#black people invented everything

[isawthismeme]

[jccheapalier]

Black People Invented Everything... One Eurasian Woman's Thoughts

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[kazzattack]

men complaining about positions they put themselves in will never not be funny

[mostlysignssomeportents]

Amazon illegally interferes with an historic UK warehouse election

I'm in to TARTU, ESTONIA! Overcoming the Enshittocene (Monday, May 8, 6PM, Prima Vista Literary Festival keynote, University of Tartu Library, Struwe 1). AI, copyright and creative workers' labor rights (May 10, 8AM: Science Fiction Research Association talk, Institute of Foreign Languages and Cultures building, Lossi 3, lobby). A talk for hackers on seizing the means of computation (May 10, 3PM, University of Tartu Delta Centre, Narva 18, room 1037).

Amazon is very good at everything it does, including being very bad at the things it doesn't want to do. Take signing up for Prime: nothing could be simpler. The company has built a greased slide from Prime-curiosity to Prime-confirmed that is the envy of every UX designer.

But unsubscribing from Prime? That's a fucking nightmare. Somehow the company that can easily figure out how to sign up for a service is totally baffled when it comes to making it just as easy to leave. Now, there's two possibilities here: either Amazon's UX competence is a kind of erratic freak tide that sweeps in at unpredictable intervals and hits these unbelievable high-water marks, or the company just doesn't want to let you leave.

To investigate this question, let's consider a parallel: Black Flag's Roach Motel. This is an icon of American design, a little brown cardboard box that is saturated in irresistibly delicious (to cockroaches, at least) pheromones. These powerful scents make it admirably easy for all the roaches in your home to locate your Roach Motel and enter it.

But the interior of the Roach Motel is also coated in a sticky glue. Once roaches enter the motel, their legs and bodies brush up against this glue and become hopeless mired in it. A roach can't leave – not without tearing off its own legs.

It's possible that Black Flag made a mistake here. Maybe they wanted to make it just as easy for a roach to leave as it is to enter. If that seems improbable to you, well, you're right. We don't even have to speculate, we can just refer to Black Flag's slogan for Roach Motel: "Roaches check in, but they don't check out."

It's intentional, and we know that because they told us so.

Back to Amazon and Prime. Was it some oversight that cause the company make it so marvelously painless to sign up for Prime, but such a titanic pain in the ass to leave? Again, no speculation is required, because Amazon's executives exchanged a mountain of internal memos in which this is identified as a deliberate strategy, by which they deliberately chose to trick people into signing up for Prime and then hid the means of leaving Prime. Prime is a Roach Motel: users check in, but they don't check out:

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

When it benefits Amazon, they are obsessive – "relentless" (Bezos's original for the company) – about user friendliness. They value ease of use so highly that they even patented "one click checkout" – the incredibly obvious idea that a company that stores your shipping address and credit card could let you buy something with a single click:

https://en.wikipedia.org/wiki/1-Click#Patent

But when it benefits Amazon to place obstacles in our way, they are even more relentless in inventing new forms of fuckery, spiteful little landmines they strew in our path. Just look at how Amazon deals with unionization efforts in its warehouses.

Amazon's relentless union-busting spans a wide diversity of tactics. On the one hand, they cook up media narratives to smear organizers, invoking racist dog-whistles to discredit workers who want a better deal:

https://www.theguardian.com/technology/2020/apr/02/amazon-chris-smalls-smart-articulate-leaked-memo

On the other hand, they collude with federal agencies to make workers afraid that their secret ballots will be visible to their bosses, exposing them to retaliation:

https://www.nbcnews.com/tech/tech-news/amazon-violated-labor-law-alabama-union-election-labor-official-finds-rcna1582

They hold Cultural Revolution-style forced indoctrination meetings where they illegally threaten workers with punishment for voting in favor of their union:

https://www.nytimes.com/2023/01/31/business/economy/amazon-union-staten-island-nlrb.html

And they fire Amazon tech workers who express solidarity with warehouse workers:

https://www.cbsnews.com/news/amazon-fires-tech-employees-workers-criticism-warehouse-climate-policies/

But all this is high-touch, labor-intensive fuckery. Amazon, as we know, loves automation, and so it automates much of its union-busting: for example, it created an employee chat app that refused to deliver any message containing words like "fairness" or "grievance":

https://pluralistic.net/2022/04/05/doubleplusrelentless/#quackspeak

Amazon also invents implausible corporate fictions that allow it to terminate entire sections of its workforce for trying to unionize, by maintaining the tormented pretense that these workers, who wear Amazon uniforms, drive Amazon trucks, deliver Amazon packages, and are tracked by Amazon down to the movements of their eyeballs, are, in fact, not Amazon employees:

https://www.wired.com/story/his-drivers-unionized-then-amazon-tried-to-terminate-his-contract/

These workers have plenty of cause to want to unionize. Amazon warehouses are sources of grueling torment. Take "megacycling," a ten-hour shift that runs from 1:20AM to 11:50AM that workers are plunged into without warning or the right to refuse. This isn't just a night shift – it's a night shift that makes it impossible to care for your children or maintain any kind of normal life.

Then there's Jeff Bezos's war on his workers' kidneys. Amazon warehouse workers and drivers notoriously have to pee in bottles, because they are monitored by algorithms that dock their pay for taking bathroom breaks. The road to Amazon's warehouse in Coventry, England is littered with sealed bottles of driver piss, defenestrated by drivers before they reach the depot inspection site.

There's so much piss on the side of the Coventry road that the prankster Oobah Butler was able to collect it, decant it into bottles, and market it on Amazon as an energy beverage called "Bitter Lemon Release Energy," where it briefly became Amazon's bestselling energy drink:

https://pluralistic.net/2023/10/20/release-energy/#the-bitterest-lemon

(Butler promises that he didn't actually ship any bottled piss to people who weren't in on the gag – but let's just pause here and note how weird it is that a guy who hates our kidneys as much as Jeff Bezos built and flies a penis-shaped rocket.)

Butler also secretly joined the surge of 1,000 workers that Amazon hired for the Coventry warehouse in advance of a union vote, with the hope of diluting the yes side of that vote and forestall the union. Amazon displayed more of its famously selective competence here, spotting Butler and firing him in short order, while totally failing to notice that he was marketing bottles of driver piss as a bitter lemon drink on Amazon's retail platform.

After a long fight, Amazon's Coventry workers are finally getting their union vote, thanks to the GMB union's hard fought battle at the Central Arbitration Committee:

https://www.foxglove.org.uk/2024/04/26/amazon-warehouse-workers-in-coventry-will-vote-on-trade-union-recognition/

And right on schedule, Amazon has once again discovered its incredible facility for ease-of-use. The company has blanketed its shop floor with radioactively illegal "one click to quit the union" QR codes. When a worker aims their phones at the code and clicks the link, the system auto-generates a letter resigning the worker from their union.

As noted, this is totally illegal. English law bans employers from "making an offer to an employee for the sole or main purpose of inducing workers not to be members of an independent trade union, take part in its activities, or make use of its services."

Now, legal or not, this may strike you as a benign intervention on Amazon's part. Why shouldn't it be easy for workers to choose how they are represented in their workplaces? But the one-click system is only half of Amazon's illegal union-busting: the other half is delivered by its managers, who have cornered workers on the shop floor and ordered them to quit their union, threatening them with workplace retaliation if they don't.

This is in addition to more forced "captive audience" meetings where workers are bombarded with lies about what life in an union shop is like.

Again, the contrast couldn't be more stark. If you want to quit a union, Amazon makes this as easy as joining Prime. But if you want to join a union, Amazon makes that even harder than quitting Prime. Amazon has the same attitude to its workers and its customers: they see us all as a resource to be extracted, and have no qualms about tricking or even intimidating us into doing what's best for Amazon, at the expense of our own interests.

The campaigning law-firm Foxglove is representing five of Amazon's Coventry workers. They're doing the lord's work:

https://www.foxglove.org.uk/2024/05/02/legal-challenge-to-amazon-uks-new-one-click-to-quit-the-union-tool/

All this highlights the increasing divergence between the UK and the US when it comes to labor rights. Under the Biden Administration, @NLRB General Counsel Jennifer Abruzzo has promulgated a rule that grants a union automatic recognition if the boss does anything to interfere with a union election:

https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks/#if-blood-be-the-price-of-your-cursed-wealth

In other words, if Amazon tries these tactics in the USA now, their union will be immediately recognized. Abruzzo has installed an ultra-sensitive tilt-sensor in America's union elections, and if Bezos or his class allies so much as sneeze in the direction of their workers' democratic rights, they automatically lose.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/06/one-click-to-quit-the-union/#foxglove

Image: Isabela.Zanella (modified) https://commons.wikimedia.org/wiki/File:Ballot-box-2.jpg

CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en

[timmydraker]

Tim begins to distance himself from his family after Damian becomes Robin.

It was obvious in the way he ran off to rescue Bruce, but that was more of a physical thing at the end of the day. He was desperate and had lost any kind of safety net and support he had after Dick threatened Arkham and how badly he hurt Alfred with his instance that Bruce was alive.

Either way he was going to get Bruce back, if not because he felt like he was an aimless, nothing human being without Batman then there was that he wanted to be believed.

Then Dick handed over Robin to Damian who at that point genuinely despised Tim, though there was also a level of jealously in the young Wayne’s mind at the intelligence and analytical Tim.

It was then that Tim decided he would bring Bruce back and then do his own thing, outside of Robin and outside of Batman.

He clearly had done his job hadn’t he? Sure Bruce was dead, but Dick was acting as Batman and that Batman had a Robin, so his reasoning for being Robin was extinguished.

Tim brings Bruce back and the older man praises and thanks him for several days and then, like everything else, the attention moves away. It goes to him connecting with Damian on a vigilante level and catching up on the last several months of him being ‘dead’. It goes to Jason who, now that he’s lost his foster father has decided that maybe he could try a little harder after all.

It goes to everyone and anyone other than Tim and this time? That’s actually the plan.

Tim isn’t as good of a hacker as Barbara, but she’s basically a god at it so compared to others he might as well be master level, just not against her. This he uses to shift around peoples schedules so Alfred has no choice but to let him go to school on his own (Tim may have also invented an early morning ‘club’ that was totally legit and not at all a fabrication). He makes it so when Dick is over or Jason takes the rare opportunity to visit he had to work at WE or DI, something important he can’t neglect.

He never has to walk Ace or Titus because he’s busy with his team mates.

Team mates who think he’s busy helping out Batman.

Tim still does work as a hero, but it’s entirely through his businesses after a while. A few times he has no choice but to go out in a boring black suit with a full face mask and hoodie. It’s got nothing on it, no symbols or gadgets. Nothing to connect him to anyone.

He starts with the homeless, dishing out vaccines like candy without even doing a campaign to showcase it.

Then he changes Bruce’s rather naive approach to orphanages and makes it so every single child who is put through is given a small amount of funding. He makes it so kids have more chance to stay with siblings, makes sure everyone who even so much as enters the ground of a orphanage have a real background check and sure the adoption rate drops, but so does the missing kids and DV cases.

Tim steals over fifty million from people like Luther and Penguin and all kinds of corrupt rich assholes for the majority of the funding and not even a cent of it is traced back to Wayne or Drake businesses. Whiles he’s digging into Lex be manages to get enough evidence to put a sizeable dent in his reputation, even if Lex manages to smooch a fair bit of it back.

He’s manages to take out a large sized trafficking ring and helps get the victims into a real recovery home that he hand picks out security for.

Later, as in a few days afterward, he discovers a dog meat farm and everyone medical veterinary student suddenly finds themself free of student loans and debt and with multiple work opportunities available and volunteer work being down right pleased for.

Tim knows he’s being noticed but given that he basically lives in his office in the heart of the city, he isn’t there to hear his old teammates and ‘family’ talk about the mysterious Dread.

Dread who was named that after a report came out about a theory of an unknown hacker or ‘cyber vigilante’ who was stealing money and information from rich folk and giving it to the poor, giving all of the 1% dread that he would hit them next.

The exact quote was ‘Those with money deeper than their pockets dread the hackers next moves. And they should feel that dread as a warning for this Robin Hood like legend seems to be getting braver.’

Dick was sure the hacker would have been called Robin if he hadn’t chosen that name already, to which Barbara responded with grumbles and growl because she couldn’t find anything other than holes and traps left by the hacker. It was like they knew her every move before she even made it!

Tim, obvious to his growing reputation until it fully took off, hadn’t even considered that his actions would be framed a threat by Batman. He would say it was because he didn’t think Bruce would ever really target him like that, but in actuality it’s because he knew Bruce was one of the few good rich folk. Surely he would be on the side of a secret vigilante hacker trying to use horrible people to do good? He embraced Dread quickly and was happy he make the rich squirm and brought a sense of hope to people, it was just like Robin but instead of them being safe and given light they were given a peace of mind in a mix of revenge and justice.

What Tim doesn’t know is that Bruce is still too far into his whole image of black and white, good and evil, that he tends to forget there’s grey areas.

At least Jason is on the side of Dread, even if he still thinks the myth of a story is just that, a myth.

It’s when Tim blows up a bank when everyone has gone home for the night just so people will find the underground money ring that and he visits the manner to get a few things that he hears them talking about it.

By that point it’s been around two years since he dropped Robin and as usual Dick always greets him with a look of a desperate puppy, “Tim! Hi, you’re here. I haven’t seen you in months, how have you been?”

Tim smiles at Dick even if he hasn’t gotten over his anger at his oldest brother and moves to sit at the breakfast table with everyone (Alfred, Bruce, Jason and Damian).

“Good. Busy, we’ve had a lot of donations lately.”

Jason snorts, “No shit. Isn’t Wayne Enterprise one of the few ones not hit by Dread?”

Bruce grumbles and shakes his head, “I wouldn’t say that. They’ve managed to get into our system and completely changed the Jason Project.”

Jason grins and laughs happily, “you mean improved! Crime Ally is doing great now. Not the best, but still a fuck of a lot better.”

Smiling at the man who once beat him to an inch of his life, Tim takes a sip of his tea and casually says, “You’re welcome.”

The whole table goes quiet as Tim continues to casually sip his tea.

The silence carries for a total minute before Bruce puts down his cup and leans forward with a slight growl in his voice, “Explain.”

“Explain what?”

Bruce stands over his son even from halfway down the table and very obviously tries to calm himself with a deep breath, “What do you mean ‘you’re welcome’?”

Tim makes an ‘oh’ expression before cocking his head to the side in confusion, “I was the one who fixed the Jason Project? Wait, did you guys not realise I’m Dread?”

Damian shouts out a ‘what?!’ That makes Titus jump and Tim laughs under his breath, “What did you think I was doing?”

“Running the business! Not stealing from people and black mailing politicians!”

It’s Tim’s turn to growl now and he stands up himself with a glare at Bruce that is as close as any of them have gotten to the famed Bat-Glare, “Are you fucking kidding me? Like are you a Tully kidding me with that horse shit?”

Bruce looks stunned and Alfred doesn’t even tell him not to swear.

Tim slams his chair into the table.

“What the fuck else would I be doing, Bruce? I’m not Robin, that was taken from me, so what else was I gonna do? I finished my job, not only keeping you from killing anyone but bringing you back, so I had do pick something else. I’m not stealing from the rich, I’m stealing from selfish cunts who ruin peoples lives for no reason and giving it to people like Jason. So, don’t you fucking yell at me and don’t try to make me feel bad for this, not when I’ve done more in two years than you ever have and- don’t you fucking speak Dick, not when you were the one who took my place here away from me! Now, I have a trafficking ring I need to expose so good. Fucking. Day.”

Jason is the only one who follows him.

[leyiorr]

i wonder what i look like in your eyes.

gojo ⋮ geto ⋮ sukuna ⋮ toji ⭑ how they see you and what you are to them.

¡! wc: 1.1k

¡! genre: tooth-rotting fluff, awful + contagious cases of lovesick men, you're literally their reason for existence

¡! an: i dropped this on another account but then abandoned it so its being posted here lolz!

☆ - satoru gojo ⋮ a nebula

when it comes to satoru, he's always been alone in his orbit. a level of his own. he's a god among the mortal race; both blessed and cursed to walk the earth. he's his own galaxy - the brightest and the boldest.

yet his galaxy is unbearably lonely. it's expansive, a cosmic canvas of infinite possibilites. it's an inky black celestial wonder, one that leaves a hollow feeling in his chest.

until he meets you, and you become the only being in existence allowed to orbit with him. you're his nebula, chaotic and disorted yet so effortlessly the most beautiful element of his galaxy.

you blaze in brilliant, radiant light; core searing it's permeant place in the midnight backdrop. you illuminate the space with shades of the deepest indigo and violets, mingled with wisps of turquoise and teal. crimson and oranges are vibrant in your centre.

the colour stretches into the void forming intricate patters, ones he finds himself untangling to better understand you.

in the silence of space, your nebula spoke volumes; comforting him at his worst, lulling his mind into dreamless sleep. your edges are softer, the colours more muted as you bleed into him. no one can tell where you begin and he ends.

you are so so small in comparison to the void, but so unbearably bright that you light it all with practiced ease. he tends to watch in awe as you decorate his solar system; nursing new stars to weave into his soul.

with you there, his universe becomes easier to live in, easier to navigate. you're a cloud of interstellar stardust - held together by the gravitational attraction of satoru's galaxy.

☆ - suguru geto ⋮ the artist

to suguru, you're the best thing that's happened to him. ever.

anyone who sees him with you knows. they know he's infatuated, enamoured. he's so far gone that people often think that he's been blinded by love, but he has simply never felt an emotion so intense.

with you he thinks he truly sees the world in all it's glory, innocent and pure. with you he traverses unpolluted by the atrocities of the world, you who colours his world.

he looks at you like you personally hang the stars in the sky when night rolls around, like you paint the sorbet sunsets by hand. he stares at you adoringly, as if you chose the colour of the sea and dusted white on the peaks of mountains to keep them warm.

he peers at you like you solely gift the flowers with their petals, dipping them in shades you deem beautiful enough. like you create the sand from scratch and lay it in pretty semi-lunar shapes next to the ocean.

he gazes at you like diamonds were invented in tribute to your tears, like you drew the prettiest landscapes alone in the quiet, before the age of humanity.

he studies you like you've sculpted the very shape of his heart - every ventricle and atrium handcrafted with your pretty fingers. as if his very existence was molded by you, hence why you fit so perfectly together; two pieces of a puzzle.

he could stare at you for hours and days on end, eyes full of love for the person who introduces him to a plethora of hues and tones that he imprints on the back of his eyelids when he sleeps.

☆ - ryomen sukuna ⋮ the breath of life

sukuna is not a good person. everybody knows that. he's taken innocent lives, sapping their energy like it's nothing. he's all-powerful; he stands amongst the deities - gods who have the capacity to bend fate to their will.

but after millennia of having everything under his rule, he's gotten bored. he has servants to order as he pleases but nothing they do entertains him. the god of death is bored, embarrassingly so.

until he acquires something known as a significant other, the other half of his soul as the humans say. you're his breath of life, a release of old, stagnant energy. it's as if you breathe vitality into everything you touch, all life forms flocking to you naturally.

you're so much softer than he, touch delicate yet profound, an ethereal caress that lights sparks in his eyes. he tends to linger quietly by your side when you walk in the garden he constructed just for you - though he would never tell you that.

wildflowers are coaxed into bloom with you around, their colours a testament to your nurturing touch. the dew-laden grass basks in your presence, gleaming a shade brighter than before. even the trees seem to gravitate toward you, branches reaching for you as you pass by, their leaves sighing in contentment.

sukuna's convinced the waves follow your pace, each push and pull matches your breathing.

you were the essence of renewal. his world had found it's pulse, it's rhythm, as you dance the unending dance of life in the centre. you sustain his beating heart, so sukuna's oddly content with merely watching.

☆ - toji fushiguro ⋮ a lover

toji sees you as not only a lover, but the lover. the only one he will have in this life and the next. there's no after you. it's a forever kinda thing.

something so simple as the title of 'lover' is so complex for toji, a man who's a veteran assassin, a man who previously had no regard for anyone else.

you're the only person toji promises to protect, to never lie to, to make happy for as long as his heart pumps and his chest rises with each breath. you're a miracle gifted to him by the gods - though he doesn't know what he's done to deserve it.

he's rough around the edges but with your standing as 'lover', you smooth him out.

he subconsciously thinks of you, always worrying for your satefy. you must be a deep ocean of the emotion known as 'passion' because he's willingly drowning, not even looking for shore.

toji looks at you like you're an extension of himself, the other half of him that the deities intended for him to find. he can't remember times before you or imagine a future without you.

he makes a deal of reminding you that you are his, just as he is completely and utterly yours. as his lover you hold his bloody, beating heart in your hands; he knows you'll keep it safe.

he stares at you like you'll disappear; like he's not even sure you actually exist. you love a man like him after all - that's a miracle in itself.

[slaygentford]

Lestat will be beating the first mrs de winter in his monsieur de Marquis de patriarch cloak and yet every single person on planet earth will be saying omg so mother idk what to say atp when people are so blatantly willfully misreading the incredibly fucking plain text bc they cannot understand a drag queen can also be an evil fucking man inventing new and exciting patriarchal oppression every day of his life. I think the fundamental disconnect is people not realizing gender is a frame of analysis and not a literal thing of saying like x is “woman-coded” It’s x is framed by the text as a victim of the patriarchy and it is truly insane to me that fans of the anti racism show are replicating racism by saying Lestat is so mother when in fact the Black lead is textually metatextually everything-ly positioned, from literally scene like five, for fifteen episodes, as the one having gendered trouble. not jsut gender trouble but GENDERED trouble. It is so blatant that bc a white man is a fruity fop that instantly makes him a girlie and that no matter how many times the most unsubtle show on earth beats you over the head with Louis Edwardian wife it has to be the white man who is a matriarch it is just so willful and blatant it’s insane to me, actually insane. it’s straight up racism it’s just impressive at this point this program is not subtle and yet

[isawthismeme]

[peachbibi]

dating spencer reid #7

genre: fluff

warning: none

spencer is lying on the couch with you next to him. it’s been a hectic week for the both of you and you spent your saturday mostly doing little chores around the house and cuddling. as you press a gentle kiss on his neck, he calls your name.

“yeah?” you look up at him.

“did you know that between 40 and 60% of the european population died during the black death? but back then people referred to it as ‘the great mortality’ or ‘the great plague’.”

“is that what you are thinking about when i kiss your neck?” you smile at his unexpected rambling.

“oh, no. i just-“

you chuckle and press another kiss to his cheek now.

“it’s okay”

“i just really want to watch that documentary we talked about. and you promised me we would watch it. and then we never did, so i thought if i just start giving you small facts you might want to watch it with me but it’s okay if you don’t. i can watch it on my own”

his big brown eyes are scanning your face. you feel incredibly guilty for some reason. of course, you want to watch this documentary with him and every other documentary. you will watch anything with spencer not because it’s necessarily interesting but because he doesn’t have to do it on his own anymore. you are the only person in his life to indulge his craving for knowledge and the need to share it with the rest. you know how lonely he has been before he met you and you decided to make it your life mission to never let him feel that way again.

“i will watch it with you if you let me have your grey caltech hoodie”

he grins at you and nods.

“you can have any hoodie. actually, you can have my whole wardrobe if you want”

you look at him lovingly. he leans over and quickly kisses your cheek. not as a thank you, more as an acknowledgement of his excitement.

“can we watch it right now?” he asks, as he eagerly sits up straight, pulling you into a sitting position with him.

“of course, sunshine”

bursting with joy, spencer pushes play on the remote and wraps his arms around your waist. you lean on his chest. you can tell he’s in his learning mode with his eyes glued to the screen.

“you know, the plague doctor costume, often shown when discussing the black death, was invented in 1619, and wasn’t even around during the fourteenth century outbreak.”

you hum surprised. a big part of you thinks that he probably knows everything on the subject but it’s always fun to watch him get so pumped up. especially, when he’s trying to teach you something.

“i do know that the pandemic was called the black death because of the black spots that showed up on the skin.”

he looks down at you with an amazed expression on his face.

“what? i know stuff too”

“i love you so much”

spencer starts pressing kisses on your lips and cheeks and you giggle. you wonder if it was always a dream of his to have a girlfriend that would watch documentaries on deadly diseases with him and share some facts.

[crishayle]

Astrology notes

Disclaimer. This is where I write my personal notes. They may not suit you because your other planets and aspects are stronger. Please consider this. Thanks for the feedback. Kisses ლ(´ڡ`ლ)

The placements in Leo/5th house are very dependent on music. They turn it on whenever possible. It doesn't matter with or without headphones. Some even have a ritual. For example, they don't clean or walk down the street without music

The beginning of the Capricorn season really fits the atmosphere of the end of the year. All people are stressed out, overworking to close deadlines. Everyone is save money for Christmas and gifts. Someone begins to feel apathy because of the cold and eternal darkness. Well, isn't it true that Capricorn's vibe? ૮₍˶Ó﹏Ò ⑅₎ა

People with a dominant Moon, do you also feel the phases of the Moon? For example, the recent full Moon in Cancer? I noticed that all my friends and clients with a dominant Moon constantly complain about some kind of fucked up full moon

If your Venus gets into the 1st house of a person in synastry, then he will consider you the ideal of beauty. That is, to accept literally everything. Even what you think is ugly

I noticed that people with a Leo in the Big Three (Sun, Moon, ascendant) most often have a pink skin tone or, more simply, a warm one

People can notice and especially feel not only your ascendant, but also the dominant planets and stelliums (including in houses). For example, the stellium in the 6th house may feel like Virgo, and the dominant Moon like Cancer or the sign of your Moon

Mars in the 7th house is not so much conflicted as fair and harsh in words. He will not quarrel from scratch, but if he feels disrespect, lies or arrogance, then… Well, you know... But in general, they are very pleasant and interesting people

Some of the most physically resilient people most often have Mars in Scorpio/Sagittarius/Virgo. They may not look athletic, but they withstand heavy loads much better than others. Although maybe it's their strength of mind, not their body.

Many aspects to Neptune can indicate a person who has an eternal mess at home

Any aspect of Jupiter and the Sun indicates optimism. Of course, they get upset too and sometimes don't believe in themselves, but their resourcefulness is much stronger than sadness.

People with the Sun/Moon square/opposition Saturn often suffer from hyper-responsiveness. It is very important for them to keep everything under control and this can literally bring themselves to neurosis

Mercury conjunct Venus with orb 0 or 1 is always a beautiful voice, maybe they don't have to sing, but they have a velvety and most often a little low voice

The Sun/Moon square/opposition Neptune most often consider their parents to be a little infantile, or they have been put in the role of a third parent since childhood. For example, a mother could see her daughter as a babysitter for her younger daughter. Simply put, such people have already felt older and wiser than their parents since childhood

People with the Moon conjunct/trine/sextile Saturn are very well-mannered. They understand what morality is, they are moderately kind, moderately modest, they know how to communicate politely and beautifully

Girls with stellium in Scorpio have always attracted, attract and will attract everyone's attention (but especially men's). Moreover, they are admired by other girls (they subscribe to them on Instagram and constantly watch stories and photos)

I recently read that Socrates (the man who invented rhetoric) may have been with the Sun in Gemini. I'm not surprised

People with the Moon sextile/trine/conjunct Venus are adorable. It's not even about charisma here, but about the fact that they are generally quite cute in character and appearance

The dominant Pluto in the natal chart may indicate a love of sarcasm, black humor and a slightly harsh manner of speech. Touchy people consider them rude, but for Plutonians this is their usual way of communicating

A little more about Pluto. Stephen King has many aspects that point to his love and talent in the horror genre. This is Pluto in the 1st house, Mercury sextile Pluto, the Moon trine Pluto, Scorpio in the 5th house

[tybaltsjuliet]

here's the thing about charles dickens. [discussion of his antisemitism, misogyny, and racism ahead.]

his last, unfinished novel, the mystery of edwin drood, features helena and neville landless, heroic and sympathetic south asian (sri lankan, specifically) characters, and the racism they endure in an english town is relevant to the plot to the point where neville ends up falsely accused of murder. in the wake of the indian rebellion of 1857, dickens applauded the english brutality against "that oriental race," and called for genocide.

fagin is called "the jew" 274 times in the first half of oliver twist. an article in the jewish chronicle asked why "jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." at first, dickens dismissed this, and claimed he was just being accurate about london's criminal makeup. but he was moved enough by eliza davis's letters to him on the matter that he halted the printing of the latter half of oliver twist so he could change the text and remove the antisemitic language therein.

dickens was an abolitionist who despised chattel slavery in the united states, and called emancipation a "moral duty." dickens didn't think black americans were intelligent enough to vote, and he wrote an entire character in bleak house who is a joke to be disliked and mocked because she'd rather oversee charity missions to help children in africa than be a proper mother and tend to her own family at home in england.

speaking of one's own family at home in england, dickens smeared his wife, catherine hogarth, publicly so he could justify separating from her and taking up with a younger woman. catherine hogarth was likely mentally ill, likely living with postpartum depression. she was also an author in her own right and loved her family dearly. her reputation never recovered in her lifetime from the claims he made about her. in dickens's novels, time and time again, from nicholas nickleby to david copperfield to our mutual friend to the mystery of edwin drood, men who menace and take advantage of vulnerable women are portrayed as the worst kind of villains, deserving of whatever grisly ends come to them.

charles dickens was both privately and publicly a raging asshole in many ways and the world would be worse off without him, because he wrote for bourgeois, comfortable victorians, the very people who so often failed to "think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." in the same breath that he calls agnes fleming, who opens oliver twist as an unwed mother dying in a workhouse, "weak and erring," he dares to add that "i do believe that the shade of that poor girl often hovers about that solemn nook-ay, though it is a church." he calculated jo's death to the page in bleak house for maximum effect. but when he wrote of the orphaned crossing-sweeper, "dead, your majesty. dead, my lords and gentlemen. dead, right reverends and wrong reverends of every order. dead, men and women, born with heavenly compassion in your hearts. and dying thus around us every day," people listened.

i dedicated years of my life to reading him and studying him and thinking about him and writing about him and his novels. now, i turn to condemn him; now, i turn to justify him. i wish i had a time machine so i could shake his hand. i wish i had a time machine so i could publicly debate him. i wish i had a time machine so i could break his nose.

charles dickens gives me courage and hope. charles dickens makes me want to tear my goddamn hair out. he is everything i despise and everything i love about the victorian age in one; the term "a man of his time" ought to have been invented for him. the leaps and bounds the victorians made for progress in the public good are only matched in greatness by the extremity of their atrocities against their "fellow-passengers" on this earth. the way we think about nearly every modern social ill can be traced back to the 19th century; the way we think about nearly every modern idea of social justice can be traced back to the 19th century. every last one is writ large and small in dickens's novels. he and his age are the greatest contradictions in human history and that's why i can't shut up about them, ever, even when i am exhausted by them, even when i am inspired by them, even when it was two centuries ago and it shouldn't matter anymore, but it does. it always will.

[astrologydayz]

ASTRO SEXOLOGY NOTES - NATAL CHART6🔞

LUST ASTEROID - 4386 IN SAGITTARIUS = sexually attracted 2 people from different countries/different religions/or 2 teachers/mentors. They love exploring their fantasies, & are usually not afraid 2 try everything, at least once - "u can never be 100%sure u don't like something, if you never try it" kinda mentality here. They can get turned on by people who's not afraid 2 throw a line at em/not afraid of taking the initiative! They find that sexy as hell, as they typically can be the ones initiating things! Cultured, curious, & smart people def gets them going - turned on by people who's ready2 explore their fantasies, without any inhibitions! They can be a big fan of spontaneous, wild, & free sex - can also get really turned on by hips/thighs usually<33.

LUST ASTEROID - 4386 IN VIRGO = sexually attracted 2/turned on by people younger than them/younger looking people/people who's more inexperienced than them/people they can "teach" sexually/clean looking people/clean in general. These people are usually more than willing 2 put their sexual partners fantasies/sexual desires/urges before their own - they want 2 learn how their partner's body works, & they work hard 2 get that O in, in their books for sure. They can get off simply by getting their partner off a lot of the time. These people can actually be quite freaky/kinky in bed, when they feel safe/secure enough 2 show that part of themselves.

SUN CONJUNCT/TRINE MARS IN A WOMAN'S CHART, & SHE'S INTO MEN = usually really sexually attracted 2 really manly looking men - & she can also be really sexually attracted 2 alpha men, but only the confident, secure, & kind ones - not the cocky, conceited, "my dick is bigger than yours" loser ones. MOON CONJUNCT/TRINE MARS IN A MAN'S CHART can show us a man that loves sex being full of feelings/emotions, passion, teasing, & most important of all - security. If he wants 2 cry during sex, he wants 2 do it without someone maybe laughing right in his face. Or if he has some kind of fantasy/fetish, he isn't quite comfortable with himself yet = he won't risk telling just anybody - he really needs that trust, before opening up 100% sexually. MARS CONJUNCT/TRINE/SEXTILE URANUS can be really into phone sex/getting off from videos, & pictures2📹📱💻. These people can also get sexually aroused outta nowhere, or they just suddenly feel the need 2get off, NOW. These people can love the most unused sex positions, they can even invent a sex position of their own - they like it more when they're the ones creating. JUPITER CONJUNCT/SQUARE NYMPHE ASTEROID - 875 can show a person wanting to have sex/get sexual/get off A LOT. Like, If they could = they would probably fuck their whole life away😭😂. No but fr, they can be really really fixated on gratification/sex in general.

5TH HOUSE is that passionate, fun, & "casual/dating sex". 8TH HOUSE is that deep intimate soul merging/transformative sex.

LUST ASTEROID - 4386 CONJUNCT NORTH NODE = people whose life purpose is part of exploring their sexual urges/desires, really figuring that out4 themselves, since it's not common for them with the opposition 2 South Node - it's something completely NEW 2 them! They can feel so uncomfortable with baring themselves in the beginning, but once they get going, &get comfortable = new kind of confidence unlocked baby✅. MARS CONJUNCT/TRINE/SEXTILE WILD ASTEROID - 1941 can show a person being into some really unseen/wild shit when it comes 2 sex - getting sexual/or they're just wild in bed in general/can be the type 2 not really say no2 anything, unless they're just not that into u/or REALLY just not that into whatever thing they get asked about.

VENUS ASPECTING BLACK MOON LILITH are the ones being sexually attracted 2 people from a different "class"/race/country/religion - or they can feel sexually attracted 2 people they shouldn't really feel a sexual attraction2 sometimes - "taboo shit".

MARS IN 5TH HOUSE can be a big fan of casual sex/friends with benefits arrangements/or be a big fan of having sex with date partners before the date ends/or ofc just a fan of fucking around4fun. MARS IN 8TH HOUSE do not fuck4fun, or for casualty. They need a soul/deep connection with someone 1st. They don't give out their sexual energy freely like that - u have 2 prove you're worthy 1st - whatever they deem that is. Time doesn't matter here - it's about the connection, & the intimacy - so they could easily have sex with someone on the 1st night, but there HAS 2 be some deep unexplainable connection of some kind! - Which rarely happens 4 these natives.

5TH HOUSE RULER IN 7TH HOUSE are usually the dating 2 marry type, & they're also the ones that can wait with having sex until marriage. 5TH HOUSE RULER IN 11TH HOUSE can date/get into "love affairs" with people they're friends with/with friends friends/step siblings friends/with people they collaborate with/meet online/or with people they meet through mutual shared causes! VENUS/JUNO IN 5TH HOUSE can show a person mostly dating around, not really committing 100% a lot - &when they do find somebody2 commit2 = if they break up, they're usually out dating around again pretty fast - "the best way 2 get over someone, is 2 get under someone else". NORTH NODE IN 5TH HOUSE can show that exploring one's sexuality/exploring pleasures/desires while dating/dating around is part of one's life purpose.

WOMEN WITH KLETT ASTEROID - 2199 IN VIRGO can be REALLY picky when it comes 2 who they let hit/get sexual with🙅🏼‍♀️ - That's also why they can be quite inexperienced at times. Masturbation isn't really a thing they care about either, - usually. Very into the health/cleanliness of their vagina.

MEN WITH DICK ASTEROID - 17458 IN CANCER got that safe, & secure boyfriend dick💋. U know what u get almost every time, AFTER the 1st time - so you're never left disappointed. MEN WITH DICK ASTEROID - 17458 IN CAPRICORN Can be very "clumsy" sexually/in the sexual department throughout their teenage years/young adult years - but they're usually sexually "advanced" at around 30-35 years of age💚.

MEN WITH DICK ASTEROID - 17458 IN AQUARIUS = def not a basic boyfriend dick. Something about it can be alien like - not in a bad way, daddy chill😭😂😂. But the length, the thickness, the way it stands when erected/or simply the look of it in general IS DIFFERENT. Not a basic dick, okay. Appreciate it! MEN WITH SATURN CONJUNCT/TRINE/QUINTILE DICK ASTEROID - 17458 can show them holding forever in bed💀😭😂 - Can also show that they're talented at withholding themselves from cumming!🫰🏼 Also pretty good self esteem when it comes2their dick usually.

MEN WITH SATURN SQUARE/QUINCUNX DICK ASTEROID - 17458 can show performing issues - problems with getting erections/feeling bad about their dick - self esteem issues/or issues with cumming2fast.

THANKS4READING BABE!! APPRECIATE U, ALWAYS!💜

[novafire-is-thinking]

Medic, Maverick, Maniac, Murderer: Understanding Pharma

First thing’s first: I love Pharma, dearly.

In all the time I’ve spent evaluating his character, I’ve mainly focused on what can be worked out about who he is as an individual: his core sense of self, psychological drives, subjective worldview, etc.

When all else is stripped away, who is Pharma?

This treatise is the product of obsessing over Pharma, analyzing canon (and extras), and reading as many different perspectives on his character from fans across the fandom. The post is long, so for those of you who balk at the thought of reading a shortfic’s worth of Pharma thoughts, feel free to read the TL;DR (Conclusion) at the end and then decide if the full read is worth your time. Also, a premium reading experience is available in the form of the original Google Doc version.

As you read, keep in mind that this is primarily a mix of psychoanalysis, evidence-based examination, and speculation—not moral, ethical, or sociological commentary. The goal is to examine Pharma’s psychological drives and core values, and each of his appearances in the context of those. All other types of evaluation are up to readers.

Now, take your victim blaming-allergy meds (just in case); remove your black-and-white thinking caps; and leave your personal morality lenses at the door.

Psychological Drives & Core Values

Why does Pharma act the way he does? What gives him a reason to keep living? What are his personal priorities?

At the beginning of the Delphi arc, First Aid establishes Pharma as a “control freak” and someone who “thinks he’s an expert on everything.”

Now, First Aid has a habit of complaining about his bosses, but on both points, there’s canon evidence to back them both.

Expertise and Intellect

Throughout the Delphi and Luna 1 arcs, it’s established that Pharma is a skilled and brilliant doctor.

He once performed a 4-way fuel pump transplant, donating his own fuel pump in the process. (see above panel)

Later, he invented a soundbomb that left an echo laced with a virus and invented an antidote to that virus:

And on Luna 1, he was on the edge of finding a cure for Cybercrosis, based on the fact that Swerve was able to formulate a cure from his notes.

More than being a doctor, Pharma lives for intellectual and scientific achievement as a physician scientist. He feels most alive when he’s able to solve complex medical problems, and when his achievements are recognized by those whose opinion he considers important.

This is Pharma’s 'why.'

And even though he’s arrogant and enjoys praise, it’s not his primary motivation. He doesn’t need it in order to set his mind to whatever he’s interested in, although he’ll seek it from those he values most (i.e. Ratchet).

Pharma sees himself as less of a doctor, and more as a scientific innovator or medical maverick. The practice of medicine is primarily a catalyst for his creativity and intellect; it’s not an end in and of itself like it is for someone like Ratchet or First Aid.

First Aid’s observation of Pharma can be better phrased as, “[Pharma] thinks he’s an expert on everything medical”—because he’s not so driven by achievement and admiration that he’ll grovel at the feet of strangers and get good at something he doesn’t personally find interesting. The only time we see him express a desire for praise is when he’s around Ratchet—someone he holds in high regard for both personal and professional reasons. This makes sense since Ratchet is one of the only people who can give Pharma any kind of competition within what he considers to be his area of expertise.

“Each day we go to our work in the hope of discovering—in the hope that some one, no matter who, may find a solution of one of the pending great problems—and each succeeding day we return to our task with renewed ardor; and even if we are unsuccessful, our work has not been in vain, for in these strivings, in these efforts, we have found hours of untold pleasure, and we have directed our energies to the benefit of mankind.” —Nikola Tesla

Ego

Without question, Pharma has an inflated ego, but having an inflated sense of self doesn’t automatically mean a person is a full-blown narcissist or that they are totally uncaring.

Every personality trait exists on a spectrum. Yes, Pharma is arrogant, but the presence of arrogance doesn’t automatically and completely cancel out all “positive” traits. (For fun, check out studies on Dark Tetrad and Light Triad personality traits.)

People are complex. Arrogance can coexist with genuine kindness, ruthlessness can coexist with deep compassion, etc.

Whether Pharma exhibits genuine kindness is up to each reader’s interpretation of what little canon material exists, but the point is: Pharma’s arrogance doesn’t automatically rule out the possibility of authentic “positive” traits.

Controlling Tendencies

Pharma is comfortable pulling the power card and using it to dump what he sees as uninteresting parts of medical practice on those below him:

“So Fisitron’s writing about the Wreckers’ elbows now, is he?” said Delphi’s Chief Medical Officer. “Come on, First Aid - get to it. You’ve got a Fader in Row 2 downstairs.” He squeezed the air with his finger and thumb. “He’s about this far from shutdown.” —from Bullets by James Roberts

However, there’s nothing in canon indicating he’s power-hungry in a megalomaniacal sense. He’s not Starscream or Megatron; he doesn’t seek political or social power. In fact, he seems perfectly happy hiding away in a lab or medibay by himself so he can direct all his energy to solving issues and achieving the so-called ‘impossible’ within the field of medicine:

The ways in which Pharma exercises power and control are through his expertise, and his administrative/management skills. That’s it.

Self-confidence

Pharma’s arrogance and controlling tendencies don’t seem to be a mask—like he’s trying to compensate for some sense of lack (in those areas). Yes, he fears failure, and yes, he displays some insecurity when Ratchet questions his competence. But at every other point and in every other way, Pharma is unapologetically self-confident. He’s fully self-assured of his intellectual prowess and problem-solving capabilities; he knows what he knows, and he also knows what he doesn’t know.

Pharma’s arrogance and desire for control don’t stem from a hidden lack of confidence or a hunger for power on its own. They stem from the fact that he genuinely sees himself as the best person for the work he does. He trusts himself above anyone else to solve problems that come his way—medical or otherwise (within limits).

Elitism vs. Superiority

I’ve always read Pharma as having an elitist attitude, but not in the social stratification sense:

elitist (adj.) relating to or supporting the view that a society or system should be led by an elite.

There’s no evidence that Pharma believes an elite class of people should hold the most power. Instead, Pharma’s “elitism” is actually an individualistic sense of superiority. It’s centered on him alone, and is tied to his capabilities as a physician scientist and surgeon.

Pharma sees himself as the best of the best and makes sure everyone knows it—sometimes through his words, but mostly by his conduct in the field of medicine. This, paired with Pharma’s natural temperament, doesn’t exactly make him socially popular—inside or outside of medicine:

One could argue that the “personality” Lockdown is referring to was a result of all Pharma had suffered at Delphi and Luna 1, but just as easily, one could argue he was always a bit difficult to get along with, and that his traumatic experiences merely magnified his already-present psychological patterns. Personally, I like the latter interpretation because it’s a flaw that makes Pharma a more interesting character no matter his mental state.

Everyone reacts differently to real and perceived social rejection. Some are so concerned about it that they’ll try anything to belong; others genuinely don’t care, and they continue as usual; and still others cope by shifting their mindset and developing a sense of pride in being an outsider.

There’s no evidence for this in canon, but I believe it’s within reasonable characterization boundaries to headcanon Pharma as being in the second or third category.

With either of those two mindsets, a sense of superiority can develop, or even be an inciting factor. Either someone sees themselves as genuinely superior to the majority and doesn’t mind when this alienates them from people, or they convince themselves they’re superior because the pain of accepting they were rejected for who they are is too much to handle.

Whatever the case, the point is, having an “elitist” attitude isn’t necessarily rooted in a sociological or ideological belief. Sometimes, individuals just see something in themselves that—to them—justifies a sense of personal superiority. A quick glance at Pharma’s canon appearances makes it clear he holds such a view of himself, at least to some degree.

Morality and Compassion

When Pharma first shows up in canon, he’s working at the New Institute. A lot of questionable things took place there on a regular basis—things Pharma would have been aware of, to some degree. However, his presence at the Institute doesn’t automatically mean he agreed with everything happening. Depending on how strongly someone feels about something, some people are content to disagree in silence. Not everyone who seeks employment considers it a priority that the establishment they work for aligns perfectly with their moral values. After all, there are other reasons to take a job: financial benefits, exclusive educational and career opportunities, pure convenience, etc.

I’m not here to say either way whether Pharma’s willingness to turn a blind eye to the events at the New Institute was wrong or right; that’s up to each reader to decide for themselves. However, Pharma’s choice to remain employed at the Institute for some time can say something about him as a character: his priority as a doctor and person is not to take care of everyone he encounters, or to act as some kind of moral or ethical authority.

This isn’t to say Pharma won’t ever stand up for something he regards as right or push back against something he sees as wrong, “off screen.” It’s just that everything in canon points more to a tendency to choose his battles instead of acting immediately on any moral sense the way someone like Optimus or Ratchet might.

This also isn’t to say Pharma doesn’t care about saving lives, but from what little is shown of him before Delphi, it’s hard to say how much he cared. Ratchet confirms later that Pharma was an excellent doctor for most of his life, but all that tells us is he was an excellent doctor; it says nothing about his internal attitude toward his work or patients.

However, inferences can be made based on doctors in our own world:

Being a doctor—especially one in trauma care—is far from easy. It takes a lot out of a person, and there are very few people who last in the profession for a long time. Most medical professionals fall into one of the following categories:

People possessing a strong will that’s coupled with an unwavering passion for taking care of others (the public’s favorite)

People who naturally have, or develop, an ability to switch their empathy off and on at will, or build walls around it—also possessing a strong will (the ideal)

People who naturally have a limited capacity for empathy (the one the public hates to acknowledge)

People with a strong social and professional support system (the necessary, but underutilized and underappreciated factor)

Of course, even if a person has one or more of the above, burnout can and does still happen, but individuals who have at least one have the best chances of surviving and thriving amidst the demands of the majority of medical professions.

As far as is shown in canon, Pharma never had a strong support system—either circumstantially or by choice—so something else was keeping him in medicine.

Pharma shows concern for both Tumbler (Chromedome) and Hubcap:

But even though he obviously cared enough to step in, neither instance makes a strong case for a capacity for empathy beyond the “average” or “norm.” Performing a job well is a lot different from being personally invested in the work.

Based on everything up to this point, and this later comment from Pharma, about Ratchet…

…Pharma has probably never shared the same I-care-about-everything-and-everyone view of the world. Instead, it’s more likely that Pharma holds a more rational view of his work and patients.

One of the first things learned in medicine, especially in trauma medicine, is that you can’t help or save everyone, and to hold yourself to that standard can destroy you quickly if you have a certain temperament or lack healthy boundaries for your empathy.

“There are times when it may seem as though I view sick or injured people not as living, breathing humans with feelings and emotions and people who love them, but simply as cases, as problems to be solved. And that is absolutely true. It's not that I don't have empathy, but the hard fact is that as a doctor, and especially as a trauma surgeon, too much empathy can get in the way of your job and cause you to make decisions based not on sound medical judgment but on your own emotions. Sure, I've seen things that even years later can still make me choke up when I think of them: a little girl shot and killed, a shattered young Marine who shouldn't have died but did. But you can't choke up in the ER or the operating room. To be effective as a trauma surgeon, you have to put a layer of Kevlar around your heart.” —Dr. Peter Rhee, Trauma Red: The Making of a Surgeon in War and in America’s Cities*

Pharma may have learned this difficult truth earlier than Ratchet and developed a practical way of managing his empathy that comes across as “cold.” He may have always had an ability to put up walls around his spark. Or, he may have always had little to no capacity for empathy.

The fact that the morality lock on Tyrest’s portal prevented Pharma from passing through proves he felt guilty for what he’d done, and JRO confirmed this. Therefore, it’s safe to assume Pharma had some level of empathy for his former patients, suffering moral injury when he felt he had no other option but to start killing them.

Still, looking at Pharma’s psychological drives and his behavior throughout canon, it’s clear compassionate care and morality are subordinate to his other values and interests.

*I highly recommend this book, and learning about Dr. Rhee in general. He’s a huge inspiration of mine, and one of my main sources of inspiration when writing Pharma. Level-headed and capable, strong-willed, selectively empathetic, an excellent scientist, etc. He lives for the thrill of practicing medicine both on the floor and as an expert in his field who pushes trauma medicine to new heights through his research. He also takes great pride in his hands. Seriously—the man spent an entire paragraph and a half talking about his “good hands” and how they were one of two reasons he decided to go into trauma surgery. The other reason was that he “liked action and excitement, liked the feeling of being able to walk into a tough situation and take control.” (Sounds familiar…)

Delphi

First thing’s first: we don’t know how much Pharma did or didn’t know about the DJD before agreeing to take the Delphi assignment.

That far into the war, he would have known something about the DJD and their ways of terrorizing traitors and Autobots, but for whatever reason, he took the assignment anyway. Perhaps Prowl assured him the situation on Messatine would be monitored and that the security team would be enough. Perhaps he underestimated the DJD’s capabilities, or scale of territory, and thought he would be able to handle things on his own. Perhaps Prowl gave him no choice. Maybe it was all of these and more.

Whatever the case, according to JRO, Pharma didn’t hate Delphi before the incident with the DJD.

Word of god remains a touchy subject in fandom, but in this case, it’s important because it says two things:

The DJD left the Delphi medical team alone for some time.

Being on the edges of DJD territory didn’t automatically mean isolation and harassment by their hand.

On the second point, First Aid was free to come and go from Messatine as he pleased, seeing as he attended a medical conference at Kimia five years into his assignment at Delphi:

Five years ago [mid-Delphi assignment], the leader of the Wreckers had cornered him at a medical conference at Kimia, the space station that doubled as a weapons research facility. —from Bullets

And five years after that, he was able to not only contact Springer without delay about one of Agent 113’s bullets he’d discovered in an Autobot badge…

He raced upstairs to his computer terminal and typed in a certain frequency code for the second time in his life. A face appeared on the screen and grinned. “It’s me,” said First Aid. “And you're never gonna guess what I’ve got for you..!”

…but he was also able to meet up with Springer to hand off the bullet:

“Your friend has a funny way of making contact,” First Aid had said when he’d got in touch three days earlier, and he was right.

It’s not known if this handoff happened on or off world, but either way, the DJD didn’t interfere.

At some point, Tarn set his sights on Pharma and the Delphi team. Knowing the DJD, one can only imagine what Tarn used to show off his team’s capabilities and convince Pharma the best option was to cooperate.

In striking a deal with Tarn to keep the DJD away from Delphi, Pharma established his territory and ensured his continued security and the safety of his staff. As long as Tarn got his T-cogs, Pharma could continue on in relative peace. He could work his magic on bots that ended up at Delphi, carry out his management duties, and work on whatever projects or research he may have been conducting in his free time.

For whatever reason, after he first came into contact with Tarn, Pharma didn’t call for help. Communications were still operational, as Pharma wouldn’t have suggested contacting High Command about the Duobots if the team was aware of any comm malfunctions:

Also, First Aid later confirms that communications were fine until the Big Bang (soundbomb detonation):

It’s always possible the DJD was monitoring the radio waves, but secure subspace frequencies exist, such as the Datalog Network First Aid used to send the datalog containing the death statistics:

Speaking of which, assuming First Aid sent the datalog with the statistics right when things started to get ‘weird,’ and before the Big Bang shut down comms, it only took—at most—a few days for them to reach Ratchet and Swerve on the Lost Light:

But back to Pharma not calling for help: for all of Prowl’s intel, contingency planning, and fretting over the security of Autobot territories, I find it hard to believe he would have stuck an Autobot medical team on the fringes of DJD territory without giving them some means of securely contacting the outside in case of issues.

But even if Prowl didn’t give Pharma a secure way to contact him or anyone else, and even if Pharma was convinced the DJD was monitoring regular communications, there were other ways he could have reached out for help. After all, the team wasn’t alone on Messatine. Like Pharma said, Prowl continued to send bots to defend the nucleon mines:

The Autobots had been mining nucleon for millions of years at this point, so I doubt the mined nucleon was just sitting in storage on Messatine; shipments of the stuff would have been sent off-world to wherever the Autobots needed it. Why not send a message for Prowl with someone leaving with one of those shipments? A message meant only to be sent over a call when absolutely certain they were out of range of the DJD’s potential monitoring.

Or, why not order in off-world medical supplies and send a message back with the delivery bot(s)?

There are two possible answers to this. One takes into account JRO’s word on the subject; the other is more intricate and speculative on my part, but it leads to the same place. So whatever your stance is on the validity of word of god, there’s an answer for you.

Answer one (word of god)

Simple as that. Pharma was aware of the scope of the DJD’s capabilities and relentlessness, and determined he was trapped prey.

Answer two (no word of god)

There are a few possible reasons Pharma didn’t call for help right away:

He was convinced all his other options would take too long and/or would still lead to him being put under suspicion. After all, being found to have harvested even a single T-cog from an already-dead patient for the DJD could have raised concerns that would lead to Pharma being investigated and/or having a mark put on his record.

He underestimated the severity of Tarn’s addiction, and was certain he could keep up with the T-cog demand without resorting to other means of harvesting, not realizing Tarn’s quota would increase later on.

He was already paranoid as a result of whatever mind games Tarn had set in motion at their first meeting, making Pharma think escape was futile.

Word of god or no word of god, there are clear reasons as to why Pharma ended up trapped. Most likely, it was a mix of all of the above.

Whatever was going on in Pharma’s mind before, he ended up in deeper trouble. Tarn increased his demand for T-cogs, and Pharma couldn’t keep up. By the time this happened, even if he had wanted to call for help, it was too late to do so without implicating himself. He reasoned his only option was to start killing patients to harvest their T-cogs.

Soon, Pharma was so consumed with fretting over whether he’d be able to meet Tarn’s next demand that he didn’t have time or freedom to do anything else except worry and feel guilty. His whole life revolved around Tarn’s addiction; he was no longer in control, and could no longer enjoy whatever it was about Delphi he’d previously enjoyed. Perhaps the facility itself enabled Pharma to research cures and perform scientific miracles of medicine.

Being at the mercy of Tarn—convinced the DJD would find him no matter what—would have been pure psychological torture on its own, but also knowing that any small chance he did have of getting help would end in him losing everything would have added to his suffering. Pharma became desperate to reclaim control over his life and began planning an escape.

Now, JRO has said that Pharma didn’t originally plan to use the rust plague on the DJD…but canon says otherwise:

Of course, Pharma could have been lying to make himself look better in Ratchet’s view, but based on everything he’d been through up to this point with Tarn, it’s more likely he was telling the truth and had tried to eliminate the source of his suffering first. After all, wiping out the DJD would have been the simpler, cleaner option.

When the Duobots refused to detonate the soundbomb near the DJD, Pharma’s objectives shifted. He had to get Delphi shut down in a way that would:

Convince the DJD the shutdown was legitimate.

Pharma knew chances of escaping the DJD at all were slim to none, but he was desperate. Getting Delphi shut down would cut off Tarn’s supply of T-cogs and allow Pharma to escape Tarn’s immediate control, but the shutdown had to be “legitimate” to prevent Tarn from retaliating and hunting him down later. Leaving Tarn even the slightest chance of regaining control was too risky, so Pharma had to make sure his plan was as airtight as possible. 

Cover up the patient murders.

If the truth got out about Pharma killing patients, he’d lose his medical license and most likely be put away for life. Being cut off from the practice of medicine and his intellectually stimulating work as a doctor would mean losing more than a job and a reputation. It would mean losing everything in which he’d anchored his sense of identity and life’s meaning. His refusal to consider any other options wasn’t just about ego and preserving his image as an excellent doctor; it was about preserving any kind of meaningful future he saw for himself.

Pharma needed a plan that would fulfill all of the above. Turning the engineered virus on the medical facility was the most effective and efficient solution. Anything else would have made him suspicious in the view of either Autobot High Command or the DJD, and neither of those would have ended well for him.

Because of his goal to preserve his reputation and future in medicine, he couldn’t even risk revealing anything to First Aid or Ambulon, who would have seen to his ruin. They became nothing more than loose ends that had to be tied up, and based on the fact that Pharma only prepared one vial of the vaccine, his original plan involved him being the only survivor:

He probably would have had no problem making more of the vaccine for anyone else who survived, but he wasn’t counting on it. He wanted a totally clean slate; in letting his staff die with most of his patients, he would be getting rid of any and all evidence and reminders of his failures. He may have cared about First Aid and Ambulon before things got bad, but somewhere along the way, he decided either it wasn’t worth it to go through the trouble of finding a way to save them without raising suspicion, or he didn’t want to risk them putting together the pieces later on.

Of course, when Ratchet showed up, plans changed.

Ratchet

Ratchet is not the kind of person who seeks first to understand or be understanding. He’s inclined to trust what’s in front of him over anything abstract, and tends to look at the results of someone’s actions over trying to find any kind of ‘why’ behind them. Also, unlike Pharma, he operates from a strong moral sense, and reacts quickly and strongly when something or someone goes against that internal moral sense.

Ratchet’s reaction to finding out what Pharma did may seem hasty and harsh, but it makes perfect sense on a human level. There is no such thing as unconditional love; everyone has personal and moral lines (boundaries), and they’re different for each individual. When the most rigid of lines is crossed, that’s it; walls go up and the offender is cut off, no matter how strong the relationship may have been.

Ratchet obviously knew Pharma well enough to think he could try talking some sense into him, but then Pharma revealed that he’d crossed one of Ratchet’s lines: murdering patients. Any willingness Ratchet may have had to try to understand vanished. By the time Pharma started trying to provide a ‘why’ for his actions, Ratchet’s moral judgment had already shut down any chance of understanding what could have possibly led Pharma to kill patients. It didn’t help that Pharma seemed totally unapologetic and outright proud of his plan. For Ratchet, the ‘why’ didn’t matter anymore. What he saw was what he trusted, and what he saw was a friend who’d become his idea of a monster.

Now, Ratchet and Pharma’s relationship is one of the most confusing IDW relationships I’ve had the pleasure and pain of dissecting.

It is notoriously difficult to determine the depth and strength of a relationship from the outside. However, I’ve decided to go ahead and address it anyway because it has the potential to provide insight into Pharma as an individual.

If I were to sum up Pharma and Ratchet’s relationship in a single word, I would use “ambivalent.” The first time I read MTMTE, the thing that stood out to me most about their relationship was the drastic differences between how they each perceived the relationship.

In one sense, there’s the idea of Pharma basically being Ratchet’s crazy stalker ex, which is tossed around in fandom a lot. While I personally dislike seeing it regardless of context (yes, even as a joke), I do see how JRO’s writing choices set things up in a way that makes it easy to superimpose that trope.

In another sense, there’s the idea that Pharma and Ratchet were always close friends, and that what happened at the end of the Delphi story was a betrayal of both sides that came out of nowhere and whose consequences were taken too far.

I disagree with both. Personally, what I see at the end of the Delphi story isn’t an obsessed ex gone mad, a sudden betrayal, or a badly executed backstabbing. What I see is a breakdown of an already-complicated and poorly-maintained relationship: true feelings being revealed, long-repressed bitterness being forced to the surface, carefully-hidden cracks being split wide open.

Most people don’t have an accurate understanding of how much or how little they truly know the people in their lives, often overestimating how well they know a person until something surfaces and blindsides them.

According to JRO, Ratchet was oblivious to Pharma’s romantic interest, and throughout canon, it’s easy to see Pharma was more invested in the relationship than Ratchet ever was.

The question is, did Ratchet ever care about Pharma at all? And if so, to what degree?

Yes, Ratchet calls Pharma “buddy” and “friend,” but the former was sarcastic, and the latter means something different to each person. Also, in light of the circumstances, Ratchet could have just been saying “friend” in response to Pharma saying it—an emotional appeal more than anything.

However, Pharma must have been aware of Ratchet’s lack of relational investment because during the confrontation at Delphi, Pharma’s first reaction wasn’t to appeal to their friendship (ex: “But you know me!”). Instead, he appealed to their shared profession:

Then there’s the exchange of insults: 

This is what I meant earlier by “true feelings being revealed.” Ratchet may have just been trying to match Pharma’s insult, but it’s unlikely it was merely reciprocal because while Ratchet is snarky at times, he’s sincere in that snark. There’s almost always some truth in his verbal jabs no matter how unserious they seem, and he’s never cruel for cruelty’s sake.

So, if Pharma saw Ratchet as an inferior doctor, and Ratchet saw Pharma as an inferior Autobot…it’s reasonable to assume there was always some deep-rooted competition and conflict preventing them from being super close.

Possible suspicion surrounding Pharma’s conduct as an Autobot paired with a tendency to misjudge the nuances of relationships could explain why Ratchet was so quick to decide Pharma was a lost cause. Maybe Pharma’s actions at Delphi confirmed something from the past that Ratchet had brushed off for whatever reason.

In any case, Ratchet seems to have been largely unaffected by the Pharma he found at Delphi. While leaving Messatine, he emphasizes that he’ll miss Pharma’s talent.

Not “who he used to be.”

Not “what we used to have.”

Just…“his talent.”

Later, on Luna 1, Pharma mentions that he and Ratchet were inseparable, but that could mean a few different things:

Best case scenario: Pharma and Ratchet sought each other out on equal terms.

Worst case scenario: Pharma followed Ratchet around.

Somewhere in the middle: the job forced Pharma and Ratchet to work in close proximity most of the time, and while Pharma intentionally ran into Ratchet more often than necessary, Ratchet also sought out Pharma every now and then.

Whatever the case, working with someone every day doesn’t tell you anything about who they are as a person, and the amount of time spent with someone doesn’t automatically correlate to how deep the relationship is or how well the people know each other. It’s not like either Pharma or Ratchet are shown to be good at expressing their personal feelings outside of extreme circumstances. 

Ratchet does bring up late-night conversations of the past:

But while this indicates there was something deeper between him and Pharma, because neither of them were ever shown to be super open with their true feelings, it’s unlikely the conversations were full of touchy-feely talk. In all likelihood, the conversations were mostly medicine and war-related, with the rare spark-to-spark talk sprinkled in. Also, considering everything up to this point, one has to wonder if those talks ever meant anything to Ratchet, or if he was just digging for something that might stall Pharma’s torture.

Maybe those late-night conversations did mean something to Ratchet, but whatever the case, Pharma didn’t take the bait. He knew Ratchet was trying to stall by making an emotional appeal, and perhaps he was convinced the conversations hadn’t meant that much to Ratchet.

Looking at all of this, it’s hard to believe Ratchet ever cared about Pharma as more than an interesting work friend. But even if he had cared more than he let on, it wasn’t enough to overcome the doubts he had about Pharma’s character.

As for whether Pharma truly cared about Ratchet, I’m convinced he did, but in a mostly unhealthy way, and with a strong undercurrent of one-sided rivalry. At some point, Ratchet had been an equal and a source of challenge, and he probably listened to Pharma pretty often. It’s reasonable to assume Ratchet was one of the only people—if not the only person—able to handle Pharma’s intense temperament and challenge him in a meaningful way, providing some semblance of friendship for Pharma.

However, one last thing that stands out is that, when telling Ratchet why he’s torturing him, Pharma didn’t say anything like, “Because you hurt me” or “Because you turned against me—your friend.” Instead, he said it was for “ruining things at Delphi” and because “you declared war on my body.”

Either Pharma wasn’t being entirely honest, or Ratchet’s friendship didn’t mean as much in the first place as he’d previously implied. It’s possible the ‘Because you hurt me’ was implied in “for ruining things back at Delphi,” but why not say it outright? Perhaps it was a fear of vulnerability and admitting there was ever a relational need at all.

At the end of the day, it’s difficult to say for certain how close Pharma and Ratchet were, but it’s clear they were never on the same page and there were always barriers between them.

Luna 1

Revisiting the matter of Pharma’s morality taking a backseat to other priorities, his time on Luna 1 further underscores this. Again, Pharma chooses his battles and is unwilling to put himself at great risk for the sake of others, but a closer look at the situation with Tyrest reveals there wasn’t really anything he could have done for the Cold Construct population even if he had wanted to. It would have been him against Tyrest, an army of Legislators, and a bunch of Decepticons. Pharma knew his limits, and seeing as his goal was self-preservation, it was perfectly rational for him to go along with Tyrest’s grand scheme.

Besides, it doesn’t look like he was given much of a choice:

Although, knowing Pharma, he still would have demanded to know beforehand what he would get in return for the pain, and evidently, Tyrest held up his end of the deal since Pharma had access to the Luna 1 tech collection.

As for Tyrest’s plan to wipe out the Cold Construct population, there’s nothing indicating Pharma’s decision to turn a blind eye to it was rooted in malevolence or bigotry—just rational apathy: ‘I can’t stop Tyrest, so why concern myself with the outcome?’

Again, you can’t save everyone; Pharma had all he could do to save himself.

But it wasn’t all horrible. I would even go so far as to say Pharma found some happiness on Luna 1. Tyrest didn’t care about him, but he didn’t need Tyrest to care. Everyone else there hated him, but he didn’t need to feel like he belonged or was admired. At this point, Pharma’s only interest was Tyrest’s Luna 1 tech collection, and that meant playing nice so he could keep his reward. Back at Delphi, he probably assumed he’d never again practice medicine the way he’d loved; being brought to Luna 1 was an unexpected, yet welcome, second chance.

Even so, Pharma had his moments of cruelty. Back at Delphi, he had easily-identifiable reasons to kill patients—both the ones whose T-cogs he harvested and the 20 more he tried to kill when he shot the life support machine. But on Luna 1, he had no reason to be cruel, yet he chose to be. By this point, he’d mastered the ability to almost completely ignore or subdue his conscience.

In the case of Ratchet’s torment, one could argue Pharma only drew it out for retaliation purposes; it was personal for him.

As for cutting Ambulon in half, it was obviously meant to be as gruesome as possible, yet also quick. But personally, I don’t think it was about Ambulon; it was more about hurting Ratchet. Due to the fact that Ratchet’s identity is wrapped up in his compassion and his ability to be helpful as a doctor, one of the most effective acts of revenge would be to do something that makes him feel utterly helpless.

Also I wonder if, subconsciously or consciously, Pharma was attempting to recreate the sense of helplessness he felt back at Delphi under Tarn’s watch: “Do you see, Ratchet? Do you now understand how it feels to have control ripped out of your hands? To be totally helpless?”

Next, for some reason, Pharma was invested in the promised execution of Getaway and Skids:

He had no personal connection to either of them that would give him a reason to be interested, so maybe Tyrest told him he could perform the execution and/or have the corpses for medical experimentation. Either way, Pharma would have had a chance to use some of the tech in Tyrest’s tech collection, possibly explaining his excitement.

Of course, any chance of an execution disappeared when the final showdown went wrong.

When Pharma tried to escape to Cyberutopia and discovered he couldn’t pass through the spacebridge forcefield, he gave up. He’d been caught; he would no longer have access to Tyrest’s tech collection; Ratchet and every other self-righteous Autobot would never forgive him; and the morality lock prevented him from escaping. By all appearances, he would never again be able to engage in that which gave him a sense of meaning. He had shrunken his world down to his obsessive interest in a specialized field and one significant, yet unrequited relationship. With both of these lost, his world collapsed. 

Yes, guilt played a part in Pharma’s despondency, but because he seems to have been in denial of said guilt, it’s more likely his despair was primarily due to the fact that he saw no future for himself. He had nothing left to live for.

In light of this, Pharma’s flippant comments to First Aid make sense. He wasn’t being insensitive as much as he was goading First Aid. Pharma’s not stupid. First Aid had a massive rotary cannon on him, and Pharma knew exactly which emotional buttons to push to get him to pull the trigger.

Pharma wanted to die.

Adaptus

First, let me emphasize that Adaptus did not take possession of Pharma’s body. Instead, Pharma was the unwelcome guest:

How Pharma ended up in Adaptus’ new body is a mystery, but whatever the case, Pharma didn’t pass on to the Allspark. Whether or not he had a choice can only be speculated.

First Aid had blasted Pharma’s head clean off, so whatever happened must have been related to the spark. Perhaps some residual spark energy was trapped in a body part that Adaptus repurposed, leaving Pharma tethered to the new body unwillingly.

Still, Pharma managed to assert his will and override Adaptus for a brief moment. Considering Adaptus was basically a god, this is impressive.

Based on Adaptus’ surprise at being interrupted, it seems he didn’t know Pharma was there. Why Pharma hadn’t tried to assert himself sooner is a mystery. Maybe Adaptus’ scheme was entertaining; maybe Pharma actually liked the company; or maybe he’d been waiting for an opportunity to get revenge on Tyrest for everything done to him back at Luna 1.

Sure enough, just like with Ratchet back on Luna 1, Pharma’s vengeful streak came out as soon as there was an opportunity.

Unfortunately for him, this left him vulnerable, and Tyrest took advantage of the confusion:

Conclusion

When someone reduces their world to narrow personal interests and one or a few very special people, their grip tightens around what little they have. They often become obsessive and possessive of the few things that make them feel alive, and their view of the world becomes increasingly more subjective and detached from the outside world. Pharma seems to have fallen into this trap.

Even so, in the context of the circumstances, several of the decisions he made were rational—even if coldly so. Oftentimes, “extreme” rationality and self-preservation are villainized in fiction, and characters like Pharma who don’t automatically put themselves at great risk for anyone and everyone are villainized, or at least looked down on. Their choices are often regarded as less human, but rationality and self-preservation are just as human as compassion and self-sacrifice.

Ultimately, Pharma was trapped and pushed over the edge into “insanity” by Tarn’s cruelty, but his own choices made from a place of pride determined how he fell, and how far he fell. It was a perfect storm of Tarn’s mind games and Pharma’s intellectual arrogance, excessive self-confidence, obsessive nature, and stubborn grip on the kind of future he wanted for himself.

Pharma is yet another Icarus who flew too close to the sun and paid dearly for it, and while JRO/the narrative could have given this Icarus better wings, that doesn’t change the fact that he chose to fly so high.

***

Many thanks to anyone who made it to the end of this monster of a post.

-tosses a Rodimus Star at you-

[thesunfyre4446]

the fact that people actually defend daemon and claiming he was right during the daemyra fallout scene is INSANE

first of all, both rhaenyra and rhaenys are grieving mothers. (rhaenys blames daemon for her children's death). of course they won't approve of daemon ordering the murder of a 4yo????

rhaenyra was 100% in the right. what daemon did was absolutely disastrous to her claim.

how can TB claim to be "in the right" now that the realm believes they murdered a child? kinslaying is a big fucking deal in westeros, and sure, aemond is also a kinslayer, but aemond's not the king.

if rhaenyra admits that daemon acted without her permission, she looks like a weak leader - a wife unable to control her husband - basically proving the greens point. if she'll embrace the "rhaenyra the cruel" imagine daemon forced on her, she looks like a bloodthirsty unstable woman. that's def not the type of person you want as your ruler.

you can't claim moral superiority when everyone believes you had a 4yo murdered. like the black council said, the damage to rhaenyra's cause is huge.

and rhaenyra was 100% right to call out daemon for using her words to take his own vengeance against the hightowers. the fact that he called the throne "his brother's throne" and rhaenyra had to scream "MY throne!" really tells you everything you need to know.

no, daemon does not want the throne the same way aegon does not want the throne. but he also resents not being given the throne. he is loyal to rhaenyra's cause, YES, but he's also very resentful of the fact that she was chosen over him. so much so that he invented a whole fairy tale in his head that the only reason she was chosen is that viserys was afraid that daemon's legacy will outshine his own.

daemon is rhaenyra's biggest asset but also her biggest weakness - the same way aemond is to the greens. the parallels are very obvious.

[thestarsarebrightertonight]

i hate it here // mattheo riddle x fem reader

playlist : i hate it here - taylor swift

"im there most of the year cause i hate it here"

summary: you and mattheo find yourself laying on the rocky edge of the black lake , giving you a moment of serendipity to show him there is a world beyond the cold castle behind you.

y/n , no specific house , fluff , short!

masterlist tppd series masterlist

you allowed the sound of the waves to drown out all of your thoughts as you found yourself laying amongst the rocks of he black lakes shore , mattheo riddle doing the same besides you.

"do you ever worry theres nothing beyond hogwarts?" he said softly as a silence followed , "i mean i hate it here but what if these are the best years of our lives and we're wasting them hating a place that isnt so bad afterall?"

you listened to his soft , anxious rant before simply turning your head to look at him , mattheo doing the same.

"i like to imagine everything i could do after hogwarts. when im in herbology i imagine my life travelling the world and collecting plants and discovering new ones , in defence agasint the dark arts i imagine chasing a death eater through the streets , i imagine the feeling of catching them - the euphoria. in charms i imagine being a professor , inventing new spells , teaching or working for the ministry." mattheo silently stared at you as you spoke , "the point is , there so much more out there mattheo , not even in the wizarding world , in the muggle world too. it may sound stupid but doesnt being a muggle singer sound fun? or a librarian protecting the acient words that are around me every day , lending people the knowledge of a well known poet or showing them the new world of a fiction novel."

he began to smile as you listed every opportuinity , the adventure of every posibilty flickering in his eyes.

"life doesnt end at hogwarts , thats where it begins." you smiled at him.

he grinned at you , seemingly happy with your response , "no matter what happens when we leave this place , ill be with you. even if you work in a muggle cafe or become the worlds greatest quidditch player , ill be there. i hate it here but i will never hate you."

"good because what we've got going on is a forever thing!" you both laughed as mattheos heart fluttered at the thought of it.

"forever" he smiled.