#bournville

[justforbooks]

Bournville by Jonathan Coe

Coe is a compassionate witness to key moments in the life of a family and a nation

Jonathan Coe’s 14th novel opens with a snapshot of recent history that will stir fresh and uncomfortable memories. As the Covid pandemic is descending on Europe in early 2020, thirtysomething Lorna, a struggling jazz musician, is on tour in Austria and Germany. Lorna’s exhilaration at gigging overseas for the first time is tempered by a growing sense that the world is menaced by something extraordinary. It is both ominous and comic. Arriving in Vienna, Lorna can barely squeeze into her host’s car beside the stockpiled toilet rolls. For the reader, there’s an additional and more worrying dramatic irony: we can see that Lorna’s overweight musical partner, Mark, will be particularly vulnerable to the virus.

In Vienna, Lorna and Mark are taken to dinner by Ludwig, the owner of a small independent record label. A jazz fan and passionate anglophile, Ludwig is struggling to figure out what has happened to a nation he once admired for its tolerance, humour and self-awareness. “And now this same generation is doing … what? Voting for Brexit and for Boris Johnson? What happened to them? … What’s going on?”

Events since 2020 have only sharpened the urgency of Ludwig’s questions. And the loving, funny, clear-sighted and ruminative examination of recent British history that follows might be considered an attempt to answer them. Bournville travels back in time from March 2020 to stage a series of tableaux in which we witness key moments in the lives of the nation and Lorna’s extended family. The successive set-piece events show this family – and Britain – changing.

Our first stop is 1945, where we meet Lorna’s grandmother, Mary, as a child, on the eve of the VE Day celebrations. Mary’s parents, Doll and Sam, live in the chocolate-manufacturing suburb of Birmingham that gives the book its title. There is warmth and humour in the portrait of lower middle-class life presented, but it’s not sanitised. A strain of xenophobia bubbles up throughout the episode and climaxes in an act of violence that will echo throughout the book.

This sets the pattern of the novel, which tracks Doll, Sam, Mary and other members of the family through six further landmarks: the 1953 coronation, the 1966 World Cup final, the investiture of Charles as Prince of Wales, the 1981 royal wedding, the death of Princess Diana, and the scaled-down anniversary of VE Day in 2020.

As ever, prizing clarity over verbal fireworks, Coe’s writing draws the reader into the family dramas as they unfold over the decades. He has the great gift of combining plausible and engaging human stories with a deeper structural pattern that gives the book its heft.

We see young Mary as child and then return eight years later to find her a young woman, struggling with a romantic dilemma and then settling into motherhood. We then join her children on family holidays in Wales, follow them into adulthood and watch all their lives intersect with the larger national events. Beat by beat, we’re invested in their stories: which of her suitors will Mary choose? How will her own offspring fare? And although we know it’s going to happen all along, it’s still poignant and strange to watch young Mary gradually becoming Lorna’s elderly Gran.

Bittersweet as the eponymous bar of plain chocolate, the book ranges over a huge span of time, includes a large cast of characters, yet never flags nor confuses. It manages to squeeze in, among other things, the history of Bournville, European disputes over the labelling over chocolate, Welsh nationalism, the Festival of Britain, the launch of the Austin Metro and tensions over the European Union. As we leaf through the family album, there are touching jolts of recognition. It’s hard not to be stirred by your own memories of the events portrayed and thoughts of your own family.

Like the moving images in a zoetrope, Coe’s snapshots invite us to notice changes and continuities, track growth and decay; the strengthening of some relationships, the failure of others. There are striking reverberations along the book’s long passageways: unregarded turning points whose importance only becomes clear much later, echoes of behaviour, incidents that recur in a world that is the same but different.

As the nation changes and the racial makeup of the family alters, it’s not so much that bigotry gives way to tolerance, but that the ambiguities deepen. All along, we are reminded of the contradictory facets of the nation and of each individual character: the snobbishness that coexists with kindness, humour and narrow-mindedness, rationality and unexamined prejudices.

When one of Mary’s son’s starts dating a non-white girlfriend, his grandmother Doll is disquieted. “‘Do you treat her the same?’ Doll wanted to know. ‘I mean … do you treat her the same as you would any other girl?’” This striking line is an unsettling and plausible combination of compassion and racism.

The book also builds a deeper integrity out of echoes and motifs, like a piece of music. The phrase “all that caper”, a particular corner of a Birmingham pub, a yellow cravat, a line of Latin verse, the sound of laughter in a school playground – all set off chains of associations that ripple throughout the novel. A piece of casual homophobia will be recalled decades later by a son trying to come to terms with his sexual orientation.

Subtle, considered, but not programmatic, Coe doesn’t stick to any consistent aesthetic principle. He uses omniscient narration for some sections, first-person narration for others. There are bits in the past tense, bits in the present tense, chunks of news reports, extracts from a diary, a long reminiscence by a recurring character from one of his other novels. None of this sophistication makes the book less pleasurable – quite the reverse. It combines a welcoming accessibility with a box of clever narrative tricks.

It struck me that there is something hopefully British about the book’s flexible approach to narrative. There’s no theoretical doctrine underlying it. The decisions are made, moment by moment, on the basis of what works, what is clear, what is engaging, and what best serves the story. In the end, while the novel can’t explicitly allay Ludwig’s disquiet, its compassionate and undogmatic approach to its characters and craft embodies a set of values that give some grounds for optimism.

Daily inspiration. Discover more photos at Just for Books…?

[zaddyazula]

funniest fact i live in the city (and sort of local area) where cadbury’s is from so my year 2 school trip was going to cadbury world 😋😋😋 7 year old me was so lucky

[philosophenstreik]

irgendwie verfängt die gestaltung des einbandes mit seiner etwas verfremdeten britischen flagge, ausgeblichen, dreckig scheint sie... bournville, der titel im zentrum und dann läuft da noch etwas herunter, was auf den ersten blick wie öl erscheint, was aber nach lektüre des romans einfach keinen sinn machen würde, ... nein, es ist schokolade, die diesen einband herunterläuft, es ist schmilzende cadbury aus bournville... mit recht verfängt dieses von hauptmann und kompanie gestaltetes cover - sehr gelungen und ansprechend... (rezension zum roman im vorigen beitrag)

[cadburydental]

Why You Should Choose an NHS Dentist in Bournville

Choosing the right dentist can significantly impact your oral health and overall well-being. For many, the decision often boils down to whether to go with a private practice or an NHS dentist. In Bournville, opting for an NHS dentist can be particularly beneficial for several reasons. This article explores the advantages of choosing an NHS dentist in Bournville, detailing the quality of care, financial accessibility, patient-centered services, and community commitment that this option provides.

Quality of Care and Expertise

When considering dental care, the quality of treatment is paramount. NHS dentists in Bournville are highly trained professionals who adhere to strict standards of practice set by regulatory bodies. These dentists undergo rigorous education and training, ensuring they are well-equipped to handle various dental issues, from routine check-ups to complex treatments.

One of the primary advantages of choosing an NHS dentist is the comprehensive range of services provided. NHS practices offer a variety of treatments, including preventive care such as check-ups and cleanings, restorative procedures like fillings and crowns, and emergency dental care. This broad spectrum ensures that patients receive the necessary attention for their unique dental needs, with a focus on maintaining optimal oral health.

Moreover, NHS dentists are committed to continuous professional development. They stay updated on the latest advancements in dental technology and techniques, enabling them to deliver high-quality care. This commitment to excellence is reflected in the positive patient feedback often seen in local reviews, where individuals frequently commend the professional expertise and thoroughness of NHS dentists.

Financial Accessibility and Transparency

One of the most compelling reasons to choose an NHS dentist in Bournville is the financial accessibility it offers. Dental care can often be a significant financial burden, particularly for families and individuals on a tight budget. NHS dentists provide a transparent pricing structure that is regulated by the government, which means that patients can anticipate their costs without hidden fees.

For those eligible for NHS treatment, the costs are standardized into three bands, ensuring that everyone has access to necessary dental care at a reasonable price. Band one typically covers examinations, diagnosis, and a treatment plan, while band two extends to additional treatments such as fillings and extractions. Band three encompasses more complex procedures like crowns and dentures. The clarity in pricing helps patients make informed decisions about their dental health, reducing anxiety related to potential expenses.

Furthermore, certain groups, such as children under 18, pregnant women, and individuals on specific benefits, may qualify for free NHS dental treatment, making it even more accessible. This commitment to affordability ensures that dental care is not a luxury but a right that everyone can enjoy.

Patient-Centered Services

Another significant advantage of choosing an NHS dentist in Bournville is the emphasis on patient-centered care. NHS practices prioritize the needs and comfort of their patients, fostering a welcoming and supportive environment. Dentists and their teams are trained to communicate effectively, ensuring that patients fully understand their treatment options and feel empowered to participate in their care plans.

The patient experience is further enhanced by the availability of a range of services tailored to individual needs. Whether you require routine maintenance or more specialized care, NHS dentists work collaboratively with patients to create personalized treatment plans that align with their specific circumstances. This approach not only improves patient satisfaction but also fosters a sense of trust and partnership between the dentist and the patient.

Moreover, many NHS dental practices in Bournville are equipped with state-of-the-art technology and facilities, which contribute to a more comfortable and efficient dental experience. From modern diagnostic equipment to advanced treatment options, these practices strive to provide the best possible care to their patients, ultimately leading to better health outcomes.

Community Commitment and Trust

Choosing an NHS dentist also means becoming part of a community-focused initiative. NHS practices often play an integral role in their local communities, offering outreach and education programs that promote oral health awareness. By engaging with the community, NHS dentists help to foster a culture of preventive care, encouraging residents to prioritize their dental health from a young age.

This community commitment is reflected in the relationships that NHS dentists build with their patients. Many individuals choose to stay with their NHS dentist for years, developing a rapport that enhances their overall dental experience. The familiarity between patients and their dentists can lead to a greater sense of comfort during visits, especially for those who may feel anxious about dental treatments.

Additionally, NHS dentists often collaborate with other healthcare professionals, ensuring a holistic approach to patient care. This multidisciplinary approach can lead to better health outcomes as dental health is linked to overall physical health. For instance, conditions such as diabetes and heart disease can have oral health implications, making it essential for dental practices to work in conjunction with other health services to provide comprehensive patient care.

Conclusion

Choosing an NHS dentist in Bournville offers a wealth of benefits that extend far beyond mere affordability. With a focus on quality care, transparent pricing, patient-centered services, and community commitment, NHS dentists provide an invaluable resource for individuals and families seeking dental care. By opting for an NHS dentist, you are not only ensuring that you receive high-quality treatment but also supporting a system that prioritizes the health and well-being of the community as a whole.

In a world where dental health is often sidelined, choosing an NHS dentist is a proactive step towards maintaining your oral health and securing a brighter, healthier future. Whether you are seeking routine care or addressing specific dental concerns, the support of an NHS dentist can make all the difference in your journey toward optimal oral health.

[flaxleytyresmobile247]

Best Tyres in Bournville

Elevate your driving experience with our performance tyres Bournville, where we unleash your vehicle's full potential for a thrilling and responsive ride. We also champion eco-friendly driving with our guide to sustainable tires, showcasing how making green choices for your tires contributes to a greener, more sustainable future for Bournville.

[snackstar]

Why Choose Hershey Kisses Chocolate as Your Go-To Sweet Treat?

In a world overflowing with choices, there's one sweet confection that stands unwavering in its ability to captivate hearts and palates alike – Hershey Kisses chocolate. From its humble beginnings to its iconic status today, Hershey Kisses have not only transcended time but also become an integral part of our lives.

[birminghamuk49]

Bournville Lane c.1910

[theflatpackangel]

The batfam as British chocolate and why:

Alfred: Yorkie, a classic, basic taste, still fucking banging

Bruce: Dairy Milk fruit and nut, he’s a little gay, and a little crazy, also, just tell me no

Dick: Milky Way magic stars, yes they’re ‘kid’ sweets, but look at Dick and tell me he wouldn’t love them LOOK ME IN THE EYES AND TELL ME HE DOESNT-

Ahem

Jason: bounty, good, really really fucking good (I love them) , but controversial

Tim: Milky Way but specifically of the celebrations kind, they’re soft, and they have stars on, it might convince him to go to sleep

Damian: I had to do some intense thinking with this one, but I’ve decided that he’s bournville, because lots of people love him, but he’s very bitter, yet very sweet

Steph; those pink chocolate mice from pick n mix, they’re great, but they’re also too sweet and they scare me

Cass: crunchie. Crunch.

Duke: Galaxy caramel, hes sweet and soft and I love both

Babs: caramilk, sweet and ginger

Bonus: Roy: those little round chocolates with the sprinkles on from pick n mixes, I don’t know why, someone make up the reason but I know I’m right

[v0id-c0rroded]

Bournville, Birmingham

February 1995

[gorbalsvampire]

Get To Know Me(me)

Tagged by @silkenred!

Last Song :: Street of Dreams by The Damned - it's one of my alarms, because I cannot refrain from bopping to it.

Favorite Color(s) :: Midnight blue and pale yellow: that may be the sunset I just watched, though. A particular, lambent shade of green that I shall always associate with Venice. Off-white: the faint yellowing of clean bone or old silk. Ashen grey and ash blond hair.

Currently Watching :: I'm more of a listener-whilst-doing, but currently enjoying Mystery Quest on YouTube.

Last Movie :: A Funny Thing Happened on the Way to the Forum (rewatch).

Sweet/Spicy/Savory :: Sweet, I think, but soft or sharp sweet, not the claggy sweetness of domestic chocolate. Bittersweet is better still. I want a Bournville now, you bastard, and the shop is closed.

Relationship Status :: Engaged. Extremely long term.

Current Obsessions :: Vampire: the Masquerade, obviously: right now I am vaguely thinking about elder and methuselah powers and finishing the Gehenna War review. Warhammer (retro Fantasy Battle, contemporary 40,000). Turn based strategy in general (if it has low specs and hexes to click I am disposed to like it). Pot roasts (not to brag, but I make a sublime coffee and maple brisket). The fiction and philosophy of M. John Harrison. The notion of a twenty-first century Gothic (it's a fair cop, Red). Eccentric crime fiction in multiple media (reading: Alis Hawkins, The Skeleton Army, watching: feeling like The Biederbeck Affair or the second series of Life On Mars).

Last Thing I Googled :: Um, ackshuwally I use DuckDuckGo for most things and so should you. And it was the technicalities involved in the office of "deacon."

Tagging :: you. Yes, you. If that's OK. If you wanna.

[justforbooks]

The actor Ian Lavender, who has died aged 77, played the awkward, impulsive Private Frank Pike in the long-running BBC comedy Dad’s Army, and was the last surviving member of the cast who portrayed Captain Mainwaring’s Home Guard platoon.

Most of the part-time soldiers depicted in the series, which ran from 1968 to 1977, were exempted from call-up to the army during the second world war because of advanced age. Pike, their junior in most cases by several decades, had been excused because of his weak chest, and always wore the scarf insisted upon by his widowed mum, Mavis.

In spite of their foibles and foolishness, Mainwaring’s pomposity and the frequent slapstick sequences, the heroes of Dad’s Army were courageous men prepared to give their lives to protect their country, and it was this innate nobility that lifted the series, written by David Croft and Jimmy Perry, to greatness. At its peak it had more than 18 million weekly viewers, and is still regularly rerun.

There were many catchphrases – Lance Corporal Jones’s “Don’t panic!”, Private Frazer’s “We’re doomed!” and Sergeant Wilson’s languid “Do you think that’s wise, sir?” – and the best-remembered belongs to the gangster movie-fixated Pike, though he did not utter it himself: Mainwaring’s weary “You stupid boy!”

Pike was also involved in Dad’s Army’s most frequently quoted joke. “What is your name?” snarls the German U-boat commander who has been captured by the platoon. “Don’t tell him, Pike,” shouts Mainwaring. There was often great subtlety in the inter-platoon relationships, best exemplified by that of Pike and Wilson (John Le Mesurier). Wilson, whom Pike calls Uncle Arthur, is Mrs Pike’s lodger, and is forever fussing around the boy, making sure his scarf is on tight and gently steering him away from danger. It was not until the end of the final series that Lavender asked Croft if “Uncle Arthur” was actually Pike’s father. “Of course,” replied Croft.

Born in Birmingham, Ian was the son of Edward, a policeman, and Kathleen (nee Johnson), a housewife; his mother often took him to see pantomimes, variety shows and Saturday morning cinema, which gave him his first ambitions to become an actor. After performing in many school drama productions at Bournville boys’ technical school he was accepted, with the help of a grant from the city of Birmingham, by the Bristol Old Vic acting school. Clearly far from being a stupid boy, he passed 12 O-levels and four A-levels. “The only reason I don’t have a degree is because I went to drama school,” he said years later.

He made his first television appearance soon after he graduated from Bristol in 1968, playing an aspiring writer whose family want him to get a proper job, in Ted Allan’s play for the Half Hour Story series, Flowers at My Feet, with Angela Baddeley and Jane Hylton.

In the same year, he was cast as Pike, joining the seasoned veterans of comedy and the classics Le Mesurier, Arthur Lowe (Mainwaring), Clive Dunn (Jones), John Laurie (Frazer), James Beck (Private Walker), Arnold Ridley (Private Godfrey) and Bill Pertwee as Air Raid Warden Hodges. Janet Davies played Mrs Pike.

While Dad’s Army catapulted Lavender to national fame at the age of 22, the role of Pike haunted him for the rest of his long career. Not that he had any complaints.

Asked in 2014 if he got fed up with a lifetime of having “stupid boy” called out to him in the street, he replied: “I’m very proud of Dad’s Army. If you asked me ‘Would you like to be in a sitcom that was watched by 18 million people, was on screen for 10 years, and will create lots of work for you and provide not just for you but for your children for the next 40-odd years?’ – which is what happened – I’d be a fool to say ‘Bugger off.’ I’d be a fool to have regrets.”

After Dad’s Army, Lavender made further television appearances, including Mr Big (1977), with Peter Jones and Prunella Scales, and in 1983 he revived Pike for the BBC radio sitcom It Sticks Out Half a Mile, a sequel to Dad’s Army, but it was not a success and lasted only one series. In contrast, the original series, with most of the regular cast, had been rerecorded for radio from 1974 to 1976 and proved very popular.

He was also in the BBC TV series Come Back Mrs Noah (1977-78), co-written by Croft; and played Ron in a new version of The Glums (1979) for London Weekend Television, adapted from Frank Muir and Denis Norden’s original radio scripts of the 1950s. There were more smallish television parts in the 80s, such as two episodes of Yes, Minister, and bits in Keeping Up Appearances, Goodnight Sweetheart, Rising Damp and Casualty. He starred in the unsuccessful BBC series The Hello Goodbye Man in 1984 and provided the lead voice in the children’s cartoon series PC Pinkerton in 1988.

He was also in various quiz shows, including Cluedo (1990). On Celebrity Mastermind, broadcast on BBC1 on New Year’s Day 2009, when the presenter John Humphrys asked him to state his name, a fellow contestant, Rick Wakeman, shouted: “Don’t tell him, Pike!”

In addition to co-starring in the first film version of Dad’s Army (1971), he appeared in various low-level British sex farces of the 1970s, including Confessions of a Pop Performer (1975), Carry on Behind (1975), Adventures of a Taxi Driver (1976) and Adventures of a Private Eye (1976). He also starred in the thriller 31 North 62 East (2009). “I was close to getting two very big movies in the 70s,” he said without rancour in 2014, “but in the end they said: ‘We can’t get past Private Pike.’”

Lavender’s second best-known role was his delicate and sympathetic portrayal of Derek Harkinson, Pauline Fowler’s gay friend, in the BBC soap EastEnders from 2001 to 2005, and again in 2016-17.

In addition to various live Dad’s Army productions, his stage work included the Royal Shakespeare Company’s The Merchant of Venice, directed by Peter Hall and with Dustin Hoffman as Shylock in 1989, touring as the Narrator in The Rocky Horror Show in 2005, Monsignor Howard in the London Palladium production of the musical Sister Act in 2009, The Shawshank Redemption at the Edinburgh fringe in 2013, and his own one-man show of reminiscences, Don’t Tell Him, Pike.

Lavender had a great admiration for Buster Keaton, and was an expert on the silent comedian’s career. In 2011 he introduced Keaton’s Sherlock Jr (1924) at the Slapstick silent comedy festival in Bristol, and commented that finding Keaton’s grave in the Fountain Lawns cemetery in Hollywood had been one of his life’s special moments.

In 2016 a new cinema version of Dad’s Army was released, with Toby Jones as Mainwaring and Bill Nighy as Wilson. Private Pike was played by Blake Harrison, and Lavender was promoted to play Brigadier Pritchard. In a touching in-joke, his younger face was also seen on an advertisement poster in a street scene.

Lavender is survived by his second wife, Miki Hardy, whom he married in 1993; by his sons, Sam and Daniel, from his first marriage, to the actor Suzanne Kershiss, which ended in divorce; and by two granddaughters.

🔔 Arthur Ian Lavender, actor, born 16 February 1946; died 2 February 2024

Daily inspiration. Discover more photos at Just for Books…?

[medici-collar]

Dress with Day and Evening Bodices

Circa 1869-70

Silk trimmed with non-matching lace, silk braid and tassels

This dress is part of the collection of the Cadbury family, the chocolate manufacturers of Bournville, Birmingham, which now belongs to the John Bright Collection. It comprises a skirt, a belt with attached back panels, and two bodices – one for day wear with a high neck and long sleeves, the other for evening with a low neck and short sleeves (see Additional Images). The custom of creating two bodices for the same skirt was both economical and practical; the same versatility could be achieved in a one piece dress with separate long sleeve extensions that could be attached to short sleeves. A second bodice could also be made later to bring a dress up to date (see Related Items). The evening bodice is plain and conservative in style, with a laced back fastening; the sleeve flounces of the front fastening day bodice show the contemporary influence of the 18th Century dress, as do the gently curved frill down the centre front of the skirt, simulating those on the petticoat fronts of gowns from the third quarter of the 18th Century. The separate belt with its back panels forms a focal point to both day and evening permutations. The dress’s brilliant blue colour, set off by the white lace, is likely to be one of the new synthetic dyes used from the late 1850s, having been established by the chemist Sir William Henry Perkin in 1856. His discovery led to the fashion for vivid shades of magenta, mauve, green and blue

[metal-rick]

Favorite candy?

Cadbury Bournville dark chocolate. You find that shit and I'll ask you to marry me.

[philosophenstreik]

bournville

roman von jonathan coe

erschienen 2023

im folio verlag

isbn: 978-3-85256-885-0

bournville ist eine von cadbury gebaute modellstadt, die sich um das schokoladenwerk herum ausbreitete. cadbury-schokolade ist fast ein nationalheiligtum und großer stolz erfüllt die briten mit dieser... bournville ist ein zentraler ort für die familie von mary lamb, die die hauptprotagonistin dieses sich über 75 jahre spannenden romans darstellt. die geschichte beginnt mit mary als kind, als tochter, die das ende des krieges, churchills große rede zum ende des 2. weltkrieges im kreise ihrer familie in bournville miterlebt. der familie geht es immer besser und sie können sich gar einen fernseher leisten um die krönung von elisabeth II. zu verfolgen - viele nachbarn und freunde strömen ins haus, um daran teilzuhaben. mary wird mutter und später großmutter und alle episoden werden begleitet von historischen ereignissen - britischen ereignissen: die wm 1966, die hochzeit von charles und diana, der tod von diana, und auch ohne titel eigener episoden zu sein der aufstieg boris johnsons, die pandemie und der brexit.

jonathan coe schreibt zeitgeschichte verpackt in einer familiensaga und das auf eine sehr unterhaltsame art und weise. familien kann man sich nicht auswählen, man wird in sie hineingeboren und jedes mitglied, jedes kind macht seinen eigenen weg, durchmacht seine eigene wandlung und alle themen, die coe anspricht bieten viel platz für polemik und diskussionen, verschiedene standpunkte und sehr viel konfliktpotenzial. coe spart hier nichts aus. von der britischen einheit, dem zusammenhaltsgefühl nach dem sieg über nazi-deutschland tun sich immer und immer mehr grenzen zwischen den meinungen und innerhalb der gesellschaft auf... die frage, ob die monarchie noch zeitgemäß ist trennt das volk. ob britische schokolade durch die eu diskriminiert wird gibt wieder ein zusammenhaltsgefühl, das im "schokoladenkrieg" endet... die frage der monarchie taucht immer und immer wieder auf - auch beim nichtssagen der queen nach dianas tod. die fußball-wm 1966, auch wenn nicht jeder an fußball interessiert ist, vereint zwar, polemisiert aber doch ob der rhetorik, die immer wieder in den alten kriegsmodus verfällt. das thema eu ist ein dauerbrenner der diskussionen genauso wie der brexit, und dann ist da noch boris johnson, der das volk polarisiert... eine sehr unterhaltsame studie über britische animositäten, eine tolle beobachtung der diskussionen in allen bereichen der britischen gesellschaft und das alles ganz einfach verpackt in die geschichte einer einzigen - wenn auch großen - familie. beeindruckend britisch. und beeindruckend der blick auf die britische seele, in der scheinbar immer zwei herzen schlagen...

[silence-between-seconds]

whats your favorite brand of chocolate

bournville definately

also hercheys is acceptable ig, galaxy is also nice. amul's chocolates are pretty good.

ferrero rocher is the goat

[flaxleytyresmobile247]

Mobile Tyre Fitting Bournville

Enjoy the luxury of having your tyres serviced at your preferred location in Bournville. Our Mobile Tyre Fitting Bournville is all about flexibility. Whether you are at home, work, or even in a parking lot, our team is ready to ensure your tyres are in top-notch condition.