#best to see them as not canon. especially the buffy ones (angel & faith were at least somewhat better)
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oveliagirlhaditright · 10 months ago
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One thing I do appreciate about Buffy season 12, despite its flaws, is how it brings Buffy close to Angel again.
Because, to be honest, I do feel like there was a slight distance there since season six, probably (during their meeting, after Buffy came back from the dead, that was "intense", but also was somehow disappointing to the both of them). And we also see it with how Buffy interacted with Angel in "Chosen" some, though I don't know if that was intentional on the writers' part there.
And then we won't get into Buffy season eight, that further drove them apart. But season 12 really brought them back together, and I so appreciate it for that (among other things).
But the above book passage from "Heat" (taking place in Buffy season 7/Angel season 4) kind of hints at that distance, imo. And that was written by a major Bangel fan, where the Buffy and Angel book authors are concerned. So she's not biased against them or anything like that. Quite the opposite.
It's actually sad: in this book, Buffy and Angel's story crosses over, of course, so it pulls them back together again--and they get pretty couple-y once more, with Buffy calling Angel "baby," and all. But then they both die together to save the day, and earn Heaven and their happy ending... but they decide to give it up for their loved ones, I think (like Connor for sure, in Angel's case), knowing that some day they'll really earn their happy ending together. But then, IIRC, not pleased by how things went--because Wolfram & Hart got betrayed and screwed over by some of the villains--time gets turned back so none of that happened--so Buffy and Angel don't remember any of it. And Angel only knows about any of it, because Lilah tells him what not to do to those catastrophic events.
So, basically, Buffy was feeling distanced from Angel as seen by the text above, and then that bridge was gapped, and then she lost that and the memory of it. And only Angel has any knowledge of this stuff. I suppose that had to happen to fit with her S7 self (and the Spike/Buffy stuff), of course, but it very much rings of IWRY again. Which was probably the point.
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kitkatt0430 · 2 years ago
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Fuffy, Spangel, Dawn/Connor, and Angel/Riley for the ship bingo!
Fuffy:
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I do enjoy Fuffy as a good fix-it fic because it's nice when Faith is able to not go down a bad path that leads to prison and gets a cute girlfriend too. But their canon relationship is so fascinating to me too, I've gotta admit.
I genuinely think that, canonically, Faith's in love with Buffy. But she's just so screwed up and let down by the adults in her life that Faith can't deal with it. She goes after guys that are infatuated with Buffy too - Angel, Xander, Riley, Spike, Robin - but she's not really happy unless she's the center of Buffy's attention. And when things go bad, well... if she can't have positive attention, she'll take the negative.
I... really do enjoy villains that are in that vein don't I? (Eobard Thawne, the Master from Doctor Who...)
That said, Faith is pretty devoted to Buffy, which we see both before and after her little jaunt on the dark side.
On Buffy's part, her actions towards Faith really do read as someone with a crush, pre-accidental manslaughter incident. Her feelings were probably too different from what she was used to for her to recognize the crush for what it was. But especially knowing that Buffy has at least one lady lover in the comics (that I've heard of anyway?) it makes a lot of sense to me that she had a crush on Faith. Faith was good at keeping up this veneer of being everything Buffy wished she could be - free of expectations and comfortable with being the Slayer.
So while their canon relationship is... a mess, I do think there was a window of opportunity where, had things gone a bit differently, they could have been girlfriends.
Spangel:
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They've definitely had sex during their fanged four days. They're exes. They're divorced (yet still married). They love each other. They want to murder one another in convoluted loony tunes style plots.
They're Spangel. And they bring out the best and the worst in each other. If I were in more of a mood for vampires, I'd probably feel the need to go through their ship tag but I'm currently too focused on other fandoms.
I think one of my favorite ship fics for these two had Angel saving Spike's life and it caused him this moment of perfect happiness because the idea of perfect happiness was tied to what the caster of the curse believed it to be, deep down. And since the last time Angel had his soul shoved back into his body it was a Willow who'd lost Tara... very poignant but also now they've got Angelus around and his idea of love was... um...
Okay, so maybe I do need to dig that one up and re-read it now. :D
Dawn/Conner:
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Since they never met in canon, I don't really have a lot to say about them. I do think they'd have an interesting dynamic - they're both of weird origins and struggle with being not normal - and I've liked fics that included the ship. But they're very much ships that pass in the night.
Angel/Riley:
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Canonically these two very much bring out the worst in each other. Angel got his hackles up over Riley being the first guy Buffy was serious about after him. And Riley straight up accuses Buffy of cheating on him with Angel - admittedly likely out of guilt that he'd unwittingly had sex with Faith in Buffy's body and was dealing with having basically suffered rape by deception, so I do cut him some slack even if the accusation was incredibly shitty of him.
While I think scenarios where the two of them become friends would be interesting, with Angel actually acting older and wiser for once and seeing in Riley someone who is suffering and pushing the people who love and support him away... I just don't see anything romantic between them and I don't think I'd ever really want to either.
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experiment-000 · 4 years ago
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My Top 10 Ships of 2020
It's been a weird year but I've seen other people doing this. Plus this year I've been way more into gen fics (love a bit of found family especially in clone wars and marvel) than anything shippy. So I genuinely don't know what imma put on here aside from two ships for sure. Sorry this post is super long idk how to do the below the cut thing and I've had this app for 5 years...
10) Viktor Nikiforov and Yuuri Katsuki - Yuri!!! On Ice
It was a real toss up between this, supercorp, kanera and wolfstar cos they're all very integral ships to my fan heart but this son because of the Yuri on Ice fandom's rebirth this year. I've never stopped shipping this, never stopped reading fanfic of them for any extended period of time, they're still my most bookmarked ship on ao3 (although I think now star wars - all media types may have overtaken them for fandom). They were one of the first things I watched where the queer ship I loved became canon and I can't wait for the film (and hopefully someday a season 2). Heck I even made my mum watch Yuri on Ice with me so I think that says it all.
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9) Edelgard Von Hresvelg and female Byleth - Fire Emblem: Three Houses
My first fire emblem game was fates when I was like 14 (and finally gay awake lol). I was so disappointed that I had to be with a guy character because the only female option was kinda creepy and also I wouldn't get the character of kana. So when three houses came out I was so happy because finally there were beautiful incredible female characters my female byleth could romance (I'm so sorry mlm you deserved so much more than you got). I got the game as soon as it came out (had to search a lot of shops let me tell you) and started on black eagles. I was actually kinda disappointed back in 2019. I didn't like the explore the monastery bit (still find it kinda tedious) and the battle mechanics weren't quite the same as fates (no pairing up?! Aka my main battle technique for protecting the weaker units). So I got like 20 hours in and put it down. Came back to it in lockdown and finally finished it! I'm so proud of myself I virtually never finish games. And I fully fell in love with the useless lesbian edelgard in the process. When I started back playing in 2020 I was like eh I wish I'd picked a different character to romance (like shes an emperor that's morally very shady) but then the romance stuff started with edelgard and I fell the heck in love.
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8) Cory Matthews and Shawn Hunter (and Topanga Lawrence) - Boy Meets World
Disney+ was released in the UK this year and I finally got the opportunity to watch boy meets world in its best quality (aka not on YouTube). I watched it back when I was like 12 or 13 and it's such a nostalgic show for me. Watching it again I still absolutely adore it (and my bi ass was low-key crushing on Shawn especially in chick like me - I'm 18 btw and I got so scared for a sec but rider strong was 18 when chick like me came out so it's fine woah). And of course now I see the possibilities of the beautiful Cory and Shawn relationship like they were so bromance it was basically romance and throw in topanga it's the perfect ot3 (but I'm also fine with just Cory and Shawn or just Cory and Topanga). Read some good fanfic for them this year. My favourite was one about Shawn stealing makeup and stuff and exploring gender (need more fics like this I'm biiii).
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7) Steve Rogers and Bucky Barnes - Marvel Cinematic Universe
I rewatched all the MCU films this year too. And got really into Peter parker whump and irondad. Plus my eternal obsession with identity and relationship reveals of course led me from Spiderman identity reveals (and found family cuteness) to stucky coming out. Especially when it involves the internet and social media. Not my favourite ship but it's been significant to my year due to the sheer amount of marvel stuff I've read.
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6) Satine Kryze and Obi Wan Kenobi - Star Wars
I rewatched clone wars in prep for season 7 and wow Satine's death was sad and sudden. She first appeared in S2 E13 I think and just the sheer sexual tension of their bickering. "The sarcasm of a soldier. The delusion of a dreamer." Just ugnnhhh my bi ass can't take much more of this. And Anakin just sipping his wine in the background grinning. And I fully believe korkie is a Kenobi.
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5) Commander Cody and Obi Wan Kenobi - Star Wars
I am very much an Obi wan multishipper. I don't really have a favourite but I fully believe he was with satine and Quinlan in his life. I don't think be would've actually done anything with Cody because of the whole superior officer thing. And this probably isn't even my favourite Obi wan ship - that honour probably goes to quinobi or obitine. However the most popular ships in the fandom are codywan, quiobi and obikin. No offence to anyone who ships these they're just personally not to my taste, but I can't stand quiobi, and obikin I find only slightly more tolerable and I think that's just because there's so much obikin content so if I like the concept of a fic that happens to be obikin I'll read it. I'm just not a fan of the mentor/student relationships. So I generally favoured the codywan fics when there was shipping involved meaning I read a lot of them this year. Needed that nice fix it content post season 7.
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4) Zuko and Katara - Avatar: the Last Airbender
Again I am a multishipper I have nothing against zukka it's cute. But I'm a zutara shipper first and foremost because when I first watched avatar I was like 13 and denying my gayness and gayness in general so I shipped the straight things and the straight things only. Most of these ships I stopped shipping - dramione, spuffy, some my little pony ones which we don't talk about. Zutara stayed. (I have nothing against any of the things I used to ship I just stopped shipping them so much/shipped new things more). I've continuously shipped zutara since I first watched avatar even if I didn't necessarily spend that much time on it it has always been here as one of my favourite ships. It has such good fanfic I swear including my favourite ever fanfic from any fandom - love thy enemy. Plus like the black games (reread this for the millionth time this year), a delicate subterfuge (which I read for the first time this year and damn it's so good) and so many more. With the avatar resurgence this year I haven't actually rewatched avatar aside from my normal random episode every now and then when I feel like it. But there's been a lot of avatar on my dash from people I follow getting into it and people I followed for avatar returning so naturally I returned to the fandom and read quite a lot of fanfic. I also read just a lot of avatar gen fics which were great at the whole found family thing I've been so obsessed with this year.
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3) Catra and Adora - She Ra and the Princesses of Power
Catradora is canon! They kissed! What more is there to say. Arguably they should've been top but I never shipped them that much since I was always very much a multishipper when it came to she ra so yes I was very happy it became canon because we actually won for once but also I've never read much fanfic for them etc. But they are very much a dynamic I love and watching she ra all again in prep for season 5 I really enjoyed the build up of their relationship. The other two only go above because Buffy is my favourite show ever and damn there's some good fuffy fanfic and Aphra and Tolvan is both fresh in my mind and star wars owns me. Would love some catradora fic recs btw if anyone has them tho.
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2) Buffy Summers and Faith Lehane - Buffy the Vampire Slayer
I didn't realise it was last year that I got super into them but according to my ao3 bookmarks it was lol. 2020 I swear it's lasted an eternity. I got into them about a month before lockdown (which feels like another lifetime). I've loved Buffy since I first watched it when I was 13. It's arguably still my favourite TV show. I've been through a lot of ships for Buffy - bangel to spuffy and now fuffy. I still think angel and her were a beautiful ship back in season 2 and especially in the angel episode I will remember you. But faith and Buffy had so much chemistry in season 3 - she would've been a fresh start for Buffy and the amount of fix it fics I read I swear. My favourite has to be one where they met in LA during Anne and how that changed everything feat Buffy's internal homophobia.
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1) Cheili Lona Aphra and Magna Tolvan - Star Wars
I read Darth Vader (2015) and Doctor Aphra (2016) for the first time at the end of 2020 (got a comic subscription which has served me very well already I've nearly finished the star wars canon comics). Just to see canon queer ladies in star wars was so magical for me as a queer lady. I didn't think star wars would be so overt yet as to have a queer kiss in canon (even if it's in the comics) and especially not with the main character of arguably their main comic series. Now we just gotta hope that we'll get it in live action someday soon. They weren't the ship I consumed the most content of in 2020 but they were the highlight of my 2020 because star wars did that and I finally found out about it
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Honourable mentions: Vivian and Elle - Legally Blonde, Candace and Vanessa - Phineas and Ferb, Stevie and Alex - Wizards of Waverly Place, Xander and Spike - Buffy the Vampire Slayer (I actually don't ship this but damn some authors are good - this was the ship that made me realise I don't need to like a ship if the author is good enough to write it well), Eli Vanto and Mitth'raw'nuruodo - Star Wars (started reading the books last year but finished this year and only started with fanfic this year), Villanelle and Eve - Killing Eve, Kanan and Hera - Star Wars, Barriss and Ahsoka - Star Wars, Remus and Sirius - Harry Potter, Kara and Lena - Supergirl (let's hope this becomes canon next year!) (Those last four are ones I've shipped forever some of my og ships but nothing particularly big has happened for me this year with them so)
I got Disney+ this year so rewatched a fair few things from my youth and though hey my obsession with that character may have been a little gay.
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buffyversefanfiction · 4 years ago
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Buffy versus The Originals
Warnings: I do not own nor claim to own the copyrights to the following tv shows; “Buffy the vampire slayer”, “Angel”, “The Originals”, “The Vampire Diaries”. Nor do I claim to own any canonical continuation via comics, spin-off televisions and such. I do not claim to own any of the characters within either the Buffyverse or the TVDverse, I am purely doing this for non-profit as a fan of both worlds and fanfiction itself.
15 Plus: May contain medium to graphic displays of violence and torture, displays of witchcraft practice, horror elements, supernatural elements, sexual innuendos, and scenes of a sexual nature.
F/F, F/M, M/M, GEN + OTHER
Preliminary Round: Part One
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Buffy Summers managed to stop yet another apocalypse not that there was ever any doubt that she would win, she always wins. Although, to be fair this time around her hometown of Sunnydale was destroyed during the big battle and what once was a beautiful Californian town looked like nothing more than a tribute to the Grand Canyon leaving Buffy and her friends homeless.
Luckily, the blonde-haired vampire slayer knew of a certain vampire with a soul called Angel who happened to live in a semi-decaying hotel located in Los Angeles, and after a quick and awkward phone call with the vampire she once loved Buffy, her friends, her loved ones, and her fellow slayers made their way to L.A. to seek refuge with Angel and his team at the Hyperion Hotel.
Angel well and truly had his hands full at the Hyperion Hotel after rejecting Wolfram and Hart’s offer, his city always kept him busy with its many supernatural creatures, but he also had the complicated mission of trying to wake the woman he loved from her supernaturally influenced coma.
So, when Buffy, his former love, called him up looking for a place to stay briefly he was more than willing to oblige, hoping Buffy and her team could help in waking Cordy up.
Cordelia Chase had gone from being a spoiled rich girl at Sunnydale High School, to the vision’s girl at Angel Investigations to a half human, half demon, hybrid that found herself getting possessed by a rogue member of the powers that be called Jasmine, the latter using a magical pregnancy to give birth to herself, sending Cordy into a coma shortly after giving birth. 
Cordelia was the heart of Angel Investigations and it was struggling to operate without her, her friends and loved ones, were struggling to cope without her and so, Angel, Wesley, Fred, and Gunn were more than thrilled to have guests at the hotel who could lend a helping hand.
Faith Lehane had also gone through many changes herself, going from being a rogue slayer pitting herself up against Buffy, to finding redemption with the help and patience of Angel. So, after becoming Buffy’s ally once again, and helping her defeat the first in Sunnydale, the brunette Boston born slayer was more than happy to check into the Hyperion Hotel and catch up with her old friend Angel, especially after hearing the tall, dark, and handsome, vampire with a soul, needed help in waking Cordelia from a coma.
Buffy, Angel, and both their teams, sure proved to be the big help that Angel Investigations needed with the night-to-night hunting, and patrolling, however, the mission to awake Cordelia Chase struggled to pick up momentum which Cordelia herself began to grow impatient about as her fragmented spirit began appearing to them all frequently, complaining, and eager to get back into her comatose body.
Willow Rosenberg searched every grimoire, book, and magic shop to find a magical solution to Cordelia’s coma until eventually she came up with the idea to cast a spell which would not only summon Cordelia’s spirit but would force said spirit to return to her body. The spell in question required a non-beating heart, horns from a near extinct demonic species, and the translation of a long-forgotten language.
Willow waited for a reasonably quiet night to perform the spells she believed would bring Cordelia back to her body, waiting until it was just her, Buffy, Angel, and Faith in the hotel and gathered them all within the grand foyer of the hotel, as they each sat down on the floor in a circle, while Willow held a book in her hands, ready to cast her magic, ready to bring Cordelia Chase back.
The first spell to summon Cordelia’s spirit was performed, cast, and executed to perfection by the brilliant red headed wonder witch, however, the second spell to return Cordelia to her comatose body went a little awry as Willow accidentally opened a portal to a whole other dimension, a portal which wound up pulling Cordelia’s spirit into, as well as Buffy, Angel, and Faith before closing itself and leaving Willow completely alone, and without any idea of where they went, or how to get her friends back.
“Way to go Wills, now where the hell did, she send us this time?” Faith wondered as she, Buffy, Angel, and Cordelia found themselves, picking themselves up off the ground within the bayou in New Orleans late at night, each of them completely confused as to where Willow’s spell had sent them to. “I think it is safe to say we’re definitely not at the Hyperion Hotel, and knowing our luck we’re probably not even in Los Angeles.” Buffy replied to her, as she looked around the bayou, attempting to piece together where they were. “Hey! I’m back to being solid again!” Cordelia screeched with excitement as she threw her arms around Angel and pulled him in for a hug, the two of them equally as excited to see and feel each other once again. “Enough of the sickeningly sweet reunion time, we all know what happens when you get happy Angel.” Faith warned Angel, as she pulled him out of Cordelia’s arms, eagerly breaking off their hug. “You’ll lose your soul, then Cordy becomes food to soulless you, and me and B wind up tossing a coin to see which slayer takes you down this time around. “Well at least Willow’s spell to put you back in your body clearly worked.” Buffy stated to Cordelia, before the questioning slayer turned her attention to Angel. “You did not store her body in the woods, did you?” “No, I never!” Angel denied nervously, as he noticed a disapproving glare from Cordelia. “Not like you can blame him if he did, I mean maybe the big man’s still a little pissed about you bumping uglies with his son, I mean did you not used to change his diapers?” Faith teased Cordelia, more than happy to stir the pot between Cordelia and Angel. “Firstly, that was some wacky super powered bitch called Jasmine who not only hijacked my body but got me pregnant just to give birth to herself. Secondly, I would never sleep with his son when not possessed…stupid rogue powers that be hussy!” Cordelia snapped back at Faith, clearly disgusted. “I swear those powers that be can go straight to hell!” “As fun as this is, how about we change the topic and find a way back to the hotel?” Angel suggested to the women, more than eager to change the conversation about his son Connor’s past with the woman he loved. “Yeah, I don’t really want to hear about my ex’s love triangle with my high school classmate and his adult son.” Buffy agreed with the brooding vampire. “Straight to hell, you hear me?” Cordelia screamed upwards towards the clouds, hoping the powers that be were listening and heard her fury. As the foursome decided to explore their whereabouts it did not take them very long to find their way out of the bayou and learn that they were in the city of New Orleans, the only thing they did not know was the fact that they were no longer in their world, they were now in the Mikaelsons’ world…
Preliminary Round: Part Two
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Josh Rosza had been through a lot since turning into a vampire, going from being a club kid turned vampire to best friend to the young harvest witch Davina Claire to the boyfriend of werewolf Aiden, but the hardest change in his life that he had to adjust to was losing his first love at the hands of a wicked witch called Dahlia, a loss that at first he blamed Klaus Mikaelson for.
Josh was never particularly popular with any of the original family of vampires and neither did he want to be, knowing all too well that friends of the Mikaelson siblings tended to quickly turn into foes before winding up permanently dead at their hands but all that had changed over the last few months following the notorious family defeating Dahlia.
Following Camille O Connell’s unexpected departure from New Orleans, Josh had managed to take over her job bartending at Rousseau’s which meant dealing with all kinds of clientele including none other than the hybrid Klaus Mikaelson himself, who had become a regular while drowning his sorrows every night since Cami had left.
Fear was quickly taken over by fascination as Josh’s reluctance to grow close to any original began to dwindle as friendship quickly grew between Josh and Klaus, a friendship which had started out with two lonely hearts before developing into something much deeper, a bond truly cherished by them both.
Klaus Mikaelson tended not to make friends easily mostly due to the fact he did not want to and even when the original hybrid did make the occasional friend it was never too long before he either watched them be murdered or they displeased him in some kind of way leading to him killing them.
However, following Cami’s decision to leave New Orleans behind for good, the fact Hayley Marshall had moved away with his daughter Hope and his brother Elijah was not currently talking to him, Klaus was in need of some kind of company and he found that and more with newbie vamp turned bartender Joshua Rosza.
Klaus found himself spending more and more time with Josh as a regular at Rosseau’s until the two unlikely companions quickly found themselves developing a friendship made from two lonely hearts graduating into something deeper and before long the original hybrid would come to think of the vampire bartender as his best friend, a friendship which Klaus valued greatly and would protect at any cost.
Rebekah Mikaelson had been granted her freedom from always having to be by her brother’s side, forced to endure heartbreak after heartbreak as Klaus put his needs and wants before her own time and time again, but now she was free and yet it did not feel like it to the original female vampire.
Rebekah had been travelling the world in search of a way to bring her brother Kol back, chasing leads from her older sister Freya, hoping to find some magical remedy to restore her family, but as the months went by and the leads grew thinner the original was starting to run out of steam and her warring brothers Klaus and Elijah was doing anything but making her feel free from her family entanglements.
So, Rebekah decided it was time to pay her family a little visit to reconcile Elijah and Klaus’ brotherhood having had to step in many times before, like when they thought over Tatia then squabbled over Katherine Pierce, as the blonde haired immortal beauty just found herself being thankful that this time her brothers weren’t fighting over another bloody doppelgänger.
Elijah Mikaelson had spent a thousand years sticking by his brother Klaus’ side, cleaning up his messes, and attempting to keep the rest of his family in line but after Klaus used their aunt Dahlia to cast a werewolf curse on Hayley, the woman he loved, he was done fighting by his brother’s side and although Hayley forgave Klaus after New Orleans’ regent witch Davina Claire broke the curse, Hayley decided to move away with Hope.
Hayley Marshall still popped into New Orleans as her and Klaus shared custody over their daughter Hope but she lived there no longer and although she did not live far from the city she lived far enough away to start a new life, a life that Elijah Mikaelson was no longer a part of much to his own heartbreak.
Elijah knew he could not blame Klaus entirely for Hayley’s decision to move but he also knew the curse sure did not help things, in fact if anything he believed it determined her decision and with her now gone and Rebekah too, Elijah was running out of reasons to remain forever by Klaus’ side.
Freya Mikaelson had taken to the oldest sibling role a little far too well and she had started to feel the weight that came keeping a family like hers from killing each other. Not only did the Mikaelson witch have to play mediator between a warring Elijah and Klaus but she was also using her expertise to try and help her youngest sibling Rebekah to find a way to resurrect Kol.
Family was not Freya’s only struggle however as she tried to stop Davina Claire and her vampire father figure Marcel Gerard from declaring war on her siblings every other day, while finding unlikely common ground with Vincent Griffiths in restoring their city for the better as well as keeping her promise to her brother Finn, one that meant finding him a suitable body that would require minimal violence if possible.
Freya literally had everything on her shoulders and was trying her hardest to wear it well, so the last thing that she wanted, needed, or even expected, was the arrival of two so-called vampire slayers, a demon, and a vampire with a so-called soul.
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impalementation · 5 years ago
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What are your official takes on each of Buffy's major love interests?
i am…really afraid to answer this. heh. so i will put the caveat that i’m indulging myself here and am basically going to drive straight into headcanon territory. these aren’t really “takes” in a textual-analysis sense, and i’m not particularly attached to them. more like descriptions of how the relationships read to me. i’ll take them in chronological order.
buffy/angel: i think…that buffy and angel deeply and sincerely loved each other. but that love was wrapped up in a lot of other stuff that makes it hard to say what exactly it means that they loved each other. i think that buffy was a beacon of light in angel’s pretty sad and lonely existence, and that a big part of his love for her was the sheer joy of finding someone to love at all. the feeling of, oh god, i’m capable of really caring about someone. that’s how i see his characterization in light of becoming especially. (because so much of angel’s unhappiness is related to guilt-driven isolation and detachment, i find something nice in the fact that his love for buffy was a stepping stone to angel being more engaged in the world and able to care for people in general. not just buffy.) meanwhile buffy was a teenage girl, and angel was this confounding, yet romantic figure. i get a vibe like, angel is the hope that something beautiful can be made out of her dark and violent life. it just makes complete sense to me that buffy would be deeply drawn to the idea of a vampire with a soul, a vampire who rejects vampirism, in view of her own fears of losing herself to her calling*. it also makes sense to me that buffy goes back and forth between keeping angel close and pushing him away all through season three, because season three is a big season for identity. and angel, like faith, is strongly linked to buffy’s sense of self. i see her reluctance to give him up not just as a matter of loving him a lot, but of not wanting to feel like nothing beautiful can be made out of a life of slaying. especially given her guilt over killing him in the early part of the season, and especially since faith is busy transforming slaying into something ugly. but of course, angel’s unattainableness is also bad for buffy, because it magnifies these guilts and fears of hers. 
*(this is also my read of her pretty intense protectiveness over spike in season seven. i don’t think her feelings towards him change because she sees him getting a soul as a big romantic gesture. buffy has never been impressed by spike making romantic gestures. i think her feelings towards him change because making something light out of something dark is very very important to her. like it’s at the fundamentals of her character. and that’s what spike did. so it’s important to her to protect it.) (this is also my read of why buffy is such a forgiving person in general. she’s desperate to make light from dark. hence why she takes it so personally when faith goes bad, and then rejects the many chances that buffy tries to give her. i think that buffy has a harder time being moved–or more like, letting herself be moved–by faith’s efforts towards redemption in sanctuary and season seven because faith made something dark out of something light first. and that initial choice, plus faith’s repeated commitment to it, scared the shit out of buffy. it’s her worst fear.)
buffy/faith: mainly doing this one because the subtext is so obvious and because faith was written in a way that has seemingly-if-not-actually-deliberate similarities with buffy’s other love interests. i see attraction on faith’s end, but in a ha-ha-just-kidding…unless? way. i see attraction on buffy’s end too, but in that way that is completely unable to register that it’s attraction, since it’s for another girl. that said. i personally think that if they had acted on an attraction during the run of the show, the plot would have still gone basically the way it does in canon. their relationship still would have blown up. because both of them have mad identity issues with each other, and that kind of thing doesn’t go away when you add sex or romance to it—it makes it worse (witness: season six spike/buffy). not to mention the fact that faith has a distinct pattern of weaponizing sex during seasons three and four. if buffy/faith were to ever happen in an actually-sustainable way, i see it happening post-series.
buffy/riley: i think one of the more unfortunate things about how this relationship was written is that it doesn’t feel like we get a ton of information about buffy’s side of things. why buffy likes riley. or even what the show is trying to say with the relationship at all. so you kind of have to read between the lines. i think that riley likes buffy because she’s different. he reminds me of an online dating message telling a girl she’s “intriguing” (“i’m sure every pretty girl has some guy telling her she’s a mystery” …yeah). i think that riley does really care for buffy, but he also wants to feel important, and an interesting girl makes him feel that way. up until it turns out that he can’t handle a girl being more interesting than him. i don’t think riley is a bad guy, but i do think that he and buffy had fundamentally incompatible needs, and he handled that realization badly. buffy, from what i can gather, seems to value his safety and loyalty. which is why the show has riley flirt with danger and disloyalty when it’s trying to introduce friction into the buffy/riley relationship (see: riley sleeping with faith, riley letting vampires bite him). i think ironically, buffy specifically wanted a boyfriend who was not stronger than her at this point in her life. but maybe gets off on the fact that riley has the aesthetic of strength. like, i think she likes having control over male strength and normalcy, likes being desired by it, after the whole drama of angel—in which she didn’t have much control. and at some point, that was always going to end up in conflict with riley’s insecurities. but riley’s insecurities blindside buffy because she never saw him as weak—i think she genuinely values safe, loyal people. she picked lovable outcasts as her friends, after all. i think she really admires those traits in riley, and is startled that they aren’t good enough for him. and maybe aren’t good enough for her, either.
buffy/spike: i think it’s a shame that people try to read a conventional romantic dynamic into this pairing as-written, because—in my opinion—it’s way more narratively and emotionally satisfying when you don’t. like i enjoy watching it, but i enjoy watching it because it’s dark and weird and ambiguous. i don’t think that they were writing a love story with these two characters. i think that they were writing a character story. it just so happens that character stories often make very compelling love stories, because of the time spent on…character. in fact, i think kind of the whole point of buffy/spike in seasons five and six is that spike thinks he’s in a love story, and the audience might be tempted to agree with him, but he isn’t*. i think the writers saw that buffy and spike were good at exploiting the vulnerabilities in the other, and leaned into it. why wouldn’t you exploit character vulnerabilities? that’s good drama. all of which is to say, questions like whether buffy loved spike romantically, or whether they could be good for each other, are sort of…uninteresting to me. they don’t feel like the point. the point is the self-knowledge that buffy and spike gain from being involved with each other. the big and uncomfortable things that they provoke each other into learning about themselves. it’s a specific kind of dynamic. one that is inherently intimate and not-incompatible with romance, but is still something other than romance. “i’ve seen the best and the worst of you”: that is the point of buffy/spike, to me. they are each other’s mortifying ordeal, and the payoff is that scene in touched. the payoff of being known is not a matter of being in a sexual or romantic relationship. the payoff is that when someone tells you they love you, you believe they love you. (this is why their final scene in chosen is supposed to be so bittersweet. both of them are trying to say that they understand and accept each other—only this time, the same history that made that understanding possible gets in their way.)
*(contrast with season seven, when he’s convinced up to his death that he’s not in a love story, but maybe accidentally is. and contrast with buffy/angel in seasons two and three when they think they’re in a love story, and they are in a love story. but that doesn’t mean they’ll be happy. and contrast with buffy/riley who aren’t in a love story, and know they aren’t in a love story. but haven’t quite accepted it. note how their attempts to pull off love story tropes in into the woods totally fail.)
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qsdblogging · 4 years ago
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Why It Makes Sense: The Whedonverse Theory
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When people say Joss Whedon, my first thought has always been Buffy the Vampire Slayer (followed by Angel, obviously), Firefly (and Serenity), and The Cabin in the Woods. After those, it’s up in the air if I remember his input as director of the 2012 film, The Avengers. But, that one isn’t included in this theory.
Growing up on Whedon’s creations (courtesy of my dad), I got invested in the stories he told.
Now, this theory (for me, at least) surfaced in 2015 and I liked the idea of it. It’s summarized in a format through pictures, the year, and what happen during that year to follow the timeline of this theory.
If you aren’t aware of it, continue on reading, or if you are and just want to see if a fresh pair of eyes has anything new to offer in regards to a fan-favored theory, continue on.
But, fair warning, this is going to include spoilers if you haven’t watched any of the listed shows and movies.
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This theory essentially starts off with Whedon’s works: Buffy the Vampire Slayer and Angel, as it is it’s spin-off series. As it takes places the earliest amongst the bunch, in the late 1990’s and early 2000's.
Buffy’s lore is the main focus of the thoery as the biggest point of all refers to active Slayers (and the Potentials, before they were activated for the most part). In the last season of Buffy, they round up any Potentials and in the final fight, get their Slayer abilities activated to turn the tide of the fight in their favor.
It broke the tradition (AKA, the magic behind it all) that the Slayer line followed. One died, a new emerged with the powers and got thrust into a world they didn’t, most likely, know about with a giant burden to bare.
Buffy, having died twice and come back both times, kept her abilities and instead of one Slayer, there were two. First, Kendra, who later got killed after meeting Buffy. When Kendra died, as she was the current activated Slayer, Faith emerged. So, when Buffy died the second time around while still being a Slayer, it didn’t cause another to emerge as she wasn’t the latest activated. Make sense?
But a while later, after all the Slayers were activated, Angel ran into his own amount of issues that had been piling up in Los Angeles.
During Angel’s final season, which is just around a year later after Buffy’s show came to a close, Wolf Ram and Heart defeated and destroyed the Circle of the Black Thorn. This causes a lot of destruction in the process and Angel’s series finale ends with those left standing ready to die fighting whatever is coming their way (including a dragon, apparently).
According to the theory, this event esstentially kickstarts the awakening of the Senior Partners. Hoping to appease them and prevent an apocalypse, The Initiative, a group Buffy deals with during her fourth season, began to give sacrifices.
That leads us to the events of The Cabin in the Woods, which takes place in 2012, barely even a decade after the events of Buffy and Angel.
A ragtag group of misfits who think they’re just taking a small trip to Curt’s cousin’s (who may or may not exist) cabin in the woods. Once there, find a few odd things and a lot of weird and strange items littering the basement of the cabin.
It’s a suspenseful scene to watch, as you get the feeling it’s what is going to make things go sideways for the group and eventually, as everyone is playing with their own chosen objects, Dana reads from a notebook and doesn’t realize the consequences the group will face from doing so.
The Buckner family, an undead redneck family, attacks the group later on in the night.
In the Initiative, who is watching everything go down on the cameras, is hoping it’ll work out for the best as they are the last chance of appeasing the Senior Partners. All of their other locations have failed in their tasks for the year of sacrificing a group.
The group members who are left, in efforts to save themselves, try leaving and run into a wall. Literally. As the movie goes on, you learn that this branch of the organization follows the five person sacrifice that most horror and thriller films seem to follow.
The Whore dies first, followed by the Jock, then the Brains. The Fool is assumed dead this time around, but we learn that this movie’s fool isn’t quite dead. The last death, the Virgin, is optional as long as she (or he) is the last to go.
Dana, the coined Virgin, is saved by Marty, the presumed dead fool. He brings her to what he found to be an elevator that the Buckner Family had crawled out of. They find themselves amongst many other elevator cages, filled with monsters and creatures alike.
It’s Dana that realizes they picked their own fate down in the basement.
Eventually those in the Initiative find the cage the two are in and try to bring them around to kill them (but, Marty has to go first). However, the two are a force to be reckoned with as they take advantage of the severed arm of a Buckner member attacking the guard and find their way into the control station for the cages.
They press a button that releases all of the creatures and monsters in their cages on the security team sent after the two remaining sacrifices. After a while of bloodshed, the two make their way around the base in hopes of finding a way out.
Along their way, they find themselves in the sacrifice room, where the Director at the time, meets them. A lot of arguing and explanations, followed by a betrayal here and there, ultimately ends with Dana and Marty saying screw it all and refusing to finish the sacrifice as the Director planned.
With sacrifices unfinished, the movie ends with the Senior Partners being unleased on the world.
But of course, that didn’t mean there was no way the Initiative ever planned for something like this, right?
Well, the Initiative planned for something like this to possibily happen because you always need to plan for the worst.
Some of humanity manages to escape the destruction on Earth that was and formed the Alliance (with heavy influences from the Initiative, we should assume).
Which brings us to the events of Firefly and Serenity.
Hundreds of years have passed before a child is born. You wouldn’t think anything of it, children are born all the time. However, the remaining remnants of the Initiative inside of the Alliance recognize her for what she is.
A Slayer. Or, at least, a Potential.
River Tam is lured into a school that is meant to challenge her intellect, but according to the theory, the experiments they held on River were attempts to trigger her Slayer abilities.
After her brother, Simon, manages to get her out after a letter in code telling him they were hurting her, the two find themselves on Serenity, a Firefly class spaceship run by essentially, space cowboys. Now, a string of events in the first episode lead to the crew deciding to go on the run and reluctantly keeping Simon and River on board.
But, as the two siblings stay on for longer then Mal had planned and originally wanted them on for, attachments are formed and the need to do the right thing takes over.
The first, and only, season of Firefly gets cut short (and aired out of order, but that’s a whole other thing) and there’s a lot of loose ends that didn’t get tied up.
With one last chance to tie things up, Whedon puts out Serenity, the movie surrounding the crew’s adventure on figuring out what exactly River knew that the Alliance didn’t want her to know.
Originally, River and Simon were meant to leave the crew in the beginning of the film, but some things lead to another and a few extra details are revealed. The crew was made well aware of River’s uncanny ability to shoot a gun without even looking at her targets, but watching her fight and take down multiple people bigger than her was a strange occurence, I’m sure.
It’s the first moment you see her supposed Slayer abilities.
By the end of the movie, things are revealed, some deaths happen to beloved characters, River has finally tapped into her Potential and is an active Slayer, and you get an explanation of who and what exactly Reavers are.
But, for this theory, it’s been mentioned that maybe the Reavers are simply Vampires who managed to get aboard the escape from Earth after the rise of the Senior Partners, and driven to extremes in order to survive in space themselves.
A Slayer had been born again, restarting the Slayer cycle, and there was a chance that things could go back to how they used to be.
Not sure how it would happen, but the basics of the theory make sense. Obviously there are specifics that are harder to include and most likely make sense of in regards to all of this, but in the grand gist of it all, it makes sense.
It’s a fun little theory that can connect multiple works made by one person.
Now, obviously this wasn’t a shortened version of the theory. And there have been some portions of the theory put into question, especially in regards to some of Whedon’s other works.
Dollhouse, Fray as a character in the comics, and The Avengers.
Personally, I don’t include the Avengers in this. It’s Marvel and Whedon was the director of the film for it, but I don’t see it fitting in with this particular theory in any way. People have included it (mostly S.H.I.E.L.D being with the Initiative became, but it just doesn’t make any sense to me given Marvel as it’s own identity), but I prefer not to.
As for Dollhouse, I never actually watched the show. My dad did, but I was too young at the time to be allowed to watch it and I was just never interested in it. Maybe one day I’ll get around to it, but this meant I had to do a little bit of digging to understand this a bit more.
For most of the takes on this theory that have mention the show, mention it may just take place in the parallel universe. They, as in parallel universes, were confirmed to exist in Buffy, Angel, and the comics that continue after them, it’s a plausible theory.
This also means that this theory could follow a majority of the canon information from the shows, films, and comics mentioned, before dividing into it’s own events. It simply means that some things that were difficult to explain in specifics may just be different in this theory’s parallel universe.
So, Dollhouse could take place in the same universe, but events could have differed greatly by universe. We don’t know for sure.
That, in all, also explains the comic series by Whedon surrounding Melaka Fray, a Slayer from a future timeline where things are a little post-apocalyptic on Earth. Monsters run amock and eventually, Fray emerges. Now, it could mean there’s a parallel world where the Avengers and Buffy take place in the same world, but I still don’t like that idea, so I ignore it.
Parallel universes are just a lot of fun to imagine, and in worlds like these, could mean a lot in the grand scheme of it all.
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mj-spooks · 5 years ago
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Alright, judging by how successful that last Harry Potter experimental question was, Buffy's scooby gang, as a Leverage Crew? Is it too simple to say Buffy as a hitter and Giles as a mastermind?
Which version of the gang are we talking here? Can I go across the whole series? Season 1 only? All Stars? Fuck it I’m cherry picking because THAT’S HOW WE DO.
So, Giles is absolutely on the money. He’s the Mastermind, no doubt. He’s the watcher, he trains the others (mostly Buffy and Faith, but let’s be real, he trains all of them in their own way), he’s the one that works things out, leads research parties, comes up with plans. He’s the Mastermind, at least at first. Like Nate, he graduates out of that position (although I think the others sort of share it after he steps down, rather than one person picking it up).
But Buffy’s not the hitter.
Buffy is the grifter.
Think about it. Pretty, blonde, posterchild for popularity. She’s charismatic. She’s endearing.  You like her. You’d probably do anything she asked you to. She’s an an excellent liar, a brilliant actor. She plays the part. The only reason she doesn’t have Sunnydale wrapped around her fucking finger is because all the bullshit with demons and vampires is Too Obvious for no one to ever notice how weird she is. If they could be even slightly more subtle, or pick slightly more convenient times to get up to their nonsense, no one would ever suspect she was anything but what she looks like.
No, the hitter? That’s Faith. And yes, I’m counting her as a Scooby. My girl got done dirty, alright. Granted, she did some people pretty dirty as well. But she was a teenage girl with a really shitty childhood, and I’m not one to use the shitty childhood as a get out of jail free card (get it), but dude. Dude. Every single thing that could’ve gone wrong for her, did. And every time the team had a chance to prove she could trust them, they fucked it up. Mostly Wesley fucked it up, but let’s not go there. And did I mention she was a teenage girl? Also, it helps that she was only Properly Evil for like, a few months, after which she was in a coma, and was Properly Evil for all of five minutes before deciding “Actually I just wanna be Buffy,” because guess what, she never WANTED to be the bad guy-
I’m getting off topic. The point is. Faith is the brawn, alright? Post-Faith, I guess that position goes to Spike, who let’s face it, is basically Buffy’s backup/guard dog from the moment he realizes he can still kill demons, and especially after his big “Oh shit I love the slayer” realization. For the record, bad decisions being made by an ostensibly helplessly evil soulless monster aside, no one EVER had Buffy’s back like Spike did. Not a single damn person. Fucking fight me. Every. Single. Other. Person. Let her down. Constantly. Or they were never in a positoin to properly have her back in the first place. The one time he really did screw it up, he realized how fucked up he was, and went off and got a fucking soul for her, so basically
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Riley, for the record, is not a Hitter and does NOT count as a Scooby, because screw that guy. Also while I’m on the subject, screw Xander, because the episode where Riley leaves and Xander gives Buffy the “you’re the bad guy” speech sits so fucking wrong with me, and Xander goddamn Harris can get fucking bent. I’m still off topic, I know, I know. Sorry, I just. I have VERY STRONG OPINIONS ABOUT BUFFY.
ANYWAY. Willow is the hacker, big fucking shock. She’s... she’s literally a hacker, okay. Even when she stops being all computer-y and starts being all witch-y, her approach to witchcraft is... is to hack it. She hacks magic. Literally. That’s what gets her in so much trouble with it, because she’s too fucking good at cheating the system. It’s how she brought Buffy back. She’s the goddamned Hacker. Age. Of. The. Fucking. Geek. Baby.
Thief............ hmph. I don’t know?!?!?!??!?!?!?!?
See, the thing is, basically all of the properly involved Scoobies had to steal something at one point or another, all with basically the same level of success, so... wait.
Okay. No. The thief is Dawn.
She’s literally a thief! She steals from everybody all the goddamned time! With varying degrees of success, sure. But if she was actually trained at it, she’d be better than all of them. She’s the only Little Sibling out of the bunch (Well, okay, Tara had an older brother, but her homelife was so fucked she has Very Different Younger Sister energy than Dawn). She has a specific talent for it that I bet would serve her well if she was actually trained. I honestly at this point have read so much fanfic that I cannot for the life or me remember if canon!Spike ever helped teach her to knick stuff or if that’s just widely accepted fanon!Spike because people love that dynamic (as they should, it’s great). I’m doing a rewatch but... uh... I kinda stopped partway through S5 because I’m like four episodes away from The Body and gods I just can’t take it. Point being, I dunno if that’s legit or not. BUT. If it were legit, and she was taught how to steal, she’d be great at it.
I guess Spike is kind of also the thief. But he’s also the only one of the scoobies that’s properly been a villain (I’m not counting Faith or Willow’s brief insanity, and Angel isn’t the villain, Angelus is, so...), so naturally he’s got the shady skills. He can kind of grift and mastermind, too, except he’s too impatient for it, which is why he ends up stuck as a hitter most of the time. Everything else is too slow for his ass. See, the entirety of S2.
For fun, under the cut, the remaining scoobies and what position they’re best suited for:
Xander: Hitter??? He’s not got the super strength and he’s kind of played for laughs, but there was that whole bit where he had the tactical training from his brief stint as GI Joe in the Halloween episode. He’s a decent tactician, which is kind of the hitter’s job. I bet that if the wasn’t so busy feeling inferior to Buffy and he actually like. Trained. He could be a decent fighter.
Cordelia: Straight fucking grifter. Which she proves plenty of times on Angel. It’s extra great because she basically IS Sophie, what with the whole “can grift like a boss but put her on stage and she’s terrible” bit. She’s also a decent mastermind, also showcased on Angel. She whips him into shape from day one, and is the only thing that keeps AI running half the time. Also not unlike Sophie. Honestly Cordelia is my favorite character from the OG cast. She deserved better.
Angel: Mastermind. He’s got all of Angelus’ brains, remember, just not necessarily any reason to use them. He’s smart, though, and definitely good at planning. He’s also really into knowing the most and keeping his cards close to his chest. The parallels with Nate are a little strong, honestly, because he also has that whole... guilty conscience spiraling downward holier than thou thing going on. And yes, I do ship him and Cordy, thanks for asking.
Oz: Hacker! Not a lot of people really remember this, since his prominent character traits were “In a band”, “Willow’s boyfriend”, and “werewolf”. Plus there’s the whole flunked-senior-year plot point which I honestly think they did just to keep him around. But the first time Oz actually properly interacted with Willow was because they’d both gotten singled out for their badass computer skills on career day. He’s very nearly as good as her.
Anya: Grifter. I mean, the whole vengeance demon schtick relies on the grift. She’s very good at it. Which, she ought to be, she’s been doing it for over a thousand years. It’s sort of hilarious though because it seems like the second she loses her powers, she also loses her ability to blend in. I think that’s likely because she’s used to short term cons, and running the long con that is being human again is more difficult. Still, this is where she shines.
Riley: He doesn’t count because I kinda hate him. But fine if you wanna go there. Hitter. He doesn’t deserve the title though because Eliot is both brains and brawn and Riley can’t think his way out of a paper sack without someone giving him directions, and even then it’s dicey.
Tara: This one is super hard for me! I can’t see her as any of the actual team positions. I suppose the one skill she displays would be grifting, since she does try to hide her identity as a supposed demon from the others for a while before her birthday comes up. But honestly I see her less as a member of the crew and more as a Maggie. Voice of reason, moral high ground, not putting up with shenanigans if she can help it... yeah. Tara’s the Maggie. Every crew needs one.
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jennycalendar · 5 years ago
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2019 fic roundup
december was INSANE and i spent most of january dealing with the aftermath of Terrible Parents, but i am finally doing this! in nearly-february! good grief!
tagged by @catty-words​! always a delight, cori <3
Total 2019 Word Count: 541,906 Total 2019 Hits: 29,555 Other 2019 AO3 Stats: Kudos: 3,184; Comment threads: 787; Bookmarks: 509; Subscriptions: 223.
Total 2018 Word Count: 338,835 Total 2018 Hits: 22,374 Other 2018 AO3 Stats: Kudos: 2,192; Comment threads: 453; Bookmarks: 280; Subscriptions: 69.
links and titles to 2019 works (buckle up, folks.)
[btvs] imperfections (148,374 words) y’all know about the braveryverse already but i’ll bring up some good points: jenny and giles accidentally adopt the entire scooby gang. also faith gets some actual support and is actually eventually stable enough to date buffy. good times.
[btvs] deliberate obstruction (5,492 words) the one where jenny is petty as fuck and attempts to sabotage every single one of giles’s dates after their breakup. not her best look, but it was really fun to write jenny being Not Great. she deserves to have that option.
[btvs] arch-nemeses (2,171 words) who doesn’t love some of that good old-fashioned ripper au nonsense? particularly when it’s spike and ripper being confusing nemeses who sometimes drunkenly make out (jenny thinks this is very funny).
[btvs] sick day (3,097 words) written because someone should take care of giles, damnit! probably not jenny, tho. she’s not the best at it. lucky for her giles loves her so much.
[btvs] simpatico (10,096 words) sister fic to the grieving process! set circa btvs season six! jenny is connor’s awkward aunt! giles is a repressed disaster who’s still pining but refuses to admit it! 
[btvs] honesty’s the best policy (3,830 words) that one where giles and buffy are hit with a Truth Spell that means they say exactly what they’re thinking. is that all that bad for buffy? not too much. is it a little iffy when you’re a repressed watcher man who still haven’t told your girlfriend how much you love her? uh.
[btvs comics] i router, you giles (1,111 words) GOD this was written BEFORE i knew that giles and jenny were dating in the reboot comics and isn’t that a concept? a snarky-cute first meeting! ok not really that cute bc they just yell at each other a lot! but definitely snarky!
[btvs] transitional (3,152 words) good golly this is cute and i honestly forgot that i wrote it. which makes sense, bc there is a lot of stuff on this list. set in between season one and season two, in an attempt to bridge the giles/jenny gap between “awkwardly friendly coworkers” and “oh my god i think i like you”
[btvs] across the pond (5,323 words) FUN FACT this got nominated for a headline award and i’m SO PROUD OF THAT?! epistolary fic! giles leaves for england in s6 but without his wife! his wife is very mad and writes him VERY MANY LETTERS TO YELL AT HIM! perfect for those people who sometimes think “god, i wish jenny had been in s6 to yell at giles.” 
[btvs] very really married (66,987 words) giles and jenny got drunk-married in las vegas and are keeping the marriage going so they don’t look like terrible authority figures. giles does not want buffy to know about his fake wife. giles does not want his fake wife to know about his real slayer. giles has a lot of problems and it doesn’t help that he might be catching feelings. big mess.
[btvs] bad dreams (2,267 words) GILES/JENNY/ANYA IS BEST SHIP NEXT QUESTION
[btvs comics] an open mic enthusiast (2,250 words) yet another giles/jenny comic-reboot meet-cute written before i knew they were dating!!! this time: jenny gets to see giles playing guitar. repeatedly. because she keeps going back to watch him at the open mic.
[btvs comics] blindsided (2,024 words) my first (and definitely not last) giles/anya fic! a shorter version of a plot bunny i hope to chase down in 2020 (ahaha did i say that WHOOPS)
[btvs] uncharted (16,469 words) my jenny calendar day fic! also known as “jenny calendar has a guilt complex: a novella.” no prophecy dream outs jenny to the group -- but she tells them anyway. and blames herself. and breaks up with giles while she’s trying to Fix Things. absolute mess. (thank god there’s a happy ending, right?)
[btvs] on the mending of hearts (9,236 words) that giles/anya fic where giles shows up at anya’s failed wedding and sweeps her off her feet and they have sex in his hotel room! except uhhh there’s a lot more drama and crying and anya really just needs some cuddles, tbh.
[btvs] extracurricular activities (1,003 words) straight up this one BARELY counts as a 2019 fic. i wrote it back in 2016 and forgot about it and found it on my hard drive and wrote an ending to it. it’s tiny, but it’s cute! lots of early-relationship calendiles fluff, as is My Brand.
[btvs] cookie dough and boy talk (a remix) (3,976 words) dawn, but in the ripper au! she’s a precocious little bab and ripper babysits her and gets semi-adopted by joyce. it’s a thing.
[btvs] a history lesson (698 words) a brief ripper au interlude between jenny and dru. dru tries to point out that jenny and ripper are in love. jenny very unconvincingly denies it.
[btvs] faith, hope, and pancakes (3,236 words) ripper au, now with faith! and she gets to hang with college-age jenny! who is dating her idiot boyfriend ripper! the Most Fun of times.
[btvs] compromises (750 words) this....was supposed to be a three-sentence prompt but I Can’t Do That. giles and jenny discuss (read: jenny yells at giles about) giles attempting to attack angel on sight.
[btvs] valentine buzz (3,422 words) i wrote this in may lmao but i just REALLY WANTED to write fluffy braveryverse valentine’s day nonsense!!! lots of cuddles and kisses and softness abound in this fic.
[btvs] days in goodness spent (5,893 words) this fic's point was a little more abstract and a little less blunt than most of the rest of these, but i wanted to explore the concept of giles slowly going from idealizing jenny to genuinely loving her. i hope i did it justice.
[btvs] to have and to hold (7,861 words) giles and jenny get married in the braveryverse. that’s really all there is. also i posted this on my birthday (may 23rd) AND it is the 23rd fic on this list!!!! WILD!!!!!)
[btvs] saw her in the streetlight, making all the world bright (5,738 words) took me like a year and a half to write the first fic in the ripper au, lmao. in which jenny is a snarky eighteen-year-old, ripper is a snarky college dropout in a band, and neither of them are at ALL good at communicating. especially not ripper.
[btvs] perfect (1,465 words) ripper au: it’s revealed that jenny hasn’t had sex before. ripper handles this with his characteristic maturity and grace (just kidding lmao he FREAKS. but it’s bc he loves her.)
[btvs] respite (1,106 words) i wrote this after issue 5 of the reboot dropped bc i was very emotional about canon power couple giles and jenny. in retrospect, i gave giles’s emotional maturity WAY too much credit--esp. given what’s going on now--but it was still fun as heck to write.
[btvs] shouldn’t we be getting together (3,193 words) this fic’s existence is a combo of me reading a summer camp ya novel and liking the Aesthetic but not the Culture & me talking endlessly w/ @jackalopingintothevoid​ about ripper and jenny’s teenage dynamic. so many of these fics have her galaxy brain takes woven in and i KNOW she knows that. lov u, jack.
[btvs] fragmented (6,158 words) written because of that one time my brain was like “but what if jenny WAS haunting the school?” happy ending because it’s me and g/j deserve some kisses.
[btvs/hp crossover] buffy summers, muggle-born (22,070 words) i CAME BACK TO THIS in 2019 and wrote a few chapters and DROPPED IT LIKE A HOT POTATO. hopefully 2020 will bring me the courage to pick it up again!!!!!! who DOESN’T want a carelessly-mashed-together crossover where the scoobies and the golden trio are all going to hogwarts together for some reason????
[btvs] in bloom (8,452 words) this was SUPPOSED to be the end of the jenny-anya-tara trilogy. it was not. (more on that later.) this was also supposed to be a fic where giles and jenny get together. jenny and anya got together. writing things is wild sometimes.
[btvs] i still want to be your girl (35,165 words) straight up i am so proud of this fic! s7 au: jenny was chased out of town by angelus. giles does not know this. jenny has been working with angel in la, but left with faith to try and help defeat the first. giles is not the guy she remembers. (but jenny’s not exactly the lady giles remembers, either. so maybe things might work out.)
[btvs/leverage crossover] what’s in a name (4,421 words) sophie’s & jenny’s relationship to their names & identities always so totally fascinated me! this fic was my way of exploring that. (also i got to give giles and jenny a toddler. that was fun too.)
[btvs comics] live a little (6,700 words) i had so much fun coming up with a backstory for giles and jenny in the comics that i am kinda tempted to eventually try and do it again. this one was fun to write, tho.
[btvs] kind of like hydrogen peroxide (7,501 words) THIS was FUN. ripper au, but it explores both jenny’s longing for High School Normalcy AND ripper’s fucked-up relationship to magic. also senior prom is a thing.
[btvs] mending fences (6,093 words) sequel to the aforementioned epistolary fic! lots of first-person self-loathing from giles, but also a LOT of love for jenny and his kids. also the man really truly needs to stop repressing.
[btvs] her father’s daughter (1,982 words) 2020 will bring us another chapter of this fic i swear to GOD. literally there’s only one chapter up so i cannot even TALK about my plans for it but uhhh if you want giles and jenny and their three daughters pls feel free to go to that prologue and check it out.
[btvs] a thousand different ways we fell apart (4,888 words) the au fic to encompass all au fics! inspired by the comic reboot and me being like. christ. do they go through this ridiculous shit in EVERY universe? ....and then i wrote a fic where jenny was a space traveler looking through multiple universe to try and fix her marriage with giles. extra fun.
[btvs] no such roses (4,814 words) this one turned out a TINY bit rushed, but the concept of jenny bringing giles back from the dead is always something that i love exploring. i might come back and rewrite this, someday.
[btvs comics] no perfect choice (4,801 words) OOF. wrote this one after issue 8 dropped. a lot softer and more tender than what actually happened, tbh. maybe i will reread it again to make myself feel better about comic calendiles and their brutal split.
[btvs] family (3,545 words) wrote this one p early in the year and came up with an ending to it much later! ripper au: the story of how xander came to live with giles and leave his parents. angst-with-a-happy-ending abounds.
[btvs] a california january (2,206 words) jenny and giles attend a funeral together. that’s pretty much it. this is defs one of the best things i wrote this year, tho.
[btvs] how i survived my summer vacation (volume two) (25,027 words) swear to god this is gonna be the next thing i update. the braveryverse NEEDS to continue. it’s got married calendiles, for god’s sake.
[btvs] clear and impartial judgment (3,977 words) that fic i wrote when i got mad at a lack of resolution wrt helpless. like!!! giles drugged buffy!!! do we not get to talk about the psychological ramifications that would have on her???? (well. canon doesn’t. but i do.)
[btvs] sunshine ladies (10,188 words) THIS FIC WAS NOT SUPPOSED TO HAPPEN and i say that with incandescent love in my heart. i intended for the ‘verse to be giles/jenny, and then i intended it to be jenny/anya, and then i was like....jenny has two goddamn hands, and there’s foreshadowing here for endgame giles/jenny, and i wanna write some giles/anya. let’s fuckin go. (DEFINITELY writing another installment in 2020 about this iconic ot3 of mine.) 
[btvs] spirit-touched (4,769 words) the first smut i write and it’s calendiles ghost sex. i really think this is on brand for me, esp. considering that swath of asks in 2016ish where everyone wanted to know if ghosts could jack off. incredible.
[btvs] dear friend (28,865 words) this fic had such a rushed ending :( it’s a cute premise (you’ve got mail giles/jenny au!!!!!), but i lost interest halfway through, and as a writer i can rlly see that when i read it. another thing i might like to go back and rewrite at some point, tbh!
[btvs] familiar (2,034 words) AUGH i am SO proud of this fic. SO SO PROUD. it’s a concept i really can’t explain and the little twist at the end is something i really really like, so...just read it.
[miss fisher’s murder mysteries] unbearable (5,670 words) i need to write more mfmm in 2020 but the amount of good fic out there is deeply intimidating/delightful. this one was my little “what if it was phryne who thought jack was dead” and tbqh i had a lot of fun with it? bc pining phryne (who makes brief but extremely poignant appearances throughout the series) is an awkwardly, heart-meltingly sincere lady.
[ace attorney] man’s duty to society (544 words) wrote this as my first foray into aa fic while getting emo about miles edgeworth. would absolutely still die for that man.
[ace attorney] fancy running into you (5,887 words) lots of schmoopy narumitsu fluff! gregory edgeworth is alive! miles is trauma-free! phoenix is an artist! just!!! goodness!!!!!!!
[ace attorney] big sister (2,741 words) set in the same gregory-edgeworth-is-alive ‘verse: babey franziska comes to live with miles and his dad. she is a little impossible but miles kinda does love her.
[ace attorney] prince charming edgeworth and his incredible tux (8,042 words) this fic came from me being like “i want to write phoenix swooning over miles in a tuxedo and being like HE LOOKS LIKE A DISNEY PRINCE” and spiraled into something much longer!
[ace attorney] fate, choice, and everything in between (4,384 words) SOULMATE AU. nothing i love more than deconstructing soulmate aus. but like. in a romantic way. also phoenix and miles ARE soulmates and that is JUST facts.
Favorite Fic: I WROTE SO MUCH STUFF THO LIKE !?!??! how can one expect me to distill it to just one fic? i’ll make it my top threeL
a california january (I AM SO PROUD OF THIS FIC. it is soft and angsty and silly and devastating and tender. all the calendiles feels.)
i still want to be your girl (same mood!!! i’ve wanted to write this fic for literal years, and it’s one of those rare occasions where the picture in my head actually turned out BETTER when written out!)
sunshine ladies (this is like my giles/jenny/anya ship manifesto and it still makes me happy to think about them all co-running the magic box together and smooching a lot.)
Hardest Fic: OOF uh i went through a rocky period of writing when transitioning into college? no such roses and dear friend were hit the hardest by my insecurity & my desire to Finish Things rather than actually spend time on the craft. but i’m much more settled in now and my writing is DEFINITELY in an upward swing (as my newest fic -- as day follows night -- attests to quite nicely, imo)
Do You Plan to Take Prompts in 2020? always always yes! (i’m bad at following through with them, but am ALWAYS accepting them.)
What was the best thing about 2019? there were almost too many good things to COUNT, but i think all of them were made possible by me working extremely hard to get myself the FUCK out of my abusive parents’ house and into my first choice college!! i’m thriving, y’all.
What was the worst thing about 2019? realizing that both of my parents are fundamentally terrible people. that part kinda sucked.
Any last thoughts for 2019? i finally understand what it’s like to fall asleep feeling safe, and to notice the way the leaves change color, and to get excited about self-indulgent things like food and cuddly stuffed animals and my own fic and art. 2019 brought a lot of happiness into my life, and oh yeah also i’m in love! lots of cool stuff going on.
Goals for 2020
finish the latest braveryverse installment!
MORE ART JUST IN GENERAL. i love drawing, but there’s not a lot of free time for artsy celia when they prioritize writing so often!
write one of the many incredible longfic ideas that’s floating around in my head. it’s honestly probably only like two or three big ones, but at least DECIDE which one i’m gonna focus my energy on.
more giles/anya this year!
more giles/jenny/anya this year!
diversify! still gonna be writing about jenny forever, but like. it might be fun to write about a few new things here and there.
maybe some more ace attorney fic? maybe even some mfmm fic again? phryne and jack are never far from my heart.
not tagging anyone bc this is....january. but if you wanna do it, feel free!
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ettadunham · 6 years ago
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A Buffy rewatch 3x19 Choices
aka everyone’s just dying to give each other a piece of their mind
Welcome to this dailyish text post series where I will rewatch an episode of Buffy and rant about it in 10-3k words. What you can expect: long run-on sentences and disjointed observations, often focused on one tiny detail about the episode. What you shouldn’t be expecting: actual reviews that make sense.
And I’ve been waiting forever for today’s episode to finally discuss some quality Willow and Faith feelings... And it turns out that it was just a 2-minute-scene all along? Still, we’ll be making the best out of those 2 minutes, folks.
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There’s actually a lot going on in Choices, but I want to get the main rant out first, before I get lost in all the small details of it.
So... Willow and Faith.
Fun fact, did you know that that is actually the 5th most popular BtVS F/F pairing tag on Ao3? Right after the popular canon, the popular “it’s basically canon and you can fucking sue me” ship, the pairing of the two main female characters (shout out to the Wuffys, I got you) and the less popular canon ship.
Which... wasn’t really what I was expecting? I mean, I also wasn’t expecting #6 being Faith/Dawn (having a 2 fic-lead on the ultimate OTP because you’re all heathens), so I guess I know nothing.
Some of those switch though if you filter for the F/F category, look, I have charts:
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(Meanwhile Buffy/Kendra has like 12 fics, you really are all heathens.)
Anywho, thanks for coming to my Ted talk about the math of Buffy femslash. Now, back to Willow and Faith specifically.
Once I thought about it, it did make sense that this is actually a popular fandom pairing I guess? On one hand, it’s a common denominator situation, as in note which characters pop up consistently on that chart... On the other hand, in this episode alone Willow taunts Faith to which she responds by punching her and threatening her with a knife... And that’s pretty much how foreplay works as far as Faith’s concerned.
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Faith just likes it rough, okay? Remember the screencap I used for Consequences after Buffy punches her?
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I rest my case.
But I’m already way off topic here. Because what I was actually planning on talking about initially was how Willow felt about Faith, and the source of those feelings.
I already pointed this out, but I feel it’s worth repeating - Willow’s dislike of Faith goes back to two episodes in particular: Bad Girls and Consequences. As far as I was able to discern this time during my rewatch, there were no previous signs of animosity between the two preceding that two-parter.
In Bad Girls, Buffy blows Willow off for their study session to go out with Faith, and starts rambling about how Willow and Xander wouldn’t understand anyway what she and Faith do.
Willow is deeply hurt and jealous... She actually blows Buffy off too in return when she tries talking to her at school in the next episode, and only listens once Buffy shows up crying at her doorstep not knowing what to do about the whole Faith killed a guy situation.
In the same episode, Xander lets it slip that he and Faith had sex... And Willow is once again obviously hurt and jealous. She even has a good cry about it in the bathroom.
And I guess that that seems like a stronger emotional response than how she reacts to Faith stealing away Buffy from her, but it’s still coming from the same place. Note her line in that episode when she acknowledges her biases:
I'm not the most objective, I know. I kind of have an issue with Faith sharing my people.
“Sharing my people” - she’s pointedly talking about both Xander and Buffy here.
And there is a specific kind of betrayal that she feels from Xander, and that’s going to translate to pretty much all of Xander’s relationship... But at this point, it’s not really about her wanting that relationship with Xander. She had the option and she rejected it.
Still, if Xander has that with someone else, that makes their shared experiences feel less special. It makes her feel like less special in his life. (Which unfortunately tracks with a lot of Xander’s behavior about how he’s always chasing the new, shiny and unattainable thing in his life.)
Meanwhile with Buffy, Willow is mostly supportive of her relationships... up until to the point that she feels like they’re taking up the space that she occupies in Buffy’s life. And that very much happens with Faith in those moments, as Buffy suddenly feels like she can’t share with Willow what she and Faith has. (I swear, I’m not even trying, these sentences just turn out this way.)
So... yeah. Willow is super pissed at Faith for having the audacity to try and take away her people from her, and then hurting the both of them.
And I guess we can see some of that same kind of jealousy with Faith (I can and I will read parallels into Willow and Faith’s characters, just you wait) and her whole thing with Buffy and Angel in Choices... Except it’s weirdly misdirected? Like is the Mayor and the show seriously trying to tell us that Faith is jealous about Angel not wanting to make out with her, when that whole thing was all about Buffy in the first place?
Really, Mayor Wilkins? Really?
Well, I guess he is evil.
Back to Willow though, we have this scene where she gets taken hostage, and after she murders her vampire guard with a pencil (amazing), she decides to get comfortable in the Mayor’s office and read through all 5 tomes of the Books of Ascension??? It’s such a delightful nonsense.
Of course, I’m definitely with her on the whole “knowledge is power” notion. Even if they were to prevent the Mayor from having this Box of MacGuffin, there’s no way to tell if that would actually stop the Ascension. But knowing what’s to come and what they could do about it? That’s a definite win.
The issue is that as Faith puts it, being caught red-handed while gaining that knowledge makes Willow some very strong murder material for the bad guys. She could’ve just put the books in a bag, and tried escaping with them, or get the hell out there the moment she discovered those sensitive pages.
But do you know what I think? I think Willow just wanted to have the chance to confront Faith. She was ready to die just to give her a piece of her mind.
Willow: It's way too late. You know, it didn't have to be this way. But you made your choice. I know you had a tough life. I know that some people think you had a lot of bad breaks. Well, boo hoo! Poor you. You know, you had a lot more in your life than some people. I mean, you had friends in your life like Buffy. Now you have no one. You were a Slayer and now you're nothing. You're just a big selfish, worthless waste.
That’s commitment.
Notice also how she highlights Faith having Buffy in her life and not appreciating it enough to keep fighting. I do feel like Willow is deeply offended by that. I talk about her jealousy a lot, but her commitment to the people she loves is usually her more dominant character trait. Feeling like Faith stole her friends from her hurt her; but her anger mostly comes from the fact that Faith hurt Buffy and Xander in unimaginable ways.
I guess this episode did give me a lot of Willow feelings.
Someone else who shared Willow’s need to impart some wisdom in the most inconvenient times was the Mayor. And honestly? I didn’t care a whole lot about it. Angel and Buffy has a million other conflicts that come before him being immortal.
Like, I get that it’s supposed to shake them out of their own little bubble a bit, and face the fact that they don’t really see a future together. I believe the phrasing I previously used was that being together prevents them from becoming the people they want to be.
Their initial exchange at the graveyard is kinda hilarious though. “You never take me to any place new” - I’m still laughing, ngl.
At the same time, Xander and Cordelia still appear to be having their bitter verbal conflicts. Which is weird, especially after Earshot, an episode that I praised for including Cordelia in the group once again. (I guess maybe Earshot was written with a different place in the season in mind for it initially? I know that it didn’t air when it was supposed to too, because of the school shooting aspect...)
Here, the two of them are once again out to get each other. Even Buffy ends up in the crossfires, as Cordelia aims one of her pointedly cruel jabs at her. Yikes.
But we also find out here that Cordelia is working in a dress shop now, so there’s that.
And this episode of course is also about everyone’s futures. Willow decides that despite being accepted into literally every school ever, she’s going to attend UC Sunnydale with Buffy. Not just to be with her, but because she enjoys saving the world and all that jazz.
Oh, Willow, if you only knew...
This of course also presents a welcome contrast for Buffy, who feels like she doesn’t have a choice but to stay in Sunnydale. It’s a really nice moment between them, as Buffy realizes herself that she too very much made that choice herself. Because that’s who Buffy is. Someone who could never turn her back on the people who need her.
Buffy:  I kinda love you.
We all do, Buffy. Just ask Oz, and his decisive ingredient smashing move that annihilated the whole argument about whether or not they should rescue Willow. (”That’s your future wife!” - me @ Alexis Denisof in that scene.)
Also, shout out at that whole Mission Impossible heist premise we got going on in this episode. I always appreciate a weird clash of genres.
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headlineawards · 7 years ago
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2018 Headline Winners [Fic Awards, Giles]
Giles Fiction Awards
The Watcher Watch Award  [Best gen., Giles]
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Winner - Second Sight by Il_mio_capitano “A wonderful story that grips you right from the start and doesn't let you go until you've read it all. Delightfully sarcastic humour paired with an original and suspenseful plot, what's not to like? But even more praiseworthy are the outstandingly three-dimensional characters. There's Randall - hilarious, irresponsible, infuriating, inventive, a loyal friend and an absolute moron, he practically jumps out of the page straight away. There's Giles' dad, not simply grumpy but with so many nuances and unobtrusively scattered background information, he too feels like a complete and real person. His obsession with the exact time sort of bookends the story instead of just being a random meaningless quirk. And, of course, Giles' glorious grandmother, obviously the source of the family sarcasm and such a force of nature despite her blindness - which is in itself another example of the endless richness of details in this exceptional work. Amazing.”
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Runner-up - The Uxbridge English Dictionary by DHW “The Uxbridge English Dictionary affectionately captures the Season 3 Giles/Wesley rivalry in all of its obnoxious glory. Wesley’s pompous interior monologue is perfectly rendered in his battle of wits with Giles. It’s a delight to see Giles’ playful side come out in the course of the game, only to be met with unexpected comeuppance.”
The Twosome of Cuteness Award  [Best romance, Giles]
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Winner - Believe it Or Not (The Courtship of Rupert Giles Remix) by Thecarlysutra “What made Rupert different than Wesley? We know Rupert left home and took up with a bad crowd, but what was the impetus? Thecarlysutra's ‘Believe It or Not (The Courtship of Rupert Giles remix)’ gives us a convincing answer. We're impressed by the slow transformation of Rupert's character, from a boy excited to study the Slayer close up who, as Veronique notes is “not to me like the type that gets in trouble” to a kid who's willing to take actions that might get him into trouble with his father, and finally ending up as a young man who punches the Council leader before walking out the door. Veronique turned him into a man; the Council, by killing their Slayer, made him into Ripper. That's really well done and we can see it happening that way. The characterizations are excellent. The Council ignore Veronique but she's obviously thinking for herself right from the start. Her first words dress down the head of the Council for calling her Veronica rather than Veronique. What we found most impressive were the differing worldviews. The Council sees Slayers as temporary, like milk or fruit. Veronique describes herself as something that might not last long but improves with age, as cheese and wine. Rupert fears her impermanence and denies it. When his father confronts him, saying he'll be a widower before twenty, we see the first hints of Ripper's rage: “Rupert could feel the rage pumping through his veins, spreading through his body like disease. His hands shook.” Rupert, changing, is caught halfway between her viewpoint and the Council's but, lacking her fear of loss, is caught up in rage. Wow! We also adore the descriptions, particularly of the first sword fight between Rupert and Veronique. How his style, more like logic than fighting, is no match for Veronique who “began like a flamenco dancer, her body curving, drawing into the air, spinning away. Her bare feet were soundless on the teak floors, and the gauzy material of her dress blurred the silhouette of her body; it was like fighting a ghost.” That's an amazing description and we can see where Ripper got his fighting skills from. Veronique's time may have been short but she changed Rupert, as a fighter, as a lover, as a human.”
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Runner-up - Kids Today by Quaggy “We adore how the feelings that Buffy and Giles share for each other are revealed slowly but lead inevitably to the ending. At the start, we learn that Buffy had been made younger, taken back to a pre-Slayer age, in the middle of a battle. Giles, thinking she was dying, had been first to her side and she'd calmed when she saw him before passing out. Giles had been so devastated by the thought that he'd seen her third and final death that he'd killed everyone who'd had a part in it, but Buffy hadn't died. Giles cares so much that he leaves the details of giving Buffy a new identity to the rest of the Scoobies so that he can remain at Buffy's side while she's in the hospital. He brings her daisies and reads from her favorite books. Buffy's comment that Anne wouldn't have thought Cordelia was such a romantic name if she'd met their Cordy is a lovely detail as is the idea that the Scythe reinstates Buffy's Slayer powers, allowing her to heal from a death wound. The Scoobies are surprised when Buffy asserts herself, saying that Giles has to be at high-school with her – for training purposes of course – but Giles thinks he's put himself at a disadvantage by showing Buffy that he's her most loyal ally. In fact, he's shown her that he cares and to be by Buffy's side is not a disadvantage at all. He's thrilled that she wants him there. What a sweet story.”
The Good Squirm Award  [Best smut, Giles]
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Winner - Crossing Lines by Littleotter73 “Buffy and Giles are both perfectly characterized in ‘Crossing Lines’. It is extremely well written from beginning to end, starting off with a power struggle between the two of them as partners in the office. It isn't long before a bold move by Buffy leads to a discovery of their mutual desires to be partners outside of the office as well, leading to a steamy office hook up. At the conclusion they find a resolution both personally and professionally, solidifying their relationship.”
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Runner-up - Confluence by DHW “There's a lot going on in this part of the "Sanctuary" series! We get of course a sizzling D/s scene, in which Giles proves once more that he's the world's classiest Dom. But we also see a very different kind of sex - without rules and without hiding behind their made-up names it's new and strange for both Buffy and Giles, but no less enjoyable for the reader. The characters' voices are especially well written. Their banter is delightful and feels just really "them". Conflict sneaks in when Giles, typically, resolves that Buffy would be much better off without him, but she's having none of it. The dispute culminates in a powerful scene in which Giles literally strips (and metaphorically too), displaying a heartbreaking mix of vulnerability and defiance. So good!! We can't wait until the last part of this captivating series is out.”
The Dark Age Award  [Best dark, Giles]
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Winner - All Set Down by Destoto-hia873 “We are thrilled to give the award to Destoto-hia873 for ‘All Set Down’. This story is amazing. First, the mislead works incredibly well. You think you're reading about things you already know, just embellished with more details and more insight than the series offered, and that would have been a great fic in itself, but then the subtle hints that something's different, something gone even more wrong than in canon can no longer be ignored and suddenly this is no longer simply sad but alarming. Second, the build-up of suspense works well. Alternating the scenes between past and present is a brilliant move. It allows the story to drop small clues, Giles' actions after the event, and keep the reveal of what went before until the next to last scene. For example, Giles is covered in her blood, which isn't canon. Washing his “reddened hands” can't help but bring up shades of Lady Macbeth suggesting guilt. Giles hanging crucifixes and performing the uninvite spell is a fascinating clue. Obviously, he's keeping out both Angel and Spike, but we know that Spike's very protective of Dawn. The pair of caskets might be the most exceptional of the clues. We know someone has died and the clues are there, but we don't want to accept that it's Dawn. Wow! Third, the characterizations are spot on. This is exactly what Giles would have done in this situation. Every thought, every word, every movement, every action, it's all perfectly him. Watching Dawn's growing realization, that Buffy's death has not closed the portal and what must happen next, is heart-wrenching. It's devastating to see her come to the conclusion Giles has already arrived at, especially seeing her bravery and watching Giles be undone by her trust. I cried then.”
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Runner-up - Epilogues by DHW “’Epilogues’ is a well-crafted story with a bittersweet heart. The writing style offers a rich background of sounds and smells and descriptions, but in a very natural way that never distracts or stops the flow. We adore how the first and final scenes bookend the story, how the similarity of structure in the language of the two scenes frame the story and highlight the change that has taken place in Giles' life. We love how the facts are uncovered bit by bit by bit, never revealing too much, but never drawing it out for too long either. For example, when we first meet Mr. Edmund Fairweather, there is nothing to tie him to Giles other than the fact that Buffy is happy to see him. In the next scene, the description reminds us of Giles and we're told that the three translators working there, although the same age, are “former students of one era or another” and that Fairweather “has the air of an ever so slightly unkempt Professor, though much too young”. However, it's not until he recognizes Buffy, until he slams his hand on the desk when she starts to say his name, that we're sure he's Giles. It's tough to see Giles depressed and downright suicidal. The night Faith was killed - a truly traumatic experience - appears to be the origin of his mental state, all the clues seem to point towards it, the nightmares, the guilt... So, the shocking reveal that it's actually the other way round, that he felt this way all along and his attempt to end his life was what caused Faith to die in the first place, feels like a kick to the gut. The hints of Giles' attraction to Buffy are fantastic. A fave is when she first comes to his office. He doesn't see anything but her. He misses the tome she's holding until she hands it over. We like how the story plays with the idea of fate. At the start, a quote from Aristotle sums up the author's point: Choice, not chance, determines your destiny. But throughout the story both Giles and Buffy think of their choices as fate. For example, Buffy, thinking of the passage that led her to Giles, assumes it can have only one meaning, that “Giles is to come home, and she is to guide him.” However, her very next thought comes up with another option: “Or, should she fail, he will sink into his new life and forget there ever was a man named Rupert, or a girl named Buffy.” Giles comes up with a third meaning: fate is calling him to his death. Both Buffy and Giles feel as if they're being pulled by fate until after he's suicided, until after she knows what he's been fleeing all those years. And then she makes a new choice, to let him die, at least on paper, so he can finally be free of the Council. But at the end, the prophecy has been fulfilled: Hysminai, the Slayer, guides. Peace follows.”
The Rather British Award  [Best characterization, Giles]
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Winner - The Need to Believe by Anyjay “Very well written. The author does a fantastic job of portraying Giles's sadness and remorse for not only what was done to Buffy, but for what had happened in the past. Leading to a very touching moment between Giles and Buffy in which they reconcile after the cruciamentum.”
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Runner-up - Believe it Or Not (The Courtship of Rupert Giles Remix) by Thecarlysutra “This story is full of love and heartbreak. The author does a fantastic job of getting inside Giles's head as a youth when he meets his father's slayer. It also helps to fill in the gaps as to why Giles chose to disobey the council and interfere with Buffy's cruciamentum.”
The You Were the One I Loved Award  [Fan favorite, Giles]
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Winner - Second Sight by Il_mio_capitano
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Runner-up - Dénouement by Quaggy
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theclacks · 7 years ago
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Buffy Thoughts - (S7 E20-E21)
AKA Touched and End of Days
AKA:
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(and also pain)
I don’t know if I can put my thoughts for these episodes into coherent words. But IDK, I’ll try. They’re pretty much 90% shippy, 10% the rest of the actual episodes, but whatever. Also they’re both technically several months old because I’ve been procrastinating on watching the final episode out of fear. What else is new?
BtVS & AtS Recap Master Post located here
Episode 20 (Touched)
Oh my god. Oh my god. It is official Buffy/Spike is my favorite ship of all time.
OF ALL TIME.
Like my god, I think I’ve said it before that I’m glad I’m only seeing this series now because if I was younger and less fiction-ly jaded, I think it would’ve destroyed me, but seriously, WHY DID IT TAKE ME THIS LONG TO WATCH BUFFY? I don’t know where my heart is going to be when I finish, what I’ll watch next to fill the void, if there will BE anything to watch next (which is why I’ve been stretching out these final episodes for so, sooooo long) and yeah.
Spike’s speech. AKA quite possibly my favorite scene ever. I discussed this ep a bit over at EF with the Spuffy crew right after I’d watched it and there were some back and forths over opinions of this speech, namely that it sounds like something Riley would’ve said, not Spike, right down to the “you’re a hell of a woman” line from As You Were and I stand by what I said then:
The line is the same. The context is not.
Riley made his “you’re a hell of woman” line as he was leaving to return to his wife, right after he basically said “yeah, you have a shit job that makes you smell funny but you’re still a hottie and you’re better than this.” And I want to put those other two things aside and focus on the “you’re better than this” sentiment, because that’s something that’s been fucking with Buffy’s emotional health for a very long time. This idea that there’s a better Buffy out there somewhere that she’s not currently being and therefore needs to try harder to be that Buffy because if she’s not that Buffy then she’s doing something wrong.
Spike on the other hand. Best line hands down = “I love what you are, what you do, how you try.” He loves her for who she is in that moment, not some idealized version who she could be. Lets her know that trying and failing is fine, that if she fails she doesn’t lose any of her worth as a person (something that Buffy punishes herself frequently her).
And I also love how Spike’s speech begins and ends with humor. Not “you smell bad but you’re still hot” humor, but audience-directed humor in the vein of:
BUFFY: Fine. The stage is yours. Cheer me up.
SPIKE: You're insufferable.
BUFFY: Thank you. That really helped.
It’s like… blah, my brain is refusing to connect words right now, but basically a lot of people in Buffy give her complements when she’s feeling bad for the sake of giving complements vs seeing through the angst and getting frustrated at it. Not like “why are you trying harder” frustrated, but IDK, it’s the difference between letting someone mope because you don’t want to upset them more vs giving them what they need (AND THAT’S NOT RUNNING AWAY TO ENGLAND, GILES). IDK, the speech was a perfect blend of emotional lightness, followed by an emotionally raw sucker-punch, book-ended by yet more lightness.
So yeah.
And as much as my shipper self could’ve skipped out on the other “love” scenes of the episode, I think they really do work well as contrast, particularly the Faith/Robin sex scene. There’s practically no emotional connection there, just the need to physically connect to someone, anyone. And IMHO it represents a growth in the way BtVS handles relationships? Unlike the Faith/Xander scene from Season 3, it’s not played for laughs. There’s nothing “wrong” or “bad” about it.
But, at the same time, contrasted against the Spike/Buffy cuddling scene, it really highlights that sex doesn’t automatically make anything more “meaningful.” Which has been this huge hangup for Buffy (the “need sex to have a complete love” thing). First there was Buffy/Angel which basically culminated in a single night of sex, and then he ultimately broke up with her because he didn’t think they could ever give each other a wholesome relationship without sex. That translated into her jumping into sleeping with Parker, perhaps to get the post-sex skeletons out of the closet ASAP (which, admittedly, she did). And then Riley… well, Buffy/Riley had a fuckton of issues that broke them apart, but she definitely felt like she couldn’t trust him until they’d had sex, not in terms of the actual act but him not leaving before she woke up.
...and then Buffy leaves Spike before he wakes up and oh my heart. It will never be whole.
Anyways, yeah, Andrew/Spike friendship remains beautiful. Spike growling like a cat/dog is canon (has he growled before this episode and I just haven’t noticed?). I loved the camera direction in the chaotic Scooby Meeting sans Buffy. I really loved Faith period, even (especially) through all her leadership failures ; it’s ridiculous how much my opinion on her has done a 180 since season 3.
And then Buffy finds a red scythe which I know is important because it’s on all the comic covers, and Faith finds a ticking time bomb and I actually laughed because of the clichéness of it all.
Episode 21 (End of Days)
Ugh.
Ugggggh.
Ugggggggggggh.
So this review, despite being for End of Days, will have lots of spoilers for Chosen and AtS S5. Because lots of spoilers are a thing that happened to me over the course of watching this series.
If for whatever reason you’re reading this blind and not as a vicarious feelings recap, stop reading now.
Good?
Okay, good.
So, I know pretty much all the basics of what’s going to happen in the last episode: Willow does a spell that transfers the Slayer powers into all the potentials, Anya dies (gets hit by the equivalent of a Stormtrooper blast? you were a leaf on the wind, Anya. a leaf on the wind)...
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...Angel gives Buffy an amulet that can close the hellmouth but Spike has to sacrifice himself in order to use it, Spike does so but not before Buffy confesses her love to him…
Which okay. Pretty much the only thing I’m NOT spoilered for is how that scene goes down. Like does Buffy tell him that she loves him before or after he makes the decision to sacrifice himself? Does he believe her? If it’s before, does he think she’s just saying it to convince him to sacrifice himself? If it’s after, does he think she’s just saying as a consolation prize?
And it’s like, I REALLY WANT HIM TO BELIEVE HER, BUT I AM FILLED WITH DOUBTS. Because I know what happens in AtS S5, and yes, SMG not wanting to do the show anymore is pretty much the reason why she doesn’t make any cameos, but in an in-universe context, the only reason Spike WOULDN’T hightail it across the world to wherever Buffy was upon re-achieving corporeal status is if he didn’t think her declaration of love was genuine.
And if that’s the case, I think Chosen is going to break me. Which is one of the reasons why it’s actually been about 2 months now since I watched End of Days and I still haven’t gotten the courage to watch Chosen. (That and I have a thing about watching final episodes of shows I love. There’s something about knowing there’s always just a little bit more content waiting for you. IDK, I’m weird.)
But yeah. So.
If Spike doesn’t believe Buffy’s declaration of love, then there’s only one reason why he wouldn’t.
And that’s fucking Angel.
I shipped Buffy/Angel during my initial watch of the earlier seasons. I really did. But now I just want to PUNCH HIM IN THE FACE. He swoops in all smirky and condescing and then just INSTANTLY starts making out with Buffy, going all forever love with her despite what should be his fucked up emotional state re: loving and losing Cordelia and also his son. And the fact that he instantly, INSTANTLY, goes for the make out session without clueing Buffy into any of this… it just feels really, really, REALLY scuzzy.
Like, it’d be feeling scuzzy even if I wasn’t a Spuffy shipper (which I am, disclaimer). That’s how scuzzy it is.
And really, there’s very little difference between Angel swinging into town and sweeping Buffy off her feet with no mention of his other recent relationship, and what Riley did in As You Were.
And I think everyone knows my opinions on As You Were.
So anyway, back on topic. What’s the point of shoving a sudden love triangle into the FINAL EPISODE of Buffy, especially when it’s going to (I think) end with Spike not believing that Buffy truly loves him. Like was it fan service for Bangel shippers? (I mean, it very well could’ve been, but their ship had sailed FOUR YEARS AGO.) Was it to introduce last minute drama between Buffy and Spike? (to which I said, they already had an Atlantic Ocean’s worth of drama between them, they didn’t need anymore). Is it to make Buffy realize by seeing her options face to face, that she prefers being with Spike? (this would be the option i’d be most okay with, but am majorly doubtful because of all the post-series lists of “Top 15 reasons Buffy should’ve chosen Spike”).
And it’s just like… why?
This is the final season. You guys KNOW it’s your final season. So why?
Buuuuut, this is all speculation on my part due to incomplete spoilers, so maybe my hunches are all wildly off base. I sure hope so.
Either way, it’s January 1st, 2018, and I’ve put off watching BtVS’s final episode long enough. This is the night it ends.
Or… you know, kind of ends for the readers who’ve been reading these. I’ll come back sometime later this week to put all of my Season 7 thoughts + BtVS series as a whole thoughts into some sort of written cohesion.
Oh, and then I have all of AtS S5 to watch, which FUCK YEAH, SPIKE INTERACTING WITH WESLEY AND LORNE AND GUNN AND FRED, I AM STOKED. (You guys have no idea how scared I was that one of them would’ve died before the end of Season 4 and they never would’ve been on screen together.)
Also, paddlin’ back in circles as a last minute thing:
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WHY? WHY WOULD YOU BRING ANGEL BACK IN AFTER THIS? THIS WAS PERFECTION. THE DICTIONARY DEFINITION OF PERFECTION.
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Until then, Cassie is my last remaining ray of hope:
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Happy New Year, everyone. See y'all at the finish line.
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bimbinis · 7 years ago
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Spike×Buffy, Angel×Buffy, Riley×Buffy, or Faith×Buffy? Why?
This is the BEST question I’ve ever received especially because I have no idea.
It’s very hard for me to decide because each has its own appeal but has also a fuckton of flaws to weight on too.
Riley×Buffy is… Well. No one likes Riley, so it’s hard for their relationship to have any appeal at all. It could have been interesting to explore the idea of Buffy having a relationship with a regular Joe, but the crew kinda seemed like they ditched the idea and decided to give Riley some superpowers too, so he really doesn’t bring anything new to the table and it’s certainly the worst out of the four.
Spike×Buffy is… yikes. I know it’s a very popular ship and to be honest, I can totally understand why. Their dynamic is incredible, and by far the most developed. I think the fact that they came such a long way together before actually starting to develop feelings for each other plays a good role on why it’s so popular. But I, personally, just can’t get on board with a girl legit falling for a guy who tried to rape her. Yes, I know, soulless Spike =/= soulful Spike. But I don’t think it’s… I don’t wanna say realistic, more like, acceptable that someone would date someone who Idk has at least the face of their rapist. Besides, I think Spike loses a lot of his appeal when he starts falling for Buffy, and even more when he gets a soul. I really liked Spike as an antagonist, a chaotic neutral kinda guy, and without that I can’t really dig him anymore.
I like the idea of Angel×Buffy only in theory. I guess in a very specific setting, in one of them domestic AUs with minimum conflict and all. And I truly think Buffy will never love anyone as much as she loved Angel, but here’s the thing: In his own show, Angel is my second favorite character of the entire Buffyverse, losing only to Tara (oh rly). As Buffy’s lover, he’s literally my least favorite character of the Buffyverse - even more than Wesley, who, in the first terms, is my least favorite character of all. I can’t really dig a ship that completely harnesses my favorite character’s potential.
Then you have Faith×Buffy. That’s a ship with a wild potential. I really do believe Faith at some point had really strong feelings for Buffy, and it would be awesome to see something happening between them. My problem with it is mostly the same I have with Spuffy: the way Faith treated Buffy was Very yikes. I kinda overlooked it when I watched BtVS, but after watching Angel 01x19, it’s very hard not to feel like Buffy shouldn’t ever be with Faith.
I guess if I really have to choose I’ll go with Faith×Buffy because it’s the only one in which the other character doesn’t lose in development. But that’s only because it’s noncanon of course. I feel like if it was canon it would have the same problem as the other three.
(btw this is something I’ve been thinking about a lot lately. The wasted potential doesn’t happen only with Buffy’s lovers, but the rest of the core Scoobies’ as well. Jenny got killed for the sake of Giles’ angst, @lesbidar pointed out once how Anya’s relationships with other women were overshadowed by her relationship with Xander, and even considering I’m a huge Willow/Tara shipper, my favorite moments of Tara are mostly ones where Willow isn’t around and/or they’re taking that hiatus during season 6).
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womanaction · 7 years ago
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community, buffyverse, and tbbt?
Community
Favorite character: Britta Perry!
Least Favorite character: Pierce, I guess
5 Favorite ships (canon or non-canon): Annie/Abed (obviously), Troy/Abed, Britta/Jeff, Britta/Troy, Jeff/Annie
Character I find most attractive: sooooo I find Alison Brie the most attractive but not necessarily Alison Brie as Annie? So for character I’m going with Britta again.
Character I would marry: Troy!
Character I would be best friends with: Hmmm either Troy or Britta probably.
A random thought: I’m like...surprised by how much I like the last season. Usually I don’t like the last seasons of things much, and especially since it was on Yahoo and all...but I actually really like it and find myself rewatching those a ton.
An unpopular opinion: I mean probably some things involved in my A/A shipping (e.g., Annie is not just attracted to Abed when he’s playing a character)...but also S4 wasn’t as bad as it was hyped to be. Maybe because I subconsciously compared it to Angel season 4.
My canon OTP: where canon here means “actually hooked up in canon,” I guess Britta/Jeff
Non-canon OTP: Annie/Abed of course
Most badass character: Annie Edison y’all! 
Pairing I am not a fan of: Eh...I didn’t really mind any of them too much. I guess there are probably some cracky ships I couldn’t get on board with but all the canon ones were fine, even if like...Jeff/Slater was boring to me.
Character I feel the writers screwed up (in one way or another): Britta and Shirley - I feel like they lost sight of their extra dimensions. Pierce, too, actually. S1 was better for them all being less cartoonish (they straight up Eric Matthews’d Britta later)
Favourite friendship: Ughhh all of them. All the ships I listed above, but also Annie&Troy (who I also ship romantically, just not enough to make that list) and Jeff&Shirley and Annie&Britta!
Buffyverse
Favorite character: Cordelia Chase ♥
Least Favorite character: ehhh Warren
5 Favorite ships (canon or non-canon): Spike/Buffy, Buffy/Faith, Cordelia/Angel, Buffy/Angel, Willow/Tara
Character I find most attractive: Spike lmao
Character I would marry: Tara Maclay but I’m so not worthy
Character I would be best friends with: Xander!
A random thought: I still haven’t gotten my Buffyverse tattoo but I...really really want to.
An unpopular opinion: S6 is a mess but in a great way and definitely something I turn to when I’m struggling. So much truth in those episodes.
My canon OTP: Spike/Buffy
Non-canon OTP: Uhhh Faith/Buffy although like...really, how is it not canon
Most badass character: BUFFY SUMMERS
Pairing I am not a fan of: still warming up to Willow/Kennedy. I may ship it fully in another 5 years. Also don’t get some of the fanon ships but that’s okay.
Character I feel the writers screwed up (in one way or another): A lot of them but Anya is one of the worst offenders. She has so much potential depth and the writers just turned her into a joke 90% of the time. There were so many more interesting things to do with her (see also: Drusilla)
Favourite friendship: Uhhh Willow&Xander. That’s some epic friend love, and I feel like the actors really sold it right off the bat so it made it believable even later when they kind of dropped any plots about them for a while to still go yeah, they care about each other.
TBBT
Favorite character: Penny! 
Least Favorite character: early seasons, Howard, but then they kinda handled his character better so Leonard (and also from what you’ve mentioned about things that have happened since I quit)
5 Favorite ships (canon or non-canon): SHELDON/PENNY and also Howard/Bernadette and that’s really it
Character I find most attractive: Penny ♥
Character I would marry: also Penny probably 
Character I would be best friends with: Raj 
A random thought: I hate how this has become a memetically hated show, it’s like the Twilight of sitcoms at this point, and while it definitely got pretty bad there were some decent things early on and I enjoyed my time in the fandom
An unpopular opinion: I guess that’s also an unpopular opinion from outside the fandom. 
My canon OTP: Howard/Bernadette
Non-canon OTP: SHELDON/PENNY
Most badass character: PENNY AGAIN (I’m sorry, I just love her a lot)
Pairing I am not a fan of: I think that’s probably pretty clear from my other answers lmao
Character I feel the writers screwed up (in one way or another): nearly all of them
Favourite friendship: still Sheldon&Penny they can be my answers for everything, fight me
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