#bit of a scary thought
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tag-if · 9 months ago
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Progress Update;
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JAN 2024 - FEB 2024;
Hello all!
University has finally gotten back into full swing, i reckon the routine is helping me out a lot, but it means this hasn't been the most productive in terms of writing (more planning based). I'm pretty busy this month, i've realised, so i will be aiming to get chapter 1 out around the beginning to middle of March.
I did a bit of reworking, to fix the pacing (and keep myself sane) so i apologise if it isn't what you expected when it does come out.
now, without further ado, the checklist :)
DONE;
reworked the plans to fix the pacing a little bit (subject to further change)
added some more customisation that wasn't previously there
polished off the previously finished scenes, so they aren't just word vomit anymore
TO DO;
still have to do the meet the ROs scene
toying with the idea of replacing the first skill check with an option to snoop for information instead (be it through interaction or exploring); this would move the skill check to the beginning of chapter 2
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mychapel-004 · 1 year ago
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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amygdalae · 4 months ago
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I love you. the chill sorcerer
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ltlemon · 2 months ago
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ur blog has infected my camera roll with the weird talking dollar bill
im so glad im spreading my infection. here's another one
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casismybestfriend · 1 year ago
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suptober day 1: liminal
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luck-of-the-drawings · 6 months ago
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[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile
#jrwi fanart#jrwi show#jrwi riptide#jrwi riptide spoilers#JUST NOTICED A MILLION MISTAKES FUUUUUUUUCK BUT WWHATEVERRRRR IF I STARE AT THIS ANYMORE IM GONNA HHUURRRLLL#SO I REALLY LIKE FISH AND CHIPS RIGHT. IVE BEEN IN LOVE W THE SHIP EVER SINCE THAT NAT 20 KISS#BUT I THINK I SHIP IT WRONG. OR LIKE. I AM CORRECT BUT EVERYONE SHIPS THEM DIFFERENTLY#THE FISH N CHIPS I SEE EVERYWHERE ELSE IS SO FLOWERY AND SWEET AND ROMANTIC. AND THATS NICE! THAT STUFFS NEAT#but gillion and chip would NEVERRRR enter anything similar to a romantic relationship. chips too damaged and gillions too uninterested#I LIKE MY FISH N CHIPS ONE SIDED AS FUCK#bc 2 gillion chip is his best friend in the whole wide world but hes also kinduvagross little man that took him a MINUTE to really warm up2#but to CHIP gillion is this powerful and gorgeous and heroic paragon of destiny and his best friend in the whole world who will#bring about the eschaton. 'i didnt believe in destiny until i met you' until i met a champion radiating with a light thatll alter the world#OHH REMEMBER THE FIRST ICE ARENA?he was so mad.still probably shaking from the ordeal.NEVER had he felt true divine radiance CLEAVE through#his SOUL like that.do you remember that moment in the forest w the bugs. an alien from the ocean; lacerating the land w lightning#when the realization flickered in chip for a moment.that the thing standing before him was more powerful than he could ever fathom#remember when grizz mentioned that the nat20 kiss was the 'best kiss chip ever experienced'. that has nothing to do w this. where was i.#LOST MY TRAIN OF THOUGHT. BUT HEY. I THINK at the beginning chip absolutely knew that gill was smth grand n powerful n scary#when gillion revealed what exactly the prophecy was;chip got defensive and mad.sure he was sleep deprived but OOH. HES SCARED!#he believes gillion too! he believes that his destiny is to eradicate either the sea or land and that scares him!#but then he gets past it bc ultimately he trusts his bestfriend gillion so so much. he fuckin loves this dude.#he would throw himself intothe path of fire for this dude. he would boat across the ocean for this dude.he would build arenas for this dude#even if this dude will end half the world.even if this dude wields the power and the obligation to eradicate him at any second.#even if this dude is going to throw himself into harms way for his own comrades.even if this dude is just going to sacrifice himself.#one way or another one shall die for the other.these self-sacrificial bastards click so well with eachother!!#chip believes his body is best used to pave roads and gill believes his body is destined to pave prosperity.WHATEVER!!#i really love their dynamic!! they care for eachother so much!in MY heart tho. the icing on the cake here is the fantasy that chip is#just a bit more In Love w gillion than he realizes. like this powerful fish guy is HOT and PRETTY and KIND and FUNNY and LOYAL and STRONG#but gillion would never rly feel that same sort of attraction towards chip. its just not rly his thing. aroace as fuck man.#thats how it is in MY little heart atleast. and i sit here and play w my touys in my brain n i explore my silly lil one sided fish y chips.
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gods-favorite-autistic · 8 months ago
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Track list for Fig and the Cig Figs independently published Junior Year album (officially named “Infaethable”)
Teenage Rebellion
Night Yorb (a heavy metal banger)
Summer Scaries
Devils Nectar
Time Quangle (a love song about Ayda)
Multiclass (Gorgug sings on this!)
The Ballad Of Lucy Frostblade (Kristen was the one who convinced Fig to write this)
So Late, So Tactical
Do You Have A Fucking Warrant
Cassandra (Can You Hear Me)
Hall Of Mirrors
President Applebees (written entirely in the night after Kristen gets elected by a drunk Fig with extremely drunk notes by Kristen)
Raging For Love (inspired by Gorgug, of course)
The Elven Oracle (Has A Day Job) (So Stop Bothering Her)
Maximum Legend
Fury Of The Ball
Cursed
Infaethable
The Bad Kids
#i neeeeed fig to go indie it’s her destiny#she promises each of them that she’ll dedicate at least one song to them and then dedicates a track to each of them individually#sklondas seething a tiny bit that she called riz the ball but he won’t stop playing it so it keeps getting stuck in her head#adaine summons mephits to help with her track#you can hear her in the background near the end yelling ‘yeah!’ and ‘fuck off!’#fabian wanted his to sound like a shanty but fig said it wouldn’t go with the vibe of the album#they eventually compromised by having the noise of waves and seagulls subtly in the background throughout#kristen actually cried the first time fig played the ballad of lucy frostblade for them#summer scaries sounds like an olivia rodrigo song#gorgug gets a sick drum solo in raging for love#time quangle opens with fire crackling and a bird cawing and a quiet clip of ayda saying ‘I love you’ before the instrumental starts#fig stuck a quiet sound clip of gilear saying ‘oh fuck’ and then a louder sound clip of her saying ‘oh fuck!’ in cursed#devils nectar is one of the slower tracks on the album#hall of mirrors is heavily inspired by the events at evil mordred and baron so you can hear a lot of influences from baronesian music in it#fig has a fucking sick as hell guitar solo and a couple of samples from just the bottomless pit in general in infaethable#Gorthalax also gets some lyrical input on it#fig manages to get a clip of riz saying ‘the ball bitch!’ to kalvaxus in freshman year to put in fury of the ball#is this too long for an album? maybe but who cares I love this#a good portion of the profits made from the album goes towards college for the party#having thoughts about fig and the cig fig’s Junior year album#autism (mads) speaks#fantasy high#fhjy#fig faeth#fantasy high junior year#dimesnion 20#d20 fantasy high#fig and the cig figs
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rozugold · 5 months ago
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I had a dream about getting kidnapped from my childhood home except I was ctommy and the kidnapper was cdream
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domaystic · 8 months ago
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It's Domaystic 2024!
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Hello, hello! This is the third year of DOMAYSTIC, a domestic trope based prompt event running in May :D
This is the main post for the event and in the picture above there are the prompts.
They're 31 prompts (no alts this time), but they are also divided in three main categories, which I loosely labelled as "people from everyday life" from 1 to 10; "things from everyday life" from A to J; and "general-container-stuff that can be bent to one's own desires" from roman number I to X. Plus, at the very end, a free choice option (we never had one and the days are not even ahahah).
List of prompts
Category: people from everyday life 01. driver 02. shop assistant 03. plumber 04. public servant 05. teacher 06. receptionist 07. mechanic 08. health professional 09. baker 10. landlord
Category: things from everyday life A. konmari B. me/us time C. shopping points D. odd appliances E. building renovations F. frozen G. memento H. wild animal I. ritual J. dreadful weather
Category: general-container-stuff I. proverb II. tutorial III. poll IV. numbers V. emergency VI. quiz VII. cliché VIII. art IX. official document X. song
* free choice
Guidelines, tags example, AO3 link under the cut!
General rules and guidelines
Domaystic is open to any fandom or original content.
Any kind of media is welcome. You choose your way of expression.
There are no limits/restrictions on how your fill should be.
There’s a total of 31 prompts for 31 days.
To join the event one can do a prompt a day following the list as it is; or following the sequence they prefer; or only the ones of their liking, even just one.
Or, and this is my challenge proposition for anyone who wants to take it: try to combine one prompt from each one of the three categories + the free choice. Which in total would produce 10 fills + 1 if all are done.
Share your work anywhere you want or keep it to yourself, that's fine. If you share it on tumblr and tag this blog, I’ll reblog it.
If you also want to combine these prompts with another fandom event, that's okay.
Domaystic runs actively throughout May; if you join or tag the blog on a later date, that's fine too, I just reblog on a lower pace after May is over.
In case of lengthy posts on tumblr, use the "read more" option: ctrl-shift-k on rich text; [[*MORE*]] on html (remove asterisks)
AO3 collection
The domaystic2024 collection is open from May, 1st: click here - info and prompts are also on the profile page.
Tagging your tumblr post:
Mention the blog in your post @domaystic - tracked tag: #domaystic2024
State the fandom name or if it is original content
State if it is sfw or nsfw
Please, always TAG PROPERLY for any trigger warning. I will base my own reblog on your tags so, please, take even a moment longer to carefully tag it. I hope all participants to stay safe in this event.
Here’s an example:
It took me 2 nights to write this @domaystic, look at my stuff! #domaystic2024 #[fandom name or original content] #[sfw or nsfw] #[trigger warnings that I get from your post] tw
And this is it! For any question, doubt, etc. the askbox is always open :)
Hi @thebigbangblogproject, can you reblog this? Thanks :D
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sysig · 6 months ago
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An eye for a life, unquestionably worth it (Patreon)
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joltrify · 1 year ago
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(In a very american accent) Esas Crituras >:)
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workinghandinhand · 5 months ago
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martyr..? what a play on words..
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laurzvahll · 2 months ago
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i couldn’t stop thinking about the tags mj left @flowerakatsuka
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anna-scribbles · 1 year ago
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regained my 12 year old swag(read an entire new percy jackson book in one sitting)
#CHALICE OF THE GODS WAS SO GOOD#AUAUUGHHHUHGHHHGHHHSH#i was laughing out loud every few minutes for like 5 hours straight#this was a book of BITS#(spoilers in tags from here on out)#i keep thinking abt percy’s river rage tantrum and how he came out of it to annabeth saying ‘yeah he’s scary sometimes when he gets worked#up. do you want more tea?’#COMEDY#the entire bit with him hiding under the pastry cart. the thing about annabeth having a secret fanclub and percy’s not even phased.#THE HIMBO JUICE THING. RICK RIORDAN WHY ARE YOU TRYING TO TELL ME THERES A HOOTERS BUT FOR MEN AND SMOOTHIES#annabeth apparently specifically won’t bake clue cupcakes. and this is happening less than 2 years after the famous sixteenth birthday blue#cupcake that she and tyson made for him. the one that looked like a blue brick that they are with their hands.#<— not inconsistency. comedy.#percy’s whole thing with playing with the snakes with the rainbow as he’s fully prepared to be eaten😭😭😭😭😭he is SO unserious#the entire mt olympus scene where he keeps getting distracted from what he’s doing bc he can’t stop roasting zues in his head????#PERCY I LOVE YOU#ugh i forgot how much i adore percy pov.#pov of not knowing what’s going on ever. pov of being distracted every 10 seconds. he’s literally so real#i thought eudora was hilarious#the whole concept that percy has to do this at all. i think it’s so funny#ppl who are mad that the premise of the quests is stupid. like yeah. percy jackson has a stupid life.#when annabeth broke through his window at 4am to sit on his bed and talk about rocks and trees. everything#percy not knowing the names of anyone at his school or on his swim team#when the god showed up at his cafeteria and percy just ate his lasagna sandwich before talking to him😭😭😭😭that child is TIRED#i loved the light graffiti in the tunnel. when percy wrote their initials i SCREAMED#WHEN. WHEN HE ASCENDED AND TURNED INTO RAINBOW LIGHT WITH THE POWER OF WANTING TO TELL ANNABETH HE LOVED HER.#I DIED.#THE POWER OF LOVE ALWAYS SO STRONG‼️‼️‼️‼️‼️#AUGH i am weak#pjo
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randomfoggytiger · 2 months ago
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I don't want to shame or be age-ist, but why did they bring in Mimi Rogers as Diana? She looks so much older than both Scully and Mulder. Was she hot and in the market in the 90s? I can see that her assertiveness and self-assuredness could be attractive, but she just didn't seem to "fit in". It's almost as if Mulder went for her because of mommy issues and looking for an older woman like Scully did with Daniel and her daddy issues.
I don't know anything about the actress. My issue is just with the casting and that she fit more in line with being an older character that came across, to me, more like a wicked step mother than a potential mate.
I don't think the question is ageist. :DDD It's a reality that she does look older than Mulder-- but that really works for canon.
Actually factually, they hired Mimi Rogers because DD acted with her before (The Rapture); and he likes to bring his friends forward into new projects. But her casting also enabled David and Mimi to take their characters' interactions in a slightly different direction than the script dictated.
I get you completely, Anon-- and I agree. That angle worked for me, however: it underlined Mulder's personal growth over the past five years (and showed how glaringly unimportant Diana had become.)
Diana Fowley: the Definition of Manipulative Comfort
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(Credit to: @iddoitforfreebaabe)
In the script, CC wrote Diana as a knock-out who subtly wielded her sexual prowess to draw Mulder's attention away from "the truth" (and to make Scully jealous, ahem ahem.) There was a sneering, preening quality to her that isn't present with Mimi Rogers. And I like that change; because five years and a thriving partnership have changed Mulder as a person-- not completely, but enough. Sneering, preening superficiality would repel, not attract, the person he's become.
Moreover, Mulder is a man so haunted by his past that he sees his sister in every little girl-- or, to the point, he sees the love and security he lost in childhood in every feminine, devoted, almost nurturing brunette. (He's drawn to women who promise love, companionship, and ease up front, only to be duped by their intentions and strung along with breadcrumbs of affection later.) I don't think he's looking for other sisters or other mothers in his selection process; just that their standard of beauty has been normalized since childhood. Importantly, we see his own distinct sexual preferences separate from his traumas: Mulder is attracted to intelligent, outspoken women, be it Pheobe Green or Diana Fowley or Dana Scully (or Bambi Berenbaum, etc.) This trait doesn't define his on-screen interactions with Tena Mulder-- a very passive, emotional woman when around him-- nor distinguish Samantha in his memories. They weren't idiots, certainly; but that's not how he selectively remembers them.
Back to Diana.
THE NATURE OF DIANA AND MULDER'S PAST RELATIONSHIP
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Diana Fowley is the perfect archetype of a person who latches onto potential-- for intelligence and companionship-- and stays until she decides to leave (cutting loose ends cleanly, and purposefully parting friends.) Relationships are for advantage, positive or negative.
We know this because of her reappearance: in The End, Diana expects to waltz back in and turn Mulder's affections back to herself with the snap of her fingers; in The Beginning, she chastises Mulder for doubting her dedication and loyalty to the files (read: him); and in One Son, she foists a kiss on Mulder when he is at his lowest point.
She's not a mother figure but a dangerous second thing: a prey animal who locates the wounded boy in the man and weaponizes that to her advantage-- hence, her full name (Diana meaning 'goddess of the hunt'; Fowley, a spin on the word fowler or snare.) (It's not until The Blessing Way that Mulder began to question his own mother's involvement in the conspiracy, posts here and here; which provides ample proof of the lengths his ex would have been able to twist him about without his suspicion.) Diana knows how to mask her control through silky "Fox, I know better; and you know I know better" language that skirts his animosity and detection. While Phoebe is cruel and callous and careless-- getting caught-out both times she and Mulder engaged in a relationship of sorts-- Diana is circumspect and calculating and careful. Diana exploits his weak spot-- self-punishment and a desperate need for love-- by disguising her attentions behind loving, near-maternal guidance and protection... something she would have known he lacked after Mulder unveiled his backstory. While Phoebe is reliant on relationships and adoration and praise to feel superior-- unable to face or accept rejection-- Diana doesn't rely on anyone or anything except herself (hence why CSM came to depend on her, too.)
DIANA, THE (PURPOSEFULLY) NOT-SO RAVISHING
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All that logic and canonical consistency aside, the beauty in Mimi Rogers's casting is that she isn't a ravishing beauty to Mulder.
Mulder isn't head-over-heels for her like he was Phoebe Green or Bambi Berenbaum or (later) Scully. In the magazines and tapes that aren't his, in his dreams, in his Kill Switch illusion, Mulder fantasizes about larger-than-life sexuality: the Jersey Devil, Phoebe, Bambi, the blonde bimbo nurses, Jade Afterglow, Scully in sci-fi gear, etc. The exaggeration in their presentation captures his imagination and attention. (We see hints of Diana as a wanton, sexually deviant temptress here and there: namely in Mulder's vision of her in Amor Fati-- post here-- where he is not surprised to see her in aggressive, sexy lingerie-- but is surprised to hear she suddenly wants to settle down and have children, post here. And, again, "settling down" is framed as "It's time to grow up, Fox"-- another maternally slanted manipulation.) In casting Mimi, their dynamic changed from Phoebe-Green-enraptured to old-wound-manipulation.
Mulder himself wasn't gutted over their breakup-- telling Diana, without a shadow in his eyes pointing to past hurts or wounds or pain he'd overcome, "I've done okay without you." It was Diana who walked and Diana who returned; but it's Mulder who didn't ask her to stay either time. She was his partner: not in the "wildly understood definition of that term", but a literal partner who discovered the X-Files alongside him, who spent five years of her life with him, and who left-- without regrets, from either side-- for greener pastures. It had been a comfortable, not passionate, relationship. Afterwards, Mulder was content to burrow down in the basement, alone; and resented any intruder into his sanctum after she left.
And when Diana returns, he's stiff, tense; and takes a while to warm up to her presence. Yes, because of his past with her, yes because he hadn't informed Scully of said past; but mostly because he knows Diana is there for a reason. And, profiler that he is, Mulder suspects he's the reason. And he's right.
DIANA FOWLEY V. DANIEL WATERSTON
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How does Mulder's draw to Diana differ from Scully's draw to Daniel?
Well, firstly, we have to discuss the similarities. Both Diana and Daniel are older partners, and both put down the instincts of their lovers (or would-be lovers, in Scully's case) to assert their own interests and end goals. ...The similarities largely end there.
The differences, however, point to the nuance of their situations.
Mulder isn't drawn to Diana because she was "his mother"-- he was attracted to her because his inner porch bug is drawn to the promise of a light at the end of the tunnel; and always coaxes him into the dangerous dark and straight towards the beam of a bug zapper. In this case, he got caught in the window screen, peering into the glow of a house but unable to advance towards or retreat from it. Diana and he had good times, comfortable times that they could remember fondly later; but their reminiscing consists of her helping on the files, not the years of their relationship beforehand. In essence, they have "the work"-- in whatever current form that was-- between them and nothing more (in contrast to his bond with Scully, which transcends Mulder's search for "the truth.")
Scully is drawn to Daniel because he is "other fathers"-- a man who not only understands her expertise and passion but rewards it with devotion and pride. While Diana left Mulder and was, apparently, perfectly content to be single as she carried out the Syndicate's aims (or because she left her options open to exploit CSM's interest), Daniel mourned and pined after his loss, letting his cracked marriage dissolve completely and abandoning his daughter to-- hopefully, maybe-- run into Scully someday. Diana and Mulder coasted five years-- another sign their relationship didn't healthily benefit either person-- before they decidedly separated. Daniel and Scully had a stormy (near) love affair, and split after the tempestuous blowout.
(By the way, Mulder and Scully, carry out those patterns with their ensuing relationships: Scully moving fast and strong with Jack and Jerse before they separate; and Mulder coasting on from case-to-couch, phone to his ear when he gets lonely at nights. Their partnership ultimately breaks each other's pattern, posts here, here, and here.)
Diana does fall in love with Mulder, though: by One Son, we see she truly has lingering feelings for her ex-- that take a backseat to her Consortium calling (and lack of characterization)-- and by Amor Fati, her affection has grown enough to manifest guilt, shame, and change-- that results in her death. However: the series portrays this as new emotional growth, not a symptom of their past relationship. Mulder doesn't expect that depth of feeling from her in The End nor The Beginning; nor even Two Fathers and One Son (hence his consternation with Scully's "jealous" suspicions, post here.) Again, "I've done okay without you" speaks volumes-- especially with the twinkle Mulder sports to show Diana that, for the first time in his life, he's found a spark: that his current "relationship" isn't comfortable or stagnant or in the past. (Which is why she reads between the lines and plans to break apart the partnership as deftly as possible.)
CONCLUSION
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Hopefully these thoughts helped in some way or form. :DDDDD But what do you think, Anon?
Thanks for reading~
Enjoy!
**Note**: Here's the interview mentioned in the tags.
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cerealforkart · 1 year ago
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Pirate AU! They are not surviving the Grand Line
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