#billie eilish album 2024

[yourlocalbadgerscales]

The last album added only for @marylily-my-beloved because girl you post about that album 24/7 😅

Yes the top four are all my favourite artists… hm I love TTPD but I gotta go with Found Heaven, after all… can’t wait for replies! ❤️

[dizzyfizzydarling]

2021 // 2024

[jacks-weird-world]

彡★Jå¢k ̧ ßRĆ★彡

ᵢ'ᵐ

ₑvᵉrywʰeᵣe

i'm sₒ ʲuₗiᵃ💚

[billiesbabygirl]

My girl❤️

[girl-in-the-thunderbolt-suit]

Me every time Billie Eilish drops a new album

[rockwellhusband]

charli xcx - brat era covers

[witherbee]

2024 Album Recommendations?!

hello! i am constantly looking for more newly released albums to listen to. does anyone have any to recommend? i will share some that ive been really into this year:

Two Star & the Dream Police by Mk.gee

Anti-Fun Propaganda by Gen and the Degenerates

I Got Heaven by Mannequin Pussy

Underdressed at the Symphony by Faye Webster

Bleachers by Bleachers

UTOPIA NOW! by Rosie Tucker

Only God Was Above Us by Vampire Weekend

Visitor by John Moreland

sentiment by Claire Rousay

Atavista by Childish Gambino

HIT ME HARD AND SOFT by Billie Eilish

BRAT by charlie xcx

Big Idea by Remi Wolf

reblog with your 2024 album recs!!

[strawberrybyers]

“coachella fell off” okay but why does this seem like the most fun coachella has been in YEARS???? i am having massive fomo right now it’s actually making me sick

[b-enthere]

I could eat that girl for lunch

Yeah, she dances on my tongue

Tastes like she might be the one

And I can never get enough

[paradiserotting]

hey billie u there?

[dizzyfizzydarling]

Billie Eilish and Olivia Rodrigo at the 2024 Grammys!

[lilidawnonthemoon]

Colder than your father's eyes

He never learned to sympathize with anyone

You were born reachin' for your mother's hands

Victim of your father's plans to rule the world

Too afraid to step outside

Paranoid and petrified of what you've heard

[nellysview]

YOU GUYS!!!!

HIT ME HARD AND SOFT is out!!!!!!

[goldenmusicmoments]

Billie Eilish's Hit Me Hard And Soft Does Exactly That:

Billie Eilish drops her third studio album and this time she didn’t give us a taste of what to expected prior to its release. The album is an experience from start to finish, so lets take a look into its chaos.

Skinny - She starts on a gentle note with her signature airy vocals accompanied by the piano. There is something sombre and dreamy about this track. Which is down to both her vocal delivery and the production. Here she explores the aspects of falling in love and the insecurities she has when it comes to her body. It is a vulnerable moment and her vocal performance is stunning. The violin led outro gives this opener a dramatic end. A start that doesn’t give away anything in regard to what’s to come.

Lunch - This one picks up the pace with its foot tapping beat. On most part her vocal delivery is laid back, however there are small moments where she decides to have a bit more urgency to her delivery. This one is definitely one of her most daring tracks lyrically as she explores sexual desires whilst connecting them to eating. Her picking this to be the one she pushes as a single is thus more interesting, however the sound and feel of the track make it a perfect choice. It is a light track that you could let loose to. The track has a playful end with the sound of breaths.

Chihiro - We get into this finger clicking track thanks to the catchy beat. Here it seems that the person is growing distant and she feels them slip away. She’s not wanting to let go, where as they seem to be ready to leave. There is this hazy feel to it as you get this feeling of being a little on edge or dizzy. The beat becomes growingly intense and you get these spaced out vocals. She then brings it back down and then again before the track ends the beat starts to build in the back once again slowly making its way to the front. Chaos ensues with this hypnotic beat that you find yourself fully captivated by as it takes over you. This one draws your attention instantly and you find yourself wanting to replay it immediately.

Birds Of The Feather - Here on this sweet and cinematic track Billie is letting the person know of her devotion. She’s completely in love and says that she’ll love the person of interest till the day she dies. She wants to stay with this person forever and you feel it in the way she sings each lyric that she’s completely infatuated. Her vocals during the verse are gentle, however she pushes her vocals during the chorus which in turn points to her meaning what she is singing. The production has quite a bit going on and it gives the track a catchy nature. You’ll find yourself nodding your head to the beat and singing along to the hook. The track closes on this rather dramatic vocal moment that sees Billie push herself in a way we don’t oft get to hear and tied with the closing is this fascinating beat. 

Wildflower - She calms it down here as the track opens with a stripped back guitar. Her vocals are tender as she sings about a sombre moment where she is consoling someone who is sad. It seems as though the girl had gone through a break up and that was why she was upset. Billie seems to then end up in a relationship with the ex of the girl she’s been comforting and she finds the thought of the girl linger in the back of her mind. The track builds and then she calms it down again as she asks whether he also has his ex find her way into his mind at times. The guitar comes back gradually rising in volume. The last line lets it be known that she is no longer with him either. There is a slight haunting edge to this track due to some of the vocalisations threaded in the back.

The Greatest - This has Billie herself in a sombre mood as she sings about her commitment to this person of interest. She’s doing everything to try and keep them happy, however it doesn’t seem to necessarily be reciprocated. She seems to praise herself in the chorus, as it seems unlikely that the other person would praise her. On most part the guitar strums remain the prominent instrumentation, however for the tracks dramatic moment the percussion takes centre stage. There is a build in the bridge both vocally and production wise, granting this track its grand moment. She expresses her frustration with the imbalance within this relationship, she’s longed for them to reciprocate the love she’s given them. She calms it back to down to close things off. 

L’Amour De Ma Vie - On this one the track starts with this classical feel through the tender production and her light vocals. Here she sings about a relationship that no longer is, she explores the emotions she felt and her feelings towards the person of topic now that all is done. She seems to still wish them the best, regardless of the pain they caused her. For the last half the track shifts, feeling as though it is a completely different song. Here she’s unapologetic as she takes aim at them, calling them mediocre. The way the shift comes in, in a way feels similar in production to that of The Weeknd’s sound.

The Diner - Here Billie’s context is unclear or that it could have duality. As she explores obsession, she’s had experiences with stalkers in the past and so you feel she maybe singing about them. However could it be about her being obsessed with herself? It has a sinister edge to it that you feel through the quirky beat and her vocal delivery. She really dives into this whisper like vocal delivery at the end that brings this one to an end. An intriguing moment on the record that stays consistent in pacing rather than switching it up. 

Bittersuite - Kickstarts with the beat right up front that jolts you a bit. This one has quite the dynamic due to the way that the production shifts during the song. Each shift feeling like a separate segment, yet managing to work as one track. The song ends on a rather interesting note. She seems to be running away from a relationship, where she knows they aren’t meant to be together. Moments like this are what truly highlight the duo’s unique touch when it comes to crafting a track. 

Blue - This closing track is interesting as it finds continuity from the note the previous track ends on. Not exactly through the beat, but how she delivers vocally. She then switches it up midway and then again a brief moment later where her vocals seem to have a more deeper tone. Either it is an effect or she’s actually singing like that. Then for the outro its this dramatic instrumentation that closes things out and it seems she throws it back to the sound of the shift in the track ‘L’Amour De Ma Vie’ we heard. Which you find is something that occurs across other moments on the album as well. This song combines two previously leaked tracks, as the two decided to rework them into one song.

Overall this album is a focused record that is cohesive sonically, she decided to keep it brief. Prioritising quality over quantity, and it has paid of. This is hands down her best project to date and one that will definitely standout amongst this years releases. It exceeds expectations and proves that Billie is an artist that is here to stay and one that will constantly challenge herself. Her and her brother Finneas make for quite the pairing, it will be interesting to continue to witness what the two create. On top of that it will be something to see if she decides that she wants to work with a different producer.