#best horror books
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thebestbookrecommendations · 10 months ago
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Book Recommendation:
Insomnia - Stephen King
Genres: Horror, Fantasy, Thriller, Mystery, Science Fiction, Suspense
Keywords: Supernatural/Paranormal, Slow Burn, Derry Maine, Alternate Dimensions
Length: Long
Rating: 4/5
Find on Goodreads:
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booksofdelight · 2 years ago
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The 25 Best Horror Books of All Time 
The 25 Best Horror Books of All Time!
We love horror stories and are always looking for horror books that give us a good scare. But finding great horror books is not easy. That is why we decided to list the 25 best horror books of all time. Keep reading to find out which books made our list!  The 25 Best Horror Books of All Time Like any other genre, horror has books that stand above the rest. We decided to do the impossible and…
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valtsv · 7 months ago
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Underused psychological/body horror concept: Character who knows their body was changed without their knowledge or permission, but also realizes their mind was affected because the change itself doesnt bother them at all. They're in a form unrecognizable to how they've been the whole rest of their life, and the most upsetting part is the realization that they're unable to be upset about it.
oh fuck yeah. i'm definitely projecting here, but there is something so satisfyingly horrifying about being able to rationally recognise that you should feel a certain way, but being physically and psychologically incapable of it, because the part of you that would enable you to access those emotions has been cut away, torn up by the roots and cauterised shut before you could feel the pain of the wound it left behind. the added insult to injury of not only having something stolen from you, but taking all of the rage and pain you might have felt at its loss with it. the body-mind entanglement; phantom limbs and phantom grief.
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corviiids · 13 days ago
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people in tags keep being like "ok wtf is animorphs actually about" so here. here you go. animorphs is what you get when you take a standard "kids save the world while balancing school, family, love, and life!" action-adventure plot from any pre-teen series, then pick up an accompanying video essay reddit thread tumblr post which goes "hang on, but have we ever actually considered how traumatic and strenuous and deeply fucking impossible this situation would be to manage if they were real kids? wouldn't it be compelling and haunting to interrogate what this would actually mean for this team of child soldiers?" and inject all of that directly into this scholastic serial from the 90s with the funny animal covers. i hope this helps. they are free online.
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indelicateink · 8 months ago
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as an american, sam reid’s total inability to hide his contempt for overly fake-chipper american journalists, especially ones who Have Not Done The Assigned Reading know and care about the show, will never not be hilarious and iconic to me
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samglyph · 6 months ago
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I didn’t tag anything on the post cause I didn’t want to detract from that whole thing but everyone just needs to remember that I do have a giddy obsession with The King in Yellow. Not the malevolent character. The book. From 1895. The one that starts with the author trying to justify segregation before going into his state authorized suicide world. That one. I do a little jig whenever I hold it my brain is broken about this book.
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brokehorrorfan · 8 months ago
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Grady Hendrix (My Best Friend’s Exorcism, The Southern Book Club's Guide to Slaying Vampires) will publish Witchcraft for Wayward Girls on January 14 via Berkley.
The 432-page horror novel is described as "Rosemary’s Baby set in a home for unwed mothers in 1970." It will be available in hardcover, large print paperback, e-book, and audio book.
Set in Florida in 1970, Grady Hendrix’s newest novel follows a group of young women in a home for unwed mothers who find a guide to witchcraft.
Pre-order Witchcraft for Wayward Girls by Grady Hendrix.
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pondslime · 1 year ago
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AN AMERICAN WEREWOLF IN LONDON (1981)  dir. John Landis
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erinwantstowrite · 3 months ago
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While Loki may be up to some shit, I still trust him. Honestly, I'm just a sucker for a Loki with a soft spot for Peter. But also, Peter & Dick made it sound like the only reason Peter was trusting Loki was because he was from Peter's worldline, BUT that's completely dismissing Peter's spidey sense which has declared Loki a friend.
Like, that's important!!!! The sense doesn't just react to who Peter trusts either, bc when he was cautious of the bats his spidey sense still labelled them friends. I'm pretty sure that while Loki is definitely up to something, he doesn't mean Peter any real harm. Especially since the spidey sense only seems to call those who want to help (and probably hold some form of care for) Peter friends. I trust the spidey sense more than anything.
If I'm being honest, whether or not all of what Loki said was true, he does have a big point on that they didn't and don't tell Peter crucial information. I'm a big advocate for actually explaining to kids WHY they should not do something rather than just telling them not to. Like, y'know, Peter's whole misunderstanding with why the avengers don't like Loki.
Keeping Peter in the dark is a terrible idea. Especially since as a super powered, mutant, vigilante he'll need to actually know things. I always like these sort of conflicts in texts, where an adult's wish to keep a kid ignorant for their own good actually endangers them. Like in the Harry Potter books, when Molly tries to keep the kids out of the Order meetings, despite it directly affecting Harry and in conjunction the others. (Harry is kept ignorant of most things in those books and it does NOT help). People should know of threats and dangers to themselves in detail, ESPECIALLY KIDS. Peter deserves to be involved in "adult business" because it directly affects him.
ANYWAY,, thank you for another great chapter!!! I love Loki he's such a little shit and so is Peter. They could be besties.
!!!!! 👀
Loki's definitely up to something, but you're pretty damn closes anon!! Peter hadn't picked up on it but a big part of his trust was that his spider sense hadn't felt a danger around Loki at any point. He's just upset about something. But Loki definitely has his own goals in mind and it might still cause a rift
As for the Avengers (teehee) I feel bad because they were definitely supposed to talk about it this chapter but I didn't have room. There's a lot in play about the adults wanting to keep Peter safe but misinterpreting 'safe' as not knowing the larger details about what they're doing. It's the root cause of the problem here. However in their defense... Peter got kidnapped and experimented on last time when he learned a big detail like that. He found out someone he cared about died as a result of these kidnappings, and he went looking for them on his own before he was ready. Peter will talk about this in chapter 17 when he tells Dick pretty much his entire life story (in a game of 21 questions again). It'll also be clear to the reader why they'd be nervous about letting Peter know about Loki... He lost his first foster family to the Battle of Manhattan. And Peter has a habit of going "punch first, figure out later." (Pulled that habit directly from the comics)
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boujeebunny8 · 5 months ago
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⚠️ horror
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I had this funky concept for a MaTT horror game inspired by fnaf where you play as Zatz trying to escape Lord Mictlans temple. But while your trying to get out, the other gods (the bad ones) are trying to catch you.
Here’s what I thought of. Pretty crazy, huh?
(I also wanna make a TBoL one too…)(also, sorry Zatz stans)
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booksofdelight · 4 months ago
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17 Terrifying Books to Read This Halloween Season
Find out the 17 terrifying books to read this Halloween season!
Halloween is once again is around the corner and we have compiled some of the best books reading during spooky season. Keep reading to find out which books we chose for this list of 17 terrifying books to read this Halloween season! I don’t normally read too many horror books but when I do read one, I often enjoy them. This is a genre that relies on shock value often times and many authors have…
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emilyscastlevania · 2 days ago
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thebestcomicbookpanels · 3 months ago
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Gray Morrow draws a delicious cover for Red Circle's MADHOUSE #96
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daffodil--lament · 7 months ago
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charmed life's ending is so funny to me because, without even going into the fact that it's confirmed the scary intimidating enchanter cat's been terrified of the whole book is straight up a government official and the attack on the garden was basically a january 6 esque coup run by magic libertarians who are mad that they arent allowed to colonize and exploit other worlds -
without even going into THAT, janet is like "hey ive just decided that i want the girl replacing me to have a better life, which means I'm never ever going to see my parents or home ever again"
and cat is like "ive just discovered that im possibly the most powerful enchanter on this or any other world despite being like nine years old, and also that the only person i had to care for me in the world kept me in the dark about my magic, stole it from me, killed me at least four times for her own petty gains, and was actively aiding in my being ritualistically sacrificed before she abandoned me"
and the family is like "damn that sucks. anybody else craving chicken? it's past our lunchtime"
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mostlyvoid-partiallyflowers · 7 months ago
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The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.
There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.
This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.
Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.
He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.
He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.
Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.
Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.
#iwtv amc#iwtv#interview with the vampire#interview with the vampire amc#louis de pointe du lac#louis iwtv#iwtv spoilers#iwtv season 2#iwtv s2 e7#iwtv meta#interview with the vampire meta#confession as a motif throughout the series#the way catholic imagery is inherent in vampire media#the way this series plays with unreliable narration so you never know who to believe#louis is such a phenomenally well crafted and dimensional character#and i think the show specifically creates a much more nuanced version of his character than he seems to be in the books#at least from what i've heard#i haven't read the books but i have read/been told about the changes they made to his character from book to movie#and i don't think he's as sympathetic or compelling if he's white#i think the way they updated the story with louis and claudia both being black really adds to their characters#it adds so much dimension to the way they interact with the world and also with lestat#lestat as a wealthy paternalistic white european man#in opposition to two black people in america#the multi-dimensionality of that dynamic and how race class and gender play a role in that#i could write an essay about this#i can absolutely find some sociological theory to use as a lens to discuss this#it's fascinating how well the writers and directorial team are doing with this adaptation#most book to movie/tv adaptations are mid at best#and this one pays homage to the original while also improving and updating the content significantly#i think it's also so important how the show is filmed with beauty and horror both taking precedence
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rosiesriiveters · 9 months ago
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Keep thinking of Rosie allowing everyone else to experience the trauma of war around him in any way they need to. Whether it be after listening to his crew member choke through the Munster story, reaching a hand out to comfort him, making sure the replacements are all settled and feel comfortable with him - establishing that he's someone who can be trusted with any issues - and listening to Crosby tell him he's scared he's becoming a monster and reassuring him, and yet refuses to give himself the same grace.
Thinking about how he doesn't tell Crosby about what he saw after he was shot down, what he witnessed in that camp. He's never really the one telling any stories in the series. He listens and watches, lets others say whatever they need to, all the while keeping his cards close to his chest.
Thinking about Rosie smiling while watching his crew and the other airmen enjoying themselves at the flak house, and yet not allowing himself the same enjoyment. Thinking about how the doctor at the flak house got Rosie to look after himself only when he framed it that looking after himself is looking after his crew.
Thinking about Rosie re-upping, choking slightly on his words as he explains he can't bare the thought of sending some rookie in his place to only get himself and his crew killed.
He won't give himself the grace or patience he deserves, but by god he'll take care of everyone around him.
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