

"I just told you what." Andrew says, sitting up a bit to look at him. "Anywhere, anything."

Kevin shakes his head. "No."

"No?"

"I don't want to fuck this up."

"You can't fuck it up."

"But—"

"No buts," Andrew interrupts. Kevin's gaze flicks from Andrew's to Neil's, back and forth. Andrew sighs. "Get the fuck over here, Kevin."

Kevin always does what Andrew says.

He moves to settle back over Andrew, propped up on his hands and knees. Andrew reaches for him and grabs the back of Kevin's neck, pulling him down into a kiss. Kevin gasps against his mouth and hears Neil make an appreciative sound, a little hum of a noise, above them. Suddenly there's a hand pushing into Kevin's hair and he knows it's Neil's. Kevin opens his eyes and looks up to meet Neil's eyes. The idiot smiles down at them and Andrew's eyes are closed, his mouth is hot, and... Kevin groans when Andrew fucks his tongue into his mouth.

Kevin moves to slip one hand under Andrew's head and lowers himself onto him, making Andrew exhale against his mouth. They're both half hard, Kevin ruts his hips against Andrew. An experiment that gets a grunt and a nip to his bottom lip.

"Good?" Kevin asks after pulling away a bit.

"Yes. Keep going."

"I want to take your shirt off." Kevin admits. Andrew's expression barely changes, but it does.

"Then do it." Andrew challenges, letting go of Kevin's neck. It takes both of them but Kevin gets the shirt off and drops it beside them. After thinking about it for half a second, he lightly skims a hand up Andrew's side making him shiver. He thinks it's a good sign, but then Neil's leaning in close to his head.

"Firmer, Kev." He whispers.

A hint. A clue from someone who's got years of experience on him. Kevin grabs it and a handful of Andrew's chest, taking Andrew by surprise.

"Really? Groping me, Day?"

"You said anything, didn't you?" Kevin squeezes Andrew's chest and thumbs at his nipple until it's peaked. Then he dips his head back down to press kisses to Andrew's neck. He knows Andrew likes that. It's safe, familiar, good for both of them. Andrew turns his head to the side, likely so he can look at Neil, but Kevin nips his pulse point and Andrew hisses a breath before grabbing him by the nape again and pulling him up like a mother cat does a kitten.

"Do you want me to stop?"

Andrew blinks at him like he's slow. "No. I want you to get on with it."

"You said anything I wanted." Kevin reminds him. "Or are you taking it back?"

"I'm not taking it back."

"Then let me take my time. Want to make you feel good." Kevin returns to Andrew's neck and Andrew's nails scrape against his back. Kevin assumes in appreciation. He nibbles at Andrew's throat until the goalie's breathing is labored, then finally comes up for air. "Can I bite you?"

There's a little spark in Andrew's eyes. Kevin wants to turn it into flame. After a moment, Andrew says 'yes, anything, do you understand the meaning of the word?' and Kevin shuts him up with teeth in the side of Andrew's neck. He sucks a mark there, one that'll bloom purple pedals, then does it again. Again.

He hears a sharp inhale to the side and glances over to see Neil palm himself through his underwear. Andrew tilts his head back to look at Neil and rolls his eyes. 

"How am I not surprised your neck fetish extends to just watching."

At this point in their relationship, or whatever the fuck this is, Kevin thinks Neil has an Andrew fetish. He doesn't say so.

"Keep going." Neil tells him, almost as affected as Andrew. Kevin obliges, kissing and sucking his way down until he's nearing the waistband of Andrew's jeans. He stops there and raises his head to find Andrew glaring at him.

"Neil," Andrew says. "I think we need to get him an English tutor."

That makes Neil laugh and Kevin rolls his eyes, pinches the inside of Neil's thigh. "You can't fault me for wanting to be sure."

"I can and I will. Keep going or get out."

"Alright then. Instead of asking I'll just tell you. I'm going to take your pants off and then I'm going to blow your mind." Kevin decides, suddenly confident despite only giving a few blowjobs in his life. His decree has Andrew's brows raising.

"That so?"

"Yes." Kevin says firmly, making Neil's lips quirk. He eyes Neil for a moment. "Questions, comments, concerns?"

"None. Go." Neil tells him. So Kevin does. He scoots back and makes quick work of Andrew's remaining clothes, save his armbands. He's never seen what lies beneath them and he doesn't want to, because he has a theory and he doesn't want to test it.

Once Andrew's laid almost bare beneath him, Kevin stares. For a lot longer than he'll ever admit. Finally he dips his head and is thrown off course when he notices a freckle he'd never seen before. He detours past Andrew's cock and presses his lips to his hipbone instead. It's a barely-there thing, just a peck. But it makes Neil inhale sharply.

Kevin looks up at him. "What?"

Andrew's eyes flick up to Neil's, then he rolls them. "He's sentimental."

Kevin isn't sure what that means and it must be obvious from the look on his face. Andrew just shakes his head. "This is not a Q&A, get back to what you were doing."