#blue; threads
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plutonicbees · 7 months ago
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secret calls in the phone/sewing/cat room (chapter 4 of bllb u will always be famous to me)
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heartnosekid · 5 months ago
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🌓 mimikyu 🪡
with no people or hands for anon!
🪡-🌓-🪡 / 🌓-🪡-🌓 / 🪡-🌓-🪡
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poorly-drawn-mdzs · 3 months ago
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I came here for the silly haha doodles, but I've stayed for the absolutely blazing commentary in the tags. Your analysis of this story is so so so good! Thanks for all the work and thought you put into this!
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I am just a silly little comics blog. I am not hiding anything in the tags, no way. Never.
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relaxedstyles · 3 months ago
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Bluesky, huh?
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yrsonpurpose · 1 year ago
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Please stay gorgeous and strong and unbelievable. I miss you I miss you I miss you I love you. I’m calling you as soon as I send this, but I know you like to have these things written down. A ✿ / ❀
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mintypsii · 1 month ago
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i hate them so much these freaks ohhhmymgawwddd
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asarigg · 2 months ago
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Inside the Character's Mind: Part 6
CHILDHOOD. SLY AND KOUJAKU. THE AVOIDANT BEHAVIOR: part 3
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As if all that wasn’t already enough, at the end of the Re:connect, this happens. Aoba thinks to himself that this is not what Koujaku wanted, as much as Sly wants to think that it is, that he’s in the right. As if what he has done has helped the Koujaku inside, the one who’s like him, the true Koujaku, to come out. As if they could be free inside that cell.
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Koujaku reacts to Aoba’s thoughts. Sly thinks for a moment that it’s his imagination, but when Aoba repeats his thoughts, Koujaku says his name. Koujaku, who despite not having articulated a single word all this time, weeks, months, says his name as soon as Aoba “speaks”, that’s what I’m talking about when I mention their spiritual connection, that’s how strong it is. It happening after such a different sex scene, where neither of them can say no, nor show any kind of rejection, is just a reminder that they are both locked away, suffering, and that they will stay there watching this happen day after day until the day they die, not being able to see, or touch, or call each other’s names, or say “I love you” or anything they once wanted to say. They can only just watch each other wither away.
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These thoughts of “This isn’t what Koujaku wanted” are very interesting because just like Sly thought, Koujaku really wanted Aoba to accept and love him. But the last thing he wants is having Aoba reciprocate him just because that’s what Koujaku wants. He’d rather be rejected, and even die in the extreme case of the situation hurting Aoba, than having him living something he doesn’t really want, that he doesn’t feel in his heart. Giving himself to Koujaku letting him do whatever he wants without thinking twice, without thinking about his own wishes. A life that doesn’t respect Aoba’s wishes is a nightmare for him. Just like he says in the confession scene “All I can remember is that I didn’t want to touch you like that”.
I mentioned that they don’t treat the tattoo as something that changed Koujaku, but as someone else inside his mind. When Sly appears before him, Koujaku immediately knows that he’s not Aoba, but has a hard time believing it, because physically he’s the same but white. He doesn’t know what’s going on, he can’t process it, but he knows. And the thoughts that tell him that the man in front of him is not Aoba are in red, like someone else’s, with some lowercase and some uppercase, growing more intense as the madness and anger of his tattoo reflects through. Doesn’t it remind you of how Sly’s thoughts appeared in the middle of the screen when Aoba was in charge?
Sometimes I wonder what Sly’s real intention was here. In theory he wants to break Koujaku and bring out the beast because that’s the part of Koujaku that he sees himself reflected in, that destructive entity, his darkest, true side, his pure animal instinct. Exactly what Sly is.
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But he still tells the sane Koujaku that he loves him and wants to convince him that he’s Aoba. If that had worked then what would he do next? Because he truly believes that’s what he wanted to hear, and when the narration returns to his point of view he tells us that his love for Koujaku is true. Obviously locked in a cell it would be difficult for anyone to believe him, and Sly wouldn’t get him out of there anyway when he wants to keep Koujaku for himself. But then why does he keep trying to convince him, over and over again, even when Koujaku still doesn’t recognize him as Aoba any time he wakes up? Would he have been satisfied with a sane Koujaku, with those restrictions he hates, just because he accepted his words? It’s only when he sees that Koujaku won’t buy it, no matter what he tells him, that he changes his strategy.
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And it’s in this scene that we see Koujaku in control for the last time, and again the last thing he says before losing his mind is Aoba’s name. This ending makes us see how Koujaku once again enters a cycle of abuse. He has gone from being his father’s slave, to Ryuuhou’s, and now Sly’s, and he will probably never get out of that cell alive. He no longer has prayer beads protecting him, only chains imprisoning him.
Sly is aware of what he has done, and he believes that since he has destroyed Koujaku’s consciousness/spirit, it’s only fair that he is the one to destroy his body, not only fair but it even seems like an attractive idea, to die at his hands (Sly try not to be Ryuuhou challenge). I really like this dialogue where Sly tells Koujaku that he can tear off his flesh if he wants, on the condition that he stays. Staying with him, a reflection of his desire to feel loved, accepted, after so many years of abandonment. After hearing Koujaku speak back to Aoba, it must feel like a punch to the stomach to think for a moment that he’s wrong with what he’s chosen for the two of them, to think that Koujaku doesn’t really love him.
Having him locked in a cage somehow is perfect to prevent the slightest chance of Koujaku walking away, as well as keeping him in this state, unable to speak, unable to think, unable to reject him. It’s because of these things that I usually think that at least at the beginning the relationship with Koujaku in a good ending would be quite turbulent. He would like to flirt with Koujaku, sure, but when he realizes that he really feels love for him, he feels vulnerable, weak, and needs to protect himself because the people who were supposed to always be with him, guide and protect him, left him. And Koujaku somehow “abandoned” him once too. So before being exposed to that, he would rather push Koujaku away. Regardless, Sly would always come back to him, because as much as he wants to walk away he can’t, he needs Koujaku to stay by his side. It doesn’t matter if it’s love or hate, Sly will take it because it’s intense, real and raw.
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Fun fact: Sly and Beast Koujaku both have golden eyes, when they “transform”. Everyone has those three sides of their conscience but Aoba’s just have a distinct personality and identity each, which I think might lead to thinking that beast Koujaku might have a personality of his own. I think he’s somewhere in between, he’s obviously not like them, but he’s definitely his own entity. Like some kind of natural force, like rain, wind, the energy of the cosmos, possessing him, something more abstract than a spirit or god, which we usually see as human or animal-like appearance wise.
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The first thing that strikes us when we see Aoba is that his design radically changes. When Sly takes control of his body it’s not like he suffers any physical changes, besides the shine of his eyes, however here he turns completely white. The only time we see something like that happen is when we see the true forms of Sei and Aoba, but those black marks don’t appear. This is what makes me wonder if the white color has something to do with those forms, as if it were some kind of symbolism of Sly “breaking free” and being himself, without restrictions, without Reason, but they don’t add the black marks to not spoil it, or because it looks like shit with the design, or because it simply has nothing to do with that.
The white color is the color of death, mourning, the color with which the deceased are dressed. A sterile color, without impurities, highly related to the spiritual world. Many white flowers are commonly used in funerals, usually Buddhist, such as the white chrysanthemum, used for its meaning of truth and sincerity. Aoba wears a white kimono and also gives one to Koujaku. These traditional elements could be there just to remember Koujaku but nothing in this document could ever be simple of course.
The hair of a dead person is considered to turn white after a certain period of time, meaning that the hair is no longer a source of impurities, it can't be possessed by an evil spirit, and can be transported beyond the border that marks the separation between the sacred realm of the dead and the ordinary world of the living.
His skin, his characteristic blue hair, his eyes and his clothes turn completely white because at this point Aoba is no longer there. Not in a literal sense, of course, but in a figurative sense, Aoba is dead. And this is basically the same thing that happens with Koujaku. They are both reborn, destroyed, spiritually dying so that something else can be created, the ID, the instinct of destruction, the two beasts freed from the bodies that held them prisoners.
His clothes in general resemble those of a Miko, with a more “fantastical” and sexualized appearance. This post talks about it as well. Again it’s a reference to the spiritual realm, their religious side and how Aoba/Sly is an object of devotion, of how Aoba is somewhat a channeler for Koujaku. Just like there are rituals that call the gods to our world, like I’ve said in the section about hair, which serves as a connection with gods, Aoba is the only thing that connects Koujaku with this world, the only reason why he’s still alive.
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bluerosefox · 2 years ago
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The Trouble With Time Travel Guilt
Danny, due to a nightmare of his future evil self, does what any young hero teen with internet access would do late at night.
Starts a 'AITA' thread asking if it he was an asshole for destroying an entire timeline, even if said timeline population was a wasteland due to said evil version of himself almost destroying all life at the moment, by swearing to never become him (Dan) and locking his evil self away. And should he feel as bad as he does because of everything his no longer future self did??
He... wasn't expecting a lot of other people (some seem to teens his age, he even made friends with some like R3dRobyum~) that may or may not have experienced time travel too and dealing with this odd sense of guilt.
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cat-cosplay · 2 years ago
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"Why did you join so many social media apps?"
Me:
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cicada-heart · 1 year ago
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a work in progress i’ve been chipping away at this week! hand embroidery on recycled lace 🦋
this piece has sold but i have more embroidery available on my etsy! ❤️
support my work on patreon 💖
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biowho · 8 months ago
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To me this implies that they’re gonna throw the CC out into the world for us to play with before the game comes out and if that’s more than me and my wishful thinking I will be going insane
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seishiroh · 2 years ago
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— it felt like the world / nagi seishiro x reader.
— hurt/comfort (i think). light angst (real). established relationship & break-up. timeskips. pro-player!nagi.
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when you were seventeen, figuring out that nagi seishiro didn't mind you at all felt like the world.
when you hand him your heart on a silver platter and his gaze is warm and he replies okay, (like you're meant to understand what okay even means) there's a brush of pink on his cheeks.
he takes your hand because you're walking home together, pauses, then speaks, "i don't know how to be a boyfriend though…"
your answer is a smile, like you're happy enough just to be with him.
"just be yourself, nagi." you say.
he can do that—be himself. it's easy and being with you is easy, too. being with you feels nice, even if he isn't quite sure how to describe it—that should be enough for now. thinking too much about it is too much of a hassle anyway.
it's enough for quite a long while, actually. up until he's inside the blue lock building and reo is persuading him to stay.
"this is lame, though. i'd rather go home to y/n," he says.
but ego jinpachi and reo knew exactly just what to say to keep him in blue lock. after that, you're stuck with occasional calls and a few texts.
even with this, even just a little bit, nagi starts feeling like he's a world away. it’s probably the puppy love of it all, that you want more of his time with you. you're reckless enough to let that thought slip through when you're talking to him. 
"what if you get eliminated, though?"
"hmm? s'not possible, reo won't let that happen…" and nagi sounds so sure of himself, all the time.
"you'll be gone for much longer, then?"
"i guess. training is such a pain. i just want to sleep and play games with you."
you laugh a little, silently, because he sounds so sleepy teetering the edge of knocking out.
"i wish they'd let you out, though. even just for a day… you feel so far away…" you trail off, the silence follows you, and you think he's finally asleep.
you wish him goodnight before hanging up, before the corners of your lips quiver into a frown.
it takes nagi two days.
two days after your last call, there's a knock on your door just as you finish watering choki.
when you open your front door and find your boyfriend standing there, phone blaring with the sound of his game, eyes trained to the screen—you can't help but hold your breath. there’s an echo of game over through the speakers of his phone before his grey eyes finally meet yours.
then, nagi smiles. he slips his phone inside his pocket, places his hand on top of your head, then leads you inside as if he owned the place.
but ah, well… with the love you had for him, you’d probably let him have all that was yours anyway.
all you get is a day with him, but it's enough for you to feel like your chest is expanding, like you're full of affection just for him. he seems different already from your time apart, but it's a good different and you're happy for him.
he's cuddled up against you and you feel like this is all you'll ever want—him. you've only been together for a few months and he seems rough around the edges, but you're starting to understand that nagi's love language is the way he's always touching you and pressing soft kisses against your skin like he's constantly telling you, silently letting you know, that he loves you.
but all you get is a day, then he's back in blue lock. the next time you see him is in the bleachers of their match against the JPN U-20 team and you're nothing short of captivated. it feels surreal to see him in the field like this, beaming with energy—he looks like he belongs with the stars, like he's exactly where he's meant to be.
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there’s no question about him going pro. he will. and even when he starts feeling like he’s worlds away again, you couldn’t possibly love him less.
until he had to leave you.
you're standing opposite from each other in your living room. you're upset because you don’t want him to go, he can tell, but he's unyielding.
"this is something i want, though," he tells you, just factually, like this is just something you had to accept without a fight.
it's funny, because you had a lot of fight in you, actually. but you wanted him so bad, loved him so much.
in the end, you could only pray that the long distance works.
at twenty-one, nagi leaves you to join a team in england. he leaves you with choki and a promise he'd come back, visit you when he can. but each day spent without him, your chest empties out the affection it had once been full of. it's slow because nagi actually loved you, you knew this. he called as much as he could, he'd tell you to watch him play through the television and once in a while, rare as it is, there's a bouquet of flowers at your front door.
love is enough except when he comes home to you briefly for your anniversary, nagi knows something is wrong. somehow, despite the warmth in your eyes and your happiness that he’s there, you’re privy to his touch.
like he’s completely unfamiliar to you.
it doesn’t stop him from proposing, it doesn’t stop you from saying yes. you keep thinking you don’t want him to slip from your fingertips but nagi knows you’re slipping from his. he moves in with you, you're hopeful again.
it wouldn't kill you if you couldn't hold his hand whenever you want. you think perhaps this is enough. it had to be.
it doesn’t stop him from flying back to england after. he still called as much as he could—but the time difference remains difficult, the press is ruthless with assumptions when nagi's partnered up with models in brand endorsements, and nagi hears less of you when he's too tired from his games. eventually, you stopped picking up every call because you'd rather be busy with your life than wonder what your lover was up to, miles away from you and knowing this wasn't enough.
you realise it when your heart is finally breaking, that you’re asking this over the phone instead of right in front of him.
“my parents have been asking, seishiro… when are we getting married?”
you've been engaged for over a year and no plans have been made—but it’s worse when you’re met with silence. the future blurs further, you’re not sure if you could do this alone anymore because this was his decision. when he said he’d come back, you probably should’ve asked how long he’d be gone from you.
“we can figure it out when the contract ends, planning a wedding's a pain anyway,” he mutters through the phone.
“but i want you home, sei.” and it’s the most honest you’ve ever been to him in the past two years.
“i can’t just leave, though,” he replies. you wonder if he'd ever thought the same two years ago, before he left you.
you wonder if it would be petty of you to ask if he ever thought he couldn't just leave you.
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he gets a vacation on the next year, just a year before his contract with manshine city ends. but you’re with him on the couch when he tells you he’s being offered a better contract in spain. that he wants to take it. you want to be happy for him, but the breaking of your heart is loud enough in your own ears. it’s so loud that the words slipping from your mouth are unfiltered and uttered without thought.
“what about us, sei? what about me?”
nagi frowns like he doesn’t understand what you mean.
“it's not like we're in a hurry to get married, y/n. we can just do it whenever.”
“would you leave me then, too?”
"it doesn't matter, we'd still be together." but you couldn't give him the answer he wants and the ring on your finger is starting to feel heavier.
your silence is all that he's met with and the uncertainty frustrates him. if he's honest, realising you might not want to be with him anymore hurts. so instead he asks again, "do we have to figure this out now?"
"you've been away from me for years, sei. when will you come home? or am i just not worth staying around for?"
he stands from the couch, phone in hand, "i dunno, maybe you're not."
he says it so nonchalantly. as if it wasn't enough to break you. you know he's about to walk out the door, leave again.
"i miss you, you know. i want to feel like you still love me… but you're so far away from me," you try while you're watching him shrug his hoodie on, reaching for his keys.
watching him leave.
"you've been saying this for years. you're just being a pain, y/n."
then he's out the door.
one week later and six years of your relationship with nagi runs down the drain.
you wonder what hurts more: letting him go or in another universe, being married to him while you're stuck apart from each other—because leaving you was easy.
your place is rid of nagi's things, it isn't much, he simply loads it up in the back of his car. for either of you, it's yet to sink in.
until you're slipping the diamond ring from your finger, standing in front of him.
"take care, nagi," you tell him with a tight smile, the ring falling into the palm of his hand and an ache settling heavy on his chest.
he hums, eyes trained on the ring he got for you. he says okay and then he's driving off. you're left to wonder where you go from here.
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nagi comes back to england early and news of your split is quick. 
a few months later, rumours of him taking an offer from a team in spain circulates and your heart hurts again because even if this is how you split up, you wish you could still hear his voice after he wins a game—telling you he's tired, telling you he wishes he could just go home to you.
but nagi doesn't know what to do with himself after every win anymore. when his teammates invite him for a celebratory drink, he comes only because he isn't sure he can handle the frustration of knowing he can't call you, or that you won't pick up even if he did.
he has a few months left with manshine before he could sign a new contract. the frustration never ends though; every moment slipping by him, the ring he keeps on a chain around his neck is a weight heavy with your absence.
he thought that this is what he wanted, that being far from you never really mattered, that it's okay if he couldn't feel you against him anymore, couldn't kiss you like he's telling you he loves you without the words.
he wonders if you felt like this the whole time he's been away for years.
it's a pain that he figures he never wants to feel anymore.
so when the year ends, nagi finds himself at your front door instead of spain.
your door opens and there you are, pretty as ever, eyes bright with a kind of carefree edge to them. but you're pretty, even with the shock painting your face that he'd usually tease you for.
it's all he could think of, that you're so pretty and so, so close to him again and there's so much he wants to say with no idea how to say them.
"nagi… what are you…?"
"i missed you," is the first thing he says. they're words enough to make your lips quiver and eyes sting. "and i'm sorry, i left thinking i'll be fine even if i loved you."
he speaks while he's trying to etch into memory the way you say his name again, so clearly, so softly. you miss him a lot too, you want him back without question, but you think you can't just take him back to let him leave again.
"but you're supposed to be in spain—" you mumble, confused. he's shaking his head before you could finish, a pout settled on his lips.
"i don't want to be there, though. i want to stay here with you, if you let me again..."
"i don't understand, what about soccer?"
"doesn't matter anymore, i could just join the japan u-20. they'll let me do that, right? but everything else is a pain if you're not there." he sounds so sure of himself, like he thought about it everyday since you were gone from him.
it's difficult to process because you've wanted this for so long, to finally have him back to you. it takes you so long that he gets nervous, because what if you don't want him anymore?
he shifts his gaze, suddenly flustered but all the more certain, "i love you, y/n. i'll prove it to you if i have to."
to be honest, nagi isn't sure what he would've done if you didn't want him anymore. perhaps he could've tried his best to win you back, even if it took him too much effort. he'd do it only because nothing truly makes him as happy as he is with you. nothing is that much troubling or that much boring as long as he had you.
it's just you he needs, really.
luckily for him, he doesn't really have to dwell on it—because your warmth engulfs him, your arms around his body.
and he says, finally, "i'm home, y/n."
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thegaissilent · 1 month ago
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for: @halfofozsfavouriteteam
Being Glinda, the Good is, above everything else, tiring.
She can't even pinpoint what is the most tiring part of it. If it's the fact she has to perform way more than she did her entire life, if it's the fact the work never ends and she barely has time to stop and relax. Or if it's simply because she feels stuck in a loop and there is no way out.
Her entire life is made out of lies now. Having to listen to those rumors about her best friend and not being able to say anything against them, smiling and waving to the crowd while they stare at her like she's some sort of savior.
Getting married to Fiyero so she can finally stop thinking about her.
She is tired. She is so tired. And yet she can't stop it. She doesn't know how to. Because despite it all, despite the fact that this is wrong and repulsive, she can't help herself. She can't help the small amount of satisfaction that she gets when people are praising her. When she's celebrated, applauded.
It doesn't compare to real love, of course. It never will.
But it fills her up somehow. It's all that she's had for the last years and if she keeps trying, she knows she can pretend that they truly love her.
Plus, she's still trying to make moves to actually take down the Wizard. To destroy this awful, terrible system from inside. So maybe, one day, she will be able to clean Elphaba's name. And have her friend back beside her.
(Does she actually believe she can do that still, though? Or did that naiveté die with Galinda?)
Either way, her entire life is absurdly tiring and as soon as she reaches the Emerald Palace in her bubble, exhausted from a very long day, she only wants to soak in her bathtub, and then lie on her bed.
But instead, she's called by the Wizard and grunts at that as she makes her way to the room where he keeps the goddamn machine. Everyday, Glinda wishes she could set that thing on fire.
As soon as she walks past the door, she freezes, though.
Green skin. Black clothes. Dark hair with microbraids.
Elphie.
"Elphie!" She exclaims, throwing herself on her friend to hug her tight. "What... What are you doing here?"
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chasingrainbowsforever · 2 months ago
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~ Red | White | Blue ~
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bmpmp3 · 29 days ago
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Kitty Being Constructed.
#nunodoll terry cat..... not made of terry LOL im using some linen weave from an old busted t shirt rn#mostly as a mockup to learn how to do this thang. but im liking my lumpy cat#out of terry it'd be a lot more forgiving because of the pile. altho im glad i did a mockup because im learning a lot#1) i forgot to press the middle seams in the head before sewing the back and front together and i shoulda LOL#2) the original pattern probably either stuffs the tail before sewing it in and forgot to mention OR uses the terry pile as a faux stuffing#i just stuffed it since i had no pile LOL and 3) mayhaps runo was using a knit terry?#most toweling i find is woven but theres some things in the pattern that are really tricky without a TINY bit of give#like not a lot of stretch but like a liiiiittle bit. it looks like theyre using a weave but its so low resolution so i dunno <3#maybe even a weave with a little more give? because the inner ears and legs are smaller intentionally#but its a little tricky to do with this linen kjfsdhjlkfsdfd i also shoulda uses a lighter pen to trace it and also probably lighter thread#cause red thread behind slightly translucent blue makes those seams a little muddy. my laziness in never switching out bobbin threads has#finally caught up to me HGKJDSKFDSJHdsa but its fun! i gotta finish up adding seams and a face to the head and then sew da head on#(thats what the blue thread it for. i remembered to at least use it for the finishing touches LOL)#and then i shall have a silly lumpy kitty. hee hee
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incorrectgenv · 6 months ago
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