#I think I just like him in any universe

[samglyph]

I didn’t tag anything on the post cause I didn’t want to detract from that whole thing but everyone just needs to remember that I do have a giddy obsession with The King in Yellow. Not the malevolent character. The book. From 1895. The one that starts with the author trying to justify segregation before going into his state authorized suicide world. That one. I do a little jig whenever I hold it my brain is broken about this book.

[benevolenterrancy]

(Unseen Academicals, Terry Pratchett) I think Shang Qinghua and Ponder Stibbons should have tea and compare notes about somehow accumulating so much behind-the-scenes power by doing menial jobs no one else wants that they could basically run the show if they wanted...

meanwhile we have Shen "meh good enough" Qingqiu

[canisalbus]

You’ve most likely answered this before but what breed exactly is Machete? I’ve been trying to figure it out for a while I’ve thought maybe a saluki but the ears arnt right.

In theory his breed is fictional Podenco Siciliano, but he's not a purebred example. Out of existing dog breeds he looks closest to (and is related to) Ibizan Hound.

But sometimes I see Silken Windhounds that also kind of remind me of him. They just don't have the characteristic bat ears.

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[ruporas]

post ep 11

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[tanglepelt]

Dc x dp idea 127

After the events of the nasty burger. Clockwork doesn’t rewind the explosion, but rather then fully trust Danny not to allow Dan to happen. He took matters into his own hands.

He deages Danny and in order to ensure he had no contact with Vlad ever again. Unleashes a grieving and peeved super powered toddler on the dc universe.

Jack is a hero’s alternate. Like say Clark or Bruce. Even any of the batkids or super kids. So if a dna test were to occur. Well. It would register Danny as their child.

[uncanny-tranny]

You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.

[spielzeugkaiser]

hi, first off i really love your art. the h/c and warmth really hit me where i live and your illustration style is fantastic. lately i've been obsessed with the post where an unwell milek thinks geralt will leave him behind. was that an ingrained insecurity, assuming his super-witcher dad wouldn't have time for a sickly human kid?

[MASTERPOST] - Ahh, thank you for the ask! Yes, this scene.. I actually saw this a bit differently! It's not about Milek fearing Geralt will leave him behind, he actually wants him to. They need to find his Pa!! I think he often feels like a burden; Jaskier knows this, but Geralt isn't aware of this yet. Milek just wants to pull his weight, especially with Jaskier. A little sneak peak to their struggles regarding this:

Meanwhile Jaskier continues to struggle with his omega status.

[tswwwit]

I feel like if Dipper were ever reincarnated as a demon, he wouldn't fit in super well with the others. Yes, he's been raised to vie for power and step on everyone in his way using whatever means is necessary - it's the same toxic bizz as when he was a human, appealing to gender norms. He's tougher, scarier, more powerful (than ordinary humans, that is), but when it comes to asserting control - being Evil - he doesn't have it in him. Given enough time, I think he'd grow pretty vocal about leaving living things alone. NOT torturing organisms for the hell of it, or stealing people's souls, or conquering planets. Sure, he's a demon. That's no excuse to be a MONSTER.

It's a VERY unpopular opinion amongst neighboring demons, and rumor spreads fast about the Goody Two-Shoed Activist imp raining on everyone's blood-splattered parade, so much so that it makes it to Bill, who's immediately intrigued. Call it intuition, but only one soul's capable of overriding goddamn demon nature for some preachy bullshit about "Doing Good." Lucky for him, demons occupy the same plane of existence, so all it really takes to verify the guy is a snap of his fingers, and POOF! He's floating right next to him. Sure enough, Dipper's fashioned himself a new and improved demonic form, and it is lovely!

No one likes Dipper's kumbaya "Can't We All Just Get Along" ideology, but Bill's almost instantly smitten with the guy, whoever he is, so he's gotta be at least somewhat powerful. Demons take notice when the all-powerful Bill Cipher starts lending his time (and magic?) to some low-leveler like Dipper. Is he being blackmailed? Are they working together? No. Not possible. Bill doesn't "work" with anyone, save for whatever human catches his eye every few decades. Doesn't look to be doing him any benefit, either. The opposite, even. Lending power to a saint like Dipper only makes it harder to cause chaos, after all. Why would he actively go against his OWN best interest to cater some imp's? It's almost like he's. He's.

A henchmen.

(Bill's also 30% more affectionate the first month they reunite, because he still can't believe that his adorable little human husband came back as the same SPECIES as him! He'd never complain over having a sweet human to squeeze, but one with teeth and claws and cute pointy ears doesn't hurt).

[oceanwithouthermoon]

i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???

you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"

[patolemus]

Stiles sits in the front row at the funeral.

He’s next to Mellisa, who hasn’t been able to stop crying since she got the news. Stiles’ dad had organized the whole thing, talking with the funerary home and picking up the coffin and the arrangements. He’d only asked Melissa what she wanted on the headstone.

Raphael had showed up the day after. For the first time in his life, he’d looked a mess, hair everywhere and clothes wrinkled as he stormed into the house asking what had happened to his son, tears already gathering in his eyes before he even got a look at Melissa’s face. Stiles hadn’t made fun of him. Stiles hadn’t said anything at all. Raphael sits on Melissa’s other side now, and she grips his hand tight enough it turns white. He hasn’t been back for five years.

God, Scott hadn’t seen his had for five years, and now he’s dead. Scott’s dead.

Stiles thinks it still hasn’t sunk in. He’s in the middle of his best friend’s funeral - it’s closed casket because his body was so mangled up that the EMPs could barely recognize him. Stiles had heard his dad on the phone with one of his deputies talking about it, before he’d realized just whose body they were talking about - and it still hasn’t clicked that Scott won’t be coming out of his casket, that this isn’t some kind of sick practical joke for getting him out of bed the night before school started.

Stiles is not crying. He hasn’t cried once since hearing the news. His dad is crying, sitting on his other side. Scott’s like a second son to him.

Was. Scott was like a second son to him. Was because he’s gone now. Because he’s dead.

Scott’s dead.

His best friend since preschool is dead. His brother is dead. The kindest, most caring person in the world is dead. Stiles goaded him into going to the preserve to look for half a dead body - and God, he’s such an asshole. A dead body? What was he even thinking? - and now Scott doesn’t even get to show his face at his own funeral because whatever killed him barely left any of him to bury.

If only he’d stayed. If only he’d told his dad Scott was with him that night instead of leaving him there. But no, Stiles hadn’t wanted Scott to get grounded because he dragged him out of bed, so he’d kept quiet. Even when he’d seen the pair of red eyes and that— that thing in the corner of his eye. Stiles hadn’t said anything. He thought they’d laugh about it at lunch the next day.

Now Scott’s dead.

Scott is dead.

And Stiles knows exactly what did it.

(He’s going to fucking kill it.)

[automatonknight]

here's the prick i was talking about^ i have so many thoughts and notes about him but they're mostly incomprehensible so when i organize maybe them i'll post them who knows

[turtleblogatlast]

Something I really like about Leo’s joking ways is that while his verbal humor (mainly his puns) doesn’t tend to get much positive reception, his physical humor (such as the slapstick for Sprite or that moment during their fashion montage where he makes all of his brothers laugh) tends to go over much better. Idk it’s such a small thing that’s barely there but it gives me a big “actions speak louder than words” vibe that Leo really encapsulates.

[maeaniseyas]

How can you praise Andor for its nuance in its portrayal of Imperials and the Rebellion, but can’t accept any nuance when it comes to the Jedi, the Sith, and the Force. George Lucas, the literal creator of Star Wars, was the one to introduce the idea that the Jedi weren’t perfect and made many mistakes, and he helped his apprentice Dave Filoni showcase this even more in The Clone Wars, and then Dave continued to expand on George’s own ideas about the force in Rebels and his later projects.

So don’t be mad at Dave Filoni or Leslye Headland that the Jedi aren’t perfect, be mad at the literal creator of this franchise. Also, no project has ever made the case “The Jedi are just as bad as the Sith”. The Sith are very noticeably worse than the Jedi, always.

[apollo-just-ice]

Textpost time yay! :-)