#but I have too many Opinions to not direct it

[moonandstarshyuck]

"Always."

lando norris x gn!bf!reader

notes: I haven’t written since 2019, so bear with me. I’ve found myself thinking about a little blurb for Lando recently (actually a lot of ideas, but this one is sticking with me more than the others at the moment).

For some context, Lando’s been receiving a huge amount of hate online (and in-person) recently. I haven’t been a fan for that long—I got into F1 this summer, in 2024—but I’ve grown to care about him. I was there for Lando losing the championship, and while I think we all knew it would come to this (Max winning felt inevitable) but I’m proud of Lando for pushing so hard this entire year.

Still, with all the hate directed at him, I’m seeing a new side of him, and I’m learning that he’s a person with feelings like anyone else. I can tell he doesn’t always have the highest opinion of himself and tends to take the blame for anything that goes wrong during his races. What struck me about this is how much I relate to it. I blame myself for things out of my control or when I mess up. What sucks with Lando is that his small, human errors are what so many people focus on to criticize him—whether it’s why he didn’t win the championship or why they think he’s a bad person (which he absolutely isn’t).

The inspiration for this came from an interview he did after the Brazilian GP. At that point, everyone knew it was almost mathematically impossible for Lando to win the championship, and he talked about struggling in the aftermath: “I literally couldn’t sleep for the first two days…So I did like, what, 36-40 hours straight. So that probably made everything worse. When you’re tired, you’re more moody, and that kind of thing…I was just sat at home alone. It probably would have been better if I had been with my friends. But they don’t live in Monaco. They also have lives and are busy doing other things. And I’m a big overthinker, so like the whole flight home, the whole week, it just played over and over in my head. What could I have done differently? Why did I do that? Why did I not do this? You start thinking of all the scenarios that you kind of blame yourself for, why it’s now not possible, that kind of thing. And yeah, because I overthink and I struggle with that kind of thing, that took a bigger toll in the days after. It wasn’t an easy time.”

And I keep on finding myself wishing someone could have been there for him in person, so that he was okay. So, I wrote this. The reader in this is dating Lando but is written as a gender-neutral character that uses They/Them pronouns. The reader also has a service dog, a Bernese Mountain Dog named Thunder, to help with their own depression and anxiety (I’m not an expert on service dogs, so this many not be 100% accurate).

They woke up that early morning to the sunlight shining on their face, streaming in from the window outside. The bliss of sleep clung to them as they lay there, cocooned in warmth, the covers snug around their body. They stretched lazily, blinking their eyes open.

Instinctively, they turned to look beside them—only to find the space next to them empty. It’s too early in the morning to be anywhere else but in bed, even for training, they thought. Lando should still be here.

The realization pulled them out of their sleepy haze. The past couple of days had been not kind to Lando. They knew that he had a tendency to keep his feelings bottled up and beat himself up over his perceived failures. They understood that feeling all too well—the guilt, the constant sense of disappointment, the nagging thought that were never good enough. They had wrestled with those feelings since they were a child.

It wasn’t something that had an easy fix. If they had found the answer, they would have shared it with Lando years ago. But they had learned that the best way to fight those thoughts wasn’t isolation. Talking to someone, writing feelings down, even simple positive affirmations—thought they might sound silly—could help push back against the negative spiral. They had told Lando this countless times.

But Lando had a problem with not wanting to “inconvenience” anyone with his emotions. No matter how many times they reassured him that they were always there for him, he struggled to let himself. They didn’t blame him—it was human to struggle against your own mind.

What made everything worse was the constant online hate. Every little mistake or sarcastic comment from Lando seemed to turn into an avalanche of criticism. They remembered the first time they’d seen him like a hateful comment about himself on Instagram—the little heart next to a cruel statement, paired with note: “Creator liked this.” It had broken their heart. How could the Lando they loved ever believe such awful things about himself?

After Brazil, it had been clear that he wasn’t okay. He’d barely spoken since coming home, choosing instead to himself. They had given him space, hoping he’d find a way to process his feelings. But by the second morning, when he still hadn’t come to bed—almost forty hours after returning home—they knew they couldn’t stand by any longer.

That morning, they rose slowly from the bed, a plan beginning to form in their mind. Lanod needed someone to step in—someone to remind him he didn’t have to face his struggles alone. They were determined to be that person for him.  They couldn’t take it anymore, seeing the person they loved so badly, punishing himself over his ‘failures.’

The first step was to confirm where he was. Grabbing their phone, they opened Twitch and navigated to Max’s stream. After a few moments of watching, they heard Lando’s voice—tired, strained, but unmistakably his. He was joking with Max, his words clipped, like he was holding himself together with sheer willpower. It was enough to break their heart. They opened their messages with Max.

Thunder's Owner

Lan’s streaming with you rn?

Sent at 7:48 AM.

After a few seconds, Max replied.

Maximilian

Yeah he’s on voice-only.

Sent at 7:50 AM.

Gonna do something about him?

Sent at 7:50 AM.

Max knew. Of course he did. He probably heard the exhaustion in Lando’s voice, the edge self-loathing that came with overthinking. They typed back quickly:

Thunder's Owner

Yeah

Sent 7:52 AM.

Going to unplug his setup and drag him out of there.

Sent 7:52 AM.

Maximilian

Lol.

Sent 7:52 AM.

I’ll keep an eye out for when he disappears.

Sent 7:53 AM.

Thunder's Owner

Thx

Sent 7:54 AM.

They quietly made their way to Lando’s gaming room and eased the door open. Lando sat at his desk, controller in hand, headset clamped over messy curls.  He looked worn down, his shoulders slumped as he focused on the screen. His voice through, muted put playful, as he bantered with Max.

For a moment, they just watched him. Even now, he was handsome, but the tiredness in his expression made their chest ache. He deserved rest. He deserved to feel okay. And he wasn’t going to get that by sitting here punishing himself.

As soon as Lando died in-game and leaned back in his chair, they seized the opportunity. They crossed the room, catching his attention when they came into view.

“Why’re you—” Lando began, frowning, but they didn’t let him finish. Reaching down, they unplugged everything from the wall.

“What the hell—” he exclaimed, spinning around in his chair.

“No,” they said firmly, cutting him off. “I’m not you hurt yourself anymore. Get up.”

Lando blinked, clearly taken aback. “You can’t just do that!” he protested, but they were already tugging gently at him arm, urging him out of his chair.

“Angel, what are you—”

“No,” they repeated, their voice steady. “Get up,”

Lando hesitated for a moment before letting out a resigned sigh and standing. They took his hand, leading him out of the gaming room and down the hall to the living room. He didn’t resist, but he followed like a man in a daze. Once they reached the couch, they turned to him. “Sit,” they said, pointing at the cushions. Lando raised an eyebrow, opening his mouth to argue, but they shook their head. “Stay.”

They turned to Thunder, who had been waiting for them in the hallway, and told him, “Thunder, guard,” while pointing at Lando.

The dog immediately moved into position, standing alert in front of the couch. Lando’s eyes widened slightly as Thunder fixed him with an unblinking stare. He shifted as if to get up, but Thunder’s stance didn’t waver.

“Jeez, I wasn’t going to get up,” he mumbled to Thunder, but Thunder just sat there and watched him until he fully relaxed back into the couch.

The thought ran through Lando’s head, how he had honestly forgotten how menacing his own dog could look. He knew Thunder was trained, saw reminders of it daily with how he interacted with his partner, but he was still shocked at how trained Thunder really was at that moment.

Thunder was still staring at him when he pulled out his phone from his pocket, opening up his texts with Max.

LN

I was just dragged out of my gaming room and told to sit on the couch and like a dog.

Sent at 8:05 AM.

Not against it, but how tf did they get so determined?

Sent at 8:05 AM.

Thunder’s watching me right now.

Sent at 8:06 AM.

I forgot how menacing he could be.

Sent at 8:06 AM.

*Picture attached.*

Lol.

Sent at 8:06 AM.

Max (The 1st One)

He’s like ‘try me, I dare you’

Sent at 8:06 AM.

LN

Yeah, I don’t particularly want to try him

Sent at 8:07 AM.

Max (The 1st One)

Lol.

Sent at 8:07 AM.

They told me before they did it

Sent at 8:07 AM.

I just let them. Lol.

Sent at 8:07 AM.

LN

Helpful. What if they were trying to  kill me?

Sent at 8:08 AM.

They wouldn’t have had to if you kept doing what you were doing.

Sent at 8:09 AM.

Lando’s let out a quiet sigh, Max’s words sinking in. He glanced at Thunder, who hadn’t moved, and felt a pang of guilt. He’d pushed himself too far again, and this time it had clearly worried his partner.

A few minutes later, his partner walked back into their living room. He thought they looked beautiful, wearing one of his old t-shirts and a pair of boxers. They were entirely focused on the bowl they were carrying, and only looked up when they got close enough to hand it to him. He gently took the bowl, looked into it and saw it was one of his prep meals. While not his favorite breakfast, he knew he just needed to eat first, so he started taking bites.

He glanced up every so often, and each time he did, his partner was just sitting there and watching him eat. Lando almost chuckled at his own thought that they looked just like Thunder when watching him, and he smiled into his bowl at the thought. His partner didn’t see his smile, but he continued to eat until he had finished the bowl.

When he was done eating, he set the bowl down, and his partner again pulled him up by the crook of his arm. He just let them do so, having a thought of what was going to happen next.

His partner led them both down the hallway to their bedroom, and opened the door, leading him to sit on their bed, then they turned around and went to close their blinds and draw their black-out curtains to cover up the sunlight from the window. They had turned on their bedside lamp earlier, and the soft orange glow of the lamp permeated the room. They walked past him again, going to close the door after letting Thunder in, then they walked back to their side of the bed, and pulled him to lie down against them.

As he settled against their chest, he felt a bit odd, it being a bit of a difference to feel how much he was loved by them. How much they cared for him. And he finally spoke again, “Thank you.”

“Always, Lan. Always.” They replied, pressing a kiss to his hair.

And for the first time in days, he let himself sleep.

author's note: got inspired to actually write something for once...ty @koalapastries for the inspiration (unknowing inspiration but ty) (also sorry for using your layout outline

comments & reblogs appreciated

and i made the dividers :)

[bringthekaos]

Alrighty, here we go. Act III.

Mostly Jayce and Viktor centric, but with some wider thoughts as a whole thrown in. As usual, this is all my opinion, you’re free to disagree with me. Just don’t be a dick.

I am torn. I’m appreciative of the visuals and the JayVik crumbs (even though Christian Linke’s comments post-show have soured it to queerbait for me). But mostly I am disappointed. And I so badly didn’t want to be. I had such high hopes (and that’s probably my fault. I expected too much). They completely massacred Viktor’s character. There was such beautiful setup in season one of his background as a Zaunite living in Piltover. So much of his lived experience came from that—the oppression, the inequality, the xenophobia, the inaccessibility. It formed his opinions and his values, and that’s why he was so adamantly anti-weapon making. That’s why his number one goal was always to help the people in need down in Zaun. They showed us that he was a tinkerer and a builder, that he valued the ingenuity in machinery. They gave us that cute little boat from his childhood and the fucking Hexclaw.

Viktor was supposed to be a Zaunite champion. He was supposed to embrace Techmaturgy as a direct opposition to magic/Hextech. He was supposed to undergo his transformation into the Machine Herald of his own volition, with his own agency and bodily autonomy (yes I know it also stemmed from severe depression and one could argue that it messed with his decision-making, but still… he did that shit on his own). And there were so many opportunities to go this route in Arcane, and it would have worked!! If Viktor augmented his hand and his leg, but it cost Sky her life, he could realize the cost of magic, and turn to Tech. He could have been exiled back to Zaun, where he was supposed to be, and then the shitshow really could have unfolded—having one of Hextech’s creators now working for the other side.

And I know they had to change it so that he could be a bigger part of the overall narrative, as his original lore was rather disconnected. But there were much cleaner ways to go about it than disrespecting his entire character arc by turning him into a grimdark edgelord ethereal magic Jesus who no longer notices or even seems to care about the oppression and class warfare going on in his birthplace. Like. I’m sorry, him “curing” Salo? OG Viktor would have taken one look at a representative of the very oppression he stood against and blown him to kingdom come. (And yes, I also realize that he did it in Arcane because he was “under the influence” of the Hexcore, which only wanted to “infect more people.” But that’s another problem I have. This was never really made all that clear. And watching him go from “we will not be building weapons, that’s not why we invented Hextech/there is always a choice/we were meant to improve lives, not to take them” to making him turn human beings into weapons?? I don’t care that they tried to salvage his character by suggesting he wasn’t in control, it still undermines everything about him. And GOD, original League Vik had so much DEPTH. He was a hypocrite, he was still partly human and so he retained pieces/parts of all the things he preached against, which made him a wonderful contradiction. And he had a sense of humor and whimsy too! He enjoyed sweet milk, he cracked dry jokes and was sarcastic as fuck. He had a personality! And now he’s just… empty space man blinded by forced apathy.

And I think all of this is part of a larger problem—they wanted to use Arcane as a stepping stone to future shows, and as such, the class warfare and systemic oppression plot from season one was completely abandoned. They tried to solve it with “well they have to band together to face a bigger enemy.” Which in my personal opinion is a cheap cop out. There are always bigger fish, that doesn’t change the fact that Zaun has been living in Piltover’s filth with Piltover’s boot on their neck for generations. They’ve suffered injustices most of us can’t even comprehend. And then suddenly we’re supposed to believe they all band together to face this threat, stand side by side with their oppressors because Jayce made one speech about it? With no proof? And then all they get from the deal is one Zaunite seat on the council? And they’re okay with that? I never expected the show to solve systemic oppression, but I also didn’t expect them to abandon it this spectacularly.

The Noxus/Black Rose plot was clearly thrown in to set up future shows, and to show Netflix/investors/whoever that this massive financial investment has a future. And it destroyed the Piltover/Zaun story. I think this could have been a totally isolated story just about Piltover and Zaun, and been completely successful. In fact, I would have definitely watched future projects despite them not taking place in the setting of Arcane. And I’m not at all saying I don’t like Ambessa and Mel. I was very intrigued by the story of a warmonger like Ambessa facing her comeuppance, not just for her warmongering but for her affair with a damn MAGE. And her daughter trying desperately to break the mold her mother has set for her, while also struggling with who she is and these new, incredible powers she has. That shit is juicy as hell, and honestly should have been its own show. But throwing it into Arcane in season 2 with absolutely no hint of the Black Rose or its impending approach (beyond “the people who killed your brother don’t think the score is settled”) in season one, it just felt like the aforementioned cop out to get Piltover and Zaun to get along. And in doing so, they steamrolled Viktor to make him a bigger player in the narrative.

Did I like the final astral plane scene with Jayce and Viktor? God, yes. Is it one of the most beautiful confessions of love and eternal devotion I think I’ve ever fucking seen? Also yes. But it kinda feels like a bandaid on a bullet wound. I got the love I always knew remained between Jayce and Viktor, but I paid for it with Viktor’s entire character. Not to mention Christian Linke keeps pouring salt in the fucking wound, denouncing JayVik and “bromancing” them, and then also suggesting in one interview that Jayce and Viktor are actually fucking dead, and in another that Viktor will be back in future projects (with no mention of Jayce, which suggests that they’re turning him into Sky 2.0 and that he’s dead but Viktor isn’t). And that completely undermines the entire ending of season 2’s “intrinsically entwined/always you/in every universe.” And I know, I shouldn’t listen to this dude’s opinion on the matter, he’s not the only one making this thing, and honestly it was the easiest unfollow/mute of my life. But how hard is it to just shut the fuck up and let people enjoy things? To not comment one way or the other, let people think what they want, and rake in your millions in the process? Haven’t you ever heard of rainbow capitalism, my guy?

Ugh. I’m very sorry for being so negative, I didn’t want to be. I still love the show, and I’d still like to keep writing JayVik, even though it’s just been made near-impossible (I’m actually really glad that I never finished Oasis now, cuz I can go back to that and expand it well beyond what I originally planned cuz… it’s all I have left). I’m just mourning my cyborg wife, and the fact that goddamn SMEECH had what Viktor was supposed to. Hopefully the more time goes on, I can reconcile these changes and embrace them, cuz I love this fandom, I love this ship, and I don’t wanna lose it.

Anyway, I will still be sharing art and memes and posting analyses, because you can like a piece of media and still be critical of it.

[mephistopheleswasrobbed]

GMMTV 2025 Riding the Wave first thoughts

We have 15 or 16 BLs, 2 GLs, one mixed het and BL and 1!!! het series. GMMTV really said we don't give a shit about straight people anymore and I'm so here for it.

Dare You to Death: Messy teen slasher meets murder mystery BL. Feels a little bit like two stories mushed together in the pilot trailer but very interesting concept. I'm quite neutral about JoongDunk but the story looks fun. Will almost certainly be watching.

Head 2 Head: Bad Buddy with fashion design students who are also car racers and one of them has visions of the future? There's a lot happening but tbh none of it really caught my attention. Haven't seen SkyKeen before and JavaSurf are new so I have zero opinions on them. I'll wait for the official trailer to make a decision about this one.

Burnout Syndrome: Love triangle kinda but make it serious. Directed by Nuchy, looks a bit darker and mature. OffGun + Dew as second lead looks intriguing especially because there seemed to be more romance shown between Dew and Gun than Off and Gun. This will probably be good. Not necessarily hyped but will definitely watch.

I Love "A Lot Of" You: The only exclusive BG show in this lineup about a guy trying to make all 5 personalities of a girl fall in love with him. Nanon and Mind of 4Eve. Looks very good actually. But it's a straight romance and so far I haven't seen anything that would make me watch anyway. Will probably not watch.

Whale Store xoxo: Down on her luck grocery store owner meets manic pixie dream girl errand girl. Happy for MilkLove to have graduated from school, MewnichJune with history looks promising. Not necessarily hyped but will definitely watch.

Only Friends: Dream On: Season 2 of Only Friends, this time centered around a theatre production. EarthMix as exes, JossGawin and OhmLeng. This is all I ever wanted. I'm so here for this. I would watch anything with EarthMix without hesitation but this has me extremely hyped. Will definitely watch.

That Summer: Troublemaker meets amnesiac prince in seaside setting. Neutral about WinnySatang, looking forward to NeoMint, hyped about MondRyu. Looks good but doesn't really catch me. Will probably be watching for Mond in a BL role finally.

My Romance Scammer: Two rich boys marrying scammers. They are making full use of marriage equality already. JuniorMark look good, Gmmtv went for OhmFluke and it's hilarious, they also look good. Looks like fun. Will almost certainly be watching.

Melody of Secrets: Mystery with murders and unreliable memories. Gives Hannibal vibes a little. (Which doesn't really work in its favour because Hannibal is on another level) Not a ForceBook fan but the plot seems interesting. Will wait for official trailer but probably watch for the fandom speculation.

Love You Teacher: Elementary school teacher who hates kids has to care for his amnesiac, age-regressed partner. Directed by Dome. Looks very fun. PearthSanta look good. They're gonna have to walk a fine line here with the whole age regression thing but I trust in Dome. Will be watching.

MU-TE-LUV: 7 Stories centered around Thai supersticious activity. Too many people in this for me to list. Will wait to see how much the stories are intertwined or if they're all separate from each other. Looks like fun. Definitely seated for the Fluke, Lego, Yacht, Neo story, the two BL stories didn't really catch my attention, some of the straight ones seemed more interesting. Will wait for official trailer for anything except the FLYN part which I'm super excited for.

Cat for Cash: Debt collector can understand cats, helps new owner to manage cat cafe. Family drama happens. I like FirstKhao but tbh the trailer bored me a little. (Pls don't kill me FK stans). Will wait for official trailer, might binge after it's done.

Girl Rules: Jojo directing basically Only Friends lesbian edition. Although mostly MilkLove and NamtanFilm seem to be mixed up, ViewMim seem to be doing their own thing. Gmmtv turning up the heat on the GL side. This looks very fun, I'm here for it. Will watch.

Boys in Love: Three high school couples and some gay teachers to round it out. Don't know any of these kids and tbh didn't even realise until the end that there were three couples. Looks like a nice high school BL, but I'm probably too old for this. Will probably watch for Podd and Papang.

My Magic Prophecy: Doctor x fortune teller with some mystery and escaping to the country side. JimmySea romance storyline didn't really catch me but the mystery plot seems interesting. 2 seconds of TeeFranc look intriguing. Will wait for official trailer but will probably watch for the mystery.

A Dog and a Plane: Scruffy first responder x prim flight attendant who's getting cheated on by his pilot boyfriend. This looks extremely fun. TayNew and MarcPoom has me seated. Jojo directing again. Second most hyped show for me. Will definitely watch.

Me and Thee: Teaching an out of touch mafia boss how to court someone. Looks like a lot of fun. PondPhuwin seem to alternate between uni and mafia, good for them. Directed by X. Will almost definitely be watching.

Wu: Probably BL but could also be bromance, the Pilot wasn't definitive but from the discussion afterwards I'm leaning towards BL. Either way, down on his luck athlete fated to protect supernatural fortune teller kinda guy. This story seems to be in its early developement stage still but SkyNani/NaniSky has my full attention and what we've seen of the concept so far looks very promising. Looking forward to this. Will be watching.

Memoir of Rati: Period BL, translator of French diplomats falls in love with some sort of nobleman. IFYLITA vibes. GreatInn are a perfect fit for a period BL. AouBoom look promising as well. Personally not a big period drama enjoyer but this looks very good. Will almost definitely be watching.

Ticket to Heaven: Return of Aof, based on real events, slight period + heavy christianity. Aof is angling for his next award with this one. Looks very good, more queer cinema than BL. Not the biggest fan of GeminiFourth but they're talented and this will be really good probably. Have to watch it for my ultimate bias Aof, anyway. Will be watching.

Overall thoughts: 16 out of 20 BL is crazy, so much for the fear that Gmmtv will switch to focus on bromance. Would have liked some more GL but what we're getting looks good. In general this lineup has me very excited. There's not a single pilot that made me instantly say "Nope" this time. Even the one single straight show which I'll probably skip, looks very good. We're getting a good variety of genres and moods as well. Also not a single remake afaict.

The new BL trend for 2025 seems to be superstition and mystery. I'm very happy with that.

All shows in order of my hypedness:

Extremely hyped:

Only Friends: Dream On

A Dog and a Plane

Excited:

Girl Rules

Wu

Me and Thee

Love You Teacher

Not really excited but looking forward to because it will most likely be good:

Burnout Syndrome

Ticket to Heaven

Memoir of Roti

This will be fun:

Dare You to Death

MU-TE-LUV (this is an average, only FLYN would be a lot higher, the rest without them would be lower)

My Romance Scammer

Whale Store xoxo

That Summer

Looks interesting enough:

Boys in Love

Melody of Secrets

My Magic Prophecy

Cat for Cash

Head 2 Head

I'm happy for the het show enjoyers because this looks really good but I don't really care:

I Love "A Lot Of" You

[exhausted-archivist]

Hi! So I’m not going to comment on the opinion parts of this, such as if the game was good, opinions on its reception, or whether the actions of BioWare can be seen as damage control. But for the rest of it, if you haven’t seen comments referring to concept art as cut content, that’s great! The artist comment isn’t directed at you or the content you consume.

However, plenty of people have and do refer to any concept art as cut content. That is why this artist - who mind you no longer works at BioWare - is bringing this up because he is seeing those comments. He is not referring to people who wished for some concepts had made it through to the final product, not what he is referring to at all really!

If you’re curious for examples I have seen about concept art being labeled as “cut content”, there are the Lucanis romance boards - which this is the artist who did some of those boards. Calpurnia being conceptualized very early on in the preproduction process as a companion is another one often deemed “cut”. They’re is a lot of stuff from the first third of the book that was done during 2014 before the game was even given a code name or authorized that have been deemed as cut content by fans and YouTubers. As well as game journalists.

Not everyone understands the concept art process nor understands that some art is just iterations to iron out a concept. It is not common knowledge, because the understanding of what an art book actually is or is intended to be is not universally understood. It is why some people have asked for clarification and an explanation of the concept art process. Not everyone shares the same knowledge.

Some devs have even commented on the frustration they have over the fact that they pushed for the very thing many are disappointed didn’t make it into the final product but they lost the battle to keep it in. For reasons we as an audience don’t know.

Which, a gentle reminder, this artist does not work for BioWare anymore at this time. He is just commenting on behavior he is seeing in reaction to his work being shared. The comment being made here isn’t directed at people wishfully looking at the art book or things data mining and thinking “wow, that would have been better”. If it’s being data mined, chances are the devs thought so too but it was cut for reasons we as an audience do not know.

TLDR: This is someone of the trade commenting on people not understanding how his trade works. This is not damage control.

Nick Thornborrow: "Minor discourse quibble. If you see a piece of preproduction artwork that doesn’t appear as content ™️ in the final product of a game, it doesn’t mean that it was cut. Preproduction is blue skies and shoot for the moon. It’s a universe of possibilities. The volume of ideas in preproduction dwarfs the content ™️ that winds up composing the final game. I wouldn’t call the sketches that didn’t evolve into something you experience in a final game “cut content.”" [source]

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[lucabyte]

🐮

[sskk-manifesto]

Next time we should just skip over ep 3 and do a chapters 84-87 reread

[runefactorynonsense]

Melotober - Day 28 - Flame

What do you think you can do?

[iwanttobepersephone]

Rant about Harry Potter and JK Rowling, stick with me here

Ok, so, I hate JK Rowling. I feel like that's a given, right? Like, she's a transphobic homophobic bigot who hides behind feminism and routinely denies massive parts of the holocaust, and I despise her in ways that I don't think words can even express. I can't stand her, but y'know what I also can't stand?

When someone implies that my mother, who is one of the most supportive people I know, and a massive part of the founding, organization, and actions of a local group made specifically to fight Moms for Liberty and school boards in our area trying to harm trans and queer people, is transphobic because she likes Harry Potter

Wanna know why my mom likes Harry Potter? Because when she discovered the series at 12 years old, she quite literally lived in a cupboard under the stairs and was in an abusive household. The magic of the wizarding world or whatever was her escape, it's the reason she's still alive, and by extension, the reason I was ever alive.

But, sometimes, not even often, when I try to express even the most minimal amount of appreciation of that, someone says to me "but isn't JK Rowling transphobic? Why would you support someone like that? Are you transphobic?"

Which pisses me off beyond belief, as one might imagine

In this situation, "separate the art from the artist" isn't exactly a good phrase to use, given the fact that the goblins or whatever run the bank are Jewish stereotypes and the house elves generally being happy to work under their masters being a straight rip from the whole happy slave myth, and those are very very important things to recognize and understand, among others

I feel like it's a lot closer to "separate the hundreds if not thousands of lives she's helped from the hundreds if not thousands of lives she's ruined", or even better, understand that the good she's indirectly done for people makes all the bad that much more horrid

My mother is the closest thing to a hero in this entire world and I will not stand to hear one more person accuse her of being transphobic purely because she thinks fondly of a book series that saved her life. I will not stand for people saying she's just as bad as a holocaust denier because she owns every book in the series. I will not stand for anyone going entirely against their point of not judging a group as if it's monolithic by saying all Harry Potter fans are bad people, including my mother. And, once again, it's not often at all that this happens, but it happens and I'm pissed about it and needed to rant

Anyways rant over JK Rowling sucks don't believe a single thing she says and don't support her unless you wanna support someone actively trying to make the existence of queer people illegal

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.

[ozcarma]

Trying to watch 999 let’s plays is such hell to me - NO ONE PLAYS THE GAME RIGHT just shutupshutupshutupshutup and play the game!! Stop trying to make jokes!!!!

I’m too autistic for this, I cannot bear hearing let’s players doing their own voice acting when I adore the game’s VAs too much. Everyone always fucks up Santa’s and Lotus’s voices especially.

I understand the draw of Let’s Plays are largely the people playing them who have gained their own following, but as someone who just loves the game I don’t wanna hear ur stupid banter 💥💥💥 play the game and be intrigued but not TOO intrigued because give it a fuckin minute it’ll explain what’s going on 🙄‼️

[carlos-tk]

god i’m also glad that i’m not alone in criticisms for aspects of that episode!!! because sometimes on here it’s a big ol lovefest in which you feel like a big of a pariah if you’re opinion is not the widely accepted one

[blondiest]

btw my notes and inbox have been sort of horrendous i'm so sorry for again taking ages to answer actually fun nicey asks that i requested people send ghsdghsdfs. my brain is melting u kno how it is </3 T__T

[littledigits]

DIRECTOR RAMBLE

i havent gone on a good ramble and some folx said they would be interested in hearing more about the animationy director job so I will just jump into some brain thoughts. keep in mind this is just my brain goop and overall I think for any job its good to get a range of opinions

which honestly, kinda leads on to the topic because now that i’m someone thats approached to with questions on directing it comes up a lot when I give advice. its become my go-to thing to say because everything kinda stems from it and its -

what kind of a director do you want to be ? 

because you are going to get a lot of opinions on what makes a director, and the hard thing is that you are now at a level of responsibility where you kind of have to decide for yourself where you draw the line in the sand. Animation in general is damn shitty for having clear expectations, and being the creative lead on a project can pull you in a lot of directions. Like any level , you’re going to have to pick your battles and not everything can get the same amount of attention - the only difference is your choices can effect a lot more. 

its a high pressure job, but thats where you need to have a solid sense of self - because you’re not going to get it right the first time. I sure dont, i still dont - but i try my best to make choices for a reason - and that helps me when inevitable hard conversations happen.

but that comes down to who I am as a person, and I think that having different directors with different skills is valuable in the industry - if we all just did what people told us to do how could we be creative? so thinking about what type of director you want to be helps a lot in figuring out  this job. 

I remember who lifted me up, who supported me, and who pushed me past my boundaries and challenged me. I think about what I want in a job - like clarity and boundaries, and I think about what makes the job fun. 

I also think about what I need help in , what my blind spots are, and maybe what I need to be challenged on still and make sure i can have people around me who can be honest and open with their thoughts. 

some directors may struggle with the people management, but have amazing creative skill and they know how to communicate it , some directors may be super hands on with their team but have a hard time keeping organized , theres so many variables because people are people - but as a director you do still have to find a way to problem solve and fill in those gaps to give your team the best experience you can.

at least...thats -my- opinion on what a director should be. I dont want people to remember me cuz of the shows i worked on, I want people to remember me for all the same reasons that i remember my own mentors and peers that helped me along the way. and as long as i can make choices based off of that, it makes a lot of the pressure and stress of this position easier to handle. 

[twobigears]

me opening Facebook (first mistake) on this Monday morning (second mistake) and seeing that post about handler and dog fitness in agility like

[professorsta]

Fandoms are weird nowadays! It's like people watch a movie or show and instead of trying to understand the message the creator is wanting to send, or the idea meant to be conveyed, fans just criticize, co-opt, and refuse to acknowledge the writers vision and intent. Explaining how they would have done it or how better it would have been if it was written their way. Supernatural for example was a show ripe with criticisms, but it honestly would have done the fandom a disservice if, from the get go, we didn't like and didn't care to see where Eric Kripke was taking the story. The show was filled with rich plots and characters with very interesting questions about morality, family, sin, good and bad, but none of that would have been appreciated if the fandom wasn't able to look past the dead end arcs and throw away character in the first couple of seasons (which allowed the grey areas lacking in depth, helping in bringing about the fandom btw) and instead tried to "salvage" or "save" the story by completely rewriting the world and characters. Building theories and finding evidence to fill in the missing puzzle piece in your mind is essentially what the point of a fandom was. It was seeing canon and going, there's more there that the creators aren't aware of, and I want to delve into it. Its taking all of it, the subtext, context, characters, and psychology (even if it's not to your liking), and using that to further understand the stories point of view. Like loose pieces of thread being tied back together to make sense of the whole picture. It not "this shows narrative shouldn't have concluded like that!" gives no examples in canon as to why and doesn't have an argument to back it up. "Here's how it should be!" completely disregards canon and the message the creator was trying to send and instead replaces it with a completely different one. Now people watch movies and film and get upset when the characters don't act a certain way, not caring to read into context and maybe try and understand from the narratives point of view as to Why they would act like that. They see how flawed and vapid some scenes and episodes are and don't take it for the chance it is, which is to further the narrative yourself. Most fandoms are bred from shows and movies with the biggest plot holes, with a-lot of characters, and a wide range of different characterizations for each of them so just embrace it and embrace the flaws in our creations, because perfection just leads to dead ends.