#blake's 7 reaction
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shelma32entertainment · 9 months ago
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Blake's Junction 7 (2005) | REACTION
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mariocki · 3 months ago
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Jacqueline Pearce guest stars as fashion model Leonie Peters, but it could be she's mixed up in bank robbery and murder in New Scotland Yard: The Banker (1.10, LWT, 1972)
#fave spotting#jacqueline pearce#new scotland yard#blakes 7#blake's 7#supreme commander servalan#the banker#1972#lwt#a very pleasant surprise!#coming in the middle of a fairly fallow period in Jac's career; she'd started strong‚ making a couple of films for Hammer and having notable#guest starring spots in shows like Man in a Suitcase (follow the fave spotting tag for a sight of her looking very glamorous and cute in#a pixie cut and designer dresses for that show) but after a bitter divorce she'd moved to the US for a while‚ training at Lee Strasberg's#actors studio and taking some non acting jobs. she was back in blighty by '72 (clearly) but her career had lost a little momentum; thus she#ended up with smaller supporting spots for a few years until B7 called and made her wonderfully immortal as the iconic Servalan#here she's ostensibly a model‚ but suspicions are raised when the owner of a fashion house is assassinated in broad daylight (and as one#woman police officer points out‚ rather uncharitably i thought‚ Jac is neither tall enough nor skinny enough to fit the typical#model form). cue some mystery biz‚ but it isn't really a top drawer episode‚ and Jac only has a couple of scenes to play with#she is‚ of course‚ captivating; it's her who makes the mystery really compelling‚ as her strange‚ frightened reactions draw the inevitable#questions about what's actually going on in this boutique salon. there was still a few years before the Supreme Commander would turn up#onscreen but Jac busied herself plugging away in guest spots and developing a respectable stage career
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mxtheo3 · 1 day ago
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Impact on the ship abd once again Avon activated his hugging Blake alert 🚨
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oldtvandcomics · 2 months ago
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So the funny thing in I Saw the TV Glow is of course that in-universe, The Pink Opaque's ending must be weird AF. Like, we don't talk about it because it works just too well as a metaphor, but that teens' TV show absolutely did end with both main character getting buried alive and kind of left there.
Except that, of course, our world has got wildly popular TV shows with similar ending, too.
So, may I propose the mental image:
You are out here, living your life. It kind of sucks, like there is this thing that isn't quite right, but you don't know what it is, so you are kind of existing without any greater joys or passions, but what can one do. Then your old friend, whom you haven't seen in ten years, randomly shows up, looking somewhat hectic, and announce: "So, remember that old TV show, Blake's 7? Turns out, I am actually Blake. The Federation caught us and is currently mind washing us to think that all of this is real. You need to wake up, Avon."
I genuinely don't know what I would do in this situation. But the idea is so fucking funny.
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toffee-hammer · 2 years ago
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thing that kills me about jealous blake is the fact she has a whole harem trailing behind her, but still get jealous of ww getting yang’s attention, it’s great lol
I know, right? Girl just got a little too used to Yang's eyes being on her 100% of the time.
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thewritersofdeceased · 2 months ago
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If you do the black phone still can I request Headcanons on their s/o (female) being unserious and laughs at almost everything and is very giggly?
This was fun to write!! I love writing tbp requests guys its sm fun to me! I’ll be so honest, i was watching aphmau(which i'll be taking requests for now!) while doing this, so i was having a whole load of fun :3!! 
|| THE BLACK PHONE BOYS WITH A REALLY GIGGLY S/O! ||
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FINNEY BLAKE
Finney has a 50/50 reaction when it comes to his s/o being super giggly! It really depends on the situation
If it’s a situation where either of them gets hurt, for example, tripping or something, he’s a little bit confused as to why your laughing
Until he realizes it’s the “laugh first ask later” type of thing
But of course he makes sure you’re okay! He’d feel bad if you were really injured with it.
If you’re just super giggly, he doesn’t mind! Just unless it comes to school.
Definitely uses your giggly personality to his advantage and stuff, especially during pillow fights and tickle wars!
Yes. He gets dragged into the pillow fights mostly by Gwen.
ROBIN ARELLANO
Robin's a little bit confused about being supper giggly, but he's not mad about it at all!
He's just used to being super focused on his fights, so he enjoys the change of having a giggly partner! it's actually really refreshing to him
like Finney, he uses the giggly personality to his advantage, all the tickle fights and everything of the sort
Would beat the living fuck out of anyone who said it was childish to be super giggly or any insulting words (those are usually from Moose)
Again, laugh first ask later type of person unless it’s super SUPER serious injuries
He buys you silly bandaids just to hear your laugh!
BRUCE YAMADA
Has no issue with your giggly personality! In fact, he matches it! He has a younger sister, so he’s used to outgoing and giggly kinds of situations!
Your laughter and just smile in general is his motivation to win any of his baseball games, he just loves your smile and giggles so much!
He has no issue trying to make you laugh, but of course he makes sure you're okay! He couldn't bear the thought of you getting hurt then laughing it off. well- he can, but of course he's worried about it!
He's definitely the type of person who'll like- copy? If that makes sense! So if he hangs around someone for too long he'll do the same?
For example because I'm bad at explaining, if your super giggly and Bruce hangs around you for a while, he'll eventually start to be a bit more giggly and outgoing!
VANCE HOPPER
Vance is on the "what the fuck is going on" side between the super giggly personality, as he's more used to super serious situations (for example, him always getting in trouble with the cops and everything, getting into fights)
He likes hearing your laugh, dont' get him wrong! he's just not the type of person to get all giggly or laugh much himself. after all, not a lot of people trust him since he's always getting into fights and such.
He enjoys the difference between you two! He enjoys the opposites sort of vibe you two have.
He would willingly beat the shit out of anyone who tries to make fun of your giggly personality. Like Moose for example :]
He's not one to join any pillow fights or anything, he prefers to be much more on the "just relax and let me hear your stupid jokes" side of the relationship
In general, a 7/10 when it comes to his s/o being super giggly!
BILLY SHOWALTER
Billy's similair to Finney for this one, super confused!
But he enjoys the giggles once he finds out it's just your personality!
He loves hearing your laugh when you're playing with Harper, since Harper's usually a super energetic dog!
Definitely takes you to carnivals and loves hearing your laughs at those glass house mirrors (like the silly and funky ones!)
Hearing you laugh while he's making silly faces in photos or anything is like his #1 goal in life
Billy loves you so much that he would definitely send you silly notes during class(he only hopes it doesn't get you two in trouble)
He'd also start laughing if you two ever get a stern lecture, just because of how unserious you are
GRIFFIN STAGG
Griffin's not used to unserious or giggly people, as he's usually self-reserved and quiet with his nose in a book
If you asked him a character that reminded him of you, he'd say Pinkie Pie automatically
He enjoys the silly and outgoing personality you seem to have, he has no issue with it!
He thinks his mother would've loved you, as your the reason he's getting out of the house!
Griffin has NO problem having Vance beat the hell out of someone for making fun of you
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thethirdromana · 20 days ago
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One of the things I hugely enjoyed this year was the Babylon 5 (re)watch organised by @babylon-5-lurkers.
There's no convenient anniversary to peg it to, but in 2025, would there be any interest in doing something similar for Blake's 7? Watching from the start, one episode per week, sharing live reactions?
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wexhappyxfew · 6 days ago
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hey shannon!!!! from prompt list 3 & the action category - “intervene” with kennedy and bucky, but kennedy is the one doing the intervening/defending him????!!! HELP - @softspeirs
KATIEEEE!!!!!! @softspeirs i am *here* i am *back* and we are here with a kennedy x bucky prompt that had me lowkey losing my mind w/this piece half-written months ago and me now just finally having the time to finish it up. the pure EXCITEMENT of this prompt with kennedy and bucky, kennedy's reactions, bucky's reactions and their dialogue....oh i was absolutely losing it. definitely one of my longer ones i think, but it came out just as i was hoping (and probably better). also the scene inspo for this hit me even before your prompt and when you sent this in - oh i was SO EXCITED. so i sincerely hope you enjoy!!! :D
flak-happy
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(a/n): kennedy x bucky (pre-stalag, pre-anything-that-happened-in-the-stalag lmao). i fear we enter bucky: the definition of yearning, and kennedy: the definition of miss-repressed-emotions and oh boy does it make for the absolutely perfect combination, especially in a moment of time where things are turning rather dark and dreary and sad. oh kennedy farley you are so seen!!!! please enjoy my-return installment in the silver bullets universe!!! <3333 (he'll make it up to her, he swears)
"5-0," Kennedy said quietly, the tiny bit of newspaper in her hands something she was half-way between scorning, ripping into a million pieces, and lighting on fire, "they're trying to kill me."
"It's a baseball team, Kenny," Margie said from beside her, "the only thing actually trying to kill you are the Germans."
"But I have a helluva lot more emotional involvement to this team than the Krauts, Margie, that's the difference." Kennedy said, flipping the paper over and grumbling under her breath, "Fucking Danny Doyle - at this point, just say he's in left field 24/7, even when he's actually in left field. Can't even hit the goddamn ball."
"Okay," Vivian Ratcliff said quietly from beside Kennedy, plucking the newspaper clipping that Lieutenant Montez had gotten for her this morning from her fingers and neatly folding it up, "you need a drink. A stiff one at that." Kennedy sighed and crossed her arms between the two as they continued walking forward towards the flying club and bit back her lip.
"And I'm going to have to hear all about how the Yankees won their game," Kennedy mumbled, "please say we can open a tab?"
"Or!" Margie butted in, "Better yet, someone will already have a tab started for us." Kennedy glanced at Margie, gaze burning into the side of Vivian's head, who was currently running a hand through her short, dark curls in the hand-held mirror she was carrying with her.
"What the hell are you talking about?" Kennedy asked her and Margie chuckled.
"Ev Blakely." Margie offered with a grin, "He's always putting his ViVi on his tab."
"Oh, screw off, Margie." murmured Vivian, brushing her bangs that lay wilted against her forehead, back a bit - the entirely noticeable blush that had sprung across the waist gunners cheeks and the smile poking at her lips evidently hard to ignore.
"I am not, and I repeat, not his 'ViVi', he's just a sweet thing, a gentleman," Vivian offered with a shrug of her shoulders, wiping at a smudge of her red lipstick at the corner of her mouth gently, "honestly." Margie chuckled as Kennedy sent her a glance.
"Whatever you say, Viv, but he's a real charmer that Ev Blakely," Margie said, grinning, "especially that you're ViVi to him, hm?" A small smile quirked onto Vivian's lips as she snapped the hand-held mirror shut and slid it into her pocket and offered them a slight smile.
"Shall we head in?" she asked them with a smile and a nod before stepping inside, cheeks still flaming, "It seems like we're all in need of a stiff drink." Kennedy watched as Vivian then stepped inside, nodding and smiling to a few pilots that had stepped passed her. Slowly, Kennedy glanced towards Margie who simply smiled.
"What?" Margie said with a chuckle, "It's clear Blakely's sweet on her."
Heading inside the flying club, the atmosphere was alive with both a gentle, slow song by Ella Fitzgerald, the quiet chatter of voices still about the place and the mixture of smells which combined two of the finest things on Thorpe Abbotts - cologne and alcohol.
"Beer?" Vivian offered glancing back at both Kennedy and Margie stood in the small opening between the bar area and the dance floor.
"Yeah." Kennedy said quietly, following behind Vivian with a sparing glance towards the dance floor where Judy was, more probable, to be forcing Carrie to dance than anything it seemed.
A large group of some of the pilots had gathered in front of the wooden bar, a few backs turned their way, with a few pairs of wandering eyes meeting her own. At the moment, she made rather quick and inherent eye contact with Bucky Egan. Who was staring down Colonel Harding in front of him.
Kennedy glanced at Margie and Vivian, who sent her sparing looks as she stepped closer, curious to both listen in and figure out why the look in Bucky's eyes made her stomach twist.
"Now-now who's flak happy?' Bucky asked, leaned up against the bar, a morose look drawn on to his features, eyes peering into Colonel Harding's persistent and demanding. Kennedy stepped closer, her eyes looking to Colonel Harding's face - it was a mixture of sadness, grief and evidently being somewhat drunk, but it was somewhat a sorry sight.
"Who?" Colonel Harding seemed to challenge.
"You are." Bucky said with a nod, his eyes frozen on the Colonel's gaze. There was something slightly unsettling in that split second of time - this almost far-too-large group surrounding a somewhat bitter conversation. Flak-happy; what a word. Enough to stir thoughts of death in all of them. How much it surrounded them, consumed them. Buck's half-crescent glance towards Bucky was enough for Kennedy to catch Buck's gaze and see the unfurling repent growing.
"You are." the Colonel said firmly back.
"No, you are," Bucky said, before giving a quick tap of the back of his hand on the Colonel's front pocket, "sir."
For a moment, the low drone of the music seemed to dim to a distant hum as they all stood there, eyes darting back and forth, waiting to see the reaction of the Colonel, to someone like Bucky. Notorious for his outbursts at this point, it seemed.
Kennedy watched for a moment longer, before she bit the bullet and stepped forward, directly placing herself in front of Bucky and looking right up at the Colonel, hands placed behind her back, heart pounding in her ears, praying to God above that she didn't look a fool in this moment. Whatever conversation it had been, friendly or foe or whatever other words could've been tossed around - she was having none of it.
This was for Captain Dye, to celebrate 25 missions, for people to relax a bit. Not to think about what tomorrow or the coming days could bring.
Then, the Colonel began to laugh, eyes not fully connected to the bright laughter from his lips, reaching up to place his cigar to his alcohol-laced lips. Kennedy mimicked her best impression of a laugh that she could muster in this moment without feeling in-genuine and watched as the Colonel's eyes brightened a bit.
"Good to see you, Sergeant Farley." he said and she nodded, saluting as well.
"And you, Colonel." she said and he grinned, before turning away and pointing to the guys - 'Single fillies!' he began to yell and point, people clambering and murmuring amongst one another as the rather large group began to slowly disperse.
She watched, predictable as it was, Blakely saunter up to Viv and Margie seemed to drop to her knees immediately at the sight of a tail-wagging Meatball.
In the midst of this all, Kennedy seemed to only just remember now that she had stepped between the Colonel and Bucky in this very moment and that very same Bucky Egan was now stood just behind her.
And if anything, she knew he had a shit-eating grin on his face and would poke fun at her little heroic moment of relief. She really didn't know what had compelled her to do such a thing - to step in between people that had far higher ranking than she probably ever would. But there was something on his face, that look in his eyes. Like he was distant, in a completely different time zone and realm than where he actually was.
And she couldn't remember a time when Bucky had ever looked like that.
Kennedy found that she was bracing herself as she turned around, but by that moment, as she was turning, Bucky was already watching her. It looked like a mixture between an attempt to smile on his face, and the struggle of an onboarding cold front. And her heart sunk a bit.
Maybe she was a bit stupid for that.
They barely knew each other past their Yankees and Red Sox feud and those few times they'd had conversations together - about what, she wasn't sure - she had spent the greater part of the time noticing every bit about how his eyes lit when he laughed, the crinkle of his grin, the pure sound of his voice.
For what reason she was stockpiling those images and feelings in her brain, she'd never know.
But, standing here now, it felt completely different.
Bucky was different.
"Hi, Farley." he said, voice more exhausted sounding than intended it seemed.
"Hi." she said back, noticing their closeness to each other and the eager smell of his cologne, taking the opportunity to step back.
Then she stared at him - she had no clue what to say.
For the first time in months, she didn't have a clue what to say to him - to explain whatever that had been, to try and chalk it up.
Yeah, she had no clue.
"You alright?" she said him, before scratching the back of her neck.
"Doing the best I can, yourself?" He was bored of this conversation already, he was done with it - say something, say something. But when she took the chance to actually go to open her mouth, she noticed his eyes were far-off, looking past her shoulder.
Slowly, she took a glance and noticed all he was staring at were the people - the couples, the duos - dancing with each other. Kennedy looked back towards Bucky again and found his eyes trained on her again.
"You dance at all, Farley?" he asked her, leaning back up against the bar, the broad stretch of his shoulders enough to fill her entire birds-eye view, enough to make her cheeks tint to annoying pink.
"I regret to inform you that it is quite possibly the last thing you want me to do."
"Really?" Bucky asked with a wry chuckle, smirking at her, "Well, isn't this new. Thought Kennedy Farley was good at damn-near everything." Kennedy looked at him an tilted her head.
"Well, I don't know whether to take that as an insult or compliment, but I'm afraid that growing up my mother put me in ballet and in turned into a complete mess of me on stage - so no, I don't." she said, crossing her arms, suddenly wanting to get herself out of this conversation as quickly as possible.
"I'm intrigued," Bucky said, tilting his head slightly and nodding to her, "tell me more. Ballet, huh?"
"It was like a chicken on a balance beam, alright? I'm sure you could've done better than me-" Bucky chuckled at her mid-sentence.
"Were you really that bad?" he asked her, "I don't believe you."
"Wouldn't be the first time." she murmured and he raised a brow, "This typically would be the time where I ask the same question back, but I've seen you dance and well….clearly know you dance so…." Bucky let out a barking laugh and hung his head for a moment before looking back up at her.
"Well, Kennedy Farley, dancing is a whole lot more than just some stupid ballet classes your Mom put you in when you were a kid, alright?" he said, pushing off from the bar counter and stepping forward. Kennedy look up at him as he stepped closer and equally stepped back.
"What are you doing?" she asked him as he stepped in front of her, managing a small smile.
"Dancing." he said, "With you."
"You can't be serious-"
"Oh, I'm serious!" he said, reaching forward to take her right hand in his, adjusting his other hand to her waist. It was honestly a mixture of feelings, intoxication and his cologne that suddenly made her feel slightly insane.
"Bucky-"
"Nah, nah, you're fine, look at you," he said as they slowly started to sway back and forth, "you're a natural." Kennedy looked up at him, feeling every inch of her hand pressed into his, his other hand on her waist.
"Well, if we're doing this, then you oughta tell me what Colonel Harding was talking about when I came up to you all." she said, watching as his eyes darted to hers and his grip tightened.
"Maybe another time." he said tilting his head to the side, to which she raised a brow.
"Oh, no, no, no, I saw that look on your face-"
"Farley-"
"Major Egan." she said, pausing and looking up at him expectantly. It seemed to work. Bucky watched her, his grip tight on her hand and pouted his lips a bit.
"The war. In the air." Bucky said quietly, tilting his head to the side, "Guess you can say it's making people go crazy."
"Quite the observation." Kennedy murmured and Bucky let out a huff, "Well, why was he addressing you. I mean….sorta front and center there-"
"He thinks it's starting to get to me." Bucky said quickly, pausing as she peered up at him again, watching his eyes under the dimmed yellow lights of the flying club.
Kennedy felt her heart stammer for a moment as she looked up at Bucky - there was still that distant look in his eye, but something else that craved and yearned for touch and connection and possibly something else she couldn't quite decipher. She believed that was all anyone in this war wanted - when the battle was done, when the flight crews were back at base, sweat and grease-stained faces, eyes hazy and glazed. All people wanted was someone else to get it, to understand them and hold them and tell them that maybe things were going to be okay.
But, with Bucky, with their separation of rank and about a million other things, she quite honestly, was at a loss for words.
"You?" she instead asked quietly. Bucky watched her, face unchanged.
"Yeah." he said quietly, almost ashamed, "A trip to London would probably do me some good, don't you think?" Kennedy watched him - he wanted this. He agreed with the Colonel. Bucky wanted this.
"If that's what you want-"
"I think the Colonel was really onto something, Farley." Bucky said, stopping her mid-sentence, "Doing those missions. Over and over. I feel like I'm going crazy." Kennedy felt like she couldn't even hear the music anymore, she didn't even realize how close they were into each other's hands and arms, she didn't even realize the tick of desperation in Bucky's voice. Like he was alone in the dark, trying to grasp onto something.
"Bucky." Kennedy said quietly, watching as he sighed and shook his head, dropping her hand, removing his, rather warm, hand from her waist and stepping back.
"Sorry." Bucky said, reaching up to run a hand through his hair before turning back to the bar and finishing what was left of his drink, before looking at her again, "I shouldn't have said a damn thing. Freak you out when you're trying to relax. I'll…" Bucky watched her and sighed, before stepping around her, "I'll see you around."
Kennedy stood there, the flash of his body disappearing from in front of her, the hint of sweat, beer and cologne trailing as she turned to look over her shoulder and found him moving right out of the room.
Kennedy's heart was in her throat - a mixture of feelings of not knowing what Bucky would do next, especially being alone and if this was making her suddenly want to do anything she could to help him.
So, she did the only thing a Farley would do. She hurried after him. She kept her eye on his form as he hurried out and into the cool night air.
Stepping outside she looked over and found him stood at the edge of the road, against the lick of grass that spread between the barracks and looked towards the dark airfield.
"You know, it really isn't the nicest thing to leave a girl hanging on the dance floor," Kennedy started, walking towards him, a slight smile on her face, "especially if she just told you how much she really didn't like dancing." She tried to joke about it, but she just watched Bucky's shoulders drop the slightest bit instead as he ran his hand again over his hair to hang on his neck.
"Sorry, Farley," Bucky said quietly, "I just, I don't want to rope you into this, right now." Bucky said, motioning to himself. Kennedy raised a brow.
"Rope into what, Bucky, I'm right here." Kennedy said watching his back and crossing her arms, "Quite frankly, you just told me you think you're going crazy from it all and downed the rest of your drink. And probably are slightly buzzed. So. I will rope myself into this." Kennedy eyed the few newer airmen walking by them. "Sir." Bucky glanced over his shoulder at her and she simply stared back.
If he wanted her to be scared of this side of him, it would have to take a whole lot more for her to disappear, for her to run.
This Bucky she almost liked. Where he wasn't putting up the facade, the mask, the strong-front that showed he was fine.
Because no one was fine when their job was trying to just beat the odds and survive.
"Farley-"
"Bucky." she said and she watched as he stared at her. He grew quiet.
Slowly, she stepped closer and moved to stand there beside him. Glancing upwards, she found him, looking far off again towards the darkened tarmacs with B-17s.
There was something about standing there in damn-near total silence with him. It was so unlike any other version of the Bucky Egan she'd met, but in this moment, she hoped that this was exactly what he needed.
Someone to be there, but to stand in this silence with him.
Away from the music and the drinks and the B-17s and the bullets.
Away from it all.
All to simply realize he was alive, and on the ground and standing on his own two feet.
"To get in one of those planes again," Bucky started quietly, "I can't….it's hard. To do that. Again and again." Kennedy looked up at him, her face drawn into one of concern and worry.
"I know." she said quietly, watching his eyes as he glanced at her, "It scares me. Every time without fail. After what had happened with Birdie and then Margie those few months ago. The thought? Jesus, I didn't want to have to leave solid ground." Bucky watched her for a moment.
"You don't give off the impression that you're scared, Farley," Bucky said quietly, "always thought you were one of the strongest we got." Kennedy managed a genuine smile up at him.
"Thanks, Bucky." she said - genuinely - she figured people didn't see that often, so she could appreciate when someone like Bucky told her that. He managed a slight smile at her words.
"Would you go to London?" he asked her and she felt her face change into one of slight surprise and near-joking. She offered him a look, one where she almost burst out laughing.
"Me?" she asked him and he nodded, "No, no….probably not." She looked at him again and almost nervously laughed.
"Silver Bullets needs me. And for the moment, despite everything, I'd rather let that trip go to someone else, who needs it more." Like you, she thought quietly. She looked at him and found his face saddened a bit and offered a shoulder bump.
"Go to London. Take the trip." she said softly, "Take some time to relax." Bucky looked at her, his eyes aching to watch hers it felt as she stared at him.
In another world, she would've said she'd loved to go to London - she always heard about London as a kid; Buckingham Palace, the guards in their uniforms, the city streets, all of it. But for now, she didn't need it. She was fine.
"Well….I only asked because…" Bucky cleared his throat, "Buck sorta denied my offer and I figured, well, since you and just about everyone else also need a break, figured I'd offer to come. With me." Kennedy looked up at him, her cheeks flamed in the darkness and she hoped the fact the moon was covered by clouds, covered her obvious shyness.
"Oh." Kennedy said quietly, her eyes wanting to leave Bucky's but whole-heartedly refusing. In her mind, she told herself that he could tell something was most definitely wrong with her, with her blubbering and lack of words and shock and nervousness. But instead he offered a slight smile her way.
"I mean," she started, a small laugh escaping her lips, "you're….you're a Major, Bucky, and I'm just, I'm a Sergeant. And we're from different planes. And it'd be…I don't know, people, they'd say stuff-"
"Farley," Bucky said, "we're���..friends, ya know, it'd just be us two. As….friends." And even she wasn't convinced of his words in that moment and suddenly she felt hot all over and the thoughts in her mind were enough to force her to look away from Bucky in an instant. She looked forward again over the field of B-17s in the darkness and swallowed her shaky breaths.
"Farley, I…" Bucky started, before clearing his throat, "I just…I think I'm drunk. Just, ignore me-"
"Okay." Kennedy said quickly, looking over at him and nervously meeting his gaze with a nod, swallowing sheepishly as she looked up again to his eyes, "I-"
She really couldn't get herself to speak properly at the thought. Of Bucky. Her head felt light, her cheeks hot, her body hot, her thoughts a jumbled mess.
He was drunk, she told herself, he was drunk and wouldn't remember this and she could go back to being brazen and bold and stubborn with him.
Not this mushy, genuine and sweet part of herself that she rarely showed a soul.
Looking at Bucky, suddenly her mind went into a frenzy at the thought of the two of them, in a room together, in London - how awkward it would be!
She'd take the bed closest to the window, he'd take the one closest to the door and she'd have to hear his every breath as he fell asleep and his snores through the night.
And she'd have to wake up and he'd see her exhausted and barely awake and exceptionally grumpy.
And then he'd say something about how she reminds him of the pigeons on the streets in the city and she'd launch her shoe at him.
And then she'd feel embarrassed having to get ready and knowing he's right in the other room.
And - no, it was too much. Because what if they just happened to ignore it all and she allowed herself to feel these feelings that made her feel sick to her stomach - no. She looked away from him and suddenly wanted to be alone.
No, let him go to London - get the drinks, get the girls, and she'll keep her mouth shut.
Because he was right - they were just two people, barely even friends, who happened to know each other and have strong opinions about baseball. No, she wasn't going to say a thing.
"I'll make it up to you then someday, Farley - the dancing," Bucky said before patting her shoulder gently and letting out a low whistle, "I'm off to barracks. Figured I need to shut up before I keep letting my mouth yap, ya know?" Kennedy slowly looked over at him, sticking his hands in his pockets and giving her a wide smile - one between a forced and slightly buzzed grin and a genuine one.
"I'll let you know how London is, okay?" he said and she nodded, tying herself directly to where she was standing so she wouldn't convince herself to follow him again.
"Okay." she said and he smiled wider and then mock-saluted to her before turning away.
"I'll be seeing you, Farley." he said and as he staggered down the path, her own heart thumping inside her chest she shut her eyes and let out a breath before crossing her arms tighter across her chest.
She couldn't have said anything better? Come up with better words? A better send-off and good-bye? Should she have taken the offer?
No, no, no, no. Nope.
And with that, Kennedy turned and moved right back into the flying club and ordered as strong a drink she could get at this time of night.
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melefim · 6 months ago
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Dead Boy Detectives Score is out!
I’ve also added it to my playlist with all the other songs used in the show here:
I’ll be doing a complete listing of where all the songs are found in the show like I did for the regular soundtrack, but in the meantime here’s what I recognize from a quick listen/ click through:
(Episode numbers are in parentheses)
Death Becomes Him: Gas mask ghost street chase, Death in the office (1)
The Dead Boy Detectives Main Title theme: self- explanatory- opening titles for every episode, as well as credits for 1-3.
So Many Questions for So Many Fools: Edwin’s Flashback (1), intercepted by cats & escorted to the cannery (2), (escort to cannery bit also plays when Niko & Crystal are walking to the cannery in episode 8), Edwin gives Crystal a list of questions for Niko —> We have the same left (2)
Little Girl Collector: Esther’s theme— bits of it played throughout: Esther meets Crystal (1), Yelling at Monty (1), Esther browsing Tragic Mick’s (2), Esther in the butcher shop (3), Esther sees Monty with Edwin (3), Esther & Monty in the kitchen (5&6), Esther walking down the street (8)
Want and Pleasure: Cat King theme- all or partially played during Edwin’s punishment discussion (2), Meeting by the lighthouse (4), Cat King in forest (6), Esther in the cannery (7)
Niko: bit starting around 2:00 is following Maxine (5), 2:45-3:00ish is setting up the butcher shop for the date & Jenny’s reaction(5)
Sadness Came Too/ Looking for Boys: up until 1:37 is Niko & Crystal talking about their families (2), 1:38 and on is the Night Nurse/ Lost & Found department theme. Sections are heard at end of episode 1, reviewing the boy’s files (2), the notary (3), interviewing the Devlin girls (3), Night nurse arrives in Port Townsend (4), upstairs with Jenny (4), that night on the cliff (4), appears to take the boys (6), opening the door to hell (7), and when she leaves at the end of 7.
Awakening Skeletons: Dandelion shrine field (2)
Stuck in a jar: Dandelion Sprite theme- when they’re first in the jar & when Niko first sees them (2), the three scenes with them taunting Niko in Devlin house (3), Jenny sees them (8), very end of igloo & end credits (8)
Odd Customers and Cohorts: first bit is Potential client interviews (3), second half might be at Tragic Mick’s?
VHS and David: Devlin House- last minute of the song is after the loop is broken and Death comes (3)
You Can Talk To Me: first bit is them back at the tongue & tail after the lighthouse Leapers (4)
All So Obvious: 2:20-3:17 is summoning Shelby (5)
Never Been Kissed/ Hell: first bit is Niko & Edwin talking about kissing (4), Middle is probably Charles descending into Hell?? (7), 4:30 on is the ‘Previously on Dead Boy Detectives’ background music (2-8)
I Messed Up: Crystal & Jenny in the alley, Crystal & Charles in the alley, Crystal unlocks her door, Charles shows her his parents (1)
Accepting Being Dead: beginning is almost but not exactly the bit in Hell from when the spider grabs Edwin to when Charles finds him again. (7) 1:00-2:30 is Edwin coming out to Charles (6). Last 30 seconds is Charles crying on the cliff (4), Bad guy talk (5), and right after he realizes he’s dead in his flashback (7).
Mirror Maze: Maxine attacks Jenny (5), pretty sure at least part is the David/Crystal/Charles confrontation in the forest (6)
Run From Hell / I’m in Love with You: first 45 seconds is Charles & Edwin running from the baby doll spider, :45- 3:30 is the second scene with Simon (do you think it has to be torture being the way we are?), 3:30- end is Edwin’s confession (7). Confession time can also be heard during conversation at end of (6) and the hug at end of (8).
Her Own Fault: first bit is Fight at Esther’s house, starts when Esther throws Niko against the wall, goes through Niko’s death
Esther’s Origin/ A New Deal: Cat King’s Esther story (8), 2:50ish onwards is the Principal looking at the case board through the end of the scene to the zoom out the window (8)
I will be going through and trying to find timestamps for where every song plays in the show, but it’ll take a bit. Until then, hope people find this useful! (And if you know any parts of songs that I missed, please feel free to drop a comment!)
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If you like lists of things like I do, you can check out my other Dead Boy Detectives list posts here:
Full soundtrack with timestamps
When Charles’ Shirt Colors Change
George Rextrew’s Edwin comic inspo board
Moves, Incidents, and Cases Masterlist
Swearing Masterlist
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opalharkness · 4 months ago
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Blake & Qrow
I watch a lot of RWBY reaction videos. It's one of my favorite pass times and I've noticed an interesting contrast in the way people react to Blake and Qrow's storylines in RWBY. People will often express frustration with Blake's arc in volume 4, while showing sympathy towards Qrow's struggles with his semblance. Despite the fact that both these characters have a similar theme of self-isolation that the show portrays as harmful.
The similarities between Raven and Blake is something that everyone had largely noticed. They are the Cowardly Lions of their respective teams who ran away out of fear. But the connections between Blake and Qrow largely went unnoticed until the volume 7 soundtrack.
Both Qrow and Blake are based on animals associated with bad luck, black cats for Blake and crows for Qrow, which is reflective of how they perceive themselves. Harbingers of misfortune that bring pain and suffering upon their loved ways by merely existing. This toxic and damaging mindset caused them both to isolate themselves to avoid causing harm.
They each have their own reasons between their their isolation. Blake ran away because of Adam. I mean he literally threatened to kill all of her loved ones to her face right before cutting off the arm of one of her best friends/teammates. Qrow keeps away from others because his semblance brings misfortune upon those around him.
Neither of these reasons are any more or less vaild then the other. So I find the different reactions to them stange, to say the least. But you know what do I know?
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kanohirren · 6 months ago
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rwby fans really are a different breed huh
imply the show could be improved in any way and they'll get on your case telling you that you're actually a hater if you don't just swallow whole the hot garbage mess that shawcross and luna pull out of their butts when writing a season because they didn't plan out the show from the start and just make it up as they go.
and to all the people who say "whaaat of course they planned it out from the start you just don't understand their vision" you're right about one thing, I don't understand their vision but I don't think they do either. In the Volume 3 Commentary video, it's said that Monty only came up with the Maidens after Volume 2. The Maidens that proceeded to become the driving plot point for the rest of the series to this day didn't exist in anyone's plans when writing the show at the start. Not satisfied? How about the fact that Neo wasn't written in until volume 2 because Monty decided that Torchwick needed a henchman. Neo had like ten minutes of screentime pre-volume 6 but became one of the most popular characters so they decided to make her a major antagonist, even the main antagonist of volume 9. That DEFINITELY wasn't planned before the show started.
I think the show could have been so much better if the plot was planned out from the start and honestly a reboot feels like the way to go to me. Too many times, the writers feel like they're not writing to actually tell a good story but instead they're writing to try and get a reaction out of people. Looking at you, bumblebee. Blake and Yang had one (1) interaction in Volume 2. In Volume 3, Blake runs away at the end as isn't reunited with team rwby until the end of volume 5... but somehow by volume 6 they've somehow become a thing? Literally just shawcross and luna seeing bumblebee being a popular ship in the fndm and going "here you go guys! enjoy!"
It seems like their goal when writing is just to make the audience do this meme
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"Whoa, bumblebee! These two characters are canon now and they totally interacted beforehand!"
or alternatively, "Whoa, Neo/Penny is back!"
I could make an entire other post about all the lost potential they had with the plot points that had been set up. Penny the robot girl is killed in volume 3 but surprise she's back in volume 7! That's not an issue per se but imagine the juicy angst steak if Penny's memory had to be wiped or rebooted because they essentially made a new Penny (being a destroyed robot and all) and so she'd forgotted Ruby, her only friend and Ruby thinks she knows Penny but this Penny is essentially a different person. But nope, Penny remembers everything and is a superhero now or something.
Oh and don't even get me started on World of Remnant. If your show can't explain your own lore in a way that isn't making separate lore videos to try and make your world make sense, there's a problem there.
I think this post is long enough though so I'm just gonna leave it at this: I used to really enjoy the show but as it went on the bad writing became harder and harder to ignore and I think the show would greatly benefit from a reboot because nothing of great value would be lost if they never finished the current series. The show had some really good ingredients but the cooks tried too hard to make something unique and ended up with something "technically edible" but not really all that tasty (and fans will insist it was perfect how dare you say anything bad about it but oops there I go looping back round)
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shelma32entertainment · 9 months ago
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Blake's 7 REACTION | 4x13 (PART 02) | Blake
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juanarc-thethird · 2 years ago
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Winter is too stressed, so Jaune starts giving her a massage to relax her, which she starts to like. Then the RWBY team walks outside the room and they start to hear Winter moaning with happiness (from the massage) as she talks to Jaune. Do you think they would ignore that talk or stay to listen?
Winter's Office
Winter: *Rubbing her neck in pain*
Jaune: *knock Knock* Hey Winter, wait... are you ok?
Winter: Not really. I've had this pain in my back and neck ever since I started working on the new proposal that General Ironwood asked me to do.
Jaune: It seems that you are very stressed. Would it be okay if I gave you a massage?
Winter: You know how to give massages?
Jaune: When you live with 7 sisters you learn a few things.
Winter: Well, it's better than nothing.
Jaune: Excellent, please lie down on the couch and relax.
Meanwhile, Team RWBY is walking towards the office.
Yang: Are you sure your sister will let us use her ship to go to Patch to see our dad?
Weiss: For the tenth time, yes, she will lend us her airship. Now, when we go into her office, please don't say anything. I don't want you guys to say something dumb and then she says no.
Yang: You got it.
Ruby: *Excited* I can't wait to get home! You will love the place, we have a spectacular ocean view!
Blake: I can't wait to eat fresh fish~ *She licks her lips*
Weiss: Ok, keep quiet, we're here.
Team RWBY arrived at the entrance to Winter's office. Weiss raises her hand to knock on the door, but she stops when she hears something peculiar.
Winter: Aah~💕 Fuck!💕 You're going to break my back, Jaune. Please be caref- Aah~💕 Oh shit~!💕
The girls are petrified. For. them it seems that Jaune is-
Weiss: Don't you dare finish that sentence!
Yang: Who are you talking to?
Weiss: No one important! *She takes out her weapon*
Ruby: *Worried* What are you doin?
Weiss: *Serious* I'm going to kill Jaune.
Ruby: WEISS NO!
Ruby tries to stop Weiss, but her anger is so great that nothing stops her. She kicks the door and enters ready to kill.
Weiss: *Pointing Jaune with her weapon* Take your filthy hands off my sister!!!
In front of them were Jaune and Winter with a confused look. Jaune stops massaging Winter's back, while winter, still wearing her clothes, is still lying down.
Weiss: *Confuse* What are you guys doing?
Winter: *She got up angrily and began to stare at Weiss* That's what I'd like to ask you, Weiss. Why did you break down my door?
Weiss: *Scared* Well, you see… I was…
Yang: She thought you two were banging.
Winter: *Nervous* W-What! We weren't doing that! That's ridiculous!
Jaune: *Nervous* Yeah! We don't have that type of relation ship! I was just giving Winter a massage, that's all! She's been a little stressed these past few days, so I was just helping her!
Weiss: *Embarrassed* Oh... It seems that I was wrong, hehehe. *She laughs nervously* I'm sorry.
Winter: *sighs* It's fine, just tell me why you came.
Weiss: We wanted to ask if we could use your airship to go to Ruby and Yang's house this weekend.
Winter: Wait, this weekend?
Weiss: Yes.
Winter: *Happy* Sure, I will let my pilot know. And if you want to spend more days, just let me know. Anything else?
Weiss: Just that.
Winter: Great, if you don't mind, I want to get back to my massage~💕
Weiss: Sure, thank you Winter.
Winter: Your welcome.
The girls say goodbye and leave the office. On the way back they talk about what they're going to do this weekend, but they realize that Blake isn't talking.
Yang: Something on your mind, Blake?
Blake: Didn't you guys think it was weird that the two of them got nervous when Yang said it sounded like they were fucking?
Ruby: Well, it's a very personal question, and somewhat unexpected. Seemed like a normal reaction to me.
Yang: I agree.
Weiss: *Upset* Wait, are you implying that Jaune and my sister are "close"?
Blake: I'm not saying anything, but she looked kind of happy when she found out you wouldn't be around all weekend.
Weiss: *Worry* Well… maybe she… maybe she has…
Blake: Maybe she has another "massage" appointment with Jaune?
Weiss thought about it for a moment, and then it made sense.
Weiss: *Holding her head with both hands* Oh my god, Jaune is banging my sister.
Blake: It seems.
Yang: Damn, that's tough.
...
...
...
Ruby: So, we're still going to Patch or not?
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mxtheo3 · 2 days ago
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This is all the info the federation has on Blake..
And somehow that info is him looking like he was having an orgasm
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do-you-ship-it-polls · 6 months ago
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Do you ship it?
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reason under the cut!
Most obvious times Avon showed he was obsessed with Blake:
1. The inexcusable rescue of the two people who might have stopped him taking over the Liberator in episode 4. In fact, his 'automatic reaction' is always to save Blake.
2. Duel - esp: 'I have never understood why it should be necessary to become irrational in order to prove that you care, or, indeed, why it should be necessary to prove it at all.'
3. All of series 2, literally all of it, except the Robert Holmes episodes. Let's not pick particularly relevant moments, as there are too many and we'll be here all day, but I think the most relevant of all the relevant parts is: 'I want to be free of him' (surely just another way of saying 'I wish I knew how to quit you,' like a gay cowboy)... and if we're doing ‘Star One’, let's also have: Avon's face when Blake says he's always trusted him. (Please note that having to choose just one moment episode from series 2 means I've had to ignore 'Redemption', which has not one, but two 'Oh dear, I fell on you in a heroic manner' moments.)
4. ‘TERMINAL’
5. The final episode.
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alyssajennwrites · 7 months ago
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So I’m rewatching some MCU movies and I just thought of something that could be pretty freaking cool to write.
Imagine this convo:
“The cell was just in case-“
“In case you needed to kill me. But you can’t. I know, I tried.”
With any the reaction of the following characters in an x reader:
1. Thomas (maze runner)
2. Newt (maze runner)
3. Gally (maze runner)
4. Minho (maze runner)
5. Basically any MCU character
6. Spencer Reid
7. Bellamy Blake
8. Jake Dawkins
9. Steve Harrington
10. Finnick Odair
11. Damon Salvatore
12. Klaus
There are many more characters that would fit a plot where the reader says Hulk’s line and the character reacts to it. I just can’t think of all of them, so please tell me your thoughts and if you think of anymore characters.
I would so read this story, but I can’t find any with this plot and I’ve hit my lazy writing arc 😭
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