#big hero 6 villains

[synergysilhouette]

Lorcana continues to impress with it's art

Not all of the new outfits landed for me (I think they overuse red, black, and gold a lot, as well as using blue a lot for backgrounds), but there were one cards I just appreciated for the art style--or for including underrated characters. I wonder if "Reign of Jafar" will have more cards than I found, but it'd probably be too many images for this post anyway. *Sigh* I really need a "House of Mouse" revival--or an AU that made better use of uniting the characters better than "Mirrorverse" did.

[ultraericthered]

Out of four consecutive Disney Villains that were defined by plot twists regarding them, I've often thought: what made Turbo and the Cybug he merged with in Wreck-It Ralph work out so well and deliver a villain so infinitely stronger than the villains that followed? I'd concluded that mostly it was because Turbo got to be around as an active and characterized antagonist as King Candy and the twisty nature of his villainy was more comparable to Judge Doom than following the Stinky Pete, Henry J. Waternoose, and Lyle T. Rourke route of only being revealed as a villain in the third act and getting to be actively antagonistic for a limited time while taking on drastically different characterization than before like the later Twist Villains (or in Bellwether's case, in only the final minutes of the third act!).

But there was something else too, and it recently struck me.

Hans, Callaghan, and Bellwether all adhere to basically the exact same formula, with only the specifics of their roles differing due to each movie being a different type of story - Frozen is a fantasy adventure-thriller, Big Hero 6 is a superhero story, and Zootopia is a buddy cop mystery. The formula is that not only is the villain introduced as a friendly character in the first act and ultimately shows their true villainous self in the third act, but during the story there's another villainous character thrown at the viewer to serve as the red herring. In Frozen, it's the Duke of Weselton. In Big Hero 6, it's Allister Krei. And in Zootopia, it's Mayor Lionheart. All of these characters seem more like the sort of villains you'd typically expect to pop up in stories of these films' natures, radiating such obvious evil energy that the viewer is naturallly meant to have their suspicions drawn to them rather than the unassuming nice person who turns out to be the real villain of the piece. I'd argue it worked best when first tried in Frozen because the Duke ended up having absolutely nothing to do with the main conflict or how it got resolved, his main contribution being to tell two men to be prepared to kill Elsa at one point and that's it: he was a red herring in the purest sense. With Krei and Lionheart afterwards, they both had increased prominence in the narrative, the former being responsible for what drove Callaghan into grief-stricken, vengeful supervillainy, and the latter at first being Bellwether's boss and actually serving as a secondary antagonist in the plot with his unethical captures and coverups in response to Bellwether's Night Howler conspiracy. And they both are such obvious suspects for being behind evildoing even in-story that it loops around to becoming obviously NOT the true culprits at all. (Not helping is how both the Duke of Weselton and Allister Krei are voiced by Alan Tudyk, at the time still most known for King Candy/Turbo!)

Whereas with Turbo, I think it was so effective because it was sort of flipped around. The story was leading us to look at King Candy as the red herring or ultimately just the diversion, continuing to remind us that the Cybug that Ralph accidentally brought with him into Sugar Rush was lurking below and breeding, which we knew could become a true threat to the game and to the whole arcade world given the way Calhoun talked the Cybugs up. Even when Felix goes into the backstory of "Going Turbo", we're not really linking that to what's currently going on with King Candy, who we at that point had not been given reason to think is anyone but who he appears to be, and King Candy's such a silly, whimsical doofus of an antagonist that we suspect he'll amount to nothing more than food for the Cybugs. How King Candy goes on to manipulate Ralph and the revelation about him as a usurper turns our perspective of him on its head as is, but then it's revealed he's not just any usurpeeeer - he's Turbo! This on its own makes him that much more villainous, but then still we get the kicker: Turbo gets eaten by the lead Cybug, just as we might've predicted would befall him....and his code overwrites the Cybug from within, making him even more dangerous and malicious than ever! So while the Cybugs do indeed become the endgame threat, they're also used as the actual diversion to get you not looking harder at King Candy and figuring out both his true identity and his true nature as the primary, most menacing villain in this story. It is ingenious.

Pulling off a Twist Villain is easy. It takes a lot more thought, skill, style and polish to pull off a Turbo-Tastic villain as Wreck-It Ralph did.

[dragoninahumancostume]

I don't get how people can just talk about their interests?? Like you have actual thoughts about it and you're able to express them correctly?? Mines are just a high-pitched "AAAAAAAH" and "it's so awesome it's so awesome and this guy does this and the other does that and IT'S. SO. AWESOME."

[dragons-wine]

Just a little Alan Tudyk

[shan-does-art]

Hello you beautiful, I suppose I'm back alive. My last post was December and I haven't post 1 month, I want to post on January but I've been burnt out and run out of ideas, soo yahhh...

(。·́︿·̀。)

I don't think I have no more idea's to draw bh6, can you tell me what I should draw???

Lighting:

Without lighting:

🍣🔪uh oh, it’s the Crazy Knife Lady!🔪🍣

[jaxinkh]

Here is part 12 of the Big Villain 6 comic! We are getting close to the end, guys! Maybe 2 or 3 more parts and we are done!

I figured out an easier/faster way to make the text balloons (curse my art program not having proper fonts)! I also cannot believe I almost forgot Richardson's signature birthmark!

First - Previous

[gelatinous-globster]

some recent Globby doodle pages, digital this time! found a new brush I like a lot ✨

@drama-glob @enbydemirainbowbigfoot

[theroyalriot]

One more Villain Tadashi post before i jump head first back into SatoSugu hell. :) I’m riding the angst train later

[freedom-barricades-bighero16]

Momakase decides to blackmail Hiro into helping her steal Connor’s blades back, threatening to give away Big Hero 6’s secret identities to the SFPD if he doesn’t help her. Meanwhile, Megan finds something that makes everything in her story click.

Link to episode:

[synergysilhouette]

Everyone keeps talking about "traditional villains," but in retrospect, I wish Disney had gone in a different direction for the Revival Era. Hear me out...

King Magnifico's failed characterization and poor writing in "Wish" really bummed me out. I was looking forward to a complex villain who was kinda right. I was hoping it could usher in a new age of Disney villains who were more grey than black and white, who made the characer grow as a person because they challenged their perspective. But then I realized that the opportunity existed in earlier revival-era villains:

Dr. Facilier is a villain first and foremost, though thinking back on it, I do think he is kinda proto-Magnifico, granting people's wishes, only for them to find that what they wanted isn't what they expected. I do wish he tied a bit of truth in with his scams, mentioning (similar to Magnifico) how people's dreams are very difficult to achieve--especially in the post-WWI American South, particularly POC. Naveen is generally assumed to be a POC himself, so he could juxtapose this viewpoint as someone who's never really had to experience such hardships. Dr. Facilier could still be 100% villainous, but further emphasis on dreams, wishes, and hard work would be part of his character. However, this is the reverse of "Wish"; Tiana has already worked hard, but she's lost a lot of her innocence and light-heartedness trying to achieve it, thus causing her to reevaluate how important love is and how she may not have realized it, being more practical about her dreams. It all starts with a wish.

Mother Gothel was already right; the world can be dark and cruel, and will destroy any light it finds. However, similar to Magnifico, since she's completely evil, the protagonist she goes against doesn't really change to understand what she's saying. Rapunzel doesn't see the world as dark or dangerous anymore; it's the opposite, thanks to her experiences. Because of this, I do wish Rapunzel did have a bit more negative experiences independent of Gothel to prove Gothel's point rather than it being "hey, she's just saying that because she's the villain." Maybe Rapunzel tries healing someone and people start lusting after her hair.

Hans is DEFINITELY a missed opportunity. He was the anti-Anna; isolated and alone, and he became bitter and cruel because of it. It's mentioned that the deleted song "More than Just the Spare" was removed because it made Anna too much like Hans. I don't think that, and if anything, it furthers my point: Hans gave up on his brothers, who he felt overlooked by and pestered by (he doesn't even mention his parents). Maybe give Hans less brothers and feature them a little in the movie so we can see how they interact with Hans and how it's a "what could be" for Anna and Elsa. His evil character is exactly what Anna is trying to avoid, but she understands how he became this way rather than it simply being for shock value.

Yokai was a great villain to me, but the reveal happened too late. I'd have loved seeing a more thorough exploration of his character and parallels to Hiro (which were done great in the film; I just wish it was expanded on). Highlight how people quickly forget about the dead and don't always learn from history, how there's this cycle of loss and hatred that you have to break.

Bellweather was on a power trip, but I do wish she had a storyline similar to Judy and Nick, since--in an interesting twist--they come off as more interesting and complex than the villain. She doesn't really say what made her act like this, and comments that "fear always works." I wish we got more of that, especially to play the two sides card; Zootopia is mainly predator-phobic, and challenges to this, ie predators playing down predator-related crimes in order to get people to look past their identity (and the fact that many predators are in positions of power) may have caused Bellweather's abuse by predators to be overlooked, causing her to want them all gone.

Te Ka is interesting. Despite "Moana" being a great film, I do feel like Te Ka and Maui's storyline was underutilized. It's revealed Maui stole Te Ka's heart for humans, but from what we see, Moana lives in this ideal community where their heritage, culture, and nature is loved and respected. Maybe embrace the fact that Tala is the only one who tells the story of the ancestors and how being they became "comfortable" since they were no longer voyagers, being used to the hierarchy and their stagnant society. Highlighting some humans' selfish natures would've been nice rather than Maui just telling us about it, with Te Ka being a metaphor for the destruction and disregard for nature and love.

Namaari is such a missed opportunity. Despite caring about her community, she comes off as more villainous than an antihero since she doesn't show any sympathy or care for Raya--in fact, she seems rather smug about hurting her. By making her a villain burdened by expectations and love for Fang while slowly being redeemed would've been better to me, shifting her POV slowly, making Raya angry with Namaari but understanding her motives. Having some regret about her choices--even if she believed they were the right ones--would've gone a long way for Namaari's characterization.

Magnifico...well, you already know he could've been one of Disney's most complex villains. Horrifying backstory and powers that are the result of hardwork left him with a jaded view on wish granting. He wants to help others, but has MANY reservations about it.

This is just my POV, of course; some of you may disagree (or feel like the aforementioned villains already achieved what I ask for), but I do hope future Disney villains have that "they're kinda right, even if they're wrong" characterization. It'd be a nice new era as the successor to traditional villains and twist villains--though just like twist villains, this trope requires VERY good writing.

[multimonorail]

Big Hero 6 Month Day 3: Robotics

Megabot in Big Hero 6: The Series

[pinklaser]

What A Daddy…

[vampirefromlibrary]

Ian McElhinney as Robert Callaghan

[the-dastardly-resort]

Trina, waiting at the front desk as her father is sitting down on the couch and being stubborn, as then a receptionist came in with a big grin, greeted Trina, gave her the keys for their suite, and left once again.

Trina: Huh, eh, it's probably nothing. *turns to look at Obake* Father, I got the keys to our room.

Obake, unenthusiastically: Yayyy.

Trina: Come on, Father, at least put up a facade that you are enjoying this vacation.

Obake: This isn't a vacation. This is a hostage situation.

Trina: *huffs* Well, you can stay in the room all you want,*Trina tossed the keys to her dad.* I'm going to have some fun and make some enemies. >:]

Obake, uninterested: Have fun.

Obake, now alone, got out a remote and released a drone to carry their luggage. He walked towards the elevator when he noticed someone familiar in the bar. Isn't that his old robotics teacher who hated him? Obake walks a bit closer and takes a good look at the man, and Obake is surprised to see his old Professor, Callahan, drinking his sorrows away. Now, isn't that a funny sight for Obake to see. No, Obake can't be laughing from afar. He knows better than that. He should be laughing at him nearby and make him feel small and inferior to him, so Obake gave the drone the keys and let it take the stuff to their room and walked nonchalantly towards the bar, having a sly, gloating smile across his face.

Obake: So, how does it feel to be at the bottom, old man.

[starleska]

shut up man he's so cute it makes me sick 🙈💜✨