#but I hope it makes sense overall

[chevelleneech]

to me Jimin seems more apprehensive of the two, which is understandable with ms upcoming etc, but jk seems so carefree and happy, idk where people are seeing this disinterested-ness, bc he seems constantly happy and even trying to make sweet moments (like the snowfall comment ahah)

I agree JK seems carefree, but I have to be honest, I don’t see either of them as being any more or less apprehensive than the other. During AYS nor outside of the series. I think they have different personalities, thus a lot of the time what we’re seeing is them just being themselves.

To me, Jimin has gotten older and has found comfort in both being exactly who he is as well as being mindful of his surroundings. Personally, I think Jimin it’s cutesy and affectionate, but I do think he plays it up for the camera as well. It’s a thing almost all idols do, but for people who enjoy it like Jimin, it slips easily into their personalities.

That said, Jungkook is also naturally cutesy and affectionate, but we only really see him be that way with Jimin or Hobi. Those are the two members we’ve seen him gravitate toward as his comfort zones over the years, with the main difference seemingly being Jimin is also his emotional landing pad.

To get back to the point, I think both of them seem chill. They’re laughing and drinking and eating and doing a small bit of adventurous things, which must have been all they wanted to do anyway. I mean, Connecticut and Sapporo in particular are trips we know were planned by the two of them, without any change of plans, meaning they intentionally chose nothing to do. Yes, they went canoeing and snowboarding, but that’s not the same as planning their trips around specific events. They didn’t go to a summer or winter festival. They didn’t go camping with other friends. They didn’t do anything big, is basically what I’m saying. They chose what appear from the outside, couple-like activities. I mean, starting with a cozy, single bed cabin in the woods, is a crazy thing to do for just friends, lol.

The last day in Connecticut was in what I assume as an air b&b house, for whatever reason. And I don’t say that to dismiss them sleeping in different beds, but the second episode wasn’t really about anything. They woke up, cuddled in bed, went grocery shopping, then went out to dinner and the episode ended. What made the episode worthwhile, was getting to see Jimin and Jungkook existing alongside each other in what according to them, was their first hangout in a bit. The first two episodes were really the one time we saw them rekindle a thing, after whatever they’d been through, and the result was, “Let’s keep doing this.”

So I do understand that with all we know about the members, and with all we’ve seen from other travel specials over the years, AYS is different. We’re seeing a dynamic between JM and JK that we’ve only really heard about in passing.

Yes, we knew they were attached at the hip. We knew they had similar senses of humor. We knew they cuddle and smacked ass here and there. We knew JK was a Jimin-pedia. What we didn’t know, was how deeply that ran off camera. And yes, AYS is obviously being filmed, but the part I think people are either refusing to or having a hard time grasping, is that it truly is unscripted. I don’t think the other specials were scripted down to the bone either, but there was always something they were expected to be doing. The closest thing to AYS was ITS, and we saw how chopped up that was to paint the picture that the members were always doing something. They edited stuff out of order just to keep the episodes moving.

AYS does not appear to have that. There are time jumps, but it doesn’t appear to be any: “This happened at 10am, but it’s going to be edited into having happened after JM said it’s 5pm.” It honestly just seems like they told BH where they wanted to go; restaurants and resorts wise, got some cameras and a crew, and started filming. So it was planned as far as the company had to make reservations and ensure their safety, then the crew likely went ahead to set up cameras and ensure their reservations were ready. But we didn’t see any of that. We only saw JM and JK’s pov, which was happening at the same time the crews were doing their jobs.

I’m getting long winded again, lol, but yeah I think a lot of what we’re seeing in AYS is just them being them. Jungkook isn’t “going through the motions” more so than he’s just not an overly outward expressive person when he doesn’t have to be on. And Jimin isn’t being apprehensive more so than he’s probably much more calm and laid back when he isn’t on.

And I think maybe that comes across as them seeming different in some ways, because we’re seeing just how often they really are on, even during past vacation specials. So I think the reality of Jimin and Jungkook’s bond and dynamic is that they are just soft for one another. When they don’t have to put on a performance in too big of a capacity to be entertaining, they simply meld together. They breeze about, going wherever they want, and even if they don’t have a destination in mind, something as simple as shopping or hiking is enough. Hell, they even like brushing their teeth together and sitting around playing card games.

So again, I don’t think it’s apprehension, I think that’s just Jimin. He is a ball of energy, yes, but he also seems to enjoy sitting back and watching JK live and explore life. Boyfriends or not, he likes seeing Jungkook happy, and Jungkook likes Jimin to feel taken care of.

[vaperarmand]

btw i do think we should have more movies about lesbians who are fully realized complex characters who ultimately achieve happiness in ways they may not even necessarily deserve and get to ride into the sunset with their lover because lesbians deserve to know that a happy ending is possible despite how unrealistic it may seem and despite a world that doesn't understand or support them. and i think these movies should depict sex and fetish content because it's hot and because lesbians deserve to know that no matter how messy or "weird" their desire seems it's real and it's even worth celebrating. and if you don't agree. well. you should not be allowed to watch movies

[epiphainie]

i've just finished my s7 rewatch and it's kinda so funny to me how much discourse people created over every bucktommy interaction when their whole arc boils down to tommy being patient and vulnerable with buck and showing up for him. like when you are not wearing shipper goggles under the name of "analysis" and don't try to reverse-engineer every word and look and shot with utmost bad faith, that's what it is. a simple and sweet story of a new exciting relationship with a guy who's understanding and willing to show up. literally the two things buck needs from a relationship but never had with his previous love interests. they are kinda sickeningly sweet and well-communicating actually lol

[skitskatdacat63]

Kinda 😾 rn cause I realized the Senna show made the "can we be equal? 👉👈" scene SOOOO much less intimate/cute. Upon watching it, I was too distracted by "Oh! They're referencing dialog that actually happened!!" but now I'm peeved having rewatched the actual clip 😭

Why would they do this to me specifically

[sexy-sapphic-sorcerer]

Recall the tale of Icarus.

Choose to be Icarus.

Linda K. Hughes, Text and Subtext in "Merlin and the Gleam", p.166 /// Alfred Tennyson, Merlin and the Gleam /// BBC Merlin, The Last Dragonlord (2x13) /// Natalie Wee, Patroclus Dreaming /// Hozier, I, Carrion (Icarian) /// BBC Merlin, The Wicked Day (4x03) /// Hozier /// Natalie Wee /// BBC Merlin, The Disir (5x05) /// Alfred Tennyson /// Hozier /// BBC Merlin, The Diamond of the Day: Part 2 (5x13) /// Natalie Wee /// Alfred Tennyson, The Passing of Arthur /// BBC Merlin, The Diamond of the Day: Part 2 (5x13) /// Hozier /// Alfred Tennyson /// Natalie Wee

[bixels]

So i have a small nicpic i wanted to share with you about your interpretation of spike in the au and i want to make two things clear before i talk

1) i havent watch the series for a little while as of now so i might be misnterpreting a aspect of this chatacter that might have never been there and only apeared in fan content and personal interpretation (since that whats been keeping me on the fandom)

2) this is not a big problem about the au i matured enough to not get angry at a interpretation of a fictional charater

Now here i go

I feel spike being the same race as the rest of his familie makes him lose a part of his character that might have not been central but was still something interesting about him and is the idea of not mayhering how diferent he looked from his adoptive family (and his cominty as a whole) he was he was still seen as part of it

Again this isnt a big problem with the au as a whole its just a small nicpic that i have about the au and its not going to make me hate the au

This was just my opinion that i wanted to share and im interested to know your opinion about what i said

I understand this criticism and agree that having Simon/Spike be a different race than Thea could speak to their relationship in the original show.

My reasoning for designing them both to be African American is this. I believe Simon's adoption is enough to explore the feelings of separation and exclusion he may have with Thea and her family. The original show doesn't bring up Twilight and Spike's racial differences much because they originally didn't consider Spike to be a part of Twilight's family. As far as I know, there's no moment where someone says, "Wow! You're telling me you're related to Twilight Sparkle? But you look nothing alike!" because Spike was more so Twilights... familiar than anything.

Later episodes that explore their familial dynamic poses the conflict through Spike's adoption. There's one episode where Spike's "biological father" returns, and Spike accuses Twilight of not being his real family, which breaks her heart. There's another that delves deep into Spike's feelings of exclusion from Twilight and Shining Armor's siblinghood. Basically, in discussions of family dynamics, the show places more emphasis on Spike's identity as an adopted sibling rather than a dragon.

I really do believe a multiracial family would be good representation, but the racial dynamics would not be something I'd be interested in getting into. That's not to say I find real multiracial families problematic or uninteresting or unappealing or unimportant. I just wouldn't be interested in having to explain in-text that Simon (non-black) and Thea (black) are related over and over; it would grow tedious. It adds an extra level of writing complication and opens up racial discourse (discourse that I feel is unrelated to their relationship in the original show) that I don't want to concern myself with, especially because I have no experience in navigating such discourse.

[twentyfivemiceinatrenchcoat]

after reading the ending and seeing the meltdown on twitter over the mistranslation before the official chapter it's just kind of annoyed me how people view gojo as some perpetually insecure, self deprecating dude when he was never that.

Ofc geto's defection fucked him over and that loss of a valuable bond was the guiding force behind a lot of choices he made in life but he was always, always fond of jujutsu itself, it's the orthodox structure and lone burden on his shoulders he disliked.

Even nanami clocked him for that in 236. That he enjoyed the thrill of sorcery. I hate satoru's uwufication (and don't get me wrong he's very much my cutie patootie) but to view his complexities as just insecurities is such a narrow view.

It's also why it didn't really surprise me when he "went south" in 236. So many people called his confession in that chapter ooc but in my opinion that raw vulnerability was so intriguing and on brand for him lol. Loving the fight, not being able to hate sukuna, trying to reach him through his skills, admitting the distance he created with others because the gap was just that big, and choosing to stay in the blue spring this time because that period was the most blissful time of his life..it's the first time he chose himself and chose life as Satoru and not just as the strongest.

And to see this same effect happen during the leak mistranslation with so many gojo stans babying him again and it was so..like bro 😭 are we sure we read the same content

THIS . THIS . THIIIIIIIS

anon thank you for putting this into words bc i have been struggling to do the same 💀 but i absolutely agree!!! i also have a big issue with people viewing him as insecure or sad because i truly think gojo was fully comfortable in his own isolation . he’s never pitied himself, and that makes him more tragic, not less. the mistranslation thing in 271 with ’i also have love and dreams’ just made me sigh because that’s just something gojo wouldn’t say 😭…. obviously he has dreams and he has love but he’d never frame that sentence in such a self-pitying way — he’s only telling yuji to carry on his dream if he dies. that’s all.

i can’t explain it super well but to me the greatest tragedy of gojo’s character is that he so rarely gets upset over his own situation — he’s been used and abused in plenty of ways but i don’t think he actually minds, because that’s all he knows. he’s staggeringly mature and resigned and that’s an aspect of his character i think isn’t talked about enough. he even finds joy in his own situation, through fighting and teaching, despite how much weight he has to carry. how overworked he is. ’one must imagine sisyphus happy’ applies really well to gojo, i think…….

and that’s why a lot of fandom takes just . irk me 😭 the truth is that gojo probably wouldn’t mind having his body used after death. and like he himself says in 271 — he doesn’t mind if people forget him. that’s just the kind of guy he is. he’s tragic in the sense that he goes with the flow and accepts the reality of his own existence without wishing for anything different. i think he did have hope that he wouldn’t have to be alone when he was with suguru, but after his defection that hope disappeared. suguru’s importance to satoru is one thing i don’t think anyone can ignore, but i don’t think he turned into some kind of empty shell after he left, either — suguru was simply the end of satoru seeking out meaningful, equal human connection.

…… until sukuna :3c

which!!! for the record!!!!!! i 100% agree with you on. 236 is one of my favorite chapters and i will literally fight the ooc allegations until the day i die bc i don’t think they understand gojo 💀 sorry to say. him finding value in fighting someone like sukuna makes all the sense in the world considering he’s the closest thing satoru has gotten to being on truly equal grounds with someone. and the fact that satoru wanted to teach sukuna about love speaks volumes about his character, how much he detests the isolation of strength. satoru isn’t a saint, but he’s a good guy with very particular motivations. and him finding peace in the bliss of his youth, right after being referred to as ’satoru gojo’ by sukuna …….. must have felt soooo liberating. criticisms about the aftermath of his death aside, i do think this was the happiest ending for someone like gojo.

i will say that nanami’s comment in 236 is often misunderstood as well — he’s specifically talking about teen gojo, not adult gojo. adult gojo fights for plenty of things, not just the thrill — but obviously he still enjoys that even now. i think a lot of people make the mistake of either viewing gojo as some morally corrupt fight loving feral maniac (which is just plain wrong), or viewing him as this sad, sad man who never wanted to fight (which is also plain wrong)…. he’s a deeply tragic character with a lot of kindness in his heart, and even at the very end i don’t think he was truly sad over his own circumstances.

i hope . that was semi-coherent ;;; sorry for just hijacking your ask anon but this was a good opportunity for me to talk about some things that have been bugging me for a while 😭 gojo is a wonderfully written character and i don’t think he was ooc even in 271 (though the talk with yuji felt sloppy to me in execution), i just wish his death had been handled as well as it deserved to be ….

[turtleblogatlast]

I’ve gone on and on about how Leo wants to be who Splinter finds is the ideal person (which just so happens to be Splinter’s ideal version of himself) but I have yet to really touch upon how Donnie is the one who most directly parallels Splinter himself to an honestly shocking degree, Raph’s taking from Splinter’s teachings and parenting has resulted in an unhealthy mixup in the different dynamics of a family versus a team, and Mikey is the one who is simultaneously the most focused on family and the most intrinsically himself which both leads to his better grasp of mystics and honestly what just might be the healthiest dynamic with Splinter.

[mazojo]

Anyways XO Kitty love interests summarized

Dae

Min Ho

Yuri

[biblically-accurate-dca]

vanweek day 2 - knife

does anyone else remember the knife game or have i finally gotten too old

[jonsnowunemploymentera]

This isn’t really a fully formed thought or anything. But it’s interesting how Sansa, Jon, and Lyanna specifically factor into one of GRRM’s greater explorations on the merits of fantasy. More specifically, there is a common trope that connects these three characters: a princess locked in a tower transforming into a valiant knight/hero. Lyanna and Jon, for starters, are pretty obvious explorations of this. Lyanna is the reconstructed version of this classic trope especially as presented through Arthurian tradition; but the twist here is that the dragon/knight who “locks” her in the tower isn’t actually evil and she isn’t so much kidnapped but rather willingly chooses to go there with him. This princess in a tower directly results in the birth of the hidden prince trope, which is even older than Arthur. So one fantasy classic, Rhaegar and Lyanna, leads to another with Jon being Arthur (a hidden prince and destined king), Percival (a hero who grows up in obscurity but has a great destiny to save the land), and Galahad (a noble hero destined to be even greater than his father, Rhaegar/Lancelot, ever was) all at once.

This princess dies in the tower…but her spirit/ghost lives on through her son, who grows up to look and act just like her, eventually becoming the valiant hero you read in the stories (but again, a de/reconstructed version). Part of how Jon does this is by repeating Lyanna’s actions as the valiant “knight” protecting an innocent from bullies. So by making it out of that tower even though his mother didn’t, Jon becomes the survival and rebirth of the fantasy ideal. You could even make the argument that just because Lyanna died doesn’t mean fantasy died as well because it lives on through Jon, her son. And this is actually is aided by Lyanna’s pleading for her son’s life, so she has some agency in how fantasy is preserved in the same way she had agency in how it’s perpetuated when she protected Howland Reed and when she ran off with Rhaegar. The princess living on and becoming the hero/knight in the stories is thus taken on by two characters here: Lyanna and Jon, mother and son. Jon goes even further into the Arthurian-knight playbook by encountering and eventually killing another vicious bully, Janos Slynt, who was coincidentally had a hand in his father’s demise. Then enter princess in the tower 2.0, Sansa Stark.

Sansa is an interesting case because she’s not martial in the way Lyanna and Jon are. But she too encounters her fair share of knights and villains. Janos Slynt is one of them, and Littlefinger will be another. I’ve talked about this before but Jon becoming the valiant hero Sansa wished for is important because it directly plays into GRRM’s reconstruction and (imo) defense of the ideals of fantasy. It’s not so much that heroes don’t exist - they actually do. They just might be far away, or might be the ones you’d never expect. This is the opposite of the “fantasy is dead, stop believing because everything sucks” reading you might see in some sections of the fandom. This moment may not end up meaning much for Jon and Sansa and their relationship, but it means a lot to us readers who are audiences of GRRM’s conversations with the genre and his arguments for its appeal. But that’s not the only interesting thing because Sansa, unlike Lyanna, does eventually make it out of the tower. But she’s currently in the hands of Littlefinger who, like Janos Slynt, was a villain responsible for her father’s demise. In this scenario, will she have to wait for a valiant hero to come take care of him again? Or will she instead don the knight’s armor (figuratively) by enacting justice in her own right? Based on the GoHH’s prophecy, it looks like it will be the latter; and it’s important to note how often “armor” as a motif is repeated in Sansa’s chapters. Thus, the princess evolving into the hero is told through the arc of a singular character here. Sansa is the princess who makes it out of the tower to become a hero of her own making; important disclaimer though, Littlefinger doesn’t really play into the elements of knighthood but he does count as an evil lord holding a princess hostage so Sansa can still be a subversion of the knight rescuing the maiden - the lesson being that she is her own knight, her own salvation!

It’s a very powerful meta-textual thread that exists between these three characters. They all fit into a wider narrative about fantasy and how it can live on, whether played straight or twisted a little crooked. So Sansa doesn’t have to be an overt in-universe parallel to Lyanna because that’s just not her role in the story. And I personally don’t think any “similarities” they have are actually important to Sansa as a person or to Jon because let’s face it, Lyanna’s primary (and most important) role is to be Jon’s mother and everything else informs on that. But both these women (and Jon) can be meta twinsies based on how they fit into GRRM’s wider narrative goals.

[cybertwinke]

I like to think Kory has a garden and she loves to incorporate plants from Tamaran and Earth.

[supernovasilence]

Peter being pissed off that Caspian married his baby borther without permission.

Caspian: Technically I'm king so I have all the permission in the world.

Peter and Caspian have a fight in the garden over it.

Honestly there is some great potential for drama here (it's not that Peter doesn't approve of Caspian, he's just very protective over his siblings, borderline possessive but my thoughts about Their Siblings Are All the Pevensies Have are for another day, and Caspian didn't even ask for Peter's blessing!) I'm just having trouble imagining it because I struggle imagining Peter and Caspian fighting badly. My personal headcanon of their relationship leans closer to the books than the movies, where they don't have an antagonistic relationship at all. (Practically Peter's first words to Caspian are to call him "Your Majesty" and tell him "I haven't come to take your place, you know, but to put you into it," and meanwhile Caspian "was liking Peter very much, but was rather tongue-tied".) Honestly all I can imagine is:

Edmund: stop fighting, you two!

Caspian: LET ME DUEL FOR YOUR HAND IF I WANT TO

Edmund: don't make me get the big guns!

by which he means he will call Lucy to Look At Them With Disappointment

[sketchy-mf]

How dare he randomely change his hairstyle out of nowhere? I'm the only one allowed to do that

(Writing it here too just in case, I'M JOKING)

Yes I'm a few days late, I forgot to post these 💀

📸 Mikke on ig (ofc)

[simplegenius042]

Music Monday

Tagging @inafieldofdaisies @icecutioner @derelictheretic @shallow-gravy @voidika @socially-awkward-skeleton @shellibisshe @direwombat @strangefable @rhettsabbott @josephseedismyfather @josephslittledeputy @imogenkol @cloudofbutterflies92 @skoll-sun-eater @cassietrn @carlosoliveiraa @adelaidedrubman @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @aceghosts @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @titiagls @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries @nightwingshero and @noodlecupcakes + anyone else who'd like to join.

Songs for The Silver Chronicles, Life, Despair & Monsters and Wings And Horns respectively. You can find the songs below the cut:

Elsa Omar is Silva's younger sister, they both managed to escape to America together along with an infant Persephone, where Elsa would have quite the reputation in Hope County, but they'd have around two or three years of peace before Elsa perishes in an accident. Ezekiel is Thomas Rush's future Captain in Security in Old Dusk, and has a rebel attitude towards authority he does not respect. However, back on the Archipiélagos, Elsa was the damsel-in-relative-distress lying and manipulating her piece of shit father as she shared info with the local rebellion about the Congregation's patrols and whatnot, while Ezekiel was an orphaned Tumultite street kid who looked up to the likes of Alvarich and Paul, despite being very anti-authoritarian in general. When these two first met... they hated each other. But hate turned to grudging respect. Respect turned to horrified crushing. Crush turned into deflecting by flirting. And that annoyed everyone else. Even 26 years after he last saw her alive, Ezekiel still yearns for his star-crossed love. And I think this song definitely describes how much their connection may as well have been fated, even if it was for a short time.

"I don't mean to be so uptight But my heart's been hurt a couple times By a couple guys that didn't treat me right I ain't gonna lie, ain't gonna lie 'Cause I'm tired of the fake love, show me what you're made of Boy, make me believe." "Whoa, hold up, girl, don't you know you're beautiful? And it's easy to see."

"If it's meant to be, it'll be, it'll be Baby, just let it be If it's meant to be, it'll be, it'll be Baby, just let it be So won't you ride with me, ride with me? See where this thing goes If it's meant to be, it'll be, it'll be Baby if it's meant to be

So come on, ride with me, ride with me See where this thing goes So come on, ride with me, ride with me Baby if it's meant to be."

"Maybe we do." "Maybe we don't." "Maybe we will Maybe we won't.

But if it's meant to be, it'll be, it'll be Baby, just let it be ("Sing it baby")* If it's meant to be, it'll be, it'll be ("Come on") Baby, just let it be." ("Let's go!")

[*Changed the word to "baby" instead of leaving it as "Bebe"]

Cecil Royce is the daughter of Daemon Targaryen and Rhea Royce, conceived after a drunk night of hate sex. Cecil, unlike her cousins, does not hold any admiration towards her father. Throughout The Thorned Crown Of Iron Thrones, Cecil is particularly hostile towards Daemon, and pretty much rejects the Targaryen name and practices in favour of her mother's. Though after the "accidental" death of her mother, she is put underneath Daemon's care... and he honestly tries his best. Through many trials, and many errors, as well as very slow-paced bonding experiences and the apparent mutual agreement that Rhaenyra should be heir to the Iron Throne, they manage to get along, and find in themselves an actual father-daughter bond suited for two rogue Targaryens. Until of course Cecil learns from him that he murdered her mother... and unlike Daemon, Cecil actually loved and looked up to Rhea. A bond fractures and there's just this uneasiness between them that stays long after the first fic ends and the second fic begins. How does "Summertime Sadness" fit into all of this? While the song itself is a yearning for the loss of a lover, here the context is Cecil's conflicted grief and yearning after the loss of Daemon, when he buys her time to fight the Court King, where he is knowingly severely outmatched and slain in the encounter. Despite the fractures in their relationship, Cecil can't really get over the fact that, while Daemon was no where close to perfect, he was her father, and the bond they had combined with the sacrifice he made is something can't help but grieve over.

"Oh, my God, I feel it in the air Telephone wires above are sizzlin' like a snare Honey, I'm on fire, I feel it everywhere Nothin' scares me anymore (One, two, three, four)

Kiss me hard before you go Summertime sadness I just wanted you to know That, baby, you the best

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh, oh

Think I'll miss you forever Like the stars miss the sun in the mornin' sky Later's better than never Even if you're gone, I'm gonna drive, drive, drive

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh, oh."

Wouldn't It Be Nice if Metatron and Xiang could just sit down and get along for a few moments while looking past their species prejudices and work on agreeing that something needs to be done about the Soulmate System, because it's definitely malfunctioning? Said by Azriel and Jezebel as they "fight" while their caretakers are getting deep into that steel on steel, sword on bullet action.

"Wouldn't it be nice if we were older? Then we wouldn't have to wait so long And wouldn't it be nice to live together In the kind of world where we belong?

You know it's gonna make it that much better When we can say goodnight and stay together

Wouldn't it be nice if we could wake up In the morning when the day is new? After having spent the day together Hold each other close the whole night through

But happy times together we've been spending I wish that every kiss was never ending Oh, wouldn't it be nice

Maybe if we think and wish and hope and pray it might come true And, baby, then there wouldn't be a single thing we couldn't do Oh, we could be married (Oh, we could be married) And then we'd be happy (And then we'd be happy) Oh, wouldn't it be nice

You know it seems the more we talk about it It only makes it worse to live without it But let's talk about it Oh, wouldn't it be nice?

Goodnight, oh baby Sleep tight, oh baby Goodnight, oh baby Sleep tight, oh baby Goodnight, oh baby Sleep tight, oh baby!"

[simplynims]

A few things I really enjoyed when listening to BitterSweet was Seths and Alphonses character development. As well as the development of his and Alphonse relationship with one another.

The story of BitterSweet not only tackles Seths and Alphonses personal issues but also addresses the toxicity that brewed between the two boys especially when both were in a situation dealing with gangs and drugs. What started as something healthy turned into a more destructive relationship with both men being toxicly dependent to one another as emotional crutches.

As the story continues, we see how Seth truly reflects on how he treated Alphonse back then and shows genuine remorse for what he's done. He's gone through great lengths to fix up his act and prove to not only them but to himself that he can be a better person.

We also see Alphonse grow as a person with the love and support of SugarBoo, it takes a very particular person to forgive someone (Especially if you take in the fact that Seth tried to stop him from going back to their hometown after Alphonses parents died) and I feel like SugarBoo was a great influence that helped him really process his past and guilt. SugarBoo definitely played a major part of these two talking it out but they also played a huge part of helping Alphonse gaining the strength to forgive Seth.

I love how the development of their relationship doesn't feel rushed and you can tell how both men have come a long way to getting to where they are right now. They still have a lot of healing to do but they have a more solid support system with one another.