#blair driscoll

[suoufield]

When Edgeworth gets anything slightly wrong

[bigcats-birds-and-books]

Books I Want to Finish This Year: December 2024 Edition.

Thanks for the tag, @sixofravens-reads!

I'm still clawing my way through typing my NaNo manuscript (trying to finish today!), but!! that means that I haven't been able to do my post-project binge reading, yet, and I love my post-project binge reading--that's how I know I Am Taking A Writing Break.

The three on top are the last three standing from my "24 in 2024" list (Driscoll-related)(Driscoll is my MC in an ongoing revision project), so I'm gonna start with those, and then the two on bottom are bonus reads for If I Get To Them. I've been pining after TIME'S AGENT since the pub deal was announced (and sure we're calling that Driscoll-Adjacent, for interdimensional reasons). I also do really want to read WELCOME TO THE GODDAMN ICE CUBE in winter, and the dead week between Christmas and New Year seems like the perfect time for that.

Tagging @e-b-reads and @asexualbookbird (just so you can see, you don't have to play i guess *sad face*), and anyone else who wants to play! Please tag me back, I wanna see whatever one else is reading!

[aurorabayrpg]

here's the moment we've been waiting for- our valentine's day blind date pairings! we had 58 characters submitted, so there's 29 pairings!

please remember that these obviously do not have to end in a whirlwind romance! the dates can end up just being two friends having a free meal, can end in a disaster, can have someone else bailing, or maybe can spark something real! the point of it all is to have fun.

the dinner will be held at Neptune on Friday February 16th in game, but threads can begin as of tomorrow! the dates can also bc hc'd as well, all we ask is that everyone paired please speak with your partners and decide on the outcomes together! we don't want anyone feeling left out or dejected.

again, this has been randomized! (with tweaks to make sure no one is paired with themselves and to avoid large age gaps) so as wild as some of these pairs may be, we hope you all have fun with it!

Benjamin Hyun and Sebastian Torres

Elijah Seok and Delilah Carreño

Eric Kang and Zehra Ozdemir

Charley Morello and Noelle Driscoll

Baz Howlett and Nelson Quinn

Maisie Lenny and Scott Kulkari

Emerson Cassidy and Noah Atwood

Aiden Stevens and Ramsey Rivera

Blake Michaels and Buddy Wells

Valeria Ortiz and Cassius Banks

Kalina Slater-Horne and Atticus Cortes

Blair Harris and Aubrey Carson

Eleanor Andersen and Ziggy Kyeon

Valentina de Luca and Angel Rojas

Arabella Park and Stevie Sharp

Leo Larson and Sterling Levin

Darcy Anthony and Aiyla Kucuk

Melanie Hart and Denver Scott

Alma Khalif and Uly Flynn

Maura Cortes and Paxton Brady

Gabriel Haddad and Cherry Koch

Arkin O'Connell and Aurelia Cavendish

Rebekah Danvers and Cyrus Al-Zahid

Maverick Liu and Sola Adisa

Eden O'Connell and Lucy Driscoll

Hinata Ito and Nikki Keaton

Cricket Campbell and Mack Montgomery

Lorelai Lewis and Lola Mi Tran

Ariel Davis and Roxy del Rosario

[thealmightyemprex]

VOyage Through the Disney Canon(1950-1959)

Now we enter the 50's looking at films 12-16

5.Cinderella-While this fiolm has grown on me this is not a movie I love .I like Cinderella herself finding her to be a sympathetic chararacter,Lady Tremain is a subtle yet creepy villain with how manipulative she is ,Verna Felton is fun as the Fairy Godmother,Lucifer is a fun secondary villain and the animation is pretty ......Problem is I dont like most of the side character and unfortunately they take up most of the movie.The prince is barely a character ,the king is a psychopath who I find more frightening then funny ,and ogh GOD ,I cant stand the mice,they are so grating to me and they are in so much of the movie I kind of wanted the cat to eat them .I get their are people who love this film,glad you like it,but their are better Cinderella films to me

4.Alice in Wonderland :I debated how high to put this film cause I do like it but I dont love it like others do .I love Alice herself who is played brillaintly by Katheryn Beaumont ,the Mad Tea Party scene is one of the funniest scenes of the Walt era due to the animation and vocal performances ofEd Wynn and Jerry Colona ,This is a great showcase for Disney regulars ,like J PAt O Malley showing his range as Tweedledee and Tweedle Dum/Walrus and Carpenter ,Bill Thompson is wonderfully pompous as the Dodo ,Sterling Holloway is great as the Cheshire Cat,and Verna Felton is scene stealingly good as the Queen of Hearts .As a film it is fun to see Disney get weird with great visuals (Hasts off to Mary Blaire ).....However I dont like the songs ,I never liked this takeon the Carterpiller,and while Bill Thompson is great as the Dodo I never thought his voice for the White Rabbit worked .I also think as an adaptation of the Alice stories go,its just a good version and not my favorite (the 99 TV movie is probably the winner there )

3.Peter Pan:So this was one of my favorites as a kid ,then I had a backlash to it ,now I like it but acknowledge it is flawed .Flaws first,the depiction of Native American ,specifically their song is really cringy and racist .....But now that I think about it,that is my biggest issue.I used to have a problem with Peter himself ,findinhim too unlikeable.....But honest this maybe my favorite version of Peter,now that I realize Peter isnt supposed to be likeable ,and in fact I think Bobby DRiscoll does a fine job balancing being both impishly charming and being smugly arrogant ,and I love the animation of him,how he will just float around.Katheryne Beaumont grounds the movie as Wendy,and I kind of love that Tinkerbell who has become a mascot for the company is a murderous little sociopath .I love the character animation of Nana the Dog ,the action is great,Smee maybe bBill Thopmpsons best role and the film has many great jokes.The scene stealer of the film has to be Captain Hook who is one of my absolute favorite Walt era villains ,he is threatening,he is stylish,he is funny and he is marveolusly voiced by the great Hans Conried ,I love his scenes with Smee,his duels with Peter and the hilarious chase scenes between him and Tick Tock the Croc who wants to gobble him up .I'll admit part of me might be putting this film this high for a mix of the villain and nostalgia....But I really like it

2.Lady and the Tramp:This canine romance is higher then I thought it would be but I love this movie ,bioth Lady and Tramp are likeable ,I love the side characters like Jock,Trusty,Boris (Whos played by Alan Reed AKA Fred Flinstone ),Peg,Joe and Tony .The songs are all good,the animation is solid ,voice acting is good and yeah the speghetti scene is iconic.I dont like the fake out near the end and yeah Si and Am suck .However the main love story make this one enjoyable for me

1.Sleeping Beauty-....SO this is my second favorite Film of Walts era ,and might be my favorite of the Princess movies .I like the trivk it pulld by the film being basically about the fairies instead of the Princess .I actually like Aurora and Phillip ,I love the ballet score ,the art style is beautiful,the kings are funny,Once Upon A DReam is one of my favorite Disney songs and the final battle against the dragon is awesome .Maleficent is a MAGNIFICENT VILLAIN voiced wonderfully by Elanore Audley whose true plan is one oif my favorite evil plans ever and she is wonderfully designed and animated by Marc Davis .My favorite characters however are the heroes ,that is to say the fairies,Flora,Fauna and Merryweather who are so fun and lovable (Though Merryweather is my favorite )

Agree ,disagree,comment and share your oppinion

@ariel-seagull-wings @amalthea9 @theancientvaleofsoulmaking @princesssarisa @the-blue-fairie @makingboneboy @themousefromfantasyland @filmcityworld1

[fundieshaderoom]

Fundies and Adjacents I Follow: Marriages & Babies Born in 2023

January:

Genesis Laura Liberty Reber was born to Lemuel and Hannah on January 2.

Emily Haight and Justus Stangl married on January 14.

Valkyria Claudio was born to Darienne (Moravek) and Fredo on January 15.

Madeline Langdon and Zachary Garcia got married on January 16.

David Silas Robertson was born to Reed and Brighton on January 20.

Scottie June Love Weaver was born to Vanessa and Jeff on January 27.

February:

Hailey James Clark was born to Katie (Bates) and Travis on February 17.

March:

Phillipos Luke Papapostolou "Pippo" was born to Jenny and Elias on March 16.

Rhett Alan Webster was born to Alyssa (Bates) and John on March 18.

Hudson James Hill was born to Matthew and Kayla on March 19.

April:

Hannah (Paine) and Levi Pelletier welcomed a little girl sometime in April.

Charles Ervin Holt was born to Spencer and Hayley Holt on April 6.

Josiah Paine and Alyssa Nickles married on April 8.

Willie Robertson Jr. and Abby Hammond married on April 28.

May:

Brooklyn May Hoover was born to Ashley (Salyer) and Eric on May 1.

Kayson Clark Manaraze was born to Kayla (Clark) and Cameron on May 9.

Logan Smith and Lindsay Haight married on May 16.

Gunner James Forsyth was born to Joy (Duggar) and Austin on May 17.

Haven Belle Huff was born to Sadie (Robertson) and Christian on May 22.

Nora Kate Duggar was born to Jedidiah and Katey (Nakatsu) on May 24.

Haven Mae Kahle was born to Brance and Cherise on May 29.

Eliza Muckerheide was born to Darbs (Trewhella) and Isaiah.

June:

Ryan and Erin Alexander welcomed a little girl sometime in June.

David and Paige Williams welcomed a little boy sometime in June.

Lily Robertson and Austin Stalbaum married on June 5.

Owen Matthias Wissmann was born to Matthias and Michelle on June 17.

Benson William Blair was born to Brooklyn (Collingsworth) and William on June 30.

Haven Proell was born to Rochelle (Trewhell) and Nick.

July:

Susanna Wissmann and Drew Jarred married on July 1.

Gideon Daniel Hill was born to Kaylee (Rodrigues) and Jonathan on July 5.

Geneva Claire Silberman was born to Anastasia (Salyer) and James on July 9.

August:

Atlas Gray Hoover was born to Hannah (Salyer) and Luke on August 1.

Iliya Andrii Petrenko was born to Ellissa (Baird) and Andrii on August 2.

Matt Reith and Rachel Raylyanu married on August 4.

Theodore James Wissmann was born to Nathanael and Katrina on August 7.

Lincoln Bontrager and Susanna Helferich married on August 12.

Lily Jo Bates was born to Zach Bates and Whitney (Perkins) on August 15.

Rafe Alden Wikstrom was born to Lauren (Andregg) and Devin Wikstrom on August 21.

Baby Girl Trewhella was born to Talia and Matthew.

September:

Calvin Driscoll and Brisee Schnack married on September 1.

Margot Lea McDaniel was born to Emma Mae (Jenkins) and Joshua.

Sophia Trewhella and Maxwell Trego got married on September 10.

Ryker Cruise Bates was born to Lydia (Romeike) and Trace Bates on September 12.

Wells McEacharn Robertson was born to John Luke and Mary Kate on September 12.

Liberty Arabella Staddon was born to Robert and Kendalyn on September 19.

Indiana Levi Chase "Indy" was born to Ashley (Driscoll) and Landon Chase on September 23.

Audrey Ann Busenitz was born to Rachel (Wissmann) and Alan on September 26.

October:

Sailor and Skye Wilson were born to Jonah and Grace on October 4.

Denver Alan Patton was born to Gabrielle (Perez) and Andrew on October 8.

Emerson Wells and Jackson Bates married on October 14.

Mia Gayle Paine was born to Alyssa and Josiah on October 14.

Maverick James Young was born to Kristen Nicole and Justin on October 16.

Luca Charles Mauro was born to Christiana (Clark) and Michael on October 20.

Evie Mae Metz was born to Courtney (Collingsworth) and Michael on October 20.

Hayes Gerald Willis was born to Lexi and Jeremiah on October 24.

William Gage Paine was born to Erin (Bates) and Chad on October 30.

November:

James Ezra Schadt was born to Amber (Perez) and Levi on November 1.

Isla Jane Barger was born to Michelle (Seewald) and Elijah on November 3.

Isaiah Valiant Arakel Afarian was born to Rachelle (Waller) and Joseph on November 10.

Kimberleigh Noel Roberts was born to Sophia (Meggs) and Jacob Roberts on November 26.

December:

Dakota Rae Kenney was born to Cat (Smith) and Aaron on December 11.

Lydia Ballinger and Thomas Herring married on December 13.

Lilian Noelle Storms was born to Sara (Trewhella) and Jason on December 18.

George Augustine Seewald was born to Jessa (Duggar) and Ben Seewald on December 19.

Jonathan Hartono and Tannia Christy married.

This year, 50 babies were born and 14 weddings were held.

Top Families:

Bates- 5 babies born, 1 wedding held

Robertson- 4 babies born, 2 weddings held

Trewhella- 4 babies born, 1 wedding held

Paine- 3 babies born, 1 wedding held

Clark- 3 babies born

Salyer- 3 babies born

Wissmann- 2 babies born, 1 wedding held

Driscoll- 2 babies born, 1 wedding held

Noyes- 2 babies born

Duggar- 3 babies born

Hill- 2 babies born

Wilson- 2 babies born

Collingsworth- 2 babies born

Perez- 2 babies born

Seewald- 2 babies born

[ulkaralakbarova]

Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law. Credits: TheMovieDb. Film Cast: Jack Foley: George Clooney Karen Sisco: Jennifer Lopez Buddy Bragg: Ving Rhames Maurice ‘Snoopy’ Miller: Don Cheadle Glenn Michaels: Steve Zahn Marshall Sisco: Dennis Farina Adele Delisi: Catherine Keener Kenneth: Isaiah Washington Richard Ripley: Albert Brooks José ‘Chino’ Chirino: Luis Guzmán Moselle: Viola Davis Bank Employee: Jim Robinson Bank Customer: Mike Malone Bank Teller: Donna Frenzel Bank Cop: Manny Suárez Bank Cop: Keith Hudson Lulu: Paul Soileau Pup: Scott Allen Parking Lot Woman: Susan Hatfield White Boxer: Brad Martin Himey: James Black Daniel Burdon: Wendell B. Harris Jr. Library Guard: Chuck Castleberry Shock Lock FBI Man: Chic Daniel White Boy Bob: Keith Loneker Old Elevator Lady: Connie Sawyer Old Elevator Gent: Philip Perlman Raymond Cruz: Paul Calderon Officer Grant: Gregory Alpert Ripley Personnel: Mark Brown Ripley Receptionist: Sandra Ives Ripley Guard: Joe Hess Waitress: Betsy Monroe Philip: Wayne Pére Andy: Joe Chrest Third Ad Guy: Joe Coyle Midge: Nancy Allen Ray Nicolette (uncredited): Michael Keaton Hejirah Henry (uncredited): Samuel L. Jackson Federal Marshal: Stephen M. Horn Airport Patron (uncredited): Oscar A. Diaz Waitress (uncredited): Jennifer Dorogi Airport Passenger (uncredited): Deborah Smith Ford Xenon Light Guard (uncredited): Mike Gerzevitz Flight Attendant (uncredited): Thelma Gutiérrez Bank Manager (uncredited): Wayne V. Johnson Bank Patron (uncredited): Pati Lauren Shopper (uncredited): Sherrie Peterson Gas Station Attendant (uncredited): Ronnie Stutes Film Crew: Director: Steven Soderbergh Producer: Danny DeVito Executive Producer: Barry Sonnenfeld Novel: Elmore Leonard Screenplay: Scott Frank Executive Producer: John Hardy Producer: Michael Shamberg Producer: Stacey Sher Original Music Composer: David Holmes Director of Photography: Elliot Davis Editor: Anne V. Coates Makeup Artist: Bill Corso Digital Compositor: Sean MacKenzie Second Assistant Director: Trey Batchelor First Assistant Director: Gregory Jacobs Second Second Assistant Director: Michael Risoli Supervising Sound Editor: Larry Blake Set Dresser: Mike Malone Casting: Kathy Driscoll-Mohler Casting: Francine Maisler Production Design: Gary Frutkoff Art Direction: Philip Messina Set Decoration: Maggie Martin Costume Design: Betsy Heimann Makeup Artist: Margot Boccia Key Hair Stylist: Bonnie Clevering Makeup Artist: Anita Gibson Key Makeup Artist: Katherine James Hairstylist: Deborah Mills-Whitlock Hairstylist: Waldo Sanchez Makeup Effects Designer: David LeRoy Anderson Hairstylist: Mary L. Mastro Makeup Artist: Mark Shostrom Unit Production Manager: Frederic W. Brost Production Supervisor: Pat Chapman Post Production Supervisor: Caitlin Maloney Production Supervisor: Mary Morgan Additional Second Assistant Director: David M. Bernstein Second Second Assistant Director: William D. Robinson Set Dresser: Shane L. Ashton Set Dresser: Tristan Paris Bourne Art Department Assistant: Andrea Brody Leadman: Jon J. Bush Set Designer: Lauren Cory Set Designer: Keith P. Cunningham Standby Painter: Chuck Eskridge Property Master: Emily Ferry Set Dresser: Harry Frierson Construction Foreman: Gary Gagliardo Paint Coordinator: Hank Giardina Construction Foreman: William Gideon Props: Brett Gollin Assistant Property Master: Otniel Gonzalez Set Dresser: L. David Gordon Props: Charles Guanci Jr. Art Department Coordinator: Blair Huizingh Set Dresser: James E. Hurd Jr. Paint Coordinator: Steven Kerlagon Set Dresser: Alexander Kirst Set Dresser: Chris Patterson Leadman: David C. Potter Set Designer: Mary Saisselin Construction Coordinator: Chris Snyder Assistant Property Master: Joy Taylor Painter: Mark Woodworth Carpenter: John Blanchard Set Dresser: Kurt Braun Painter: Tammy DeRuiter Greensman: Michael ...

[dweemeister]

Movie Odyssey Retrospective

Peter Pan (1953)

The copyright to J.M. Barrie’s Peter Pan resides in an unexpected place. In 1929, Barrie donated the copyright to the Hospital for Sick Children in London (now the Great Ormond Street Hospital) – the copyright expired in 2007 but a United Kingdom law grants the hospital copyright control to all public performances and commercial publications of Peter Pan in the U.K. in perpetuity. In the mid-1930s, Walt Disney drew up Peter Pan to be one of the films following Snow White and the Seven Dwarfs (1937) if that production was successful. A success it was, and Walt soon learned that the Hospital for Sick Children was a tough negotiator. The hospital dangled the rights in a bidding war between rivals Walt Disney Productions (nowadays Walt Disney Animation Studios) and Fleischer Studios (affiliated with Paramount, best known for the Betty Boop, Popeye the Sailor, and Superman short film series). Disney outbid Fleischer for the Peter Pan rights and story work began in 1939 with the intention of releasing Peter Pan after Bambi (1942).

Yet, as was the case with numerous Disney productions released in the late 1940s and early 1950s, World War II intervened. The preliminary work for the film saw the studio’s priority shift to propaganda and low-budget package movies, slowing Peter Pan’s production to a crawl until 1949 (it was the only non-package Disney animated feature permitted to continue production by the studio’s lenders, Bank of America, through WWII). Compared to where the studio was in the late 1930s and early 1940s, Disney’s animators were a depleted bunch. The Disney animators’ strike and, despite unionization, numerous uncredited staffers leaving for television animation hampered the studio’s ability to innovate character designs, background, and other processes – as would be the case for the remainder of this decade. Even if he wanted to, Walt could no longer attend to his animation studio as studiously as he once did. His growing company required attention from multiple fronts: supervision of the newly-formed live-action studio in the U.K. while finishing The Story of Robin Hood and His Merrie Men (1952) and The Sword and the Rose (1953); the creation of a live-action outfit in Burbank beginning with 20,000 Leagues Under the Sea (1954); finalizing plans for what would become Disneyland; exploring a potential foray into television; and the increasingly erratic behavior from their distributor RKO’s Howard Hughes (more on this later).

In the span of rewatching Disney’s animated features, no film in that canon overseen by Walt Disney himself falls harder from the heights of my childhood appreciation to my adult lens than Peter Pan. A passage of twenty years in one’s life makes a hell of a difference – removed from my childhood, I now realize the central conflict in Peter Pan is not between the title character and Captain Hook, but Wendy’s internal conflict over growing up (which the film bungles). There is, of course, wonderful animation within and excellent voice acting that has left a positive impression even from those now-foggily remembered days of my childhood. But the morals the film attempts to draw are constrained by the title character’s enormous ego and the petty, sexual rivalry between Wendy Darling, Tinkerbell, and even the mermaids. This is not even beginning to mention how the film treats its American Indian characters – a depiction that remains the most disrespectful in perhaps any Disney film (and yes, that includes films that today’s Walt Disney Company would rather shamelessly never distribute). Before proverbially burying Peter Pan, let us first sing its praises due.

Peter Pan would be a far less watchable film without Captain Hook. Deservedly Hans Conried’s (1953’s The 5,000 Fingers of Dr. T, 1970’s The Phantom Tollbooth) best-known role, Conried worked on his character intermittently for almost two-and-a-half years. Like Bobby Driscoll as Peter Pan, Conried did not take much time to record his lines (his voice acting – in Peter Pan tradition he also voices Wendy’s father, George Darling – is some of the best in the entire Disney animated canon). But over those two-and-a-half years, Conried went through several stretches of a few days or a few weeks in Burbank to be the animators’ model for Hook. Why in the world did the studio ask for so much of Conried’s time for animation reference work? One can chalk this up for a few principal reasons: the exodus of animator talent to other studios in Hollywood during and after the war, professional rivalries and varying artistic visions amongst animators, and the authoritative void left by Walt as he concentrated on other projects. Walt, during the studio’s “Golden Age” (Snow White to 1942’s Bambi), was the one who provided guidance, made many of the final decisions, and could resolve disputes among the animators. With Frank Thomas (Pinocchio in 1940’s Pinocchio, Winnie the Pooh in the Pooh films) in charge of Captain Hook, Walt had little guidance for the veteran animator and could not figure out how to balance the comedic and violent sides of Hook.

Thomas’ Captain Hook takes a page from his design on the Queen of Hearts in Alice in Wonderland (1951) – heavily exaggerated comical bodily movement. But unlike the Queen of Hearts, Captain Hook is decidedly lanky, making him the sort of character we do not worry too much about when physically attacked. It matters not whether Hook is facing down Peter Pan or the very flexible jaw of a very hungry crocodile. Hook’s facial expressions – during his most dastardly moment, but especially when absolutely terrified – achieve a hilarity that computerized animation has been unable to replicate. This is all masterful work from Frank Thomas, and it pairs wonderfully with Hook’s comic foil and first mate, Smee (voiced by Bill Thompson and character design by Ollie Johnston). The contrast – physically, temperamentally – make this buccaneering odd couple a match made in Neverland. There is some stupendous slapstick animation in Hook and Smee’s interactions that contemporary animators should take note of.

In her final significant contribution to a Disney animated feature, Mary Blair (Alice in Wonderland provided the concept art that set the aesthetic direction for the whimsical, storybook backgrounds of Peter Pan (Blair did minor work on 1955’s Lady and the Tramp). One can also credit Blair for the initial groundwork for the film’s character designs and color direction. The color in Blair’s mostly acrylic and tempera concept paintings (some pastel work) frame the mood of each scene – whether it is the mystical blues of the Darling children’s (eldest son John Darling voiced by Paul Collins, younger song Michael by Tommy Luske) London flight and the space surrounding Neverland at night or the purple dusk prior to a critical confrontation between Peter and Hook. And most of the colors she employed in her carried over to the final product. Often, one will hear Blair’s work described as “childlike”. I never quite liked that term, as it sounds dismissive and implies the films she worked on are purely for children. Blair was a consummate artist, a practitioner of modernism who fit her works to the narratives she was presented with. Following her resignation from Disney’s studio after Peter Pan, Blair took to freelance graphic design, but returned to the Disney fold to design “It’s a Small World” for the 1964 New York World’s Fair (the attraction moved to Disneyland following the fair’s conclusion) and various other murals at Disneyland and the other Disney parks. Blair worked on one final film – as color designer on Warner Bros.’ musical How to Succeed in Business Without Really Trying (1967).

Peter Pan also marks the final time all of Disney’s Nine Old Men would work together. That select cadre – Les Clark, Marc Davis, Ollie Johnston, Milt Kahl, Ward Kimball, Eric Larson, John Lounsbery, Wolfgang Reitherman, and Frank Thomas – had all worked, in some capacity, on Disney animated shorts in the 1920s and/or ‘30s and on the animated features from Snow White onward. These nine were Disney’s most crucial (and among the longest-serving) animators. With Peter Pan complete, it would be Ward Kimball leaving Disney’s animated feature unit for some of its short films and its burgeoning television crew.

For Peter Pan, Kimball’s primary work on the film was on the Indian Chief. This now brings us to the numerous aspects where Peter Pan fails as a motion picture. Indeed, this is also a problem in Barrie’s works – these crude American Indian caricatures cannot be cut out of the original stage play and text without enormous alterations to the plot. Unfortunately, in this case, Disney’s Peter Pan hews closer to its source material than any other Disney animated feature before it. It results in arguably the most outlandishly racist depictions of any characters in any Disney movie (and to think some folks believe Dumbo’s crows to be the bottom of the barrel). The people that originally make up what Barrie described as the “piccaninny warriors” were supposed to be a catch-all for Aboriginal peoples in Australia and the indigenous peoples of the Americas.

But in this Disney adaptation, the animators based their stereotypical conceptions squarely on American Indians. For any parent or guardian reading this, this reviewer urges you to not let more impressionable children watch these scenes without a conversation addressing how overtly racist they are. Culminating in the repugnant “What Makes the Red Man Red?” (like all songs in this film, music by Sammy Fain and lyrics by Sammy Cahn), the Neverland tribe’s depiction hinges on this war dance – “noble savages” hellbent on a scalping. In song and dance, their broken English miraculously fades away as the film reduces their language to gibberish (“Why does he ask you, ‘How’?” and “When did he first say, “Ugh’?”). Not only is this tribe presented as violent savages, but sexist savages too as evidenced by Wendy’s exclusion from the song due to the “Indian Squaw” (June Foray far from her finest hour) character’s intervention.

Even more apparent to my older eyes nowadays is how stuffed Peter Pan is with sexist behavior. Written and adapted by men in the middle of the twentieth century, one might not expect, by default, an interesting or fair portrayal of women and girls in a film. But even in male-dominated Hollywood, one could find numerous examples of motion pictures of women playing fascinating characters – whether meek, hardy, or somewhere in between (see: almost any drama starring Bette Davis, Olivia de Havilland, Barbara Stanwyck, or others during this timeframe). From the opening scenes, the plot shoehorns Wendy as a motherly figure and imagines nothing else for her. Certainly, this is another limitation from Barrie’s works, but Peter Pan’s intentions when he technically abducts Wendy and the other Darling children are to secure a mother figure for the Lost Boys. Peter himself is dismissive of Wendy’s concerns (“Girls talk too much!”) and consistently pits Wendy’s budding sexuality against Tinkerbell’s (and, for several minutes, the homicide-curious mermaids). All of this might fly over the heads of younger children, but the film’s sexual jealousies are too obvious for people of a certain age to miss. Not that this Wendy Darling is complaining about her treatment. Despite Peter Pan’s lack of discipline and courtesy, she brushes off the behavior as childlike playfulness. Freud would have a field day with these characters.

Any sense of character of growth for Wendy is for naught thanks to her father’s final decision at the end of the film – affixing the ribbon on a turd sandwich of a screenplay. Even held in comparison against other Disney animated features in the decade to follow, Peter Pan’s thematic development is a disaster. This is a low the studio will not reach for another decade.

Tempering these failures, if just a bit, are two memorable songs at the top of the film and parts of the score. Played over the opening titles, “The Second Star to the Right” is the best song that Fain and Cahn wrote for Peter Pan. As the song most quoted by Oliver Wallace’s (Dumbo, 1963’s The Incredible Journey) incidental score, it also samples a bit of what will become Peter Pan’s theme. Making its most prominent appearance in the cue “On the Rooftop” (at 0:16), Peter Pan’s three-note motif and further development begins with a spry flute before being traded by various orchestra sections up into the film’s climax – an explosion of heroic brass as he defeats Hook for the final time. The other songwriting success is the iconic “You Can Fly, You Can Fly, You Can Fly!”. Accompanied by some stellar flight animation direction from Eric Larson, the lyrical arrangement between altos/sopranos and basses/tenors makes the song a rousing triumph. Wallace’s score keeps the song an outlier, as he rarely integrates the Fain/Cahn soundtrack into his compositions. As Peter Pan is not a film with wall-to-wall music like earlier Disney animated features like Bambi, Wallace has only so much time to develop his motifs. The waltz that begins “Mermaid Lagoon��� begins wondrously, but other motifs interrupt its flow and any further progression. Not to say this is poor work from Wallace, but he is capable of far better than his work in Peter Pan.

Critical and popular reception of Peter Pan helped Walt Disney to forget the lukewarm reactions to and the production headache of Alice in Wonderland two years earlier. Walt seemed happy to help with promotion, appearing not only at the American premiere, but also the London and Mexico City premieres (the former while spending the summer in Europe supposedly supervising the company’s London live-action studio productions). He even appeared at the 1953 Cannes Film Festival, where Peter Pan became the first Disney film (animated or live-action) to compete for the top prize – at that time, the Grand Prix, as the Palme d’Or would replace it in 1955. In addition to representing his studio and team of animators at Cannes, Walt would be presented the French Legion of Honour – the French government’s highest honor for both civilians and military.

All this fêting could not hide troubles the studio was having with its distributor, RKO. Walt Disney Studios would not achieve major studio status until the late 1980s, but held a distinction in Hollywood as one of the most important independent production companies in town. Beginning with Snow White, Disney depended upon RKO to distribute its films across North America. The relationship between the two studios for the next few decades was professional, and notably hands-off from RKO. This stability became a thing of the past when eccentric business tycoon Howard Hughes bought RKO – which just sacked director Edard Dmytryk and producer Adrian Scott due to their refusal to cooperate with the House Un-American Activities Committee (HUAC) – in May 1948. Within a few weeks, Hughes fired ¾ of all RKO employees, trashed projects in the pipeline, and became known for excessive supervision on all in-house productions. RKO’s typical release schedule of thirty films a year dwindled to roughly ten a year – pivoting the studio towards more expensive productions (of which many were flops).

Disney’s clashes with Howard Hughes began with the short film Seal Island (1948), the first of what became the studio’s True-Life Adventures series of nature documentaries. Hughes refused to distribute the film nationally, believing that it was not commercially viable. For its Los Angeles and New York City release to qualify Seal Island for the Academy Awards, Walt Disney Studios distributed the film by themselves. Only after winning the Oscar for Best Short Subject (Two-Reel) did Hughes relent on Seal Island’s national distribution. Continuous clashes with RKO over the True-Life Adventures series through the late 1940s and early 1950s led Walt Disney – believing that RKO under Hughes’ leadership was circling the drain – to dissolve his studio’s relationship with RKO and form Buena Vista Pictures. Created shortly after Peter Pan’s release, Buena Vista was a fully-owned subsidiary of Walt Disney Productions that would distribute all of Disney’s movies henceforth. Hughes sold RKO in 1955, but the studio – the most unstable of the major Hollywood studios at this point – never recovered from his erratic mismanagement and ceased operations in 1959.

In numerous ways, Peter Pan was the last of its kind in the Disney animated canon. Already handling the television, theme park, and live-action filmmaking sides of his business, Walt’s supervision over his animated studio would only continue to hasten. The artistic sensibilities that had once defined the likes of Snow White, Pinocchio, and Bambi were never to return. The artistic shortcuts and narrative weaknesses of the animated features released up to Walt’s death were just beginning to appear. This diagnosis is not to say Walt’s namesake animation studio would never crank out something rivaling the Golden Age Disney films while he was alive, but that achieving such a feat would become much less likely beginning with the studio’s decisions made during and immediately after Peter Pan.

My rating: 6.5/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

This is the twenty-second Movie Odyssey Retrospective. Movie Odyssey Retrospectives are reviews on films I had seen in their entirety before this blog’s creation or films I failed to give a full-length write-up to following the blog’s creation. Previous Retrospectives include Alice in Wonderland (1951), Godzilla (1954), and The Wizard of Oz (1939).

[antidisney]

The Disney Company has made it’s back-catalog of work the foundation of the corporation since the 90′s. While at the same time, distancing themselves from the ugly realities that plague the companies history. Covering them up in hopes that the public forgets. Racism, animal abuse, and their now-obscure, former-superstar, young Bobby Driscoll. 

The Disney Company, while so-often celebrating their “masterpiece collection” of films, and “Disney Legends” such as Mary Blair, Annette Funicello and Kathryn Beaumont, the name Bobby Driscoll remains conveniently left out. This is entirely intentional.

Who is Bobby Driscoll?

Discovered in a barber shop at the age of 5, Bobby was the first actor to ever be signed under-contract by Disney Studios. In 1946, his starring role in Song of the South made him an overnight sensation. At one point, he was the highest paid child actor in Hollywood. Soon, he was Disney’s golden-goose, with films like Melody Time, So Dear to My Heart and Treasure Island. He even won an Academy Award for his performance in the film noir, the Window.

Today, he is best remembered as the voice and live-action model of the titular Peter Pan.

What Happened to Bobby Driscoll?

Despite his success, Bobby could never seem to please his parents. They physically abused him, and kept him locked in a closet for hours at a time. Sometimes, all night. When Bobby was around 9, the beatings became so bad Disney temporarily moved the boy in with the family of his co-star, Luana Patten. They could not shoot, after all, if their star was battered and bruised.

When shooting wrapped, he went back home. Child abuse was still extremely normalized during this time, and was also an accepted method of getting a good performance out of a child. Many of Bobby’s contemporaries describe being slapped in the face or being manhandled by adults as every-day occurrences on set.

Around this time, Walt Disney himself became fixated on Driscoll, Marc Elliot stating Walt often referred to Bobby as “the living embodiment of his own youth.” He saw the child as an extension of himself, and ignored Bobby’s own identity. Bobby was susceptible to the attention and latched onto Walt as a father figure. He came to see Disney Studios as a family, and indeed “Uncle Walt” encouraged this idea, especially among his child performers. One former animator described feeling uncomfortable by seeing higher-ups kiss Bobby on the face and mouth.

During Bobby’s pre-teen years, he was signed to a new 7-year contract and given a substantial raise of $1750 per week. Bizarrely, Bobby was now making the most money he ever would, while actually working less than ever before. 

He was cast in the leading role of Peter Pan, as both the voice and visual inspiration for the character. Peter had Bobby’s wide eyes, and upturned nose. If you watch any Bobby Driscoll movie, and then watch Peter Pan in motion, you can easily see the character’s every facial expression and mannerism taken directly from Driscoll. His expressive eyebrows, nose-scrunching, even down to the way he positions his wrists.

As Bobby got older, Walt stopped speaking affectionately of him in meetings. He stated Bobby was no longer likeable enough to play protagonists. Meanwhile, Peter Pan was released, and is a massive hit.

In 1953, Bobby began to hear rumours he would be fired. He tried asking the higher-ups he was formerly friendly with, but none would speak to him. He went to Walt’s secretary, asking to speak to Mr. Disney. She refused to call him, and when Bobby asked again, she abruptly told him he was no longer needed and to get out.

Stunned, Bobby burst into tears. She called security, and had the boy escorted off of Disney property. Disney Studios told the press they had let Bobby go due to an extreme case of acne, which sullied his image with other movie studios. 

Personally, I don’t buy the acne explanation. Acne can be covered, and Disney was focusing heavily on television at this time, which had terrible picture quality compared to film. Not to mention, Walt had already talked about shifting Bobby into playing unlikeable bully characters. But the true reason for the cancellation of Bobby’s seven year contract may never be known.

Unable to find work, Bobby’s parents enrolled him in public school. He was mercilessly bullied for his Disney roles, being beaten up by his classmates constantly. He stated he “became afraid all the time”, and it was at this time he began experimenting with drugs.

After being imprisoned for possession of marijuana, he was eventually sentenced to a “rehab centre”. The so-called first of it’s kind, employed no doctors or nurses, and used abusive psychiatric practices now outlawed.

During this time, Disney was making millions off of the heavy merchandising of Peter Pan. Bobby never saw a dime from this, despite his likeness being used.

Bobby’s life remained difficult, and although he had a few more acting roles, and became a talented artist in the beatnik scene, he just couldn’t make enough money to get by.

He died on March 30th 1968, aged 31, without a penny to his name. Alone, and forgotten. He was found on a dirty cot in an abandoned building. His body was unidentified, and police could not find anyone who recognized him. He was buried in a mass grave, unmarked, on Hart Island. 

Eventually, his mother asked Disney to help find him, and he was finally identified through finger prints. Although, his remains were not moved to a cemetery, which would have been possible at the time.

The public did not learn of Bobby’s death until 1973, when Song of the South was re-released in theatres.  After his death had been reported, actress Jane Wyman insinuated in an interview that Bobby had been sexually abused while working for Disney.

Erasure of Bobby by Disney

As mentioned above, Bobby has never been named an official “Disney Legend”, despite fan petitions and letter-writing campaigns since the start of the program in the late 80′s.

Both the Peter Pan VHS, and DVD making-of featurettes only mention Bobby Driscoll in passing. Compared to the Alice in Wonderland DVD, which features an entire documentary about Alice’s voice actress.

The DVD release of So Dear to My Heart was cancelled without explanation. Years later, it was quietly released as a Disney Movie Club Exclusive. Making it rare and difficult to find.

Fan requests for a memorial to Bobby Driscoll in Disney Parks have also gone unanswered. Disney will likely never own up to Bobby Driscoll, or what the company did to him. His story is tragic, and paints the company in an uncomfortable light, going directly against it’s branding of love, family and happy endings. After all, if the average joe-blows and Karens of the world knew what happened to Bobby Driscoll, they might cancel their Disney+ subscription. And Disney certainly doesn’t want that to happen.

[femslashrevolution]

Changes to the Popular Pairing List

Over nearly 9 years of Femslash Revolution, we have watched the popularity of many, many pairings rise and fall again. In order to better reflect this, we have decided to switch how we define our popular pairing list, which determines which pairings are too popular to be posted on Rarepair Thursdays.

Previously, posts were added to the list when they had appeared on the blog over 20 times across its whole duration. Under the new system, we will look at the number of appearances in the 10,000 most recent posts, which reflects approximately the last 18 months of content. Any pairing with more than 10 posts in that time span will be added to the list, while older pairings which no longer receive so many posts will be removed.

The full contents of the new Popular Pairing List appears below the cut.

Abby Holland x Harper Caldwell (Happiest Season)

Abigail x Tallie (The World to Come)

Addy Hanlon x Beth Cassidy (Dare Me)

Adena El Amin x Kat Edison (The Bold Type)

Adora x Catra (She Ra: Princess of Power)

Aerith Gainsborough x Tifa Lockhart (Final Fantasy)

Aino Minako x Hino Rei (Sailor Moon)

AJ Campos x Paige Evans (Crush)

Alana Bloom x Margot Verger (Hannibal)

Alex Danvers x Kelly Olsen (Supergirl)

Alex Nunez x Paige Michalchuk (Degrassi: The Next Generation)

Alexis Rose x Twyla Sands (Schitt’s Creek)

Alicia x Leighton (The Sex Lives of College Girls)

Alina Starkov x Genya Safin (Shadow and Bone)

Allison Argent x Lydia Martin (Teen Wolf)

Allison McRoberts x Patty O'Connor (Kevin Can F**k Himself)

Alyssa Greene x Emma Nolan (The Prom)

Amae Rali x Elida Al Feyr (Vagrant Queen)

Amalia True x Penance Adair (The Nevers)

Amanda Clarke x Emily Thorne (Revenge)

Amanita Caplan x Nomi Marks (Sense8)

Amity Blight x Luz Noceda (The Owl House)

Amy Silva x Kirsten Longacre (Vigil)

Ana Servin x Mariana Herrera (Madre solo hay dos)

Andi Agosti x Emília Alo (Rebelde)

Andi Mack x Buffy Driscoll (Andi Mack)

Andrea Sachs x Miranda Priestly (The Devil Wears Prada)

Andromache of Scythia x Quynh (The Old Guard)

Aneela x Delle Seyah Kendry (Killjoys)

Anissa Pierce x Grace Choi (Black Lightning; DCU)

Ann Walker x Anne Lister (Gentleman Jack)

Anne Shirley x Diana Barry (Anne of Green Gables; Anne With An E)

Anne Shirley x Diana Barry x Ruby Gillis (Anne With An E)

April Stevens x Sterling Wesley (Teenage Bounty Hunters)

April Young x Rebekah Mikaelson (The Vampire Diaries)

Arizona Robbins x Callie Torres (Grey’s Anatomy)

Asahina Aoi x Ogami Sakura (Dangan Ronpa)

Asami Sato x Korra (The Legend of Korra)

Aster Flores x Ellie Chu (The Half Of It)

Audrey Jensen x Emma Duval (MTV Scream)

Aurora x Mulan (Once Upon A Time)

Ava Daniels x Deborah Vance (Hacks)

Ava Sharpe x Sara Lance (Legends of Tomorrow)

Ava Silva x Sister Beatrice (Warrior Nun)

Barbara Howard x Melissa Schemmenti (Abbott Elementary)

Beauregard Lionett x Jester Lavorre (Critical Role)

Beauregard Lionett x Yasha Nydoorin (Critical Role)

Beca Mitchell x Chloe Beale (Pitch Perfect)

Becky Baker x Imogen Moreno (Degrassi: The Next Generation)

Bella Swan x Rosalie Hale (Twilight)

Bellatrix Lestrange x Hermione Granger (Harry Potter)

Bernadetta von Varley x Edelgard von Hresvelg (Fire Emblem)

Blair Waldorf x Jenny Humphrey (Gossip Girl)

Blake Belladonna x Yang Xiao Long (RWBY)

Bobbie Draper x Chrisjen Avasarala (The Expanse)

Bonnibel Bubblegum x Marceline Abadeer (Adventure Time)

Bonnie Bennett x Nora Hildegard (The Vampire Diaries)

Bradley Jackson x Laura Peterson (The Morning Show)

Brittany Pierce x Santana Lopez (Glee)

Buffy Summers x Faith Lehane (Buffy the Vampire Slayer)

Caitlin Snow x Iris West (The Flash)

Caitlyn x Vi (Arcane: League of Legends; League of Legends)

Calliope Burns x Juliette Fairmont (First Kill)

Cameron Howe x Donna Clark (Halt and Catch Fire)

Camina Drummer x Naomi Nagata (The Expanse)

Candace Powell x Lilly Fortenberry (Astrid and Lilly Save The World)

Carina Deluca x Maya Bishop (Station 19)

Carol Danvers x Maria Rambeau (Marvel Cinematic Universe)

Caroline Forbes x Valerie Tulle (The Vampire Diaries)

Carrie x Flynn (Julie and the Phantoms)

Casey Gardner x Izzie (Atypical)

Cassandra x Rapunzel (Disney Princesses)

Charlotte Murchison x Mary Anning (Ammonite)

Cheryl Blossom x Toni Topaz (Riverdale)

Christina Braithwhite x Ruby Baptiste (Lovecraft Country)

Christine Chapel x Nyota Uhura (Star Trek: The Original Series)

Claire Novak x Kaia Nieves (Wayward Sisters)

Clarke Griffin x Lexa (The 100)

Clary Fray x Isabelle Lightwood (The Mortal Instruments)

Cora Hale x Lydia Martin (Teen Wolf)

Cosima Niehaus x Delphine Cormier (Orphan Black)

Cristina Soto x Joana Bianchi (Skam Spain)

Dana x Rachel (Mythic Quest)

Dani Clayton x Jamie (The Haunting of Bly Manor)

Dani Núñez x Gigi Ghorbani (The L Word)

Dani Ramos x Grace (Terminator: Dark Fate)

Daphne Blake x Velma Dinkley (Scooby Doo)

Debbie Ocean x Lou (Ocean’s Eight)

Deena Johnson x Samantha Fraser (Fear Street)

Dina x Ellie (The Last of Us)

Dina x Sydney Novak (I Am Not Okay With This)

Dinah Lance x Helena Bertinelli (DCU)

Dot Campbell x Fatin Jadmani (The Wilds)

Eleanor Shellstrop x Tahani Al Jamil (The Good Place)

Eleven x Max Mayfield (Stranger Things)

Ellen Waverly x Pam Horton (For All Mankind)

Elphaba Thropp x Glinda Upland (Wicked)

Elsa x Honeymaren (Disney Princesses)

Emily Dickinson x Sue Gilbert (Dickinson; Wild Nights With Emily)

Emily Prentiss x Jennifer Jareau (Criminal Minds)

Emma Swan x Regina Mills (Once Upon A Time)

Eve x Mazikeen (Lucifer)

Eve Polastri x Villanelle (Killing Eve)

Fatin Jadmani x Leah Rilke (The Wilds)

Fatou Jallow x Kieu My Vu (Druck)

Finch x Josie Saltzman (Legacies)

Fleur Delacour x Hermione Granger (Harry Potter)

Flynn x Julie Molina (Julie and the Phantoms)

Fran x Marla Grayson (I Care A Lot)

Francesca Findabair x Fringilla Vigo (The Witcher)

Frankie Bergstein x Grace Hanson (Grace and Frankie)

Gabrielle x Xena (Xena: Warrior Princess)

Ginny Weasley x Hermione Granger (Harry Potter)

Ginny Weasley x Luna Lovegood (Harry Potter)

Greta Moreno x Riley Luo (Generation)

Gwendolyn Briggs x Mildred Ratched (Ratched)

Haniwa x Wren (See)

Hannah Miller x Sarah Fier (Fear Street)

Harleen Quinzel x Pamela Isley (DCU)

Helen Sinclair x Liv Chenka (Doctor Who)

Helena Wells x Myka Bering (Warehouse 13)

Héloïse x Marianne (Portrait of a Lady on Fire)

Hen Wilson x Karen Wilson (911)

Hermione Granger x Narcissa Malfoy (Harry Potter)

Hermione Granger x Pansy Parkinson (Harry Potter)

Himemiya Anthy x Tenjou Utena (Revolutionary Girl Utena)

Hope Mikaelson x Josie Saltzman (Legacies)

Hope Mikaelson x Lizzie Saltzman (Legacies)

Imogen Temult x Laudna (Critical Role)

Jackie x Shauna Shipman (Yellowjackets)

Jadzia Dax x Kira Nerys (Star Trek: Deep Space Nine)

Jen Harding x Judy Hale (Dead to Me)

Jennifer Check x Needy Lesnicki (Jennifer’s Body)

Jeong Seo hyeon x Suzy Choi (Mine)

Joan x Zoey Clarke (Zoey’s Extraordinary Playlist)

Joann Owosekun x Keyla Detmer (Star Trek: Discovery)

Jules Thomas x Ophelia Mayer (Sweet Vicious)

Jules Vaughn x Rue Bennett (Euphoria)

Kaioh Michiru x Tenoh Haruka (Sailor Moon)

Kara Danvers x Lena Luthor (Supergirl)

Karolina Dean x Nico Minoru (Marvel Comics; Runaways)

Kate Whistler x Lucy Tara (NCIS: Hawai'i)

Kathryn Janeway x Seven of Nine (Star Trek: Voyager)

Keeley Jones x Rebecca Welton (Ted Lasso)

Kelly x Yorkie (Black Mirror)

Kim Kelly x Lindsay Weir (Freaks and Geeks)

Kira Yukimura x Malia Tate (Teen Wolf)

Lady Hideko x Sook Hee (The Handmaiden)

Lauren Bloom x Leyla Shinwari (New Amsterdam)

Lavender Brown x Parvati Patil (Harry Potter)

Lucy Westenra x Mina Murray (Dracula)

Margaery Tyrell x Sansa Stark (A Song of Ice and Fire)

Maria Hill x Natasha Romanoff (Marvel Cinematic Universe; Marvel Comics)

Max Baker x Sophie Sanchez (Ginny & Georgia)

Maya Hart x Riley Matthews (Girl Meets World)

Mencía Blanco Commerford x Rebeka Parrilla de Bormujo Ávalos (Elite)

Michael Burnham x Philippa Georgiou (Star Trek: Discovery)

Moiraine Damodred x Siuan Sanche (Wheel of Time)

Molly x Nick (No Good Nick)

Namaari x Raya (Raya and the Last Dragon)

Nancy Wheeler x Robin Buckley (Stranger Things)

Neopolitan x Yang Xiao Long (RWBY)

Nicole Haught x Waverly Earp (Wynonna Earp)

Nyota Uhura x T'Pring (Star Trek)

Nyssa al Ghul x Sara Lance (Arrow)

Paris Geller x Rory Gilmore (Gilmore Girls)

Raelle Collar x Scylla Ramshorn (Motherland: Fort Salem)

Raffi Musiker x Seven of Nine (Star Trek: Picard)

Regina Mills x Ruby (Once Upon A Time)

Rey x Rose Tico (Star Wars)

River Song x Thirteenth Doctor (Doctor Who)

Root x Sameen Shaw (Person of Interest)

Ryan Wilder x Sophie Moore (Batwoman)

Seo Ji wan x Yoon Sol (Nevertheless)

Shane McCutcheon x Tess Van De Berg (The L Word)

Shelby Goodkind x Toni Shalifoe (The Wilds)

Tara Maclay x Willow Rosenberg (Buffy the Vampire Slayer)

Thirteenth Doctor x Yasmin Khan (Doctor Who)

Tissaia de Vries x Yennefer of Vengerberg (The Witcher)

Vivian Shing x Wilhelmina Pang (Saving Face)

Weiss Schnee x Yang Xiao Long (RWBY)

[harcourthq]

❝  𝐓𝐇𝐄 𝐇𝐀𝐑𝐂𝐎𝐔𝐑𝐓 𝐋𝐈𝐓𝐄𝐑𝐀𝐑𝐘 𝐒𝐎𝐂𝐈𝐄𝐓𝐘 𝐈𝐒 𝐇𝐀𝐏𝐏𝐘 𝐓𝐎 𝐖𝐄𝐋𝐂𝐎𝐌𝐄 𝐓𝐇𝐄 𝐅𝐎𝐋𝐋𝐎𝐖𝐈𝐍𝐆 𝐌𝐄𝐌𝐁𝐄𝐑𝐒. please make sure to go over our after-acceptance CHECKLIST and send in your account in the following TWENTY-FOUR HOURS. your story has just begun and we can’t wait to see where it takes you !

JAYDEN SUMMERS in PAGE 08: THE HUMOURIST.

GRAY, we both loved and adored jayden from the very beginning. as soon as we started reading about her childhood, her scrapped knees and wild hair, we were in love. she’s not just your typical class clown and we love that, you’ve given her a depth that we know will mesh really well with the rest of the squad!

WINONA BERKELEY in PAGE 09: THE DREAM.

BREN, from the moment we started reading about winona, we were hooked !! everything about her is so, pardon the pun, dreamy. i adored the way her story was woven and her being raised by women was such a wonderful touch. her moment on the page was so heartbreaking and i know from the way you wrote that section that she’ll fit in beautifully at harcourt. we can’t wait to see more of her!

MORRIS “MOE” DRISCOLL in PAGE 10: THE CAREGIVER.

KAYLA, wow! you had us from the moment moe learned he was going to be a big brother. the whole bit about him writing his mother’s farewell letters and receiving one on the day of her funeral? heartbreaking and sublime. moe is a beautiful character and we love how he truly embodies the caregiver. quoting you, he might not need the society but the members need him.

GAIA GUINIVERE LAWRENCE in PAGE 18: THE OBSERVER.

BEE, we’re not exaggerating when we say gaia is harcourt. not just because of the literal bits of her story, but because she embodies everything we feel harcourt is. this is her home and we’re just happy she’s sharing it with us. besides, she has a cult?! a badass bitch. gaia is such an amazing character, we’re just so glad you had time to write that app!

DEVIN DUMA-UG in PAGE 23: THE TRAGEDY.

THIA, i don’t speak lightly when i say devin had us absolutely stunned. you have created such an original and gorgeous character that there was no way we could let her slip away. believe us when we say making the choice for this skeleton was absolutely one of the hardest, but your honesty as a writer and devin’s story along with her potential to grow within the society won us over. we cannot wait to see where you take her! 

JUDE ALIRA SUTTON in PAGE 24: THE EXPLORER.

EM, your app was so much fun to read! the format you used to tell jude’s story was so original and fresh and it fit perfectly with what we think of the explorer. also, jude is such a fun character! reading about her lovers, her relationship with her dad and her concept of home, it was just so fun to read. and we love how she feels about the society, it’s def inch-resting and we can’t wait to see how that plays out!

KUN WOLFGANG PARK in PAGE 33: THE REBEL.

LISSA, when i was writing up the skeleton i imagined someone exactly like wolfgang, who despite everything, pushes through. his rebellion is one stemming from something and it makes his fight all the more glorious. thank you for sharing him with us and i have to say the line “but stories have always been the only thing the rebel has ever had, and he will protect them with his life, if need be.” was the cherry on top of the delicious cake! he’ll fit right in at harcourt!

DANIELLE WILSON in PAGE 39: THE SEDUCER.

EMILY, there’s no doubt about it, danielle is our seducer skeleton through and through. she is aphrodite reincarnated, she is the girl who steals all the attention in the room and the breath from your lungs. we loved the format of your app with the rumors, it was incredibly original and fun to read. what you did with the moment on the page was also so clever and everything about danielle’s relationship with the society makes us just wants to see more of her in this setting! can’t wait to see what she’ll do next! 

EWAN LARNER in PAGE 41: THE HOTSHOT.

LOGAN, ewan is chaos personified, a rich boy with destructive tendencies? more like our perfect hotshot! we loved the way you presented his bio through key words, and the moment on the page?! the fates?! you got to greek mythos hearts. we are sure ewan will bring lots of drama and chaos to the group and we can’t wait for it!

DANIEL ITO in PAGE 57: THE INGENUE.

ANNIE, the idea that the ingenue is not someone who has to be soft but rather can use that as protection or as a facade was a welcomed one and you portrayed it so beautifully through danny. he is soft despite how he feels about the word, not because he chooses to be but rather circumstances made him this way for survival and i adore that interpretation. we can’t wait to see how he grows within harcourt’s walls! also, the two leo admins understand danny’s need for attention and hate for lion tamers very well! 

LYSANDER “LYE” BELLO VASSILIS in PAGE 74: THE KNIGHT.

ALEXA, lye is the prince charming of our dreams! we love that he is not what we would usually expect from the knight, but still, he fits so well into the role. a knight in shining armor to his sister. we’re in love with him! his whole ass natal chart in there was not our favorite bit, but we forgive you because we know lye will bring the drama and the sexy!

BEATRICE “BEA” ANDERSON-YAMADA in PAGE 75: THE LOVER.

ASH, you didn’t have to go so hard with your app, pheeww! it was such a ride. there were some amazing apps for the lover but we just couldn’t look away from bea. she was the one for us. the way she shines warmth and love reached us through the screen. bea is such a beautiful character, to us, she is a lover of life and the people around her, she is light and poetry and we can’t wait to see more of her!

JULIAN ROMERO in PAGE 88: THE UNDERDOG.

ELIZABETH, julian is such a sweet boy, i just want him to succeed in everything he does and i truly am rooting for him. his story was refreshing and the idea that despite him having a harder time than most, he can still do the things they can just in his own way was really wonderful. we are so excited to see him interact with the rest of the society members and be the resident historian! we hope he has the round-frame glasses to match the look!

DOROTHEA “THEA” MARQUIS in PAGE 93: THE WILDCARD.

ELLIE, we both agree that thea is our perfect wildcard! everything about her, from her backstory with her parents, to living with her brother, to her own fall from grace make her an incredibly fascinating character. you just never know what to expect with her, as is only right for the wildcard and we can’t wait to see how she fits into the society and interacts with everyone else!

PHOEBE-MAY LANGDON in PAGE 95: THE CORRUPTER.

S, you probably already suspect it but this was one of the skeletons we struggled the most with as all of the apps were beautiful and each character had such a wonderful take on the corrupter. but phoebe. PHOEBE! we love the way she is lowkey a psychopath and goes through life as if it’s the most normal thing in the world. we have a feeling that she is so completely out of touch with reality, on her own goddess fantasy, that we can’t wait to see how she mingles with the rest of the group! also... did she ever serve time for... you know? 

EDISON “EDI” BLAIR in PAGE 103: THE INDIFFERENT.

JAX, edi’s story is so heartbreaking. the way you played with this idea of the controlling parents, doing exactly what they’d done in life in death as well. having the guilt controlling her now and that being the cause of her indifference, a shield of sorts was truly compelling. we’re incredibly excited to see how this will work within the group and what other sides of edi it will bring out!

[paradise-bi-the-dashboard-lightt]

3 Year Anniversay of my Musical Trading Site!

It has been three years since I officially established my trading site! For those of you who don’t know I am https://its-all-green.weebly.com/ to celebrate I am gifting some of my audio masters from some of my favourite shows since I wouldnt be where I am today if it wasn’t for the kindness and generosity of others. Feel free to list them on your own site and enjoy!

 ​

Only Fools and Horses || West End || 5th October 2019 || Matinee

https://mega.nz/folder/U41gzCaD#gEcUbaMMZ0AN-BS4gKf1Pw

​Cast: Tom Bennett (Del Boy), Ryan Hutton (Rodney), Philip Childs (u/s Grandad/Uncle Albert), Dianne Pilkington (Raquel), Lisa Bridge (u/s Cassandra), Peter Baker (Trigger), Andy Mace (u/s Boycie), Samantha Seager (Marlene), Bradley John (u/s Denzil), Andy Bryant (u/s Mickey Pearce), Peter Gallagher (Danny Driscoll), Adam Venus (Tony Driscoll), Lee Van Geelan (u/s Mike), Melanie Marshall (Mrs Obooko), Chris Bennett (Sid), Oscar Conolon Morrey (Dating Agent and Various) Notes: Its-all-green's master | Never to be sold except by me Tracked

Wicked || West End || 16th January 2019 || Matinee || Audio

https://mega.nz/folder/Ql0mWCZB#2U8j_OTwyQIgOKJ-uSPoAA

Cast: Aimee Fisher (u/s Elphaba), Maria Coyne (s/b Glinda), David Witts (Fiyero), Melanie La Barrie (Madame Morrible), Chris Jarman (u/s The Wizard), Jack Lansbury (Boq), Rosa O’Reilly (Nessarose), Rhidian Marc (u/s Doctor Dillamond) Notes: Recorded from the 2nd row || My master (It's-all-green's Master) Tracked and Untracked

Six || West End || 15th October 2019

https://mega.nz/folder/wht0QSiI#PK8ViLM1EylUKPqq4fUYFg

Cast: Jarneia Richard-Noel (Catherine of Aragon), Courtney Bowman (Anne Boleyn), Natalie Paris (Jane Seymour), Alexia McIntosh (Anna of Cleves), Vicki Manser (Katherine Howard), Danielle Steers (Catherine Parr) Notes: Danielle's and Courtney's first! Vickis first as principle Howards, it was also the musicals 500th performance for this run. Natalie has an emotional heart of stone. Includes Megasix video taken from the front row || Its-all-green's master, never to be sold

Bat Out of Hell || West End Dominion || 27th June 2018 || Matinee || Aduio

https://mega.nz/folder/xolCQSYB#uuQnl2O04_tlMdlsC2eNcA

Andrew Polec (Strat), Christina Bennington (Raven), Craig Ryder (u/s Falco), Hannah Ducharme (u/s Sloane), lex Thomas-Smith (Tink), Danielle Steers (Zahara), Wayne Robinson (Jagwire), Sam Toland (u/s Ledoux) Notes: Craig and Hannah's 2nd perfomance together, their first was the night before || My master (it's all green's master) || never to be sold ​Tracked

Waitress || West End || 27th March 2019 || Matinee

https://mega.nz/folder/11MzSQRL#3bvfOLnyqB8pxwq1H0wY6A

Cast: Katharine McPhee (Jenna), Marisha Wallace (Becky), Laura Baldwin (Dawn), David Hunter (Dr. Pomatter), Jack McBrayer (Ogie), Stephen Leask (Cal), Shaun Prendergast (Joe), Peter Hannah (Earl), Kelly Agbowu (Nurse Norma), Arabella Duffy (Lulu), Olivia Moore (Francine Pomatter), Charlotte Riby (Mother) Notes: Jack added this extra "hot coffee" bit after Never Ever getting rid of me, when I mentioned it at stage dorr he siad he wanted to "liven up the audience" the rest of the cast were trying so hard to not break character  || My Master (it's all green's master), never to be sold Tracked and Untracked

Hamilton || West End || 14th August 2019

https://mega.nz/folder/0w9QRYDa#d2SPn_iJaLdsPhfzjXKaCA

Cast: Stephenson Ardern-Sodje (u/s Alexander Hamilton), Rachelle Ann Go (Eliza Hamilton), Sifiso Mazibuko (Aaron Burr), Jason Pennycooke (Marquis de Lafayette/Thomas Jefferson), Dom Hartley-Harris (George Washington), Allyson Ava-Brown (Angelica Schuyler), Tarinn Callender (Hercules Mulligan/James Madison), Cleve September (John Laurens/Philip Hamilton), Courtney-Mae Briggs (Peggy Schuyler/Maria Reynolds), Waylon Jacobs (s/b King George III), Jack Butterworth (Samuel Seabury), Aaron Lee Lambert (Charles Lee), Curtis Angus (George Eacker), Leah Hill (The Bullet) Notes: Its-all-green's master, never to be sold except through me Tracked  

& Juliet || West End || 4th December 2019

https://mega.nz/folder/h5kQgAQD#G9YpCdn5aZG0h_536E36hA

Cast: Miriam-Teak Lee (Juliet), Jordan Luke Gage (Romeo), Cassidy Janson (Anne Hathaway), Ivan de Freitas (u/s William Shakespeare), David Bedella (Lance), Tim Mahendran (Francois), Arun Blair-Mangat (May), Melanie La Barrie (Nurse), David Bedella (Lance), Jocasta Almgil (Lady Capulet/Nell), Christopher Parkinson (s/w Lord Cauplet/Sly), Rhian Duncan (Imogen), Danielle Fiamanya (Lucy), Kieran Lai (Kempe), Nathan Lorainey-Dineen (Gregory), Grace Mouat (Judith), Antoine Murray-Straughan (Augustine), Kerri Norville (Susanna), Dillon Scott-Lewis (Richard), Alex Tranter (Henry), Kirstie Skivington (Eleanor) Notes: My master (its-all-green's master). Record from the front row, includes curtain call video (though this is mostly Jordan (sorry not sorry)). Untracked but with a few tracked songs

[suoufield]

I’m getting right back into ace attorney bc of AAI for steam yayaya

BlaiMond is canon Your Honor!!! They’re MARRIED!!!

[saxonspud]

The Fire Inside - Chapter 29

Short chapter, so you get more than just an excerpt

Blair’s grandfather finally tracks her down

You opened your eyes, you were grateful that it was dark, the room only illuminated by a lantern. It was the only thing you were grateful for. The darkness eased the pain ripping through your head, although it didn’t do much for your throbbing face, where your grandfather had hit you. You recognised the room, almost instantly. It was the room in the lodging house, where you had stayed whilst working at the stables.

You tried to move, but your hands were bound behind your back, and no surprise, your ankles were tied together too. You still wore the Dress that Josiah had bought for you, the gloves were on the side table. You knew that already though, as you could feel the rope cutting into your wrists.

As you heard the door opening, your gaze snapped in that direction. You watched as your grandfather, and the woman who owned the lodging house walked in.

She scowled at you, “do you require anything thing else, Mr McMahon,” she asked, glancing at your grandfather.

“No thank you,” he replied.

She looked at you, and rolled her eyes, “Billy!” she hissed under her breath, as she left the room, closing the door behind her.

You narrowed your eyes, and glared at your grandfather, “why, why are you doing this, have you got no feeling for me at all?” you hissed.

Your grandfather laughed mirthlessly.

“You stupid, naive little girl, you have no idea do you,” he mocked.

You glared at him, “you must really hate me.”

He shook his head, “I neither love nor hate you, Blair. You are merely a business deal, you always have been, from the day you were born!”

You stared at him, incredulously, “what do you mean, my mother never would have agreed to what your doing!” you scoffed.

Your grandfather hummed. “You’re right, she didn’t. Which is why she had to be disposed of. You didn’t really think your white trash of a father had the brains to come up with the plan, nor his hick of a girlfriend. They were happy to carry it out though, even for that shithole of a ranch in the mountains!”

“You...You, it was you all along,” you sobbed, “you killed your own daughter!”

He rolled his eyes, “If she hadn’t been so goddamn stubborn, she’d still be alive. If you hadn’t been such a nosy eavesdropper, then you wouldn’t have run off. I guess the apple didn’t fall far from the tree there!”

Tears ran down your face, as you sobbed. What sort of family had you been born into. You blinked back the tears, “He won’t let you get away with it, he’ll come and find me!” you hissed.

Your grandfather chuckled. “You were good, Blair. Credit where credit is due, you were always one step ahead of me, you and you’re outlaw’s. I picked the wrong gang though. When I found out you’d made it to you’re fathers ranch in the mountain, I made an arrangement with Colm O ‘Driscoll. He was to grab you, and kill your father and his whore. Didn’t plan on Dutch Van Der Linde coming to the rescue, like a knight in fucking shining armour! Then when his idiot English accomplice tried to con me with the goldmine, I played dumb. Figured when he tried to marry you for the money, I’d grab you. Only he didn’t did he.”

You scowled at him, “you shouldn’t expect people to be as vile as you. He didn’t even want the money, he wanted me!”

Your grandfather laughed, “of course he wanted the money, that’s why he won’t come and get you. I left a little pay-off with Angelo Bronte, to give to your outlaw. Just watch him take the money and run.”

Your face paled, “he won’t,” You whispered, “he loves me.”

“Of course he does, as long as you have your little nest egg waiting. Were you really stupid enough to think he wanted you, look at you, you’re worthless, ugly little whore. You couldn’t even look after yourself when you tried to make it alone. Billy Adams for Christs sake!” He scoffed.

“You knew?” You cried, your voice cracking at your grandfathers cruel comments.

He rolled his eyes, “of course I knew, the same as these fine people knew you weren’t a boy. I missed grabbing you by one day, one fucking day!” he growled.

“Well I hope your business partner isn’t expecting a virgin, because if he is, he’ll be fucking disappointed,” you snarled.

You watched at your grandfather’s face turned red with anger. He walked over and slapped you hard around the face. You felt blood, on your lip.

“You fucking little whore,” he growled. “but I don’t really care, once your married to him, your money becomes his, he can fuck you, kill you or sell you to Alberto Fussar to work on his plantation in Guarma for all I care. I doubt he’ll even want to look at you, you’re disgusting! But tomorrow you will be marrying Leviticus Cornwall, even if I have to drag you down the aisle in chains,” he hissed.

He walked towards the door, “sleep well,” he scoffed, “you have a big day tomorrow, Princess!”

He walked out the room closing the door behind him, you heard a click, as the door locked. Even if you could get free of these ropes, there was no way you would get out of this room.

You glanced to the other side of the room, you couldn’t believe it. He’d actually left a wedding dress, laid on the chair, as if to torment you. You licked the blood from the corner of your mouth. You closed your eyes, sobbing to yourself. This was it, this was the end of your life. Maybe your grandfather was telling the truth, why would anyone want you, the way you looked right now. Unless it was for the money. Now your grandfather had paid them off, you were well and truly alone. You felt tears running down your cheeks. You closed your eyes, as you cried yourself to sleep.

[chrancecriber]

Radio NET Bulgaria (November 15, 2022)

23:59 RHYTHM LOGIC - Tuesdays Love 23:54 JONATHAN FRITZEN - Hammers Of Love 23:52 496 WEST - Soul Catcher 23:48 DAMIEN ESCOBAR - Reflections 23:43 BLAIR BRYANT - Squid 23:38 THE SAX PACK - Are You Ready 23:33 KAYLA WATERS - I Am 23:29 JOEL DEL ROSARIO - Summer Song 23:25 DEE LUCAS - Through It All 23:20 KEN NAVARRO - Sly 23:17 NILS - Jazz Cruise 23:12 ART RUPRECHT - Down Time 23:08 RAINFOREST BAND - Windows of Time 23:03 GERALD ALBRIGHT - Because Of You 23:00 PETER WHITE - Desert Night 22:58 THE FUSION, JANE MAXIMOVA - Behind Rain Waves (Chillout Mix) 22:54 G-SPLIFF - Won't Part 22:50 GROOVE THIEVERY - Killer 22:45 MATT DAREY, ERICA DRISCOLL - Too Far (Zetandel Chill Mix) 22:42 ROBERT NICKSON - Maybe Next Time (Chill Out Mix) 22:35 LA NUIT DEL MAR - Everybody (Luxury Lounge Cafe Mix) 22:29 LA CAINA - I Gotta Know Now 22:26 CHRIS REECE, ROMINA ANDREWS - Right Back (Album Mix) 22:23 C.CIL - Sunset 22:19 ANDAIN - Promises 22:14 E ONE, ARUNA - Still Holding On (Aruna vs Conjure One Chill Mix Lounge Edit) 22:09 VARGO - You're Not Alone 22:03 MACIEJ LABUDA - Be Free 21:59 MARCELA MANGABEIRA - Don't Stop The Music (Lounge Version) 21:56 JOE SATRIANI - Always 21:52 JOHANNES HUPPERTZ - Freeee 21:47 AMEDEO BIANCHI - Spring Water 21:43 BLUE METHENEY - Don't Be So Shy (Sirius & Nyla Mix) 21:37 MARK WATSON - Submission 21:34 PUBLIC SYMPHONY - Wings 21:31 BENYA, PENNY NIXON - Serendipity (After Meridian & Dave Costa Remix) 21:27 DAVID TORT, NORMAN DORAY - Chase The Sun (Musica Feliz Ibiza Beat Remix) 21:23 PAT APPLETON - Crimson (Original Mix) 21:19 LATE NIGHT ALUMNI - This Is Why 21:14 RICHARD DURAND - Wide Awake (Zetandel Chill Remix) 21:10 SOLARIC INC - Children (Chill Mix) 21:04 RHEINGOLD ENSEMBLE - Deja Bo 20:59 SOLANOS - Get That Feeling 20:53 ANDY SOL & ECOLYTE - Ponse Passing (Original Mix) 20:48 CHRIS WONDERFUL - History (Original Mix) 20:43 ANGE - Some Day (Perception Of Sound Mix) 20:37 CIARAN McAULEY, ROLY, OONAGH - Forgotten (Ambient Mix) 20:31 SALTWATER - Chicane (Thrillseekers Ambient Mix) 20:26 CHRISTIAN BURNS, MARCO V - Frozen Heart (Acoustic Version) 20:22 MORGAN PAGE - In The Dark 20:17 JEAN MARE - Just Equality (Electro Downbeat Mix) 20:13 ERINYA MOON - On The Edge (Russian Vocal Mix) 20:09 WILLIAM FITZSIMMONS - Psychasthenia 20:06 SAMANTHA JADE - Everytime 20:02 AREA CODE 51 - Chillout In Paris 19:57 BISCAINE - Sunrise At Paradise Beach (Original Mix) 19:54 LEMON ICE - Hello 19:49 ARNEJ - People Come, People Go (Chillout Mix) 19:43 LEMONGRASS - Ocean Kisses (Original Mix) 19:40 ASHLEY WALLBRIDGE, ELLEAH - These Walls (Album Mix) 19:34 ASCESION - For A Lifetime (Chillout Mix) 19:29 SANGRE DE LA TIERRA - Antigua 19:23 DEEPER SUBLIME, AVO - Hypnotic 19:19 PIANOCHOCOLATE - Les Souvenirs (Original Mix) 19:15 SAMI COVER - Love You Like a Love Song (DjR remix) 19:12 AUDIO BULLYS - Take You There 19:09 ATB. FLANDERS - Behind (ATB's Ambient Version) 19:04 RUE DU SOLEIL - In My Heart 18:59 RUSLAN-SET, POWERMS, V.RAY - Aspiration (Vocal Mix) 18:54 ANDY MOOR, SUE McLAREN - Fight The Fire (Masoud Chillout Mix) 18:51 CERF, MITISKA & JAREN, RANK 1 - Witness (Acoustic Mix) 18:47 LIQUID MOTION - Silent Running 18:41 CERF, MITISKA & JAREN - Beggin' You (Aeron Aether & Gorm Sorensen Remix) 18:36 BISSEN, THE CROSSOVER - Washout (Piano Mix) 18:33 BT & AQUALUNG - Surrounded (Tony Awake Remix) 18:30 BRIAN - Drowning (Acoustic Version) 18:24 SHERRIE LEA - No Ordinary Love (Arnold T Chill Mix) 18:20 SARAH MENESCAL - Don't Speak 18:15 SCHILLER, KATE HAVNEVIK - Don't Go 18:09 SHAUN ESCOFFERY - Into the Blue (Mark de Clive-Lowe Mix) 18:04 SCHWARZ, FUNK - Rainy Ibiza 18:00 SHARAM, DANIEL BEDINGFIELD - The One (Downtempo Mix) 17:55 SCROOGE - African Laundry (Original Mix) 17:52 SEAL - Ooh Baby Baby 17:47 SEXY LIYA, DEEMA - Chemistry Of Love (Dj Shved Remix) 17:42 SEBA - Painted Sky (Imagine Chill Out Remix) 17:38 SEVEN24, VLADIMIR LOBOV - Fable 17:35 SENSPROOF - Starflight (Alex Atmospheric Chillout Remix) 17:32 SEPTEMBER - Cry For You (Candlelight Remix) 17:28 SEVEN24 - Oasis (Original Mix) 17:21 R.I.B - I Look At Sea Horizon 17:17 HALEY - I Remember 17:14 ACTIVA, JULIE HARRINGTON - You Are Here (Ambient Mix) 17:11 HEADSTRONG, HELENA WARD - Broken Ice (Acoustic & Strings Chillout Mix) 17:08 SCUBBA, IVETTE MORAES, RONAN - The Sweetest Taboo (Remix) 17:04 ROMA BABANOV - Flight 17:00 IT'S DIFFERENT - Tell Me 16:56 NORMAN BROWN - In My Life 16:51 STEVE OLIVER - Circles 16:47 3RD FORCE - Breakout 16:42 AL GOMEZ - Paragon 16:37 ROD TATE - I Got U 16:32 NICHOLAS COLE - Let's Play 16:28 KOOL&KLEAN - Beautiful Surprise 16:23 JAY KING - Your Way 16:18 BE'NE MUSIC - Rock Steady 16:13 AMANDUS - Quarter to Midnight 16:09 GERALD ALBRIGHT - Split Decision 16:05 PAUL JACKSON JR. - B.F.A.M. (Brothers from Another Mother) 16:00 ROBERT HARRIS - Your Memory Lives in Me 15:59 ADRIAN CRUTCHFIELD - Go Girl 15:54 DARREN MOTAMEDY - Formosa 15:50 BRANDON WILLIS - Next Friday 15:47 PAUL BROWN - Brother Earl 15:41 CHIELI MINUCCI - Leilani 15:36 GEORGE JINDA - Mother of Pearl 15:31 KEITH MASON - Ascended 15:26 NICK COLIONNE - Is This Love I'm Feeling 15:22 PAUL HARDCASTLE - Echoes Rising 15:18 VINCENT INGALA - Read Between The Lines 15:13 PETER WHITE - Midnight In Manhattan 15:09 ROB MALETICK - In My Arms 15:03 WAKANA - Let's Get Together (feat. Peter Peet Ferencz) 15:00 RANDY SCOTT - Tempo 14:56 OLI SILK - Tokyo 14:52 PETER HEROLD - Your Power 14:47 BAKERS DOZEN - Brooklyn Bound M 14:43 HERB PARTLOW - Drop It! 14:38 KENNY NIGHTINGALE - Never Let You Go 14:35 JASON PETERSON DELAIRE - Nightcap (feat. Chris Camozzi) 14:31 SHAUN LABELLE - Palm Canyon Drive 14:25 EVERETTE HARP - In Time 14:21 BOBBY LYLE - Living In The Flow 14:16 PIECES OF A DREAM - It's A Vibe 14:13 DEE LUCAS - Sir Dee 14:08 GERALD ALBRIGHT - True Colors 14:04 ROBERTO VALLY - Just Say Yes 14:00 WAYNE GUTSHALL - Spanish Love (feat. Steve Oliver) 13:58 DEAN JAMES - Can I Take You Out 13:55 JS FLOYD - Kukumo 13:51 LIN ROUNTREE - Candie's Dance 13:46 H ALLAN - Rise 13:43 BENNETT B - Between Rivers 13:39 ROB SABADO - On The Beach 13:34 BOB BALDWIN - Morning 13:30 DAN ALAN LEVINE - Our Kind Of Love (feat. Kim Scott & Jeanette Harris) 13:26 TOM BRAXTON - Sharon's Groove 13:22 MEKIEL REUBEN - Summer Breezin 13:17 CAROL ALBERT - One Way 13:13 PETER WHITE - Reason To Live 13:08 JOHN NOVELLO - Love Affair 13:04 JAZZ IN PINK - Positivity 13:00 VERNON LOUIS HICKS - Je'anne (feat. Austin Jay) 12:58 2UNES - Just Add Water 12:55 FUNKTASTIC PLAYERS - Sunset Groove 12:51 GERALD ALBRIGHT - G-Wiggle 12:47 RICK HABANA - Lost Records 12:43 LOWELL HOPPER - Distant Love (feat. G. Vernon Burrell, Jr.) 12:39 NORTH 2UNES WOODALL - Happy Cause I'm Going Home 12:34 GARY HONOR - Island Pearl 12:30 JOHN E. LAWRENCE - Do Your Best 12:25 CHILLAXING JAZZ KOLLEKTION - My Story 12:19 KEITH SLATTERY - Duality 12:16 KENNEY POLSON - Love on a Two Way Street 12:10 VINCENT IOIA - There's a Better Way 12:05 KIRK FISCHER - Kiss on My List 12:00 EDGARDO CINTRON - Just A Little Taste of Your Love 11:59 CHUCK LOEB - Unspoken 11:54 DANIEL CHIA - In the Moment (feat. Paul Brown) 11:51 WILL DONATO - The Goddess 11:46 DREAMING IN COLOUR - Percolator 11:42 DARRIUS JAMAR - Missing You 11:38 DOMINIC CAMARDELLA - Life Goes On 11:34 LES SABLER - Tranquility 11:31 SAM BASSMAN JENKINS - Don't Look Back 11:26 TONY LINDSAY - Soul Soldier 11:21 SEAN U - Nightfall 11:17 U - NAM 11:13 PETER WHITE - Bullseye 11:08 BIRDS OF A FEATHER - Only You 11:04 ADAM HAWLEY - Traveling Mood (Feat. Julian Vaughan) 11:00 DERRICK HARVIN - Eyes Wide Open 10:56 BOBBY WELLS - Tee It Up 10:52 DANNY LERMAN - The First Time 10:48 ANDRE DELANO - Why Not 10:43 ERIC MARIENTHAL - Flower Child 10:39 FOURPLAY - Love TKO (feat. Ruben Studdard) 10:35 JEREMY HECTOR - Chandelle 10:31 DAVE BRADSHAW JR. - Nothin' But Groove 10:27 BEN TANKARD - I'll Be Missing You 10:22 FREDDIE FOX - Champagne Tonight 10:18 ANDREY CHMUT - Those Sweet Nights (feat. Valeriy Stepanov) 10:13 GARY MEGGS - Internal 10:09 DEMETRIUS NABORS - Perseverance 10:04 GABRIEL MARK HASSELBACH - You Will Always Be The One 10:00 NATE WHITE - Sweet Summer Nights 09:57 RONALD BOO HINKSON - Dance the Hall 09:53 STEVE WATSON - Stones Throw 09:49 ALTHEA RENE - Inner Circle 09:44 BONEY JAMES - You Can Count on Me 09:40 CHRIS GODBER - Living Water (feat. Bob Baldwin) 09:36 FRANK SUTTON - Rain Serenade 09:33 STEVE RAYBINE - Firefly Dance 09:29 SOLEX - Flying High (feat. Jonathan Dubose, Jr.) 09:25 UNDER THE LAKE - Whatever You Wish For 09:21 CHRIS 'BIG DOG' DAVIS - Focus 09:17 PHILLIP DOC MARTIN - Marvelous 09:12 PETER WHITE - Are You Mine 09:07 BILLYRAY SHEPPARD - Silk 09:03 KIRK WHALUM - Courtney 09:00 WADE C. LONG - GodChildren 08:58 ROCCO VENTRELLA - Give Me The Groove 08:52 DAVID PETROSYAN - By Happy 08:48 LOUIE FITZGERALD - Jammin' After School 08:44 GERRY SMOOTH - So It Begins 08:38 EARL KLUGH - Nightwalk 08:34 MARQUEAL JORDAN - Mahogany 08:29 MARC ANTOINE - Marco Polo 08:25 JAMHUNTERS - Tah 08:20 GINO ROSARIA - Funkin' 08:15 GARY MEEK - Cannery Row 08:12 HIROSHIMA - Groove Latino 08:08 JAKOB MAGNUSSON - Reykjavik Romp 08:04 JAREZ - Its Over 08:00 KEITH ANDREW - Pookies Groove 07:59 KEN POWE - Above The Clouds 07:55 YULARA - Flyin' High 07:50 GHOST JAZZ TRIO BAND - Dreams Above (feat. James Morgan) 07:46 EJAZZ ARTISTRY - We Belong Together 07:42 JEFFERY SMITH - Natural High 2020 07:37 DONALD HAYES - Georgy Porgy 07:33 DWIGHT SIRLS - Stand 07:30 DIDIER LABOSSIERE - Back to the Beginning 07:26 JULIAN VAUGHN - Time Is Now 07:21 SKINNY HIGHTOWER - Spanish Harlem 07:17 TIM BOWMAN - Just Another Day 07:14 MICHAEL ROSS - Moments in Fall 07:08 PETER WHITE - Undercover 07:04 SHAWN RAIFORD - Rude Boy 07:00 SPECIAL EFX - Another Day, Another Smile 06:57 EARNEST WALKER JR - Ordinary People 06:53 MAX HIGHSTEIN - Gratitune 06:49 MICHAEL MANSON - Straight Up 06:45 ILYA SEROV - Just Friends 06:41 R. HARRIS - Gus's Groove (feat. Ignacio Nunez, Jason Meekins & Bobby Lebel) 06:37 DARREN RAHN - Talk Of The Town 06:33 SPONTANEOUS GROOVIN' COMBUSTION - Spy vs Spy 06:29 AVENUE BLUE - Atlanta Nights (feat. Jeff Golub) 06:25 PEET PROJECT - Playground 06:20 GARY METZ - Dreamer 06:14 ACOUSTIC ALCHEMY - Playing For Time 06:08 JAMES SAXSMO GATES - Sweetest Taboo 06:04 BRETTINA - Low 06:00 CHAZZY GREEN - At My Place 05:57 GARY PALMER - Lisa 05:54 JEFF LORBER FUSION - Back Room 05:51 EVAN CARYDAKIS - Movin On 05:47 J. WHITE - Free 05:43 PAUL TAYLOR - One Step Closer 05:38 POP'N BOSSA - Too Good to Say Goodbye 05:33 MARION MEADOWS - Celebration Road 05:29 CAL HARRIS JR. - Timeline 05:25 LISA ADDEO - Little Black Dress 05:20 JOE MCBRIDE, THE TEXAS RHYTHM CLUB - Morning In A Distant Land 05:16 MARK ETHEREDGE - Connected (Feat. Paul Brown) 05:12 NILS - After The Storm 05:08 PETER WHITE - Just Give Me A Chance 05:03 ERIC DARIUS - Uptown Swagger 05:00 PAUL TUVMAN - I'll Be Back 04:57 JEANETTE HARRIS - The Ride (feat. Darrell Crooks) 04:53 MARCIN NOWAKOWSKI - Snow Lion (Feat. Michael Thompson) 04:49 DAVE KOZ - Yesterday 04:45 ER - Mr Kool (feat. John Rathbone, Jack Jones, Chris Otts & Michael Cornett) 04:40 JODY MAYFIELD - Rumors and Lies (feat. Michael Tarpley) 04:36 CHILLAXONIC - Mellifluous 04:32 AL DEGREGORIS - My Father's House 04:28 ROB TARDIK - Smile 04:24 QUINTIN GERARD W. - Latin Layover 04:20 EUGE GROOVE - Livin' Large 04:16 JOY RIDE - Sweet Talk Me Now 04:13 VANN BURCHFIELD - Lay Back (Vocals) 04:08 WALTER BEASLEY - Strasbourg 04:03 WARREN HILL - Renewal 04:00 DAVID BENOIT - @Home 03:58 JOYCE COOLING - Come and Get It 03:54 DANCING FANTASY - Mother Earth 03:50 WILL SUMNER - Ride The Wave 03:45 DIRK K - California 03:41 BRAD ALEXANDER - Feel da Music (feat. Gerald Albright) 03:37 BRIAN SIMPSON - When I Found You 03:32 KIM WATERS - Takin' The High Road 03:28 PAOLO RUSTICHELLI - Changes 03:25 PATRICK YANDALL - Laws of Groovity 03:21 No One Else Would Ever Do (feat. Magdalena Chovancova, Robert Fertl & Dw3) 03:17 GREGORY GOODLOE - Get'n It 03:13 KIM SCOTT - You And Me (Feat. Kelvin Wooten) 03:08 NILS - A Walk in the Park 03:05 PETER WHITE - Cafe Mystique 03:00 JEFF KASHIWA - The Power of Midnight 02:58 ANDRE CAVOR - Road Trip 02:55 ZOLBERT - Frappe 02:51 TONY SAUNDERS - That Beautiful Lady 02:46 INCOGNITO - Move It Up 02:42 R.L. WALKER - Just a Feeling 02:37 RAGAN WHITESIDE - Gonna Fly 02:33 WAYMAN TISDALE - Front Runna 02:28 ANDY SNITZER - Candy 02:23 LAWSON ROLLINS - Come To Light 02:19 ROBERTO VAZQUEZ - Never Far Away 02:15 PHIL DENNY - Around the Block 02:11 TERENCE YOUNG - Without You 02:07 JACKIEM JOYNER - Stay With Me Tonight 02:04 RICK BRAUN - The Color of Love 02:00 ROBERTO RESTUCCIA - Clickin 01:59 ROBERT CHRISTA - Brazilian Rendezvous 01:54 MARCUS ANDERSON - Open The Eyes Of My Heart 01:50 PATRICK BRADLEY - Sip' n the Breeze 01:46 DREW DAVIDSEN - Overdrive 01:43 JACOB WEBB - Another Day 01:37 JOEL THIBAULT - Lover's Night 01:35 JAEE LOGAN - Portrait of Patrice 01:31 CHRISTOPHE GOZE - The Nightfly (2022 Version) 01:28 BLAKE AARON - Shine 01:23 THE SMOOTH JAZZ ALLEY - Subway 01:19 JAMES LLOYD - No Holds Barred 01:15 DR. DAVE, THE HOUSECALL BAND - Cecil's Groove 01:12 JAZMIN GHENT - Amends 01:08 NILS - Sway 01:04 PETER WHITE - November 01:00 DARRON COOKIE - Dining In 00:59 JEFF RYAN - Tenderly 00:55 RONNY SMITH - Here We Go Again 00:50 EVERETT B WALTERS - You'll Never Know 00:46 FRANK MCCOMB - Patrice (For Patrice Rushen) 00:42 JAZZ FUNK SOUL - Hidden In Plain Sight 00:36 MEZZOFORTE - Sea Breeze 00:31 CINDY BRADLEY - Exhale 00:27 GREGG KARUKAS - Soul Secrets 00:22 NELSON RANGELL - Old School 00:18 MARK JAIMES - Heads Up (feat. Rick Braun) 00:13 CHRIS STANDRING - Hypnotize 00:08 JIM ADKINS - 49th & Broadway 00:04 GREG MANNING - Elegant Lady 00:00 DANIEL DOMENGE - Back to the Past

[elcinelateleymickyandonie]

Filmografía

Silencioso

The Dollar Mark (1914) como James "Jim" Gresham

El hombre de la hora (1914, existente) como Henry Garrison

Al otro lado del Pacífico (1914, existente) como papel secundario (no confirmado ni acreditado)

Alias ​​Jimmy Valentine (1915, existente) como Jimmy Valentine

El hombre que se encontró a sí mismo (1915) como James Clarke

Un diamante indio (corto de 1915)

El rostro a la luz de la luna (1915) como Victor / Rabat

La voz robada (1915, existente, Biblioteca del Congreso) como Gerald D'Orville

El destello de una esmeralda (1915) como Lucius Waldeck

Los pecados de la sociedad (1915) como el capitán Dorian March

Frutos del deseo (1916) como Mark Truitt

El sacrificio supremo (1916) como David Aldrich

Driftwood humano (1916, perdido) como Robert Hendricks

Riquezas repentinas (1916) como Robert Crewe

Viernes 13 (1916) como Robert Brownley

El corazón de un héroe (1916, existente) como Nathan Hale

Todo hombre (1916) como Jim Blake

El hombre que olvidó (1917, perdido) como El hombre, más tarde conocido como John Smith

La locura de una niña (1917, existente) como Kenneth Driscoll

El caso Argyle (1917, perdido) como Asche Kayton

El infierno no tiene furia (1917)

El honor de la familia (1917) como el capitán Stephen Wayne

El falso amigo (1917) como William Ramsdell

El maestro silencioso (1917) como Valentin, también conocido como Monsieur Simon

El amante loco (1917) como Robert Hyde

La luna de miel accidental (1918, fragmento incompleto en la Biblioteca del Congreso) como Robert Courtland

Servicio Secreto (1919, perdido) como Major Lewis K. Dumont

Contado en las colinas (1919, existente, Gosfilmofond) como Jack Stuart

En Mizzoura (1919, perdido) como Jim Radburn

Una aventura en corazones (1919, perdido) como el Capitán Dieppe

El árbol del conocimiento (1920, perdido) como Nigel Stanyon

Jack Straw (1920, existente) como Jack Straw

Tú eres el hombre (1920, perdido) como Myles Calthrope

La ciudad de las máscaras (1920, perdido) como Tommy Trotter

El decimocuarto hombre (1920, perdido) como el capitán Douglas Gordon

El Spitfire (1924, perdido) como Oliver Blair.

Sonido

Desenmascarado (1929) como Craig Kennedy

The Royal Bed (1931).